The Ed Kennedy Pulitzer Project
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Regional Oral History Office the Bancroft Library Evelyn Danzig
Regional Oral History Office University of California The Bancroft Library Berkeley, California Evelyn Danzig Haas FINE ARTS AND FAMILY: THE SAN FRANCISCO MUSEUM OF MODERN ART, PHILANTHROPY, WRITING, AND HAAS FAMILY MEMORIES With Introductions by Eugene E. Trefethen and Elizabeth Haas Eisenhardt Interviews Conducted by Suzanne B. Riess in 1995 Copyright 1997 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Evelyn Danzig Haas dated March 6, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Argonaut #2 2019 Cover.Indd 1 1/23/20 1:18 PM the Argonaut Journal of the San Francisco Historical Society Publisher and Editor-In-Chief Charles A
1/23/20 1:18 PM Winter 2020 Winter Volume 30 No. 2 Volume JOURNAL OF THE SAN FRANCISCO HISTORICAL SOCIETY VOL. 30 NO. 2 Argonaut #2_2019_cover.indd 1 THE ARGONAUT Journal of the San Francisco Historical Society PUBLISHER AND EDITOR-IN-CHIEF Charles A. Fracchia EDITOR Lana Costantini PHOTO AND COPY EDITOR Lorri Ungaretti GRapHIC DESIGNER Romney Lange PUBLIcatIONS COMMIttEE Hudson Bell Lee Bruno Lana Costantini Charles Fracchia John Freeman Chris O’Sullivan David Parry Ken Sproul Lorri Ungaretti BOARD OF DIREctORS John Briscoe, President Tom Owens, 1st Vice President Mike Fitzgerald, 2nd Vice President Kevin Pursglove, Secretary Jack Lapidos,Treasurer Rodger Birt Edith L. Piness, Ph.D. Mary Duffy Darlene Plumtree Nolte Noah Griffin Chris O’Sullivan Richard S. E. Johns David Parry Brent Johnson Christopher Patz Robyn Lipsky Ken Sproul Bruce M. Lubarsky Paul J. Su James Marchetti John Tregenza Talbot Moore Diana Whitehead Charles A. Fracchia, Founder & President Emeritus of SFHS EXECUTIVE DIREctOR Lana Costantini The Argonaut is published by the San Francisco Historical Society, P.O. Box 420470, San Francisco, CA 94142-0470. Changes of address should be sent to the above address. Or, for more information call us at 415.537.1105. TABLE OF CONTENTS A SECOND TUNNEL FOR THE SUNSET by Vincent Ring .....................................................................................................................................6 THE LAST BASTION OF SAN FRANCISCO’S CALIFORNIOS: The Mission Dolores Settlement, 1834–1848 by Hudson Bell .....................................................................................................................................22 A TENDERLOIN DISTRIct HISTORY The Pioneers of St. Ann’s Valley: 1847–1860 by Peter M. Field ..................................................................................................................................42 Cover photo: On October 21, 1928, the Sunset Tunnel opened for the first time. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Bay Area Reporter, Volume 11, Number 17, 13 August 1981
I 528 15TH STREET, SAN FRANCISCO, CA 94103 TELEPHONE: 415/861-5019 VOL. XI NO. 17 AUGUST 13, 1981 SFPD Raid Hotel In the last several months close to two hundred people Guests and Staff in Uproar have paid $150 for the right to get, keep or look at the by Paul Lorch kicking down doors, physical¬ bodies which have become ly and verbally roughing up such a tourist attraction in the Residents of the Zee Hotel both staff and guests and Castro. This financial exercise were stilt reeling in shock this arresting over a dozen males was done at a gym formerly week over what they uniform¬ (although even at this point called “The Pump Room” on ly feel was a horror-filled vio¬ the Zee people still aren’t sure upper Market Street. lation of their lives. On Thurs¬ of exactly how many were day, August 6, shortly after booked, how many were sub¬ It seems the man who own¬ 5pm the Tenderloin hotel sequently released, or how ed the Pump Room decided to let the air out of the Pump “You have a building full of queers and crimi¬ Room and head South. This has left the owner of the nals and we 're going to get rid of them for you. ” building, through various legal procedures, with a really San Francisco Police Officer jazzy and well-equipped gym. at the Zee Hotel Thus, under the auspices of one Loran Lee there is now found itself awash in a sea of many are still in custody). The Bodyworks Gym where undercover police. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Y\5$ in History
THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 A thesis submitted to the faculty of San Francisco State University A5 In partial fulfillment of The Requirements for The Degree Mi ST Master of Arts . Y\5$ In History by James Harvey Mitchell, Jr. San Francisco, California May, 2016 Copyright by James Harvey Mitchell, Jr. 2016 CERTIFICATION OF APPROVAL I certify that I have read The Gargoyles of San Francisco: Medievalist Architecture in Northern California 1900-1940 by James Harvey Mitchell, Jr., and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in History at San Francisco State University. <2 . d. rbel Rodriguez, lessor of History Philip Dreyfus Professor of History THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 James Harvey Mitchell, Jr. San Francisco, California 2016 After the fire and earthquake of 1906, the reconstruction of San Francisco initiated a profusion of neo-Gothic churches, public buildings and residential architecture. This thesis examines the development from the novel perspective of medievalism—the study of the Middle Ages as an imaginative construct in western society after their actual demise. It offers a selection of the best known neo-Gothic artifacts in the city, describes the technological innovations which distinguish them from the medievalist architecture of the nineteenth century, and shows the motivation for their creation. The significance of the California Arts and Crafts movement is explained, and profiles are offered of the two leading medievalist architects of the period, Bernard Maybeck and Julia Morgan. -
Conflicting Definitions of Relief: Life in Refugee Camps After the San Francisco Earthquake of 1906 Emily Neis Chapman University
Voces Novae Volume 6 Article 5 2018 Conflicting Definitions of Relief: Life in Refugee Camps after the San Francisco Earthquake of 1906 Emily Neis Chapman University Follow this and additional works at: https://digitalcommons.chapman.edu/vocesnovae Recommended Citation Neis, Emily (2018) "Conflicting Definitions of Relief: Life in Refugee Camps after the San Francisco Earthquake of 1906," Voces Novae: Vol. 6 , Article 5. Available at: https://digitalcommons.chapman.edu/vocesnovae/vol6/iss1/5 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in Voces Novae by an authorized editor of Chapman University Digital Commons. For more information, please contact [email protected]. Neis: Conflicting Definitions of Relief: Life in Refugee Camps after th Conflicting Definitions of Relief Voces Novae: Chapman University Historical Review, Vol 6, No 1 (2014) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES PHI ALPHA THETA Home > Vol 6, No 1 (2014) Conflicting Definitions of Relief: Life in Refugee Camps after the San Francisco Earthquake of 1906 Emily Neis On November 3, 1906, a particularly rainy Saturday, a "difference of opinion" between one refugee and San Francisco's relief administration came to a climax. Mary Kelly, a middle-aged mother from the Irish working class, had been a resident of the Jefferson Square refugee camp ever since a 7.8 magnitude earthquake and fires destroyed her city and her home in April. However, she often protested official relief methods. Because she refused to pay rent on her "earthquake cottage"--one of the many small homes constructed for refugees with the relief funds-- Lieutenant Henry T. -
Dissertation Reconsidering Randy Shilts
DISSERTATION RECONSIDERING RANDY SHILTS: EXAMINING THE REPORTAGE OF AMERICA’S AIDS CHRONICLER Submitted by Andrew E. Stoner Department of Journalism and Technical Communication In partial fulfillment of the requirements For the Degree of Doctor of Philosophy Colorado State University Fort Collins, Colorado Fall 2013 Doctoral Committee: Advisor: James C. Landers Joseph E. Champ Patrick D. Plaisance Michael J. Hogan Richard Breaux Copyright by Andrew E. Stoner 2013 All Rights Reserved ABSTRACT RECONSIDERING RANDY SHILTS: EXAMINING THE REPORTAGE OF AMERICA’S AIDS CHRONICLER The role of openly-gay reporter and author Randy Shilts (1951-1994) is examined related to his use of journalistic practices and places him on a continuum of traditional reporting roles as considered in the context of twentieth century philosophers Walter Lippmann and John Dewey. Reporter functions demonstrated by Shilts are examined, including those dictated by expectations of either strong journalistic influence over society and media consumers, or those more aligned with democratic practices where education and participation emphasize strong roles for society and media consumers. Using a biographical approach including 17 primary source interviews of former colleagues, critics, sources and family/friends, the examination of Shilts’s work as both a reporter and noted author is presented as being heavily influenced by his forthcoming attitudes about disclosure of his sexual orientation from the start of his career and his desire to explain or unpack aspects of gay culture, and ultimately the AIDS crisis, to heterosexual audiences. Careful examination of the posthumous critique of Shilts’s work – including his construction of Patient Zero – is undertaken. The study concludes that Shilts fully engaged a Lippmann-esque approach embodied in an authoritarian role for journalism that sought to change the world in which it was offered, and did so perhaps most influentially during the earliest days of the HIV/AIDS pandemic in America. -
Rick Laubscher: Forty Years of Giving Back to San Francisco, from KRON to Market Street Railway
Oral History Center University of California The Bancroft Library Berkeley, California Rick Laubscher Rick Laubscher: Forty Years of Giving Back to San Francisco, From KRON to Market Street Railway Interviews conducted by Todd Holmes in 2016 Copyright © 2017 by The Regents of the University of California Since 1954 the Oral History Center of the Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Rick Laubscher dated March 30, 2017 The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Download a Free Sample
POLLY: SEX CULTURE REVOLUTIONARY Polly Sex Culture Revolutionary a memoir Polly Whittaker Moral Minority Press San Francisco, California Copyright © 2014 Polly Whittaker / Moral Minority, Inc. [Hardcover] ISBN 13: 978-0-61586-490-7 [Paperback] ISBN 13: 978-0-99040-981-6 [E-book] ISBN 13: 978-0-99040-980-9 Library of Congress Catalog Number Forthcoming ALL RIGHTS RESERVED. Printed in the United States of America. Any unauthorized reprint or use of this material is prohibited. No part of this book may be reproduced or transmitted without express written permission of the author, except in the case of brief quotations in critical articles or reviews For information contact: [email protected] Book Cover Design By Dominic Tinio Book interior Design By Mark Weiman / Regent Press Cover photo By Darren Cavanagh Makeup By Shelly Manser-Cavanagh Manufactured in the U.S.A. San Francisco, California FOR SCOTT This story would never have been told without your love and unconditional support. Thank you. POLLY WHIT T AKE R 6 POLLY: SEX CULTUR E REV OLUTIONA R Y Contents Foreword .............................................................................. 11 Introduction ......................................................................... 15 PART ONE My Three Lives .................................................................... 21 Four Hundred Thousand Perverts ........................................ 24 My Unconventional Upbringing ......................................... 29 Toasters ................................................................................... -
Daily Alta California
ARCHAEOLOGY OF THE DAM-KEEPER’S HOUSE A thesis submitted to the faculty of San Francisco State University In partial fulfillment of A “3 the requirements for the Degree -20IQ, Master of Arts In V**2- Anthropology by David B. Daly San Francisco, California December 2016 221 Chapter 6: Domino Figure 36. Domino recovered from Level 5 of the dam-keeper house trash pit. Photo courtesy of Heritage Services, Stanford University. 222 Introduction If the working class lives of men like Duerst and Batchelder were prone to be lost to time, the interactions of the family within the home were even more ephemeral. The dam- keepers themselves left some record of their passage through life in the form of documentation related to their jobs, but the details of home life were largely unremarked upon in most permanent records. Through an imaginative window opened by a small number of artifacts in the families’ trash pit, however, we can begin to recapture the families’ leisure hours. These artifacts—found in Levels 5, 6, and 7, corresponding to the Batchelder family occupation—are hand-crafted from wood and bone, light and smooth in the hand, and part of a matching set: a set of dominoes. In this chapter, I examine the way in which the domino, even as it helps us to imagine the family’s leisure hours, also maintains an essential interpretive ambiguity for archaeological and historical interpretation and imagination. My analysis begins with a close look at the physical artifacts themselves, and a factual presentation of what we know about games of dominoes in late nineteenth-century America. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70