Marshall Mcluhan's General System Thinking and Media Ecology Robert K
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Machine Learning Techniques for Equalizing Nonlinear Distortion
Machine Learning Techniques for Equalizing Nonlinear Distortion A Technical Paper prepared for SCTE•ISBE by Rob Thompson Director, NGAN Network Architecture Comcast 1800 Arch St., Philadelphia, PA 19103 (215) 286-7378 [email protected] Xiaohua Li Associate Professor, Dept. of Electrical and Computer Engineering State University of New York at Binghamton Binghamton, NY 13902 (607) 777-6048 [email protected] © 2020 SCTE•ISBE and NCTA. All rights reserved. 1 Table of Contents Title Page Number 1. Introduction .................................................................................................................................... 4 2. Artificial Intelligence (AI) ................................................................................................................. 4 2.1. Historical Perspective ........................................................................................................ 4 2.2. Common Solutions ............................................................................................................ 4 2.3. Popular Tools/Models ........................................................................................................ 5 2.4. Biological Inspiration .......................................................................................................... 5 2.5. DOCSIS Transmit Pre-Equalization ................................................................................... 6 3. Power Amplifier (PA) Efficiency Problem ....................................................................................... -
D4d78cb0277361f5ccf9036396b
critical terms for media studies CRITICAL TERMS FOR MEDIA STUDIES Edited by w.j.t. mitchell and mark b.n. hansen the university of chicago press Chicago and London The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. Published 2010 Printed in the United States of America 18 17 16 15 14 13 12 11 10 1 2 3 4 5 isbn- 13: 978- 0- 226- 53254- 7 (cloth) isbn- 10: 0- 226- 53254- 2 (cloth) isbn- 13: 978- 0- 226- 53255- 4 (paper) isbn- 10: 0- 226- 53255- 0 (paper) Library of Congress Cataloging-in-Publication Data Critical terms for media studies / edited by W. J. T. Mitchell and Mark Hansen. p. cm. Includes index. isbn-13: 978-0-226-53254-7 (cloth : alk. paper) isbn-10: 0-226-53254-2 (cloth : alk. paper) isbn-13: 978-0-226-53255-4 (pbk. : alk. paper) isbn-10: 0-226-53255-0 (pbk. : alk. paper) 1. Literature and technology. 2. Art and technology. 3. Technology— Philosophy. 4. Digital media. 5. Mass media. 6. Image (Philosophy). I. Mitchell, W. J. T. (William John Th omas), 1942– II. Hansen, Mark B. N. (Mark Boris Nicola), 1965– pn56.t37c75 2010 302.23—dc22 2009030841 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ansi z39.48- 1992. Contents Introduction * W. J. T. Mitchell and Mark B. N. Hansen vii aesthetics Art * Johanna Drucker 3 Body * Bernadette Wegenstein 19 Image * W. -
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UC Irvine UC Irvine Previously Published Works Title Towards a performative aesthetics of interactivity Permalink https://escholarship.org/uc/item/6w42d6p2 Author Penny, SG Publication Date 2011-12-01 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Fibreculture Journal DIGITAL MEDIA + NETWORKS + TRANSDISCIPLINARY CRITIQUE issue 19 2011: Ubiquity issn: 1449 1443 FCJ-132 Towards a Performative Aesthetics of Interactivity Simon Penny University of California, Irvine Introduction As I write this, at the end of 2010, it is sobering to reflect on the fact that over a couple of decades of explosive development in new media art (or ‘digital multimedia’ as it used to be called), in screen based as well as ‘embodied’ and gesture based interaction, the aesthetics of interaction doesn’t seem to have advanced much. At the same time, interaction schemes and dynamics which were once only known in obscure corners of the world of media art research/ creation have found their way into commodities from 3D TV and game platforms (Wii, Kinect) to sophisticated phones (iPhone, Android). While increasingly sophisticated theoretical analyses (from Manovich, 2002 to Chun, 2008 to Hansen, 2006, more recently Stern, 2011 and others) have brought diverse perspectives to bear, I am troubled by the fact that we appear to have ad- vanced little in our ability to qualitatively discuss the characteristics of aesthetically rich interac- tion and interactivity and the complexities of designing interaction as artistic practice; in ways which can function as a guide to production as well as theoretical discourse. -
Media Ecology and Value Sensitive Design: a Combined Approach to Understanding the Biases of Media Technology
Proceedings of the Media Ecology Association, Volume 6, 2005 Media Ecology and Value Sensitive Design: A Combined Approach to Understanding the Biases of Media Technology Michael Zimmer New York University In recent years, a field known as value sensitive design has emerged to identify, understand, anticipate, and address the ethical and value biases of media and information technologies. Upon developing a dialectical model of how bias exists in technology, this paper makes a case for the dual relevance of value sensitive design to media ecology. I argue that bringing the two approaches together would be mutually beneficial, resulting in richer investigations into the biases in media technologies. Media Ecology and Value Sensitive Design: A Combined Approach to Understanding the Biases of Media Technology N his book Technopoly, Neil Postman (1992) remarked how “we are surrounded by the wondrous effects of machines and are encouraged to ignore the ideas embedded in them. I Which means we become blind to the ideological meaning of our technologies” (p. 94). It has been the goal of many scholars of media technology to remove these blinders and critically explore the ideological biases embedded within the material forms of media technologies. This endeavor forms the foundation of media ecology, an approach to studying media technology that Postman helped to establish. The goal of media ecological scholarship is to uncover and understand “how the form and inherent biases of communication media help create the environment . in which people symbolically construct the world they come to know and understand, as well as its social, economic, political, and cultural consequences” (Lum, 2000, p. -
Politeness and Language Penelope Brown, Max Planck Institute of Psycholinguistics, Nijmegen, the Netherlands
Politeness and Language Penelope Brown, Max Planck Institute of Psycholinguistics, Nijmegen, The Netherlands Ó 2015 Elsevier Ltd. All rights reserved. Abstract This article assesses the advantages and limitations of three different approaches to the analysis of politeness in language: politeness as social rules, politeness as adherence to an expanded set of Gricean Maxims, and politeness as strategic attention to ‘face.’ It argues that only the last can account for the observable commonalities in polite expressions across diverse languages and cultures, and positions the analysis of politeness as strategic attention to face in the modern context of attention to the evolutionary origins and nature of human cooperation. What Is Politeness? theoretical approach to the analysis of politeness in language can be distinguished. If, as many have claimed, language is the trait that most radi- 1. Politeness as social rules. To the layman, politeness is cally distinguishes Homo sapiens from other species, politeness a concept designating ‘proper’ social conduct, rules for is the feature of language use that most clearly reveals the speech and behavior stemming generally from high-status nature of human sociality as expressed in speech. Politeness individuals or groups. In literate societies such rules are is essentially a matter of taking into account the feelings of often formulated in etiquette books. These ‘emic’ (culture- others as to how they should be interactionally treated, specific) notions range from polite formulae like please and including behaving in a manner that demonstrates appropriate thank you, the forms of greetings and farewells, etc., to more concern for interactors’ social status and their social relation- elaborate routines for table manners, deportment in public, ship. -
Origins of Human Communication
Origins of Human Communication Michael Tomasello A Bradford Book The MIT Press Cambridge, Massachusetts London, England © 2008 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please e-mail [email protected] or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Palatino by SNP Best-set Typesetter Ltd., Hong Kong, and was printed and bound in the United States. Library of Congress Cataloging-in-Publication Data Tomasello, Michael. Origins of human communication / Michael Tomasello. p. cm.—(Jean Nicod lectures) Includes bibliographical references and index. ISBN 978-0-262-20177-3 (hardcover : alk. paper) 1. Language and languages—Origin. 2. Animal communication. I. Title. P116.T66 2008 401—dc22 2007049249 10 9 8 7 6 5 4 3 2 1 A Focus on 1 Infrastructure What we call meaning must be connected with the primitive language of gestures. —Wittgenstein, The Big Typescript Walk up to any animal in a zoo and try to communicate something simple. Tell a lion, or a tiger, or a bear to turn its body like “this,” showing it what to do by demonstrat- ing with your hand or body and offering a delicious treat in return. Or simply point to where you would like it to stand or to where some hidden food is located. -
The Evolution of Human Communication and Language
CHAPTER 14 The evolution of human communication and language James R. Hurford 14.1 Introduction territorial songs, and by vervet monkey alarm calls. We are not yet sure exactly what is conveyed Human language stands out in a number of ways by whale songs, but a reasonable default hypoth- from the topics of almost all of the other chapters esis would seem to be that they convey messages of in this book. Although every communication sys- the same expressive power as complex birdsongs. tem can claim in some way to be unique, human We may be wrong about this, but the current belief language is spectacularly unique in its complexity is thus that any human language is capable of com- and expressive power. municating the sum total of all that any animal spe- Complexity is hard to measure, but a clue is cies can communicate, and more. More, because we given by the fact that The Cambridge Grammar of alone, as far as we know, can tell each other about the English Language (Huddleston & Pullum, 2002), ctional or abstract objects, and about events far which is just a description of Modern Standard distant in time and space. English, weighs in at over 1700 pages. The head- In the bulk of this chapter, I will list and discuss ings of the rst half-dozen descriptive chapters, some of the most important differences and simi- out of eighteen, are: The verb, The clause: comple- larities between human languages and nonhuman ments, Nouns and noun phrases, Adjectives and communication systems, with an evolutionary adverbs, Prepositions and preposition phrases, perspective, in particular drawing on results from and The clause: adjuncts. -
Buckminster Fuller Playboy Interview
Buckminster Fuller the Playboy interview February 1972 a cesc publication Buckminster Fuller - the 1972 Playboy Interview ©1972 Playboy cesc publications, P.O. Box 232, Totnes, Devon TQ9 9DD England Page 2 of 19 Buckminster Fuller - the 1972 Playboy Interview ©1972 Playboy a candid conversation with the visionary architect/inventor/philosopher R. BUCKMINSTER FULLER PLAYBOY: Is there a single statement you could make than the others and that makes him a challenge to the that would express the spirit of your philosophy? speediest and most powerful, and there’s a fight between the two and the one wins disseminates the FULLER: I always try to point one thing out: if we do species. The others can just go hump.’ more with less, our resources are adequate to take care of everybody. All political systems are founded Imagine how this happened with man - man in great on the premise that the opposite is true. We’ve been ignorance, born with hunger, born with the need to assuming all along that failure was certain, that our regenerate, not knowing whether or not he’ll survive. universe was running down and it was strictly you or He begins by observing that the people who eat roots me, kill or be killed as long as it lasted. But now, in and berries very often get poisoned by them, and he our century, we’ve discovered that man can be a sees that the animals that don’t eat those things don’t success on his planet, and this is the great change that get poisoned. -
The Interological Turn in Media Ecology
Conversation The Interological Turn in Media Ecology © Peter Zhang Grand Valley State University © Eric McLuhan Independent Scholar ABSTRACT This dialogue foregrounds the interological nature of media ecology as a style of exploration into the human condition. Besides Marshall McLuhan, it also brings Gilles Deleuze, field theory, and the I Ching, et cetera, to bear on media ecological inquiry. The idea is to reveal a pattern instead of defining a term. KEYWORDS Interology; Deleuze; Assemblage; McLuhan; Field theory; Leibniz; I Ching RÉSUMÉ Ce dialogue met en relief la nature « interologique » du style d’exploration de la condition humaine que propose l’écologie des médias. Pour ce faire, il fait intervenir, en plus des réflexions de Marshall McLuhan, la pensée de Gilles Deleuze, la théorie des champs et le « Livre des transformations » (Yi King). Il s’agit moins ici de définir un terme que de révéler un « motif » (pattern). MOTS CLÉS Interologie; Deleuze; Assemblage; McLuhan; Théorie des champs; Leibniz; Yi King Preamble This article is one among a series of dialogues on media ecology the authors have writ - ten since 2011. The idea is to play, probe, and provoke, while keeping from putting things to bed in a premature manner. Marshall McLuhan points out: “The future mas - ters of technology will have to be lighthearted and intelligent. The machine easily mas - ters the grim and the dumb.” 1 In the same vein, the authors believe playfulness is perhaps humanity’s best defense against the shaping power of its own prostheses. Over the past few years, the authors have been practicing fragmatics and interology in an intersubjective, intergenerational, and intercultural interval, first unwittingly and then self-consciously. -
The Cybernetic Brain
THE CYBERNETIC BRAIN THE CYBERNETIC BRAIN SKETCHES OF ANOTHER FUTURE Andrew Pickering THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON ANDREW PICKERING IS PROFESSOR OF SOCIOLOGY AND PHILOSOPHY AT THE UNIVERSITY OF EXETER. HIS BOOKS INCLUDE CONSTRUCTING QUARKS: A SO- CIOLOGICAL HISTORY OF PARTICLE PHYSICS, THE MANGLE OF PRACTICE: TIME, AGENCY, AND SCIENCE, AND SCIENCE AS PRACTICE AND CULTURE, A L L PUBLISHED BY THE UNIVERSITY OF CHICAGO PRESS, AND THE MANGLE IN PRAC- TICE: SCIENCE, SOCIETY, AND BECOMING (COEDITED WITH KEITH GUZIK). THE UNIVERSITY OF CHICAGO PRESS, CHICAGO 60637 THE UNIVERSITY OF CHICAGO PRESS, LTD., LONDON © 2010 BY THE UNIVERSITY OF CHICAGO ALL RIGHTS RESERVED. PUBLISHED 2010 PRINTED IN THE UNITED STATES OF AMERICA 19 18 17 16 15 14 13 12 11 10 1 2 3 4 5 ISBN-13: 978-0-226-66789-8 (CLOTH) ISBN-10: 0-226-66789-8 (CLOTH) Library of Congress Cataloging-in-Publication Data Pickering, Andrew. The cybernetic brain : sketches of another future / Andrew Pickering. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-226-66789-8 (cloth : alk. paper) ISBN-10: 0-226-66789-8 (cloth : alk. paper) 1. Cybernetics. 2. Cybernetics—History. 3. Brain. 4. Self-organizing systems. I. Title. Q310.P53 2010 003’.5—dc22 2009023367 a THE PAPER USED IN THIS PUBLICATION MEETS THE MINIMUM REQUIREMENTS OF THE AMERICAN NATIONAL STANDARD FOR INFORMATION SCIENCES—PERMA- NENCE OF PAPER FOR PRINTED LIBRARY MATERIALS, ANSI Z39.48-1992. DEDICATION For Jane F. CONTENTS Acknowledgments / ix 1. The Adaptive Brain / 1 2. Ontological Theater / 17 PART 1: PSYCHIATRY TO CYBERNETICS 3. -
Chapter 1. “New Media” and Marshall Mcluhan: an Introduction
Chapter 1. “New Media” and Marshall McLuhan: An Introduction “Much of what McLuhan had to say makes a good deal more sense today than it did in 1964 because he was way ahead of his time.” - Okwor Nicholaas writing in the July 21, 2005 Daily Champion (Lagos, Nigeria) “I don't necessarily agree with everything I say." – Marshall McLuhan 1.1 Objectives of this Book The objective of this book is to develop an understanding of “new media” and their impact using the ideas and methodology of Marshall McLuhan, with whom I had the privilege of a six year collaboration. We want to understand how the “new media” are changing our world. We will also examine how the “new media” are impacting the traditional or older media that McLuhan (1964) studied in Understanding Media: Extensions of Man hereafter simply referred to simply as UM. In pursuing these objectives we hope to extend and update McLuhan’s life long analysis of media. One final objective is to give the reader a better understanding of McLuhan’s revolutionary body of work, which is often misunderstood and criticized because of a lack of understanding of exactly what McLuhan was trying to achieve through his work. Philip Marchand in an April 30, 2006 Toronto Star article unaware of my project nevertheless described my motivation for writing this book and the importance of McLuhan to understanding “new media”: Slowly but surely, McLuhan's star is rising. He's still not very respectable academically, but those wanting to understand the new technologies, from the iPod to the Internet, are going back to read what the master had to say about television and computers and the process of technological change in general. -
Joshua Meyrowitz’S Medium Theory Analyses the Impact of the Electronic Media on Human Behavior in Everyday Life?
Brand 1 Catherine Brand (ID N00185778) Instructor: Jae Kang Media Studies: Ideas Fall 2010 6 October 2010 How does Joshua Meyrowitz’s medium theory analyses the impact of the electronic media on human behavior in everyday life? This paper aims to explain how Joshua Meyrowitz’s medium theory analyses the impact of the electronic media on human behavior in everyday life. It is an attempt to clarify the different ideas that are developed by the author and that ultimately lead to a better comprehension of his theory. To provide a historical context, this paper considers critical research developments conducted by first generation medium theorists Harold Innis and Marshall McLuhan. It then focuses on Meyrowitz’s medium theory and its analysis of the impact of electronic media by examining the notions of situations as information systems and roles as information networks. This paper concludes with an evaluation of the theory’s contributions and shortcomings. Before discussing Joshua Meyrowitz’s medium theory it is important to gain an insight into the work of his predecessors, first generation medium theorists Harold Innis and Marshall McLuhan. Trained as an economic historian, Harold Innis (1894-1952) draws a parallel between economic monopolies and information monopolies. He argues that the control of media of communication has an impact on changes occurring in a society and on the sustainability of a society. In The Bias of Communication he rewrites the history of Western civilization by placing the innovation of media technology at the center of social and political changes. He observes that a medium of communication has an influence on the dissemination of knowledge and that depending on its characteristics it is either space or time biased.