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Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Recycle the Transcript
TTHE RANSCRIPT Ohio Wesleyan University The Oldest Independent Student Newspaper in the Nation Delaware, OH Thursday, October 5, 2006 Volume 144 No. 4 Take a STAND against genocide Messages left unreturned Students not using new phone system said. “The cheapest phone can By Raza Naqvi be even about $10, and there Staff Reporter is no additional technology fee Early one morning, senior charged to the students.” Mike Elliott reached for his room Another difference is that stu- phone to call Public Safety about dents can access their personal some heavy bass and loud fresh- voicemail from any phone system men down the hallway from his including their cell phones, by di- room in Stuyvesant. However, aling the voicemail number that the problem was that he did not they have been assigned. have a phone. Elliot said he has not used the The new campus telephone system because he does not know system installed over the summer much about it. is an update to the previous sys- “I don’t remember anything in tem, said Sue Cooperider, direc- the mail,” he said. “A lot of those tor of Administrative Services. things [fl iers] are often junk so “The old system was installed you can’t blame kids for not pay- in 1984, so it was fairly archaic,” ing attention to one more ran- Cooperider said. “It was dying dom fl ier in the mailbox.” around us and becoming too dif- Cooperider said students can fi cult to maintain. The manufac- access their voicemail from any turers told us that it was coming type of phone and if they need a to the end of its life. -
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Journal of Ethnic and Cultural Studies Copyright 2020 2020, Vol. 7, No. 3, 142-162 ISSN: 2149-1291 http://dx.doi.org/10.29333/ejecs/392 Racism’s Back Door: A Mixed-Methods Content Analysis of Transformative Sketch Comedy in the US from 1960-2000 Jennifer Kim1 Independent Scholar, USA Abstract: Comedy that challenges race ideology is transformative, widely available, and has the potential to affect processes of identity formation and weaken hegemonic continuity and dominance. Outside of the rules and constraints of serious discourse and cultural production, these comedic corrections thrive on discursive and semiotic ambiguity and temporality. Comedic corrections offer alternate interpretations overlooked or silenced by hegemonic structures and operating modes of cultural common sense. The view that their effects are ephemeral and insignificant is an incomplete and misguided evaluation. Since this paper adopts Hegel’s understanding of comedy as the spirit (Geist) made material, its very constitution, and thus its power, resides in exposing the internal thought processes often left unexamined, bringing them into the foreground, dissecting them, and exposing them for ridicule and transformation. In essence, the work of comedy is to consider all points of human processing and related structuration as fair game. The phenomenological nature of comedy calls for a micro-level examination. Select examples from The Smothers Brothers Comedy Hour (1968), The Richard Pryor Show (1977), Saturday Night Live (1990), and Chappelle’s Show (2003) will demonstrate representative ways that comedy attacks and transforms racial hegemony. Keywords: comedy, cultural sociology, popular culture, race and racism, resistance. During periods of social unrest, what micro-level actions are available to the public? Or, how does a particular society respond to inequities that are widely shared and agreed upon as intolerable aspects of a society? One popular method to challenge a hegemonic structure, and to survive it, is comedy. -
ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship -
Sunday Morning Grid 1/17/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 1/17/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program College Basketball Michigan State at Wisconsin. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News Paid Program Clangers Luna! LazyTown Luna! LazyTown 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Liberty Paid Eye on L.A. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Paid Program 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Football Seattle Seahawks at Carolina Panthers. (N) 13 MyNet Paid Program Paid Program 18 KSCI Man Land Paid Church Faith Paid Program 22 KWHY Cosas Local Local Local Local Local Local Local Local Local RescueBot Transfor. 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Oil Painting Cook Moveable Martha Pépin Baking Simply Ming 28 KCET Wunderkind 1001 Nights Raggs Space Edisons Travel-Kids Soulful Symphony With Darin Atwater: Song Motown 25 My Music 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Pumas vs Toluca República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Race to Witch Mountain ›› (2009, Aventura) (PG) Zona NBA Treasure Guards (2011) Anna Friel, Raoul Bova. -
Television Shows
Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House -
Bridge & Tunnel
March 29 – May 1, 2016 on the Upperstage STUDY GUIDE edited by Richard J Roberts with contributions by Janet Allen Gordon Strain, Katie Cowan Sickmeier, Allen Hahn, Todd Mack Reischman Indiana Repertory Theatre 140 West Washington Street • Indianapolis, Indiana 46204 Janet Allen, Executive Artistic Director Suzanne Sweeney, Managing Director www.irtlive.com SEASON SPONSOR 2015-2016 YOUTH AUDIENCE & MATINEE PROGRAMS SPONSOR 2 INDIANA REPERTORY THEATRE Bridge & Tunnel by Sarah Jones An open-mic poetry night becomes a celebration of American diversity in the Tony Award- winning play, Bridge & Tunnel. Follow along as one woman plays more than a dozen characters of various genders, ages, and nationalities as life stories are shared and dreams are dared. Jones’s script encourages us to look through new eyes at an all-inclusive America: a beautiful ideal for immigrants and nationals alike, where liberty, equality, and opportunity have concrete, vital meaning. Student Matinees at 10:00 A.M. on April 6 & 13 Estimated length: 90 minutes, with no intermission Recommended for grades 11-12 due to strong language and mature themes. Themes & Topics Poetry and Storytelling Race and Nationality Equality and Opportunity Humor and Vulnerability Empathy and Compassion Tradition and Sexuality Immigration Freedom, Fear of Exclusion Multiculturalism Contents Milicent Wright, Actress 3 Executive Artistic Director’s Note 4 Director’s Note 5 Designer Notes 6 Poet & Playwright Sarah Jones 8 Slam Poetry 10 Historic Poets 12 Around the World 14 Academic Standards Alignment Guide 21 Pre-Show Activity 22 Discussion Questions 23 Activities 23 Education Sales Writing Prompts 24 Randy Pease • 317-916-4842 Resources 25 [email protected] Glossary 28 Going to the Theatre 34 Ann Marie Elliott • 317-916-4841 [email protected] cover art by Kyle Ragsdale Outreach Programs Milicent Wright • 317-916-4843 [email protected] INDIANA REPERTORY THEATRE 3 Milicent Wright Actor Characters in the Play: Ms. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
ART's Renderdrive
HPG and Hot3D are normally about the latest and greatest hardware. This isn’t that – this is about some hardware from before NVIDIA started calling their products GPUs. Why is this being presented at HPG? In many recent conferences, someone has presented a good rendering technique, and I’ve gone up and said it was interesting, but did they know we did it some years before? An obviously they didn’t, because we didn’t publish it. We can’t be alone in this (although others might not actually tell the presenters), so this is a call for people to describe old technology as the patents start expiring and people stop caring about protecting the IP. ART was founded in Cambridge, England in 1995, based on Adrian Wrigley’s 1994 PhD thesis in the Rainbow Graphics Group in the computer laboratory. (See http://www.lib.cam.ac.uk/collections/departments/manuscripts-university- archives/subject-guides/theses-dissertations-and-1 for information on ordering the thesis; it does not appear to be online. The corresponding patent is available at https://patents.google.com/patent/US5933146A/en.) The idea was to make a rendering appliance that could be used like a render farm (and shared between artists). Absent anything else resembling a standard for photorealistic ray tracing, it was based on the RenderMan specification. Obviously not enough customers existed to make the company highly successful, but those who were interested included those who could use ray tracing on transparent surfaces or liked depth of field. Jim Henson didn’t buy one, but caused us a lot of confusion as to how we could be used for Fraggles until Farscape came out. -
ANGEL DEANGELIS Hair Stylist IATSE 798
ANGEL DEANGELIS Hair Stylist IATSE 798 FILM HUSTLERS Department Head Director: Lorene Scafaria PRIVATE LIFE Department Head Director: Tamara Jenkins SHOW DOGS Department Head – Las Vegas Shoot Director: Raja Gosnell COLLATERAL BEAUTY Department Head Director: David Frankel Cast: Helen Mirren, Ed Norton, Keira Knightley THE AMAZING SPIDER-MAN 2 Department Head Director: Marc Webb Cast: Dane DeHaan THE HEAT Department Head Director: Paul Feig Cast: Melissa McCarthy MUHAMMAD ALI’S GREATEST FIGHT Department Head Director: Stephen Frears Cast: Christopher Plummer, Benjamin Walker, Frank Langella JACK REACHER Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall, Richard Jenkins, Werner Herzog, Jai Courtney, Joseph Sikora, GODS BEHAVING BADLY Department Head Director: Marc Turtletaub Cast: Alicia Silverstone, Edie Falco, Ebon Moss-Bachrach, Oliver Platt, Christopher Walken, Rosie Perez, Phylicia Rashad THE AMAZING SPIDER-MAN Key Hair (New York) Director: Marc Webb Cast: Embeth Davidtz NEW YEAR’S EVE Department Head Director: Garry Marshall Cast: Jessica Biel, Zac Efron, Cary Elwes, Alyssa Milano, Carla Gugino, Jon Bon Jovi, Sofia Vergara, Lea Michele, James Belushi, Abigail Breslin, Josh Duhamel, Cherry Jones, THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Angel DeAngelis Telephone: 323.466.4441 Facsimile: 323.460.4442 Hair [email protected] www.miltonagency.com Page 1 of 5 THE SITTER Department Head Director: David Gordon Green Cast: Jonah Hill, Ari Graynor PREMIUM RUSH Department Head -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
Nick's the Fairly Oddparents Comes to Life in First-Ever, Live-Action TV Movie Adaptation, a Fairly Odd Movie: Grow Up, Timmy Turner!
Nick's The Fairly OddParents Comes to Life in First-Ever, Live-Action TV Movie Adaptation, A Fairly Odd Movie: Grow Up, Timmy Turner! Drake & Josh Star Drake Bell to Headline as Grown-Up Timmy Turner; Also Featuring Victorious Star Daniella Monet as Tootie Jason Alexander and Cheryl Hines Bring Cosmo and Wanda to Life as Live-Action Characters; Steven Weber Also to Star as Hugh J. Magnate BURBANK, Calif., July 23, 2010 /PRNewswire via COMTEX/ -- Nickelodeon has greenlit a live-action television movie adaptation of one of its most popular animated series, The Fairly OddParents, it was announced today by Marjorie Cohn, President, Original Programming and Development, Nickelodeon/MTVN Kids and Family Group. A Fairly Odd Movie: Grow Up, Timmy Turner!, based on the hit series from creator Butch Hartman, will combine live-action with CG animation and follow the adventures of a now 23-year-old Timmy Turner (Drake Bell, Drake & Josh) who refuses to grow up in order to keep his fairy godparents. A Fairly Odd Movie: Grow Up, Timmy Turner! is set to premiere on Nickelodeon in 2011, and will be executive produced by Hartman and Lauren Levine, co-executive produced by Scott MacAboy, directed by Savage Steve Holland and written by Hartman and series' former writer Scott Fellows (Big Time Rush). (Photo: http://photos.prnewswire.com/prnh/20100723/NY40178 ) (Photo: http://www.newscom.com/cgi-bin/prnh/20100723/NY40178 ) "It's so much fun to see our animated characters come to life," said Cohn. "And who better to bring grown up Timmy Turner to life than Drake Bell, who himself grew up on our air and still remains one of our most popular Nick stars ever." "I think fans of the series will love seeing the characters in this new way," said Hartman.