Survey of Native American Literature
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The Brecht Forum 2/29/12 7:46 AM
Audre Lorde | The Brecht Forum 2/29/12 7:46 AM Home NY Marxist School Programs The Virtual Brecht Economy Watch Support Us Who We Are Search this site: March 26th, 2012 7:30 PM FILM SCREENING/DISCUSSION Co-sponsored by the Rosa Luxemburg Foundation and The Audre Lorde Project Search Audre Lorde The Berlin Years 1984-1992 Tina Campt, Ika Hugel Marshall, Dagmar Schultz DIRECTIONS The Brecht Forum and The Rosa Luxemburg Foundation are proud to sponsor the NY premiere of Audre Lorde: The Berlin Years 1984- RENTAL INFO 1992. We will be joined by director Dagmar Schultz, poet Ika Hugel Marshall and Afro-German scholar, Professor Tina Campt (Barnard College). About the Film: AUDRE LORDE – THE BERLIN YEARS 1984 TO 1992 explores a little-known chapter of the writerʼs prolific life, a period in which she helped ignite the Afro-German Movement and made lasting contributions to the German political and cultural scene before and after the fall of the Berlin Wall and the German reunification. Lorde mentored and encouraged Black German women to write and publish as a way of asserting their identities, rights and culture in a society that isolated and silenced them, while challenging white German women to acknowledge their white privilege. As Lorde wrote in her book Our Dead Behind Us: Poems, “It is not our differences that divide us. It is our inability to recognize, accept, and celebrate those differences.” ;Film director Dagmar Schultz is a writer, director and activist. She is the editor of the groundbreaking text Showing Our Colors: Afro- German Women Speak Out. -
The Rhetoric of Ritual: the Soviet Sociolect in Ethnolinguistic Perspective
179 SOVIET CULTURE IN RETROSPECT Konstantin Bogdanov The Rhetoric of Ritual: The Perspective istic Soviet Sociolect in Ethnolinguistic Perspective 1. In historical writing, the distinctive character of the Soviet era appears as a distinctive set of ideas, situations, and even human types, the latter embodying the realisation of the didactic Konstantin Bogdanov. The Rhetoric of Ritual: The Soviet Sociolect in Ethnolingu in Sociolect Soviet The of Ritual: The Rhetoric Bogdanov. Konstantin project to create a new ‘Soviet man’ (sovetskii chelovek, during the Brezhnev era renamed in the clumsy phrase Homo sovieticus, homosos, or sovok). But from the philological standpoint what is equally (or: primarily) distinctive is the communicative discourse that served Soviet ideology: new words, new texts, new forms of social interaction (including media forms). The scale of linguistic innovation in the Soviet era is best expressed in the diversity of so-called ‘Sovietisms’ in semantics, in lexis and word formation, and in style – the words and phrases that lend their characteristic colour to texts of a public or political nature.1 But the role of lexical and semantic innovations that were called for by the novelty and distinctiveness of the political reality looks broader, in historical and cultural retrospect, than the sphere of political ideolect. Studies on the history of the 1 See, e.g., an author’s preface addressed to young readers: ‘You are holding a book about the words of the Russian language in the Soviet era, words in which there ceaselessly beats the hot pulse of the heroic life of our Soviet Motherland, the very words that are the real heroes of our remarkable and glorious age’ [Shansky 1980: 3]. -
Alternatives to Canadian White Civility Daniel Coleman
Document generated on 09/24/2021 5:27 a.m. International Journal of Canadian Studies Revue internationale d’études canadiennes From Contented Civility to Contending Civilities: Alternatives to Canadian White Civility Daniel Coleman Borders, Migrations and Managing Diversity: New Mappings Frontières, migrations et gestion de la diversité : nouvelles cartographies Number 38, 2008 URI: https://id.erudit.org/iderudit/040815ar DOI: https://doi.org/10.7202/040815ar See table of contents Publisher(s) Conseil international d'études canadiennes ISSN 1180-3991 (print) 1923-5291 (digital) Explore this journal Cite this article Coleman, D. (2008). From Contented Civility to Contending Civilities: Alternatives to Canadian White Civility. International Journal of Canadian Studies / Revue internationale d’études canadiennes, (38), 221–242. https://doi.org/10.7202/040815ar Tous droits réservés © Conseil international d'études canadiennes, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Daniel Coleman From Contented Civility to Contending Civilities: Alternatives to Canadian White Civility The Author Meets Critics -
Around Paul Gilroy, the Black Atlantic: Modernity and Double Consciousness
Around The Black Atlantic 1 Around Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness Syllabus / Handbook created by Dr Vanessa Mongey in 2018 Overview This course is constructed around the study of a single seminal secondary text and will students to explore the themes, evidence, approach, argument, literary merit and methodology of said text within the broader context of the historiography that came before and after. By taking the “Atlantic as one single, complex unit of analysis,” Paul Gilroy’s The Black Atlantic will make us travel through the triangle of Africa, Britain and America. This book charts the existence of a counterculture to modernity among black intellectuals, activists, writers, speakers, poets, and artists between approximately the 1850s and the 1980s. The Black Atlantic is outside of national belonging, using examples ranging from slave narratives and novels to jazz and hip-hop. Around The Black Atlantic 2 Gilroy’s ‘Black Atlantic’ delineates a distinctively modern, cultural, and political space that is not specifically African, American, Caribbean, or British, but is, rather, a mix of all of these. This book triggered debates and raised questions of the place of Africa in our historical imagination, transnational history, pan-Africanism, and the relationships of past to present. We will address some combination of: historiography, methodology, theoretical approach(es), concepts (conceived or developed in the book in question), connections/relevance/usefulness to history, and opportunities for comparison with other examples from different periods of world regions, or with other historical works. The students are encouraged to draw comparative or related examples from all the modules they have studied to date, as well as from other sources of information (the media, literature, etc). -
The Black Holocaust and the Poetics of the Slave Sublime
5 Volknation: The Black Holocaust and the Poetics of the Slave Sublime 5.1 Neo-slave Narratives, Memory Work and Affirmation of Negative Heritage As Richard Dyer has aptly remarked, while “[h]istory is a discipline of enquiry into the past; heritage is an attitude towards the legacy of the past” (“Nice Young Men” 44). Accordingly, where historians seek to generate knowledge and understanding about the national past, writers of historical novels are freer to interpret it in line with current political and ideological needs. But even though “heritage is not history” (Hewison, The Heritage Industry 10), both historians and writers are, in some measure, driven by a “heritage impulse,” which, in the words of Higson, is thus about seizing hold of the selected aspects of the past and presenting them in a way that tallies with current sensibilities and needs – it is in Lowenthal’s term, a declaration of faith in a particular way of seeing the past. Therefore, it is important to recognize that heritage is often invented or revised as it is conserved – hence the insistence on agency on the part of those who mobilize the past as heritage. (English Heritage 50) I would like to suggest, in this chapter that like historians, BWR writers were social actors re-imagining the past with a view to creating in their heritage/historical nar- ratives what Brett has called “popular” history (The Construction of Heritage 4), or what Ditchfield has called “applied” history (“Foreword” ix). I will argue here that some BWR historical and maternal romances aimed to reconstruct through the matri- lineal line “the specific origin of the people (or their race) (Volknation)” (Yuval-Davis, Gender Nation 21), and to cull from the depths of this reinvented communal past cul- tural values that could form the core for “exclusionary/homogenous visions of the ‘nation’” (ibid.). -
The Reversal
Chapter 6 The Reversal To return, rather than simply to re-visit or re-view, that is, to apparently turn back and return ‘fully’, to African, Caribbean or Indian roots in pur- suit of a displaced and dispersed authenticity today hardly seems feasi- ble. The impossible mission that seeks to preserve the singularity of a culture must paradoxically negate its fundamental element: its historical dynamic. Post-colonialism is perhaps the sign of an increasing awareness that it is not feasible to subtract a culture, a history, a language, an iden- tity from the wider, transforming currents of the increasingly metropoli- tan world. It is impossible to ‘go home’ again.1 In the 1990s, the Afrocentric foundations of Black identity were called into question by English-speaking scholars, themselves Black, in the name of a cri- tique of essentialism and a postmodern perspective on identity that rejected appeals to fixity, purity or authenticity in favour of an insistence on the perma- nent construction of identifications. We find a most of the arguments against Afrocentric essentialism in a 1990 text by the scholar bell hooks:2 Such a critique allows us to affirm multiple black identities, varied black experience. It also challenges colonial imperialist paradigms of black identity which represent blackness one-dimensionally in ways that rein- force and sustain white supremacy. This discourse created the idea of the “primitive” and promoted the notion of an “authentic” experience, see- ing as “natural” those expressions of black life which conformed to a pre- existing pattern or stereotype. Abandoning essentialist notions would be a serious challenge to racism. -
Yale University B0082
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180082 Gramts.gov Tracking#: GRANT12659441 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180082 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (1244-GEPA Statement2018) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 8. ED Abstract Narrative Form e15 Attachment - 1 (1246-CES FLAS Abstract) e16 9. Project Narrative Form e18 Attachment - 1 (1245-CES FLAS Budget Narrative) e19 10. Other Narrative Form e67 Attachment - 1 (1234-InformationToMeetStatutoryRequirements (9)) e68 Attachment - 2 (1235-FLAS Applicant Profile) e71 Attachment - 3 (1236-Acronyms ESC) e72 Attachment - 4 (1237-Bojanowska CV 2018) e74 Attachment - 5 (1238-BIOS ForAPPwithTOC_YaleESC) e85 Attachment - 6 (1239-LetterOfReferenceMinjinHashbat) e244 Attachment - 7 (1240-LetterOfReferenceNellekeVanDeusen-Scholl) e246 Attachment - 8 (1241-LetterOfReferenceConstantineMuravnik) e248 Attachment - 9 (1242-CouncilMemberList) e250 Attachment - 10 (1243-CourseListForAPP_ALLYaleESC) e253 11. Budget Narrative Form e317 Attachment - 1 (1247-Section C Budget Narrative) e318 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. -
Identity and Heritage in the Poetry of Louise Erdrich
HYBRID MYTHOLOGIES: IDENTITY AND HERITAGE IN THE POETRY OF LOUISE ERDRICH María Porras Sánchez Universidad Complutense de Madrid Abstract This article analyzes the presence of aboriginal and classical myths in the poetry of Louise Erdrich, tokens of her double cultural heritage –Native American and German-American– and examples of her perception of identity. The aim of this article is to research the symbolic connotations attached to Western and aboriginal myths, and to study Erdrich’s appro- priation of such stories. By doing so, she creates a hybrid mythology that contrasts with a contemporary background. Her poetry is an exercise of self-ethnography that empowers her hybrid heritage instead of relying in an artificial reconstruction of an ideal or mythological past, while denouncing the environmental and psychological consequences of colonization. Keywords: revisionist mythmaking, identity, cultural heritage, ethnography, colonization, Native American, hybridization. MITOLOGÍAS HÍBRIDAS: IDENTIDAD Y HERENCIA EN LA POESÍA DE LOUISE ERDRICH Resumen Este artículo analiza la presencia de mitos nativos y clásicos en la poesía de Louise Erdrich, que actúan como testimonios de su doble herencia cultural –nativo-americana y germano- 157 americana– y ejemplos de su percepción de la identidad. El artículo ahonda en las connota- ciones simbólicas de los mitos occidentales y nativos y la apropiación que hace Erdrich de los mismos, creando una mitología híbrida que contrasta con un trasfondo contemporáneo. Así, su poesía funciona como un ejercicio de auto-etnografía que reivindica su herencia híbrida en lugar de llevar a cabo una reconstrucción artificial de un pasado idealizado o mitológico, a la vez que denuncia las consecuencias ambientales y psicológicas de la colonización. -
Theory and Interpretation of Narrative James Phelan, Peter J. Rabinowitz, and Robyn Warhol, Series Editors
THEORY AND INTERPRETATION OF NARRATIVE James Phelan, Peter J. Rabinowitz, and Robyn Warhol, Series Editors A Poetics of Unnatural Narrative EDITED BY JAN ALBer HeNRIK SKOV NIELSEN BRIAN RICHARDSON THE OHIO STATE UNIVersITY Press COLUMBus Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data A poetics of unnatural narrative / edited by Jan Alber, Henrik Skov Nielsen, and Brian Rich- ardson. p. cm. — (Theory and interpretation of narrative) ISBN 978-0-8142-1228-8 (cloth : alk. paper) — ISBN 978-0-8142-9330-0 (cd) 1. Narration (Rhetoric) 2. Poetics. I. Alber, Jan, 1973– II. Skov Nielsen, Henrik. III. Richardson, Brian, 1953– IV. Series: Theory and interpretation of narrative series. PN212.P644 2013 808'.036—dc23 2013005782 Cover design by Greg Betza and Despina Georgiadis Text design by Juliet Williams Type set in Adobe Minion Pro Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materi- als. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Contents Acknowledgments vii Introduction JAN ALBER, STEFAN IVERSEN, HENRIK SKOV NIELSEN, and BRIAN RICHARDSON 1 1. Unnatural Stories and Sequences BRIAN RICHARDSON 16 2. The Whirligig of Time: Toward a Poetics of Unnatural Temporality RÜDIGER HEINZE 31 3. Unnatural Spaces and Narrative Worlds JAN ALBER 45 4. Naturalizing and Unnaturalizing Reading Strategies: Focalization Revisited HENRIK SKOV NIELSEN 67 5. Unnatural Minds STEFAN IVERSEN 94 6. ‘Unnatural’ Metalepsis and Immersion: Necessarily Incompatible? WERNER WOLF 113 7. -
Triangulating Racism: French and Francophone African Reactions to the African American Freedom Movement (1954-1968)
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 8-11-2015 Triangulating Racism: French and Francophone African Reactions to the African American Freedom Movement (1954-1968) Allyson Tadjer Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Tadjer, Allyson, "Triangulating Racism: French and Francophone African Reactions to the African American Freedom Movement (1954-1968)." Dissertation, Georgia State University, 2015. https://scholarworks.gsu.edu/history_diss/46 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TRIANGULATING RACISM: FRENCH AND FRANCOPHONE AFRICAN REACTIONS TO THE AFRICAN AMERICAN FREEDOM MOVEMENT (1954-1968) by ALLYSON TADJER Under the Direction of Denise Davidson, PhD, and Michelle Brattain, PhD ABSTRACT This dissertation examines the meanings and significance of the African American freedom movement for the French and Francophone Africans at the momentous juncture of decolonization. By analyzing the French and Francophone African press, as well as the writings of French and Francophone African intellectuals, this project demonstrates that American racial events of the 1950s and 1960s allowed both communities to -
Wisdom and Other Feelings: Affect, Knowledge, and the Senecan Subject
Wisdom and Other Feelings: Affect, Knowledge, and the Senecan Subject by Chiara Graf A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Classics University of Toronto © Copyright by Chiara Graf 2020 Wisdom and Other Feelings: Affect, Knowledge, and the Senecan Subject Chiara Graf Doctor of Philosophy Department of Classics University of Toronto 2020 Abstract Much of the scholarship on the Senecan emotions has treated affect primarily as an obstacle to be overcome by Stoic reason and self-control. Placing Seneca’s philosophical, scientific, and literary works in dialogue with modern affect theory, I argue that emotions can provide routes to knowledge and define the subject’s relationship to the cosmos. The first three chapters of this dissertation treat the role of affect in Seneca’s meteorological treatise Natural Questions. In Chapter 1, I argue that the Senecan sage defines himself through an enchanted and joyful identification with the cosmos. In the subsequent two chapters, I explore the didactic potential of affect for epistemically compromised subjects who have not yet attained sagehood. Chapter 2 demonstrates the paradoxical solace to be found in stupefaction and anxiety, and Chapter 3 argues that even forms of wonder rooted in ignorance can guide imperfect subjects towards apprehending a logic underlying the cosmos. Chapter 4 turns to Book 20 of Seneca’s Epistles, treating the role of wonder in our understanding of the good (bonum) and honorable (honestum). I argue that, as the book unfolds, technical Stoic definitions of the good and honorable prove to be circular and inadequate, and that Seneca presents wonder as the only viable way of grasping these concepts. -
D:\Atlantis\Artículos Para Publicar 27.2\Editado Por Ricardo Y Por Mí
William Boelhower, Rocío G. Davis, and Carmen Birkle, ed. and intr. 2004: Sites of Ethnicity: Europe and the Americas. American Studies. A Monograph Series, 119. Heidelberg: Universitätsverlag. 394 pp. María Lourdes López Ropero Universidad de Alicante [email protected] The essays in Sites of Ethnicity: Europe and the Americas are structured around an ethnographic trope: the site. In fact, the volume’s comparative methodology and multidisciplinary corpus are in keeping with the tenets of modern ethnography, a connection acknowledged by the editors in their introduction. The need to compare sites to adequately pursue the study of culture is one of the premises of modern ethnography, which has shifted away from reductive notions of culture as “dwelling” towards a more capacious definition of culture as “multi-locale.” In the essay “Travelling Cultures,” James Clifford explains that multi-locale ethnography has replaced the village as a cultural whole by more complex sites “to do justice to transnational political, economic, and cultural forces that traverse and constitute local or regional worlds” (1992: 102). Thus, Clifford insists, the anthropologist seeking to study Haitian culture needs to do fieldwork in “at least two places,” the Caribbean and Brooklyn (109). Interdisciplinarity is another defining feature of modern ethnography. The contributors to Clifford and Marcus’ volume Writing Culture: The Poetics and Politics of Ethnography (1986) blur the boundary separating literature and science, or narrative and the objective description of culture. Mary Louis Pratt, for instance, traces the origins of ethnographic writing to sixteenth-century European travel accounts, which combined ethnographic description with personal narration (33) and asserts that contemporary ethnography can be read as narrative.