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The Joint Cult of St. Simeon and St. Sava Under Milutin. the Monastic Aspect

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The Joint Cult of St. Simeon and St. Sava Under Milutin. the Monastic Aspect Anna Adashinskaya THE JOINT CULT OF ST. SIMEON AND ST. SAVA UNDER MILUTIN. THE MONASTIC ASPECT MA Thesis in Medieval Studies CEU eTD Collection Central European University Budapest May 2009 Created with Print2PDF. To remove this line, buy a license at: http://www.software602.com/ THE JOINT CULT OF ST. SIMEON AND ST. SAVA UNDER MILUTIN. THE MONASTIC ASPECT by Anna Adashinskaya (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ CEU eTD Collection Examiner Budapest May 2009 Created with Print2PDF. To remove this line, buy a license at: http://www.software602.com/ THE JOINT CULT OF ST. SIMEON AND ST. SAVA UNDER MILUTIN. THE MONASTIC ASPECT by Anna Adashinskaya (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ____________________________________________ External Examiner CEU eTD Collection Budapest May 2009 Created with Print2PDF. To remove this line, buy a license at: http://www.software602.com/ THE JOINT CULT OF ST. SIMEON AND ST. SAVA UNDER MILUTIN. THE MONASTIC ASPECT by Anna Adashinskaya (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ________________________ Supervisor ____________________________________________ External Supervisor CEU eTD Collection Budapest May 2009 Created with Print2PDF. To remove this line, buy a license at: http://www.software602.com/ I, the undersigned, Anna Adashinskaya, candidate for the MA degree in Medieval Studies declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person’s or institution’s copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 25 May 2009 __________________________ Signature CEU eTD Collection Created with Print2PDF. To remove this line, buy a license at: http://www.software602.com/ TABLE OF CONTENTS MA THESIS IN MEDIEVAL STUDIES.......................................................................................................I SIGNATURE ......................................................................................................................................V INTRODUCTION................................................................................................................................1 AN OVERVIEW OF THE SOURCES..........................................................................................................2 METHODS ..........................................................................................................................................3 THE BACKGROUND. THE TWO CULTS ...................................................................................................5 1. MILUTIN’S REIGN AND THE POLITICAL SITUATION........................................................12 COMING TO POWER...........................................................................................................................12 WAR AND PEACE WITH BYZANTIUM ...................................................................................................14 THE CIVIL WAR. CHANGING POLITICS?..............................................................................................15 REUNITING WITH THE EMPIRE...........................................................................................................17 THE ATHONITE “MINISTRY OF FOREIGN AFFAIRS”..............................................................................20 THE LATE PIOUS YEARS.....................................................................................................................24 2. ICONOGRAPHICAL MEANINGS OF ST. SIMEON AND ST. SAVA DEPICTIONS..............27 BIBLIOGRAPHICAL SURVEY ...............................................................................................................27 DYNASTIC COMPOSITIONS .................................................................................................................29 Mileševa monastery......................................................................................................................29 Radoslav’s chapel in Studenica monastery....................................................................................30 The cathedral of Bogorodica Ljeviška...........................................................................................31 MONUMENTS, REFLECTING THE JOINT CULT .....................................................................................32 An icon of St. Simeon and St. Sava from Hilandar monastery ........................................................33 The King’s Church in Studenica....................................................................................................35 Hilandar ktetorial portraits ..........................................................................................................38 St. Nikitas church near Skopje ......................................................................................................45 3. THE JOINT CULT IN LITURGICAL PRACTICES...................................................................49 BIBLIOGRAPHICAL SURVEY ...............................................................................................................49 THE LITURGICAL POEMS, REFLECTING THE JOINT CULT ......................................................................54 From the Byzantine to the Slavonic Church Service: Rites, Books, Regulations..............................54 CEU eTD Collection The structure of Teodosije’s services.............................................................................................57 Teodosije’s canons: Usage, structure, performance.......................................................................60 The main motives and themes in the canons ..................................................................................67 THE ENCOMIUM................................................................................................................................76 FROM MONASTIC VENERATION TO ROYAL IDEOLOGY ...........................................................................85 i Created with Print2PDF. To remove this line, buy a license at: http://www.software602.com/ CONCLUSIONS AND DIRECTIONS FOR THE FURTHER RESEARCH...................................96 DIRECTIONS FOR THE FURTHER RESEARCH ......................................................................................100 BIBLIOGRAPHY............................................................................................................................104 PRIMARY SOURCES .........................................................................................................................104 SECONDARY LITERATURE................................................................................................................106 CEU eTD Collection ii Created with Print2PDF. To remove this line, buy a license at: http://www.software602.com/ LIST OF FIGURES 1. Mileševa monastery (1222-1228), a procession of the Nemanides family members 2. Radoslav’s chapel in Studenica monastery (about 1230), a procession of the Nemanides family members (southern wall). 3. Radoslav’s chapel in Studenica monastery (about 1230), a procession of the church hierarchs (northern wall). 4. Cathedral of Bogorodica Ljeviška (1306-1309), a procession of the members of the Nemanides dynasty (western wall). 5. An Icon of St. Simeon and St. Sava from Hilandar monastery (end of 13th – beginning of 14th century) 6. King’s church in Studenica (1313-1314), St. Simeon, St. Sava and the Theotokos.(northern wall). 7. King’s church in Studenica (1313-1314), Simonis, king Milutin, Joachim and Anna and Christ.(southern wall). 8. Two Hodegitria icons from Hilandar (about 1200). 9. Hodegitria icons from Hilandar. (about 1260). 10. The Presentation cathedral, Hilandar (1321). St. Simeon, St. Sava, king Milutin, St. Stephan (southern wall). 11. The Presentation cathedral, Hilandar (1321). St. Simeon,(southern wall). 12. The Presentation cathedral, Hilandar (1321). Composition in the narthex, St. Simeon and St. Sava with the Teotokos (repaited in the nineteenth century). 13-14. The Presentation cathedral, Hilandar (1321). Composition in the narthex, Andronikos II king Milutin and St. Stephan. CEU eTD Collection 15. St. Nikitas’ church near Skopje (1321-1324). St. Simeon, St. Sava and St. Theodosios Koinobites (northern wall). iii Created with Print2PDF. To remove this line, buy a license at: http://www.software602.com/ LIST OF ABBREVIATIONS Actes de Chilandar
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