The Jacket »
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
KEIRA Knightley
Keira Sienna Cillian Matthew Knightley Miller Murphy rhyS Edge of Love Was von der Liebe bLeibt UK 2008, regie: John Maybury, 110 Minuten C a s t VEra PhiLLiPs Keira KniGHtLey CaitLin thomas sienna MiLLer WiLLiam KiLLiCK CiLLian MUrPHy DyLan thomas MattHeW rHys WiLfrED hosgooD siMon arMstronG sErgEant ben batt stanDEsbEamtEr GeoFFrey beevers hEbammE raCHeL beLL mr JustiCE singLEton PaUL brooKe John PatriCK HUW CerediG aListair graham riCHard CLiFFord Lt. CoL. DaViD taLbot riCE riCHard diLLane soLDat JoeL doMMett mEL raCHeL essex Partisan siMon Kassianides KurzinhaLt anita shEnKin anne LaMbton DEWi LanthE ray LLeWeLLyn anthony DEVas aLastair MaCKenZie big JoE neviLLe MalcoLM John ELDriDgE JoHnny PHiLLiPs boy soLDiEr KyLe redMond-Jones eine zufällige begegnung im Londoner Kriegs-alltag 1944: die junge vera Phillips trifft in einer bar ihre Jugendliebe niCoLEttE CaMiLLa rUtHerFord dylan thomas wieder. auf den ersten blick scheinen sie sich ruth WiLLiams Lisa stansFieLd erneut zu verlieben, doch dylan, ein charismatischer dichter und bohemian, ist mittlerweile mit der extravaganten und abenteuerlustigen Caitlin verheiratet. als das ehepaar aus Cr EDits Wohnungsnot mit vera zusammenzieht, entspinnt sich eine rEgiE JoHn MaybUry spannungsgeladene Ménage à trois, bei der die beiden Frau- DrEhbuCh sHarMan MaCdonaLd en ihre tiefe seelenverwandschaft entdecken. Caitlin und vera werden zu Freundinnen zwischen verlangen und ver- ProDuKtion rebeKaH GiLbertson trauen. auch veras zögerliche Heirat mit dem jungen offizier saraH radCLyFFe William Killick bringt keine Klärung der verhältnisse. schon KoProDuKtion HUW PenaLLt Jones kurz nach der Hochzeit wird William in den Krieg einberufen und vera zieht mit dylan und Caitlin aufs Land. doch zu stark biLL GodFrey scheint die anziehung zwischen vera und dylan, zu intensiv ausführEnDE ihre erinnerungen an die gemeinsame vergangenheit. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Issue #11, Dec
PO Box 42129, Los Angeles, CA 90042 #11 www.razorcake.com Sean, the co-founder of Razorcake, and I are best friends. We lived Totally legit. The state is more involved with registering a vehicle. and worked together for around a year and a half in a small apartment and When it came to the rings, instead of fretting over carats, a friend of never even got close to yelling at one another. Then he left. I’m not pissed theirs made them, special. The simple silver bands were a Navajo design or jilted. He left to move in with his fiancée, now wife, Felizon. of a staircase that looped around, up and down, signifying that if you’re If people I like but don’t know very well ask me what Razorcake’s feeling down, you just flip it over, and you’re up. Everything, if you hang about, I tend to squint an eye a bit and rub the back of my neck before on with a decent attitude, can work out in the end. answering. “It’s got a lot about loud or spastic music that usually doesn’t The cake was from the bakery where Felizon’s mom, Corazon, get a lot of exposure. And we try to cover other parts of the underground, worked. too, like writers and filmmakers and comics.” This magazine is our tether The pavilion – an old wood structure with campers off to the side – between the “real world” and the life we want to live. It’s a reflection, was on the beach. -
Donald Mcinnes Hairstylist and Make-Up Artist / Designer
Donald Mcinnes Hairstylist and Make-Up Artist / Designer AWARDS AND NOMINATIONS Royal Television Society Award Nominee – Best Hair and Make-Up Design — WORRIED ABOUT THE BOY FILM PAPADOPOULOS & SONS Make-Up Designer Double M Films Director: Marcus Markou Cast: Georgia Groome, Stephen Dillane, Ed Stoppard, Cosima Shaw TINKER, TAILOR, SOLDIER, SPY Key Hair & Key Make-Up Artist Studio Canal / Working Title Films Director: Tomas Alfredson Cast: Colin Firth, Benedict Cumberbatch WORRIED ABOUT THE BOY Hair and Make-Up Designer BBC Films Director: Julian Jarrold * Royal Television Society Nominee Cast: Douglas Booth, Mathew Horne, Marc Warren, Mark Gratiss, Freddie Best Hair and Make-Up Design Fox PERFECT SENSE Hair and Make-Up Designer Sigma Films Director: David McKenkie Cast: Ewan McGregor, Eva Green, Connie Nielsen, Ewen Bremner, Denis Lawson, Stephen Dillane LESBIAN VAMPIRE KILLERS Hair and Make-Up Supervisor Alliance Films / Momentum Pictures Director: Phil Claydon Cast: James Corden, Mathew Horne, MyAnna Buring, Vera Filatova, Paul McGann ANGUS, THONGS & PERFECT Key Hair Stylist & Make-Up Artist SNOGGING Director: Gurinder Chadi Nickelodeon Pictures / Paramount Cast: Georgia Groome, Aaron Johnson, Alan Davis, Karen Taylor, Kimberly Pictures / Goldcrest Pictures Nixon, FLASHBACK OF A FOOL Hair and Make-Up Designer Left Turn Films Director: Baillie Walsh Cast: Daniel Craig, Julie Ordon, Emile Robert, Emilia Fox, Gina Athans THE BANK JOB Key Hair & Key Make-Up Artist Mosaic Media Group Director: Richard Donaldson Cast: Jason Statham, Saffron Burrows, Daniel Mays 28 WEEKS LATER Additional Hair/Make-Up & SFX Fox Atomic Director: Juan Carlos Fresnadillo 2nd Unit Director Danny Boyle THE MILTON AGENCY Studio 7, The Hangar, Perseverance Works, Kingsland Road, London E2 8DD Telephone +44 (0) 20 7729 9226, Facsimile +44 (0)20 7613 3101 Page 1 of 6 [email protected], www.miltonagency.com Donald Mcinnes I REALLY HATE MY JOB Hair and Make Up Artist 3DD Productions Director: Oliver Parker SUNSHINE Scene Pick Up days/Hair & Make Up Artist. -
The 62Nd Edinburgh International Film Festival
Cannes Castoffs? The 62nd Edinburgh International Film Festival ‘Everyone’s entitled to their own Hollywood glamour; both stars radiant and shelf since its debut at the Toronto Film opinion, right?’ relaxed, bathed in the wash of paparazzi Festival 2 years ago, is as much about the ‘Wrong.’ flashbulbs. According to EIFF Managing nature of storytelling as it is about the ‘He or she is entitled to their informed Director Ginnie Atkinson the move from story it tells. In 1920’s Los Angeles an opinion.’ August to June, away from Edinburgh’s inquisitive young immigrant girl, Festival season, is part of a 5-year plan for Alexandria (Catinca Untaru), roams the Five minutes into Dreams With Sharp strategic growth that will put Edinburgh on hospital where she’s recovering from a Teeth , Erik Nelson’s documentary profile the map as a film festival city. And moving broken arm and bonds with Roy ( Pushing of author, screenwriter, and critic Harlan it away from the more glamorous Venice Daisies Lee Pace), a bed-ridden movie Ellison, my black little heart swelled as Film Festival (end of August) and the stuntman who whiles away the time America’s most curmudgeonly man of Toronto Film Festival (start of September) spinning her tales of the fantastical letters articulated just why I do what I do. should attract bigger films and stars. That adventures and derring-do of a You see, like most critics, I’m a bit of a was the plan anyway, although moving it mismatched brotherhood of heroes on a git; a smug know-it-all. -
ROCK of AGES Pk 5 24 12 Domestic
Under the direction of Adam Shankman (“Hairspray”), New Line Cinema’s feature film adaptation of the smash hit Broadway musical “Rock of Ages” comes to the big screen. “Rock of Ages” tells the story of small town girl Sherrie and city boy Drew, who meet on the Sunset Strip while pursuing their Hollywood dreams. Their rock ‘n’ roll romance is told through the heart-pounding hits of Def Leppard, Foreigner, Journey, Poison, REO Speedwagon, Twisted Sister and more. The movie musical stars Julianne Hough (“Burlesque”), with actor/singer Diego Boneta in his feature film debut, Russell Brand (“Arthur,” “Get Him to the Greek”), Oscar® nominee Paul Giamatti (“Cinderella Man”), Academy Award® winner Catherine Zeta- Jones (“Chicago”), Malin Akerman (“The Proposal”) and R&B queen Mary J. Blige, with Oscar® nominee Alec Baldwin (“The Cooler,” TV’s “30 Rock”), and Oscar® nominee Tom Cruise (“Mission: Impossible – Ghost Protocol,” “Magnolia,” “Jerry Maguire”) as Stacee Jaxx. Shankman directs “Rock of Ages” from a screenplay by Justin Theroux and Chris D’Arienzo and Allan Loeb, based on D’Arienzo’s musical of the same name. The film is being produced by Matthew Weaver, Scott Prisand, Carl Levin, Tobey Maguire, Garrett Grant and Jennifer Gibgot, with Toby Emmerich, Richard Brener, Michael Disco, Samuel J. Brown, Hillary Butorac Weaver, Janet Billig Rich, Shankman and D’Arienzo serving as executive producers. Rounding out the “Rock of Ages” creative team are director of photography Bojan Bazelli (“Hairspray”), production designer Jon Hutman (“It’s Complicated”), editor Emma 1 E. Hickox (“A Walk To Remember”), Oscar®-nominated costume designer Rita Ryack (“How the Grinch Stole Christmas,” “Hairspray”), Grammy-nominated music supervisor Matt Sullivan (“Dreamgirls,” “Nine”), and Emmy Award-winning choreographer Mia Michaels (“So You Think You Can Dance”). -
Rufus Norris Tim Roth Cillian Murphy Eloise Laurence
LE PACTE & WHY NOT PRODUCTIONS PRESENT Tim Roth Cillian Murphy Eloise Laurence a film by Rufus Norris LE PACTE AND WHY NOT PRODUCTIONS PRESENT a film by Rufus Norris Starring Tim ROTH, Cillian MURPHY and Eloise LAURENCE UK - 2012 - 1H30 - 5.1 - 1.85 INTERNATIONAL SALES INTERNATIONAL PR THE PR CONTACT CANNES OFFICE: Carole BARATON - [email protected] All Suites Garden Studio, Gary FARKAS - [email protected] Park & Suites Prestige Cannes Croisette, Vincent MARAVAL - [email protected] 12 rue LatourMaubourg Gaël NOUAILLE - [email protected] 06400 Cannes Silvia SIMONUTTI - [email protected] Email: [email protected] Phil SYMES: +33 (0) 6 29 87 62 96 Ronaldo MOURAO: +33 (0) 6 29 84 74 07 SYNOPSIS Skunk is 11, diabetic, and pretty cool. The summer holidays have just begun and her days are full of easy hopes. Then Mr. Oswald, the ugly man who lives opposite, beats up Rick, the sweet, but unstable boy next door and Skunk’s innocence begins to be drained away at a speed and in a way she cannot control. Her home, her neighbourhood, her school - all become treacherous environments where the happy certainties of childhood give way to a fear-filled doubt, and a complex, broken world fills her future. Skunk seeks solace in the last remaining place where she knows she can find it - the unspoken friendship with sweet, damaged Rick - and falls into a chaos where suddenly, joyfully, she has choice thrust back into her hands. The choice to remain in this place she was never promised, or to leave it entirely - to live or to die. -
Short Synopsis
"THE EDGE OF LOVE" PRODUCTION NOTES Capitol Films and BBC Films present In association with the Wales Creative IP Fund and Prescience Film Partners 2 A Sarah Radclyffe Production A Rainy Day Films Production A John Maybury Film Keira Knightley Sienna Miller Cillian Murphy Matthew Rhys "The Edge of Love" Casting Director - Nina Gold Hair and Make-Up Designer - Daniel Phillips Costume Designer - April Ferry Music by Angelo Badalamenti Film Editor - Emma E. Hickox ACE Director of Photography - Jonathan Freeman Production Designer - Alan MacDonald Executive Producers David Bergstein, Linda James, Hannah Leader, Joe Oppenheimer, Tim Smith, David M Thompson Co-Producers Huw Penallt Jones Bill Godfrey Line Producer - Lesley Stewart Produced by Rebekah Gilbertson Produced by Sarah Radclyffe Written by Sharman Macdonald Directed by John Maybury SHORT SYNOPSIS Two feisty, free-spirited women are connected by a charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two women. Vera Phillips and Dylan were childhood sweethearts; fast forward ten years and the two reconnect in war- time London. She‟s working as a singer whilst he‟s churning out propaganda scripts for government in aid of the war effort. The two feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship; whilst Caitlin indulges in her own infidelities she knows her husband‟s connection with Vera is something deeper. In Vera‟s life the turmoil continues. She marries her devoted admirer William Killick, but when William is posted abroad on a dangerous assignment behind enemy lines Vera returns with her friends to Wales, where the battle between her heart and head becomes more intense. -
WORK Re: WORK
Poggio Boldrini, San Giovanni d’Asso, 53020 SI, Italy WORK re: WORK JOHN MAYBURY, ALBERTO MUGNAINI, Curated by Sue Kennington Inauguration: Friday 10 August -19:30 until late Show runs: 11 – 26 August 2018 by appointment email: [email protected], +39 347 8812709 Hickster Projects is delighted to present an exhibition of work by John Maybury and Alberto Mugnaini at its project space in the heart of the Crete Senesi, Italy. Both artists are using existing originals as their starting point. Whether these be abandoned pieces of furniture, old pornographic images or pop videos from the 80’s. The common ground is the action of re-working, making changes that re- contextualise the original whilst leaving the primary piece much in evidence. The artist is revealed not only through their interventions, but by their choice of materia prima. A choice, that is related to personal memory, anachronistic, but through their intervention catapulted into the present. During the process of both adding and subtracting, distinguishing characteristics of the original fall away and a resurrection occurs Alberto Mugnaini simultaneously. Maybury’s fascination with club culture, re-working his own past footage in his film ‘Read Only Memory’ 1998 by using electronic and digital manipulation, is now painting on found pornographic images revealing lone porn stars, marooned in black. Mugnaini is sourcing mass-produced, discarded pieces of furniture and artefacts, taking them into his studio, and working them back by subtracting from the original, then painting upon them, until they take on a different form entirely, producing anthropomorphic forms that have a poetry in their new lives as dispensable but beautiful beings. -
Video Production.Pmd
HEALLTHDESIGN MEDIAM D EDUCA M GN management GEOGRAPHY E C USI PHYSICS law O L a ARRTgr O C IOTECHNOLOGY LAN A G i cu w Y TION l ture CHEMISTRRY history GU AGE E C H A N I C S N psychology Video Production and Editing Subject: VIDEO PRODUCTION AND EDITING Credits: 4 SYLLABUS Modes of Production Understanding the Different Modes of Film and Video Production; Studio Process; Individual and Collective. Pre-Production Understanding the Whole Process of Planning a Production from Developing a Concept and Establishing the Program’s Objectives to Approach (Treatment); Writing a Script; Hiring and Meeting the Crew Members. Production Understanding the Production Process; Production Roles of the Key Players in a Production; Hierarchy of the Crew; Production Sound: The Importance of Good Production Sound, Role of the Sound Crew and their Responsibilities. Post Production (Editing) Beginning of Editing: Cut, Shot, Scene and Sequence; the Basics of Grammar of Editing; Transitions; Flash-Forward and Flashbacks; Time, Subjective and Objective Treatments; the Classical Editing Style; Techniques of Continuity Editing; the Early Russian Cinema and the Montage; the Role Played by Kuleshov; Pudovkin and Eisenstein in the Russian Style of Editing; Eisenstein’s Montage Theories; Alternatives to Continuity Editing; Discontinuity Editing; Jump Cuts; Dynamic Cutting; Elliptical Editing; Editing Processes: Logging, EDL, Rough Cut, Final Cuts; Introduction to Nonlinear Editing: Starting with FCP, Learning how to Capture Video and Start Performing Simple Cuts. Suggested Readings: 1. Video Editing and Post-Production: A Professional Guide, Gary H. Anderson, White Plains, NY. 2. Video Production Handbook, Gerald Millerson and Jim Owens, Elsevier Science & Technology Books.