ENERGY in MOTION “Abstract Expressionism” at London’S Royal Acadamy of Art Page 10 by Stephen Eisenman
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THE INDEPENDENT VOICE of the VISUAL ARTS Volume 32 No
THE INDEPENDENT VOICE OF THE VISUAL ARTS Volume 32 No. 3 January/February 2018 Established 1973 INSIDE RICHARD SIEGESMUND delivers a harsh critique of current students’ art education $8 U.S. $10 Canada JEN DELOS REYES offers ideas about a radical school of art and art history for the 21st century EVAN CARTER shares his experiences in art school and guides students in choosing the right school DIANE THODOS describes the 1980s takeover of art schools by neoliberal economic values MICHEL SÉGARD reviews a rare exhibition of French photographer Hervé Guibert’s imagery NEW ART EXAMINER COVER IMAGE: .A photo of a Yale School of Fine Arts studio painting class taken CONTENTS circa 1900–1920. IS ART SCHOOL A SCAM? 4 Introduction 5 The Flawed Academic Training of Artists Art and Design Professor, RICHARD SIEGESMUND, delivers a harsh critique of current students’ art education amid today’s triumphant cultural marketplace. 8 Re-Thinking Art Education (Revisited), Again Artist and art administrator, JEN DELOS REYES, offers new thoughts on the idea and potential of a radical school of art and art history for the 21st century. 12 Art School Today: Fast and Loose University of Chicago 2017 MFA graduate, EVAN CARTER, speaks of his experiences in art school and guides future students about choosing the right art school. 15 How Neoliberal Economics Impacted Art Education DIANE THODOS, a 1989 MFA graduate of New York’s School of Visual Arts, describes the 1980s takeover of art schools by neoliberal economic values. 19 Artist Biography with a Bias Elaine de Kooning was a well-regarded artist and mentor to fellow artists. -
Unlversiv Micrijfilms Intemationéü 300 N
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C#13 Modern & Contemporary Art Magazine 2013
2013 C#13 Modern & Contemporary Art Magazine C#13 O $PWFSJNBHF"MGSFEP+BBS 7FOF[JB 7FOF[JB EFUBJM Acknowledgements Contributors Project Managers Misha Michael Regina Lazarenko Editors Amy Bower Natasha Cheung Shmoyel Siddiqui Valerie Genty Yvonne Kook Weskott Designers Carrie Engerrand Kali McMillan Shahrzad Ghorban Zoie Yung Illustrator Zoie Yung C# 13 Advisory Board Alexandra Schoolman Cassie Edlefsen Lasch Diane Vivona Emily Labarge John Slyce Michele Robecchi Rachel Farquharson Christie's Education Staff Advisory Board John Slyce Kiri Cragin Thea Philips Freelance C#13 App Developer Pietro Romanelli JJ INDEX I Editor’s Note i British Art 29 Acknowledgements ii Kali McMillan Index iii Index iv Venice C#13 Emerging Artists 58 Robert Mapplethorpe's Au Debut (works form 1970 to 1979) Artist feature on Stephanie Roland at Xavier Hufkens Gallery Artist feature on De Monseignat The Fondation Beyeler Review Artist feature on Ron Muek LITE Art Fair Basel Review Beirut Art Center Review HK Art Basel review Interview with Vito Acconci More than Ink and Brush Interview with Pak Sheun Chuen Selling Out to Big Oil? Steve McQueen's Retrospective at Schaulager, Basel The Frozen Beginnings of Art Contemporary Arts as Alternative Culture Interview with Lee Kit (in traditional Chinese) A Failure to Communicate Are You Alright? Exhibition Review A Failure to Communicate Notes on Oreet Ashrey Keith Haring at Musee D’Art -
Ceri Hand Selected Programme 2002 – 2020
CERI HAND SELECTED PROGRAMME 2002 – 2020 *All listed programme accompanied by public & digital programme including talks, learning & skills events, performances, resources and merchandise 2020 As Director of Programmes at Somerset House I was responsible for the cultural programme, leading a team of curators, producers and engagement and skills specialists. ▪ Mushrooms: The Art, Design and Future of Fungi, Somerset House Trust, London Exhibition curated by Francesca Gavin and Claire Catterall, with catalogue Adham Faramawy, Alex Morrison, Amanda Cobbett, Andrea Zucchini, Aniela Hoitink, Annie Ratti, Beatrix Potter, Cody Hudson, Cy Twombly, Daniel David Freeman, David Fenster, Donlon Books, Graham Little, Hamish Pearch, Hannah Collins, Haroon Mirza, Jason Evans, Jeremy Shaw, John Cage, Kristel Peters, Lara Ögel, Laurence Owen, Lois Long, Mae-ling Lokko, Perks and Mini, Salvatore Arancio, Seana Gavin, Sebastian Cox and Ninela Ivanova, Simon Popper, Stephan Doitschinoff, The Mycological Twist 2019 Somerset House Trust, London ▪ Hanna Moon & Joyce Ng: English as a Second Language Exhibition curated by and with Shonagh Marshall ▪ International Fashion Showcase 2019: Brave New Worlds, the Changing Landscape of Fashion International professional development residency and exhibition, with catalogue, produced in partnership with British Council, British Fashion Council, London College of Fashion, UAL and Somerset House Rahemur Rahman, David Lee, Curtis Oland, Laura Laurens, Situationist, Naushad Ali, Ice Surface Temperature, Ami Doshi Shah, Roni -
Allen Ruppersberg Biography
greengrassi 1a Kempsford Road London SE11 4NU + 44 207 840 9101 [email protected] Allen Ruppersberg Biography Born 1944, Cleveland, OH Lives and works in New York and Santa Monica. Education 1967 Bachelor of Fine Arts, Chouinard Institute, Los Angeles, CA Awards 2011 USA Fellowship grants, United States Artists, Los Angeles, CA 2004 Best Exhibition of Art Using the Internet, The New Five-Foot Shelf (Web Project) with Dia Center 1997 Guggenheim Fellowship Laurenz-Hans Foundation, Basel 1987 Awards in the Visual Arts, South Eastern Center for Contemporary Arts, Winston Salem, NC 1982 National Endowment for the Arts 1977 Solomon R. Guggenheim Museum, New York, NY, Theodoran Award 1976 National Endowment for the Arts 1975 Change, Inc Solo Exhibitions 2019 Planet Stories, ProjecteSD, Barcelona What a Strange Day it has Been, Marc Selwyn Fine Art, Beverly Hills, CA Intellectual Property 1968–2018, Hammer Museum, Los Angeles, CA* 2018 Intellectual Property 1968–2018, Walker Art Museum, Minneapolis, MN* 2017 The Novel That Writes Itself, Greene Naftali, New York, NY Oh, What a Time, PARQUE Galería, Mexico City, Mexico Past Present Future, Marc Selwyn Fine Art, Los Angeles, CA 2016 Accrochage #1: Allen Ruppersberg et al., ProjecteSD, Barcelona GET SET FOR ACTION, Air de Paris, Paris 2015 What is a Stamp?, Jumex Foundation of Contemporary Art, Mexico City The singing Posters, Skirball Culture Center, Los Angeles, CA 2014 Allen Ruppersberg, Jürgen Becker Galerie, Hamburg The Novel That Writes Itself, mfc- michèle didier, Paris FOR COLLECTORS -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
Callimachus and Callimacheanism in the Poetry of Gregory of Nazianzus
THE CATHOLIC UNIVERSITY OF AMERICA Callimachus and Callimacheanism in the Poetry of Gregory of Nazianzus A DISSERTATION Submitted to the Faculty of the Department of Greek and Latin School of Arts and Sciences Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Matthew Alexander Theris Poulos Washington, D.C. 2019 Callimachus and Callimacheanism in the Poetry of Gregory of Nazianzus Matthew Alexander Theris Poulos, PhD Director: William McCarthy, PhD In this study, I analyze the poetics of Gregory of Nazianzus (ca. 330–390 AD), who was one of the first Christian poets writing in Greek to leave an extensive corpus of poetry (about 17,000 lines). Gregory work is striking not only for its breadth but also for its wide variety of themes and metrical schemes. As my focal point, I have chosen Gregory’s reception and adaptation of the poetry and poetics of Callimachus of Cyrene (ca. 290–230 BC). Callimachus was the first poet in the western tradition to enunciate an aesthetic and came to typify for subsequent authors an approach to poetry that privileged finely-wrought, compressed, and erudite compositions. I argue that for Gregory, Callimachus’ works are more than simply one more source to exploit for nice turns of phrase; rather, Callimachus pervasively shapes Gregory’s entire approach to poetic composition. This is seen not only in Gregory’s allusions to Callimachean works, which are numerous and occur quite frequently in programmatic contexts, but also in features of Gregory’s work like poikilia (variety) and a strong authorial persona that have their best precedent in Callimachus’ variegated oeuvre. -
Annual Report 2004
mma BOARD OF TRUSTEES Richard C. Hedreen (as of 30 September 2004) Eric H. Holder Jr. Victoria P. Sant Raymond J. Horowitz Chairman Robert J. Hurst Earl A. Powell III Alberto Ibarguen Robert F. Erburu Betsy K. Karel Julian Ganz, Jr. Lmda H. Kaufman David 0. Maxwell James V. Kimsey John C. Fontaine Mark J. Kington Robert L. Kirk Leonard A. Lauder & Alexander M. Laughlin Robert F. Erburu Victoria P. Sant Victoria P. Sant Joyce Menschel Chairman President Chairman Harvey S. Shipley Miller John W. Snow Secretary of the Treasury John G. Pappajohn Robert F. Erburu Sally Engelhard Pingree Julian Ganz, Jr. Diana Prince David 0. Maxwell Mitchell P. Rales John C. Fontaine Catherine B. Reynolds KW,< Sharon Percy Rockefeller Robert M. Rosenthal B. Francis Saul II if Robert F. Erburu Thomas A. Saunders III Julian Ganz, Jr. David 0. Maxwell Chairman I Albert H. Small John W. Snow Secretary of the Treasury James S. Smith Julian Ganz, Jr. Michelle Smith Ruth Carter Stevenson David 0. Maxwell Roselyne C. Swig Victoria P. Sant Luther M. Stovall John C. Fontaine Joseph G. Tompkins Ladislaus von Hoffmann John C. Whitehead Ruth Carter Stevenson IJohn Wilmerding John C. Fontaine J William H. Rehnquist Alexander M. Laughlin Dian Woodner ,id Chief Justice of the Robert H. Smith ,w United States Victoria P. Sant John C. Fontaine President Chair Earl A. Powell III Frederick W. Beinecke Director Heidi L. Berry Alan Shestack W. Russell G. Byers Jr. Deputy Director Elizabeth Cropper Melvin S. Cohen Dean, Center for Advanced Edwin L. Cox Colin L. Powell John W. -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
Neoteric Poetics in the Shorter Poems of Edmund Spenser
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 "O Carefull Verse": Neoteric Poetics in the Shorter Poems of Edmund Spenser Melissa Joy Rack University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Rack, Melissa Joy, ""O Carefull Verse": Neoteric Poetics in the Shorter Poems of Edmund Spenser. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3554 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Melissa Joy Rack entitled ""O Carefull Verse": Neoteric Poetics in the Shorter Poems of Edmund Spenser." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Robert E. Stillman, Major Professor We have read this dissertation and recommend its acceptance: Heather Hirschfeld, Anthony Welch, Robert Sklenar Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) “O Carefull Verse”: Neoteric Poetics in the Shorter Poems of Edmund Spenser A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Melissa Joy Rack December 2015 © Copyright 2015 by Melissa Joy Rack All rights reserved. -
Kori Newkirk 1997-2007 Pdf
............... • • • • • • • > « ••••• • •••• » < ••••• • • a in z E a This publication was prepared on the occasion of the exhibition Kori Newkirk: 1997-2007 The Studio Museum in Harlem, New York Novem ber 14, 2007 - M arch 9, 20 0 8 Kori Newkirk: 1997-2007 was initiated and sponsored by the Fellows of Contemporary Art. This exhibition was also made possible, with major support from Altria Group Inc. and The Horace W, Goldsmith Foundation. ISBN 978-0-911291-33-9 Fellows of Contemporary Art 970 North Broadway, Suite 208 Los Angeles, California 90012 www.focala.org i 2007 Fellows of Contemporary Art, Los Angeles. All rights reserved. This publication was organized at The Studio Museum in Harlem by Ali Evans and Lauren Haynes. Edited by Samir S. Patel Design by de.MO, Millbrook, New York Printing by Cosmos Communications, Inc., New York Cover image : Kori Newkirk. Par, 2 0 0 4 Unless otherwise noted, all images courtesy The Project, New York IE t r a Kori Newkirk • Testing the Wind (detail) • 2004 CATALOGUE CONTEN SPONSOR’S FOREWO KORI NEWKIRK g+A A FAMILY RESEMBLA KORI NEWKIRK:AN IN EXgUISITE, ELEGAN 5 □ CE ACT! 1997-2007 WD ESTRANGED EXHIBITION CHECKLI ARTIST BIOGRAPHY CONTRIBUTORS’ BIO FOCA MEMBERSHIP I FOCA EXHIBITIONS L THE STUDIO MUSEUM THE STUDIO MUSEUM RAPHIES 114 3T11B IT 118 i HARLEM BOARD 124 i HARLEM STAFF 126 Kori Newkirk *Toom ey • 2003 \GE INFORMATION /CREDIT Kori Newkirk • Breaker • 2004 012 SPONSOR’S FOREWORD The Fellows of Contemporary Art (FDCA) take great pleasure in and her committee members, and to FGCA Immediate Past Chair collaborating with The Studio Museum in Harlem to present Rubin Turner. -
P R O G R a M O F S T U D I
PROGRAM OF STUDIES 2020-2021 Dear Families, Rising Tide Charter Public School (Rising Tide) offers a choice in public education to families. While Rising Tide has many components that families would expect in a middle and high school, there are also many unique aspects to the program at Rising Tide. Our school culture is centered around trust, honesty, respect and responsibility; our staff and students work together to create an environment that is safe physically, emotionally, and intellectually. Our teachers are devoted to creating the best education possible for all children, including those who have excelled in school as well as children who have struggled in school. At Rising Tide, the adults work hard to know each child. In such an environment, we are able to focus our attention on teaching and learning, where students can develop the self-confidence to take risks, ask questions, and work to find solutions. Central to the identity of our school program is our approach to teaching and learning. At Rising Tide, we use an inquiry and skills-based approach, for both personal and academic growth. The inquiry and skills-based approach is used to support personal growth by encouraging students to reflect, take ownership for their actions, and build skills to resolve conflicts. Questioning is at the heart of the inquiry and skills-based approach. When a challenging social or disciplinary issue arises with a student, the adult takes time to listen to and question the student about the situation. In this way, the student is given an opportunity to reflect upon the situation and is supported in the process of understanding and resolving the issue.