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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
Download the Full Dc Future State Checklist!
Store info: FILL OUT THIS INTERACTIVE CHECKLIST AND RETURN TO YOUR RETAILER TO MAKE SURE YOU DON’T MISS AN ISSUE OF DC: FUTURE STATE! (Tuesday availability at participating stores) DC: FUTURE STATE TITLES DC: FUTURE STATE TITLES COMING JANUARY 2021 COMING FEBRUARY AND MARCH 2021 M V M = Main V = Variant M V M = Main V = Variant Check with your retailer for variant cover details. Check with your retailer for variant cover details. Available Tuesday, January 5, 2021 Available Tuesday, February 2, 2021 _ _ Future State: The Next Batman #1 (of 4) _ _ Future State: The Next Batman #3 (of 4) _ _ Future State: The Flash #1 (of 2) _ _ Future State: The Flash #2 (of 2) _ _ Future State: Harley Quinn #1 (of 2) _ _ Future State: Harley Quinn #2 (of 2) _ _ Future State: Superman of Metropolis #1 (of 2) _ _ Future State: Superman of Metropolis #2 (of 2) _ _ Future State: Swamp Thing #1 (of 2) _ _ Future State: Swamp Thing #2 (of 2) _ _ Future State: Wonder Woman #1 (of 2) _ _ Future State: Wonder Woman #2 (of 2) Available Tuesday, January 12, 2021 Available Tuesday, February 9, 2021 _ _ Future State: Dark Detective #1 (of 4) _ _ Future State: Dark Detective #3 (of 4) _ _ Future State: Green Lantern #1 (of 2) _ _ Future State: Green Lantern #2 (of 2) _ _ Future State: Justice League #1 (of 2) _ _ Future State: Justice League #2 (of 2) _ _ Future State: Kara Zor-El, Superwoman #1 (of 2) _ _ Future State: Kara Zor-El, Superwoman #2 (of 2) _ _ Future State: Robin Eternal #1 (of 2) _ _ Future State: Robin Eternal #2 (of 2) _ _ Future State: Superman/Wonder -
Supergirl: Volume 4 Pdf, Epub, Ebook
SUPERGIRL: VOLUME 4 PDF, EPUB, EBOOK Mahmud A. Asrar,Michael Alan Nelson | 144 pages | 29 Jul 2014 | DC Comics | 9781401247003 | English | United States Supergirl: Volume 4 PDF Book Also, there are some moments where Kara's powers really don't make sense. Supergirl Vol 4 9 "Tempus Fugit" May, Supergirl Vol 4 12 "Cries in the Darkness" August, Matt rated it it was amazing Apr 06, However, I do prefer the more recent issues of the series, which send Kara-El Supergirl's Kryptonian name on a space quest with Krypto the Super-Dog and art by the always dependable Kevin Maguire. The one after that will be straight garbage that no effort whatsoever was put into. Jun 08, Mike marked it as series-in-progress. This issue tells the New 52 origin of Cyborg Superman. Supergirl Vol 4 54 "Statue of Limitations" March, Search books and authors. Learn how to enable JavaScript on your browser. What's worse is how disjointed the story is. Supergirl Vol 4 51 "Making a Splash" December, It was just generic. Harley Quinn Vol. Supergirl Vol 4 47 "Before the Fall" August, Kara is dying of Kryptonite poisoning and has fled Earth. The issue that tracked Zor-El's conflict with Jor-El about how best to save Krypton from destruction was outstanding. Mesmer, one of. Slightly better than the last volume. Science Fiction. Supergirl has Kryptonite poisoning from her run in with H'el, so she takes off into space to 'die alone' Supergirl Vol 4 10 "Hidden Things" June, Enlarge cover. Jan 03, Fraser Sherman rated it it was ok Shelves: graphic-novels. -
Test Your Super Hero Knowledge
Test Your Super Hero Knowledge How well do you know the LEGO® DC Universe™ Super Heroes and their friends and foes? Answer the trivia questions below to test your knowledge! 1. Starting as the original Robin, Dick Grayson 8. One of Batman’s oldest foes, he is always in eventually struck out on his own to become a three-piece suit and is never far from his this hero, though he still comes to Batman’s trick umbrella. aid when needed! 9. This villain uses her knowledge of dangerous 2. This psychiatric hospital is used to house plants to commit ecological crimes all Gotham’s biggest crooks and super-villains, though around Gotham City. somehow they always manage to escape! 10. Armed with her magical Golden Lasso of Truth, 3. Hidden beneath Wayne Manor, this is Batman’s this hero is a warrior princess from the island headquarters and is where he keeps his suits of Themyscira. and weapons. 11. This villain gets his super-strength from the 4. This is Batman’s most-trusted sidekick. He Venom-dispensing mask he constantly wears. is quipped with his very own yellow cape and symbol. 12. This base is the headquarters for The Joker and The Riddler and is full of booby traps and 5. Alternating between both enemy and friend, sinister rides. this jewelry robber rides around Gotham City on her motorbike with her whip in tow. 13. Once a psychiatrist, this villainess fell in love with the Joker and joined him on causing 6. Originally from Krypton and currently living in mayhem throughout Gotham. -
Superman(Jjabrams).Pdf
L, July 26, 2002 SUPERMAN FADE IN: . .. INT. TV MONITOR - DAY TIGHT ON a video image of a news telecast. Ex ~t th efs no one there -- just the empty newsdesk. Odd. e Suddenly a NEWSCASTER appears behind the desk - rushed and unkempt. Fumbles with his clip mic trembling. It's unsettling; be looks up at us, desperately to sound confident. But his voice Nm?!3CASTER Ladies and gentlen. If you are watching this, and are taking shelter underground, we strongly urg you -- all of vou -- to do so immediately. Anywhere-- anywhere e are, anywhere you can find. (beat) At this hour, all we know is that there are visitors on this planet-- and that there's a conflict between 'v them-- the Giza Pyramids have been @ destroyed-- sections of Paris. Massive fires are raging from Venezuela to Chile-- a great deal of Seoul, Korea ... no longer exists ... All this man wants to-do is cry. But he's a realize now that werite been SLOWLY PUSHING IN NEWSCASTER ( con t ' d ) Only weeks ago this report would've seemed.. ludicrous. Aliens.. usi Earth as a battleground. .. ( then, with growing venom: ) ... but that was before Superman. (beat1 It turns out that our faith was naive. Premature. Perhaps, given Y the state pf the world. .- simply desperate-- .. , Something urgent is YELLED from behind the c Newscaster looks off, ' fied -- he yells but it's masked by a SHATT!L'RING -- FLYING GLASS -- the video . .. camera SHAKES -- . -.~. &+,. 9' .. .-. .. .. .: . .I _ - - . - .. ( CONTINUED) . 2. CONTINUED: 4 -. A TERRIBLE WHI.STLE, then an EXPIX)SION -- '1 WHIPPED OUT OF FRAME in the same horrible inst . -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
The Influence of Gun Control Legislation on Rampage Shootings
University of Central Florida STARS HIM 1990-2015 2015 The Influence of Gun Control Legislation on Rampage Shootings Andrew D. Manor University of Central Florida Part of the Legal Studies Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Manor, Andrew D., "The Influence of Gun Control Legislation on Rampage Shootings" (2015). HIM 1990-2015. 1872. https://stars.library.ucf.edu/honorstheses1990-2015/1872 THE INFLUENCE OF GUN CONTROL LEGISLATION ON RAMPAGE SHOOTINGS by ANDREW D. MANOR A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Legal Studies in the College of Health and Public Affairs and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall Term 2015 Thesis Chair: Dr. James Beckman Abstract The United States has experienced several mass shootings in the past few years. It has been averaging one shooting every week in 2015, and something must be done about it. This problem appears to be limited to the United States since several other nations have been able to minimize, and almost eliminate the number of mass shootings. By taking an analysis of the gun laws of the United States with those of Australia and Canada it can be concluded that some aspects of strict gun control can reduce the number of mass shootings. -
Liberal Democratic Civic Education and Rampage School Gun Violence: Why We Need an Alternative Theory of Democracy to Guide Contemporary Civic Education
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2019 Liberal Democratic Civic Education and Rampage School Gun Violence: Why We Need an Alternative Theory of Democracy to Guide Contemporary Civic Education Samantha Deane Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Philosophy Commons Recommended Citation Deane, Samantha, "Liberal Democratic Civic Education and Rampage School Gun Violence: Why We Need an Alternative Theory of Democracy to Guide Contemporary Civic Education" (2019). Dissertations. 3329. https://ecommons.luc.edu/luc_diss/3329 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2019 Samantha Deane LOYOLA UNIVERSITY CHICAGO LIBERAL DEMOCRATIC CIVIC EDUCATION AND RAMPAGE SCHOOL GUN VIOLENCE: WHY WE NEED AN ALTERNATIVE THEORY OF DEMOCRACY TO GUIDE CONTEMPORARY CIVIC EDUCATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN CULTURAL AND EDUCATIONAL POLICY STUDIES BY SAMANTHA DEANE CHICAGO, IL MAY 2019 Copyright by Samantha Deane, 2019 All rights reserved. ACKNOWLEDGEMENTS I would like to thank all of the people who made this dissertation possible, starting with my professors at Loyola University Chicago. I offer a very special thank you to my committee chair, Dr. Amy Shuffelton, whose guidance, support, critical questions, and friendship kept me motivated and on track to complete this project. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today.