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Igor Moiseyev Ballet
lifestyle TUESDAY, NOVEMBER 17, 2015 Features The nine lives of Russia’s Hermitage cats or more than a century visitors have felines had become official residents. They marveled at the Hermitage Museum’s were even dubbed the Winter Palace cats, Fprecious collections, and for just as long after the royal residence that has now become dozens of cats have prowled the Saint part of the museum. They survived successive Petersburg palace’s sprawling cellars. The wars, invasion by Napoleon’s forces and even felines has one main task-to root out unwant- the revolution that overthrew Tsarist rule. ed guests: rodents. The 70-odd brigade have The cats, however, did not make it during their claws so deep into the history of Russia’s the 1941-1944 Nazi siege of Leningrad, the largest museum-and one of the world’s old- city’s name under Soviet rule. The city’s fam- est-that there is even a special feline unit ded- ished population had no choice but to eat all icated to their welfare. “Our cats are as well- their pets in order to survive. Legend has it known as our collections,” beamed Irina that the palace’s feline guard was brought Popovets, who runs the unit. back to life when World War II ended, when Every morning, art lovers from the world new recruits were brought in by train from all over arrive at the gates of the Hermitage com- over Russia. By the 1960s, there were so many plex on the Neva River housing a collection cats at the Hermitage that the authorities that spans ancient Egyptian and Renaissance decided it would be best to abandon them. -
Dancing Through the City and Beyond: Lives, Movements and Performances in a Romanian Urban Folk Ensemble
Dancing through the city and beyond: Lives, movements and performances in a Romanian urban folk ensemble Submitted to University College London (UCL) School of Slavonic and East European Studies In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) By Elizabeth Sara Mellish 2013 1 I, Elizabeth Sara Mellish, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: 2 Abstract This thesis investigates the lives, movements and performances of dancers in a Romanian urban folk ensemble from an anthropological perspective. Drawing on an extended period of fieldwork in the Romanian city of Timi şoara, it gives an inside view of participation in organised cultural performances involving a local way of moving, in an area with an on-going interest in local and regional identity. It proposes that twenty- first century regional identities in southeastern Europe and beyond, can be manifested through participation in performances of local dance, music and song and by doing so, it reveals that the experiences of dancers has the potential to uncover deeper understandings of contemporary socio-political changes. This micro-study of collective behaviour, dance knowledge acquisition and performance training of ensemble dancers in Timi şoara enhances the understanding of the culture of dance and dancers within similar ensembles and dance groups in other locations. Through an investigation of the micro aspects of dancers’ lives, both on stage in the front region, and off stage in the back region, it explores connections between local dance performances, their participants, and locality and the city. -
He Who Has Not Been to Moscow Has Not Seen Beauty
STRATEGIES FOR BUSINESS IN MOSCOW He who has not been to Moscow has not seen beauty A PROPOS “To Moscow, to Moscow, to Moscow!” Like a mantra, However, the majority of people who live abroad know this phrase is repeated by the sisters in Anton nothing about this. Old habits, as they say, die hard. Chekhov’s famous play “Three Sisters.” The play is Many foreigners still think that the sun never rises about three young women dreaming of escaping their in Moscow, that the city is always cold and that it boring small town and coming to the capital. Although snows year round. Not to mention the rumors of bears the play was written in 1900, people from all over roaming the streets at night. Disappointing as it may Russia, as well as people from CIS countries, still want be, these myths are still around. to move to Moscow. Of course, we are partially responsible for this – we Moscow has always been a magnet. At least this is the tell the world very little about ourselves. We need to way things have played out historically – all the best spend more resources on attracting tourists to Moscow things could be found in the capital: shops, libraries, by letting them know how convenient and comfortable clinics, schools, universities, theatres. At one point, the city has become. According to official statistics, coming to Moscow from Siberia was like taking a trip to over 5 million foreigners visited Moscow last year. This a foreign country. is obviously a small number – about 15 million tourists visit places like London and Paris every year. -
The Criminal Time Bomb: an Examination of the Effect of the Russian Mafia on the Newly Independent State of the Ormerf Soviet Union
Indiana Journal of Global Legal Studies Volume 4 Issue 1 Article 9 Fall 1996 The Criminal Time Bomb: An Examination of the Effect of the Russian Mafia on the Newly Independent State of the ormerF Soviet Union Peter Daniel DiPaola Indiana University School of Law Follow this and additional works at: https://www.repository.law.indiana.edu/ijgls Part of the Criminal Law Commons, and the International Law Commons Recommended Citation DiPaola, Peter Daniel (1996) "The Criminal Time Bomb: An Examination of the Effect of the Russian Mafia on the Newly Independent State of the Former Soviet Union," Indiana Journal of Global Legal Studies: Vol. 4 : Iss. 1 , Article 9. Available at: https://www.repository.law.indiana.edu/ijgls/vol4/iss1/9 This Note is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Indiana Journal of Global Legal Studies by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. The Criminal Time Bomb: An Examination of the Effect of the Russian Mafiya on the Newly Independent States of the Former Soviet Union PETER DANIEL DIPAOLA" INTRODUCTION In 1989, the Western world celebrated the apparent triumph of democracy and capitalism over communism. Overnight, the "evil empire"' became a potential partner. In fact, some Western thinkers were so overcome that Francis Fukuyama maintained the fall of communism signaled "the end of history."2 Unfortunately, the optimistic predictions of 1989 have not come to pass. The Russian economy has responded slowly to reform.3 Communists and ultranationalists are regaining strength in the Russian government." More ominously, organized crime is threatening to overwhelm Russian politics, economics, and society. -
The 1958 Tour of the Moiseyev Dance Company: a Window Into American Perception
Journal of History and Cultures (1) 2012: 51-64 ISSN 2051 – 221X The 1958 Tour of the Moiseyev Dance Company: A Window into American Perception Victoria Hallinan Northeastern University ‘We know there are some members of our State Department who feel that the President's Fund for Cultural Exchange is a gesture, nice, but unimportant. They are willing to go along with it, but not very far. We think they are wrong. It is extremely clear that a large part of the American public is enjoying, and being affected by, Russian propaganda currently here in the form of the Moiseyev Dance Company. Conversely, the companies we send abroad also make vivid, important impressions. They should be given every possible assistance, not only financially, but morally, too. If there must be a cold war, we think that the best possible weapons are those of the arts. We want our artists, and specifically our dancers, of whom we are very proud, to represent us abroad, with glory. For we know, first-hand, the pleasure and the enlightenment to be gained from such exchanges.’1 Beginning in April of 1958, as part of the Lacy-Zarbuin Agreement, the Moiseyev Dance Company visited the United States with performances in multiple cities including New York, Montreal, Toronto, Detroit, Chicago, Los Angeles, San Francisco, Cleveland, Washington, Boston and Philadelphia. The Moiseyev fascinated American audiences and Americans drew direct comparisons between themselves and their culture with that of the Soviet Union, as presented on stage by the Moiseyev dancers. The company evoked a multitude of responses ranging from protest and fear of cultural inferiority, to admiration and enthusiasm for the United States to send over its own cultural representatives to demonstrate American cultural excellence. -
Congressional Hearing Focuses on Ukraine's Presidential Election
INSIDE:• Cracks in Kaniv Four coalition? — page 3. • What the diaspora can and should do for Ukraine — page 7. • New York School of Ukrainian Studies marks 50th — pages 8-11. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXVII HE No.KRAINIAN 43 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 24, 1999 EEKLY$1.25/$2 in Ukraine CongressionalT hearingU focuses Ukraine’s seatW on Security Council on Ukraine’s presidential election product of extensive lobbying effort by Yaro Bihun Kazakstan and Georgia, and now senior by Roman Woronowycz representatives of their respective regions. Special to The Ukrainian Weekly advisor to the Helsinki Commission; Nadia Kyiv Press Bureau The only contested spot was the East Diuk, regional director for Central and European region’s seat, and the contenders WASHINGTON – The October 31 pres- Eastern Europe and the new independent KYIV – Ukraine’s success in obtaining were Ukraine and Slovakia. idential election in Ukraine and its possible states at the National Endowment for a non-permanent seat on the United Ukraine ultimately prevailed over effects on the future of Ukraine and U.S.- Democracy (NED); Michael Conway, sen- Nations Security Council on October 14 Slovakia – but only after three earlier Ukraine relations were the focus of a brief- ior program officer for the new independent came only after an extensive and effective rounds of voting proved indecisive. ing on October 15 at the U.S. Congress. states at the International Foundation for lobbying effort by its New York-based Slovakia withdrew its nomination before Organized by the U.S. -
First Class Mail PAID
FOLK DANCE SCENE First Class Mail 4362 Coolidge Ave. U.S. POSTAGE Los Angeles CA, 90066 PAID Los Angeles, CA Permit No. 573 ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 19 Village Park Way Santa Monica, CA 90405 (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) First Class Mail Dated Material Published by the Folk Dance Federation of California, South Volume 44, No. 1 February 2008 Folk Dance Scene Committee Club Directory Coordinator Jay Michtom [email protected] (818) 368-1957 SKANDIA FOLK DANCE DUNAJ INTL FOLK ENSEMBLE Calendar Gerri Alexander [email protected] (818) 363-3761 Beginners’ Classes On the Scene Jill Michtom [email protected] (818) 368-1957 CABRILLO FOLK DANCERS Mon 7:00-10:00 Wed 7:00-10:00 Wed 7:00-10 (714) 893-8888 Ted Martin (714) 641-7450 Richard Duree Club Directory Steve Himel [email protected] (949) 646-7082 Tue 7:00-8:00 (310) 827-3618 Sparky Sotcher SANTA ANA, WISEPlace, Proofreading -
Dancing the Cold War an International Symposium
Dancing the Cold War An International Symposium Sponsored by the Barnard College Dance Department and the Harriman Institute, Columbia University Organized by Lynn Garafola February 16-18, 2017 tContents Lynn Garafola Introduction 4 Naima Prevots Dance as an Ideological Weapon 10 Eva Shan Chou Soviet Ballet in Chinese Cultural Policy, 1950s 12 Stacey Prickett “Taking America’s Story to the World” Ballets: U.S.A. during the Cold War 23 Stephanie Gonçalves Dien-Bien-Phu, Ballet, and Politics: The First Sovviet Ballet Tour in Paris, May 1954 24 Harlow Robinson Hurok and Gosconcert 25 Janice Ross Outcast as Patriot: Leonid Yakobson’s Spartacus and the Bolshoi’s 1962 American Tour 37 Tim Scholl Traces: What Cultural Exchange Left Behind 45 Julia Foulkes West and East Side Stories: A Musical in the Cold War 48 Victoria Phillips Cold War Modernist Missionary: Martha Graham Takes Joan of Arc and Catherine of Siena “Behind the Iron Curtain” 65 Joanna Dee Das Dance and Decolonization: African-American Choreographers in Africa during the Cold War 65 Elizabeth Schwall Azari Plisetski and the Spectacle of Cuban-Soviet Exchanges, 1963-73 72 Sergei Zhuk The Disco Effect in Cold-War Ukraine 78 Video Coverage of Sessions on Saturday, February 18 Lynn Garafola’s Introduction Dancers’ Roundatble 1-2 The End of the Cold War and Historical Memory 1-2 Alexei Ratmansky on his Recreations of Soviet-Era Works can be accessed by following this link. Introduction Lynn Garafola Thank you, Kim, for that wonderfully concise In the Cold War struggle for hearts and minds, – and incisive – overview, the perfect start to a people outside the corridors of power played a symposium that seeks to explore the role of dance huge part. -
The Chechens: a Handbook
The Chechens The ancient Chechen nation has been living in its idyllic homeland in the North Caucasus for thousands of years, building states, creating its own civilization, and forging relations and interacting with other Caucasian and Near Eastern civilizations. The only comprehensive treatment of the subject available in English, this book provides a ready introduction and practical guide to the Chechen people, and to some little known and rarely considered aspects of Chechen culture, including customs and traditions, folklore, arts and architecture, music and literature. The Chechens also includes: • Chechen history from ancient times, providing sketches of archaic religions and civilizations; • the present political situation in Chechnya; • the esoteric social structure and the brand of Sufism peculiar to the Chechens; • analysis of Chechen media development since the early twentieth century, and of the short-lived Chechen film industry; images of the Chechens carried by Russian and Western medias; • a section on proverbs and sayings; • appendices detailing social structure, the native pantheon, bibliographies and periodicals pertaining to the Chechens and Chechnya, and a lexicographic listing; • a comprehensive bibliography, with many entries in English, for further reading. This handbook should prove a corrective to the negative stereotypes that have come to be associated with the Chechens and put a human face back on one of the noblest—yet least understood—of nations. This book is an indispensable and accessible resource for all those with an interest in Chechnya. Amjad Jaimoukha is Assistant President of the Royal Scientific Society in Jordan. Educated in England, he has written a number of books and articles, including The Circassians (also published by RoutledgeCurzon), Kabardian—English Dictionary, The Cycles of the Circassian Nart Epic and Circassian Proverbs and Sayings. -
2007-2008 Season Sponsors
2007-2008 Season Sponsors The City of Cerritos gratefully thanks our 2007-2008 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 07/08 Your Favorite Entertainers, Your Favorite Theater If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. presents THE GOIN’ SOUTH BAND Wednesday, February 13, 2008, 7:30 PM There will be one 20-minute intermission. A question-and-answer session will immediately follow this performance. The taking of photographs or use of recording devices is strictly prohibited. BIOGRAPHY THE GOIN’ SOUTH BAND is one of the most guitars, mandolin, and vocals; Rick Cunha on vintage dynamic and respected ensembles performing traditional guitars, ukulele, slack-key guitar, and vocals; Paul Lacques American music on the West Coast. The band members play on guitar, dobro, jaw harp, vocals, and fiddlesticks; Rick a variety of southeastern American musical styles, amazing Shea on guitar, mandolin, vocals, and diddley bow; and Vic and inspiring listeners of all ages with its show stopping Koler on bass, washtub bass, mandolin, and vocals. For more performances. Touches of good-hearted humor and fine information, please visit www.zworldmusic.com. g music-making take the audience back in time to learn about America’s musical roots. Members of The Goin’ South Represented by: Band are: Director John Zeretzke on fiddles, Stroh violin, Cadence Arts Network, Inc. Cherokee flute, and vocals; -
The Cold War Cultural Accord: How the East Was Won
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1994 The Cold War Cultural Accord: How the East Was Won Nancy Ridgway Van Buren Wise College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Eastern European Studies Commons, and the International Relations Commons Recommended Citation Wise, Nancy Ridgway Van Buren, "The Cold War Cultural Accord: How the East Was Won" (1994). Dissertations, Theses, and Masters Projects. Paper 1539625902. https://dx.doi.org/doi:10.21220/s2-b44q-9956 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE COLD WAR CULTURAL ACCORD: HOW THE EAST WAS WON A Thesis Presented to The Faculty of the Department of Government The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by N. Ridgway Wise 1994 APPROVAL SHEET This thesis is submitted in partial fullillment the requirements for the degree of Master of Arts Approved, July 1994 WardAlan Donald J- Baxter Clayton M. Clemens This thesis is dedicated to my mother, Jean Morrice Wise, on whose shoulders I have stood to reach my dreams, and whose love, intelligence, support, and encouragement made it possible for me to attend my beloved William and Mary, where I have spent some of the most precious years of my life. -
Alexander Pushkin's Influence on Russian Ballet
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Alexander Pushkin's Influence on the Development of Russian Ballet Kathryn Karrh Cashin Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES ALEXANDER PUSHKIN’S INFLUENCE ON THE DEVELOPMENT OF RUSSIAN BALLET By KATHRYN KARRH CASHIN A Dissertation submitted to the Interdisciplinary Program in the Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2005 Copyright 2005 Kathryn Karrh Cashin All Rights Reserved The members of the Committee approve the dissertation of Kathryn Karrh Cashin defended on the 16th of March, 2005. ______________________________ Tricia Young Professor Directing Dissertation ______________________________ Paul Halpern Outside Committee Member ______________________________ Leon Golden Committee Member Humanities Representative ______________________________ Ernest Rehder Committee Member Approved: __________________________________________________ David Johnson Head, Program in the Humanities __________________________________________________ Donald Foss Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. This endeavor is dedicated with love to Ken and Katy in great appreciation for their patience and support (you’re the best) iii ACKNOWLEDGEMENTS I wish to thank the members of my committee; Dr. Tricia Young, Dr. Leon Golden, Dr. Paul Halpern and Dr. Ernest Rehder, for their patience and support and would like to commend them for their inspirational teaching and excellence in their respective fields. Dr. Young, who directed my work, was exceptionally helpful. Quite simply, this project would not have been possible without her.