Rubin Declaration Exhibits Continued
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2011-Summer.Pdf
BOWDOIN MAGAZINE VOL. 82 NO. 2 SUMMER 2011 BV O L . 8 2 N Oow . 2 S UMMER 2 0 1 1 doin STANDP U WITH ASOCIAL FOR THECLASSOF1961, BOWDOINISFOREVER CONSCIENCE JILLSHAWRUDDOCK’77 HARI KONDABOLU ’04 SLICINGTHEPIEFOR THE POWER OF COMEDY AS AN STUDENTACTIVITIES INSTRUMENT FOR CHANGE SUMMER 2011 CONTENTS BowdoinMAGAZINE 24 AGreatSecondHalf PHOTOGRAPHS BY FELICE BOUCHER In an interview that coincided with the opening of an exhibition of the Victoria and Albert’s English alabaster reliefs at the Bowdoin College Museum of Art last semester, Jill Shaw Ruddock ’77 talks about the goal of her new book, The Second Half of Your Life—to make the second half the best half. 30 FortheClassof1961,BowdoinisForever BY LISA WESEL • PHOTOGRAHS BY BOB HANDELMAN AND BRIAN WEDGE ’97 After 50 years as Bowdoin alumni, the Class of 1961 is a particularly close-knit group. Lisa Wesel spent time with a group of them talking about friendship, formative experi- ences, and the privilege of traveling a long road together. 36 StandUpWithaSocialConscience BY EDGAR ALLEN BEEM • PHOTOGRAPHS BY KARSTEN MORAN ’05 The Seattle Times has called Hari Kondabolu ’04 “a young man reaching for the hand-scalding torch of confrontational comics like Lenny Bruce and Richard Pryor.” Ed Beem talks to Hari about his journey from Queens to Brunswick and the power of comedy as an instrument of social change. 44 SlicingthePie BY EDGAR ALLEN BEEM • PHOTOGRAPHS BY DEAN ABRAMSON The Student Activity Fund Committee distributes funding of nearly $700,000 a year in support of clubs, entertainment, and community service. -
Recycle the Transcript
TTHE RANSCRIPT Ohio Wesleyan University The Oldest Independent Student Newspaper in the Nation Delaware, OH Thursday, October 5, 2006 Volume 144 No. 4 Take a STAND against genocide Messages left unreturned Students not using new phone system said. “The cheapest phone can By Raza Naqvi be even about $10, and there Staff Reporter is no additional technology fee Early one morning, senior charged to the students.” Mike Elliott reached for his room Another difference is that stu- phone to call Public Safety about dents can access their personal some heavy bass and loud fresh- voicemail from any phone system men down the hallway from his including their cell phones, by di- room in Stuyvesant. However, aling the voicemail number that the problem was that he did not they have been assigned. have a phone. Elliot said he has not used the The new campus telephone system because he does not know system installed over the summer much about it. is an update to the previous sys- “I don’t remember anything in tem, said Sue Cooperider, direc- the mail,” he said. “A lot of those tor of Administrative Services. things [fl iers] are often junk so “The old system was installed you can’t blame kids for not pay- in 1984, so it was fairly archaic,” ing attention to one more ran- Cooperider said. “It was dying dom fl ier in the mailbox.” around us and becoming too dif- Cooperider said students can fi cult to maintain. The manufac- access their voicemail from any turers told us that it was coming type of phone and if they need a to the end of its life. -
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Journal of Ethnic and Cultural Studies Copyright 2020 2020, Vol. 7, No. 3, 142-162 ISSN: 2149-1291 http://dx.doi.org/10.29333/ejecs/392 Racism’s Back Door: A Mixed-Methods Content Analysis of Transformative Sketch Comedy in the US from 1960-2000 Jennifer Kim1 Independent Scholar, USA Abstract: Comedy that challenges race ideology is transformative, widely available, and has the potential to affect processes of identity formation and weaken hegemonic continuity and dominance. Outside of the rules and constraints of serious discourse and cultural production, these comedic corrections thrive on discursive and semiotic ambiguity and temporality. Comedic corrections offer alternate interpretations overlooked or silenced by hegemonic structures and operating modes of cultural common sense. The view that their effects are ephemeral and insignificant is an incomplete and misguided evaluation. Since this paper adopts Hegel’s understanding of comedy as the spirit (Geist) made material, its very constitution, and thus its power, resides in exposing the internal thought processes often left unexamined, bringing them into the foreground, dissecting them, and exposing them for ridicule and transformation. In essence, the work of comedy is to consider all points of human processing and related structuration as fair game. The phenomenological nature of comedy calls for a micro-level examination. Select examples from The Smothers Brothers Comedy Hour (1968), The Richard Pryor Show (1977), Saturday Night Live (1990), and Chappelle’s Show (2003) will demonstrate representative ways that comedy attacks and transforms racial hegemony. Keywords: comedy, cultural sociology, popular culture, race and racism, resistance. During periods of social unrest, what micro-level actions are available to the public? Or, how does a particular society respond to inequities that are widely shared and agreed upon as intolerable aspects of a society? One popular method to challenge a hegemonic structure, and to survive it, is comedy. -
Enjoy a Free Evening of Comedy in New York City's Central Park This
Enjoy a Free Evening of Comedy in New York City's Central Park This Summer! The Third Annual 'COMEDY CENTRAL Park' Live from SummerStage Starring Gabriel Iglesias with Special Guest Pablo Francisco Takes Place Rain or Shine on Friday, June 19 at 8:00 P.M. "COMEDY CENTRAL Park" Is One Of 31 Free Programs Offered During The 2009 Central Park SummerStage Season Through The City Parks Foundation In New York City The First 3,000 Attendees Will Receive A Complimentary, Reusable Shopping Bag Courtesy Of The Network's Pro-Social Initiative AddressTheMess NEW YORK, June 8 -- No two drink minimum necessary at this venue, it's entirely free. On Friday, June 19, New York City's Central Park turns into "COMEDY CENTRAL Park," a night of free stand-up comedy Live from SummerStage. The outdoor venue is located at mid-Central Park (near the Fifth Avenue & 72nd Street entrance) with doors opening at 7:00 p.m. and the show starting at 8:00 p.m. This is the third consecutive year COMEDY CENTRAL has participated in this hugely successful event. This year's presentation of "COMEDY CENTRAL Park" will feature comedian Gabriel Iglesias, who blends his impeccable voice skills with an uncanny knack for animated comedic storytelling that bring his issues to life, and special guest Pablo Francisco, who has an unbelievable ability to physically morph himself into movie stars, singers, friends, family, and a multitude of nationalities. Outback Steakhouse and All-Natural Snapple are the proud sponsors of "COMEDY CENTRAL Park." Iglesias's talent on stage has earned him several television appearances. -
Chicano Impact on U.S. Comedy John Whiting-Call Eastern Washington University
Eastern Washington University EWU Digital Commons EWU Student Research and Creative Works 2014 Symposium Symposium 2014 Chicano Impact on U.S. Comedy John Whiting-Call Eastern Washington University Follow this and additional works at: http://dc.ewu.edu/srcw_2014 Part of the Chicana/o Studies Commons Recommended Citation Whiting-Call, John, "Chicano Impact on U.S. Comedy" (2014). 2014 Symposium. Paper 27. http://dc.ewu.edu/srcw_2014/27 This Article is brought to you for free and open access by the EWU Student Research and Creative Works Symposium at EWU Digital Commons. It has been accepted for inclusion in 2014 Symposium by an authorized administrator of EWU Digital Commons. For more information, please contact [email protected]. Chicanos and Their Impact in U.S. Comedy By John W‐C Synopsis • This presentation will give a brief history of Chicanos in comedy • It will also spotlight some of the most famous and impactful Chicano comedians • Racial stereotypes within comedy routines will be discussed • Finally, I will analyze the impact these comedians have in U.S. culture Early History of Chicano Comedy • Films originally portrayed Chicanos as thieves, bandits, savages, gangsters, or the helpless in need of Anglo assistance • Because of discrimination, Chicanos didn’t get the opportunity to exercise their comedy • The first Chicano to break mainstream was “Cheech” Marin in his 1978 film, Cheech and Chong: Up In Smoke Emergence of Chicanos in Comedy • After Marin, other comedians began to earn recognition, either as stand-up comedians, or actors • Paul Rodriguez emerged in the late 1980’s as a sitcom star and host of the Newlywed Game • George Lopez’s popular T.V. -
Kids in Cages: Inhumane Treatment at the Border: Hearing Committee
KIDS IN CAGES: INHUMANE TREATMENT AT THE BORDER HEARING BEFORE THE SUBCOMMITTEE ON CIVIL RIGHTS AND CIVIL LIBERTIES OF THE COMMITTEE ON OVERSIGHT AND REFORM HOUSE OF REPRESENTATIVES ONE HUNDRED SIXTEENTH CONGRESS FIRST SESSION JULY 10, 2019 Serial No. 116–44 Printed for the use of the Committee on Oversight and Reform ( Available on: http://www.govinfo.gov http://www.oversight.house.gov or http://www.docs.house.gov U.S. GOVERNMENT PUBLISHING OFFICE 37–284 PDF WASHINGTON : 2019 COMMITTEE ON OVERSIGHT AND REFORM ELIJAH E. CUMMINGS, Maryland, Chairman CAROLYN B. MALONEY, New York JIM JORDAN, Ohio, Ranking Minority Member ELEANOR HOLMES NORTON, District of JUSTIN AMASH, Michigan Columbia PAUL A. GOSAR, Arizona WM. LACY CLAY, Missouri VIRGINIA FOXX, North Carolina STEPHEN F. LYNCH, Massachusetts THOMAS MASSIE, Kentucky JIM COOPER, Tennessee MARK MEADOWS, North Carolina GERALD E. CONNOLLY, Virginia JODY B. HICE, Georgia RAJA KRISHNAMOORTHI, Illinois GLENN GROTHMAN, Wisconsin JAMIE RASKIN, Maryland JAMES COMER, Kentucky HARLEY ROUDA, California MICHAEL CLOUD, Texas KATIE HILL, California BOB GIBBS, Ohio DEBBIE WASSERMAN SCHULTZ, Florida RALPH NORMAN, South Carolina JOHN P. SARBANES, Maryland CLAY HIGGINS, Louisiana PETER WELCH, Vermont CHIP ROY, Texas JACKIE SPEIER, California CAROL D. MILLER, West Virginia ROBIN L. KELLY, Illinois MARK E. GREEN, Tennessee MARK DESAULNIER, California KELLY ARMSTRONG, North Dakota BRENDA L. LAWRENCE, Michigan W. GREGORY STEUBE, Florida STACEY E. PLASKETT, Virgin Islands RO KHANNA, California JIMMY GOMEZ, California ALEXANDRIA OCASIO-CORTEZ, New York AYANNA PRESSLEY, Massachusetts RASHIDA TLAIB, Michigan DAVID RAPALLO, Staff Director CANDYCE PHOENIX, Subcommittee Staff Director VALERIE SHEN, Chief Counsel and Senior Policy Advisor JOSHUA ZUCKER, Assistant Clerk CHRISTOPHER HIXON, Minority Staff Director CONTACT NUMBER: 202-225-5051 SUBCOMMITTEE ON CIVIL RIGHTS AND CIVIL LIBERTIES JAMIE RASKIN, Maryland, Chairman CAROLYN MALONEY, New York CHIP ROY, Texas, Ranking Minority Member WM. -
We'll Have a Gay Ol'time: Trangressive Sexulaity and Sexual Taboo In
We’ll have a gay ol’ time: transgressive sexuality and sexual taboo in adult television animation By Adam de Beer Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in Film Studies in the Faculty of Humanities and the Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN UniversityFebruary of 2014Cape Town Supervisor: Associate Professor Martin P. Botha The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of Cape Town. It has not been submitted before for any other degree or examination at any other university. Adam de Beer February 2014 ii Abstract This thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. -
On the Auto Body, Inc
FINAL-1 Sat, Oct 14, 2017 7:52:52 PM Your Weekly Guide to TV Entertainment for the week of October 21 - 27, 2017 HARTNETT’S ALL SOFT CLOTH CAR WASH $ 00 OFF 3 ANY CAR WASH! EXPIRES 10/31/17 BUMPER SPECIALISTSHartnetts H1artnett x 5” On the Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 run DANA F. HARTNETT LIC. #9482 Emma Dumont stars 15 WATER STREET in “The Gifted” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Now that their mutant abilities have been revealed, teenage siblings must go on the lam in a new episode of “The Gifted,” airing Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 Monday. ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents Massachusetts’ First Credit Union • Slip &Fall • Motorcycle &Pedestrian Accidents Located at 370 Highland Avenue, Salem John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks St. Jean's Credit Union • Injuries2 x to 3 Children Voted #1 1 x 3” With 35 years experience on the North Serving over 15,000 Members •3 A Partx 3 of your Community since 1910 Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful Supporting over 60 Non-Profit Organizations & Programs The LawOffice of Serving the Employees of over 40 Businesses STEPHEN M. FORLIZZI Auto • Homeowners 978.739.4898 978.219.1000 • www.stjeanscu.com Business -
Gagosian Gallery
Garage May 10, 2020 GAGOSIAN Always On My Mind As we enter a new era, artist Alex Israel looks back at a decade of work and the fast-changing technology and culture that influenced it. Alex Israel Alex Israel, Self-Portrait, 2013, Sunset Strip, Billboard Photo: Michael Underwood Today’s is a new world, forever changed by the spread of a novel coronavirus. When I began writing this essay over the December 2019 holiday break, the idea was to walk readers through my thinking (hence the title) and to trace the evolution of my work from early projects to recent paintings. I was writing both to contextualize my practice relative to the shifting media landscape that had inspired it—the previous “new world”—and to punctuate a decade of artistic production. While I wasn’t able to finish the text in time for distribution at my London opening in January, as I’d hoped, I continued to write in the new year, finally finding the hours to hone and polish at the start of quarantine last month. But since then, in just a matter of weeks, everything has shifted in ways that we are all still processing. While it’s hard to know what to say or think about this moment, suddenly, almost magically, the previous one appears clearer than ever in my rearview mirror. What used to resemble a living, breathing ecosystem now feels like a time capsule, and whether what happens next is a new chapter, a new book, or (perhaps most likely) a new language altogether, one thing’s for sure: it’s happening. -
Cheerleader Gives up NFL for Her Faith Sumter’S Kristan Ware Says Christianity, Virginity Made Her a Target
S.C. prison chief faces Senate Subcommittee A6 Carolina Backcountry Springtime on Saturday Learn about weaving, blacksmithing, SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 18th-century weaponry and more A2 FRIDAY, MAY 11, 2018 75 CENTS Cheerleader gives up NFL for her faith Sumter’s Kristan Ware says Christianity, virginity made her a target BY ADRIENNE SARVIS home in dance studios. versation because she did not have [email protected] Along with her love for dance and one of her own. cheerleading, Ware has even more When asked why she didn't have a Faith is something that a lot of peo- passion for Christ. playlist, Ware decided to answer hon- ple carry with them everywhere they But, while being on the Miami Dol- estly and told her teammates she is go, including a former Miami Dol- phins cheerleading team gave her the waiting until marriage. phins cheerleader who was allegedly opportunity to do what she loved, the And though her teammates did not singled out for refusing to take God job later caused her distress. seem to mind her personal decision, out of her life for the sake of the Ware said her troubles began after she said the team staff made it a topic team. a trip to London in 2015 during her of discussion during Ware’s audition Though she moved a lot growing up second year with the Dolphins when for next season. in a military family, 27-year-old other cheerleaders were discussing Ware was baptized on April 10, Kristan Ann Ware of Sumter was their sex playlists. -
American Comedy Institute Student, Faculty, and Alumni News
American Comedy Institute Student, Faculty, and Alumni News Michelle Buteau played Private Robinson in Fox’s Enlisted. She has performed on Comedy Central’s Premium Blend, Totally Biased with W.Kamau Bell, The Late Late Show with Craig Ferguson, Lopez Tonight and Last Comic Standing. She has appeared in Key and Peele and @Midnight. Michelle is a series regular on VH1’s Best Week Ever, MTV’s Walk of Shame, Oxygen Network’s Kiss and Tell, and was Jenny McCarthy’s sidekick on her late-night talk show Jenny. Craig Todaro (One Year Program alum) Craig performed in American Comedy Institute’s 25th Anniversary Show where he was selected by Gotham Comedy Club owner Chris Mazzilli to appear on Gotham Comedy Live. Craig is now a pro regular at Gotham Comedy Club where he recently appeared in Gotham Comedy All Stars. Yannis Pappas (One Year Program alum) Yannis recently appeared in his first Comedy Central Half Hour special. He has been featured on Gotham Comedy Live, VH1's Best Week Ever and CBS. He is currently the co-anchor of Fusion Live, a one-hour news magazine program on Fusion Network, which focuses on current events, pop culture and satire. He tours the world doing stand up comedy and is known for his immensely popular characters Mr. Panos and Maurica. Along with Director Jesse Scaturro, he is the co-founder of the comedy production company Ditch Films. Jessica Kirson is a touring national headliner. She recently made her film debut in Nick Cannon’s Cliques with Jim Breuer and George Lopez. -
Now Booking Holiday Parties
HUMORH U M O R ENTERTAINMENTE N T E R T A I N M E N T DININGD I N I N G TRAVELT R A V E L DECEMBERDECEMBER 20102010 Merry ChristmasChrisstmatmmas BRING IN THE NEWNEW YEARYEAR ATVelvea ALTARe BARvvea WWITHITHeeaa LastLasstt MinuteMMinute GiftG GuideGuidee DiningDDiinniing ReviewReevvieiew BlueBlue DiningDining TravelTrraaavvveleell SectionSececctiontionttioionioon IItaly,taly, MMilanoilano & VVeniceenice HolidayHooollididdaay SpecialsSpeciSSppeecciiaalllss ChristmasChristmas TriviaTrivia QuizQuiz andand ChallengeChallenge ReducingReducing HolidayHoliday StressStress Don’tDon’t LetLet YourYYoour ChristmasChristmas RoadRoad TripTrip bebe a TurkeyTurkey Contents Or whatever the PC term is this year... Publisher: Joyce Campisi Page 3..........................Monte Cellos Wexford Editor-in-Chief: Joyce Campisi Pages 4-5.......Last Minute Holiday Gift Guide Executive Editor: Joseph P. Campisi, III Pages 6-7...............................................Travel Assignment Editor: Jennifer L. Campisi Dennis Kostley, Page 8-9................................Wine and Spirits Graphic Designer: Casey King, Ryan Cherry Page 10................................Ask The Attorney Senior Photographer: Todd Brunozzi Page 11......................................Footcare Tips Photographer: Ryan Cherry Page12....................................................Music Feature Writers: Suz Pisano, Trish Imbrogno, Pages 15-16........................................Theater Attorney Jeffrey Pollock, Steve Montellese Contributing Writers: Bill Mace, Jean Mace, Page 18.....................................Holiday