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1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
22 Tightbeam
22 TIGHTBEAM Those multiple points of connection—and favorites—indicate the show’s position of preference in popular culture, and Tennant said he’s consistently surprised by how Doctor Who fandom and awareness has spread internationally—despite its British beginnings. “Doctor Who is part of the cultural furniture in the UK,” he said. “It’s something that’s uniquely British, that Britain is proud of, and that the British are fascinated by.” Now, when Tennant is recognized in public, he can determine how much a fan of the show the person is based on what they say to him. “If someone says, ‘Allons-y!’ chances are they’re a fan,” he said. Most people say something like, “Where’s your Tardis?” or “Aren’t you going to fix that with your sonic screwdriver?” There might be one thing that all fans can agree on. Perhaps—as Tennant quipped—Doctor Who Day, Nov. 23 (which marks the airing of the first episode, “An Unearthly Child”) should be a national holiday. Regardless of what nation—or planet—you call home. Note: For a more in-depth synopsis of the episodes screened, visit https://tardis.fandom.com/ wiki/The_End_of_Time_(TV_story). To see additional Doctor Who episodes screened by Fath- om, go to https://tardis.fandom.com/wiki/Fathom_Events. And if you’d like to learn about up- coming Fathom screenings, check out https://www.fathomevents.com/search?q=doctor+who. The episodes are also available on DVD: https://amzn.to/2KuSITj. The Dark Crystal: Age of Resistance on Netflix Review by Jim McCoy (I would never do this before a book review, but I doubt that the people at Netflix would mind, so here goes: I'm geeked. -
The Multidimensional Guide to Science Fiction and Fantasy of the Twentieth Century, Volume 1
THE MULTIDIMENSIONAL GUIDE TO SCIENCE FICTION AND FANTASY OF THE TWENTIETH CENTURY, VOLUME 1 EDITED BY NAT TILANDER 2 Copyright © 2010 by Nathaniel Garret Tilander All rights reserved. No part of this book may be reproduced, stored, or transmitted by any means—whether auditory, graphic, mechanical, or electronic—without written permission of both publisher and author, except in the case of brief excerpts used in critical articles and reviews. Unauthorized reproduction of any part of this work is illegal and is punishable by law. Cover art from the novella Last Enemy by H. Beam Piper, first published in the August 1950 issue of Astounding Science Fiction, and illustrated by Miller. Image downloaded from the ―zorger.com‖ website which states that the image is licensed under a Creative Commons Public Domain License. Additional copyrighted materials incorporated in this book are as follows: Copyright © 1949-1951 by L. Sprague de Camp. These articles originally appeared in Analog Science Fiction. Copyright © 1951-1979 by P. Schuyler Miller. These articles originally appeared in Analog Science Fiction. Copyright © 1975-1979 by Lester Del Rey. These articles originally appeared in Analog Science Fiction. Copyright © 1978-1981 by Spider Robinson. These articles originally appeared in Analog Science Fiction. Copyright © 1979-1999 by Tom Easton. These articles originally appeared in Analog Science Fiction. Copyright © 1950-1954 by J. Francis McComas. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1950-1959 by Anthony Boucher. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1959-1960 by Damon Knight. These articles originally appeared in Fantasy and Science Fiction. -
“Dead Channel”: Writing Cyberpunk
“Dead Channel”: Writing Cyberpunk Daniel “Dann” Lewis, B.A. (Hons) Submitted in the fulfillment of the requirements for the degree of Doctor of Philosophy Deakin University June 2017 Acknowledgements My thesis would not be possible without the love and guidance of my intelligent and lovely supervisors Ann Vickery and Sean Redmond. They have dealt with me for the past four years and have helped me grown into the writer I am today. I cannot express the amount of gratitude I feel, so hopefully top-billing in the acknowledgements section helps to convey my heaping admiration for them. A special thank you to Christopher Moore for helping me cultivate my ideas. Though our time together was short-lived, I will always remember gaming and talking about Frank Herbert’s Dune with him in his office covered with posters of The Dark Crystal and Adventure Time. I’d be remiss if I ignored the diligence of the library staff at Deakin University for sending me many a book through the mail. For every book, paper and overdue notice sent, I thank you. And finally, my family, fiancée Heather Funk, and friends—I thank you for the love, encouragement, support and kindness. Without all of you, I would likely be institutionalised by now. Table of Contents Abstract i Acknowledgements ii His Beautiful Ones 3 Exegesis Introduction 215 Chapter One: ‘C’mon, Deckard, show me what you’re made of’; Redefining the Human & Regeneration in the Posthuman City 226 1. Regeneration 226 2. The City is Alive! 238 Chapter Two: ‘Neuro from the nerves...Romancer. -
By Poul Anderson Change Without Notice Before, During, Or After the Convention
NEW EMPIRES Expansion Set!!! i. Four All New Empires! .A 0 Entity (ultra rare) cards found only in the first print run! r Basic Deck C - CGE1120450 nonrandom cards) $6.95 ea. 127display Expansion Packs - CGE5110 (12 random cards) $2.45 ea. 36/Display ! GALACTIC EMPIRES™ Primary Edition: The 430 card major release! First print run going, going... will beholding Fantastic Graphics and illustrations! s half hour demonstrations games of Eight different empires! Plus 9 Entity (ultra rare) cards found only in the first print run! Galactic Empires in the gaming section. The Basic Deck A & B - CGE1110 (55 cards, 50 nonrandom) demonstrations of Galactic Empires will be $8.95ea. 12/display hosted by designers C. Henry Schulte and Expansion Packs - CGE4110 (12 random) $2.45 ea. 36/Display Richard J. Rausch. Every person who partici Limited Edition Prints (500 signed & numbered) Coming Soon! pates in the demonstration games will receive CLP0001 - ‘Assault on a Clydon Bridge’ (this illustration 20x24) $39.95 Illustration © 1995 Douglas Chaffee. an ultra-rare ‘entity’ card. Call Companion Games for Details: 1-800-49-GAMES or 607-652-9038 The New York Science Fiction Society — The Lunarians, Inc. presents: Lunacon 1995 March 17 - 19 Rye Town Hilton Rye Brook, New York Writer Guest of Honor Poul Anderson Artist Guest of Honor Stephen F. Hickman Fan Guest of Honor: Mike Glyer Featured Filker: Graham Leathers I TOR SALUTES LUNACON GUEST OF HONOR POUL ANDERSON the Hugo and Nebula-award winning SF Grand Master! Don’t miss THE STARS ARE ALSO FIRE, Poul Anderson’s -
WSFA Journal 69
. »x.'N ■ •*' p. l^-> = f/M'i/ilf'if'''-. ///" fiii: It I - . ■I»'• n, ll i.^/f f •] ! i W 'i j :i m y't ) ' ' / •* ' - t *> '.■; ■ *"<* '^ii>fi<lft'' f - ■ ■//> ■ vi '' • ll. F V -: ■ :- ^ ■ •- ■tiK;- - :f ii THE WSFA journal (The Official Organ of the Washington Science Fiction Association) Issue Number 69: October/November, 1969 The JOURNAL Staff — Editor & Publisher: Don Miller, 12315 Judson Rd., Wheaton, Maryland, .•U.S.A., 20906. ! Associate Editors: Alexis & Doll Gilliland, 2126 Pennsylvania Ave,, N.W., Washington, D.C., U.S.A., 20037. Cpntrib-uting Editors:- ,1 . " Art Editor — Alexis Gilliland. - 4- , . Bibliographer— Mark Owings. Book Reviewers — Alexis Gilliland,• David Haltierman, Ted Pauls. Convention Reporter — J.K. Klein. ' : . r: Fanzine Reviewer — Doll Golliland "T Flltfl-Reviewer — Richard Delap. ' " 5 P^orzine Reviewer — Banks.Mebane. Pulps — Bob Jones. Other Media Ivor Rogers. ^ Consultants: Archaeology— Phyllis Berg. ' Medicine — Bob Rozman. Astronomy — Joe Haldeman. Mythology — Thomas Burnett Biology — Jay Haldeman. Swann, David Halterman. Chemistry — Alexis Gilliland. Physics — Bob Vardeman. Computer Science — Nick Sizemore. Psychology -- Kim West on. Electronics — Beresford .Smith. Mathematics — Ron Bounds, Steve Lewis. Translators: . French .— Steve Lewis, Gay Haldeman. Russian — Nick Sizemore, German -- Nick Sizemore. Danish ~ Gay. Haldeman, Italian ~ OPEN. Joe Oliver. Japanese. — OPEN. Swedish" -- OBBN. Overseas Agents: Australia — Michael O'Brien, 158 Liverpool St., Holaart, Tasmania, Australia, 7000. • South Africa — A.B. Ackerman, P^O.Box 6, Daggafontein, .Transvaal, South Africa, . ^ United Kingdom — Peter Singleton, 60ljU, Blodc h, Broadiiioor Hospital, Crowthome, Berks, RGll 7EG, United Kingdom. Needed for France, Germany, Italy, Scandinavia, Spain, S.America, NOTE; Where address are not listed above, send material ^Editor, Published bi-monthly. -
DRAGON Magazine (ISSN 0279-6848) Is Pub- the Occasion, and It Is Now So Noted
DRAGON 1 Publisher: Mike Cook Editor-in-Chid: Kim Mohan Quiet celebration Editorial staff: Marilyn Favaro Roger Raupp Birthdays dont hold as much meaning Patrick L. Price Vol. VII, No. 12 June 1983 for us any more as they did when we were Mary Kirchoff younger. That statement is true for just Office staff: Sharon Walton SPECIAL ATTRACTION about all of us, of just about any age, and Pam Maloney its true of this old magazine, too. Layout designer: Kristine L. Bartyzel June 1983 is the seventh anniversary of The DRAGON Magazine Contributing editors: Roger Moore Combat Computer . .40 Ed Greenwood the first issue of DRAGON Magazine. A playing aid that cant miss National advertising representative: In one way or another, we made a pretty Robert Dewey big thing of birthdays one through five c/o Robert LaBudde & Associates, Inc. if you have those issues, you know what I 2640 Golf Road mean. Birthday number six came and OTHER FEATURES Glenview IL 60025 Phone (312) 724-5860 went without quite as much fanfare, and Landragons . 12 now, for number seven, weve decided on Wingless wonders This issues contributing artists: a quiet celebration. (Maybe well have a Jim Holloway Phil Foglio few friends over to the cave, but thats The electrum dragon . .17 Timothy Truman Dave Trampier about it.) Roger Raupp Last of the metallic monsters? This is as good a place as any to note Seven swords . 18 DRAGON Magazine (ISSN 0279-6848) is pub- the occasion, and it is now so noted. Have Blades youll find bearable lished monthly for a subscription price of $24 per a quiet celebration of your own on our year by Dragon Publishing, a division of TSR behalf, if youve a mind to, and I hope Hobbies, Inc. -
{PDF EPUB} the Man Who Counts by Poul Anderson Poul Anderson Appreciation
Read Ebook {PDF EPUB} The Man Who Counts by Poul Anderson Poul Anderson Appreciation. Poul Anderson's The Man Who Counts spells out its message right at the end. The Man Who Counts is not the engineer but the man who motivates the engineer and everyone else involved by doing whatever is necessary to ensure that the job gets done: paying salaries; chivvying; coordinating; organizing; negotiating, bribing, even cheating at dice to gain money to bribe with, etc. Van Rijn even manipulates his opponents into doing what he wants them to do. Sandra Tamarin explains most of this to Eric Wace, then, when Wace begins to reply: "'. we played our parts too. Without us, he. '" "'I think, without us, he would have found some other way to come home. But we without him, no.'" -Poul Anderson, The Van Rijn Method (New York, 2009), p. 511. Here, I think that she goes too far towards almost deifying van Rijn. I grant that Sandra and Wace would not have gone home without van Rijn whereas he, even if stranded alone without any human companions, would have done his damnedest to reorganize Diomedean society for his own ends. We see him doing this. But success is never guaranteed and would have been even harder without Wace's engineering skills. In that sense, everyone counts. Human labor is effective because it is collective. Van Rijn succeeds where many would have failed. By sheer luck, he was not one of those who died when his skycruiser was sabotaged. He could have been knifed in one of the fights. -
Tightbeam 20 Holdom 1979-09
TIGHTBEAM G) Lynne Holdom September 1979 TIGHTBEAM: Sept. 1979. #20 is the fanzine and letterzine of the National Fantasy Fan Federation. TIGHTBEAM is published for the N3F in January, March, May, July, September and November and is distributed to the members of the N3F and for trade of other zines. Persons mentioned in passing are invited to comment regardless of mem bership status. Contributions (especially letters) should be sent to the editor, Lynne Holdom, P,0, Box 5, Pompton Lakes, NJ 07442, not later than the 10th of the month of publication. (Please write TB on the envelope) ---TABLE OF CONTENTS--- Editor's Page, •...••••••. , .......•••. • .....•.•..••.•.•...•. , •...•.•..•••.• ,J ALIEN (a film review) by Perry Cl.en Moore,.,., •••••••••••••••••••••••••••• • 4 NEW 'MEMBERS' LIST. , •••••••••••••• , • , ••••••••••••••••••••••••••••••••••••••• 5 THE HUGO WIN"NERS. , • , ••••• , •••• , ••••••• , •• , , • , , , , , , , • , •••• , •••• , •• , ••• , •••• , 6 THERE'S A REVOLUTION GOING ON by Chris Martin••••••••••••••••••••••••••••••? BOOK REVIEWS: DANCERS IN THE AFTERGLOW reviewed by Sally Syrjala •••••••••• 9 BORN TO EXILE reviewed by A.D. Wallace•••••••••••••••••••••••••••••••••••••10 DREAMSNAKE reviewed by Mary Frey.••••••••••••••••••••••••••••••••••••••••••11 BLIND VOICES reviewed by P.W, Duncan ••• , •• , ••••• , •••••••••• , ••••.•••••••••• • 12 A HERITAGE OF STARS reviewed by John diPrete•••••••••••••••••••••••••••••••13 TITAN reviewed by Dennis Jarog,••••••••••••••••••••••••••••••••••••••••••••14 LETTERS: R. Laurraine Tutihasi••••••••••••••••••••••••••••••••••••••••••••15 -
Spies, Civil Liberties, and the Senate: the 1975 Church Committee
Spies, Civil Liberties, and the Senate: The 1975 Church Committee Doctorate of Philosophy Department of History Dafydd Townley May 2018 Abstract This research examines the relationship between US public opinion and national security policy. The focus of this study is the role that public opinion played during the Year of Intelligence, the sixteen-month investigation by Congress into alleged domestic abuses by the US intelligence community. The period, between January 1975 and April 1976, saw the innermost secrets of various US intelligence agencies laid bare before the world as a result of televised public hearings and investigative journalism. The research analyses what both President Gerald R. Ford and Congress defined as public opinion, and how they used such information to shape their strategic decisions concerning national security. The study investigates the ways in which Congress responded to public opinion during the creation of the Church Committee, and how great an influence public opinion had on the objectives and methods of the Church Committee investigation. The research also assesses whether the Church Committee fulfilled its obligations the Senate and the American public and considers the criticism that some contemporaries and academics have levelled at the committee’s chairman, Senator Frank Church of Idaho. Using extensive archival evidence supported by oral history interviews, the research identifies that public opinion played an important role during the Year of Intelligence and, as a consequence, national security policy. The significance of the role is clearly illustrated by the research’s contrast of the failure of the Ford administration to achieve any of its strategic objectives, and the success of Congress in gaining substantial reform to congressional oversight of the intelligence community. -
Perched by Jose Sanchez Tightbeam 302 November 2019 the Editors Are: George Phillies [email protected] 48 Hancock Hill Drive, Worcester, MA 01609
Tightbeam 302 November 2019 Perched by Jose Sanchez Tightbeam 302 November 2019 The Editors are: George Phillies [email protected] 48 Hancock Hill Drive, Worcester, MA 01609. Jon Swartz [email protected] Art Editors are Angela K. Scott and Cedar Sanderson. The front cover is from Angela K. Scott. The back cover is from Jose Sanchez. Anime Reviews are courtesy Jessi Silver and her site www.s1e1.com. Ms. Silver writes of her site “S1E1 is primarily an outlet for views and reviews on Japanese animated media, and occasionally video games and other entertainment.” Reviews are courtesy Declan Finn, Jim McCoy, Pat Patterson, Tamara Wilhite, Tom Feller, and Heath Row. Declan Finn’s web page declanfinn.com covers his books, reviews, writing, and more. Jim McCoy’s reviews and more appear at jimbossffreviews.blogspot.com. Pat Patterson’s reviews appear on his blog habakkuk21.blogspot.com and also on Good Reads and Amazon.com. Regular short fiction reviewers. Greg Hullender and Eric Wong publish at RocketStackRank.com. Cedar Sanderson’s reviews and other interesting articles appear on her site www.cedarwrites.wordpress.com/ and its culinary extension cedarwrites.com/eat- this-while-you-read-that/ Tightbeam is published approximately monthly by the National Fantasy Fan Federation and distributed electronically to the membership. The N3F offers four different memberships. Memberships with The National Fantasy Fan (TNFF) via paper mail are $18; memberships with TNFF via email are $6. Zines other than TNFF are email only. Additional memberships at the address of a current member are $4. Public memberships are free. Send payments to N3F, POB 1925, Mountain View CA 94042. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE CONSTRUCTION OF RACE AND THE REPRESENTATION OF ETHNIC DIFFERENCE IN AMERICAN AND BRITISH SCIENCE FICTION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University by Javier A.