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Oscar Ballot
OSCARS 20 9 BEST PICTURE ORIGINAL SCREENPLAY SOUND EDITING “Black Panther” “The Favourite,” Deborah Davis, Tony “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “BlacKkKlansman” McNamara “Bohemian Rhapsody,” John Warhurst “Bohemian Rhapsody” “First Reformed,” Paul Schrader “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “The Favourite” “Green Book,” Nick Vallelonga, Brian “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Green Book” Currie, Peter Farrelly “Roma,” Sergio Diaz, Skip Lievsay “Roma” “Roma,” Alfonso Cuarón “A Star Is Born” “Vice,” Adam McKay SOUND MIXING “Vice” “Black Panther” ADAPTED SCREENPLAY “Bohemian Rhapsody” BEST ACTOR “The Ballad of Buster Scruggs,” Joel “First Man” Christian Bale, “Vice” Coen, Ethan Coen “Roma” Bradley Cooper, “A Star Is Born” “BlacKkKlansman,” Charlie Wachtel, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” David Rabinowitz, Kevin Willmott, Rami Malek, “Bohemian Rhapsody” Spike Lee PRODUCTION DESIGN Viggo Mortensen, “Green Book” “Can You Ever Forgive Me?,” Nicole “Black Panther,” Hannah Beachler Holofcener and Jeff Whitty “First Man,” Nathan Crowley, Kathy Lucas BEST ACTRESS “If Beale Street Could Talk,” Barry Jenkins “The Favourite,” Fiona Crombie, Alice Felton Yalitza Aparicio, “Roma” “A Star Is Born,” Eric Roth, Bradley “Mary Poppins Returns,” John Myhre, Glenn Close, “The Wife” Cooper, Will Fetters Gordon Sim Olivia Colman, “The Favourite” “Roma,” Eugenio Caballero, Bárbara Enriquez Lady Gaga, “A Star Is Born” CINEMATOGRAPHY Melissa McCarthy, “Can -
The Enjoyment Trip 1 the Enjoyment Trip
Gold New Leaf Journal P5. The Enjoyment Trip 1 The Enjoyment Trip Thursday, October 5, 2000 Definitely A New Day! Both practicing the guitar over the past twenty years, and writing my journal over the past seven years (and some before) have not only been ventures to prove myself, to prove to myself that I could do it, but also adventures in self-discovery. Since I have discovered myself, is it necessary that others discover me too? What difference does it make to them? Why should they even know? Why would they want to? Only I want to know. Actually, now that I have proved myself, whether others know or not really makes little difference. I am indifferent to it. Once I know myself, the idea of others also knowing me is almost besides the point. I only wanted them to in order to confirm myself. Once I had done that, the need diminished. Oh sure, it’s nice if they do. But if they don’t, it’s okay, too. Best is to visualize the bigger picture: to see others as myself. This usually happens when I teach folk dancing. I am focusing on what I am doing. I “lose” myself in the focus on others. Parodoxically, by losing myself in them, I find them in myself. In any case, what a road of freedom I am on! I have taken two giant steps, given up two great burdens: guitar performance and publishing my journal. The Voice of Supreme Joy and Confidence: My Fun Center Voice Yoga and running have never been for public consumption. -
Famed Soprano Renee Fleming Performs Original Single 'Still Dream'
PRESS RELEASE Oct. 15, 2012, 1:55 p.m. EDT Famed Soprano Renee Fleming Performs Original Single 'Still Dream' With Music By Alexandre Desplat And Lyrics By David Lindsay-Abaire For DreamWorks Animation's "Rise of the Guardians" New Single Headlines Soundtrack Album Featuring Score by Four-Time Academy Award® Nominated Composer Alexandre Desplat GLENDALE, Calif., Oct. 15, 2012 /PRNewswire via COMTEX/ ‐‐ DreamWorks Animation SKG, Inc. DWA ‐0.05% today announced that acclaimed soprano Renee Fleming has performed the original song "Still Dream" on the soundtrack for the upcoming Rise of the Guardians, which also features a score by Four‐Time Academy Award® nominated and Grammy® Award winning composer Alexandre Desplat. Varese Sarabande will release the soundtrack on November 13, preceding the film's nationwide release on November 21. The original, end‐credit song "Still Dream" was written and produced by Desplat, with lyrics by Rise of the Guardians screenwriter, Grammy® Award nominee and Pulitzer Prize winning author, David Lindsay‐Abaire. The complete score, recorded at the historic Abbey Road in London and Air Studios, was performed by the London Symphony Orchestra and features choral work by London Voices. To create the music and lyrics for the original song, Desplat and Lindsay‐Abaire drew upon the film's heroic and sweeping story as inspiration. "There is much more music in Rise of the Guardians than is found in the average live‐action film," says Desplat, who conducted the London Symphony Orchestra in the recording of his original compositions. "The goal with the score was to emphasize every moment of joy, sadness and soul so that audiences would be able to dive with the characters into their worlds. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
The Spanish Foreign Legion in the Spanish Civil War, 1936
The Spanish Foreign Legion in the Spanish Civil War, 1936 THE Spanish Foreign Legion IN THE Spanish Civil War 1936 José E. Álvarez UNIVERSITY OF MISSOURI PRESS Columbia Copyright © 2016 by The Curators of the University of Missouri University of Missouri Press, Columbia, Missouri 65211 Printed and bound in the United States of America All rights reserved. First printing, 2016. ISBN: 978-0-8262-2083-7 Library of Congress Control Number: 2016937222 This paper meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials, Z39.48, 1984. Typefaces: Sabon and Valentina For Caballero Legionario D. Alejandro Zamacola Monis Contents List of Illustrations / ix List of Maps / xi Foreword / xiii Acknowledgments / xix Introduction / 1 In Spanish Morocco / 13 The Legion Arrives in Andalusia / 27 On the Road to Madrid / 39 Mérida / 61 The Breach of Death: Badajoz / 67 The Battle of the Sierra de Guadalupe / 83 September 1936 / 93 The Battle for the Alcázar of Toledo / 121 From Toledo to Madrid, October 1936 / 129 The Madrid Front, November 1936 / 147 The Madrid Front, December 1936 / 173 With the Second Bandera on the Guipúzcoa-Aragón Front / 181 With the Third Bandera on the Asturian Front / 193 Conclusion / 213 Notes / 219 Bibliography / 275 Index / 283 Illustrations All photos are courtesy of the Archivo de La Legión 1. Lieutenant Colonel Antonio Castejón / 31 2. Legionnaires in Constantina / 48 3. General Francisco Franco with Colonel Juan Yagüe in Seville / 54 4. Machine-gun squad in Mérida / 64 5. Legionnaires entering Toledo / 124 6. Legionnaires advancing on the Madrid front / 151 7. -
1 1 Cultural Activity Offer
Cultural activity offer 11 Table of Contents Socio-cultural activities in Malaga .......................................................................................... 3 Boat trip “La Pinta Cruceros”: ............................................................................................. 3 Malaga Wake ..................................................................................................................... 4 Banana boat (20 min.) ....................................................................................................... 4 Big sup (60 min.) ................................................................................................................ 5 Cultural Bike Tour .............................................................................................................. 6 The Royal Bullring ............................................................................................................. 7 Professional Flamenco Show ............................................................................................. 8 Flamenco ........................................................................................................................... 9 Tapas Night ......................................................................................................................10 Mini Golf Park Happy Days (Torremolinos) .......................................................................11 Volleyball on the beach (Torremolinos) .............................................................................12 -
Children's Reception of Dubbed Animated Films in Spain
The Journal of Specialised Translation Issue 33 – January 2020 Straight from the horse’s mouth: children’s reception of dubbed animated films in Spain Julio de los Reyes Lozano, Universitat Jaume I, Castellón ABSTRACT Reception studies in the field of audiovisual translation (AVT) have increased considerably in the last two decades, including the target viewer in the picture. This paper presents the results of a study exploring young children’s reactions to some of the translation strategies regularly adopted in dubbed animated films. A total of 163 participants were shown nine animated film clips dubbed from English into Spanish, which included cultural references, colloquial language, educational content and songs. Data were then collected through a questionnaire adapted to the participants’ level of cognitive development and the analysis was based on two independent variables: the participants’ year in school and the number of previous viewings of the films. The results show that children do not seem to have much trouble understanding cultural, educational and musical content that is specific to the source culture and is kept in the target text. Interestingly, having previously watched the films does not appear to be a determining factor in children’s ability to identify these elements. KEYWORDS Reception, dubbing, audiovisual translation, children’s films, dual audience, experimental study. 1. Introduction After a hesitant start at the turn of the last century, scholars’ interest in the reception of translated audiovisual texts is now at its peak. The application of experimental methods specific to social sciences, such as questionnaires, surveys and interviews, accompanied by technological tools like eye trackers, has given researchers new tools to explore the way in which audiences receive translated audiovisual texts. -
Educational and Therapeutic Impact of Contemporary Animated Film Characters on the Viewer
Konteksty Pedagogiczne 2(11)/2018, s. 151–163 DOI: 10.19265/KP.2018.211151 www.kontekstypedagogiczne.pl Joanna Mytnik [email protected] University of Bialystok ORCID iD: 0000-0003-3924-8188 Educational and therapeutic impact of contemporary animated film characters on the viewer Introduction From the beginning of its existence, films have been evoking interest and giving inspiration. A motion picture has been a tool for many practition- ers. Educators, psychologists, therapists, and animators have long appreci- ated and used film art in their work. Considering the increasing pervasion of the mass media into human life, its presence in many aspects of human functioning, it is necessary to pay close attention to the power of its influ- ence. It is worth noting that the products of popular culture do not only carry risks. Films created for commercial purposes also serve higher purposes, not just entertainment. Being easier in perception for the viewer at any age (through the frequency of contact with this cultural product), it can influence their emotions more strongly, encourage deeper mental work and stimulate reflection. In this article I would like to focus primarily on the possibilities of supporting upbringing and human development, referring to the assump- tions of film therapy (Kozubek, 2016). According to Depta, “the starting point of educational work with a film should be the use of such films that are most popular among young viewers while increasing their cognitive horizons” (Depta, 1983, p. 165). The potential of contemporary animated films seems to be indisputable in this respect, as will be demonstrated by the analysis of the main factor of their influence on the viewer, namely film heroes. -
Guia Íllora Ok
THE GUIDE OF ÍLLORA Thanking to those who have helped in any kind of way > Jose Laredo for his photographic contribuition. > Pedro González for his guiding through his house. > Juan Manuel the showed us all the round abouts of Brácana. > Francisco Muñoz (El Córdoba) of Alomartes showing us etnographic guides. > Antonio Izquierdo for showing his windmill. Museum of Alomartes. > Nono López Font owner of the oldest house of Real Sreet. > Juan Esteban Guerrero showed us Caño Veralejo and the olive trees. > Valerio Ruiz Pulido owing permission to photograph from his house. > Concha Pérez Mazzuecos and Ramona Morilla Morón showing us the cookery. > Manuel Argüelles his invaluable help. > Juan Francisco Moreno Rodríguez his contribution to National Help Camps. > Higinio Almagro who suggested National Camps. > Nancy Van Erp and Brian Gilbraith translated it into English. > Carolina Rhoades who had a final look. > To all the youth who helped in the National Camps of Work. > To the page webside, “Pájaros de España” http/www.fortunecity.com/greenfield/macdonalds/296. Thanking them for the photographs of the birds. > And specially to all the people of Íllora. LAST PAGE-A-HELP-TO BUY HOUSES IN SPAIN Edition > Townhall of Íllora Designed by publicity > Catálogo Publicidad Impresion > Alsur Legal deposit > GR 1852/2003 Presentation n the development of a territory the value of its fundamental innate self is an important aspect when attemting to explain historical, social and economic I contexts. Therefore the town council has agreed to promote the town of Íllo- ra giving the reader the benefit of facts and attractive links to the town. -
9781474410571 Contemporary
CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
A Timeline for the Urbanization of Wild Birds: the Case of the Lesser Kestrel
Quaternary Science Reviews 249 (2020) 106638 Contents lists available at ScienceDirect Quaternary Science Reviews journal homepage: www.elsevier.com/locate/quascirev A timeline for the urbanization of wild birds: The case of the lesser kestrel * Juan Jose Negro a, , Jose Prenda b, Juan Jose Ferrero c, Airam Rodríguez a, d, Abilio Reig-Ferrer e a Department of Evolutionary Ecology, Estacion Biologica de Donana~ (EBD-CSIC), Av. Americo Vespucio 26, 41092, Seville, Spain b Department of Integrative Sciences, University of Huelva, Campus Universitario de El Carmen, Avda. Andalucía s/n, 21071, Huelva, Spain c Direccion General de Política Forestal, Junta de Extremadura, 06800, Merida, Spain d Grupo de Ornitología e Historia Natural de las Islas Canarias, GOHNIC, Canarias, Spain e Grupo de Investigacion Zoología de Vertebrados, Universidad de Alicante, 03080, Alicante, Spain article info abstract Article history: The Lesser kestrel (Falco naumanni) evolved as a separate species in the Old-World kestrel radiation Received 5 September 2020 starting in the late Miocene. Given that the first cities were erected in the Holocene, this urban colonial Received in revised form raptor has only become a major town dweller recently in its evolutionary history. Today, more than 95% 2 October 2020 of lesser kestrel colonies in Spain and other Mediterranean countries are on buildings, and the remaining Accepted 2 October 2020 few are on rocky outcrops, that may have been the original nesting substrate for this cavity-nesting bird. Available online xxx Lesser kestrel fossils are well represented in cave sites, and their paleontological distribution, spanning from the Early Paleolithic to the Epipaleolithic, agrees well with its current breeding distribution. -
International & Festivals
COMPANY CV – INTERNATIONAL & FESTIVALS INTERNATIONAL CAMPAIGNS / JUNKETS / TOURS (selected) Below we list the key elements of the international campaigns we have handled, but our work often also involves working closely with the local distributors and the film-makers and their representatives to ensure that all publicity opportunities are maximised. We have set up face-to-face and telephone interviews for actors and film-makers, working around their schedules to ensure that the key territories in particular are given as much access as possible, highlighting syndication opportunities, supplying information on special photography, incorporating international press into UK schedules that we are running, and looking at creative ways of scheduling press. THE AFTERMATH / James Kent / Fox Searchlight • International campaign support COLETTE / Wash Westmoreland / HanWay Films • International campaign BEAUTIFUL BOY / Felix van Groeningen / FilmNation • International campaign THE FAVOURITE / Yorgos Lanthimos / Fox Searchlight • International campaign support SUSPIRIA / Luca Guadagnino / Amazon Studios • International campaign LIFE ITSELF / Dan Fogelman / FilmNation • International campaign DISOBEDIENCE / Sebastián Lelio / FilmNation • International campaign THE CHILDREN ACT / Richard Eyre / FilmNation • International campaign DON’T WORRY, HE WON’T GET FAR ON FOOT / Gus Van Sant / Amazon Studios & FilmNation • International campaign ISLE OF DOGS / Wes Anderson / Fox Searchlight • International campaign THREE BILLBOARDS OUTSIDE EBBING, MISSOURI /