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The Craft of the Adventure
The Craft of the Adventure Five articles on the design of adventure games Second edition 1 Intro duction :: ::: :::: ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: ::: :::: ::2 2 In The Beginning ::: :::: ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: ::: ::: 3 3 Bill of Player's Rights : ::: :::: ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: :7 4 A Narrative... ::: ::: :::: ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: ::: :: 12 5 ...AtWar With a Crossword : : :::: ::: :::: :::: ::: :::: ::: :::: :::: :: 21 6 Varnish and Veneer : ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: ::: :::: ::32 1 1 Intro duction 1 Intro duction Skill without imagination is craftsmanship and gives us many useful ob jects such as wickerwork picnic baskets. Imagination without skill gives us mo dern art. {Tom Stoppard, Artist Descending A Staircase Making b o oks is a skilled trade, like making clo cks. { Jean de la Bruy ere 1645-1696 If you're going to have a complicated story you must work to a map; otherwise you'll never make a map of it afterwards. {J.R.R.Tolkien 1892-1973 Designing an adventure game is b oth an art and a craft. Whereas art cannot be taught, only commented up on, craft at least can be handed down: but the tricks of the trade do not make an elegant narrative, only a catalogue. This small collection of essays is just such a string of grits of wisdom and half-baked critical opinions, whichmaywell leave the reader feeling unsatis ed. One can only say to such a reader that any book claiming to reveal the secret of how to paint, or to write novels, should be recycled at once into something more genuinely artistic, say a papier-mach e sculpture. If there is any theme here, it is that standards count: not just of comp etent co ding, but of writing. -
The New Zork Times Dark – Carry a Lamp VOL
“All the Grues New Zork Area Weather: That Fit, We Print” The New Zork Times Dark – carry a lamp VOL. 3. .No. 1 WINTER 1984 INTERNATIONAL EDITION SORCERER HAS THE MAGIC TOUCH InfoNews Roundup New Game! Hint Booklets Sorcerer, the second in the In December, Infocom's long- Enchanter series of adventures in the awaited direct mail operation got mystic arts, is now available. The underway. Many of the functions game was written by Steve formerly provided by the Zork Users Meretzky, whose hilarious science Group were taken over by Infocom. fiction game, Planetfall, was named Maps and InvisiClues hint booklets by InfoWorld as the Best Adventure were produced for all 10 of Game of 1983. In Sorcerer, you are a Infocom's products. The games member of the prestigious Circle of themselves were also made available Enchanters, a position that you primarily as a service to those of you achieved in recognition of your in remote geographical areas and to success in defeating the Warlock those who own the less common Krill in Enchanter. computer systems. When the game starts, you realize Orders are processed by the that Belboz, the Eldest of the Circle, Creative Fulfillment division of the and the most powerful Enchanter in DM Group, one of the most the land, has disappeared. Perhaps he respected firms in direct mail. Their has just taken a vacation, but it facilities are in the New York metro- wouldn't be like him to leave without politan area, which explains the letting you know. You remember strange addresses and phone num- that he has been experimenting with bers you'll see on the order forms. -
Infocom-Catalog3
inFocom Games and Accessories The Great Underground Empire confronts you with perils and predicaments ranging from the mystical to the macabre, as you strive to discover the Twenty Treasures of ZORK and escape with them and your life. The Wizard of Frobozz takes you into new depths of the subterranean realm. There you'll meet the Wizard, who will attempt to confound your quest with his capricious powers. The Dungeon Master is the final test of your courage and wisdom. Your odyssey culminates in an encounter with the Dungeon Master himself, and your destiny hangs in the balance. eNCHANTER The first of a spellbinding series in the tradition of ZORK. When the wicked power of the Warlock sub- jugates this land, his magic defenses will recognize all who have attained the Circle of Enchanters. So, to a novice we speak — one yet unproven who has the heart to challenge and the skill to dare. Sealed inside, you will find such wisdom and guidance as we can provide. Stealth, resourcefulness, and courage you must find within yourself. You are the sole hope of this land, young ENCHANTER. Infocom's mindbending science fiction first launches you headlong into the year 2186 and the depths of space. You are destined to rendezvous with a gargantuan starship from the outer fringes of our galaxy which conveys a challenge that was issued eons ago, from lightyears away — and only you can meet it. SUSPENDED Placed in the twilight world of cryogenic suspen- sion, you awaken to the nightmarish landscape of a planet gone mad. As the central control of the life- support systems that make a terraformed planet habitable, you exist in a frozen sleep that will be disturbed only if the civilization is imperiled. -
New Adventures Introduced At
March, 1988 Vol. V, #3 $2.00 New Adventures Introduced at CES By Shay Addams Flu-stricken Tom Snyder and not-yet Blubbermen (Steve Meretzky), Gamma ctivision kicked off the first day of flu-stricken Peter Reynolds presented an Force in Pit of a Thousand Screams (Amy the Winter Consumer Electronics overview and example of lnfoComics. Briggs) and ZorkQuest: Assault on Egreth AShow in Las Vegas with a press ''We wanted to do something that Castle (Elizabeth Langosey)-feature conference where President Bruce Davis wouldn't be just for 14-year-old boys and comic book themes and will even be sold announced a deal with Telecomsoft to 35-year-old men," Snyder sneezed, "to in comic book and toy stores. Snyder's distribute all the Firebird and Rainbird create a kind of computer game that even company developed the concept and titles formerly handled by Firebird my mother would play." InfoComics will creates the graphics, and Infocom is Licensees. Davis also said Activision just have no puzzles or goals-by assuming a producing the programs, which are bought Triton, a direct-marketing firm, to different character's persona at key supposed to last four to five hours and sell launch direct mail sales (so start watching intersections of the plot, you change your for $12 suggested retail. InfoComics will that mail box). perspective rather than the story itself. be released for Apple, IBM/100% com Next, Infocom President Joel Berez patibles andC 64/128 in March. announced Infocom's "three-part strat "A French Film Director's Dream" . After the press conference, Sandy Ward egy," which is already in progress: Panning, zooming and other cinematic showed off Micro Illusions' Land of supporting existing adventure fans, with techniques are combined with "minimalist Legends on the Amiga. -
Shaping Stories and Building Worlds on Interactive Fiction Platforms
Shaping Stories and Building Worlds on Interactive Fiction Platforms The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Mitchell, Alex, and Nick Monfort. "Shaping Stories and Building Worlds on Interactive Fiction Platforms." 2009 Digital Arts and Culture Conference (December 2009). As Published http://simonpenny.net/dac/day2.html Publisher Digital Arts and Culture Version Author's final manuscript Citable link http://hdl.handle.net/1721.1/100288 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. Shaping Stories and Building Worlds on Interactive Fiction Platforms Alex Mitchell Nick Montfort Communications and New Media Programme Program in Writing & Humanistic Studies National University of Singapore Massachusetts Institute of Technology [email protected] [email protected] ABSTRACT simulates an intricate, systematic world full of robots, made of Adventure game development systems are platforms from the components and functioning together in curious ways. The world developer’s perspective. This paper investigates several subtle model acts in ways that are mechanical and nested, making the differences between these platforms, focusing on two systems for code’s class structure seemingly evident as one plays the game. In interactive fiction development. We consider how these platform contrast, Emily Short’s Savoir-Faire (2002), written in Inform 6 differences may have influenced authors as they developed and of similar complexity, exhibits less obvious inheritance and systems for simulation and storytelling. Through close readings of compartmentalization. -
A Selected List of Interactive Text Adventures
Michigan Reading Journal Volume 22 Issue 4 Article 9 July 1989 A Selected List of Interactive Text Adventures Kent Layton Follow this and additional works at: https://scholarworks.gvsu.edu/mrj Recommended Citation Layton, Kent (1989) "A Selected List of Interactive Text Adventures," Michigan Reading Journal: Vol. 22 : Iss. 4 , Article 9. Available at: https://scholarworks.gvsu.edu/mrj/vol22/iss4/9 This Other is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Michigan Reading Journal by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. A Selected List of Interactive Text Adventures Compiled by Kent Layton INFOCOM. 35 Wheeler Street, Cambridge, MA 02138. A Mind Forever Voyaging, Ballyhoo, Battletech, Crescent Hawk, Cutthroats, Deadline, Enchanter, Journey, Infidel, Moonmist, Planetfall, Seastalker, Shogun, Sorcerer, Spellbreaker, Starcross,, Suspect, Suspended, The Hitchhiker's Guide to the Galaxy, The Witness, Wishbringer, Zork I, Zork II, Zork Ill, and Zork Zero. SCHOLASTIC, INC. 2931 E. McCarty Street, P.O. Box 7502, Jefferson City, MO 65102. An Oval Office Odyssey, Captains of the China Trade, Cosmic Hero, Crickety Manor, Escape from Antcatraz, Haunted Channels, History Mystery, Malice and Wonderland, MicroAgent of the Body Guard, Quest for the Pole, Robot Rescue, Safari, The Funhouse Caper, The Frogs and the Fables, The Great Frankfurter, The Myths of Olympus, The Wizard of Darkling Wood, Tickets to America, Voyage to See What's on the Bottom, and Wagons West. (Available through Microzine and Microzine Jr. subscriptions.) SIERRA ON-LINE. Empire State Building, Suite 1101, 350 Fifth Avenue, New York, NY 10118. -
Jay Simon 3/18/2002 STS 145 Case Study Zork: a Study of Early
Jay Simon 3/18/2002 STS 145 Case Study Zork: A Study of Early Interactive Fiction I: Introduction If you are a fan of interactive fiction, or have any interest in text-based games from the early 1980’s, then you are no doubt familiar with a fascinating series known as Zork. For the other 97 percent of the population, the original Zork games are text-based adventures in which the player is given a setting, and types in a command in standard English. The command is processed, and sometimes changes the state of the game. This results in a new situation that is then communicated to the user, restarting the cycle. This type of adventure game is classified as belonging to a genre called “interactive fiction”. Zork is exceptional in that the early Zork games are by far the most popular early interactive fiction titles ever released. It is interesting to examine why these games sold so well, while most other interactive fiction games could not sell for free in the 1980’s. As we will see, this is a result of many different technological and stylistic aspects of Zork that separate it from the rest of the genre. Zork is a unique artifact in gaming history. II: MIT and Infocom – The Prehistory of Zork Zork was not a modern project developed under a strict timeline by a designated team of programmers, but credit is given to two MIT phenoms named Marc Blank and Dave Lebling. Its history can be traced all the way back to the invention of a medium-sized machine called the PDP-10, in the 1960’s. -
Creating Video Games for the Visually Impaired Anthony Russo, Neal
Creating Video Games for the Visually Impaired Anthony Russo, Neal Sacks, & Steven Vandal WPI IQP MBJ 0007 Professor Brian Moriarty April 12, 2012 Introduction The video game industry has expanded rapidly in recent years, growing from a 9.5 billion dollar industry in 2007 to a 25.1 billion dollar industry in 2010. This growth is due to the common interest that almost all Americans now hold in games, as a seventy-two percent of all americans play video games on a regular basis (ESA). However, because games rely heavily on impressive graphics and are primarily an immersive visual experience, very few games are made with the blind or the visually impaired in mind. In the 1970s when video games first emerged, it was virtually impossible to create a game that did not involve some sort of visuals. This is mainly due to a lack of technology, as almost all computers, games, and electronic speakers and displays could only output crude, pixilated visuals and rough, synthesized sound. However, technology has steadily improved to the point where games that do not need visuals are a possibility. Games for the visually impaired are an untapped industry, especially with the technology that exists today. By conducting interviews with the visually impaired we discovered what types of games the visual impaired prefer, what they would enjoy to play, and what ideas they have for developing these games. The History of Video Games for the Visually Impaired There are many games that can be played by the visually impaired. Interactive fiction and other text-based games have been popular for a long time, though to a lesser extent in recent years. -
The Best Websites for Downloading and Playing Classic and New Text Adventure Games
The Best Websites for Downloading and Playing Classic and New Text Adventure Games Before computers could handle graphical games, there were text adventure games. The games are interactive stories, so playing a text adventure game is like being part of a book in which you affect the story. Text adventure games are also referred to as “interactive fiction.” Interactive Fiction (IF) is actually a more accurate term for text adventure games, because these games can cover any topics, such as romances or comedies, not just adventures. They can also simulate real life. Even though computers can now handle intensely graphical games, playing text adventure games can still be fun. It’s like reading a good book and getting lost in the universe of the story, except you become the hero or heroine and affect the ending of the story. We’ve collected some links to websites where you can download classic and new text adventure games or play them online. There are also some free tools available for creating your own text adventure games. We even found a documentary about the evolution of computer adventure games and some articles about the art and craft of developing the original text adventure games. Web-Adventures Web-Adventures[1] allows you to play classic text adventure games online for free in your browser. You don’t need to install any applets or plugins or enable JavaScript. You can even play some of these games in a browser on mobile devices. The very first text adventure game from the late 1970’s, Colossal Cave Adventure, is available on this site. -
08/03/20 Games Listing
08/03/20 Games Listing Adventure Directory on Adventure Disk • Adventure • the Count • Mystery Fun house • Ghost Town • Mission Impossible • Strange Odyssey I & II • Pirate Adventure • Savage Island I & II • Voodoo Castle • the Golden Voyage Adventure Cartridge Manual Mission Impossible Disk Manual Quick Reference Hints & Maps sub-directory Atarisoft Games Directory Centipede Defender Dig Dug Moon Patrol Ms Pac Man Picnic Paranoia Pole Position Protector II 3rd Party Cartridge Directory Burger Builder Computer War Driving Demon Frogger Intercept Junkman Jr. Micro Pilball Miner 2049er Munchman II Popeye Tris 2 SabreWulf v.1.3 Scrabble Spy’s Demise Strike 3 Wing War 3rd Party Disk Games Directory 4A-flyer Airline Astromania Barrage Beyond Parsec D-Station I D-Station II Diablo Junkman Jr. Living Tomb Legends Legends II Mr. Frog Night Mission Panzer Strike Pitfall Return from the Isle Road Hunter Rock Run SabreWulf v.1.0 Spad XIII Stratego Sub Commander TI Runner TI Scramble TI Lander Warewolves & Wanderers Wizards Doom Games Cartridges on Disk Directory Buck Rogers Centipede Congo Bongo Dig Dug Hopper Moon Patrol Ms Pac Man Munch Mobile Tunnels of Doom Infocom Directory Games • Ballyhoo • Cut Throats • Dead line • Enchanter • the Hitchhiker’s Guide to the Galaxy • Hollywood Hijinx • Infidel • Leather Goddesses of Phobos (requires Super Cart) • Planetfall • Sorcerer • Spell Breaker • Star Cross • Station Fall • Suspect • Witness • Zork I • Zork II • Zork III All Solutions Booklet Infocom Frobozzia (Infocom Encyclopedia) Infobugs (bug list) -
Scott Adams' BOOK of HINTS FOR
Scott Adams' BOOK OF HINTS FOR 1 THROUGH 12 Adventure 1 Adventureland Adventure 2 Pirate Adventure Adventure 3 Mission Impossible Adventure 4 Voodoo Castle Adventure 5 The Count Adventure 6 Strange Odyssey Adventure 7 Mystery Fun House Adventure 8 Pyramid of Doom Adventure 9 Ghost Town Adventure 10 Savage Island-Part 1 Adventure 11 Savage Island-Part 2 Adventure 12 Golden Voyage PLUS SPECIAL MAP MAKING SECTION THE FOLLOWING IS A METHOD USEFUL IN MAPPING ADVENTURES Each room is represented by a box with the name of the room in it, and all original items found in it noted alongside. FOREST Directions from a location are indicated by a line coming out of anywhere on the box, but with the direction leaving the box indicated by the first letter of that direction. GROVE GROVE The above shows it is East from the grove to the swamp and West from the swamp to the grove. In the case of being able to go only in one direction, an arrow is put at the end of the path. FOREST GROVE GROVE This indicates that upon leaving the grove you go north to the forest, but that you cannot return! The best way to use this system is that, upon entering a location, you draw a line representing each possible exit and its location. Later you connect them to rooms as you continue your exploration. FOREST MEADOW GROVE GROVE The advantage is that you will not forget to explore an exit once you get past your initial probe. Another advantage of this system is that you never need redraw your map as you stick extra locations anywhere on your paper. -
The Adventurers Club Ltd. 64C Menelik Road, London NW2 3RH
The Adventurers Club Ltd. 64c Menelik Road, London NW2 3RH. Telephone: 01-794 1261 MEMBER'S DOSSIERS Nos 35 & 36 - NOVEMBER 1988/DECEMBER 1988 *********************************************************** REVIEWS: INGRID'S BACK! SHADOWGATE SCOTT ADAM'S SCOOPS THE INHERITANCE POLICE QUEST BARD' S TALE II CLOUD 99 BUGSY HAUNTED HOUSE THE ALIEN FROM OUTER SPACE DR JEKYLL AND MR HYDE ARTICLES BY: RICHARD BARTLE TONY BRIDGE KEITH CAMPBELL MIKE GERRARD HUGH WALKER LATEST NEWS ON THE ADVENTURING SCENE BASIC ADVENTURING DISCOUNTED SOFTWARE AND MUCH MORE!!! 12 Help-Line Details #3 ***************** EDITORIAL ********* Members have access to our extensive databank of hints and solutions Dear Fellow Adventurer, for most of the popular adventure games. Help can be obtained as follows: Welcome to MDs Nos 35-36, our Christmas issue! * By Mail: We have been very active during the past few weeks, and the most Please enclose a Stamped Addressed Envelope. Give us the title and important item of news this month is the announcement of the version of the game(s), and detail the query(ies) which you have. We "Golden Chalice Awards Presentation Ceremony". Please refer to the shall usually reply to you on the day of receipt of your letter. enclosed leaflet for full details about this important occasion, and Overseas Members using the Mail Help-Line should enclose an I.R.C. for do make sure you that you pencil 25.02.89 in your diary! a speedy reply, otherwise the answers to their queries will be sent Owing to popular demand, we have now produced specially-designed together with their next Member's Dossier.