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Carrie Undérwo. D's Crossover Dreams >P.35
Carrie Undérwo. d's Crossover Dreams >P.35 #BXNCTCC 1111111111111111111111111111111111111111111 11/11111 #ßL2408043# APR06 A04 B01 )7 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 9080 -3402 NOV FOR'1ORE THAN 110 YEARS 19 R &B SinerjSongwriter SONY I3 IVI G Turns Jail Time Into Under Fire Over CD Copy- Protection >P.7 Hit Debut Album >P.30 11 N1 Illegal P212 (X) R\' Networks INVADES Face The NEW YORK IVIt,iSic; >P.? The CMAs Take Their Act On The Road >P.32 1 I1_IVI MUSIC', Can `Rent' & `Producers' Revive Soundtrack Biz? $6 99US S8.S9.A >P.27 US $6.99, CAN $8.99 UK £5.50, EURCPE 8.95, JAPAN V2,500 www.billboard.com www.billboard.biz www.americanradiohistory.com KEYSHIA COLE CERTIFIED GOLD DEBUT ALBUM "THE WAY _' IS' TOP SELLIN MALE R &B ARTIST 3 Vibe Award Nomt #1 Video at f - "I Should Have Cheated" Top 5 ringtone sales - "I Should Have Cheated" Top 5 (and gaining) at Urban radio - "I Should Have Cheated" Top 10 arum on Billboard R &B/Hip -Hop Chart TUNE INTO VIBE AWARDS TO SEE KEYSHIA PERFORM "I SHOULD HAVE CHEATED" TUESDAY, NOVEMBER 15TH ON UPN Executive Producers: Ron Fair, Manny Halley, and Keyshia Cole "I Should Have Cheated" AM Produced by: Daron_ Jones and Ron Fair / Written by: Daron Jones and Q. Parker REC Mixed by: Ron Fair and Tal Herzberg Management: Arthur Spivak for The Firm / ".2,U!: AY.1A Fnviili www.americanradiohistory.com YOU CAN'T AFFORD TO MISS THIS BILLBOARD EVENT DIGITAL ENTERTAINMENT 8 MEDIA DEM PO CONLEAENCE m z 2005 Billbearel NOVEMBER 19, 2005 TIE.is a 1.111111111115.1 VOLUME 117, NO. -
Annual Index September 1976-August 1977 Vol. 3
INDEX I- !/oluJne3 Numbers 1-12 ONANTIQUES , September, 1976-August, 1977 AND COLLECTABLES Pages 1-144 PAGES ISSUE DATE 1-12 No.1 September, 1976 13-24 No.2 October, 1976 25-36 No.3 November, 1976 37-48 No.4 December, 1976 49-60 No.5 January, 1977 61-72 No.6 February, 1977 & Kovel On became Ralph Terry Antiques Kovels 73-84 No.7 March,1977 On and Antiques Collectables in April, 1977 (Vol. 85-96 No.8 April,1977 3, No.8). , 97-108 No.9 May, 1977 Amberina glass, 91 109-120 No� 10 June, 1977 Americana, 17 121-132 No.l1 July, 1977 American Indian, 30 133-144 No. 12 August, 1977 American Numismatic Association Convention, 122 Anamorphic Art, 8 Antique Toy World, 67 in Katherine ART DECO Antiques Miniature, by Morrison McClinton, 105 Furniture, 38, 88 Autumn The 0 Glass, 88 Leaf Story, by J Cunningham, 35 Metalwork, 88 Avons other Dee Bottles-by any name, by Sculpture, 88 Schneider, 118 Art 42 Nouveau, 38, Avons Award Bottles, Gifts, Prizes, by Dee' Art Nouveau furniture, 38 Schneider, 118 "Auction 133 & 140 Avons Fever," Bottles Research and History, by Dee 118 Autographs, 112 Schneider, Avons Dee 118 Banks, 53 Congratulations, -by Schneider, Avons President's Club Barometers, 30 History, Jewelry, by Bauer 81 Dee 118 pottery, Schneider, Bauer- The California Pottery Rainbow, by Bottle Convention, 8 Barbara Jean Hayes, 81 Bottles, 61 The Beer Can-A Complete Guide to Collecting, Books, 30 by the Beer Can Collectors of America, 106 BOOKS & PUBLICATIONS REVIEWED The Beer Can Collectors News Report, by the Abage Enclyclopedia of Bronzes, Sculptors, & Beer Can Collectors of America, 107 Founders, Volumes I & II, by Harold A Beginner's Guide to Beer Cans, by Thomas Berman, 52 Toepfer, 106 American Beer Can Encyclopedia, by Thomas The Belleek Collector's Newsletter the ' by Toepfer, 106 Belleek Collector's Club, 23- American Copper and Brass, by Henry J. -
4-H Crocheting Project Member Guide
4-H Crocheting Project Member Guide Crocheting is one of the oldest needlework arts. To crochet means to form yarn or thread into a fabric using a hook. Its name comes from the French word croche, meaning “hook.” The crochet hook was one of many tools first used to make delicate lace. As time went on, more stitches and designs came into being, and crocheting became a separate art. Crocheting appeals to many people because it can be used to make a variety of creations, such as scarves, caps, vests, sweaters, purses, belts, lace, doilies, tablecloths, afghans, pillow covers, and bedspreads. In the 4-H Crocheting Project, you can learn to: • Crochet articles for yourself and others • Select, use, and care for crocheting tools • Work and share with others in your club • Keep simple records of your project and activities The 4-H Crocheting project is divided into six phases. Skills to learn and suggested articles to make are on page 2. Your club leader will teach you how to do basic crochet stitches and help you find patterns to use as you learn. When you reach the advanced phases, you’ll need to choose patterns from a variety of pattern books, needlework books, and magazines. You can find these at newsstands, notions counters, fabric stores, or specialty shops that sell yarn and thread. If you want to show others what you learn in the Crocheting project, check with your leader about exhibiting articles at fairs or other community events. If you make an article to wear, you might like to model in your county 4-H fashion revue. -
October 2018
YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line. -
Berries and Buds Beret Di Alice Twain
Berries and Buds Beret di Alice Twain This fall-like beret uses the lovely pure cotton Circe or the recycled wool Amore to maximum effect. The tightly plied texture and vivid colors of the yarn create an unusually elastic fabric with a unique softness and elasticity which enhances to the maximum ribbing, cables, bobbles and leaves. The result is a romantic and fresh design that, if knitted in Circe, will add that light touch of protection in cool but not yet cold weather, if knitted in Amore is perfect for the winter cold. The hat is a slouched beret that will fit an average woman’s head. For a smaller size to fit a child, skip rounds 4-6 in the second repetition of the bobble section (there will be only 3 bobbles) this will make the hat both smaller and shorter. You may also skip a few plain rounds before you work the border. For a longer, wider hat, add 2-3 extra plain rounds. Materials & measures Tension: 1 Berries and Buds motif is 4,8 mm wide (1” 7/8), 18 sts in 10 cm (4”) in Yarns rev st st in the round. ● Borgo de’ Pazzi Amore 115, 70% recycled wool, 25% polyammide, 5% Measures and sizes: crown circumference: others, 50 g = 115 m (1,75 oz = 125 48 cm (18” ¾); border circumference: 44 yds), 2 balls. cm (17” ¼); total height: 25 cm (9” ¾); ● Borgo de’ Pazzi Circe, 100% cotton, 100 border: 2 cm (¾”). g = 175 m (3,5 oz = 191 yds), 1 hank. Special Techniques Tools ● Size 4,5 mm (US 6) circular needle, 40 I-cord: a thin cord worked on 2 DPNs over cm (16”) long, or the size to obtain 3 sts: *k3 with the yarn coming from the gauge. -
SORS-2021-1.2.Pdf
Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) ............................................................................................................................. -
How the Elizabethans Explained Their Invasions of Ireland and Virginia
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1994 Justification: How the Elizabethans Explained their Invasions of Ireland and Virginia Christopher Ludden McDaid College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the European History Commons, and the United States History Commons Recommended Citation McDaid, Christopher Ludden, "Justification: How the Elizabethans Explained their Invasions of Ireland and Virginia" (1994). Dissertations, Theses, and Masters Projects. Paper 1539625918. https://dx.doi.org/doi:10.21220/s2-4bnb-dq93 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Justification: How the Elizabethans Explained Their Invasions of Ireland and Virginia A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fufillment Of the Requirements for the Degree of Master of Arts by Christopher Ludden McDaid 1994 Approval Sheet This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts r Lucfclen MoEfaid Approved, October 1994 _______________________ ixJLt James Axtell John Sel James Whittenourg ii TABLE OF CONTENTS ACKNOWLEDGMENTS.............................................. -
Introduction to Crochet
Introduction to Crochet Crochet is such a wonderful craft. There are so many facets and variations to explore with a hook and some yarn. The creative possibilities are endless. Crocheters do not just use yarn; they crochet with every imaginable form of fiber. I have seen items made with kite string, fishing line, wire, rag strips, and paper strips. I’m sure there are some fibers used for crocheting that I have yet to see. In this book, I have included an extensive collection of stitches, from the very basic to more intricate techniques. Delicate lacy openwork to heavier textures like bobbles, bullions, limpets, basket weave, and double-sided crochet, edgings, and motifs are all included. Detailed, step-by-step instructions, charts, and photographs accompany each stitch. Every stitch is ranked by level of difficulty to help you try your hand at progressively complex stitches, and there are sample projects throughout the book that showcase at least one of the stitches used in each group. In addition to the stitch section, there is a specialty crochet methods section. In this section, I have included methods such as freeform crochet, intermeshing crochet, and crocheting raglans from the top down. I have asked fellow designers, who are experts in their fields, to contribute a project in their area of expertise to the specialty crochet methods section. Contributors and their projects include: Pauline Turner, Polish Star; Melody MacDuffee, Overlay Crochet; Julia Bryant, Tapestry Tunisian; Jennifer Hansen, Hairpin Lace and Broomstick Lace; and Tatyana Mirer, Bruges Lace. Fellow freeform crocheters Prudence Mapstone, Myra Wood, and Pam Shore have graciously allowed me to show photographs of some of their garments in the Freeform Crochet chapter. -
Stranded Knitting Lesson by Arenda Holladay
STITCH ANATOMY Stranded Knitting Lesson by Arenda Holladay As with all articles in the Stitch Anatomy Series, the lesson discusses gian," or some name iden tifyi ng a geographic area. T hese names the stitch pattern in detail, any potential p roblems in working it and refer to areas where a specific trad ition of stranded knitting was tips for improving the appearance. For those interested, a pattern developed. Each tradition has its own rules and characteristics fo r a pillow using the stitch pattern follows. The pattern outlines the which make it unique. Fo r example, Fair Isle patterns have peeries steps involved in designing with the stitch pattern. Also included is and Norwegian patterns have "lice". Since the fabric has a double information for anyone who wants to try designing a similar pillow thickness it is not surprising that this technique flourished in 011 their own using different yarns, a different pillow size or a varia colder climates. The lesson will not discuss the history of stranded tion of the pattern. knitting or their cultural significance. An article on Fa ir Isle tradi tions ca n be found on page 10 and the bibliography foll owing this ABOUT STRANDED KNITTING article lists books that delve into history and culture. Stranded or jacquard knitting is a colorwork technique where rwo colors are used in one row. The color not being used is car Since the stitch pattern used fo r stranded kn itting is Stockinette, ried behind the work until it is needed. These are called fl oats. the knitting itself is not difficult but the process can be challeng Sometimes stranded knitting is referred to as "Fair Isle," "Norwe- ing. -
Vogue Knitting LIVE Launches in New York City in January
NEW YORK, NEW YORK 6,000 Knitters and Industry “Knitterati” to Gather for New Event Vogue Knitting LIVE Launches in New York City in January. Popular Classes Already Sold Out More than 53 million people know how to knit or crochet—and the number is growing. Following the successful premier of Vogue Knitting LIVE in Los Angeles last year, Vogue Knitting magazine announces a new event at the Hilton New York January 14–16, 2012 . Knitting, an ages-old craft, is taking the world by storm. Professionals, Hollywood A-listers, and rock stars have all joined the ranks of knitters, and Ravelry, a popular social media site for stitchers, boasts close to 2 million members. Its benefits are renown: A Harvard study from 2007 concluded that knitting may be as effective as medication in reducing stress. “We know that knitters love getting together at yarn stores to learn new techniques, compare projects, and hear from top designers. We’ve simply taken that to the next level by creating the largest live gathering of knitters in New York,” says Trisha Malcolm, editor of Vogue Knitting and originator of Vogue Knitting LIVE. Vogue Knitting LIVE caters to knitters at all levels—from the knit-curious to experienced designers and crafters. In 2012, knitters can expect: • More than 75 how-to sessions, some of which are already sold out. Topics like “An Overture to Estonian Lace” and “Working with Antique and Vintage Knitting Patterns” bring 200-year old techniques to new generations. Other sessions such as “Happy Hat Knitting” and “Sock Innovation” focus on specific types of projects. -
7. Wool Combing
7. Wool Combing Errol Wood Learning objectives On completion of this topic you should be able to: • Outline the objectives of wool combing • Describe the design of a typical rectilinear comb • Explain the steps in rectilinear combing – feeding, initial combing, final combing and drawing off, and sliver formation • Discuss the means by which noils are removed, and the balance required in setting the amount to be removed • Explain the purpose of re-combing • Calculate: tear ratio, noil(%), romaine, regain and combing production • Discuss the factors that affect the combing quality of fine wools Key terms and concepts Combing (Nobel and rectilinear), nips per minute, doublings, noils, finisher gilling, packaging, re- combing, tear, noil(%), romaine, percent fibres less than 30 mm, combing production. Introduction to the topic Wool combing is a comprehensive term when used in its widest sense, and it embraces all the operations carried out in a topmaking plant. It includes the processes of raw wool scouring, drying, carding, backwashing and preparer gilling. Then follows the actual combing operation and the sequence of topmaking processes concludes with two gilling steps called top finishing (or finisher gilling). Combing is not included in the semiworsted or woollen processing routes. Wool combing, the single process, is indispensable in the manufacture of a worsted yarn. The card has disentangled the fibres in the mass of scoured wool and has mixed them in a roughly parallel formation. However, during the carding process many fibres will have been broken, and the card sliver will consist of a variety of fibre lengths. Some vegetable matter will have been removed but fragments remain. -
Wins Insurance Scobeyville Acre Curtailed Mail
/ili ilia News of BED DANK- liiitl Swrwundliig Towns GUI PART Tify* Told [fearlessly vaU Without Bias. IBSUSII Vfeskly. Entered an Second-Clais Hotter ot tho Fost- Subscription Price: One Year JI.SO PAGES 1 TO 12. VOLUME LVI, NO. 42. ofTica st n«d Bank, H. J.. under tho Act of March 3, 1879. RED BANK, N. J., WEDNESDAY, APRIL 11,1934. Six Months 81,00, Sinyle Copy 4c, JCDGE ACKEKSON PRESIDENT. OPENING OF KIT KAT INN. Scobeyville Acre Curtailed Mail Elected Head of tho Holland Society Floor Show and Special Numbers To Of New York Last Friday. B« Featured Saturday Night. Tho annual meeting and election Tho formal opening of Kit Kat Inn, overlooking the Shrewsbury river at Entire New Board of Trustees of ofllcera of tho Holland society of Justice Announces Candidacy Department of Works Carrying No Proof A$ to Who Owns Afternoon Service DicoalSn- Big Billboard May be Put Up New York, of which Prcsldont Roose- tho Red Bank end of Cooper's bridge, Properly Where Boy Scouts of ued Until July 1 aa Result of Bearing the Words, "Please Elected at. Presbyterian Con- velt is a member and one of tho for Democratic Nomination on Project Discontinued by •111 bo held Saturday night, April 14. Tho affair will be featured by enter- Atlantic Township Planned to the Passage of the Economy Don't Judge This Town by gregational . Meeting — No board of trustees, woo held at tho for Mayor at Primary Election Civil Works Administration— Changs in Elders. Hotel Afltor Friday night. Circuit Nest Month.