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Meat: a Novel
University of New Hampshire University of New Hampshire Scholars' Repository Faculty Publications 2019 Meat: A Novel Sergey Belyaev Boris Pilnyak Ronald D. LeBlanc University of New Hampshire, [email protected] Follow this and additional works at: https://scholars.unh.edu/faculty_pubs Recommended Citation Belyaev, Sergey; Pilnyak, Boris; and LeBlanc, Ronald D., "Meat: A Novel" (2019). Faculty Publications. 650. https://scholars.unh.edu/faculty_pubs/650 This Book is brought to you for free and open access by University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Faculty Publications by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Sergey Belyaev and Boris Pilnyak Meat: A Novel Translated by Ronald D. LeBlanc Table of Contents Acknowledgments . III Note on Translation & Transliteration . IV Meat: A Novel: Text and Context . V Meat: A Novel: Part I . 1 Meat: A Novel: Part II . 56 Meat: A Novel: Part III . 98 Memorandum from the Authors . 157 II Acknowledgments I wish to thank the several friends and colleagues who provided me with assistance, advice, and support during the course of my work on this translation project, especially those who helped me to identify some of the exotic culinary items that are mentioned in the opening section of Part I. They include Lynn Visson, Darra Goldstein, Joyce Toomre, and Viktor Konstantinovich Lanchikov. Valuable translation help with tricky grammatical constructions and idiomatic expressions was provided by Dwight and Liya Roesch, both while they were in Moscow serving as interpreters for the State Department and since their return stateside. -
New Frontiers for Museum Management
New Frontiers for Museum Management Audience outreach Rinske Hordijk Art tube MUSEUMS AS MULTIMEDIA PRODUCERS A collaborative videoplatform for art lovers and education Rinske Hordijk Project Manager ARTtube Video platform since 2012 Collaboration of 25 art museums High quality museum video / Dynamic archive / free and accessible / Educational value first / International audience Why a collaborative platform? • Hundreds of stories about museums, artists and artworks: collected and connected • Exchange of audiences • Collaborative series and stories that expand the individual museum • Audiences know what’s on in the main art museums of Belgium and the Netherlands • Inspiration and elaboration at any time and place Over 700 videos about art and design ARTtube museums 25 museums in The Netherlands and Belgium Contemporary Art Modern Art Design Old Masters Photography Film Artists Jeff Wall, Anton Corbijn, Mondriaan, Marlene Dumas, Jeroen Bosch, Van Eyck, Panamarenko, Daan Roosegaarde Audience 300.000 unique online visitors a year Broadcasts on National TV, Vimeo and Youtube From school students to young art lovers and a 50+ museum audience International audience 20 % Museums as producers Collaboration external: filmmakers & broadcasters Collaboration internal: editorial teams new roles, expertise and policy in communication, education & documentation For education Primary education Secondary education Co-creation with peer-educators Blikopeners Stedelijk Museum (eye- openers) visit designer Marcel Wanders in his studio Video assigments by artists Partnering with National TV Well-known presenter (TV shows) Peer-educators discuss art related questions Different art professionals Educational material > activate students inside classroom and museum Co-design with schools & students “wat de VAKman”: starting from the perspective of secondary school students. -
Sculptor Nina Slobodinskaya (1898-1984)
1 de 2 SCULPTOR NINA SLOBODINSKAYA (1898-1984). LIFE AND SEARCH OF CREATIVE BOUNDARIES IN THE SOVIET EPOCH Anastasia GNEZDILOVA Dipòsit legal: Gi. 2081-2016 http://hdl.handle.net/10803/334701 http://creativecommons.org/licenses/by/4.0/deed.ca Aquesta obra està subjecta a una llicència Creative Commons Reconeixement Esta obra está bajo una licencia Creative Commons Reconocimiento This work is licensed under a Creative Commons Attribution licence TESI DOCTORAL Sculptor Nina Slobodinskaya (1898 -1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 TESI DOCTORAL Sculptor Nina Slobodinskaya (1898-1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 Programa de doctorat: Ciències humanes I de la cultura Dirigida per: Dra. Maria-Josep Balsach i Peig Memòria presentada per optar al títol de doctora per la Universitat de Girona 1 2 Acknowledgments First of all I would like to thank my scientific tutor Maria-Josep Balsach I Peig, who inspired and encouraged me to work on subject which truly interested me, but I did not dare considering to work on it, although it was most actual, despite all seeming difficulties. Her invaluable support and wise and unfailing guiadance throughthout all work periods were crucial as returned hope and belief in proper forces in moments of despair and finally to bring my study to a conclusion. My research would not be realized without constant sacrifices, enormous patience, encouragement and understanding, moral support, good advices, and faith in me of all my family: my husband Daniel, my parents Andrey and Tamara, my ount Liubov, my children Iaroslav and Maria, my parents-in-law Francesc and Maria –Antonia, and my sister-in-law Silvia. -
Imperial Splendors of Russia
SMALL GROUP Ma xi mum of LAND 28 Travele rs JO URNEY Imperial Splendors of Russia Inspiring Moments > Admire Russia’s cultural treasures, from folk songs and handmade collectibles to priceless masterpieces. > Stand in awe in historic, monumental Red Square. INCLUDED FEATURES > Escape the crowds with early access to the must-see Hermitage Museum. Accommodations (with baggage handling) Itinerary > – 4 nights in Moscow, Russia, at the Day 1 Depart gateway city Feel the mist from the fountains as you stroll the grand promenades of first-class InterContinental Moscow Day 2 Arrive in Moscow and transfer Peter the Great’s opulent palace. Tverskaya. to hotel > Be dazzled by the Russian baroque – 4 nights in St. Petersburg at the Day 3 Moscow first-class Angleterre Hotel. Catherine Palace and the mystery Day 4 Moscow of the Amber Room. Transfers (with baggage handling) Day 5 Moscow > Take in sweeping vistas on the Sapsan, – All transfers in the Land program: high- Day 6 Board train | St. Petersburg the high-speed train from Moscow to speed train and deluxe motor coaches. Day 7 St. Petersburg St. Petersburg. > Extensive Meal Program Day 8 Peterhof | Catherine Palace Experience three UNESCO World Heritage sites. – 8 breakfasts, 3 lunches and 4 dinners, Day 9 St. Petersburg including Welcome and Farewell Dinners; Day 10 Transfer to St. Petersburg tea or coffee with all meals, plus wine St. Basil’s Cathedral, Moscow airport and depart for gateway with dinner. city Your One-of-a-Kind Journey Flights and transfers included for AHI FlexAir participants. – Discovery excursions highlight the local Note: Itinerary may change due to local conditions. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Pushkin and the Futurists
1 A Stowaway on the Steamship of Modernity: Pushkin and the Futurists James Rann UCL Submitted for the Degree of Doctor of Philosophy 2 Declaration I, James Rann, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Acknowledgements I owe a great debt of gratitude to my supervisor, Robin Aizlewood, who has been an inspirational discussion partner and an assiduous reader. Any errors in interpretation, argumentation or presentation are, however, my own. Many thanks must also go to numerous people who have read parts of this thesis, in various incarnations, and offered generous and insightful commentary. They include: Julian Graffy, Pamela Davidson, Seth Graham, Andreas Schönle, Alexandra Smith and Mark D. Steinberg. I am grateful to Chris Tapp for his willingness to lead me through certain aspects of Biblical exegesis, and to Robert Chandler and Robin Milner-Gulland for sharing their insights into Khlebnikov’s ‘Odinokii litsedei’ with me. I would also like to thank Julia, for her inspiration, kindness and support, and my parents, for everything. 4 Note on Conventions I have used the Library of Congress system of transliteration throughout, with the exception of the names of tsars and the cities Moscow and St Petersburg. References have been cited in accordance with the latest guidelines of the Modern Humanities Research Association. In the relevant chapters specific works have been referenced within the body of the text. They are as follows: Chapter One—Vladimir Markov, ed., Manifesty i programmy russkikh futuristov; Chapter Two—Velimir Khlebnikov, Sobranie sochinenii v shesti tomakh, ed. -
Link Shostakovich.Txt
FRAMMENTI DELL'OPERA "TESTIMONIANZA" DI VOLKOV: http://www.francescomariacolombo.com/index.php?option=com_content&view=article&i d=54&Itemid=65&lang=it LA BIOGRAFIA DEL MUSICISTA DA "SOSTAKOVIC" DI FRANCO PULCINI: http://books.google.it/books?id=2vim5XnmcDUC&pg=PA40&lpg=PA40&dq=testimonianza+v olkov&source=bl&ots=iq2gzJOa7_&sig=3Y_drOErxYxehd6cjNO7R6ThVFM&hl=it&sa=X&ei=yUi SUbVkzMQ9t9mA2A0&ved=0CDEQ6AEwAQ#v=onepage&q=testimonianza%20volkov&f=false LA PASSIONE PER IL CALCIO http://www.storiedicalcio.altervista.org/calcio_sostakovic.html CENNI SULLA BIOGRAFIA: http://www.52composers.com/shostakovich.html PERSONALITA' DEL MUSICISTA NELL'APPOSITO PARAGRAFO "PERSONALITY" : http://www.classiccat.net/shostakovich_d/biography.php SCHEMA MOLTO SINTETICO DELLA BIOGRAFIA: http://www.thefamouspeople.com/profiles/dmitry-shostakovich-344.php La mia droga si chiama Caterina La mia droga si chiama Caterina “Io mi aggiro tra gli uomini come fossero frammenti di uomini” (Nietzsche) In un articolo del 1932 sulla rivista “Sovetskoe iskusstvo”, Sostakovic dichiarava il proprio amore per Katerina Lvovna Izmajlova, la protagonista dell’opera che egli stava scrivendo da oltre venti mesi, e che vedrà la luce al Teatro Malyi di Leningrado il 22 gennaio 1934. Katerina è una ragazza russa della stessa età del compositore, ventiquattro, venticinque anni (la maturazione artistica di Sostakovic fu, com’è noto, precocissima), “dotata, intelligente e superiore alla media, la quale rovina la propria vita a causa dell’opprimente posizione cui la Russia prerivoluzionaria la assoggetta”. E’ un’omicida, anzi un vero e proprio serial killer al femminile; e tuttavia Sostakovic denuncia quanta simpatia provi per lei. Nelle originarie intenzioni dell’autore, “Una Lady Macbeth del distretto di Mcensk” avrebbe inaugurato una trilogia dedicata alla donna russa, còlta nella sua essenza immutabile attraverso differenti epoche storiche. -
Imperial Splendors of Russia
SMALL GROUP Ma xi mum of LAND 28 Travele rs JO URNEY Imperial Splendors of Russia Inspiring Moments > Admire Russia’s cultural treasures, from folk songs and handmade collectibles to priceless masterpieces. > Stand in awe in historic, monumental Red Square. INCLUDED FEATURES > Escape the crowds with early access to the must-see Hermitage Museum. Accommodations (with baggage handling) Itinerary > – 4 nights in Moscow, Russia, at the Day 1 Depart gateway city Feel the mist from the fountains as you stroll the grand promenades of first-class InterContinental Moscow Day 2 Arrive in Moscow and transfer Peter the Great’s opulent palace. Tverskaya. to hotel > Be dazzled by the Russian baroque – 4 nights in St. Petersburg at the Day 3 Moscow first-class Angleterre Hotel. Catherine Palace and the mystery Day 4 Moscow of the Amber Room. Transfers (with baggage handling) Day 5 Moscow > Take in sweeping vistas on the Sapsan, – All transfers in the Land program: high- Day 6 Board train | St. Petersburg the high-speed train from Moscow to speed train and deluxe motor coaches. Day 7 St. Petersburg St. Petersburg. > Extensive Meal Program Day 8 Peterhof | Catherine Palace Experience three UNESCO World Heritage sites. – 8 breakfasts, 3 lunches and 4 dinners, Day 9 St. Petersburg including Welcome and Farewell Dinners; Day 10 Transfer to St. Petersburg tea or coffee with all meals, plus wine St. Basil’s Cathedral, Moscow airport and depart for gateway with dinner. city Your One-of-a-Kind Journey Flights and transfers included for AHI FlexAir participants. – Discovery excursions highlight the local Note: Itinerary may change due to local conditions. -
Tour Overview Day One Arrival to Moscow
Tour overview Day one Arrival to Moscow Your personal driver will meet you in the airport and transfer to a centrally located 4-star hotel for check in. The rest of the day is your leisure time. You can start discovering Moscow city centre, enjoy the local food in one of the traditional restaurants. Day two Moscow City tour and the Tretyakov Gallery After breakfast, local English-speaking guide will meet you at the hotel lobby to start the fascinating tour of Moscow sights. During this day you will visit the Red Square - the main square of the capital of Russia which is located at the walls of the Moscow Kremlin.Then you will discover a picturesque St.Basil's Cathedral built in the middle of the 16th century under Tsar Ivan the Terrible order to commemorate the conquest of the Kazan Khanate. Further your guide will introduce you one of the largest stores in Europe – GUM, which has been operating since 1893. After lunch (not included) you will explore the Tretyakov Gallery - the world's largest collection of Russian painting, drawing and sculpture which grew out of private collections of the brothers Pavel and Sergey Tretyakov. Currently the gallery features over 180 thousand exhibits. After visiting the Gallery your driver will take you to the hotel. Day three Tour to the Kremlin and the Armoury Chamber After breakfast you will start your guided tour to the Kremlin, passing its main entrance - the Spassky Gate, which is located opposite to the St. Basil's Cathedral and face the Red Square. -
The Oddyssey of the Turgenev Library from Paris, 1940-2002
RESEARCH PAPERS The Odyssey of the Turgenev Library from Paris, 1940-2002 Books as Victims and Trophies of War Patricia Kennedy Grimsted Cruquiusweg 31 1019 AT Amsterdam The Netherlands Tel. + 31 20 6685866 Fax + 31 20 6654181 ISSN 0927-4618 IISH Research Paper 42 © Copyright 2003, Patricia Kennedy Grimsted All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. IISH-Research Papers is a prepublication series inaugurated in 1989 by the International Institute of Social History (IISH) to highlight and promote socio-historical research and scholarship. Through distribution of these works the IISH hopes to encourage international discussion and exchange. This vehicle of publicizing works in progress or in a prepublication stage is open to all labour and social historians. In this context, research by scholars from outside the IISH can also be disseminated as a Research Paper. Those interested should write to Marcel van der Linden, IISH, Cruquiusweg 31, 1019 AT, The Netherlands. Telephone 31-20-6685866, Telefax 31-20- 6654181, e-mail [email protected]. The Odyssey of the Turgenev Library from Paris, 1940–2002 Books as Victims and Trophies of War Patricia Kennedy Grimsted Harvard Ukrainian Research Institute International Institute of Social History (Amsterdam) International Institute of Social History Amsterdam 2003 Contents Foreword by Hélène Kaplan, Secrétaire générale de l'Association de la Bibliothèque Tourguénev 3 Abbreviations used in text and notes 5 Technical Note 8 Preface and acknowledgments 9 Map of the Odyssey of the Turgenev Library Through Europe 14 Introduction 1. -
Russia's Armed Forces: the Power of Illusion
Russia's Armed Forces: The Power of Illusion Roger McDermott March 2009 Russia/NIS Center Ifri is a research center and a forum for debate on major international political and economic issues. Headed by Thierry de Montbrial since its founding in 1979, Ifri is a non-governmental and a non-profit organization. As an independent think tank, Ifri sets its own research agenda, publishing its findings regularly for a global audience. With offices in Paris and Brussels, Ifri stands out as one of the rare French think tanks to have positioned itself at the very heart of European debate. Using an interdisciplinary approach, Ifri brings together political and economic decision-makers, researchers and internationally renowned experts to animate its debates and research activities. The opinions expressed in this article are the authors’ alone and do not reflect the official views of their institutions. Russia/NIS Center © All rights reserved – Ifri – Paris, 2009 ISBN: 978-2-86592-476-9 IFRI IFRI-Bruxelles 27 RUE DE LA PROCESSION RUE MARIE-THERESE, 21 75740 PARIS CEDEX 15 – FRANCE 1000 BRUXELLES TEL. : 33 (0)1 40 61 60 00 TEL. : 32(2) 238 51 10 FAX : 33 (0)1 40 61 60 60 FAX : 32 (2) 238 51 15 E-MAIL : [email protected] E-MAIL : [email protected] WEBSITE : www.ifri.org R. McDermott / Russian Military Power Russie.Nei.Visions Russie.Nei.Visions is an electronic collection dedicated to Russia and the other new independent states (Belarus, Ukraine, Moldova, Armenia, Georgia, Azerbaijan, Kazakhstan, Uzbekistan, Turkmenistan, Tajikistan and Kyrgyzstan). Written by leading experts, these policy-oriented papers deal with strategic, political, and economic issues. -
The Politics of Russian Memory: the Great War in the European Context Olga S
RUDN Journal of Russian History 2021 Vol. 20 No 2 216–235 Вестник РУДН. Серия: ИСТОРИЯ РОССИИ http://journals.rudn.ru/russian-history https://doi.org/10.22363/2312-8674-2021-20-2-216-235 Research article / Научная статья The Politics of Russian Memory: The Great War in the European Context Olga S. Porshneva Ural Federal University named after the first President of Russia B.N. Yeltsin, 19 Mira St., Yekaterinburg, 620002, Russia, [email protected] Abstract: This article examines how the historical memory of World War I emerged and deve- loped in Russia, and also compares it to how Europeans have thought about the conflict. The author argues that the politics of memory differed during the Soviet and post-Soviet periods. In the wake of the 1917 Revolution, Bolshevik efforts to “re-format” the memory of the Great War were part of its attempt to create a new society and new man. At the same time, the regime used it to mobilize society for the impending conflict with the 'imperialist' powers. The key actors that sought to inculcate the no- tion of the war with imperialism into Soviet mass consciousness were the Central Committee of the Bolshevik Communist Party, the Department of Agitation and Propaganda, and, in particular, the Red Army and Comintern. The latter two worked together to organize the major campaigns dedicat- ed to war anniversaries, which were important both to reinforce the concept of imperialist war as well as to involve the masses in public commemorations, rituals and practices. The Soviet state also relied on organizations of war veterans to promote such commemorative practices while suppressing any alter- native narratives.