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Special-Pierluigi-Pizzi.Pdf . , t r a e n i w d e i u l n b l a a h o a r e d o y p h v g e n t a I a t i i R e r t N n t s m g w i D y r e r , o e n o E P P e t 7 n n o s t . i e u 0 i W t s a c 3 b 6 l a e i w 0 S e r c COLLABORATORS r - t i 0 u S W e l e n s 2 n h b / r h Der Stein der Weisenby Mozart and friends - Garsington Opera, Garsington Manor, Oxford / 2006 5 o t a u 2 o 9 o T t C Set and costume design:Peter Ruthven Hall p 6 m 7 6 r u . - . Photo:J ohan Persson s E o - a b i o i f c 0 h r f g s i n s t t e o n n n s i e f i c g o o i 0 d o i u r m D t v l t M r o o a The latest SBTD exhibition takes place r l e D y 2 c a a t R s e S i p n L c r in Nottingham in January 2007. It brings u n r a , i n o q a r a - g i i o together a huge range of work made in d i T N z n b t M i e . y t r u ; U the last four years by over 150 d i e p e b A t e i n 3 o L i s r A S v c contemporary UK designers. Designs i t r g S o s o g U e a i t 0 g i e s U range from inventive fringe o r o D e B R . h o r L t 0 . e performances to sumptuous p i m s ) t o n , t d l i o d l c h international ballet and opera, from West z 2 c o E e a e . j g a a c v s i i o r g g r P End musicals to exquisite small scale k r n e a n l o i a s P l e n o e g h touring productions in schools and M ; r A g b a c i r l . m e c n s s ground breaking community and site a o t d o a e r c m h e t c i t . , D t g n M specific productions. i n l i c s i e c r i i . a c c i n . Work featured includes the RSC l s i a D l n r m o h w t a r o A p t Complete Shakespeare season, A o ( h L w a c t h r D e i e w u m l Forkbeard Fantasy, cutting edge n G a n A @ e i n 0 , K r e z N ; companies Quarantine and U-Man . a s 3 a h n v n t A 1 i U g l o a o Zoo, two Ring Cycles from English c f a C i - o e y o f a - G M n The TempestCorcadorca - Theatre Company, Fitzgeralds Park, Cork / 2006 National Opera and the Royal Opera m N P y c f r t r A r Set design:Roma Patel y L r e e l House, as well as designs by theatre a i S n e 5 h e a h e i p m p U c 9 architects and consultants, including n o a y - r 2 r a E b n P m p 2 g i Northern Stage Company, the new D r o - n 0 o . e r o c l o 0 n , . o Wexford Opera House, The Egg, Bath m s o d e a t 1 r i i m s c o g n . r z d c a and Siobhan Davies Dance Studios. o S i e o . Y t E r . f o h L m e e t o . International work includes, Paul N y y , h f i L c t s i , n d i c i T t i a a k Brown’s La Traviata at the Arena Di u s l o r i d 2 o q e z n i o e d 0 i R n Verona, Ralph Koltai’s Katya F . n b h 0 , Y e s w u s r 2 d i o . i Kabanova at the Fenice, Venice, l l e o l w w g t © l w b o e t L a i . w a u i Emma Ryotts costume designs for w N p P , a m m W i w l s s , d o Stuttgart Ballet, Marie Jeanne Lecca’s r c a i 9 n a c o i R r A . a t 9 r n r e 0 e r Magic Flute costume designs for S c e a e t - d 1 t e h U r C r e a s Vienna, Staats Oper, Mark Jonathan’s i e p o D F t 7 k 9 m a i D r 1 o u lighting for Santa Fe Opera and Chris m c a M g t 2 o i i e S r t 6 o t 1 d B , s de Wilde’s Il Trovatore for Tbilisi s n 1 A i u K h S / t l y e . t a r r r s 1 a l c Opera House. Y u a r o e s l L t t C o U l h e i a N n l s This exhibition has been made possible S o h d v , , i e i t l f e A k r E e i f C r b through a new collaboration between a r c @ . o ) t t o u a e r n n g e l n p Y r p Nottingham Trent University Theatre u o a u P i l O o p e t a r m w , h n p D Design Department and the Society of r m t u e n i x o a i r a t a f E N t c j c British Theatre Designers (SBTD). H L d o r u , b e A a N a n S r u a n l , The venue is the imposing Waverley i s y o o O M r a 4 The Gambler- Opera Zuid at Theater aan het Vrijthof, Maastricht / 2005 l 5 t i I a s u s s 1 k 2 building – the original Nottingham Art , Set design:Dick Bird T n s , o K i - o e M o d t ( U o i n i School on the NTU City Campus, e r t e m r i B a t u r c e p n i I B s i i e u S s h where the exhibition takes over three r , o z R p s d y t c i h a g T a r o e l s t floors. A selection from the exhibition l g r e o b b u A S a a i r p ’ I u u o t r e will be on display in Prague’s D P D S S r M S M p Industrial Palace in the International Prague Quadrennial in June 2007, April 2007 where the previous SBTD exhibition - Special Pier Luigi Pizzi 2D>3D – won the 3 top Gold awards NEW The White Album- Nottingham Playhouse / 2006 Set and costume design:Liam Doona S Projection design:Arnim Friess Photo:N athan Rose for UK designers. Having taken time, space and process as themes for our previous three exhibitions, we are turning our attention to collaboration as a vital constituent of design for performance and its realisation. We are again delighted to include a collective exhibition by the Association of Lighting Designers (ALD) as well as individual Lighting Designers. For the first time we are including a collective presentation by UK Sound Designers and are pleased to host the Association of Courses in Theatre Design (ACTD) with an installation involving 20 UK courses. The Collaborators theme has encouraged many designers to name and Orestes 2.0- Guildhall School of Music and Drama, Guildhall Theatre, Barbican / 2005 Set and costume design:Becs Andrews feature particular collaborators, from Lighting design:David Howe partnerships with directors, to other visual artists, such as lighting and projection designers, digital artists and industrial designers and architects. , Increasingly UK designers are also s t n making direct collaborations with poets, m e 2 a v choreographers, composers and writers, 3 4 h e 8 g , – while the team work with model 2 n s i e 0 t 8 t makers, painters, costume and prop 1 4 m o s 8 makers is also celebrated. The passion m N d a 5 , n r s for making performance in non-theatre 1 e g u 1 k o p 0 spaces continues with local e r e : P m l communities, artists, refugees and a w l e a , T C school children also included in creating n 7 g y o r t i – i visually powerful productions.
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