Extensions of Remarks E393 HON. JEFF MILLER HON. ALCEE L
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“I DREAM of JEANNIE” STAR RETURNS to SPACE COAST Barbara Eden to Perform at 50Th Anniversary of Iconic TV Series
FOR IMMEDIATE RELEASE “I DREAM OF JEANNIE” STAR RETURNS TO SPACE COAST Barbara Eden to Perform at 50th Anniversary of Iconic TV Series COCOA BEACH, FL – September 3, 2015. Barbara Eden, the star of the 1960s sitcom, “I Dream of Jeannie,” returns to Florida’s Space Coast on Sunday, October 25 for the 50th anniversary of the premiere of the iconic show set in Cocoa Beach, FL. “On the Magic Carpet with Barbara Eden” will feature Ms. Eden and “Entertainment Tonight” and Showtime movie reporter Bill Harris on stage at the Scott Center Auditorium on the campus of Holy Trinity Episcopal Academy in Melbourne. The performance will take guests back into Jeannie’s Magic Bottle in a fun-filled evening of storytelling and the screening of rare and never before seen film clips featuring Barbara Eden and such stars as Elvis Presley, Paul Newman, Frank Sinatra, Lucille Ball, Bob Hope, and her “I Dream of Jeannie” co-star Larry Hagman. The show will also include a lively Q & A session between Ms. Eden and the audience, in addition to a limited Meet & Greet reception following the performance. “The people of Cocoa Beach have always been so gracious and welcoming to me,” said Eden. “Even though we never actually filmed the show there, we have spent a lot of time on the Space Coast. It seems like a second home to me, and I am very excited to go back there and see so many familiar and friendly faces.” The show and Ms. Eden’s appearance are largely made possible due in part to the support of SCB Marketing and the Brevard County Tourism Development Council's Special Event Marketing Grant Program and the Space Coast Office of Tourism. -
I Dream of Jeannie Trivia Quiz
I DREAM OF JEANNIE TRIVIA QUIZ ( www.TriviaChamp.com ) 1> In what year did the TV sitcom "I Dream of Jeannie" first air? a. 1965 b. 1975 c. 1972 d. 1970 2> What was the name of Anthony's best friend? a. George b. Roger c. Harvey d. Steve 3> What was Anthony Nelson's rank? a. General b. Colonel c. Major d. Lieutenant 4> What kind of craft was Major Nelson in when he crashed into the ocean? a. A jet plane b. A helicopter c. A glider d. A capsule 5> Where did Anthony Nelson live? a. Palm Springs b. Kissimmee c. Cocoa Beach d. Tampa 6> When casting a spell, what does Jeannie do? a. Twitch her nose b. Blink c. Chant d. Clap her hands 7> What is the name of the psychiatrist? a. Dr. Bellows b. Dr. Roberts c. Dr. Johnson d. Dr. Wilson 8> How old is Jeannie? a. 2,000 Years Old b. 500 Years Old c. 7,000 Years Old d. 10,000 Years Old 9> In which episode does Anthony's best friend discover that he has a Jeannie? a. The Moving Finger b. The Richest Astronaut in the Whole Wide World c. Guess What Happened on the Way to the Moon? d. The Americanization of Jeannie 10> When is Jeannie's birthday? a. May23 b. August 27 c. October 31 d. April 1 11> What is Anthony's address? a. 100 Date Avenue b. 1020 Palm Drive c. 776 Sunset Avenue d. 592 Oceanside Drive 12> What sport is Anthony supposed to play with General Peterson? a. -
Antenna TV Program Schedule
Antenna TV Program Schedule East MON TUE WED THU FRI SAT SUN West 5:00 AM BACHELOR FATHER 2:00 AM SUSPENSE THEATRE THE THREE STOOGES 5:30 AM BACHELOR FATHER 2:30 AM 6:00 AM FATHER KNOWS BEST 3:00 AM SUSPENSE THEATRE THE THREE STOOGES 6:30 AM FATHER KNOWS BEST 3:30 AM 7:00 AM 4:00 AM IT TAKES A THIEF HERE COME THE BRIDES 7:30 AM 4:30 AM ANTENNA TV THEATER 8:00 AM 5:00 AM IT TAKES A THIEF HERE COME THE BRIDES 8:30 AM 5:30 AM 9:00 AM TOTALLY TOONED IN TOTALLY TOONED IN 6:00 AM 9:30 AM TOTALLY TOONED IN TOTALLY TOONED IN 6:30 AM ANTENNA TV THEATER 10:00 AM ANIMAL RESCUE CLASSICS (E/I) THE MONKEES 7:00 AM 10:30 AM ANIMAL RESCUE CLASSICS (E/I) THE MONKEES 7:30 AM 11:00 AM HAZEL SWAP TV (E/I) THE FLYING NUN 8:00 AM 11:30 AM HAZEL SWAP TV (E/I) THE FLYING NUN 8:30 AM 12:00 PM MCHALE'S NAVY WORD TRAVELS (E/I) GIDGET 9:00 AM 12:30 PM MCHALE'S NAVY WORD TRAVELS (E/I) GIDGET 9:30 AM 1:00 PM THE PATTY DUKE SHOW THE PATTY DUKE SHOW THE PATTY DUKE SHOW 10:00 AM 1:30 PM THE PATTY DUKE SHOW THE PATTY DUKE SHOW THE PATTY DUKE SHOW 10:30 AM 2:00 PM DENNIS THE MENACE MCHALE'S NAVY MCHALE'S NAVY 11:00 AM 2:30 PM DENNIS THE MENACE MCHALE'S NAVY MCHALE'S NAVY 11:30 AM 3:00 PM MISTER ED MISTER ED MISTER ED 12:00 PM 3:30 PM MISTER ED MISTER ED MISTER ED 12:30 PM 4:00 PM GREEN ACRES CIRCUS BOY CIRCUS BOY 1:00 PM 4:30 PM GREEN ACRES CIRCUS BOY CIRCUS BOY 1:30 PM 5:00 PM I DREAM OF JEANNIE ADV. -
Drama | 60 Minutes DAWSON’S CREEK TEENAGE FRIENDS COME of AGE in a SMALL Resort TOWN
MAD ABOUT YOU ....................................................3 my boys ....................................................4 married with children ....................................................5 THE nanny ....................................................6 men at work ....................................................7 WHO’S THE BOSS? ....................................................7 the king of queens ....................................................8 RULES OF ENGAGEMENT ....................................................8 THE JEFFERSONS ....................................................9 SILVER SPOONS ....................................................9 DIFF’RENT STROKES ..................................................10 I DREAM OF JEANNIE ..................................................10 •3• comedy Paul is a documentary film-maker with a penchant for obsessing over the minutae, and his wife Jamie is a fiery public relations specialist. Together, these two young, urban newlyweds try to A SOPHISTICATED MARRIED COUPLE NAVIGATE sustain wedded bliss despite the demands of their respective professional careers, meddling MAD ABOUT YOU THE CHALLENGES OF MARRIAGE AND PARENTHOOD. friends (like Fran Devanow, Jamie’s first boss and eventual best friend, Ira, Paul’s cousin, and Lisa, Jamie’s offbeat older sister) in the chaos of big city living… always with honesty and humor. view promo comedy | 30 minutes •4• comedy MY BOYS A FEMALE SPORTS COLUMNIST DEALS WITH THE MEN IN HER LIFE comedy | 30 minutes view promo INCLUDING -
Camp TV Trans Gender Queer Sitcom History
Camp TV Trans Gender Queer Sitcom History Quinlan Miller Console-ing Passions Television and Cultural Power Edited by Lynn Spigel Quinlan Miller Camp TV Trans Gender Queer Sitcom History Duke University Press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro and Helvetica Neue by Copperline Books Library of Congress Cataloging-in-Publication Data Names: Miller, Quinlan, [date] author. Title: Camp TV : trans gender queer sitcom history / Quinlan Miller. Description: Durham : Duke University Press, 2019. | Series: Console-ing passions | Includes bibliographical references and index. Identifiers: lccn 2018037344 (print) | lccn 2018044915 (ebook) isbn 9781478003397 (ebook) isbn 9781478001850 (hardcover : alk. paper) isbn 9781478003038 (pbk. : alk. paper) Subjects: lcsh: Situation comedies (Television programs)—United States— History and criticism. | Television—Social aspects—United States—History— 20th century. | Transgender people in popular culture—United States. | Gender nonconformity on television. | Gender identity on television. | Homosexuality and television—United States—History. Classification: lcc pn1992.8.c66 (ebook) | lcc pn1992.8.c66 m44 2019 (print) | ddc 791.456/53—dc23 lc record available at https://lccn.loc.gov/2018037344 cover art: ( To p) Hedda Hopper’s Hollywood © Pamandisam, llc, David Susskind Papers, Wisconsin Center for Film and Theater Research. (Bottom) Beverly Hillbillies. for Erica Contents ix Acknowledgments 1 Introduction. Trans Gender Queer New Terms for TV History 27 1. Camp TV and Queer Gender Sitcom History 55 2. Queer Gender and Bob Cummings Hollywood Camp TV 88 3. Marriage Schmarriage Sex and the Single Person 131 4. -
Camp TV: Trans Gender Queer Sitcom History by Quinlan Miller
Reviewed by Ken Feil Camp TV: Trans Gender Queer Sitcom History by Quinlan Miller. Duke University Press. 2019. 232 pages. $99.95 hardcover; $25.95 paper; also available in e-book. In Camp TV: Trans Gender Queer Sitcom History, Quinlan Miller presents a revelatory historical reassessment of the US network sitcom of the 1950s and 1960s in addition to rethinking camp, an ironic performance and reception sensibility usually associated with white, gay male culture. Arguing that non- binary gender is a constitutive element of both camp and situation comedy formulas, Miller disputes the assumptions of both television history and camp studies with meticulous research spanning institutional procedures, social- historical context, and textual features. The subject of camp remains marginal in television studies, as W. D. Phillips and Isabel Pinedo recently observed, despite holding a pivotal position in television history.1 Genealogies of cult TV, furthermore, have rendered camp either invisible or hovering in the fringes.2 Miller confirms the centrality of camp to television aesthetics at the same time as they challenge the typical historical narrative of camp TV, which begins in the 1960s with the iconic network series Batman (ABC, 1966– 1968) and the burgeoning mainstream currency of “camp” sensibility generated by 1 W. D. Phillips and Isabel Pinedo, “Gilligan and Captain Kirk Have More in Common Than You Think: 1960s Camp TV as an Alternative Genealogy for Cult TV,” Journal of Popular Television 6, no. 1 (2018): 23– 27, https://doi.org/10.1386/jptv.6.1.19_1. 2 Phillips and Pinedo, “Gilligan and Captain Kirk,” 21– 23; Philippe Le Guern, “Toward a Constructivist Approach to Media Cults,” in Cult Television, ed. -
Copy of Metoo Q4 2010
WCIU-TV 26.4 • Comcast 247/358 • RCN 22 • WOW 171 • AT&T U-verse 23 Effective 12/15/2010 SUBJECT TO CHANGE Monday-Friday Saturday Sunday 5:00AM First Business Sponsored The Courtship of Eddie's Father 5:00AM 5:30 Sponsored Sponsored The Courtship of Eddie's Father 5:30 6:00 Dennis the Menace Sponsored Sponsored 6:00 6:30 Father Knows Best First Business Chicago NOW.Chicago 6:30 7:00 Green Screen Adventures E/I Wild America E/I Little House on the Prairie 7:00 7:30 Silver Spoons The Monkees 7:30 8:00 One Day at a Time The Partridge Family Little House on the Prairie 8:00 8:30 Maude Sponsored 8:30 9:00 The Cosby Show Saved by the Bell Here Come The Brides 9:00 9:30 The Cosby Show Sponsored 9:30 10:00 Who's The Boss The Addams Family Hardy Boys/Nancy Drew Mysteries 10:00 10:30 Who's The Boss Sponsored 10:30 11:00 Sanford & Son Cheers Hart to Hart 11:00 11:30 The Jeffersons Cheers 11:30 12:00PM The Andy Griffith Show Barney Miller It Takes a Thief 12:00PM 12:30 The Andy Griffith Show Barney Miller 12:30 1:00 Leave It To Beaver 3rd Rock from the Sun Me-Too Mystery Movie 1:00 1:30 Leave It To Beaver 3rd Rock from the Sun 1:30 2:00 I Dream Of Jeannie Roseanne 2:00 2:30 Barney Miller Roseanne Me-Too Mystery Movie 2:30 3:00 Married with Children Gilligan's Island 3:00 3:30 Gilligan's Island Gilligan's Island 3:30 4:00 Roseanne The Munsters Ellery Queen 4:00 4:30 Roseanne The Munsters 4:30 5:00 The Nanny Leave It To Beaver Kojak 5:00 5:30 The Nanny Leave It To Beaver 5:30 6:00 Bewitched Bewitched Hardcastle & McCormick 6:00 6:30 Bewitched I Dream Of Jeannie 6:30 7:00 The Rifleman Stooge-a-palooza Sponsored 7:00 7:30 The Rifleman Sponsored 7:30 8:00 Star Trek: The Original Series Sponsored 8:00 8:30 Sponsored 8:30 9:00 Star Trek: The Next Generation Dragnet Alfred Hitchcock Presents 9:00 9:30 Dragnet Alfred Hitchcock Presents 9:30 10:00 Good Times The Rockford Files Night Gallery 10:00 10:30 All in the Family Night Gallery 10:30 11:00 Frasier T.J. -
Sardonic Humor Is My Way of Relating to the World__ Audience
1 Abstract: There is a lengthy history of teenagers on television, and of teenagers as a television viewing audience. Over the past decade, developments in how technology allows audiences to interact with television have affected both the structure and content of television that features and caters to teenagers. Using specific texts (most notably Gossip Girl (The CW, 2007-2012), Riverdale (The CW, 2017-), and Heathers (Paramount, 2017)) and the paratexts formed by audience members in their interaction online with the original texts and their creators, this thesis seeks to understand how teen television has adapted itself to fit the models created by the internet and its users and the nature of its potential repercussions for the genre and for television in general. 2 “Sardonic Humor is My Way of Relating to the World”: Audience Interaction With Teen Television, 2007 - Present Chloe Harkins Bachelor of Arts Thesis, Film Studies Program 3 Acknowledgements: I would like to first thank my thesis advisor, Robin Blaetz, whose infinite enthusiasm for and faith in this project, as well as her patience in approaching a subject out of her usual realm of study, truly was what kept it going. Thank you to the other two members of my thesis committee; Elizabeth Markovits, who has provided consistent support and massively assisted my growth throughout my four years at Mount Holyoke, and Amy Rodgers, who gave me one of my most rewarding experiences in a class during my last semester. Thank you to all my professors at Mount Holyoke, Hampshire, and Amherst, especially those in media studies who helped me build the understanding of television/the internet/“television and the internet” that became the basis for this work. -
"Your Ticket to Dreamsville": the Functions of 16 Magazine in American Girl Culture of the 1960S
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2014 "Your Ticket to Dreamsville": The uncF tions of 16 Magazine in American Girl Culture of the 1960s Diana L. Belscamper University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the United States History Commons, and the Women's Studies Commons Recommended Citation Belscamper, Diana L., ""Your Ticket to Dreamsville": The unctF ions of 16 Magazine in American Girl Culture of the 1960s" (2014). Theses and Dissertations. 663. https://dc.uwm.edu/etd/663 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “YOUR TICKET TO DREAMSVILLE” THE FUNCTIONS OF 16 MAGAZINE IN AMERICAN GIRL CULTURE OF THE 1960S by Diana L. Belscamper A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History at The University of Wisconsin-Milwaukee May 2014 ABSTRACT “YOUR TICKET TO DREAMSVILLE” THE FUNCTIONS OF 16 MAGAZINE IN AMERICAN GIRL CULTURE OF THE 1960S by Diana L. Belscamper The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Joe Austin This analysis reveals the ways in which 16 Magazine functioned in 1960s American girl culture, largely due to the influence of Gloria Stavers, the magazine’s editor. Stavers used the features in 16 Magazine to become an emulous mother who guided her readers through their private fantasy space, or “Dreamsville,” as well as the Cold War culture of the 1960s. -
Race, Class, and Rosey the Robot: Critical Study of the Jetsons
Race, Class, and Rosey the Robot: Critical Study of The Jetsons ERIN BURRELL The Jetsons is an animated sitcom representing a middle-class patriarchal family set in space in the year 2062. Following in the footsteps of family-friendly viewing such as Leave it to Beaver (1957-1963) and Hanna-Barbera’s own The Flintstones (1960-1966), The Jetsons offered a futuristic take on a near-perfect nuclear family. The Jetsons centers on a family headed by a “male breadwinner” and “Happy housewife heroine” that Betty Friedan credits to creators of women’s media in the 1950s and 60s (23). Packed with conservative white American perspectives and values, the show is set in the suburbs of intergalactic Orbit City and features husband George, wife Jane, teenage daughter Judy, and prodigy son Elroy (Coyle and Mesker 15). The cast is complemented by secondary characters that include George’s boss Cosmo Spacely, the owner of Spacely Sprockets, and Rosey the robot maid. The only element that seemed to be missing from the earliest episodes was a family pet, which was rectified with the addition of Astro the dog early in the first season (“The coming of Astro”). The first season (S1) aired on Sunday nights September 1962 - March 1963, (Coyle and Mesker) and was one of the first shows to debut in color on ABC (Jay). Despite early cancellation the show landed deeply in the pop culture cannon through syndication and experienced renewed interest when it was brought back in the 1980s for two additional seasons (S2-3). Today, The Jetsons continues to reach new audiences with video and digital releases serving to revitalize the program. -
Orientalism in I Dream of Jeannie
APPROVAL PAGE FOR GRADUATE THESIS OR PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF REQUIREMENTS FOR DEGREE OF MASTER OF ARTS AT CALIFORNIA STATE UNIVERSITY, LOS ANGELES BY Stephanie Abraham Candidate Interdisciplinary Studies: Cultural Studies Field of Concentration TITLE: HOLLYWOOD’S HAREM HOUSEWIFE: ORIENTALISM IN I DREAM OF JEANNIE APPROVED: Dr. Steven Classen Faculty Member Signature Dr. Dionne Espinoza Faculty Member Signature Dr. John Ramirez Faculty Member Signature Dr. Alan Muchlinski Department Chairperson Signature DATE: 06/07/06 HOLLYWOOD’S HAREM HOUSEWIFE: ORIENTALISM IN I DREAM OF JEANNIE A Thesis Presented to The Faculties of the Departments of Chicana/o Studies, Communication Studies, and Sociology California State University, Los Angeles In Partial Fulfillment Of the Requirements for the Degree Master of Arts By Stephanie Abraham June 2006 © 2006 Stephanie Abraham ALL RIGHTS RESERVED ii ACKNOWLEDGEMENTS This project would not have been possible without the love, support, and patience of so many people in my academic and personal communities, who figured out how to support me even when overwhelmed by their own responsibilities. My expectations of graduate school have been surpassed at California State University, Los Angeles. I have encountered mentors who have greatly impacted my life. I have had the great fortune of spending hours talking and laughing with my thesis advisor, Dr. Steven Classen. He listens and advises and is not afraid to let out his inner-cheerleader to encourage his overworked and underpaid graduate students. He is an excellent professor and mentor. I am also significantly indebted to Dr. Dionne Espinoza, who lets it slide that I call her “dude,” and consistently challenges me to take my scholarship, my dreams, and myself seriously. -
Civic Participation Within Postwar Suburban Sitcoms, 1952-1972
Sitcom Citizenship: Civic Participation within Postwar Suburban Sitcoms, 1952-1972 A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Michael Cheyne IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kevin Murphy and Laurie Ouellette May 2014 © Michael Cheyne 2014 i Acknowledgements This project would not have been possible without the invaluable assistance of my advisers at the University of Minnesota, Kevin Murphy and Laurie Ouellette, as well as the other members of my thesis committee, Tracey Deutsch and Elaine Tyler May. Through the years of researching and writing, they gave me feedback, guidance, and above all, encouragement. In particular, I thank Kevin, who, as my initial graduate adviser, helped shepherd me through life as a doctoral candidate. I also acknowledge the very helpful feedback provided by my peers in the dissertation writing group led by Kevin Murphy and Regina Kunzel during the 2011- 2013 academic years. Their varied suggestions, praise, and criticism were especially helpful during the formative years of turning years of research into a workable thesis. My fellow graduate students within the American Studies program were unfailing in their personal and professional support. My colleagues at the University of Minnesota-Morris, particularly within the history discipline, were extremely supportive to me during my final two years working on this project. They provided time and funding to assist my research and the presentation of my work. I am particularly thankful for their cheerful willingness to support a colleague during a year of teaching and writing. Finally, I thank my family, friends, and church family, who provided years of love and support while I finished this project.