Data Journalism, Impartiality and Statistical Claims
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Macbeth Silly Shakespeare Sample
ISBN: 978-1-948492-74-4 Copyright 2020 by Paul Murray All rights reserved. Our authors, editors, and designers work hard to develop original, high-quality content. Please respect their efforts and their rights under copyright law. Do not copy, photocopy, or reproduce this book or any part of this book for use inside or outside the classroom, in commercial or non-commercial settings. It is also forbidden to copy, adapt, or reuse this book or any part of this book for use on websites, blogs, or third-party lesson-sharing websites. For permission requests or discounts on class sets and bulk orders contact us at: Alphabet Publishing 1204 Main Street #172 Branford, CT 06405 USA [email protected] www.alphabetpublishingbooks.com For performance rights, please contact Paul Murray at [email protected] Interior Formatting and Cover Design by Melissa Williams Design Summary acbeth (or The Tragedy of Macbeth to give it its full Mtitle), believed to be first performed in 1606, is one of Shakespeare’s most famous and widely performed plays. Some say that the play is cursed because of the way in which it portrays the witches and so tradition has it that the name of the play should not be spoken in theatre; instead it is referred to simply as ‘the Scottish play’. *** The Scottish play begins with the brief appearance of a trio of witches who act as the narrators for this version of the play, appearing between each scene. It then moves to a military camp, where the Scottish King Duncan hears the news that his generals, Macbeth, and Banquo, have defeated two separate invading armies—one from Ireland and one from Norway. -
Journalism in Jordan: a Comparative Analysis of Press Freedom in the Post-Arab Spring Environment
Global Media Journal ISSN: 1550-7521 Special Issue 2015 Journalism in Jordan: A comparative analysis of press freedom in the post-Arab spring environment Matt J. Duffy, Hadil Maarouf 1. PhD, Berry College, GA,USA 2. Center for International Media Education, Georgia State University Corresponding author: Matt J. Duffy, PhD, Berry College, GA,USA. E-mail: [email protected] 1. Abstract Although once known for one of the most vibrant media sectors in the Arab world, the press freedom ranking of Jordan has declined in recent years. Despite governmental assurances during the height of the Arab Spring, promised reforms in freedom of the press have failed to materialize. By studying primary and secondary sources and interviewing Jordanian journalists, the authors identify four main developments that show diminished press freedom in Jordan. These developments will be described in detail and examined in the context of international media law. The analysis finds that the Jordanian approach to media regulation is often at odds with the approach recommended by the United Nations free speech rapporteurs. The authors also examine the press system of Jordan through the lens of Ostini and Fung’s press system theory. 1 Global Media Journal ISSN: 1550-7521 Special Issue 2015 2. Introduction organizations support the observation As the Arab region erupted in protests in that press freedom has gotten worse in early 2011, the king of Jordan appeared Jordan (see figures 1 and 2.) to see the writing on the wall. He fired Figure 1: Freedom House his cabinet and called for immediate changes in the organization of his Press Freedom Ranking government. -
How to Fund Investigative Journalism Insights from the Field and Its Key Donors Imprint
EDITION DW AKADEMIE | 2019 How to fund investigative journalism Insights from the field and its key donors Imprint PUBLISHER RESPONSIBLE PUBLISHED Deutsche Welle Jan Lublinski September 2019 53110 Bonn Carsten von Nahmen Germany © DW Akademie EDITORS AUTHOR Petra Aldenrath Sameer Padania Nadine Jurrat How to fund investigative journalism Insights from the field and its key donors Sameer Padania ABOUT THE REPORT About the report This report is designed to give funders a succinct and accessible introduction to the practice of funding investigative journalism around the world, via major contemporary debates, trends and challenges in the field. It is part of a series from DW Akademie looking at practices, challenges and futures of investigative journalism (IJ) around the world. The paper is intended as a stepping stone, or a springboard, for those who know little about investigative journalism, but who would like to know more. It is not a defense, a mapping or a history of the field, either globally or regionally; nor is it a description of or guide to how to conduct investigations or an examination of investigative techniques. These are widely available in other areas and (to some extent) in other languages already. Rooted in 17 in-depth expert interviews and wide-ranging desk research, this report sets out big-picture challenges and oppor- tunities facing the IJ field both in general, and in specific regions of the world. It provides donors with an overview of the main ways this often precarious field is financed in newsrooms and units large and small. Finally it provides high-level practical ad- vice — from experienced donors and the IJ field — to help new, prospective or curious donors to the field to find out how to get started, and what is important to do, and not to do. -
Reimagining Shakespeare in the Young Adult Contemporary
REIMAGINING SHAKESPEARE IN THE YOUNG ADULT CONTEMPORARY NOVEL by Jodi Lyn Turchin A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL December 2017 Copyright by Jodi Lyn Turchin 2017 ii ACKNOWLEDGEMENTS The author wishes to express sincere gratitude to her committee members for all of their guidance and support, and special thanks to my advisor for being with me every step of the way during the writing of this manuscript. iv ABSTRACT Author: Jodi Lyn Turchin Title: Reimaginging Shakespeare in the Young Adult Contemporary Novel Institution: Florida Atlantic University Thesis Advisor: Dr. Emily Stockard Degree: Master of Arts Year: 2017 This research focuses on how Young Adult (YA) novelists adapt Shakespeare’s plays to address the concerns of a contemporary teenage audience. Through the qualitative method of content analysis, I examined adaptations of the three most commonly read texts in the high school curriculum: Romeo and Juliet, Macbeth, and Hamlet. The research looked for various patterns in the adaptations and analyzed the choices made by the authors in aligning their texts to or deviating from the original plays. A final chapter addresses practical classroom application in using adaptations to teach the plays to high school students. v REIMAGINING SHAKESPEARE IN THE YOUNG ADULT CONTEMPORARY NOVEL INTRODUCTION ............................................................................................................. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
The Fools of Shakespeare's Romances
Sede Amministrativa: Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari (DISLL) SCUOLA DI DOTTORATO DI RICERCA IN: Scienze Linguistiche, Filologiche e Letterarie INDIRIZZO: Filologie e Letterature Classiche e Moderne CICLO XXVI “Armine... thou art a foole and knaue”: The Fools of Shakespeare’s Romances Direttore della Scuola : Ch.ma Prof.ssa Rosanna Benacchio Supervisore : Ch.ma Prof.ssa Alessandra Petrina Dottoranda : Alice Equestri Abstract La mia tesi propone un’analisi dettagliata dei personaggi comici nei romances Shakespeariani (Pericles, Cymbeline, The Winter’s Tale e The Tempest) in particolare quelli creati appositamente per Robert Armin, attore comico di punta dei King’s Men in quel periodo. Nel primo capitolo traccio la presenza di Armin nei quattro testi, individuando cioè gli indizi che rimandano alla sua figura e alla tipologia di comicità tipica dei suoi personaggi precedenti in Shakespeare e di quelli presenti nelle sue stesse opere. I quattro personaggi creati per lui da Shakespeare vengono analizzati in profondità nei seguenti capitoli, raggruppandoli a seconda dei loro ruoli sociali o professioni. Nel secondo capitolo mi occupo dei fools criminali, considerando Pericles e The Winter’s Tale, dove i personaggi di Boult e Autolycus sono rispettivamente un ruffiano di bordello e un delinquente di strada. Nel terzo capitolo mi concentro invece sui personaggi che esibiscono o vengono discriminati per una reale od imputata deficienza congenita (natural folly): il principe Cloten in Cymbeline e Caliban in The Tempest. Per ciascun caso discuto il rapporto del personaggio con le fonti shakespeariane ed eventualmente con la tradizione comica precedente o contemporanea a Shakespeare, il ruolo all’interno del testo, e il modo in cui il personaggio suscita l’effetto comico. -
Print Journalism: a Critical Introduction
Print Journalism A critical introduction Print Journalism: A critical introduction provides a unique and thorough insight into the skills required to work within the newspaper, magazine and online journalism industries. Among the many highlighted are: sourcing the news interviewing sub-editing feature writing and editing reviewing designing pages pitching features In addition, separate chapters focus on ethics, reporting courts, covering politics and copyright whilst others look at the history of newspapers and magazines, the structure of the UK print industry (including its financial organisation) and the development of journalism education in the UK, helping to place the coverage of skills within a broader, critical context. All contributors are experienced practising journalists as well as journalism educators from a broad range of UK universities. Contributors: Rod Allen, Peter Cole, Martin Conboy, Chris Frost, Tony Harcup, Tim Holmes, Susan Jones, Richard Keeble, Sarah Niblock, Richard Orange, Iain Stevenson, Neil Thurman, Jane Taylor and Sharon Wheeler. Richard Keeble is Professor of Journalism at Lincoln University and former director of undergraduate studies in the Journalism Department at City University, London. He is the author of Ethics for Journalists (2001) and The Newspapers Handbook, now in its fourth edition (2005). Print Journalism A critical introduction Edited by Richard Keeble First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX9 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Selection and editorial matter © 2005 Richard Keeble; individual chapters © 2005 the contributors All rights reserved. -
From 'Scottish' Play to Japanese Film: Kurosawa's Throne of Blood
arts Article From ‘Scottish’ Play to Japanese Film: Kurosawa’s Throne of Blood Dolores P. Martinez Emeritus Reader, SOAS, University of London, London WC1H 0XG, UK; [email protected] Received: 16 May 2018; Accepted: 6 September 2018; Published: 10 September 2018 Abstract: Shakespeare’s plays have become the subject of filmic remakes, as well as the source for others’ plot lines. This transfer of Shakespeare’s plays to film presents a challenge to filmmakers’ auterial ingenuity: Is a film director more challenged when producing a Shakespearean play than the stage director? Does having auterial ingenuity imply that the film-maker is somehow freer than the director of a play to change a Shakespearean text? Does this allow for the language of the plays to be changed—not just translated from English to Japanese, for example, but to be updated, edited, abridged, ignored for a large part? For some scholars, this last is more expropriation than pure Shakespeare on screen and under this category we might find Kurosawa’s Throne of Blood (Kumonosu-jo¯ 1957), the subject of this essay. Here, I explore how this difficult tale was translated into a Japanese context, a society mistakenly assumed to be free of Christian notions of guilt, through the transcultural move of referring to Noh theatre, aligning the story with these Buddhist morality plays. In this manner Kurosawa found a point of commonality between Japan and the West when it came to stories of violence, guilt, and the problem of redemption. Keywords: Shakespeare; Kurosawa; Macbeth; films; translation; transcultural; Noh; tragedy; fate; guilt 1. -
Happy Purim! RABBANIT SHANI TARAGIN on Why Purim Is the Most Zionistic Holiday
ADAR SHEINI 5779 MARCH 2019 TORAT ERETZ YISRAEL • PUBLISHED IN SHUSHAN • DISTRIBUTED AROUND THE WORLD ISRAEL EDITION RABBI BEREL WEIN פורים שמח! living our own purim story PAGE 24 Happy Purim! RABBANIT SHANI TARAGIN on why purim is the most zionistic holiday PAGE 5 RABBI JONATHAN SACKS invites us to be alert to G-d's messages PAGE 14 SIVAN RAHAV-MEIR with advice for a noisy world PAGE 23 RABBI CHAIM NAVON analyzes binge relationships PAGE 22 RABBANIT YEMIMA MIZRACHI with some magical moments for women this issue is dedicated in loving memory of PAGE 21 professor cyril domb by his wife and children Torat HaMizrachi HITLER, HAMAN & HAMAS A Parashat Zachor and Purim Primer bsolute evil has existed for minute. Thousands of years later, Individuals and societies possess both millennia. It constitutes a Hitler declared the same intentions. the passion for altruistic good and single-minded, systematic Tragically, he succeeded in murdering the impulse for self-destructive evil. focusA to destroy all good in the world. one third of the Jewish people, and Israel's mission is chiefly the former; According to Torah tradition, it has a if not for the hand of Providence Amalek's the latter. name. Amalek. The Torah commands guiding the actions of the Allied It was not by chance that Amalek was us to always remember and never Forces, he would have gone much 1 the first nation to attack Israel, as forget what Amalek represents. further. Unstopped and unchecked, this type of evil would, G-d forbid, soon as we came out of Egypt. -
Trust and Journalism in a Digital Environment
Trust and Journalism in a Digital Environment Paper Bernd Blöbaum Reuters Institute for the Study of Journalism 2014 2 Acknowledgments The major part of this paper has been written in the upper reading room of the Bodleian Library in Oxford. I am very grateful for having the privilege to work as Visiting Fellow at the Reuters Institute for the Study of Journalism at Oxford University during Trinity term 2013. David Levy, Robert Picard, Nael Jebril and the other researchers, visiting fellows and journalism fellows as well as the administrative staff of the institute provided an inspiring and supporting environment for my research. Many thanks to all of them (and to Hannah Middendorf (University of Münster) for language editing). The Reuters Institute is an exceptional place to study with special people who explore the different forms of journalism and its changes with great passion. You can trust them. 3 Content Acknowledgments ................................................................................................................................... 3 List of figures ........................................................................................................................................... 5 List of tables ............................................................................................................................................ 6 Introduction ............................................................................................................................................. 7 1. Journalism -
Making Mental Health News: Australian Journalists’ Views on News Values, Sources and Reporting Challenges
Author’s final accepted manuscript Full citation details: Holland, K. (2018). Making mental health news: Australian journalists’ views on news values, sources and reporting challenges. Journalism Studies, 19 (12), 1767-1785. http://dx.doi.org/10.1080/1461670X.2017.1304826 Dr Kate Holland Senior Research Fellow News & Media Research Centre Faculty of Arts & Design University of Canberra, ACT, Australia, 2601 [email protected] MAKING MENTAL HEALTH NEWS: Australian Journalists’ Views on News Values, Sources and Reporting Challenges This study is based on interviews with Australian journalists about their experiences of reporting on mental health issues, including how they see their role and their views about characteristics of newsworthy stories and sources and reporting challenges. The analysis draws out the following themes: Exposing problems with psychiatry and mental health care; Highlighting gaps between rhetoric and reality; Humanising case studies; Putting vulnerable people at risk; and Negotiating pushy and shy sources. The study draws upon the concept of biocommunicability to consider these themes in the context of biomedical authority, patient-consumer and public sphere orientations to reporting. Journalists tended to convey a public sphere orientation, but they also gave examples of how the concerns of sources and audiences could work against this. The study suggests that factors such as competition for funding within the mental health field and pressures within the media industry play an important role in shaping the models of biocommunicability found in mental health news and in the mediatised practices of actors within the mental health field. The article argues that a preoccupation with the potential harms of reporting could work to constrain journalism that challenges and moves beyond the privileging of biomedical authority and patient-consumer models. -
The Limner's Art in Shakespeare's Macbeth
The limner’s art in Shakespeare’s Macbeth Sophie Chiari To cite this version: Sophie Chiari. The limner’s art in Shakespeare’s Macbeth. SEDERI , Ana Sáez Hidalgo, 2019, 10.34136/sederi.2019.3. hal-02362253 HAL Id: hal-02362253 https://hal.archives-ouvertes.fr/hal-02362253 Submitted on 15 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Limner’s Art in Shakespeare’s Macbeth Sophie Chiari Université Clermont Auvergne, IHRIM (UMR 5317), France For all its Protestant mistrust of images, Elizabethan and Jacobean England was fascinated by the visual arts and, as Horst Bredekamp puts it, paradoxically “reinforce[d] what it reject[ed]” (2015, 169). While continental treatises like Giovanni Paolo Lomazzo’s A tracte containing the artes of curious paintinge caruinge buildinge, translated by Richard Haydock in 1598, “introduced the English-reading public to the theory of linear perspective” (Elam 2017, 9), the first original texts in English on the arts of drawing and painting began to circulate in print. A man of his time, Shakespeare could hardly ignore these new discourses on pictures, as his frequent and expert use of iconographic references and technical terms testifies (ibid., 10).