DOCSLIB.ORG

Robert Southey

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Robert Southey ROBERT SOUTHEY “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Robert Southey HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1774 August 12, Friday: Robert Southey was born. NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT Robert Southey “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1793 When a fellow of Jesus College, William Frend, was arraigned for the publication of a politically seditious pamphlet, Samuel Taylor Coleridge became a student agitator. He developed his own plan for how to avoid the violence which was destroying the idealism of the early days of the French Revolution, and this scheme, which was referred to as “pantisocracy,” involved the creation of a self-contained community of 12 men and 12 women on the Susquehanna River in Pennsylvania which would govern itself and would educate its children according to its own lights. At this point he was in association with the poet Robert Southey in Cambridge. Granted, this was all pretty stupid, but no Thornstein Veblen had yet come along to explain about the recirculation of the elites, and no Simone Weil had yet come along to explain that “For centuries past, noble minds have regarded the power of oppressors as constituting a usurpation pure and simple, which one had to try to oppose either by simply expressing a radical disapproval of it, or else by armed force placed at the service of justice. In either case, failure has always been complete; and never was it more strikingly so than when it took on momentarily the appearance of victory, as happened with the French Revolution, when, after having effectively succeeded in bringing about the disappearance of a certain form of oppression, people stood by HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY helpless, watching a new oppression immediately being set up in its place.”1 “I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return.” — W.H. Auden, September 1, 1939 1. Simone Weil, “Reflections concerning the Causes of Liberty and Social Oppression,” in OPPRESSION AND LIBERTY, Routledge & Kegan Paul, 1958. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1794 When a fellow of Jesus College, William Frend, was arraigned for the publication of a politically seditious pamphlet, Samuel Taylor Coleridge became a student agitator. He developed his own plan for how to avoid the violence which was destroying the idealism of the early days of the French Revolution, and this scheme, which was referred to as “pantisocracy,” involved the creation of a self-contained community of 12 men and 12 women on the Susquehanna River in Pennsylvania which would govern itself and would educate its children according to its own lights. During this year, whether before of after the “pantisocracy” idea I do not know, Coleridge went down into London under an assumed name, Silas Tomkyn Comberbache, and enlisted as a dragoon. When he was discovered there by his friends, his enlistment contract was bought out by his brothers and he was sent back to his college work in Cambridge. Then Coleridge and Robert Southey left Cambridge for good, and became public lecturers in Bristol, England. LIFE IS LIVED FORWARD BUT UNDERSTOOD BACKWARD? — NO, THAT’S GIVING TOO MUCH TO THE HISTORIAN’S STORIES. LIFE ISN’T TO BE UNDERSTOOD EITHER FORWARD OR BACKWARD. June: Samuel Taylor Coleridge met Robert Southey, with whom he would plan a pantisocracy (essentially, a kibbutz thingie). August/September: Samuel Taylor Coleridge met Thomas Poole, a prosperous tanner who would become a good and longlasting friend, and became engaged to Sara Fricker, sister to the poet Robert Southey’s fiancée. October: Samuel Taylor Coleridge and Robert Southey issued a tragedy, “The Fall of Robespierre.” Coleridge was at this point full of radical political fervor. From this point forward, little Louis-Charles in his prison cell would maintain an obdurate silence (this refusal to communicate would be explained, by others, as having arisen out of his having been induced to make that deposition against his mother Marie Antoinette). December: Samuel Taylor Coleridge and Robert Southey left Cambridge, for good. Touring Wales, he began RELIGIOUS MUSINGS. “Stack of the Artist of Kouroo” Project Robert Southey HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1795 January-June: Samuel Taylor Coleridge and Robert Southey had become public lecturers on political and moral topics in Bristol, England. Coleridge met William Wordsworth. Summer: Samuel Taylor Coleridge and Robert Southey quarreled, and abandoned their ideas of forming a “pantisocracy” and going to the New World. THE FUTURE IS MOST READILY PREDICTED IN RETROSPECT “Stack of the Artist of Kouroo” Project Robert Southey HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1798 At the age of 17, Ebenezer Elliott’s 1st poem, “The Vernal Walk,” was in imitation of the poems of James Thompson (he had also been reading in Byron and the Romantic poets, and Robert Southey). THE FUTURE CAN BE EASILY PREDICTED IN RETROSPECT “Stack of the Artist of Kouroo” Project Robert Southey HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1799 William Godwin’s ST. LEON, A TALE OF THE SIXTEENTH CENTURY (4 volumes, London: G.G. & J. Robinson). When Charles Lloyd accused Mary Hays of improprieties, Samuel Taylor Coleridge, Charles Lamb, Robert Southey, and William Godwin became involved in the furor. WILLIAM GODWIN’S LIFE DO I HAVE YOUR ATTENTION? GOOD. Robert Southey “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1801 Robert Southey’s THALABA. (At some point, having inhaled nitrous oxide, he would enthuse: “Oh Tom! Such a gas has Davey discovered, the geseous oxyd! Oh, Tom! I have had some; it made me laugh and tingle in every toe and fingertip. Davey has actually invented a new pleasure for which language has no name. Oh, Tom! I am going for more this evening; it makes one strong and so happy, so gloriously happy! Oh, excellent airbag!” Unfortunately, his THALABA would not have a similar impact on its readers.) WHAT I’M WRITING IS TRUE BUT NEVER MIND YOU CAN ALWAYS LIE TO YOURSELF Robert Southey “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1805 Robert Southey’s MADOC. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1807 Robert Southey’s LETTERS FROM ENGLAND BY DON ESPRIELLA. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1808 Robert Southey’s THE CHRONICLE OF THE CID. Ebenezer Elliott wrote to Southey for advice on how to get published and Southey responded (they would correspond until 1824, and in 1823 they would meet each other in person). At Bristol, England Walter Savage Landor caught up with Southey, whom he had missed on a trip to the Lake District in the previous year. He also wrote a work “The Dun Cow” which was written in defence of his friend Dr. Samuel Parr who had been attacked in an anonymous work “Guy’s Porridge Pot,” which Landor was fierce to deny was any work of his. Landor felt impelled to participate in the Peninsular War. At the age of 33 he left England for Spain as a volunteer, to serve in the national army against Napoléon Bonaparte. He landed at Corunna, introduced himself to the British envoy, offered 10,000 reals for the relief of Venturada, and set out to join the army of General Joaquín Blake y Joyes. However, in this he would be disappointed, for he would not be permitted to take part in any real action and found himself assigned to mere support roles, and then at Bilbao he almost got captured. A couple of months later when the Convention of Sintra brought an end to the campaign, Landor returned to England. The Spanish Government offered him its gratitude, and King Ferdinand awarded him the credentials of a Colonel in the Spanish Army. However, the King of England would restore the Jesuit Order and Landor would on account of this return his commission. Returning to England, he joined Wordsworth and Southey in denouncing this Convention of Sintra. CHANGE IS ETERNITY, STASIS A FIGMENT Robert Southey “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1810 Robert Southey’s CURSE OF KEHAMA. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1812 Friend Bernard Barton’s METRICAL EFFUSIONS put him in contact with Robert Southey. Soon he would also make the acquaintance of James Hogg. He would be able to publish volume after volume of his poetry, until 1828. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1813 Robert Southey’s LIFE OF NELSON. September: Walter Scott’s THE VISION OF DON RODERICK, ROKEBY, and THE BRIDAL OF TRIERMAIN. Robert Southey was anointed Poet Laureate to the Royal Family of England after Scott declined that honor. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1814 Robert Southey’s RODERICK, THE LAST OF THE GOTHS. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1817 Robert Southey’s WAT TYLER. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1819 January 30, Saturday: Poet Laureate Robert Southey wrote a long and carefully considered letter to Ebenezer Elliott, pointing out faults in the poem Night. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1820 Robert Southey’s A VISION OF JUDGMENT. HDT WHAT? INDEX ROBERT SOUTHEY ROBERT SOUTHEY 1821 George Gordon, Lord Byron: SARDANAPALUS; CAIN; MARINO FALIERO (flopped in London); THE TWO FOSCARI; THE VISION OF JUDGEMENT (a poem written retaliating against Robert Southey’s “A Vision of Judgement,” which attacked “the Satanic School”); THE PROPHECY OF DANTE; DON JUAN III-V. This was the year of the Bowles controversy, during which Byron wrote two letters in defence of Pope, attacking the Lake Poets and the Cockneys.
Load more

Recommended publications
  • Industrial Hinduism and Global Empire in the Curse of Kehama and Sir Thomas More Joseph Defalco Lamperez
    Document generated on 09/27/2021 12:01 p.m. Romanticism on the Net An open access journal devoted to British Romantic literature “Furnace-smoke ... wrapt him round”: Industrial Hinduism and Global Empire in The Curse of Kehama and Sir Thomas More Joseph DeFalco Lamperez Robert Southey Article abstract Number 68-69, Spring–Fall 2017 My essay claims that Robert Southey uses Hinduism to fashion a poetics of Romantic-era technology in The Curse of Kehama (1810). In his neglected Sir URI: https://id.erudit.org/iderudit/1070622ar Thomas More; or, Colloquies on the Progress and Prospects of Society (1829), DOI: https://doi.org/10.7202/1070622ar Southey compares the manufacturing system to Indian theology and ritual, a metaphor that relativizes religion and technology while implying that the See table of contents Industrial Revolution amounts to a new breed of religious network. Southey next likens the emergent world order made possible by such technologies to the cosmic ambitions of Kehama, his own Indian tyrant-cum-demigod. The Colloquies thus suggests an allegorical reading of The Curse of Kehama, Publisher(s) whereby this tale of a king bent on cosmic rule simultaneously explores how Université de Montréal technological and imperial networks intertwine. Accordingly, I draw from metaphor theory to read the earlier Kehama as a repository of veiled comparisons and displacements through which Southey glimpses the ISSN magnitude of the Industrial Revolution. Just as Indian wealth propels the 2563-2582 (digital) techno-imperial enterprise described in the Colloquies, Kehama’s paganism supplies the raw discursive material through which Southey fashions a poetics Explore this journal of manufacturing.
    [Show full text]
  • California State University, Northridge the World As
    - .... -~-·· ---- -~-~-. -· --. -· ·------ - -~- -----~-·--~-~-*-·----~----~----·····"'·-.-·-~·-·--·---~---- ---~-··i ' CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE WORLD AS ILLUSION \\ EMERSON'S AMERICANIZATION ·oF MAYA A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in English by Rose Marian Shade [. I I May, 1975 The thesis of Rose Marian Shade 1s approved: California State University, Northridge May, 1975 ii _,---- ~---'"·--------------- -------- -~-------- ---·· .... -· - ... ------------ ---······. -·- -·-----··- ··- --------------------·--···---··-·-··---- ------------------------: CONTENTS Contents iii Abstract iv Chapter I THE BACKGROUND 1 II INDIAN FASCINATION--HARVARD DAYS 5 III ONE OF THE WORLD'S OLDEST RELIGIONS 12 IV THE EDUCATION OF AN ORIENTALIST 20 v THE USES OF ILLUSION 25 Essays Nature 25 History 28 The Over-Soul 29 Experience 30 Plato 32 Fate 37 Illusions 40 Works and Days 47 Poems Hamatreya 49 Brahma 54 Maia 59 VI THE WORLD AS ILLUSION: YANKEE STYLE 60 VII ILLUSION AS A WAY OF LIFE 63 NOTES 70 BIBLIOGRAPHY 77 iii I I ABSTRACT THE WORLD AS ILLUSION EMERSON'S AMERICANIZATION OF MAYA by Rose Marian Shade Master of Arts in English May, 1975 One of the most important concepts that Ralph Waldo Emerson passed on to America's new philosophies and religions was borrowed from one of the world's oldest systems of thought--Hinduism. This was the Oriental view of the phenomenal world as Maya or Illusion concealing the unity of Brahman under a variety of names and forms. This thesis describes Emerson's introduction to Hindu thought and literature during his college days, reviews the_concept of Maya found in Hindu scriptures, and details Emerson's deepened interest and wide reading in Hindu philosophy in later life.
    [Show full text]
  • On the Rise and Progress of Popular Disaffection,” in Es- Says, Moral and Political, 2 Vols
    Notes Introduction 1. Robert Southey, “On the Rise and Progress of Popular Disaffection,” in Es- says, Moral and Political, 2 vols. (1817; London: John Murray, 1832), II, 82. The identity of Junius remained a mystery, and even Edmund Burke was suspected. For an argument that he was Sir Philip Francis, see Alvar Ellegård, Who Was Junius? (The Hague, 1962). 2. Byron, “The Vision of Judgment” in Lord Byron: The Complete Poetical Works, ed. Jerome J. McGann and Barry Weller, 7 vols. (Oxford: Clarendon Press, 1980–92), VI, 309–45. 3. M. H. Abrams, Natural Supernaturalism: Tradition and Revolution in Ro- mantic Literature (New York: W. W. Norton, 1971), p. 13. 4. See Anne K. Mellor, English Romantic Irony (Cambridge: Harvard Univer- sity Press, 1980). 5. Jerome J. McGann, The Romantic Ideology: A Critical Investigation (Chicago and London: University of Chicago Press, 1983), pp. 23–24. 6. Jerome J. McGann, Towards a Literature of Knowledge (Oxford: Clarendon Press, 1989), p. 39. 7. McGann, Towards a Literature of Knowledge, p. 39. 8. McGann, “Literary Pragmatics and the Editorial Horizon,” in Devils and Angels: Textual Editing and Literary Theory, ed. Philip Cohen (Charlottesville and London: University Press of Virginia, 1991), pp. 1–21 (13). 9. Marilyn Butler, “Satire and the Images of Self in the Romantic Period: The Long Tradition of Hazlitt’s Liber Amoris,” in English Satire and the Satiric Tradition, ed. Claude Rawson (Oxford: Basil Blackwell, 1984), 209–25 (209). 10. Stuart Curran, Poetic Form and British Romanticism (New York and Oxford: Oxford University Press, 1986), pp. 12–13. 11. Gary Dyer, British Satire and the Politics of Style, 1789–1832 (Cambridge: Cambridge University Press, 1997).
    [Show full text]
  • Nervous Sympathy in the Familial Collaborations of the Wordsworth
    The Mediated Self: Nervous Sympathy in the Familial Collaborations of the Wordsworth- Lamb-Coleridge Circle, 1799-1852 Katherine Olivia Ingle MA (University of Edinburgh) MScR (University of Edinburgh) English & Creative Writing Lancaster University November 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Katherine Olivia Ingle ii I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. November 2018 Katherine Olivia Ingle iii This thesis is dedicated with love to my grandmothers, Cynthia Ingle and Doreen France & in loving memory of my grandfathers, Thomas Ian Ingle, 1925-2014 & Joseph Lees France, 1929-2017 There is a comfort in the strength of love; ‘Twill make a thing endurable, which else Would overset the brain, or break the heart. Wordsworth, “Michael” Katherine Olivia Ingle iv Acknowledgements This thesis could not have taken shape without the attention, patience and encouragement of my supervisor Sally Bushell. I am deeply grateful to her for helping me to clarify ideas and for teaching me that problems are good things. I thank Sally in her numerous capacities as a Wordsworthian scholar, reader, teacher and friend. I am grateful to the Department of English & Creative Writing at Lancaster for a bursary towards an archival visit to the Jerwood Centre at The Wordsworth Trust. I thank the Curator, Jeff Cowton, for his generosity, insights and valuable suggestions.
    [Show full text]
  • 08 North Italy 1816
    1 BYRON’S CORRESPONDENCE AND JOURNALS 08: FROM NORTH ITALY, NOVEMBER 1816 Edited by Peter Cochran Work in progress, with frequent updates [indicated]. Letters not in the seventeen main files may be found in those containing the correspondences Byron / Annbella, Byron / Murray, Byron / Hobhouse, Byron / Moore, Byron / Scott, Byron / Kinnaird, Byron / The Shelleys , or Byron / Hoppner . UPDATED November 2010. Abbreviations B.: Byron; Mo: Moore; H.: Hobhouse; K.: Kinnaird; Mu.: Murray; Sh.: Shelley 1922: Lord Byron’s Correspondence Chiefly with Lady Melbourne, Mr Hobhouse, The Hon. Douglas Kinnaird, and P.B.Shelley (2 vols., John Murray 1922). BB: Byron’s Bulldog: The Letters of John Cam Hobhouse to Lord Byron, ed. Peter W.Graham (Columbus Ohio 1984) BLJ: Byron, George Gordon, Lord. Byron’s Letters and Journals . Ed. Leslie A. Marchand, 13 vols. London: John Murray 1973–94. Burnett: T.A.J. Burnett, The Rise and Fall of a Regency Dandy , John Murray, 1981. CSS: The Life and Correspondence of the Late Robert Southey , ed. C.C.Southey, Longman, Brown, Green and Longmans, 6 vols 1849-1850. J.W.W.: Selections from the letters of Robert Southey , Ed. John Wood Warter, 4 vols, Longman, Brown, Green, and Longmans, 1856. LJ: The Works of Lord Byron, Letters and Journals . Ed. R. E. Prothero, 6 vols. London: John Murray, 1899-1904. LJM: The Letters of John Murray to Lord Byron . Ed. Andrew Nicholson, Liverpool University Press, 2007. NLS: National Library of Scotland. Q: Byron: A Self-Portrait; Letters and Diaries 1798 to 1824 . Ed. Peter Quennell, 2 vols, John Murray, 1950. Ramos: The letters of Robert Southey to John May, 1797 to 1838.
    [Show full text]
  • 6 X 10.5 Long Title.P65
    Cambridge University Press 978-0-521-88094-7 - The Cambridge Companion to the Epic Edited by Catherine Bates Index More information INDEX Addison, Joseph 196 Baudelaire, Charles 177, 187, 188 Aeneid 15–16, 29, 31, 34, 36, 39–41, 44, 45, Bellum Civile (also known as Pharsalia) 48, 49, 51, 52, 66, 110, 111, 119, 122, 34, 39, 46, 50–1, 147, 247, 250 130, 134, 135, 140, 143, 167, 177, 178, see also Lucan 193, 239, 246, 250, 251, 254, 255, 259 Beowulf 13, 22, 55, 56, 58, 59, 62–9, 72, 73, see also Virgil 74, 246, 253, 256 Aeschylus 21, 51, 199, 259 Bible, The 2, 14, 29, 43, 66, 80, 81, 83, Alberti, Leon Battista 97, 106 85, 88, 114, 115, 117, 139, 146, 149, Alcuin 55, 63, 68 151, 152, 153, 154, 156, 157, 158, 159, Alexander, Michael 253 162, 163, 164–5, 173, 246, 247, 248, Ambrose 81, 82 251, 257, 259 Andreas 66 Bishop, Elizabeth 124–5 Andrews, Lancelot 248 Blackmore, Richard 168, 172 Apollonius of Rhodes 28, 29, 41, 48, 52 Blake, William 183, 184, 202, 205–6 see also Argonautica see also Jerusalem Aquinas, Thomas 98, 114 Boccaccio, Giovanni 94, 100, 114, 249 Argonautica 28, 46–8 see also Teseida see also Apollonius of Rhodes; Valerius Boethius 66, 111 Flaccus, Gaius Boiardo, Matteo Maria 93, 94, 95, Ariosto, Ludovico 93, 94, 95, 96–7, 99, 96–7, 99–105, 106, 107, 108, 110, 106–11, 112, 113, 114, 136, 149, 112, 113 182, 201, 250 see also Orlando Innamorato see also Orlando Furioso Boileau, Nicolas 168, 171, 173, 174, Aristotle 21, 43, 52, 96, 112, 114 176–7, 178, 179 see also Poetics see also Lutrin, Le Arnold, Matthew 58, 186, 187, 214, Borges, Jorge Luis 130 251–2 Bothie of Tober-na-Voulich, The 252 see also Sohrab and Rustum see also Clough, Arthur Hugh Auden, W.
    [Show full text]
  • Robert Southey Poems Pdf
    Robert southey poems pdf Continue For the chairman of the Australian Ballet, see Robert Southee (businessman). This article needs additional quotes to verify. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: Robert Southee - news newspaper book scientist JSTOR (August 2018) (Learn, how and when to remove this template message) Robert SoutheyPortrait, c. 1795Born (1774-08-12)12 August 1774Bristole, EnglandDied21 March 1843 (1843-03-21) (age 68)London, EnglandOccupationPoet, historian, historian, historian, historian, historian, historian, historian, biographer, essayistLiter movementRoantisisspehit Fricker (1795-1838; her death)Carolina Ann Bowles (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (1839-1843; his death) Robert Southee (183 /ˈsaʊði/ or /ˈsʌði/; August 12, 1774 -March 21, 1843) was an English romantic poet and poet laureate from 1813 until his death. Like other lake poets, William Wordsworth and Samuel Taylor Coleridge, Southee began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics, notably Byron, accused him of siding with the institution for money and status. He is remembered as the author of the poem After Blenheim and the original version of Goldilocks and the Three Bears. Life Robert Southey, Sir Francis Chantrey, 1832, National Portrait Gallery, London Robert Southee was born in Wine Street, Bristol, Robert Southey and Margaret Hill. He was educated at Westminster School in London (where he was expelled for writing an article in The Flagellant, attributing the invention to the devil), and at Balliol College, Oxford.
    [Show full text]
  • Samuel Taylor Coleridge John Spalding Gatton University of Kentucky
    The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 6 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 Catalog of the Peal Exhibition: Samuel Taylor Coleridge John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1982) "Catalog of the Peal Exhibition: Samuel Taylor Coleridge," The Kentucky Review: Vol. 4 : No. 1 , Article 6. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/6 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Samuel Taylor Coleridge Gc car un1 To brc de~ In Wordsworth's judgment, Samuel Taylor Coleridge (1772-1834) was "the most wonderful man" he ever met. Endowed with one of So1 the most brilliant and complex minds of his day, he would, like bUJ Chaucer's parson, "gladly .. learn, and gladly teach." If he an< squandered a wealth of thought in correspondence and wh conversation, and left unfinished or merely projected major poems, Rh lectures, and systematic expositions of his philosophical tenets, his pre critical theories, and his theology, he nevertheless produced a vast So1 and impressive array of poetry, prose, and criticism.
    [Show full text]
  • ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and His Children: a Literary Biography Yolanda J. Gonz
    ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and his Children: A Literary Biography Yolanda J. Gonzalez, Ph.D. Chairperson: Stephen Prickett, Ph.D. The children of Samuel Taylor Coleridge, Hartley, Derwent, and Sara, have received limited scholarly attention, though all were important nineteenth century figures. Lack of scholarly attention on them can be blamed on their father, who has so overshadowed his children that their value has been relegated to what they can reveal about him, the literary genius. Scholars who have studied the children for these purposes all assume familial ties justify their basic premise, that Coleridge can be understood by examining the children he raised. But in this case, the assumption is false; Coleridge had little interaction with his children overall, and the task of raising them was left to their mother, Sara, her sister Edith, and Edith’s husband, Robert Southey. While studies of S. T. C.’s children that seek to provide information about him are fruitless, more productive scholarly work can be done examining the lives and contributions of Hartley, Derwent, and Sara to their age. This dissertation is a starting point for reinvestigating Coleridge’s children and analyzes their life and work. Taken out from under the shadow of Samuel Taylor Coleridge, we find that Hartley was not doomed to be a “child of romanticism” as a result of his father’s experimental approach to his education; rather, he chose this persona for himself. Conversely, Derwent is the black sheep of the family and consciously chooses not to undertake the family profession, writing poetry.
    [Show full text]
  • Masters of the Mind
    Masters of the Mind A Study of Vampiric Desire, Corruption, and Obsession in Polidori's The Vampyre, Coleridge's Christabel, and Le Fanu's Carmilla By Astrid van der Baan Astrid van der Baan 4173163 Department of English Radboud University Nijmegen Supervisor: Marguerité Corporaal 15 August 2016 van der Baan 4173163/1 Acknowledgments I would like to express my gratitude for the help and support that I received from people while writing my BA thesis. First, I would like to thank my supervisor Dr Marguérite Corporaal for her advice and guidance during this project. Next, I would like to thank Anne van den Heuvel, Irene Dröge and Tessa Peeters for their support and feedback. I could not have finished my thesis without you guys! van der Baan 4173163/2 Table of Content Acknowledgments ...................................................................................................................... 1 Abstract ...................................................................................................................................... 3 Introduction ................................................................................................................................ 4 Chapter 1 The Vampyre (1819) ................................................................................................ 10 1.1 Introduction .................................................................................................................... 10 1.2 Main Gothic elements in The Vampyre .........................................................................
    [Show full text]
  • Matthew Leporati
    Matthew Leporati English Department 9 Graywood Road 541 W Dealy Hall Port Washington, NY 11050 Fordham University Phone: 917-836-0899 Bronx, NY 10458 Email: [email protected] EDUCATION Ph.D., English Literature, Fordham University, NY, 2014. Dissertation: “Romantic-era Epic Poetry and the Mission of Empire.” Committee: Sarah Zimmerman (chair), John Bugg, Frank Boyle. Influenced by the long shadow of Wordsworth’s Prelude, we are used to reading Romantic-era epic poems as explorations of the sublime mysteries of the human mind. My project, however, argues that they both reflect and interrogate the rise of British missionary and imperial activity across the late-eighteenth and early nineteenth centuries. I reveal that authors as diverse as Robert Southey, Ann Yearsley, and Thomas Beck turned to the epic genre both to support and to critique missionary work, imperial expansion, and the vexed possibility of harmony between these endeavors. Examining this understudied history of the British epic, I demonstrate how canonical poems by Percy Bysshe Shelley, William Blake, and Lord Byron also draw on the resources of this genre in order to raise their voices more critically against aspects of empire while still remaining influenced by some of the assumptions of British imperialism and its evangelical turn. M.A., English Literature, Fordham University, NY, 2007. B.A. (Summa Cum Laude) St. John’s University, Jamaica, NY, 2005. TEACHING EXPERIENCE “Romantic Literature and Dissent” Fordham University, Spring 2015 This English core course of my own design studies how authors of the Romantic period drew on the climate of religious and political dissent in order to challenge dominant ideologies.
    [Show full text]
  • The Romanticism of Dequincey
    NIVERSITY OF ILLINOIS LIBRARY Book Volume mi Digitized by the Internet Archive in 2013 http://archive.org/details/romanticismofdeqOOrupp • THE ROMANTICISM OF DEQUINCEY f BY I FWTS WTI I TA"M RUPP A. B. CARTHAGE COLLEGE, 1910 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS w IN ENGLISH IM Of THE UNIVERSITY OF ILLINOIS 1911 raw UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL 194 ( 1 HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ENTITLED BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF In Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 1 97722 INTRODUCTION. This thesis is presented with the complete realisation that neither does it ©over adequately all the ramifications of the subject, nor does it approach in any sense an adequate treatment of the few topics that have Been selected. It will amply deserve criticise for the too apparent biographical tinge, and for the lack of that disinterested review in the light of contemporary romanticism which would lift it. more nearly into the proper sphere of the thesis. In apology the author of this paper can claim only to have followed those things which appealed to his own individual mood while reading De Quincey's works. The time required to read and to collate the entire body of essays and papers from De Quincey's pen alone, all suggestive, precluded any attention to outside criticism and comment, such as might be found in the papers of Hazlitt, Coleridge, and other contemporaries of De Quincey, or in critical estimates and biographies.
    [Show full text]