Review: Say It, Evan Goodrow Band
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Still on the Road 1991 Fall Sessions
STILL ON THE ROAD 1991 FALL SESSIONS SEPTEMBER 15 Los Angeles, California KCOP TV Studios OCTOBER 17 Seville, Spain Auditorio de la Cartuja Bob Dylan 1991: Fall Sessions 12625 KCOP TV Studios Los Angeles, California 15 September 1991 1. Sold American (Kinky Friedman) Kinky Friedman (vocal, acoustic guitar), Bob Dylan (electric guitar). Studio talk Bob: What do you want me to say? Rabbi Shlomo Boruch Cunin: Help to give back the books. Bob: Oh, yeah, give back the books, and give plenty of money to Chabad, It's my favourite organisation in the whole world, really. They do nothing but good things with all the money, and-a the more you can give, the more it's going to help everybody. Rabbi Shlomo Boruch Cunin: I wanna say something, Bob, if I might. I think the people out there, millions of people that are watching us, that heard us talk about the cry of these books. These are books that have suffered for seventy years behind those bars of the Lenin library. Mr. Gorbachev had said he's going to give it back, Mr. Yeltsin says he's gonna give them back, everybody says he's going to give it back. Bob, tell them to give it back! Bob: Yeah, give it back! Give the books back! Rabbi Shlomo Boruch Cunin: OK, if Bob Dylan says they'll give it back, they'll give it back! … Please go to your phones and call and call and call. Bob, tell them what to do. Bob Dylan: Call and call and call some more until you get somebody to answer - and give what you can. -
The Fingerprints of the “5” Royales Nearly 65 Years After Forming in Winston-Salem, the “5” Royales’ Impact on Popular Music Is Evident Today
The Fingerprints of the “5” Royales Nearly 65 years after forming in Winston-Salem, the “5” Royales’ impact on popular music is evident today. Start tracing the influences of some of today’s biggest acts, then trace the influence of those acts and, in many cases, the trail winds back to the “5” Royales. — Lisa O’Donnell CLARENCE PAUL SONGS VOCALS LOWMAN “PETE” PAULING An original member of the Royal Sons, the group that became the The Royales made a seamless transition from gospel to R&B, recording The Royales explored new terrain in the 1950s, merging the raw emotion of In the mid-1950s, Pauling took over the band’s guitar duties, adding a new, “5” Royales, Clarence Paul was the younger brother of Lowman Pauling. songs that included elements of doo-wop and pop. The band’s songs, gospel with the smooth R&B harmonies that were popular then. That new explosive dimension to the Royales’ sound. With his guitar slung down to He became an executive in the early days of Motown, serving as a mentor most of which were written by Lowman Pauling, have been recorded by a sound was embraced most prominently within the black community. Some his knees, Pauling electrified crowds with his showmanship and a crackling and friend to some of the top acts in music history. diverse array of artists. Here’s the path a few of their songs took: of those early listeners grew up to put their spin on the Royales’ sound. guitar style that hinted at the instrument’s role in the coming decades. -
Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time. -
Psaudio Copper
Issue 95 OCTOBER 7TH, 2019 Welcome to Copper #95! This is being written on October 4th---or 10/4, in US notation. That made me recall one of my former lives, many years and many pounds ago: I was a UPS driver. One thing I learned from the over-the- road drivers was that the popular version of CB-speak, "10-4, good buddy" was not generally used by drivers, as it meant something other than just, "hi, my friend". The proper and socially-acceptable term was "10-4, good neighbor." See? You never know what you'll learn here. In #95, Professor Larry Schenbeck takes a look at the mysteries of timbre---and no, that's not pronounced like a lumberjack's call; Dan Schwartz returns to a serious subject --unfortunately; Richard Murison goes on a sea voyage; Roy Hall pays a bittersweet visit to Cuba; Anne E. Johnson’s Off the Charts looks at the long and mostly-wonderful career of Leon Russell; J.I. Agnew explains how machine screws brought us sound recording; Bob Wood continues wit his True-Life Radio Tales; Woody Woodward continues his series on Jeff Beck; Anne’s Trading Eights brings us classic cuts from Miles Davis; Tom Gibbs is back to batting .800 in his record reviews; and I get to the bottom of things in The Audio Cynic, and examine direct some off-the-wall turntables in Vintage Whine. Copper #95 wraps up with Charles Rodrigues on extreme room treatment, and a lovely Parting Shot from my globe-trotting son, Will Leebens. -
Isaac Hayes Shaft Mp3, Flac, Wma
Isaac Hayes Shaft mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Stage & Screen Album: Shaft Country: Germany Released: 1978 Style: Soul-Jazz, Soundtrack, Jazz-Funk, Soul, Funk MP3 version RAR size: 1368 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1656 mb Rating: 4.3 Votes: 692 Other Formats: AAC MOD VOX MMF ADX DXD MP4 Tracklist A1 Theme From Shaft (Vocal) 4:37 A2 Bumpy's Lament 1:49 A3 Walk From Regio's 2:22 A4 Ellie's Love Theme 3:16 A5 Shaft's Cab Ride 1:07 B1 Cafe Regio's 6:09 B2 Early Sunday Morning 3:47 B3 Be Yourself 4:27 B4 A Friend's Place 3:21 C1 Soulsville (Vocal) 3:47 C2 No Name Bar 6:09 C3 Bumpy's Blues 4:01 C4 Shaft Strikes Again 3:04 D1 Do Your Thing (Vocal) 19:38 D2 The End Theme 1:56 Companies, etc. Record Company – Stax Records, Inc. Recorded At – Stax Recording Studios Credits Arranged By [Horns & Strings] – J.J. Johnson (tracks: A3), Johnny Allen (tracks: A1, A2, A4 to D2) Art Direction – The Graffiteria Backing Vocals – "Hot" "Buttered" & "Soul"* Bass Guitar – James Alexander, Ronald Hudson (tracks: A5) Bongos, Congas [Congos] – Gary Jones Copyist – Mickey Gregory, Onzie Horne* Creative Director – Larry Shaw Design [Cover] – Tony Seiniger Drums, Tambourine – Willie Hall Edited By – Daryl Williams Electric Piano – Lester Snell Engineer – Bobby Manuel, Dave Purple, Henry Bush, William Brown* Engineer [Re-mix] – Dave Purple, Ron Capone Lead Guitar – Charles Pitts*, Michael Toles Performer [Rhythm Section] – The Bar-Kays*, The Movement* Piano – Sidney Kirk (tracks: A5) Piano, Vibraphone [Vibes], Organ, Electric Piano – Isaac Hayes Producer, Composed By, Performer, Arranged By [Horns & Strings] – Isaac Hayes Rhythm Guitar – Charles Pitts*, Michael Toles Strings, Horns – The Memphis Strings & Horns Notes Enterprise Records, A Division of Stax Records, Inc., 98 North Avalon, Memphis, USA Recorded at Stax Recording Studios, Memphis, Tenn. -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. -
Press Release
PRESS RELEASE Contact: Munnie Jordan, Executive Director E: [email protected] T: 870-572-5223 www.kingbiscuitfestival.com FOR RELEASE ON WEDNESDAY, APRIL 11, 2018, AFTER 5 P.M. 33rd Annual King Biscuit Blues Festival Announces Lineup HELENA, AR — The King Biscuit Blues Festival showcases the nation’s foremost Blues music. Paul Thorn calls The Biscuit “one of my favorites” and “a wonderful event.” Carolyn Wonderland says it’s like going to Mecca: “You gotta make the pilgrimage because it’s where the music’s real.” Charlie Starr of Blackberry Smoke looks at the group’s Biscuit date as his job to “make sure we continue to push outwards with our music and continue to grow where we don’t feel stifled or bored or stagnant.” Each of these acts will perform at the 33rd annual King Biscuit Blues Festival set for October 3 through 6. They represent a commitment to continue a historic thread that’s always made the Biscuit a showcase for the best of the past, present and future of America’s musical art form, the blues. Dave Mason crowns this year’s King Biscuit Saturday night performing with Steve Cropper. Mason calls his appearance at the festival “a chance to do something a little bit different and for me to do some material that I would never normally do.” One of the founders of the British Invasion rock band Traffic, he shares the stage with Steve Cropper, who co-wrote Otis Redding’s “The Dock of The Bay.” Considered the founder of Memphis soul, Cropper was named the number two guitarist of all time (Jimi Hendrix was number one) by England’s Mojo magazine. -
Music City Walk of Fame Park
Demonbreun St. between 4th & 5th Ave., Nashville, TN 37203 • visitmusiccity.com/walkoffame • [email protected] 1 6 MUSIC11 16 21 CITY26 31 WALK40 53 58 OF63 FAME68 73 78PARK83 4 9 14 19 24 29 34 47 56 61 66 71 76 81 86 2 7 12 17 22 27 32 41 54 59 64 69 74 79 84 88 5 10 15 20 25 30 35 48 57 62 67 72 77 82 87 3 8 13 18 23 28 33 42 55 60 65 70 75 80 85 89 36 49 43 37 50 44 38 51 45 39 52 46 1. Boudleaux 23. Steve Wariner 46. Lady A 69. Kix Brooks BROADWAY & Felice Bryant 24. Nitty Gritty Dirt Band 47. Kid Rock 70. Dottie Rambo Visitor ★ Honky Tonks Information Honky Tonks 2. Kenneth Schermerhorn 25. Martina McBride 48. Ernest Tubb 71. Bob Babbitt Center 3. Fisk Jubilee Singers 26. Little Richard 49. Little Big Town 72. Steve Winwood Tennessee Sports Hall of Fame Hilton 4. Ronnie Milsap 27. Elvis Presley 50. Ben Folds 73. Kings of Leon Nashville Downtown 5. Reba McEntire 28. Trace Adkins 51. Ray Stevens 74. Loretta Lynn Bridgestone Arena 6. Roy Orbison 29. Jo Walker-Meador 52. Clint Black 75. Jack White 4TH AVE S 5TH AVE S 7. Frances W. Preston 30. Randy Travis 53. Tootsie Bess 76. Trisha Yearwood Music City Schermerhorn 8. Emmylou Harris 31. Michael McDonald 54. Charlie Daniels 77. Garth Brooks Symphony Walk of Fame Center 9. Michael W. Smith 32. R.H. Boyd 55. Eddy Arnold 78. -
Reviews Albumreviews
REVIEWS ALBUM REVIEWS LONDON TOWN — Wings — Capitol SW-11777 — Producer: MAGAZINE — Heart — LON Mushroom MRS-5008 — Producer: Paul McCartney — List: 7.98 DON TOWN Mike Flicker — List: 7.98 One of the true superstars in the music world, Paul With their legal hassles behind them, the Wilson sisters, McCartney continues to produce some of the tastiest pop songs Nancy and Ann, and the rest of Heart are back with an out- around. This time out he and Wings offer 14 songs and more standing power pop collection. Their new single, “Heartless,” than 50 minutes of beautiful melodies and sparkling music that rates with earlier Heart rockers and the title track is another should fly straight to the top of the charts. “With A Little Luck” is beauty. Two excellent live cuts, including “I’ve Got The Music In already a smash single and “Morse Moose And The Grey Me,” are an added bonus. As the saying goes, especially if Goose” is a prime AOR cut. Overall, a brilliant collection. you’re an AOR or pop programmer, you gotta have Heart. THIS YEARS MODEL — Elvis Costello Columbia JC 35331 — Producer: Nick Lowe — List: 7.98 ... AND THEN THERE WERE THREE ... — Genesis — Atlantic Elvis Costello so far has produced the highest yield of any of SD 19173 — Producers: David Hentschel and Genesis — List: England’s new wave crop imported to our shores. His second 7.98 album is every bit the equal of his superb debut LP, enabling Genesis fans have received one shock after another as band Costello to transcend the early comparisons to Graham Parker members left the group one after another, most recently Steve and Bruce Springsteen and emerge with an identity all his own. -
October 1987
Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers. -
TTC Interview
TAPE: A1210705 [SHOW: 1 A ] [AIRDTE: 0 7 / 0 5 / 2 1 ] [AIRTME: 10:00 - 12:00] [HOST: JENN WHITE] [STORY: RED, WHITE AND THE BLUES ] [CONTENT: EMILY ATKIN, DANIEL SWAIN, SAMANTHA MONTANO] 12:00:00 DISCLAIMER Transcripts of WAMU programs are available for personal use. Transcripts are provided "As Is" without warranties of any kind, either express or implied. WAMU does not warrant that the transcript is error-free. For all WAMU programs, the broadcast audio should be considered the authoritative version. Transcripts are owned by WAMU 88.5 FM American University Radio and are protected by laws in both the United States and international law. You may not sell or modify transcripts or reproduce, display, distribute, or otherwise use the transcript, in whole or in part, in any way for any public or commercial purpose without the express written permission of WAMU. All requests for uses beyond personal and noncommercial use should be referred to (202)885-1200. 00:00:08 JENN WHITE This is 1A. I'm Jenn White in Washington and today we celebrate Independence Day with a one hour tribute to an original American art form. We call it Red, White and The Blues. Blues music arose from the African American experience in the South. On the farms and in fields, enslaved Black people sang to keep their spirits up, spread the news and sometimes to relay secret messages. In church, they sang gospel music. At work, the blues. Blues music went on to become the basic DNA for jazz, R&B, rock and roll, rap and most every manner of modern music.