Arts and Entertainment

Total Page:16

File Type:pdf, Size:1020Kb

Arts and Entertainment Arts and Entertainment Amusement Parks 16 persons. The inclined railway was 80 feet high with a 50 percent grade to the surface of a Carousel patent was granted on July 25, 1871, large body of water. to Willhelm Schneider of Davenport, IA. It was a two-story carousel and not very successful Roller coaster with a loop-the-loop was a cen- or practical. trifugal railway invented by Edwin Prescott of Arlington, MA, who received a patent for it on Roller coaster was invented by Lemarcus Adna August 16, 1898. It was known as Boyton’s Cen- Thompson, a former Sunday school teacher, trifugal Railway and was installed at the amuse- and put in operation in June 1884 by the L.A. ment park on Coney Island, NY (now part Thompson Scenic Railway Company at Coney of New York City), in 1900. It had a 75-foot Island, NY (now part of New York City). It incline and a 20-foot-wide loop. traveled along a wooden and steel track 450 feet long at a speed of six miles per hour. The Skee-ball alley was built in 1914 by the cars started from a peak and ran downgrade, National Skee-Ball Company of Coney Island, the momentum carrying the cars up an incline. New York City, and the first battery was oper- The passengers got out, the attendants pushed ated by William A. Norwood in April 1914 at the train over a switch to a higher point on the Coney Island amusement park. a second track, and the passengers returned. The highest drop was only 30 feet. Thompson Theme park was Santa Claus Land, a Christmas- obtained a patent on January 20, 1885, on a themed park in Santa Claus, IN, founded by roller-coasting structure and another patent retired businessman Louis J. Koch. The park, on December 22, 1885 on a gravity switchback which opened on August 3, 1946, offered rides, railway. The first high-speed roller coaster was food treats, an antique toy collection, and a wax The Cyclone, which opened at Coney Island on museum, as well as a Santa Claus impersonator. June 26, 1927. Its one-and-a-half minute ride The name was changed to Holiday World in 1984. hit speeds of up to 60 miles per hour. Hybrid zero gravity drop water slide was Mechanized shooting gallery that was fully opened in 2014 at Six Flags Over Georgia. Called automatic was invented in 1890 by Charles Tsunami Surge, it features a 54’ drop, 125’ long Wallace Parker of Abilene, KS, whose first sale whirlpool bowl, and 45’ high zero gravity wave was made to Leon Brownie of Houston, TX. wall. Four people can sit in its cloverleaf-shaped tube. Tsunami Surge pumps 400,000 gallons of Ferris wheel was invented in 1892 by George water per hour. The ride was manufactured by Washington Gale Ferris, a railroad and bridge ProSlide Technology, Inc. engineer. It was erected on the Midway at the World’s Columbian Exposition in Chicago, IL, Log flume water ridewas opened at Six Flags in 1893. It consisted of 36 cars, each capable Over Texas in Arlington in 1963. Riders speed of holding 60 passengers. The highest point of glide through a river on “El Aserradero”, then the wheel was 264 feet. The total weight of the experience a nosedive over the falls at the con- wheels and cars was 2,100 tons, of the levers and clusion of the ride. A second flume was added in machinery 2,200 tons, and of the passengers per 1968 due to the popularity of the first. trip 150 tons. Daily operating monorail in the Western Hemi- Shoot-the-chutes was built by Captain Paul sphere was Disneyland’s Alweg Monorail System, Boyton and opened on July 6, 1895, at the amuse- which opened on June 14, 1959 as an attraction ment park at Coney Island, NY (now part of in Tomorrowland. It featured two trains each New York City). Each passenger toboggan held with three cabins and a bubble top in front. Two 1 Famous First Facts years later, in 1961, the monorail was extended The Seas with Nemo and Friends (including an to reach the Disneyland Hotel. Vice President aquarium). Some of these pavilions include sev- Richard Nixon and his family were among the eral attractions within them, such as The Land, dignitaries in attendance. which offers a boat tour through a working greenhouse, as well as a simulated aerial tour of Theme park built on hill was Universal Studios California. Hollywood. It features an Upper Lot and Lower Lot, built into the landscape of the hilly terrain. Theme park resort to offer multiple lodging The studio opened to the public in its current options was Walt Disney World in Florida. form on July 15, 1964, when a modern-day Realizing that its guests have a variety of bud- tour commenced, a throwback to 1915, when gets from which they work, Disney offers people Universal City opened and tours of films being staying on its property everything from budget made were available. to luxury hotels. On the lower end of the pricing spectrum, guests can choose from thousands Theme park with multi-level outdoor esca- of rooms at several hotels. These include the lator was universal Studios Hollywood. The All-Star Sports, All-Star Music, All-Star Movies, theme park’s Upper Lot and Lower Lot are con- Art of Animation, and Pop Century hotels The nected to each other by a series of escalators, next level up are considered moderate hotels from which you can get an incredibly panoramic These include Coronado Springs, Caribbean view of the area around Hollywood. In addition Beach, Port Orleans Riverside, and Port Orleans to various attractions, the Upper Lot level fea- French Quarter. On the upper end of pricing, tures CityWalk, which is an entertainment and Disney guests can stay at the Wilderness Lodge, dining district within the theme park. To help Animal Kingdom Lodge, the Contemporary, guests who drive to the studios, the parking Polynesian, and Grand Floridian hotels, as well garages feature sections named after characters as the Boardwalk, Yacht, and Beach Club hotels from universal films. between Epcot and Disney’s Hollywood Studios. Disney’s famous monorail goes through several Theme park to dedicate a large area to the hotels, including the Contemporary, Grand culture and food of countries from around Floridian, and Polynesian There is transporta- the world was EPCOT Center at Disney World. tion to the theme parks to and from all of these This area is called World Showcase and contains hotels Guests staying at these hotels can have eleven pavilions built around a manmade lake. things purchased in the parks sent back to their The countries include, Canada, France, Japan, hotels without carrying the items around all day China, England, Germany, Morocco, Mexico, Italy, Norway, and the United States. These days, Theme park to provide its own transpor- the park goes by the name EPCOT. The acronym tation network was Walt Disney World in is derived from the phrase Experimental Proto- Florida. Many times, the sheer size of Disney type Community of Tomorrow, coined by Walt World has been compared to cities such as San Disney himself in the 1960’s as the Disney World Francisco As a result, Disney developed a very concept and project were taking shape. EPCOT comprehensive transportation network travers- opened to the public on October 1, 1982. ing the Disney property in Florida Not only is there a very large fleet of buses going from Theme park to dedicate a large area to technol- the hotels to the four major parks, but there ogy was EPCOT Center (now simply EPCOT) are also riverboats, monorails, and small boats at Disney World in Florida. The section is called taking guests around the huge property. One Future World and features pavilions focused on monorail is dedicated to a route between the how things are created, science, technology, and Magic Kingdom and the Contemporary, Grand related areas. Some of the pavilions and attrac- Floridian, and Polynesian hotels. A second tions included within EPCOT’s Future World monorail connects from the Magic Kingdom are Spaceship Earth, Innoventions, Universe to the Transportation and Ticket Center, which of Energy: Ellen’s Energy Adventure, Mission: is also the location for buses connecting to the SPACE, Test Track, Imagination!, The Land, and hotels as well as to the vast parking area The 2 Arts And Entertainment third monorail goes from the Transportation individual feathers to animatronic birds in the and Ticket Center to Epcot Enchanted Tiki Room, and created the birds for the film version of Mary Poppins. Burns Theme park featuring animals to build a hotel designed models for classic attractions, includ- into the property was Walt Disney World in ing Pirates of the Caribbean and the Haunted Florida. The Animal Kingdom Lodge was incor- Mansion. She also was on a Disney team that porated into Animal Kingdom park, providing created attractions for the 1964 World’s Fair in multiple vantage points for observing giraffes, Queens, New York, including Great Moments zebras, and other animals. Animal Kingdom with Mr. Lincoln, and the Carousel of Prog- Lodge is designed to look like an African safari ress. Burns also was the first woman to have a lodge. It includes three restaurants and a quick window display on Main Street in Disneyland service restaurant. The restaurants - Boma, Jiko, in her honor. and Sanaa, use African flavors and other spices. Theme Park attraction to use Audio-Anima- Theme park attraction to be based on the tronics technology was the Enchanted Tiki blockbuster movie Frozen was announced in Room, which opened to the public on June September 2014.
Recommended publications
  • Celebrations-Issue-12-DV05768.Pdf
    Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: “Miss Tilly”, photo by Barrie Brewer Issue 12 Exploring 42 Contents Typhoon Lagoon and Letters ..........................................................................................6 Blizzard Beach Calendar of Events ............................................................ 8 Disney News & Updates..................................................9 MOUSE VIEWS ..........................................................13 Guide to the Magic by Tim Foster............................................................................14 The Old Swimmin’ Explorer Emporium by Lou Mongello .....................................................................16 Hole: River Country 52 Hidden Mickeys by Steve Barrett ......................................................................18 Photography Tips & Tricks by Tim Devine .........................................................................20 Pin Trading & Collecting by John Rick .............................................................................22
    [Show full text]
  • Modern Movement: Arthur Bowen Davies Figurative Works on Paper from the Randolph College and Mac Cosgrove-Davies Collections
    AT MODERN MOVEMENT: Arthur Bowen Davies Figurative Works on Paper from the Randolph College and Mac Cosgrove-Davies Collections and ARTHUR B. DaVIES Paintings from the Randolph College Collection 1 2COVER: Arthur B. Davies, 1862-1928, Nixie, 1893, oil on canvas, 6 x 4 in. Gift of Mrs. Robert W. Macbeth, 1950 MODERN MOVEMENT: Arthur Bowen Davies Figurative Works on Paper from the Randolph College and Mac Cosgrove-Davies Collections January 18–April 14, 2013 Curated by Martha Kjeseth-Johnson and Mac Cosgrove-Davies Arthur B. Davies, ca. 1908. Gertrude Käsebier, photographer. AT 3 Introduction Martha Kjeseth-Johnson, Director Maier Museum of Art at Randolph College Arthur B. Davies (1862-1928) was an artist and primary curator of the groundbreaking Armory Show of 1913, credited with bringing modern art to American audiences. The Maier Museum of Art at Randolph College (formerly Randolph-Macon Woman’s College) is home to sixty-one works by Davies, many of which have never been exhibited. Malcolm Cosgrove-Davies, great-grandson of Arthur B. Davies and owner of over 300 Davies pieces, has contributed a selection of works from his collection which will also be on view to the public for the first time.Modern Movement: Arthur Bowen Davies Figurative Works on Paper from the Randolph College and Mac Cosgrove-Davies Collections focuses on figurative works, many depicting dancers in various poses. We are pleased to present this exhibition on the centennial anniversary year of what was officially billed asThe International Exhibition of Modern Art but commonly referred to as the Armory Show due to its location at New York’s 69th Regiment Armory on Lexington Avenue in Manhattan.
    [Show full text]
  • Hudson River School
    Hudson River School 1796 1800 1801 1805 1810 Asher 1811 Brown 1815 1816 Durand 1820 Thomas 1820 1821 Cole 1823 1823 1825 John 1826 Frederick 1827 1827 1827 1830 Kensett 1830 Robert 1835 John S Sanford William Duncanson David 1840 Gifford Casilear Johnson Jasper 1845 1848 Francis Frederic Thomas 1850 Cropsey Edwin Moran Worthington Church Thomas 1855 Whittredge Hill 1860 Albert 1865 Bierstadt 1870 1872 1875 1872 1880 1880 1885 1886 1910 1890 1893 1908 1900 1900 1908 1908 1902 Compiled by Malcolm A Moore Ph.D. IM Rocky Cliff (1857) Reynolds House Museum of American Art The Beeches (1845) Metropolitan Museum of Art Asher Brown Durand (1796-1886) Kindred Spirits (1862) Crystal Bridges Museum of American Art The Fountain of Vaucluse (1841) Dallas Museum of Art View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm - the Oxbow. (1836) Metropolitan Museum of Art Thomas Cole (1801-48) Distant View of Niagara Falls (1836) Art Institute of Chicago Temple of Segesta with the Artist Sketching (1836) Museum of Fine Arts, Boston John William Casilear (1811-1893) John Frederick Kensett (1816-72) Lake George (1857) Metropolitan Museum of Art View of the Beach at Beverly, Massachusetts (1869) Santa Barbara Museum of Art David Johnson (1827-1908) Natural Bridge, Virginia (1860) Reynolda House Museum of American Art Lake George (1869) Metropolitan Museum of Art Worthington Whittredge (1820-1910) Jasper Francis Cropsey (1823-1900) Indian Encampment (1870-76) Terra Foundation for American Art Starrucca Viaduct, Pennsylvania (1865) Toledo Museum of Art Sanford Robinson Gifford (1823-1880) Robert S Duncanson (1821-1902) Whiteface Mountain from Lake Placid (1866) Smithsonian American Art Museum On the St.
    [Show full text]
  • This Was a Time of Both Turmoil and Prosperity for America
    Lillie, Disney, 1 Cleansing the Past, Selling the Future: Disney’s Corporate Exhibits at the 1964-65 New York World’s Fair Jonathan J. M. Lillie JOMC 242 History Paper 5/3/02 Park Doctoral Fellow The School of Journalism and Mass Communication The University of North Carolina at Chapel Hill Lillie, Disney, 2 Abstract This paper offers a historical analysis of Disney’s corporate exhibits at the 1964-65 New York World’s Fair, GE’s “Carousel of Progress” and Ford’s “Magic Skyway,” in an attempt to consider their historical and cultural significance. The coming together of Disney’s legacy of nostalgic entertainment achieved via his desire and skill in “improving” the past and future with the equally strong desire of corporate giants to sell themselves and their products is presented here as a case study of the processes of cultural creation: how and why specific discourses of technology and consumption are written in to these narratives of the past and the future. Introduction Between April 22, 1964 and October 17, 1965 fifty-one million people experienced the New York World’s Fair.1 The mid-1960s was a time of both turmoil and prosperity for America. President Kennedy had been assassinated only months before the Fair’s opening. In southern states such as Alabama the civil rights protest movement was drawing national attention. While cold war tensions remained high following the Cuban Missile Crisis, the nation was enjoying the height of postwar economic prosperity and geo-political power. The Fair’s twin themes of “Man’s Achievements in an Expanding Universe” and “A Millennium of Progress” captured the exuberance of the times, celebrating “the boundless potential of science and technology for human betterment.”2 The 1939 New York World’s Fair was in many ways a predecessor to the 1964-65 exhibition.
    [Show full text]
  • Goldy Gets Studious College Support Helps Gopher Athletics Shine
    FALL 2009 Goldy gets studious COLLEGE SUPPORT HELPS GOPHER ATHLETICS SHINE 2008-2009 DONOR REPORT connect Dear friends, Vol. 4, No. 1 • Fall 2009 AUTUMN IS ALWAYS AN EXCITING TIME at the EDITOR University of Minnesota. The campus explodes with students Diane L. Cormany walking, riding bikes, or skateboarding. The air is crackling 612-626-5650, [email protected] with excitement, especially from our incoming students, ART DIRECTOR/DESIGNER whose spirit re-energizes us for the busy months to come. Nance Longley Welcome Class of 2013! DESIGN ASSISTANT Bethany Dick This year is electrifying as we welcome Gopher football WRITERS back to campus—an event with particular resonance for the Diane L. Cormany, Suzy Frisch, Kate Hopper, College of Education and Human Development. Our college Brigitt Martin, Heather Peña, Roxi Rejali, Kara Rose, Lynn Slifer, Andrew Tellijohn plays a critical role in supporting Gophers as athletes and as students. School of Kinesiology Director Mary Jo Kane led University efforts PHOTOGRAPHERS Andrea Canter, Greg Helgeson, Leo Kim, that reshaped how student athletes are supported academically. Jeanne Higbee in Patrick O’Leary, Dawn Villella the Department of Postsecondary Teaching and Learning teaches all incoming ONLINE EDITION Gopher athletes the academic and life skills they need to juggle demands in the cehd.umn.edu/pubs/connect gym or on the field with their primary responsibility to get a top-notch education. OFFICE OF THE DEAN Jean Quam, interim dean Most of our students strike that balance. For example, Heather Dorniden, a David R. Johnson, senior dean senior in kinesiology, is an eight-time All American track and field athlete, the Heidi Barajas, associate dean Mary Trettin, associate dean winner of the President’s Student Leadership and Service Award, and has a 3.90 Lynn Slifer, director of external relations GPA.
    [Show full text]
  • Asher Brown Durand Papers
    Asher Brown Durand papers Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Asher Brown Durand papers AAA.duraashe Collection Overview Repository: Archives of American Art Title: Asher Brown Durand papers Identifier: AAA.duraashe Date: 1812-1883 Creator: Durand, Asher Brown, 1796-1886 Extent: 4 Reels (ca. 1000 items (on 4 microfilm reels)) Language: English . Administrative Information Acquisition Information Microfilmed 1956 by
    [Show full text]
  • Download Lot Listing
    IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private
    [Show full text]
  • A Finding Aid to the Charles Henry Hart Autograph Collection, 1731-1918, in the Archives of American Art
    A Finding Aid to the Charles Henry Hart Autograph Collection, 1731-1918, in the Archives of American Art Jayna M. Josefson Funding for the processing of this collection was provided by the Terra Foundation for American Art 2014 February 20 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Charles Henry Hart autograph collection, 1731-1918............................... 4 Series 2: Unprocessed Addition, 1826-1892 and undated..................................... 18 Charles Henry Hart autograph collection AAA.hartchar Collection
    [Show full text]
  • American Prints 1860-1960
    American Prints 1860-1960 from the collection of Matthew Marks American Prints 1860-1960 from the collection of Matthew Marks American Prints 1860-1960 from the collection of Matthew Marks Bennington College, Bennington, Vermont Introduction The 124 prints which make up this exhibition have been selected from my collection of published on the occasion over 800 prints. The works exhibited at Bennington have been confined to those made by ot an exhibitionat the American artists between 1860 and 1960. There are European and contemporary prints in my A catalogue suchasthis and the exhibitionwhich collection but its greatest strengths are in the area of American prints. The dates 1860 to Suzanne Lemberg Usdan Gallery accompaniesit.. is ot necessity a collaborativeeffortand 1960, to which I have chosen to confine myself, echo for the most part my collecting Bennington College would nothave been possible without thesupport and interests. They do, however, seem to me to be a logical choice for the exhibition. lt V.'CIS Bennington \'ermonr 05201 cooperation of many people. around 1860 that American painters first became incerested in making original prints and it April 9 to May9 1985 l am especially graceful to cbe Bennington College Art was about a century later, in the early 1960s, that several large printmaking workshops were Division for their encouragementand interestin this established. An enormous rise in the popularity of printmaking as an arcistic medium, which projectfrom thestart. In particular I wouldlike co we are still experiencing today, occurred at that cime. Copyright © 1985 by MatthewMarks thankRochelle Feinstein. GuyGood... in; andSidney The first American print to enter my collection, the Marsden Hartley lirhograph TilJim, who originally suggestedche topicof theexhibi- (Catalogue #36 was purchased nearly ten years ago.
    [Show full text]
  • Attractions Management Issue 2 2015 Photo: Ennead Architects
    www.attractionsmanagement.com @attractionsmag VOL20 Q2 2015 www.simworx.co.uk www.attractionsmanagement.com @attractionsmag VOL20 Q2 2015 For full functionality please view in Adobe Reader WARNER BROS STUDIO TOUR EXPANSION BRINGS PLATFORM 9¾ TO LIFE On the cover: Harry Potter star Warwick Davis at the Platform 9¾ launch WORLDS COLLIDE STEPPING UP DISNEY DNA Frank Gehry's Zoos increase Lifelong Imagineer Biomuseo raises the efforts to help Marty Sklar reveals game in Panama animals in the wild Walt's secrets Click here to subscribe to the print edition www.attractionsmanagement.com/subs NWAVE PICTURES DISTRIBUTION PRESENTS WATCH TRAILER AT /nWavePictures GET READY FOR THE DARKEST RIDE NEW WEST COAST USA OFFICE EAST COAST USA OFFICE INTERNATIONAL M 3D I L Janine Baker Jennifer Lee Hackett Goedele Gillis RIDE F +1 818-565-1101 +1 386-256-5151 +32 2 347-63-19 [email protected] [email protected] [email protected] DragonMineRide.nWave.com [email protected] | nWave.com | /nWavePicturesDistribution | /nWave nWave® is a registered trademark of nWave Pictures SA/NV - ©2015 nWave Pictures SA/NV - All Rights Reserved presents... NEW nWave.com | /nWavePicturesDistribution | /nWave | /nWave nWave® is a registered trademark of nWave Pictures SA/NV - ©2015 nWave Pictures SA/NV - All Rights Reserved NEW WEST COAST USA OFFICE EAST COAST USA OFFICE INTERNATIONAL Janine Baker Jennifer Lee Hackett Goedele Gillis +1 818-565-1101 +1 386-256-5151 +32 2 347-63-19 [email protected] [email protected] [email protected] blog.attractionsmanagement.com PRESERVATION The technology now exists to enable us to scan and preserve the most complex monuments, artefacts and buildings, so they can be reproduced now or in the future.
    [Show full text]
  • 2017 ANNUAL REPORT Grand Prairie, Texas 75050 972-595-5000
    2018 SIXFLAGS ANNUAL.pdf 1 3/1/18 1:32 PM Six Flags Entertainment Corporation 924 Avenue J East 2017 ANNUAL REPORT Grand Prairie, Texas 75050 972-595-5000 www.sixflags.com C M Y CM MY CY CMY K Dear Six Flags Shareholders, Six Flags has the strongest and most recognized brand in the very compelling regional theme park sector of the entertainment industry. We sit at the sweet spot of broad trends driving the “experience” and “membership” economies, while being insulated from the online threats impacting so many companies. I am very proud of our outstanding team members who overcame unprecedented natural events to deliver our eighth consecutive year of record financial performance in 2017. I am even more excited about our future as we continue to build our lucrative, recurring revenue base. In 2017, Adjusted EBITDA (1) grew two percent, and our Modified EBITDA (1) margin remained the industry high. We returned $727 million to shareholders in the form of stock repurchases and dividends and delivered a 16 percent total return. In addition, we increased our dividend twice since the third quarter 2017 to an annual run-rate of $3.12 per share. This marks our ninth consecutive year of dividend increases and provides a yield more than double the S&P 500, making us the ultimate growth and yield stock. Over the course of 2017, we made notable progress to advance all our five major growth areas: 1) Took pricing up 3-5 percent on all our tickets, while reaching new highs in our value-for-the- money-ratings and achieving the most successful pre-sale
    [Show full text]
  • Attractions Management Issue 4 2010
    Attractions management Attractionswww.attractionsmanagement.com management MFC(, H+)'(' M@J@FE8IPK8:K@:J The popularity of 3D and 4D continues to increase K?<LGJ ;FNEJ How have theme parks performed in 2010? C@=<@EK?<=8JKC8E< FERRARI WORLD ABU DHABI Read Attractions Management online: www.attractionsmanagement.com/digital follow us on twitter @attractionsmag K?<D<G8IBJsJ:@<E:<:<EKI<JsQFFJ8HL8I@LDJsDLJ<LDJ?<I@K8><sK<:?EFCF>Ps;<JK@E8K@FEJs<OGFJsN8K<IG8IBJsM@J@KFI8KKI8:K@FEJs>8CC<I@<Js<EK<IK8@ED<EK Look into my eyes and… Fly Me to the Moon Pirate Story The World of Sharks Haunted House Jett and Jin TurtleVision Bugs Dinosaurs 6()=-#1+;<9-:89-:-6;:)6-=-9-?8)6,16/41*9)[email protected]=-6+97>,84-):16/B45: that maximize the WOW factor and in-your-face nature of 3D/4D cinema. For more information contact: -,91+/7,;C%-4 C)? C+1/7,;6>)=-+75C>>>6>)=-+75 )616-)3-9C%-4 C)? C2*)3-96>)=-+75 (North & South America Sales) ## … discover a universal and timeless 3D/4D attraction nWave Pictures proudly presents A 3D/4D experience inspired by Antoine de Saint-Exupéry’s The Little Prince: an eternally enchanting story. Premiere at IAAPA Attractions Expo 2010 (Booth 5159), Orlando, Florida (USA), 16-19 November azen DESIGN ASSOCIATES For us, inspired design comes naturally... immersive environments, highly naturalistic Conceptual & complete design habitats & landscapes, for zoos, aquariums museums & themed attractions. Detailed visualization & models Creative & technical specification For more information please visit our website www.lazenbydesign.com, or email Interpretive & graphic design us at [email protected] to request a fully illustrated portfolio.
    [Show full text]