Postmodern Spirituality
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Devilish Echoes: Goethe's Faust and Its Modern American Interpretations
Devilish Echoes: Goethe’s Faust and Its Modern American Interpretations By Caleb Miller Of all the devilish motifs that are propagated in America, none may be as sinister as the devil’s familiar. My first encounter with this idea was from the Grateful Dead, and their 1970 studio version of “Friend of the Devil”: Ran into the devil, babe, he loaned me 20 bills… I ran down to the levee, but the devil caught me there, Took my 20 dollar bill and he vanished in the air. (The Grateful Dead) The condemned folk hero is nothing new to art, or even popular culture. In 1808, Johann Wolfgang von Goethe produced one of the most well-known works of German stage: Faust: The Tragedy Part One (Ramm). Considered an integral part of the German “Classics”, Faust by definition carries a mythological background, one that is rooted in alchemy and the truth. It’s author, Goethe, also came to fruition as an artist during the “Sturm und Drang1” period of German art and philosophy, which turned the inquisitiveness of the Enlightenment on its head and attacked everything man had created to remove himself from the natural essence of being (Pausch 39). In order to unify these different motifs and storylines in Faust, Goethe added another piece to the myth: Gretchen, the pure and devout object of Faust’s infernal desires (Ramm). The story, as told by Goethe, begins in heaven, where God and Mephistopholes strike a deal that allows Mephistopholes to tempt Faust with his wanton desires (von Goethe 15). Dr. 1 “Storm and Stress” Faust is a cynical and dying genius who has devoted his life prior to the story to science and philosophy. -
Public Administration and the Unspeakable
RESEARCH PAPERS from the Department of Social Sciences Institut for Samfundsvidenskab og Erhversøkonomi Research Paper no. 5/99 Public Administration and the Unspeakable: American Postmodernism as an Academic Trail of the 1990s Peter Bogason Roskilde University, Denmark Research Paper no. 5/99 Public Administration and the Unspeakable: American Postmodernism as an Academic Trail of the 1990s Peter Bogason Roskilde University, Denmark Research Papers from the Department of Social Sciences, Roskilde University, Denmark. Working paper series The Department of Social Sciences is one of the largest at Roskilde University with 43 permanent scientific personnel together with several Ph.Ds, and other teaching staff. Most of the academic personnel have a background in economics, political science or sociology. It is a general goal of our department and the rest of Roskilde University to foster interdisciplinary teaching and research. The later can be seen from the four main research lines of the department, namely: - Changes in the welfare state in a national and international perspective. - Public organisation and policy analysis. - Innovation and technology development with special attention to service firms and information technologies. - Institutions, actors and institutionalisation. The Research Papers from the Department of Social Sciences are edited by Associate Professor Susana Borrás. Please note that: The papers are on a ‘work in progress’ form, which means that comments and criticisms in the form of feed-back are welcomed. For this purpose, the address(es) of the author(s) is specified on the title page. Readers must also be aware that the material of the working papers might be printed later in journals or other means of scientific publication in a revised version. -
Spiritualism and Possession
Moshe Sluhovsky. Believe Not Every Spirit: Possession, Mysticism, and Discernment in Early Modern Catholicism. Chicago: University of Chicago Press, 2007. 384 pp. $45.00 (cloth), ISBN 978-0-226-76282-1. Reviewed by Marc R. Forster (Department of History, Connecticut College) Published on H-HRE (February, 2008) Spiritualism and Possession Moshe Sluhovsky has wrien an excellent study of ese forms of “passive interiority” were however possession and mysticism in early modern European not just for women and were widely practiced among Catholicism. His elegantly wrien and clearly argued Catholics, including, for example, the Jesuits. However, book, Believe Not Every Spirit, points scholars in some the official church also always considered them suspect. new directions in understanding the meaning of demonic Sluhovsky explains in detail the theological debates that possession. Most importantly, Sluhovsky links cases of aempted to draw lines between acceptable and unac- demonic possession to spiritual developments in Catholi- ceptable (possibly heretical) forms of mysticism. He cism, developments that caused considerable tension and points out, in addition, that mystical practices were in- even confusion for church leaders, while opening both creasingly considered feminine. French mystics of this opportunities and dangers for individual believers, espe- type were sometimes called femmelees, people who cially women, who were inclined toward mystical and lacked the reason and control for proper piety. More sig- interiorized spirituality. nificant for the argument of this book, Sluhovsky empha- Sluhovsky presents a clear narrative of the history of sizes that both practitioners and church leaders consid- diabolic possession. is story is perhaps not surpris- ered the practices of passive interior mysticism fraught ing and mirrors in many ways developments in witch with the danger of diabolical possession. -
Artiest Titel Nummer 10.000 Maniacs Because the Night
ARTIEST TITEL NUMMER 10.000 MANIACS BECAUSE THE NIGHT KAR 09-084 10.000 MANIACS LIKE THE WEATHER KAR 09-083 10.000 MANIACS MORE THAN THIS KAR 09-082 10.000 MANIACS TROUBLE ME KAR 09-081 10 CC DONNA KAR 09-017 10 CC DREADLOCK HOLIDAY KAR 09-016 10 CC I'M MANDY KAR 09-015 10 CC I'M NOT IN LOVE KAR 09-014 10 CC RUBBER BULLETS KAR 09-013 10 CC THE THINGS WE DO FOR LOVE KAR 09-012 10 CC WALL STREET SHUFFLE KAR 09-011 10 YEARS THROUGH THE IRIS TH 06-382 11:30 OLE OLE KK 06-008 112 DANCE WITH ME KAR 09-075 112 IT'S OVER NOW KAR 09-074 112 PEACHES AND CREAM KAR 09-073 1910 FRUITGUM CO SIMON SAYS SF 028-010 2 BE 3 AUCUNE FILLE AU MONDE FR-192 2 BE 3 PARTIR UN JOUR FR-193 2 BE 3 TOUJOURS LA POUR TOI FR-185 2 EVISA OH LA LA LA SF 114-010 2 LIVE CREW DOO WAH DIDDY KAR 09-070 2 LIVE CREW ME SO HORNY KAR 09-069 2 LIVE CREW WE WANT SOME PUSSY KAR 09-068 2 PAC CALIFORNIA LOVE SF 049-004 2 PAC CHANGES KAR 09-066 2 PAC UNTIL THE END OF TIME KAR 09-065 2 UNLIMITED NO LIMITS KAR 09-064 20 FINGERS SHORT DICK MAN KAR 09-063 21ST CENTURY GIRLS 21ST CENTURY GIRLS SF 140-010 3 DOORS DOWN AWAY FROM THE SUN KAR 09-062 3 DOORS DOWN BE LIKE THAT RM-009 3 DOORS DOWN DUCK AND RUN KAR 09-060 3 DOORS DOWN HERE WITHOUT YOU SPC 20-001 3 DOORS DOWN KRYPTONITE KAR 09-059 3 DOORS DOWN LANDING IN LONDON TH 06-253 3 DOORS DOWN WHEN I'M GONE SPC 20-002 ARTIEST TITEL NUMMER 3 OF HEARTS ARIZONA RAIN KAR 09-019 3 OF HEARTS LOVE IS ENOUGH KAR 09-057 3 OH! 3 & KATE PERRY STARSTRUKK SF 286-011 3 SL TAKE IT EASY KAR 09-056 30 SECONDS TO MARS KINGS AND QUEENS SF MW 920- 007 30 SECONDS -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
A Glimpse at Spiritualism
A GLIMPSE AT SPIRITUALISM P.V JOITX J. BIRCH ^'*IiE term Spiritualism, as used by philosophical writers denotes the opposite of materialism., but it is also used in a narrower sense to describe the belief that the spiritual world manifests itself by producing in the physical world, effects inexplicable by the known laws of natural science. Many individuals are of the opinion that it is a new doctrine: but in reality the belief in occasional manifesta- tions of a supernatural world has probably existed in the human mind from the most primitive times to the very moment. It has filtered down through the ages under various names. As Haynes states in his book. Spirifttallsiii I'S. Christianity, 'Tt has existed for ages in the midst of heathen darkness, and its presence in savage lands has been marked by no march of progress, bv no advance in civilization, by no development of education, by no illumination of the mental faculties, by no increase of intelligence, but its acceptance has been productive of and coexistent with the most profound ignor- ance, the most barbarous superstitions, the most unspeakable immor- talities, the basest idolatries and the worst atrocities which the world has ever known."' In Egypt, Assyria, Babylon, Greece and Rome such things as astrology, soothsaying, magic, divination, witchcraft and necromancy were common. ]\ loses gives very early in the history of the human race a catalogue of spirit manifestations when he said: "There shall not be found among you any one that maketh his son or his daugh- ter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch, or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer. -
DISSERTATION O Attribution
COPYRIGHT AND CITATION CONSIDERATIONS FOR THIS THESIS/ DISSERTATION o Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. o NonCommercial — You may not use the material for commercial purposes. o ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. How to cite this thesis Surname, Initial(s). (2012). Title of the thesis or dissertation (Doctoral Thesis / Master’s Dissertation). Johannesburg: University of Johannesburg. Available from: http://hdl.handle.net/102000/0002 (Accessed: 22 August 2017). Unpacking Cultural Creative’s demand for transmodern tourist experiences in Soweto By Sandile Lindokuhle Mkhize 201313855 A dissertation submitted in fulfilment for the requirements for the Degree of Masters in Tourism and Hospitality at the School of Tourism and Hospitality College of Business and Economics University of Johannesburg Supervisor Dr Milena Ivanovic 2019 DECLERATION I pledge that the information rendered in this study is authentic and original unless clearly indicated otherwise and in such instances full reference to the source is acknowledged and I do not pretend to receive any credit for such acknowledged quotations, and that there is no copyright infringement in my work. I declare that no unethical research practices were used or material gained through dishonesty. Sandile Lindokuhle 201313855 Date Student name Student number 20 May 2019 Signature i DEDICATION To the silent revolutionists working in the dark to serve the light. -
Sandspur, Vol 117, No 11, November 12, 2010
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-12-2010 Sandspur, Vol 117, No 11, November 12, 2010 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 117, No 11, November 12, 2010" (2010). The Rollins Sandspur. 1922. https://stars.library.ucf.edu/cfm-sandspur/1922 SATURDAY FRIDAY SUNDAY MONDAY H,GH:7* SUNNY HIGH: 79 PARTLY HK3H:77PARTIY HIGH: 82 PARTLY this week's TUESDAY WEDNESDAY THURSDAY CLOUDY LOW: 54 LOW: 55 CLOUDY LOW: 58 LOW: 59 CLOUDY HIGH: 84 PARTLY HIGH: 82 SCATTERED WEATHER LOW: 63 CLOUDY LOW: 56 T-STORMS NEWS ......page 1-2 : & TIMES page 3-6 ARTS Pa§e7 PORTS Pa8e8 Volume 117 I Issue 11 Friday I November 12, 2010 Florida's Oldest College Newspaper, Est. 1894 predicting polities How will the results of recent elections impact our tomorrow? Annamarie Carlson Forty-eight percent of stu The Sandspur dents at Rollins are from the state of Florida. What does this The Florida midterm elec mean for Florida residents and tions appear to have been a Rollins students? resounding sweep for Republi Governor-elect Rick Scott cans. Not only did Republican campaigned as "tie jobs gov ASSOCIATED PRESS Rick Scott manage to narrowly ernor" on a platform of putting Supreme Court examines win the race for governor, but people back to work and fixing California's attempted Republican candidates now the economy. -
The Pantheism of Goethe in Its Relation to That of Spinoza
University of Iowa Iowa Research Online Theses and Dissertations 1918 The pantheism of Goethe in its relation to that of Spinoza Hans Naether State University of Iowa Follow this and additional works at: https://ir.uiowa.edu/etd This work has been identified with a Creative Commons Public Domain Mark 1.0. Material in the public domain. No restrictions on use. This thesis is available at Iowa Research Online: https://ir.uiowa.edu/etd/4084 Recommended Citation Naether, Hans. "The pantheism of Goethe in its relation to that of Spinoza." MA (Master of Arts) thesis, State University of Iowa, 1918. https://doi.org/10.17077/etd.xi8mcgqv Follow this and additional works at: https://ir.uiowa.edu/etd THE PANTHEISM OF GOETHE IN ITS RELATION TO THAT OF SPINOZA. A THESIS submitted to The Faculty of the Graduate College of the State University of Iowa in partial fulfillment of the requirements for the degree of MASTER OF ARTS by Hans Naether. State University of Iowa 1918. TABLE Of CONTENTS. Chapter 1. INTRODUCTION. 1-8. Chapter 2. MARKED INFLUENCES IN THE 'DEVELOPMENT OF GOETHE ’s THOUGHT. 4-13. Chapter 8. WHAT IS PANTHEISM? 14-16. ! Chapter 4. THE PANTHEISM OF GO^TBE.c"' 19-25. Chapter 5. DID SFIN07A TEACH AN IMMANENT GOD? 26-29. Chapter 6. THE RELATION OE GOETHE. TO SPIN02A . 80-47. Chapter 7. GOETHE’S C M CONCEPTION OE GOD. 46-55. Chapter 8. GCETHE.'S PHILO POPE'S IN FAUST. 46-72. Chapter S. GOETHE’S 'APPROACH TO THEISM. 73—j—96. 1. THE PANTHEISM OE GOETHE IN ITS RELATION TO THAT 0? SPINOZA. -
Fragile Spectres: How Women of Victorian Britain Used the Occult
FRAGILE SPECTRES: HOW WOMEN OF VICTORIAN BRITAIN USED THE OCCULT AND SPIRITUALIST MOVEMENT TO CREATE AUTONOMY A Thesis Presented to The Faculty of the College of Arts and Sciences Florida Gulf Coast University In Partial Fulfillment of the Requirement for the Degree of Master of Arts By Danielle Jean Drew 2017 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Danielle Jean Drew Approved: April 19, 2017 Committee Chair / Advisor Committee Member 1 Committee Member 2 Committee Member 3 The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. 1 Table of Contents Acknowledgements 3 Introduction 4 Chapter 1 11 The Spiritualist Movement in London Chapter 2 24 The Lady and the Medium: Spiritualism and Women in the Nineteenth Century Chapter 3 37 Middle Class Mediums: A New Vocation for Victorian Women Chapter 4 50 Finding New Life in Art: Medium and Artist Georgiana Houghton Chapter 5 66 Medium, Editor, and Inspiration: Emma Hardinge Britten and the Spiritualist Movement Chapter 6 83 Rosa Campbell Praed: Theosophy, Feminism, Authorship, and Autonomy at the Turn of the Century Conclusion 98 Bibliography 102 2 Acknowledgements There are many people that I am grateful to and would like to acknowledge in the completion of this Master’s thesis. The first thank you belongs to my mother, who has supported me emotionally and mentally through these past two years, providing me with words of wisdom and encouragement when I wanted to give up. -
Newspaper, Spiritualism, and British Society, 1881 - 1920
Clemson University TigerPrints All Theses Theses 12-2009 'Light, More Light': The 'Light' Newspaper, Spiritualism, and British Society, 1881 - 1920. Brian Glenney Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the European History Commons Recommended Citation Glenney, Brian, "'Light, More Light': The 'Light' Newspaper, Spiritualism, and British Society, 1881 - 1920." (2009). All Theses. 668. https://tigerprints.clemson.edu/all_theses/668 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. "LIGHT, MORE LIGHT”: The “Light” Newspaper, Spiritualism and British Society, 1881-1920. A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Masters in History by Brian Edmund Glenney December, 2009 Accepted by: Dr. Michael Silvestri, Committee Chair Dr. Alan Grubb Dr. Megan Taylor Shockley i ABSTRACT This thesis looks at the spiritualist weekly Light through Late Victorian, Edwardian, and World War I Britain. Light has never received any extended coverage or historical treatment yet it was one of the major spiritualist newspapers during this part of British history. This thesis diagrams the lives of Light ’s first four major editors from 1881 till the end of World War I and their views on the growth of science, God, Christ, evolution, and morality. By focusing on one major spiritualist newspaper from 1881 till 1920, this thesis attempts to bridge the gap in spiritualist historiography that marks World War I as a stopping or starting point.