DOCSLIB.ORG

Carlos Mencia Is Back and Breaking New Boundaries with The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Carlos Mencia Is Back and Breaking New Boundaries with The Carlos Mencia is Back and Breaking New Boundaries With the COMEDY CENTRAL® Original Stand-Up Special World Premiere "Carlos Mencia: New Territory" Debuting on Sunday, December 4 at 10:00 P.M. ET/PT On Tuesday, December 6, An Extended And Uncensored Version Of "Carlos Mencia: New Territory" DVD Will Be Released By COMEDY CENTRAL Home Entertainment And Paramount Home Entertainment NEW YORK, Nov. 14, 2011 /PRNewswire via COMTEX/ -- Carlos Mencia is back on COMEDY CENTRAL and is taking the stage in an all-new one-hour COMEDY CENTRAL Original World Premiere Stand-Up Special. Mencia's third one-hour COMEDY CENTRAL special, "Carlos Mencia: New Territory," will debut on Sunday, December 4 at 10:00 p.m. ET/PT. Mencia is back and at the top of his game. As outspoken as ever, he brings fans into bold new comedic territory, using personal stories and an uncompromising world view to connect with his universal and diverse fan base. Filmed at the Pechanga Casino in Temecula, CA, Mencia's latest hour special puts him in a new light while still showcasing the trademark "keep it real" attitude his fans have always loved. Leading up to the on-air premiere, cc.com/standup will feature sneak-preview clips from the special. On Tuesday, December 6, "Carlos Mencia: New Territory" will be released in the U.S. on DVD by COMEDY CENTRAL Home Entertainment and Paramount Home Entertainment. The uncensored and extended DVD includes over 30 minutes of material not seen on COMEDY CENTRAL, including the bonus feature "Carlos Mencia's Guide to Getting Fit." Mencia comes from a humble background, born in Honduras, the 17th of 18 children. He began his career doing stand-up on amateur night at the comedy club, Laugh Factory, and was later showcased at The Comedy Store where he became a regular. Mencia has been a long-time network favorite starring in the hit series "Mind of Mencia" and several COMEDY CENTRAL specials including "COMEDY CENTRAL Presents," "Carlos Mencia: Performance Enhanced" and "Carlos Mencia: No Strings Attached." "Carlos Mencia: New Territory" is executive produced by Mencia, Lee Kernis, Tim Sarkes and Neal Marshall and directed by Marcus Rayboy. JoAnn Grigioni and Anne Harris are the executives in charge of production for COMEDY CENTRAL. Available in 99 million homes nationwide, COMEDY CENTRAL (www.comedycentral.com), the only all-comedy network, is owned by, and is a registered trademark of, Comedy Partners, a wholly-owned division of Viacom Inc (NYSE: VIA and VIA.B). For up-to-the-minute and archival press information and photographs visit Press Central, COMEDY CENTRAL's press web site at www.comedycentral.com/press and follow us on Twitter @ComedyCentralPR for the latest in breaking news updates, behind- the-scenes information and photos. Viacom is home to the world's premier entertainment brands that connect with audiences through compelling content across television, motion picture, online and mobile platforms in more than 160 countries and territories. With approximately 170 media networks reaching more than 600 million global subscribers, Viacom's leading brands include MTV, VH1, CMT, Logo, BET, CENTRIC, Nickelodeon, Nick Jr., TeenNick, Nicktoons, Nick at Nite, COMEDY CENTRAL, TV Land, Spike TV and Tr3s. Paramount Pictures, America's oldest film studio and creator of many of the most beloved motion pictures, continues today as a major global producer and distributor of filmed entertainment. Viacom operates a large portfolio of branded digital media experiences, including many of the world's most popular properties for entertainment, community and casual online gaming. For more information about Viacom and its businesses, visit www.viacom.com. SOURCE COMEDY CENTRAL Corporate Communications Eve Kenny, +1-212-797-8668, [email protected]; or Marie Raubicheck, +1-212-767-8561, [email protected] .
Load more

Recommended publications
  • Recycle the Transcript
    TTHE RANSCRIPT Ohio Wesleyan University The Oldest Independent Student Newspaper in the Nation Delaware, OH Thursday, October 5, 2006 Volume 144 No. 4 Take a STAND against genocide Messages left unreturned Students not using new phone system said. “The cheapest phone can By Raza Naqvi be even about $10, and there Staff Reporter is no additional technology fee Early one morning, senior charged to the students.” Mike Elliott reached for his room Another difference is that stu- phone to call Public Safety about dents can access their personal some heavy bass and loud fresh- voicemail from any phone system men down the hallway from his including their cell phones, by di- room in Stuyvesant. However, aling the voicemail number that the problem was that he did not they have been assigned. have a phone. Elliot said he has not used the The new campus telephone system because he does not know system installed over the summer much about it. is an update to the previous sys- “I don’t remember anything in tem, said Sue Cooperider, direc- the mail,” he said. “A lot of those tor of Administrative Services. things [fl iers] are often junk so “The old system was installed you can’t blame kids for not pay- in 1984, so it was fairly archaic,” ing attention to one more ran- Cooperider said. “It was dying dom fl ier in the mailbox.” around us and becoming too dif- Cooperider said students can fi cult to maintain. The manufac- access their voicemail from any turers told us that it was coming type of phone and if they need a to the end of its life.
    [Show full text]
  • Download This PDF File
    Journal of Ethnic and Cultural Studies Copyright 2020 2020, Vol. 7, No. 3, 142-162 ISSN: 2149-1291 http://dx.doi.org/10.29333/ejecs/392 Racism’s Back Door: A Mixed-Methods Content Analysis of Transformative Sketch Comedy in the US from 1960-2000 Jennifer Kim1 Independent Scholar, USA Abstract: Comedy that challenges race ideology is transformative, widely available, and has the potential to affect processes of identity formation and weaken hegemonic continuity and dominance. Outside of the rules and constraints of serious discourse and cultural production, these comedic corrections thrive on discursive and semiotic ambiguity and temporality. Comedic corrections offer alternate interpretations overlooked or silenced by hegemonic structures and operating modes of cultural common sense. The view that their effects are ephemeral and insignificant is an incomplete and misguided evaluation. Since this paper adopts Hegel’s understanding of comedy as the spirit (Geist) made material, its very constitution, and thus its power, resides in exposing the internal thought processes often left unexamined, bringing them into the foreground, dissecting them, and exposing them for ridicule and transformation. In essence, the work of comedy is to consider all points of human processing and related structuration as fair game. The phenomenological nature of comedy calls for a micro-level examination. Select examples from The Smothers Brothers Comedy Hour (1968), The Richard Pryor Show (1977), Saturday Night Live (1990), and Chappelle’s Show (2003) will demonstrate representative ways that comedy attacks and transforms racial hegemony. Keywords: comedy, cultural sociology, popular culture, race and racism, resistance. During periods of social unrest, what micro-level actions are available to the public? Or, how does a particular society respond to inequities that are widely shared and agreed upon as intolerable aspects of a society? One popular method to challenge a hegemonic structure, and to survive it, is comedy.
    [Show full text]
  • Enjoy a Free Evening of Comedy in New York City's Central Park This
    Enjoy a Free Evening of Comedy in New York City's Central Park This Summer! The Third Annual 'COMEDY CENTRAL Park' Live from SummerStage Starring Gabriel Iglesias with Special Guest Pablo Francisco Takes Place Rain or Shine on Friday, June 19 at 8:00 P.M. "COMEDY CENTRAL Park" Is One Of 31 Free Programs Offered During The 2009 Central Park SummerStage Season Through The City Parks Foundation In New York City The First 3,000 Attendees Will Receive A Complimentary, Reusable Shopping Bag Courtesy Of The Network's Pro-Social Initiative AddressTheMess NEW YORK, June 8 -- No two drink minimum necessary at this venue, it's entirely free. On Friday, June 19, New York City's Central Park turns into "COMEDY CENTRAL Park," a night of free stand-up comedy Live from SummerStage. The outdoor venue is located at mid-Central Park (near the Fifth Avenue & 72nd Street entrance) with doors opening at 7:00 p.m. and the show starting at 8:00 p.m. This is the third consecutive year COMEDY CENTRAL has participated in this hugely successful event. This year's presentation of "COMEDY CENTRAL Park" will feature comedian Gabriel Iglesias, who blends his impeccable voice skills with an uncanny knack for animated comedic storytelling that bring his issues to life, and special guest Pablo Francisco, who has an unbelievable ability to physically morph himself into movie stars, singers, friends, family, and a multitude of nationalities. Outback Steakhouse and All-Natural Snapple are the proud sponsors of "COMEDY CENTRAL Park." Iglesias's talent on stage has earned him several television appearances.
    [Show full text]
  • Chicano Impact on U.S. Comedy John Whiting-Call Eastern Washington University
    Eastern Washington University EWU Digital Commons EWU Student Research and Creative Works 2014 Symposium Symposium 2014 Chicano Impact on U.S. Comedy John Whiting-Call Eastern Washington University Follow this and additional works at: http://dc.ewu.edu/srcw_2014 Part of the Chicana/o Studies Commons Recommended Citation Whiting-Call, John, "Chicano Impact on U.S. Comedy" (2014). 2014 Symposium. Paper 27. http://dc.ewu.edu/srcw_2014/27 This Article is brought to you for free and open access by the EWU Student Research and Creative Works Symposium at EWU Digital Commons. It has been accepted for inclusion in 2014 Symposium by an authorized administrator of EWU Digital Commons. For more information, please contact [email protected]. Chicanos and Their Impact in U.S. Comedy By John W‐C Synopsis • This presentation will give a brief history of Chicanos in comedy • It will also spotlight some of the most famous and impactful Chicano comedians • Racial stereotypes within comedy routines will be discussed • Finally, I will analyze the impact these comedians have in U.S. culture Early History of Chicano Comedy • Films originally portrayed Chicanos as thieves, bandits, savages, gangsters, or the helpless in need of Anglo assistance • Because of discrimination, Chicanos didn’t get the opportunity to exercise their comedy • The first Chicano to break mainstream was “Cheech” Marin in his 1978 film, Cheech and Chong: Up In Smoke Emergence of Chicanos in Comedy • After Marin, other comedians began to earn recognition, either as stand-up comedians, or actors • Paul Rodriguez emerged in the late 1980’s as a sitcom star and host of the Newlywed Game • George Lopez’s popular T.V.
    [Show full text]
  • Newsletter 15/07 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen.
    [Show full text]
  • Racial Satire and Chappelle's Show
    Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 4-21-2009 Racial Satire and Chappelle's Show Katharine P. Zakos Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Zakos, Katharine P., "Racial Satire and Chappelle's Show." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/communication_theses/50 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RACIAL SATIRE AND CHAPPELLE’S SHOW by KATHARINE P. ZAKOS Under the Direction of Mary Stuckey ABSTRACT This thesis examines Chappelle's Show’s use of racial satire to challenge dominant stereotypes and the effectiveness of that satire as a tool to achieve perspective by incongruity. I use a variation of D’Acci’s circuit of media study model to examine the institutional challenges and limitations on the show due to the context in which it was created, produced, and distributed; to interrogate the strategies employed by the show’s writers/creators to overcome these challenges through the performance of race; and to analyze the audience’s understanding of the use of racial satire through a reception study of the show’s audience. I argue that using satire often has the unintended consequence of crossing the line between “sending up” a behavior and supporting it, essentially becoming that which it is trying to discount, though this is not to say that its intrinsic value is therefore completely negated.
    [Show full text]
  • Now Booking Holiday Parties
    HUMORH U M O R ENTERTAINMENTE N T E R T A I N M E N T DININGD I N I N G TRAVELT R A V E L DECEMBERDECEMBER 20102010 Merry ChristmasChrisstmatmmas BRING IN THE NEWNEW YEARYEAR ATVelvea ALTARe BARvvea WWITHITHeeaa LastLasstt MinuteMMinute GiftG GuideGuidee DiningDDiinniing ReviewReevvieiew BlueBlue DiningDining TravelTrraaavvveleell SectionSececctiontionttioionioon IItaly,taly, MMilanoilano & VVeniceenice HolidayHooollididdaay SpecialsSpeciSSppeecciiaalllss ChristmasChristmas TriviaTrivia QuizQuiz andand ChallengeChallenge ReducingReducing HolidayHoliday StressStress Don’tDon’t LetLet YourYYoour ChristmasChristmas RoadRoad TripTrip bebe a TurkeyTurkey Contents Or whatever the PC term is this year... Publisher: Joyce Campisi Page 3..........................Monte Cellos Wexford Editor-in-Chief: Joyce Campisi Pages 4-5.......Last Minute Holiday Gift Guide Executive Editor: Joseph P. Campisi, III Pages 6-7...............................................Travel Assignment Editor: Jennifer L. Campisi Dennis Kostley, Page 8-9................................Wine and Spirits Graphic Designer: Casey King, Ryan Cherry Page 10................................Ask The Attorney Senior Photographer: Todd Brunozzi Page 11......................................Footcare Tips Photographer: Ryan Cherry Page12....................................................Music Feature Writers: Suz Pisano, Trish Imbrogno, Pages 15-16........................................Theater Attorney Jeffrey Pollock, Steve Montellese Contributing Writers: Bill Mace, Jean Mace, Page 18.....................................Holiday
    [Show full text]
  • AXS TV Canada Schedule for Mon. December 30, 2013 to Sun
    AXS TV Canada Schedule for Mon. December 30, 2013 to Sun. January 5, 2014 Monday December 30, 2013 Premiere 6:00 AM ET / 3:00 AM PT 6:00 PM ET / 3:00 PM PT Baltic Coasts Gene Simmons Family Jewels Of Forests and Lakes - The episode starts with a hovercraft patrol at the Gulf of Bothnia, Tracy The Wedding Planner - As a gift to Shannon and Gene, Tracy offers to plan the entire leading to the world’s biggest archipelago around Turku, to the vast lakes of Vaaksy and wedding and a reluctant Shannon agrees. Kotka. Premiere 8:00 AM ET / 5:00 AM PT 7:00 PM ET / 4:00 PM PT Dan Rather Reports Gene Simmons Family Jewels American Soles - The US shoe industry has moved almost all manufacturing and jobs to Asia Wedding Boot Camp - With the wedding fast approaching Gene and Shannon enroll in a boot but one major American company is bucking the trend. Also, are apprenticeships the key to camp. an American manufacturing rebirth? 8:00 PM ET / 5:00 PM PT 9:00 AM ET / 6:00 AM PT Dan Rather Reports Baltic Coasts The Best Of Dan Rather Reports 2013 - From Afghanistan to the International Space Station, The Reborn Gems - From the impressive Dome Hill of Tallinn via thousands of Estonian a look back at our favorite stories from 2013. islands adorning the bay of Riga to the Latvian capital, where Rem Koolhaas forms a new city skyline. Premiere 9:00 PM ET / 6:00 PM PT Premiere Guitar® Center Sessions 10:00 AM ET / 7:00 AM PT Cake - An intimate concert and interview with alternative rock band Cake.
    [Show full text]
  • The Advocate, November 8, 2007
    Minnesota State University Moorhead RED: a Repository of Digital Collections The Advocate Student Newspapers 11-8-2007 The Advocate, November 8, 2007 Minnesota State University Moorhead Follow this and additional works at: https://red.mnstate.edu/advocate Recommended Citation Minnesota State University Moorhead, "The Advocate, November 8, 2007" (2007). The Advocate. 154. https://red.mnstate.edu/advocate/154 This Book is brought to you for free and open access by the Student Newspapers at RED: a Repository of Digital Collections. It has been accepted for inclusion in The Advocate by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. www.mnstate.edu/advocate Vol. 37 Thursday, No. 11 The Nov. 8, 2007 AAAn award-winningDVOCDVOC newspaper published weekly for the Minnesota State UniversityATAT Moorhead communityEE E-mail task force goes to work Blog lets students, faculty voice concerns about DragonMail Facilities and Administration Daniel Kirk. The group is co-chaired by Associate Vice President of Instructional Resources Brittney Goodman, and professor of social and Circulation scandal natural sciences Matt Craig. It is composed of approxi- Former newspaper mately 18 staff and faculty shut down after members from several different early 1970s campus departments, plus one student censorship battle representative. The purpose of the task force is to assess EATURES AGE MSUM’s e-mail needs while F , P 3 the university contemplates the best route to go toward improving DragonMail’s per- formance. It is not necessary to register on the blog to make a post, which allows people to com- ment anonymously.
    [Show full text]
  • 1 United States District Court for The
    UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ________________________________________ ) VIACOM INTERNATIONAL INC., ) COMEDY PARTNERS, ) COUNTRY MUSIC TELEVISION, INC., ) PARAMOUNT PICTURES ) Case No. 1:07-CV-02103-LLS CORPORATION, ) (Related Case No. 1:07-CV-03582-LLS) and BLACK ENTERTAINMENT ) TELEVISION LLC, ) DECLARATION OF WARREN ) SOLOW IN SUPPORT OF Plaintiffs, ) PLAINTIFFS’ MOTION FOR v. ) PARTIAL SUMMARY JUDGMENT ) YOUTUBE, INC., YOUTUBE, LLC, and ) GOOGLE INC., ) Defendants. ) ________________________________________ ) I, WARREN SOLOW, declare as follows: 1. I am the Vice President of Information and Knowledge Management at Viacom Inc. I have worked at Viacom Inc. since May 2000, when I was joined the company as Director of Litigation Support. I make this declaration in support of Viacom’s Motion for Partial Summary Judgment on Liability and Inapplicability of the Digital Millennium Copyright Act Safe Harbor Defense. I make this declaration on personal knowledge, except where otherwise noted herein. Ownership of Works in Suit 2. The named plaintiffs (“Viacom”) create and acquire exclusive rights in copyrighted audiovisual works, including motion pictures and television programming. 1 3. Viacom distributes programs and motion pictures through various outlets, including cable and satellite services, movie theaters, home entertainment products (such as DVDs and Blu-Ray discs) and digital platforms. 4. Viacom owns many of the world’s best known entertainment brands, including Paramount Pictures, MTV, BET, VH1, CMT, Nickelodeon, Comedy Central, and SpikeTV. 5. Viacom’s thousands of copyrighted works include the following famous movies: Braveheart, Gladiator, The Godfather, Forrest Gump, Raiders of the Lost Ark, Breakfast at Tiffany’s, Top Gun, Grease, Iron Man, and Star Trek.
    [Show full text]
  • Inside the Mind of Mencia
    Everett Middle School San Francisco, California [STRAIGHT-UP NEWS] Volume 04, No. 01 Where Owls get their news February 2007 Inside the Mind of Mencia by Jesus Alvarez arlos Mencia, the star of Comedy Central’s “Mind of Mencia” is famous for his jokes and racial comments. But do some people ever take him too seriously? C The Straight-Up News spoke to Mencia about this, his background, and what inspired him to become a comedian. He also revealed he will star in a new movie with Ben Stiller and will have another season of “Mind of Mencia” in 2007. MENCIA cont’d, back page ▲Image courtesy of Comedy Central The History Everett Under Construction of Everett by Bill Mak ave you ever wondered Currently fire safety is the Middle School why the third floor now most important reason for has renovating the by Victor Molina / por Victor Molina H “The project will fix a dead end? school but they Or how come bathrooms, fire alarms, are updating veryone at Everett knows a little some- bungalows are sprinkler systems, replace other things as thing about the history of Everett, but on the Everett countertops, and make the well. This does Edo they really know all of our historical Middle School school more accessible to not impede PE background? Do students know about very old playground? disabled people.” for students. rumors and things that happened in the school Everett is The Everett a long time ago? being renovat- — Francisco Duran, Principal Middle School For example, did you know that Everett ed.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Navigating Careers In
    UNIVERSITY OF CALIFORNIA Los Angeles Navigating Careers in Cultural Production Industries: The Case of Stand-Up Comedy A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Sociology by Patrick Michael Reilly 2016 © Copyright by Patrick Michael Reilly 2016 ABSTRCACT OF THE DISSERTATION Navigating Careers in Cultural Production Industries: The Case of Stand-Up Comedy by Patrick Michael Reilly Doctor of Philosophy in Sociology University of California, Los Angeles, 2016 Professor Gabriel Rossman, Co-chair Professor Lynne Goodman Zucker, Co-chair This dissertation investigates patterns of action and decision-making patterns by artists with cultural production industries. In particular, it explores how individuals navigate these uncertain, project-based fields, which are characterized by network forms of organization. Drawing from of five years of ethnographic research into stand-up comedians in Los Angeles, I crafted three chapters that examine participants’ decision-making and social organization. The first chapter covers the underlying processes and mechanisms for career development among artists. It introduces and defines the model of a layered career. In the case of stand-up comedy, individuals progressively move through three layers. Each exhibits its own distinctive organizational bases, challenges, interactional processes, relationship types, and rewards. While development involves one matriculating through layers, it also requires artists to maintain their participation in prior layers, because each is ideally suited for different aspects of practice, creativity, and social support. Careers ii in these contexts involve building a durable infrastructure rather than a simple passage through discrete statuses. The second chapter explores the informal enforcement of intellectual property rights in stand-up comedy.
    [Show full text]