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Notice of Opposition Opposer Information Applicant Information
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA983716 Filing date: 06/26/2019 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name DC Comics Entity Partnership Citizenship New York Composed Of: E.C. Publications, Inc. a New York corporation, and Warner Communications LLC, a Delaware Limited Liability Company Address 2900 West Alameda Avenue Burbank, CA 91505 UNITED STATES Attorney informa- James D. Weinberger tion Fross Zelnick Lehrman & Zissu, P.C. 151 West 42nd Street 17th Floor New York, NY 10036 UNITED STATES [email protected], [email protected], [email protected] (212) 813-5900 Applicant Information Application No 88303465 Publication date 06/18/2019 Opposition Filing 06/26/2019 Opposition Peri- 07/18/2019 Date od Ends Applicant SHP Animation LLC 500 West Putnam Avenue, 4th Floor Greenwich, CT 06830 UNITED STATES Goods/Services Affected by Opposition Class 028. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Toys, games, and playthings, namely, toy action figures, toy vehicles and gamesin the nature of board games and miniature toy sports games Class 041. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Entertainment services, namely, the provi- sion of continuing television shows and movies in the field of animated cartoons delivered by televi- sion, and animation production services Grounds for Opposition Priority and likelihood of confusion Trademark Act Section 2(d) Dilution by blurring Trademark Act Sections 2 and 43(c) Marks Cited by Opposer as Basis for Opposition U.S. -
Gender Sexualization in Digital Games: Exploring Female Character Changes in Tomb Raider Jingjing Liu University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 10-10-2018 Gender Sexualization in Digital Games: Exploring Female Character Changes in Tomb Raider Jingjing Liu University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Mass Communication Commons Scholar Commons Citation Liu, Jingjing, "Gender Sexualization in Digital Games: Exploring Female Character Changes in Tomb Raider" (2018). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7542 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Gender Sexualization in Digital Games: Exploring Female Character Changes in Tomb Raider by Jingjing Liu A thesis submitted in part fulfillment of the requirements for the degree of Zimmerman School of Advertising and Mass Communications College of Arts & Sciences University of South Florida Major Professor: Kelli Burns, Ph.D. Scott S. Liu, Ph.D. Roxanne Watson, Ph.D. Date of Approval: October 17, 2018 Keywords: gender stereotypes, sexualization, games, Lara Copyright © 2018, Jingjing Liu DEDICATION This thesis is dedicated to my parents. Thanks for always encouraging and supporting me. TABLE OF CONTENTS LIST OF TABLES ...................................................................................................................... -
741.5 Batman..The Joker
Darwyn Cooke Timm Paul Dini OF..THE FLASH..SUPERBOY Kaley BATMAN..THE JOKER 741.5 GREEN LANTERN..AND THE JUSTICE LEAGUE OF AMERICA! MARCH 2021 - NO. 52 PLUS...KITTENPLUS...DC TV VS. ON CONAN DVD Cuoco Bruce TImm MEANWHILE Marv Wolfman Steve Englehart Marv Wolfman Englehart Wolfman Marshall Rogers. Jim Aparo Dave Cockrum Matt Wagner The Comics & Graphic Novel Bulletin of In celebration of its eighty- queror to the Justice League plus year history, DC has of Detroit to the grim’n’gritty released a slew of compila- throwdowns of the last two tions covering their iconic decades, the Justice League characters in all their mani- has been through it. So has festations. 80 Years of the the Green Lantern, whether Fastest Man Alive focuses in the guise of Alan Scott, The company’s name was Na- on the career of that Flash Hal Jordan, Guy Gardner or the futuristic Legion of Super- tional Periodical Publications, whose 1958 debut began any of the thousands of other heroes and the contemporary but the readers knew it as DC. the Silver Age of Comics. members of the Green Lan- Teen Titans. There’s not one But it also includes stories tern Corps. Space opera, badly drawn story in this Cele- Named after its breakout title featuring his Golden Age streetwise relevance, emo- Detective Comics, DC created predecessor, whose appear- tional epics—all these and bration of 75 Years. Not many the American comics industry ance in “The Flash of Two more fill the pages of 80 villains become as iconic as when it introduced Superman Worlds” (right) initiated the Years of the Emerald Knight. -
Released 3Rd May 2019 BOOM!
Released 3rd May 2019 BOOM! STUDIOS MAY191228 BUFFY THE VAMPIRE SLAYER #6 CVR A MAIN ASPINALL MAY191229 BUFFY THE VAMPIRE SLAYER #6 CVR B MAIN WADA MAY191230 BUFFY THE VAMPIRE SLAYER #6 CVR C MAIN SHARPE MAY191231 BUFFY THE VAMPIRE SLAYER #6 CVR D PREORDER CAREY VAR APR198613 BUFFY THE VAMPIRE SLAYER #6 FOC MERCADO SLAYER VAR APR198614 BUFFY THE VAMPIRE SLAYER #6 FOC MERCADO VAMP VAR APR198528 CODA TP VOL 01 (NEW PTG) MAY191253 GIANT DAYS #52 MAR191279 GO GO POWER RANGERS TP VOL 04 MAR191294 JIM HENSONS TALE OF SAND GN MAR191312 OVER GARDEN WALL HOLLOW TOWN TP MAY191255 ROCKOS MODERN AFTERLIFE #4 CVR A MAIN MCGINTY MAY191256 ROCKOS MODERN AFTERLIFE #4 CVR B PREORDER MCCORMICK VAR MAR191304 SMOOTH CRIMINALS TP VOL 01 DARK HORSE COMICS MAR190322 BEANWORLD OMNIBUS TP VOL 02 MAR190297 BLACK HAMMER AGE OF DOOM #11 CVR A ORMSTON MAR190298 BLACK HAMMER AGE OF DOOM #11 CVR B RIVERA MAR190349 CRIMSON LOTUS TP MAR190280 HELLBOY HC 25 YEARS OF COVERS MAR190303 MASSIVE OMNIBUS TP VOL 01 MAY190237 NO ONE LEFT TO FIGHT #1 (OF 5) MAY190208 WORLD OF BLACK HAMMER ENCYCLOPEDIA ONE-SHOT DC COMICS MAY190375 ADVENTURES OF THE SUPER SONS #12 (OF 12) APR190442 BATGIRL #36 APR190443 BATGIRL #36 VAR ED DEC180679 BATMAN BLACK & WHITE STATUE BY KENNETH ROCAFORT APR190531 BATMAN DELUXE ED COLL HC BOOK 04 MAY190390 BATMAN TEENAGE MUTANT NINJA TURTLES III #3 (OF 6) MAY190391 BATMAN TEENAGE MUTANT NINJA TURTLES III #3 (OF 6) VAR ED DEC180683 DC GALLERY ARKHAM ASYLUM BATMAN COWL (AUG188732) APR198793 DCEASED #1 (OF 6) 2ND PTG MAY190397 DCEASED #3 (OF 6) MAY190399 DCEASED -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
Can't Go Home by Noelle Adams / Pfangirl PART 1
Can't go home By Noelle Adams / pfangirl PART 1 - SUFFOCATED A caged lioness. That's what Lara reminded Sam of now. Every time she looked at her best friend, the American thought of the big cat she'd seen in a German zoo during her globe- trotting childhood. It wouldn't lie still. It was pure feral energy, striding back and forth in its enclosure, muscles rippling beneath its pelt. Lara was the same. Lithe grace and power in human form, always moving, always intensely focused on some task or thing. Almost permanently scowling. Sam had always wondered which of her parents Lara inherited her effortless physicality from. Four years of knowing Lara, and Sam still wasn't sure. There were no photos for her to consult. The young archaeologist hardly spoke about her vanished mother and father. She avoided talking about them; evidently running from their memory like she ran from what had happened on Yamatai. In the one and a half months since the shipwreck – well, at least since she was released from hospital – Lara had been seized by a frantic, feverish vigour. They had travelled from Osaka to the UK, where Lara had spent a single day at her family's estate, ransacking her father's study. From there they headed to New York. This put Lara closer to her next intended stop – Roanoke Island. Although the city was a good base for Lara to work from while she planned her next expedition, there was a second, more distasteful reason for the archaeologist to be there: an exclusive television interview. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Download the Full Dc Future State Checklist!
Store info: FILL OUT THIS INTERACTIVE CHECKLIST AND RETURN TO YOUR RETAILER TO MAKE SURE YOU DON’T MISS AN ISSUE OF DC: FUTURE STATE! (Tuesday availability at participating stores) DC: FUTURE STATE TITLES DC: FUTURE STATE TITLES COMING JANUARY 2021 COMING FEBRUARY AND MARCH 2021 M V M = Main V = Variant M V M = Main V = Variant Check with your retailer for variant cover details. Check with your retailer for variant cover details. Available Tuesday, January 5, 2021 Available Tuesday, February 2, 2021 _ _ Future State: The Next Batman #1 (of 4) _ _ Future State: The Next Batman #3 (of 4) _ _ Future State: The Flash #1 (of 2) _ _ Future State: The Flash #2 (of 2) _ _ Future State: Harley Quinn #1 (of 2) _ _ Future State: Harley Quinn #2 (of 2) _ _ Future State: Superman of Metropolis #1 (of 2) _ _ Future State: Superman of Metropolis #2 (of 2) _ _ Future State: Swamp Thing #1 (of 2) _ _ Future State: Swamp Thing #2 (of 2) _ _ Future State: Wonder Woman #1 (of 2) _ _ Future State: Wonder Woman #2 (of 2) Available Tuesday, January 12, 2021 Available Tuesday, February 9, 2021 _ _ Future State: Dark Detective #1 (of 4) _ _ Future State: Dark Detective #3 (of 4) _ _ Future State: Green Lantern #1 (of 2) _ _ Future State: Green Lantern #2 (of 2) _ _ Future State: Justice League #1 (of 2) _ _ Future State: Justice League #2 (of 2) _ _ Future State: Kara Zor-El, Superwoman #1 (of 2) _ _ Future State: Kara Zor-El, Superwoman #2 (of 2) _ _ Future State: Robin Eternal #1 (of 2) _ _ Future State: Robin Eternal #2 (of 2) _ _ Future State: Superman/Wonder -
Supergirl: Volume 4 Pdf, Epub, Ebook
SUPERGIRL: VOLUME 4 PDF, EPUB, EBOOK Mahmud A. Asrar,Michael Alan Nelson | 144 pages | 29 Jul 2014 | DC Comics | 9781401247003 | English | United States Supergirl: Volume 4 PDF Book Also, there are some moments where Kara's powers really don't make sense. Supergirl Vol 4 9 "Tempus Fugit" May, Supergirl Vol 4 12 "Cries in the Darkness" August, Matt rated it it was amazing Apr 06, However, I do prefer the more recent issues of the series, which send Kara-El Supergirl's Kryptonian name on a space quest with Krypto the Super-Dog and art by the always dependable Kevin Maguire. The one after that will be straight garbage that no effort whatsoever was put into. Jun 08, Mike marked it as series-in-progress. This issue tells the New 52 origin of Cyborg Superman. Supergirl Vol 4 54 "Statue of Limitations" March, Search books and authors. Learn how to enable JavaScript on your browser. What's worse is how disjointed the story is. Supergirl Vol 4 51 "Making a Splash" December, It was just generic. Harley Quinn Vol. Supergirl Vol 4 47 "Before the Fall" August, Kara is dying of Kryptonite poisoning and has fled Earth. The issue that tracked Zor-El's conflict with Jor-El about how best to save Krypton from destruction was outstanding. Mesmer, one of. Slightly better than the last volume. Science Fiction. Supergirl has Kryptonite poisoning from her run in with H'el, so she takes off into space to 'die alone' Supergirl Vol 4 10 "Hidden Things" June, Enlarge cover. Jan 03, Fraser Sherman rated it it was ok Shelves: graphic-novels. -
Writing in the Majors: a Guide for Disciplinary Faculty
DOCUMENT RESUME ED 421 723 CS 216 455 AUTHOR Brand, Alice G. TITLE Writing in the Majors: A Guide for Disciplinary Faculty. PUB DATE 1998-00-00 NOTE 471p.; "Endnotes will be published separately." PUB TYPE Guides Classroom - Teacher (052) EDRS PRICE MF01/PC19 Plus Postage. DESCRIPTORS *Content Area Writing; Editing; Higher Education; Proofreading; *Writing Assignments; Writing Evaluation; *Writing Improvement; *Writing Processes; Writing Skills IDENTIFIERS Academic Discourse; Writing Contexts; *Writing Thinking Relationship ABSTRACT At the intersection of teaching and learning, this guide is intended to introduce and update disciplinary faculty on contemporary writing principles and pedagogy. In addition, it is designed to: alert faculty to the ways in which effective writing helps students not only show what they have learned but also to learn, generate, and communicate knowledge; recognize the form the literature of their discipline takes; identify what constitutes competent writing in a particular field; promote writing as a natural and regular part of content area instruction; help students begin to live the mental lives of their professional counterparts; produce student writing that is readable, lucid, and logical and seeks applicability within and beyond the academic discipline; help faculty respond insightfully to writing; know when students need help in writing/thinking that disciplinary faculty can no linger give; and create in departments and/or the college community a philosophical coherence on writing instruction. Chapters -
AKA Clark Kent) Middle Name Is Joseph
Superman’s (AKA Clark Kent) Middle Name Is Joseph. What’s that?! There in the sky? Is it a bird? Is it a plane? No! It’s the Man of Tomorrow! Superman has gone by many names over the years, but one thing has remained the same. He has always stood for what’s best about humanity, all of our potential for terrible destructive acts, but also our choice to not act on the level of destruction we could wreak. Superman was first created in 1933 by Joe Shuster and Jerry Siegel, the writer and artist respectively. His first appearance was in Action Comics #1, and that was the beginning of a long and illustrious career for the Man of Steel. In his unmistakable blue suit with red cape, and the stylized red S on his chest, the figure of Superman has become one of the most recognizable in the world. The original Superman character was a bald telepathic villain that was focused on world domination. It was like a mix of Lex Luthor and Professor X. Superman’s powers include incredible strength, the ability to fly. X-ray vision, super speed, invulnerability to most attacks, super hearing, and super breath. He is nearly unstoppable. However, Superman does have one weakness, Kryptonite. When exposed to this radioactive element from his home planet, he becomes weak and helpless. Superman’s alter ego is mild-mannered reporter Clark Kent. He lives in the city of Metropolis and works for the newspaper the Daily Planet. Clark is in love with fellow reporter Lois Lane. -
Medieval Representations of Satan Morgan A
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses 2011 The aS tanic Phenomenon: Medieval Representations of Satan Morgan A. Matos [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the Christianity Commons, and the History of Christianity Commons Recommended Citation Matos, Morgan A., "The aS tanic Phenomenon: Medieval Representations of Satan" (2011). Master of Liberal Studies Theses. 28. http://scholarship.rollins.edu/mls/28 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Satanic Phenomenon: Medieval Representations of Satan A Project Submitted in Partial Fulfillment Of the Requirements for the Degree of Master of Liberal Studies By Morgan A. Matos July, 2011 Mentor: Dr. Steve Phelan Rollins College Hamilton Holt School Winter Park Master of Liberal Studies Program The Satanic Phenomenon: Medieval Representations of Satan Project Approved: _________________________________________ Mentor _________________________________________ Seminar Director _________________________________________ Director, Master of Liberal Studies Program ________________________________________ Dean, Hamilton Holt School Rollins College i Table of Contents Table of Contents i Table of Illustrations ii Introduction 1 1. Historical Development of Satan 4 2. Liturgical Drama 24 3. The Corpus Christi Cycle Plays 32 4. The Morality Play 53 5. Dante, Marlowe, and Milton: Lasting Satanic Impressions 71 Conclusion 95 Works Consulted 98 ii Table of Illustrations 1. Azazel from Collin de Plancy’s Dictionnaire Infernal, 1825 11 2. Jesus Tempted in the Wilderness, James Tissot, 1886-1894 13 3.