Othello Syndrome G Asha Rani1, Fabiola M Dhanaraj2
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A Study of Shakespeare Contribution in Hindi Cinema
International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2015): 6.391 A Study of Shakespeare Contribution in Hindi Cinema Asma Qureshi Abstract: In India, Cinema not only a name of entertainment, but also educate to millions of people every day. Friday is celebrated by screening of new films. Indians happily participate in Cinema culture of the Country. Shakespearean tragedies have been a never ending source of inspiration for all filmmakers across the world. Many Hindi films based on Shakespeare novel like Shahid, Omkara, Goliyo ki raasleela Ramleela etc. William Shakespeare in India has been an exceptional and ground-breaking venture. The literary collection of Shakespeare is dynamic and an unlimited source of inspiration for countless people across the globe. When Shakespeare’s writing is adapted in cinema, it sets it ablaze, and transfers the audience to a cinematic paradise. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as an Combination of ‘videsi’ and ‘desi’, a synthesis of East and West, and an Oriental and Occidental cultural exchange. Shakespeare’s, “bisexual‟ mind, the complexity of his Narrative, music, story-telling, and creative sensibility categorizes him as an ace literary craftsman. This Research is an attempt to understand the contribution of Shakespeare novel in Hindi cinema. So that we can easily understand the main theme of the story. What writer wants to share with us. We can easily understand main theme of novel. 1. Introduction European library worth the whole native literature of India and Arabia‖. It also has a lot to do with profound resonances Indian Hindi language film industry is also known as Hindi between Shakespeare‘s craft and Indian cultural forms that cinema which is situated or we can say mainly operated converge on one concept: masala. -
The Lost Ethos of Uttam-Suchitra Films: a ‘Nostalgic’ Review of Some Classic Romances from the Golden Era of Bengali Cinema Pramila Panda
The lost ethos of Uttam-Suchitra films: a ‘nostalgic’ review of some classic romances from the Golden Era of Bengali cinema Pramila Panda Vol. 2, No. 3, pp. 194–200 | ISSN 2050-487X | www.southasianist.ed.ac.uk www.southasianist.ed.ac.uk | ISSN 2050-487X | pg. 194 Vol. 2, No. 3, pp. 194-200 The lost ethos of Uttam-Suchitra films A ‘nostalgic’ review of some classic romances from the Golden Era of Bengali cinema Pramila Panda [email protected] www.southasianist.ed.ac.uk | ISSN 2050-487X | pg. 195 The mild tune of the sweet and soft song been able to touch every aspect of modern wrapped in sentimental love, “Ogo tumi je human society. This brings us to discussing the aamaar... Ogo tumi je aamaar” (You are status of romance or love in Bengali cinema mine, only mine…) from the Bengali movie half a century back. Harano Sur (Lost Melody) released in 1957 These divine qualities teach us the hymn of still buzzes pleasantries, not only inside my humanity and the art of living. These heavenly ear, but also at the centre of my mind. qualities are highly essential for the survival of Suchitra Sen and Uttam Kumar were the human society in peace and happiness. Of considered the ‘golden couple’ of Bengali films course, the world of cinema has not totally from 1953 to 1978. They left their special ignored the importance of these human identities by contributing the best of qualities to be reflected and utilized through themselves through their marvellous acting the different roles of different characters in talent. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
Verdi Otello
VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers; -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs. -
Omkara: the Adaptation of William Shakespeare's Tragedy Othello
International Journal of Multidiscip linary Research and Development Volume: 2, Issue: 5, 570-571 May 2015 Omkara: The adaptation of William Shakespeare’s www.allsubjectjournal.com e-ISSN: 2349-4182 tragedy Othello p-ISSN: 2349-5979 Impact Factor: 3.762 Dr. Gajender Kumar Dr. Gajender Kumar Assistant Professor, Abstract Department of English Omkara is a 2006 Indian crime drama film adapted from Shakespeare’s Othello, co-written and directed Govt. College for Women, by Vishal Bhardwaj. It starred Ajay Devgan, Saif Ali Khan, Vivek Oberoi and Kareena Kapoor in the Narnaul M/Garh, Haryana, lead roles, supported by Naseeruddin Shah, Konkona Sen Sharma and Bipasha Basu. The director Vishal India Bhardwaj himself composed the entire music for the film, including the background score, with lyrics by Gulzar. The film is set in Meerut, a town in Western Uttar Pradesh. Keywords: Omkara, drama film, Shakespeare’s Othello Introduction The film was showcased in the Marché du Film section at the 2006 Cannes Film Festival along with a book on the making of Omkara. It was also selected to be screened at the Cairo International Film Festival, where Bhardwaj was awarded for Best Artistic Contribution in [5] Cinema of a Director. The film also won three awards at the Kara Film Festival , an award at the Asian Festival of First Films, three National Film Awards, and seven Filmfare Awards. Omkara Shukla or Omi (Ajay Devgan) is a bahubali, a sort of political enforcer. He is the leader of a gang which commits political crimes for the local politician Tiwari Bhaisaab (Naseeruddin Shah). -
Shakespeare in the “Post”Colonies: What’S Shakespeare to Them, Or They to Shakespeare
Shakespeare in the “Post”Colonies: What’s Shakespeare To Them, or They to Shakespeare Shakespeare Association of America Annual Meeting 2021 2 April 2021, 8-11am EDT About the Seminar Co-leader: Amrita Dhar (Ohio State University) Co-leader: Amrita Sen (University of Calcutta) Seminar keywords: vernacular, local, multilingual, intersectional, indigenous, postcolonial, race, caste, pedagogy, influence This seminar investigates what Shakespeare has meant and now means in erstwhile colonial geographies (especially those under the British Empire), and how the various 21st-century Shakespeares worldwide impact current questions of indigenous rights, marginalised identities, and caste politics in “post”colonial spaces. The violence of colonialism is such that there can be no truly post-colonial state, only a neo-colonial one. Whether under settler-colonialism (as in the US and Canada, Australia, New Zealand) or extractive colonialism (as in the Indian subcontinent, the Caribbean, and the African continent), the most disenfranchised under colonial rule have only ever changed masters upon any political “post”colonialism. Given the massive continued presence of Shakespeare everywhere that British colonial reach flourished, and the conviction among educators and theatre practitioners that the study of Shakespeare can and should inform the language(s) of resisting injustice, this seminar explores the reality of 21st-century Shakespeares in geographies of postcolonial inheritance, such as the Indian subcontinent, continental Africa, the Caribbean, -
Delusional Jealousy: a Brief Literature Review and a Case Report of 'Unfaithful Husband' with Sociocultural Repercussions
International Neuropsychiatric Disease Journal 6(2): 1-18, 2016; Article no.INDJ.22583 ISSN: 2321-7235, NLM ID: 101632319 SCIENCEDOMAIN international www.sciencedomain.org Delusional Jealousy: A Brief Literature Review and a Case Report of 'Unfaithful Husband' with Sociocultural Repercussions Naseem Akhtar Qureshi 1*, Dalal Salem Al-Dossari 2, Abdullah Mohammad Al-Bedah 1, Sara O. Salem 2 and Abdulhameed Al-Habeeb 3 1National Center of Complementary and Alternative Medicine, Ministry of Health Riyadh, Saudi Arabia. 2King Saud Medical City, Ministry of Health Riyadh, Riyadh, Saudi Arabia. 3General Directorate of Mental Health and Social Services, Ministry of Health Riyadh, Saudi Arabia. Authors’ contributions This work was carried out in collaboration among all authors. Authors NAQ, DSAD, AMAB, SOS and AAH designed the study and wrote the protocol. Authors NAQ, DSAD and SOS preformed the statistical analysis, managed the literature search and wrote the first draft of the manuscript with assistance from authors AMAB and AAH. All authors read and approved the final manuscript. Article Information DOI: 10.9734/INDJ/2016/22583 Editor(s): (1) Vincenzo La Bella, Department of Clinical Neurosciences, ALS Clinical Research Center, University of Palermo, Italy. Reviewers: (1) Takashi Ikeno, National Center of Neurology and Psychiatry, Japan. (2) Alexandre González-Rodríguez, University of Barcelona, Spain. Complete Peer review History: http://sciencedomain.org/review-history/12478 Received 12 th October 2015 th Review Article Accepted 16 November 2015 Published 27 th November 2015 ABSTRACT Background: Pure delusional jealousy [DJL] is an uncommon disorder and is characterized by unshakable false belief of infidelity, lack of hallucination, thought disorder and mood disturbance, and not associated with alcohol or other drug abuse or any co-morbid illness. -
Adaptation of Shakespeare in Recent Bollywood Movies Dr
Adaptation of Shakespeare in Recent Bollywood Movies Dr. Charu C Mishra Assoc. Prof. (English) KG Arts & Science College Raigarh, Chhatisgarh India Abstract Thanks to our drama professor who initiated us to the sheer joy of reading the high flown language and acting in Shakespeare‟s plays that eventually left us spellbound for life. Watching Shakespeare‟s plays in theatre for the yester year English educated Indians has been a hobby. This infatuation with the greatest dramatist has led some Film directors to experiment on the themes of comedies and tragedies. In recent years, director Vishal Bhardwaj holds the credit of adapting themes of his great tragedies to contemporary situation and work wonder through his experimentation. Maqbool is a 2003 Indian crime drama, an adaptation of the play Macbeth. The film had its North American premiere at the 2003 Toronto International Film Festival and was screened in the Marché du Film section of the 2004 Cannes Film Festival. Bhardwaj then moved on to adapt Othello in his 2006 film Omkara which won him commercial as well as critical success and Francis Ford Coppola's attention. Haider is the third installment of Bhardwaj's Shakespearean trilogy. The film is a modern-day adaptation of William Shakespeare's tragedy Hamlet, set amidst the insurgency-hit Kashmir during conflicts of 1995 and civilian disappearances. The film was screened at the 19th Busan International Film Festival and released worldwide on 2 October 2014 to wide critical acclaim, and garnered attention from the media due to its controversial subject matter. The present paper intends to study how the movies inspired by Shakespeare still appeal 21st century audience to concur his universality in changing times. -
De-Rationalising Delusions
De-Rationalising Delusions Authors: Vaughan Bell,1,2 Nichola Raihani,3 Sam Wilkinson4 1. Research Department of Clinical, Educational and Health Psychology, University College London 2. Psychological Interventions Clinic for outpatients with Psychosis (PICuP), South London and Maudsley NHS Foundation Trust 3. Department of Experimental Psychology, University College London 4. Department of Sociology, Philosophy and Anthropology, Exeter University 1 Abstract Due to the traditional conceptualisation of delusion as ‘irrational belief’, cognitive models of delusions largely focus on impairments to domain-general reasoning. Nevertheless, current rationality-impairment models do not account for the fact that i) equivalently irrational beliefs can be induced through adaptive social cognitive processes, reflecting social integration rather than impairment; ii) delusions are overwhelmingly socially-themed; iii) delusions show a reduced sensitivity to social context, both in terms of how they are shaped and how they are communicated. Consequently, we argue that models of delusions need to include alteration to coalitional cognition – processes involved in affiliation, group perception, and the strategic management of relationships. This approach has the advantage of better accounting for both content (social themes) and form (fixity) of delusion. It is also supported by the established role of mesolimbic dopamine in both delusions and social organisation, and the ongoing reconceptualisation of belief as serving a social organisational function. -
Othello Syndrome
Othello Syndrome OTHELLO SYNDROME (SINDROM OTHELLO) Oleh: Hesty Novitasari1, Marlina S. Mahajudin2 1 Dokter umum, peserta PPDS I Ilmu Kedokteran Jiwa Depatemen/SMF Ilmu Penyakit Jiwa FK Universitas Airlangga/RSUD Dr. Soetomo Surabaya. 2 Guru Besar, Dokter Spesialis Kedokteran Jiwa/Psikiater (Konsultan), Staf pengajar pada Depatemen/SMF Ilmu Penyakit Jiwa FK Universitas Airlangga/RSUD Dr. Soetomo Surabaya. 1 Othello Syndrome ABSTRAK Othello syndrome didefinisikan sebagai waham dari ketidaksetiaan pasangan, lebih banyak pada laki-laki, jarang pada wanita. Bentuk psikopatologi yang paling umum adalah waham, obsesi dan ide-ide berlebihan. Gangguan waham tipe cemburu merupakan waham mengenai perselingkuhan pasangan. Diagnosis Othello syndrome harus ada anamnesis tentang morbid jealousy, perasaan cemburu yang jelas atau tidak jelas, terdapat usaha pencarian bukti-bukti yang melelahkan dan sangat mengganggu kenyamanan pasangan. Terapi kognitif efektif pada Othello syndrome, sedang couple therapy dan individual dynamic psychotherapy merupakan terapi pendukung yang lain, karena banyak pasien dengan Othello syndrome mengalami gangguan kepribadian borderline dan ciri-ciri paranoid. Kata kunci: Othello syndrome, morbid jealousy, couple therapy, borderline personality ABSTRACT Othello syndrome was defined as delusions of infidelity of a spouse or partner, more in males, rarely in females. The most common forms of psychopathology are delusions, obsessions and exaggerated ideas. Jealousy type of delusional disorder is about the partner affair. The diagnose of Othello syndrome should be done by history taking about morbid Jealousy, factual or imaginative jealousy. There is a tiring effort to search for evidence and it is very disturbing for the couple. Cognitive therapy is effective for Othello syndrome, as well as dynamic couple therapy and individual psychotherapy which are other supportive therapies, because many patients with Othello syndrome suffered of borderline personality disorder and paranoid traits.