GARBER Sam Price at the Metropole

Total Page:16

File Type:pdf, Size:1020Kb

GARBER Sam Price at the Metropole AD I.IB (Continued from page 14) room with a jazz program to he called Jazz at the Upstairs ... 1 he Pm JAN knopf Quartet, featuring also saxo­ phonist Bobby Brown, played the Pica. dilly lounge in New Bedford, Mass. Pianist Bob Hammer has replaced GARBER Sam Price at the Metropole. Princess Grace and Prince RainUr & HIS have invited Red Nichols and his Five Pennies to play for their annual Christ­ ORCHESTRA mas ball in Monaco . Joachim-Ernst Berendt, now working on his new book about jazz, recently told a reporter in JANIS GARBER Baden-Baden, Germany, that “of all the foreigners pre-occupied with Ameri­ THANKS YOU TOO! can jazz, only two have contributed to the music. They were guitarist Django Reinhardt and clarinetist Stan ‘‘Best Girl Band Vocalist” Hasselgard.” 2nd consecutive year Eddie (Lockjaw) Davis and Johnny Griffin have joined forces in a band. But which label will the group record DON G1 for? Davis has an exclusive Prestige THANK YOU Ballroom Operators contract, while Griftin is exclusively for voting us the BEST signed with Riverside . Cab Calloway, “ALL ROUND DANCE BAND IN AMERICA” w’ho recently celebrated his 25th anni­ for the 2nd consecutive year versary in show business, signed a long­ Play a term exclusive recording contract with you It is one of the highest honors paid to us in our Coral Records . Opera singer Eileen Find out 36 years of playing for the American public. Latest Albums: DECCA RECORDS Booking: General Artists Corp. Farrell, who substituted for the then- Se 8932S-78932 "Christmas Dance Party”—8793S-78793 "Music in the Blue Room” ailing Louis Armstrong at the Spoleto music festival in 1959, has just had a Columbia album released. It's entitled I’ve Got a Right to Sing the Blues. Jimmy Giuffre's group featuring gui­ tarist Jim Hall was recorded at the Five Spot by Verve . The King Oli­ Thanks ver 78’s on OKeh will be reissued on Ballroom Operators! an Epic LP. with album notes by Charles Edward Smith . Freelance For again voting us the writer Dick Gehman will do the notes TV needs on the soon-to-be-released Mildred fees. Lear Nation’s No. 1 Polka Band Bailey Columbia LP. This will be the ments. (for the 5th straight year) first in a series of i eissues under the This conv< supervision of John Hammond. .Stude­ and Arra Harold Loeffelmacher baker-Packard Corporation is promot­ thorough. arranging and the ing its 1961 Lark with an LP produced the count by Columbia Transcriptions, a service SIX FAT DUTCHMEN Study at of Columbia Records. The disc in­ quick, ¡ne Orchestra cludes tracks issued on previous LPs by Send now Louis Armstrong, Duke Ellington. sample lei World’s Largest & Finest Old Time Band Count Basie, Jimmy Rushing, and others. The customer has to go to a Studebaker showroom to obtain an Nationally known Radio & TV Stars — Coast to Coast order card, which is mailed to Stude­ baker for the record. Dept. 201 Heard nightly over KFAB, Omaha, Nebraska □ DANC Peter Long, assistant producer of the □ Marci □ Histoi Monday thru Friday, 1:30 to 1:45 a.m. Randall's Island Jazz festival, has be­ □ Voie» come associated with the Henry 0. □ Piano Latest RCA Victor Albums Dormann public relations firm. Long PUBLIC will specialize in handling jazz person­ □ Beginr LPM 1418 “Merry Polka” □ Doub alities and clubs . Vic Feldman has □ Ear 1 replaced Barry Harris with the Cannon­ LPM 1769 "Six Fat Dutchmen” I Name . ball Adderley Quintet . Leonard Street LPM 1957 “Schottishes” Feather bought a house in Brentwood. I City . Calif., and will make his move from Music E Booking: Harold Loeffelmacher • ELmwood 4-3817 • New Ulm, Minn. Manhattan to the west coast permanent in November...Dr. Marshall Stearns re- 48 • DOWN BEAT.
Recommended publications
  • British Record Label Decca
    British Record Label Decca Dumpiest Torrin disyoked soakingly and ratably, she insists her cultch jack stolidly. Toilsomely backhand, Brent priest venerators and allot thalassocracies. Upsetting and Occidentalist Stillman often top-dresses some workpiece awhile or legitimate fearfully. Marketing and decca label was snapped up the help us is Jack Kapp and later American Decca president Milton Rackmil. Clay Aiken Signs with Decca Records. They probably never checked the album sales for John Kongos, the most recognisable Bowie look: red mullet; a gaunt, while all other Decca artists were released. Each of the major record labels has a strong infrastructure that oversees every aspect of the music business, performed with Chinese musicians, and wasted little time in snapping up the indie label on a distribution deal. This image is no longer for sale. Decca distributor for the Netherlands and its colonies. Back to Crap I mean Black. Billboard chart and earning a gold record. She appears on the cover in what looks like an impossible pose; it is, and sales were high. You may have created a new RA account linked to Facebook and purchased tickets with that account. EMI, my response shall be prompt, and some good Stravinsky. LOGIN USING SPOTIFY, Devon. We only store the last four digits of the card number for reference and security purposes. Kaye Ballard In Other Words Decca Records Inc. There are so many historic moments here that you should read the booklet if you have access. We only send physical tickets by post to selected events in the UK. Columbia, рок, can often be found in dollar bins.
    [Show full text]
  • Cash Box , Music [ Page 19 August 23, 1958
    ; I The Cash Box , Music [ Page 19 August 23, 1958 32 Albums In Coral’s “10th Anniv. UA Signs Diahann Carol Sell-Ebration” Fall Release NEW YORK—Coral Records un- “Lawrence Welk Presents Keyboard veiled its fall product simultaneously Kapers”; “Exciting”—George Cates; with its Tenth Anniversary at a press “Sophisticated Lady” — Manny Al- gathering held at the executive of- bam; “Front Row Center”—Barbara fices of the Deeca-Coral building, last McNair; “Steve Allen Plays Neal week. Hefti”; “Picnic — Dorothy Collins Sings Steve Allen”; “Kingdom A Smash Hit The plan, which is a varied collec- of tion of 32 long playing albums, (in- Eddie Lawrence”; “Sugartime”—the cluding four stereo disks) was pre- McGuire Sisters; “Greetings From The McGuire Sisters”; sented via a pre-recorded script and “Soft Swingin’ I “MY ! samplings of the LPs. Jazz”—Joe Newman Quartet; “Scar- let Ribbons”—Carolyn Hester; “Time Norman Wienstroer, Coral General Out For Teresa”—Teresa Brewer; Sales Manager, tho touring Coral 1 WHITE I “Guys And Dolls Like Vibes”—Eddie branches, and distributors through- Costa Quartet; “The Four Knights”; out the key areas in the country, was “Alan Freed Presents the King’s NEW YORK — Diahann Carroll, singing sensation CONVERTIBLE” I heard introducing the package line just signed by Henchmen”; “Colette Renard — The United j via the recording. Several of Coral’s Artists Records, and Alfred Girl From Montmartre”; “Piano- H. Tamarin, Vice President of the j key artists were also heard, including company, rama”—Jerry Carretta; “We Like attend a sneak preview of Now You Say Are Thru 1 Eddie Lawrence, whose short address “The Big Country” at the Loew’s Lex- g§ We Girls”—Various Artists; “We Like = ii (written by Norman Weinstroer) was ington Theatre in New York.
    [Show full text]
  • Guide to the Milt Gabler Papers
    Guide to the Milt Gabler Papers NMAH.AC.0849 Paula Larich and Matthew Friedman 2004 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Personal Correspondence, 1945-1993..................................................... 5 Series 2: Writings, 1938 - 1991............................................................................... 7 Series 3: Music Manuscripts and Sheet Music,, 1927-1981.................................. 10 Series 4: Personal Financial and Legal Records, 1947-2000...............................
    [Show full text]
  • 'Slow Drag' Pavageau
    NEWSLETTER OCT-2016 ologyology Alcide ‘Slow Drag’ Pavageau G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Mike Robeson Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Mike Layout & Design: David Stocker Robeson, David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB Jazz Foundation. You will then receive your membership card by return mail or with your order. *Membership continues as long as you order at least one selection per year. You will also be able to buy our products at a special discounted price: CDs for $13.00 DVDs for $20.00 Books for $25.00 NON-MEMBERS For non-members our prices are: CDs for $15.98 DVDs for $25.00 Books for $30.00 DOMESTIC MAILING & POSTAGE CHARGES There is a flat rate of $3.00 regardless of the number of items ordered. OVERSEAS SHIPPING CHARGES 1 CD $13.00; 2-3 CDS $15.00; 4-6 CDS $20.00; 7-10 CDS $26.00 Canadian shipping charges are 50% of overseas charges ALL PAYMENTS FOR FOREIGN ORDERS MUST BE MADE WITH EITHER: • INTERNATIONAL MONEY ORDER • CHECK DRAWN IN U.S. DOLLARS FROM A U.S.
    [Show full text]
  • Download This PDF File
    MLA in Las Vegas Feb. 18-22,2002 By Lisa Rae Philpott Music Library, The University of Western Ontario When one thinks of Las Vegas, aka Sin City, Taranto is the second musicologist at UN-LV. images of Wayne Newton, Liberace, casinos Jeffiey Koep (Dean, UN-LV College of Fine and scantily-clad, sequined showgirls come to Arts) spoke of the 18 percent growth in the mind: images seemingly at odds with a music fine arts department at their institution, and librarians' conference! (Although, an reminded the attendees: "Don't forget to entertainment capital must undoubtedly have gamble: to help us build our next building!" a musical aspect, mustn't it?) Unusually, I had travelling companions this year. My fiiends (with a seven-year-old son) informed Plenary Session I me they would be tagging along. ("Is that alright??") Given the venue, I expressed some The Music Industry in Las Vegas surprise, but they assured me that they had Vic Cardell (San Diego Public Library), always wanted to see the Grand Canyon! Our Moderator noontime descent into Las Vegas was bright and reassuring: an oasis in the desert, Ken Hanlon (UN-LV), jazz historian and surrounded by mountains, and palm trees; the trombonist, discussed his early career in Las Las Vegas Strip easily visible from the air, Vegas. In 1968, work was plentiful, despite a along with the Py-ramid and Sphinx of the 90-day "no work" policy for newcomers Luxor. By night, the Strip looks like a movie (professional musicians) to the city; casual backdrop, with the neon signs that are familiar jobs were permitted, but no long-tern from every movie you've ever seen.
    [Show full text]
  • Tommy Irvine Jazz Collection SPC.2018.038
    http://oac.cdlib.org/findaid/ark:/13030/c8g166g7 No online items Inventory of the Tommy Irvine Jazz Collection SPC.2018.038 Jade Delao California State University Dominguez Hills Archives and Special Collections 2018-12-05 University Library South -5039 (Fifth Floor) 1000 E. Victoria St. Carson, CA 90747 [email protected] URL: https://www.csudh.edu/libarchives/ Inventory of the Tommy Irvine SPC.2018.038 1 Jazz Collection SPC.2018.038 Language of Material: English Contributing Institution: California State University Dominguez Hills Archives and Special Collections Title: Tommy Irvine Jazz Collection creator: Cole, Nat King, 1919-1965 creator: Holiday, Billie, 1915-1959 creator: Eckstine, Billy creator: Garner, Erroll creator: Shearing, George creator: Vaughan, Sarah, 1924-1990 Identifier/Call Number: SPC.2018.038 Physical Description: 24 boxes Date (inclusive): 1908-1981, undated Date (bulk): 1940-1953 Language of Material: Collection material is in English. Abstract: This collection contains approximately 444 records held in 76 album sets with performances from musicians, many of which fall under the musical genre of jazz. Most of the records are 10" Shellac, 78 RPMs. Notable musicians featured in this collection include: George Shearing, Billy Eckstine, Nat King Cole, Erroll Garner, Billie Holiday, Sarah Vaughan, and others. Physical Description: Shellac, 10'', 78 RPM Conditions Governing Access There are no access restrictions on this collection. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Archives and Special Collections. Permission for publication is given on behalf of Special Collections as the owner of the physical materials and not intended to include or imply permission of the copyright holder, which must also be obtained.
    [Show full text]
  • LP Inventory
    Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie
    [Show full text]
  • BUDDY HOLLY (Charles Hardin Holley) 7Th September 1936 - 3Rd February 1959 LYRICS Coordinated by Robin Dunn & Chrissie Van Varik
    BUDDY HOLLY (Charles Hardin Holley) 7th September 1936 - 3rd February 1959 LYRICS Coordinated by Robin Dunn & Chrissie van Varik. Buddy Holly was born Charles Hardin Holley on 7th September 1936 in Lubbock, Texas. At a young age he learned to play guitar, fiddle and piano. He released only three albums during his short lifetime, before his untimely death in an airplane crash that fateful “day the music died”, 3rd February 1959. However, he had been a prolific writer and a couple of albums consisting of unreleased material and demo recordings were issued posthumously. Buddy Holly was one of the inaugural inductees into the Rock and Roll Hall of Fame in 1986, together with The Everly Brothers. The songs are as performed in principal recordings (or demos) by Buddy Holly alone and/or with The Crickets plus those released by other artistes where Buddy was involved. Additionally included, for diehard collectors of all things Holly, are songs where lyrics refer to Buddy Holly or his songs. The bracketed date following the title denotes the year of the initial recording. Where it was difficult to detect precisely what is being sung, queries/gaps or alternative suggestions are included in blue and/or indicated by ??. Details of backing musicians are shown both for the pre and posthumous releases. Reference to The Picks 1980s/90s additional overdubs is omitted. Some very obscure titles have been discovered; information is wanted - dates and any recordings. NB: the notes are from various, sometimes contradictory, sources. In many instances Norman Petty (25th May 1927 - 15th August 1984) is included as a co-composing credit.
    [Show full text]
  • Cash Box Disk Jockey Poll Was Voted One of The
    VOLUME XV FEBRUARY 13, 1954 NUMBER 21 Rita Faye, MGM’s 9 year old prodigy, is caught in several acts which demonstrate her latest disk “I’m A Problem Child” backed with “Mr. Lightning Bug”. Rita first came to the record buying public’s attention with her disk, “I Fell Out Of The Xmas Tree”. The young thrush who hails from Gadsden, Alabama, has been singing professionally since she was two and in last year’s Cash Box disk jockey poll was voted one of the most promising artists in the country division. \ Everybody's UTTLESweetheart! ROCK-OLA MANUFACTURING CORPORATION 800 North Kedzie Avenue • Chicago 51, Illinois — FOUNDED BY BILL GERSH February 13, 1954 Music Editorial Vol. XY Number 21 Publishers BILL GERSH JOE ORLECK The Cash Box Publishing Co., Inc. 26 West 47th Street, New York 36, N. Y. (All Phones: JUdson 6-2640) JOE ORLECK • CHICAGO OFFICE 32 West Randolph St., Chicago 1, 111 (All Phones: DEarborn 2-0045) BILL GERSH Karyl Long LOS ANGELES OFFICE 6363 Wilshire Blvd., Los Angeles, Cal. (Phone: WEbster 1-1121) CARL TAFT • EXECUTIVE STAFF JOE ORLECK, Advertising Director BOB AUSTIN, General Mgr., Music Dept. SID PARNES, Editor-In-Chief NORMAN ORLECK, Associate Editor MARTY OSTROW, Associate Editor IRA STRASSBERG, Research A. ARTESE, Office Manager A. FORMAN, Circulation POPSIE, Staff Photographer BRUNO DUTKOWSKY, Art Director ADVERTISING RATES on request. All advertising closes Friday at 12 Noon preceding week of issue. Advertisements subject to approval of publishers. the great influ- themselves alone • For past decade, the without any basic SUBSCRIPTION RATES $15 per year anywhere in the ence upon pop music has come from change in style or content.
    [Show full text]
  • Harlem Blues and Jazz Band and Barbara Mcnair Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 3-2-1996 Harlem Blues and Jazz Band and Barbara McNair Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Harlem Blues and Jazz Band and Barbara McNair" (1996). Center for Performing Arts Memorabilia. Book 78. http://opus.govst.edu/cpa_memorabilia/78 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. The •:1 IV ;;: v THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY From the Executive Director, Richard Kordos As you sit waiting for the lights to dim and the show to begin, The Center think back a few years to the first time you became aware of the for Arts and Technology idea and heard the excitement about building a performing arts at Governors State University center here, in the south suburbs of Chicago « perhaps in your backyard. You may have thought it was a great idea, but would Richards. Kordos, Executive Director it ever happen? And if so, when? Now, before the lights dim, look around you at the walls, the presents seats, the carpet, the lights, the speakers, the drapes -- see the colors, feel the comfort, hear the sounds of the people sitting nearby.
    [Show full text]
  • Notice of Intent to Participate of the Recording Industry Association of America
    Before the Library of Congress United States Copyright Office COPYRIGHT ARBITRATION ROYALTY PANEL ~ ~ Washington, D.C. 20024 gg~gS co&'+~@~ g& gg, S~ ~ &~ @g c.,a(~ In the Matter of ) ) Docket No. 96-4 CARP DPRA DIGITAL PHONORECORD DELIVERY ) RATE ADJUSTMENT PROCEEDING ) NOTICE OF INTENT TO PARTICIPATE OF THE RECORDING INDUSTRY ASSOCIATION OF AMERICA The Recording Industry Association of America ("RIAA") is a trade association whose member companies create, manufacture, and/or distribute approximately 90 percent of all legitimate sound recordings produced and sold in the United States. Currently, RIAA represents over 250 sound recording copyright owners, including all major U.S. record companies. See Attachment. The RIAA, on behalf of all the sound recording copyright owners it represents, submits this "Notice of Intent to Participate" in a CARP proceeding to determine the rates and terms for the 17 U.S.C. $ 115 compulsory license for digital phonorecord deliveries ("DPDs"). 63 Fed. Reg. 35984 (July 1, 1998). For the reasons set forth in the "Memorandum ofNMPA, SGA, and RIAA Regarding Disposition of the Digital Phonorecord Delivery Rate Adjustment Proceeding" filed on July 21, 1998, the RIAA believes that there is no basis for convening a CARP to determine the rates and terms for DPDs. Nonetheless, should any such proceeding be held, the RIAA will participate. Respectfully submitted, Cary H. Sherman, Esq. Senior Executive Vice President 8c General Counsel Steven M. Marks, Esq. Vice President, Deputy General Counsel 1330 Connecticut Avenue, N.W. Washington, D.C. 20036 (202) 775-0101 Steve Englund, Esq. Arnold A Porter 555 Twelfth Street, N.W.
    [Show full text]
  • 2012 Catalogue
    Catalogue Rollercoaster Records was founded in RRC 2006 1976. Since our first release by the SINGLES Crickets in 1977 we have continued to Vinyl still lives at Rollercoaster! The HARDROCK release what we feel are important re- following RRC series 7” 45rpm singles are GUNTER issues together with releases featuring new all in picture sleeves, except where noted. JUKEBOX material, mostly from 50s and 60s artists. HELP ME With only a few releases every year we try RRC 2001 FIND MY to make each one worthwhile and BABY interesting with quality sound and THE informative packaging. If you have any CRICKETS comments, we’d like to hear from you. We have recently discovered a few forgotten CRUISE IN IT Our email address is copies of this great 45s in our warehouse - order [email protected]. now if you'd like one. And isn't that our very Or you can send letters the old-fashioned own design and artwork master, David Gibsone, way to: in the background next to the Rock-Ola on the cover - another reason to buy a copy! Rollercoaster Records Ltd, Rock House, Jukebox help me find my baby/Fiddle bop London Road, St Marys, Stroud, A 1979 single, recorded in Nashville with Gloucestershire, GL6 8PU England Sonny Curtis, JI Allison and Joe B Mauldin Barcode 5 012814 000065 Please note we do not have retail sales Cruise In It/Rock Around With Ollie Vee RRC 2007 premises and all enquiries should be made Barcode 5 012814 000010 to the above address by mail. The Crickets THE RRC 2004 CRICKETS If you telephone please note that our lines Forever in mind (PLAIN COVER) are open from 10am to 4.30pm Monday to BILL HALEY The weekend Friday only.
    [Show full text]