But It‟S Just a Joke!‟: Latino Audiences‟ Primed Reactions To
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Menaquale, Sandy
“Prejudice is a burden that confuses the past, threatens the future, and renders the present inaccessible.” – Maya Angelou “As long as there is racial privilege, racism will never end.” – Wayne Gerard Trotman “Not everything that is faced can be changed, but nothing can be changed until it is faced.” James Baldwin “Ours is not the struggle of one day, one week, or one year. Ours is not the struggle of one judicial appointment or presidential term. Ours is the struggle of a lifetime, or maybe even many lifetimes, and each one of us in every generation must do our part.” – John Lewis COLUMBIA versus COLUMBUS • 90% of the 14,000 workers on the Central Pacific were Chinese • By 1880 over 100,000 Chinese residents in the US YELLOW PERIL https://iexaminer.org/yellow-peril-documents-historical-manifestations-of-oriental-phobia/ https://www.nytimes.com/2019/05/14/us/california-today-chinese-railroad-workers.html BACKGROUND FOR USA IMMIGRATION POLICIES • 1790 – Nationality and Citizenship • 1803 – No Immigration of any FREE “Negro, mulatto, or other persons of color” • 1848 – If we annex your territory and you remain living on it, you are a citizen • 1849 – Legislate and enforce immigration is a FEDERAL Power, not State or Local • 1854 – Negroes, Native Americans, and now Chinese may not testify against whites GERMAN IMMIGRATION https://www.pewresearch.org/wp-content/uploads/2014/05/FT_15.09.28_ImmigationMapsGIF.gif?w=640 TO LINCOLN’S CREDIT CIVIL WAR IMMIGRATION POLICIES • 1862 – CIVIL WAR LEGISLATION ABOUT IMMIGRATION • Message to Congress December -
Tommy Jacquette-Halifu
Tommy Jacquette-Halifu Tommy Jacquette-Halifu (1943-2009) was a co-founder of the annual Watts Summer Festival in 1966, a founding member of the organization Us, executive director of the Watts Summer Festival for over 40 years, a highly-respected social activist, community organizer, and veteran of the 1965 Watts Revolt. And although he was best known for his work as executive director for the Watts Summer Festival (at times featuring Coretta Scott King, Myrlie Evers, Betty Shabazz, Sammy Davis Jr., Richard Pryor, Sammy Davis Jr., Isaac Hayes, Muhammad Ali, Quincy Jones and a host of elected officials as grand marshals of the festival parade), he was also worked with the Watts Christmas Parade, Watts Willowbrook Chamber of Commerce, the Watts Gang Taskforce and organizations and community programs. He was born in Los Angeles, California, the eldest of six children, and grew up in the Imperial Courts in Watts, a residential district in the southern part of Los Angeles, California. Jacquette-Halifu is survived by his wife, Carmen Eatmon of Los Angeles; four sons, Derek and Raymond of Los Angeles and Damien and Juba of Phoenix; two daughters, Julienne Jacobs of St. Louis and Denise McFall of Los Angeles; his mother, Addie Young of Los Angeles; a brother, Bob Henson of Carmel; two sisters, Brenda Lake and Diane Young of Los Angeles; 23 grandchildren and four great-grandchildren. 6 The Journal of Pan African Studies, vol.3, no.6, March 2010 In memory of Tommy Jacquette-Halifu, Congresswoman Maxine Waters gave the following statement at the U.S. House of Representatives in Washington, D.C. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Recycle the Transcript
TTHE RANSCRIPT Ohio Wesleyan University The Oldest Independent Student Newspaper in the Nation Delaware, OH Thursday, October 5, 2006 Volume 144 No. 4 Take a STAND against genocide Messages left unreturned Students not using new phone system said. “The cheapest phone can By Raza Naqvi be even about $10, and there Staff Reporter is no additional technology fee Early one morning, senior charged to the students.” Mike Elliott reached for his room Another difference is that stu- phone to call Public Safety about dents can access their personal some heavy bass and loud fresh- voicemail from any phone system men down the hallway from his including their cell phones, by di- room in Stuyvesant. However, aling the voicemail number that the problem was that he did not they have been assigned. have a phone. Elliot said he has not used the The new campus telephone system because he does not know system installed over the summer much about it. is an update to the previous sys- “I don’t remember anything in tem, said Sue Cooperider, direc- the mail,” he said. “A lot of those tor of Administrative Services. things [fl iers] are often junk so “The old system was installed you can’t blame kids for not pay- in 1984, so it was fairly archaic,” ing attention to one more ran- Cooperider said. “It was dying dom fl ier in the mailbox.” around us and becoming too dif- Cooperider said students can fi cult to maintain. The manufac- access their voicemail from any turers told us that it was coming type of phone and if they need a to the end of its life. -
Ethnicity, Confession and Intercultural Dialogue at the European Union's
Munich Personal RePEc Archive Ethnicity, Confession and Intercultural Dialogue at the European Union’s East Border Brie, Mircea and Horga, Ioan and Şipoş, Sorin University of Oradea, Romania 2011 Online at https://mpra.ub.uni-muenchen.de/44082/ MPRA Paper No. 44082, posted 31 Jan 2013 05:28 UTC ETHNICITY, CONFESSION AND INTERCULTURAL DIALOGUE AT THE EUROPEAN UNION EASTERN BORDER ETHNICITY, CONFESSION AND INTERCULTURAL DIALOGUE AT THE EUROPEAN UNION EASTERN BORDER Mircea BRIE Ioan HORGA Sorin ŞIPOŞ (Coordinators) Debrecen/Oradea 2011 This present volume contains the papers of the international conference Ethnicity, Confession and Intercultural Dialogue at the European Union‟s East Border, held in Oradea between 2nd-5th of June 2011, organized by Institute for Euroregional Studies Oradea-Debrecen, University of Oradea and Department of International Relations and European Studies, with the support of the European Commission and Bihor County Council. CONTENTS INTRODUCTORY STUDIES Mircea BRIE Ethnicity, Religion and Intercultural Dialogue in the European Border Space.......11 Ioan HORGA Ethnicity, Religion and Intercultural Education in the Curricula of European Studies .......19 MINORITY AND MAJORITY IN THE EASTERN EUROPEAN AREA Victoria BEVZIUC Electoral Systems and Minorities Representations in the Eastern European Area........31 Sergiu CORNEA, Valentina CORNEA Administrative Tools in the Protection and Promotion of the Rights of Ethnic Minorities .............................................................................................................47 -
Download This PDF File
Journal of Ethnic and Cultural Studies Copyright 2020 2020, Vol. 7, No. 3, 142-162 ISSN: 2149-1291 http://dx.doi.org/10.29333/ejecs/392 Racism’s Back Door: A Mixed-Methods Content Analysis of Transformative Sketch Comedy in the US from 1960-2000 Jennifer Kim1 Independent Scholar, USA Abstract: Comedy that challenges race ideology is transformative, widely available, and has the potential to affect processes of identity formation and weaken hegemonic continuity and dominance. Outside of the rules and constraints of serious discourse and cultural production, these comedic corrections thrive on discursive and semiotic ambiguity and temporality. Comedic corrections offer alternate interpretations overlooked or silenced by hegemonic structures and operating modes of cultural common sense. The view that their effects are ephemeral and insignificant is an incomplete and misguided evaluation. Since this paper adopts Hegel’s understanding of comedy as the spirit (Geist) made material, its very constitution, and thus its power, resides in exposing the internal thought processes often left unexamined, bringing them into the foreground, dissecting them, and exposing them for ridicule and transformation. In essence, the work of comedy is to consider all points of human processing and related structuration as fair game. The phenomenological nature of comedy calls for a micro-level examination. Select examples from The Smothers Brothers Comedy Hour (1968), The Richard Pryor Show (1977), Saturday Night Live (1990), and Chappelle’s Show (2003) will demonstrate representative ways that comedy attacks and transforms racial hegemony. Keywords: comedy, cultural sociology, popular culture, race and racism, resistance. During periods of social unrest, what micro-level actions are available to the public? Or, how does a particular society respond to inequities that are widely shared and agreed upon as intolerable aspects of a society? One popular method to challenge a hegemonic structure, and to survive it, is comedy. -
Enjoy a Free Evening of Comedy in New York City's Central Park This
Enjoy a Free Evening of Comedy in New York City's Central Park This Summer! The Third Annual 'COMEDY CENTRAL Park' Live from SummerStage Starring Gabriel Iglesias with Special Guest Pablo Francisco Takes Place Rain or Shine on Friday, June 19 at 8:00 P.M. "COMEDY CENTRAL Park" Is One Of 31 Free Programs Offered During The 2009 Central Park SummerStage Season Through The City Parks Foundation In New York City The First 3,000 Attendees Will Receive A Complimentary, Reusable Shopping Bag Courtesy Of The Network's Pro-Social Initiative AddressTheMess NEW YORK, June 8 -- No two drink minimum necessary at this venue, it's entirely free. On Friday, June 19, New York City's Central Park turns into "COMEDY CENTRAL Park," a night of free stand-up comedy Live from SummerStage. The outdoor venue is located at mid-Central Park (near the Fifth Avenue & 72nd Street entrance) with doors opening at 7:00 p.m. and the show starting at 8:00 p.m. This is the third consecutive year COMEDY CENTRAL has participated in this hugely successful event. This year's presentation of "COMEDY CENTRAL Park" will feature comedian Gabriel Iglesias, who blends his impeccable voice skills with an uncanny knack for animated comedic storytelling that bring his issues to life, and special guest Pablo Francisco, who has an unbelievable ability to physically morph himself into movie stars, singers, friends, family, and a multitude of nationalities. Outback Steakhouse and All-Natural Snapple are the proud sponsors of "COMEDY CENTRAL Park." Iglesias's talent on stage has earned him several television appearances. -
[Countable], Pl.-Gees. a Person Who Has Been Forced to Leave Their Country in Order to Escape War, Persecution, Or Natural Disaster
MORE THAN WORDS Refugee /rɛfjʊˈdʒiː/ n. [countable], pl.-gees. A person who has been forced to leave their country in order to escape war, persecution, or natural disaster. unicef.es/educa MORE THAN WORDS Where does the word refugee come from? From Ancient Greek: φυγή From Latin: fugere (flight) [phyge], flight, escape In Latin mythology, Phyge is known In Greek mythology, Phyge was the as Fuga. The Word "refugium" means spirit of flight, escape, exile and "escape backwards" in Latin, probably in banishment. She was the daughter of reference to a secret exit or a backdoor Ares, the god of war, and Aphrodite, in the houses that allowed to run away the goddess of love. Her brothers in case of emergency. were Phobos (fear) and Deîmos (pain). unicef.es/educa MORE THAN WORDS How is it said refugees in other languages? Spanish: Refugiados Polish: Zarządzanie Korean: 난민 French: Réfugiés Slovak: Utečencov Hindi: शरणार्थी German: Flüchtlingskrise Slovene: Beguncem Icelandic: Flóttafólk טילפ :Dutch:Vluchtelingen Bulgarian: Бежанец Hebrew Italian: Rifugiati Romanian: Refugiaților Swahili: Mkimbizi Swedish: Flyktingkrisen Croatian: Izbjeglicama Kurdish: Penaberên Portuguese:Refugiados Catalan: Refugiats Japanese: 難民 Finnish: Pakolaiskriisin Danish: Flygtninge Quechuan: Ayqiq Greek: Πρόσφυγας Basque: Iheslari Russian: Беженцы Czech: Uprchlická Galician: Refuxiados Somali: Qaxooti Estonian: Pagulas Norwegian: Flyktninger Turkish: Mülteci ںیزگ ہانپ :Urdu ئجال :Hungarian: Menekültügyi Arabic Lithuanian: Pabėgėlių Welch: Ffoadur Chinese: 难民 Vietnamese: -
THIS WEEK in TEXAS VOLUME 8, NUMBER 42 JANUARY 7-13, 1983 ~?-I>-~ 'S Sl>-~ X,.?-\Vi>-X
THIS WEEK IN TEXAS VOLUME 8, NUMBER 42 JANUARY 7-13, 1983 ~?-I>-~ 'S sl>-~ x,.?-\vi>-x,. ~?-o~ o~ I>-~ :-{~I>-\': o~x,. ~~0 01>-~?-S \.-~I>-\)?-" I>-\~ .\~:R~ ~~,,€ ~()/<o~ •.\.~1 'b-?)~()? ~I>-\'"~~/ . '. ~?J'b- \\?~ I>-~\) glng Dallas some of rtainment from the East and West coasts. It is a season of rich, refreshing expressions in gay dance, theatre and music. And all this from Community Productions. A Dallas COMMUNITY group providing gay men and women a viable alterna- COMMUNITY tive to explore, develop and affirm themselves as individuals and as a community, all through the arts. Now you have the chance to experience the gay arts at their best. Call 214-521-2037 or write: Commu- (S) nity Productions, 3331 Knight, Suite D, Dallas, Texas (S) 75219 now for our descriptive brochure giving you all PRODUCTIONS the information on upcoming events. PRODUCTIONS PAGE 2 TWT JANUARY 7 - 13. ~83 TWT JANUARY 7 - 13. 1983 PAGE 3 DANCE LESSONS ' 8:30-10:00 EVERY WEDNESDAY 705 RED RIVER AUSTIN 478-6806 PAGE 4 TWT JANUARY 7 - 13. 1983 Volume 8, Number 42 January 7 - 13, 1983 DALLAS INFORMATION ENTERTAINMENT FEATURES 11 TWT NEWS 31 BOOKS 39 PROFILE SIXTH TEXAS AIDS DEATH", ALIENATION LINDA CLIFFORD 55 HOT TEA REVIEWED BY BY DEAN MALONE NEW BARS, BOOKSTORES DAVID FIELDS 91 CALENDAR 34 MOVIES 46 PROFILE 95 GUIDE HONKEYTONK MAN AND PHYLLIS DILLER KISS ME GOODBYE BY ROB CLARK REVIEWED BY DEPARTMENTS GEORGE KLEIN 21 COMMENT 40 SHOWBIZ PUBLIC FORUM TUESDAY WELD, 27 A WOMAN'S PLACE SIGOURNEY WEAVER" SUNDAY, BY JUTTA BY JACK V ARSI 63 SPORTS JANUARY POOL TOURNEY", 44 ENTERTAINMENT 67 POETRY -TEXAS DANCE LESSONS VINCENT PRICE, • 71 STARSCOPE DENA KAYE ,,' JANUARY LOVESCOPE BY ROB CLARK 8:30-10:00 77 CLASSIFIED EVERY TUESDAY TWT (This Week in Texas) is published weekly by Asylum Enterprises, lnc. -
Competitive Preferences and Ethnicity: Experimental Evidence from Bangladesh
DISCUSSION PAPER SERIES IZA DP No. 10682 Competitive Preferences and Ethnicity: Experimental Evidence from Bangladesh Abu Siddique Michael Vlassopoulos MARCH 2017 DISCUSSION PAPER SERIES IZA DP No. 10682 Competitive Preferences and Ethnicity: Experimental Evidence from Bangladesh Abu Siddique University of Southampton Michael Vlassopoulos University of Southampton and IZA MARCH 2017 Any opinions expressed in this paper are those of the author(s) and not those of IZA. Research published in this series may include views on policy, but IZA takes no institutional policy positions. The IZA research network is committed to the IZA Guiding Principles of Research Integrity. The IZA Institute of Labor Economics is an independent economic research institute that conducts research in labor economics and offers evidence-based policy advice on labor market issues. Supported by the Deutsche Post Foundation, IZA runs the world’s largest network of economists, whose research aims to provide answers to the global labor market challenges of our time. Our key objective is to build bridges between academic research, policymakers and society. IZA Discussion Papers often represent preliminary work and are circulated to encourage discussion. Citation of such a paper should account for its provisional character. A revised version may be available directly from the author. IZA – Institute of Labor Economics Schaumburg-Lippe-Straße 5–9 Phone: +49-228-3894-0 53113 Bonn, Germany Email: [email protected] www.iza.org IZA DP No. 10682 MARCH 2017 ABSTRACT Competitive Preferences and Ethnicity: Experimental Evidence from Bangladesh* In many countries, ethnic minorities have a persistent disadvantageous socioeconomic position. We investigate whether aversion to competing against members of the ethnically dominant group could be a contributing factor to this predicament. -
Mood Indigo: a Playlist for the Mind” by Holland Cotter New York Times, February 2013
Maccarone 630 Greenwich Street NY, NY 10014 t. 212 431 4977 f. 347 394 0043 RODNEY McMILLIAN “Mood Indigo: A Playlist for the Mind” By Holland Cotter New York Times, February 2013 Mood Indigo: A Playlist for the Mind By HOLLAND COTTER I grew up in a music-loving family. A lot of what we loved was blues of one kind or another, sung mostly by women: Bessie Smith, Billie Holiday, Maria Callas. I thought of Callas as a blues singer who happened to do Verdi. She sang about love, death and rising up just as Bessie and Billie did. But it was how she sang that clinched it: with all of herself, out of her life, with an ache. It wasn’t a pretty sound; there were scratches and shrieks. But you’d sit there hearing her wrestle her voice — her heart — to the ground, and suddenly out came the most beautiful note in the world, like a soul set free. That was the blues for me. Struggle, loss, joy, art that said: all of me. You won’t hear Callas’s voice in the ambient music that nudges and pulls you through the exhibition “Blues for Smoke” at the Whitney Museum of American Art, though the show’s playlist is much more eclectic than any I ever knew. Smith and Holiday are here, along with classic Coltrane, Monk and Mingus. But so are Erykah Badu, Olivier Messiaen, Richard Pryor and Red Krayola. As a musical category blues is hard to pin down, and this show makes the job harder, which seems to be its point. -
Chicano Impact on U.S. Comedy John Whiting-Call Eastern Washington University
Eastern Washington University EWU Digital Commons EWU Student Research and Creative Works 2014 Symposium Symposium 2014 Chicano Impact on U.S. Comedy John Whiting-Call Eastern Washington University Follow this and additional works at: http://dc.ewu.edu/srcw_2014 Part of the Chicana/o Studies Commons Recommended Citation Whiting-Call, John, "Chicano Impact on U.S. Comedy" (2014). 2014 Symposium. Paper 27. http://dc.ewu.edu/srcw_2014/27 This Article is brought to you for free and open access by the EWU Student Research and Creative Works Symposium at EWU Digital Commons. It has been accepted for inclusion in 2014 Symposium by an authorized administrator of EWU Digital Commons. For more information, please contact [email protected]. Chicanos and Their Impact in U.S. Comedy By John W‐C Synopsis • This presentation will give a brief history of Chicanos in comedy • It will also spotlight some of the most famous and impactful Chicano comedians • Racial stereotypes within comedy routines will be discussed • Finally, I will analyze the impact these comedians have in U.S. culture Early History of Chicano Comedy • Films originally portrayed Chicanos as thieves, bandits, savages, gangsters, or the helpless in need of Anglo assistance • Because of discrimination, Chicanos didn’t get the opportunity to exercise their comedy • The first Chicano to break mainstream was “Cheech” Marin in his 1978 film, Cheech and Chong: Up In Smoke Emergence of Chicanos in Comedy • After Marin, other comedians began to earn recognition, either as stand-up comedians, or actors • Paul Rodriguez emerged in the late 1980’s as a sitcom star and host of the Newlywed Game • George Lopez’s popular T.V.