Keira Knightley

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Keira Knightley Agents Lindy King Associate Agent Joel Keating [email protected] 0203 214 0871 Assistant Tessa Schiller [email protected] Roles Film Production Character Director Company SILENT NIGHT Nell Camille Griffin Maven Screen Media CHARLOTTE Charlotte Tahir Rana & Eric Warin January Films Salomon MISBEHAVIOUR Sally Philippa Lowthorpe Pathé Alexander OFFICIAL SECRETS Katharine Gun Gavin Hood Entertainment One THE NUTCRACKER AND THE Sugar Plum Lasse Hallström | Joe The Mark Gordon FOUR REALMS Fairy Johnston Company BERLIN, I LOVE YOU Jane Dianna Agron | Peter Shotz Fiction Film Chelsom | Fernando Eimbcke THE AFTERMATH Rachael James Kent Amusement Park Films Morgan United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company COLETTE Colette Wash Westmoreland BFI Film Fund PIRATES OF THE Elizabeth Joachim Rønning & Espen Walt Disney Pictures CARIBBEAN: DEAD MEN Swann Sandberg TELL NO TALES THE IMITATION GAME Joan Clarke Morten Tyldum Black Bear Pictures LAGGIES Megan Lynn Shelton Anonymous Content JACK RYAN Cathy Ryan Kenneth Branagh Di Bonaventura Pictures/ Buckaroo Ent. CAN A SONG SAVE YOUR Greta John Carney Exclusive Media Group LIFE ANNA KARENINA Anna Karenina Joe Wright Studio Canal SEEKING A FRIEND FOR THE Penny Lorene Scafaria Mandate Pictures END OF THE WORLD A DANGEROUS METHOD Sabina David Cronenberg Recorded Picture Spielrein Company LONDON BOULEVARD Charlotte William Monahan GK Films LAST NIGHT Joanna Reed Massy Tadjedin Nick Wechsler Productions NEVER LET ME GO Ruth Mark Romanek DNA Films Ltd THE DUCHESS Georgiana Saul Dibb Paramount Vantage THE EDGE OF LOVE Vera Phillips John Maybury BBC Films SILK Helene Joncour Francoise Girard New Line Cinema ATONEMENT Cecilia Joe Wright Working Title PIRATES OF THE Elizabeth Gore Verbinski Disney CARIBBEAN 2 Swann PIRATES OF THE CARIBBEAN Elizabeth Gore Verbinski Disney Swann DOMINO Domino Harvey Tony Scott New Line Cinema PRIDE AND PREJUDICE Elizabeth Joe Wright Working Title/Universal Bennet THE JACKET Jackie John Maybury Mandaly Pictures KING ARTHUR Guinevere Antoine Fuqua Disney PURE Louise Gillies Mackinnon Kudos BEND IT LIKE BECKHAM Jules Gurinder Chada Bend It Films PRINCESS OF THIEVES Gwyn Pete Hewitt Disney for ABC THE HOLE Frances Nick Hamm Cowboy Films Almond Smith United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company STAR WARS: THE PHANTOM Sabe George Lucas Lucasfilms MENACE INNOCENT LIES Young Celia Patrice Leconte Cinea Stage Production Character Director Company THE CHILDREN'S HOUR Karen Ian Rickson Comedy Theatre The Misanthrope Jennifer Thea Sharrock Comedy Theatre Television Production Character Director Company DR ZHIVAGO Lara Giacomo Campiotti Granada OLIVER Rose Fleming Reney Rye ITV COMING HOME Young Judith Giles Foster Carlton TREASURE SEEKERS Juliet May Carlton MINDSCAPE BBC Scotland A VILLAGE AFFAIR Natasha Jordan Moira Armstrong Carlton ROYAL CELEBRATION Little Girl Ferdy Fairfax BBC United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].

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Matthew Brannon matthew brannon As the literary form of the new bourgeoisie, the biography is a sign of escape, or, to be more precise, of evasion. In order not to expose themselves through insights that question the very existence of the bourgeoisie, writers of biographies remain, as if up against a wall, at the threshold to which they have been pushed by world events. - SIGFRIED KRACAUER, The Biography as an Art Form of the New Bourgeoisie, 1930 in The Mass Ornament: Weimar Essays, Oxford University Press, 2002 Call yourself an actor? You’re not even a bad actor. You can’t act at all, you fucking stupid hopeless sniveling little cunt-faced cunty fucking shit-faced arse-hole… - LAURENCE OLIVIER to Laurence Havery from Robert Stephen’s Knight Errant: Memoirs of a Vagabond Actor, Hodder and Stoughton, 1995 In show business, it’s folly to talk about what the future holds. Things change so fast. Today’s project so easily becomes tomorrow’s disappointment… The world of the film star is an obstacle race against time. The pitfalls and wrong turnings you can make are devastating. Often I fear for the sanity of some of my friends… The dice are loaded against you. There’s so much bitchery around, you really have to fight hard to survive. Everybody is against you… you have to fight for… success, sell your soul for it even. And when one finally achieved success, it was resented. Not by the great stars like Frank Sinatra, but by the little, frustrated people. They’re the ones to look out for, because brother, they’re gunning for you.
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Ludacris – Red Light District Brothers in Arms the Pacifier
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A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
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Press-Release-The-Endings.Pdf
Publication Date: September 4, 2018 Media Contact: Diane Levinson, Publicity [email protected] 212.354.8840 x248 The Endings Photographic Stories of Love, Loss, Heartbreak, and Beginning Again By Caitlin Cronenberg and Jessica Ennis • Foreword by Mary Harron 11 x 8 in, 136pp, Hardcover, Photographs throughout ISBN 978‐1‐4521‐5568‐5, $29.95 Featuring some of today’s most celebrated actresses, including Julianne Moore, Alison Pill, and Imogen Poots, the photographic vignettes in The Endings capture female characters in the throes of emotional transformation. Photographer Caitlin Cronenberg and art director Jessica Ennis created stories of heartbreak, relationship endings, and new beginnings—fictional but often inspired by real life—and set out to convey the raw emotions that are exposed in these most vulnerable states. Cronenberg and Ennis collaborated with each actress to develop a character, build the world she inhabits, and then photograph her as she lived the role before the camera. Patricia Clarkson depicts a woman meeting her younger lover in the campus library—even though they both know the relationship has been over since before it even began. Juno Temple portrays a broken‐hearted woman who engages in reckless and self‐destructive behavior to numb the sadness she feels. Keira Knightley ritualistically cleanses herself and her home after the death of her great love. Also featured are Jennifer Jason Leigh, Danielle Brooks, Tessa Thompson, Noomi Rapace, and many more. These intimate images combine the lush beauty and rich details of fashion photographs with the drama and narrative energy of film stills. Telling stories of sadness, loneliness, anger, relief, rebirth, freedom, and happiness, they are about relationship endings, but they are also about beginnings.
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PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates of the Caribbean: at World’S End)
WALT DISNEY PICTURES Presenta In associazione con JERRY BRUCKHEIMER FILMS PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates Of The Caribbean: At World’s End) Regia GORE VERBINSKI JOHNNY DEPP ORLANDO BLOOM KEIRA KNIGHTLEY STELLAN SKARSGǺRD BILL NIGHY con CHOW YUN-FAT e GEOFFREY RUSH JACK DAVENPORT, KEVIN R. MCNALLY, NAOMIE HARRIS, TOM HOLLANDER e JONATHAN PRYCE LEE ARENBERG, MACKENZIE CROOK, DAVID BAILIE, MARTIN KLEBBA Distribuito da BUENA VISTA INTERNATIONAL Data di uscita: 23 maggio 2007 Durata: 2 ore e 49 minuti PIRATI DEI CARAIBI Ai Confini Del Mondo Regia GORE VERBINSKI Sceneggiatura TED ELLIOTT & TERRY ROSSIO Tratto Dai Personaggi Creati Da TED ELLIOTT & TERRY ROSSIO e STUART BEATTIE e JAY WOLPERT Tratto Da ”LA MALEDIZIONE DELLA PRIMA LUNA” della Walt Disney Prodotto Da JERRY BRUCKHEIMER Produttori Esecutivi MIKE STENSON CHAD OMAN BRUCE HENDRICKS ERIC MCLEOD Direttore Della Fotografia DARIUSZ WOLSKI, ASC Scenografie RICK HEINRICHS Montaggio CRAIG WOOD STEPHEN RIVKIN, A.C.E. Costumi PENNY ROSE Supervisione Effetti Visivi JOHN KNOLL CHARLES GIBSON Musiche HANS ZIMMER Supervisione Musiche BOB BADAMI Casting DENISE CHAMIAN, CSA Casting Uk PRISCILLA JOHN, CDG Unit Production Manager ERIC MCLEOD Unit Production Manager DOUGLAS C. MERRIFIELD First Assistant Director DAVID H. VENGHAUS, JR. Second Assistant Director AMY J. SCHMIDT Associate Producer PAT SANDSTON ILM Animation Supervisor HAL HICKEL ILM Visual Effects Producer JILL BROOKS Additional Editing by DAN HANLEY Score Co-Produced by MELISSA MUIK Special Appearance by KEITH RICHARDS CAST Jack Sparrow JOHNNY DEPP Barbossa GEOFFREY RUSH Will Turner ORLANDO BLOOM Elizabeth Swann KEIRA KNIGHTLEY Norrington JACK DAVENPORT Davy Jones BILL NIGHY Governor Weatherby Swann JONATHAN PRYCE Pintel LEE ARENBERG Ragetti MACKENZIE CROOK Gibbs KEVIN R.
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KEIRA Knightley
Keira Sienna Cillian Matthew Knightley Miller Murphy rhyS Edge of Love Was von der Liebe bLeibt UK 2008, regie: John Maybury, 110 Minuten C a s t VEra PhiLLiPs Keira KniGHtLey CaitLin thomas sienna MiLLer WiLLiam KiLLiCK CiLLian MUrPHy DyLan thomas MattHeW rHys WiLfrED hosgooD siMon arMstronG sErgEant ben batt stanDEsbEamtEr GeoFFrey beevers hEbammE raCHeL beLL mr JustiCE singLEton PaUL brooKe John PatriCK HUW CerediG aListair graham riCHard CLiFFord Lt. CoL. DaViD taLbot riCE riCHard diLLane soLDat JoeL doMMett mEL raCHeL essex Partisan siMon Kassianides KurzinhaLt anita shEnKin anne LaMbton DEWi LanthE ray LLeWeLLyn anthony DEVas aLastair MaCKenZie big JoE neviLLe MalcoLM John ELDriDgE JoHnny PHiLLiPs boy soLDiEr KyLe redMond-Jones eine zufällige begegnung im Londoner Kriegs-alltag 1944: die junge vera Phillips trifft in einer bar ihre Jugendliebe niCoLEttE CaMiLLa rUtHerFord dylan thomas wieder. auf den ersten blick scheinen sie sich ruth WiLLiams Lisa stansFieLd erneut zu verlieben, doch dylan, ein charismatischer dichter und bohemian, ist mittlerweile mit der extravaganten und abenteuerlustigen Caitlin verheiratet. als das ehepaar aus Cr EDits Wohnungsnot mit vera zusammenzieht, entspinnt sich eine rEgiE JoHn MaybUry spannungsgeladene Ménage à trois, bei der die beiden Frau- DrEhbuCh sHarMan MaCdonaLd en ihre tiefe seelenverwandschaft entdecken. Caitlin und vera werden zu Freundinnen zwischen verlangen und ver- ProDuKtion rebeKaH GiLbertson trauen. auch veras zögerliche Heirat mit dem jungen offizier saraH radCLyFFe William Killick bringt keine Klärung der verhältnisse. schon KoProDuKtion HUW PenaLLt Jones kurz nach der Hochzeit wird William in den Krieg einberufen und vera zieht mit dylan und Caitlin aufs Land. doch zu stark biLL GodFrey scheint die anziehung zwischen vera und dylan, zu intensiv ausführEnDE ihre erinnerungen an die gemeinsame vergangenheit.
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Matthew Rhys
Matthew Rhys Trained at the Royal Academy of Dramatic Art First recipient of the Lady Rothermere Award, presented at the 1993 Evening Standard Drama Awards Agents Kirk Whelan-Foran Assistant +44 (0) 20 3214 0800 Donovan Mathews +44 (0)7920713142 [email protected] 02032140800 Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Roles Film Production Character Director Company A BEAUTIFUL DAY IN THE Lloyd Vogel Marielle Heller Big Beach Films NEIGHBORHOOD THE REPORT Scott Z. Burns Vice Media MOWGLI John Lockwood Andy Serkis Warner Bros. | Imaginarium Productions THE POST Daniel Ellsberg Steven DreamWorks Spielberg BURNT Reece John Wells 3 Arts Entertainment United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company THE SCAPEGOAT John Charles Island Pictures Sturridge LUSTER Joseph Miller ADAM MASON Azurelight Pictures PATAGONIA Mateo Marc Evans Rainy Day Films ABDUCTION CLUB Strang Steven Schwartz Pathe DEATHWATCH Doc M.J. Bassett Pathe FAKERS Nick Blake Richard Janes Faking It Productions COME WHAT MAY Percy Christian Carion Nord-Ouest Productions GUILTY PLEASURES Count David Leland Boccaccio Productions Dzerzhinsky HEART Sean Charles Granada McDougal HOUSE OF AMERICA Boyo Marc Evans September Films LOVE AND OTHER DISASTERS Peter Simon Alek Keshishian Skyline Ltd PAVAROTTI IN DAD'S ROOM Nob Sara Sugarman Dragon
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Donald Mcinnes Hairstylist and Make-Up Artist / Designer
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The 62Nd Edinburgh International Film Festival
Cannes Castoffs? The 62nd Edinburgh International Film Festival ‘Everyone’s entitled to their own Hollywood glamour; both stars radiant and shelf since its debut at the Toronto Film opinion, right?’ relaxed, bathed in the wash of paparazzi Festival 2 years ago, is as much about the ‘Wrong.’ flashbulbs. According to EIFF Managing nature of storytelling as it is about the ‘He or she is entitled to their informed Director Ginnie Atkinson the move from story it tells. In 1920’s Los Angeles an opinion.’ August to June, away from Edinburgh’s inquisitive young immigrant girl, Festival season, is part of a 5-year plan for Alexandria (Catinca Untaru), roams the Five minutes into Dreams With Sharp strategic growth that will put Edinburgh on hospital where she’s recovering from a Teeth , Erik Nelson’s documentary profile the map as a film festival city. And moving broken arm and bonds with Roy ( Pushing of author, screenwriter, and critic Harlan it away from the more glamorous Venice Daisies Lee Pace), a bed-ridden movie Ellison, my black little heart swelled as Film Festival (end of August) and the stuntman who whiles away the time America’s most curmudgeonly man of Toronto Film Festival (start of September) spinning her tales of the fantastical letters articulated just why I do what I do. should attract bigger films and stars. That adventures and derring-do of a You see, like most critics, I’m a bit of a was the plan anyway, although moving it mismatched brotherhood of heroes on a git; a smug know-it-all.
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