I / the OPPRESSED MAJORITY: the WAY IT IS

Total Page:16

File Type:pdf, Size:1020Kb

I / the OPPRESSED MAJORITY: the WAY IT IS CONTENTS INTRODUCTION: THE WOMEN'S REVOLUTION Robin Morgan xiii "YOU'VE COME A LONG WAY, BABY": HISTORICAL PERSPECTIVES Connie Brown and Jane Seitz 3 i / THE OPPRESSED MAJORITY: THE WAY IT IS KNOW YOUR ENEMY: A SAMPLING OF SEXIST QUOTES 31 THE 51 PERCENT MINORITY GROUP: A STATISTICAL ESSAY Joreen 37 THE DYNAMICS OF MARRIAGE AND MOTHERHOOD Beverly Jones 46 WOMEN IN THE PROFESSIONS: FIVE SHORT PERSONAL TESTIMONIES WOMEN IN MEDICINE Miriam Gilbert, R.N. 62 "A HOUSE IS NOT A HOME": WOMEN IN PUBLISHING Laura Furman 66 WOMEN AND TELEVISION Sheila Smith Hobson 70 WOMEN IN THE MILITARY Lt. Susan Schnall 76 THE TRIALS OF LOIS LANE: WOMEN IN JOURNALISM Lindsy Van Gelder 81 THE SECRETARIAL PROLETARIAT Judith Ann 86 THE HALLS OF ACADEME Women's Caucus, Political Science Department, University of Chicago 101 yiii contents WOMEN AND THE WELFARE SYSTEM Carol Classman 102 Two JOBS: WOMEN WHO WORK IN FACTORIES Jean Tepperman 115 WOMEN AND THE CATHOLIC CHURCH Dr. Mary Daly 124 DOES THE LAW OPPRESS WOMEN? Diane B. Schulder 139 ii / THE INVISIBLE WOMAN: PSYCHOLOGICAL AND SEXUAL REPRESSION BARBAROUS RITUALS 161 IT HURTS TO BE ALIVE AND OBSOLETE: THE AGEING WOMAN Zoe Moss 170 MEDIA IMAGES 1: MADISON AVENUE BRAINWASHING—THE FACTS Alice Embree 175 MEDIA IMAGES 2: BODY ODOR AND SOCIAL ORDER Florika 191 THE POLITICS OF ORGASM Susan Lydon 197 "KINDER KÜCHE, KIRCHE" AS SCIENTIFIC LAW: PSYCHOLOGY CONSTRUCTS THE FEMALE Dr. Naomi Weisstein 205 A THEORY ON FEMALE SEXUALITY Mary Jane Sberfey, M.D. 220 A PSYCHIATRIST'S VIEW: IMAGES OF WOMAN— PAST AND PRESENT, OVERT AND OBSCURED Natalie Shainess, M.D. 230 UNFINISHED BUSINESS: BIRTH CONTROL AND WOMEN'S LIBERATION Lucinda Cisler 245 Contents Ix THE HOOKER Ellen Strong 289 THE LEAST OF THESE: THE MINORITY WHOSE SCREAMS HAVEN'T YET BEEN HEARD Gene Damon 297 NOTES OF A RADICAL LESBIAN Martha Shelley 306 SEXUAL POLITICS (IN LITERATURE) Kate Millett 311 iii / GO TELL IT IN THE VALLEY: CHANGING CONSCIOUSNESS RESISTANCES TO CONSCIOUSNESS Irene Peslikis 337 WOMEN IN THE BLACK LIBERATION MOVEMENT: THREE VIEWS DOUBLE JEOPARDY: TO BE BLACK AND FEMALE Frances M. Beal 340 FOR SADIE AND MAUDE Eleanor Holmes Norton 353 STATEMENT ON BIRTH CONTROL Black Women's Liberation Group, Mount Vernon, New York 360 HIGH SCHOOL WOMEN: THREE VIEWS THE SUBURBAN SCENE Connie Dvorkin 362 ON DE-SEGREGATING STUYVESANT HIGH Alice de Rivera 366 EXCERPTS FROM THE DIARIES OF ALL OPPRESSED WOMEN Women's Collective of the New York High School Students' Union ill COLONIZED WOMEN: THE CHICANA AN INTRODUCTION Elizabeth Sutherland 376 x contents THE MEXICAN-AMERICAN WOMAN Enriqueta Longauex y Vasquez 379 EXPERIMENT IN FREEDOM: WOMEN OF CHINA Charlotte Bonny Cohen 385 iv / UP FROM SEXISM: EMERGING IDEOLOGIES THE GRAND COOLIE DAMN Marge Piercy 421 INSTITUTIONALIZED OPPRESSION VS. THE FEMALE Florynce Kennedy 438 THE POLITICS OF HOUSEWORK Pat Mainardi 447 SOCIAL BASES FOR SEXUAL EQUALITY: A COMPARATIVE VIEW Karen Sacks 455 SELF-DEFENSE FOR WOMEN Susan Pascale, Rachel Moon, Leslie B. Tanner 469 FEMALE LIBERATION AS THE BASIS FOR SOCIAL REVOLUTION Roxanne Dunbar 477 v / THE HAND THAT CRADLES THE ROCK: PROTEST AND REVOLT POETRY AS PROTEST FOR WITCHES Susan Sutbeim 495 ELEGY FOR JAYNE MANSFIELD, JULY 1967 Karen Lindsey 496 A CHANT FOR MY SISTERS Marilyn Lowen Fletcher 497 MUST I MARRY Lynn Strongin 498 Contents zi THE PLAYGROUND (A PROSE POEM) Leah Fritz 499 SHE Maria Ann Britton 500 DANCING THE SHOUT TO THE TRUE GOSPEL or THE SONG MOVEMENT SISTERS DON'T WANT ME TO SING Rita Mae Brown 501 POEM Jayne West 501 SONG OF THE FUCKED DUCK Marge Piercy 502 ANONYMOUS POEM a seven-year-old woman 504 TERROR Martha Shelley 505 POEM Janet Russo 506 GOING THROUGH CHANGES Jean Tepperman 506 THE JAILOR Sylvia Platb 510 HISTORICAL DOCUMENTS NOW (NATIONAL ORGANIZATION FOR WOMEN) BILL OF RIGHTS 512 EXCERPTS FROM THE SCUM (SOCIETY FOR CUTTING UP MEN) MANIFESTO Valerie Solanis 514 PRINCIPLES New York Radical Women 520 No MORE MISS AMERICA! TEN POINTS OF PROTEST 521 LETTER TO OUR SISTERS IN SOCIAL WORK WAR (Women of the American Revolution) 524 zii contents How To NAME BABY Media Women 526 LILITH'S MANIFESTO Women's Majority Union, Seattle 527 WE DID IT Women Against Daddy Warbucks 530 STATEMENT ON THE UNIVERSITY OF CHICAGO SIT-IN 531 AN EXEGESIS ON WOMEN'S LIBERATION Women's Caucus within the Youth International Party 532 REDSTOCKINGS MANIFESTO 533 THE FEMINISTS VS. THE INSTITUTION OF MARRIAGE 536 WITCH DOCUMENTS 538 SONGS 554 VERBAL KARATE: STATISTICAL AND APHORISTIC AMMUNITION 557 vi / APPENDIX GENERAL BIBLIOGRAPHY 567 PAPERS AND PERIODICALS OF THE WOMEN'S LIBERATION MOVEMENT 580 LIST OF "CONSCIOUSNESS-RAISING" FILMS 582 DROP DEAD LIST OF BOOKS TO WATCH OUT FOR 583 ABORTION COUNSELING INFORMATION 584 WOMEN'S LIBERATION MOVEMENT CONTACTS IN SOME MAJOR U.S. (AND CANADIAN) CITIES 589 NOTES ON SISTER CONTRIBUTORS 594.
Recommended publications
  • The Literacy Practices of Feminist Consciousness- Raising: an Argument for Remembering and Recitation
    LEUSCHEN, KATHLEEN T., Ph.D. The Literacy Practices of Feminist Consciousness- Raising: An Argument for Remembering and Recitation. (2016) Directed by Dr. Nancy Myers. 169 pp. Protesting the 1968 Miss America Pageant in Atlantic City, NJ, second-wave feminists targeted racism, militarism, excessive consumerism, and sexism. Yet nearly fifty years after this protest, popular memory recalls these activists as bra-burners— employing a widespread, derogatory image of feminist activists as trivial and laughably misguided. Contemporary academics, too, have critiqued second-wave feminism as a largely white, middle-class, and essentialist movement, dismissing second-wave practices in favor of more recent, more “progressive” waves of feminism. Following recent rhetorical scholarly investigations into public acts of remembering and forgetting, my dissertation project contests the derogatory characterizations of second-wave feminist activism. I use archival research on consciousness-raising groups to challenge the pejorative representations of these activists within academic and popular memory, and ultimately, to critique telic narratives of feminist progress. In my dissertation, I analyze a rich collection of archival documents— promotional materials, consciousness-raising guidelines, photographs, newsletters, and reflective essays—to demonstrate that consciousness-raising groups were collectives of women engaging in literacy practices—reading, writing, speaking, and listening—to make personal and political material and discursive change, between and across differences among women. As I demonstrate, consciousness-raising, the central practice of second-wave feminism across the 1960s and 1970s, developed out of a collective rhetorical theory that not only linked personal identity to political discourses, but also 1 linked the emotional to the rational in the production of knowledge.
    [Show full text]
  • Shulamith Firestone 1945–2012 2
    Shulamith Firestone 1945–2012 2 Photograph courtesy of Lori Hiris. New York, 1997. Memorial for Shulamith Firestone St. Mark’s Church in the Bowery, Parish Hall September 23, 2012 Program 4:00–6:00 pm Laya Firestone Seghi Eileen Myles Kathie Sarachild Jo Freeman Ti-Grace Atkinson Marisa Figueiredo Tributes from: Anne Koedt Peggy Dobbins Bev Grant singing May the Work That I Have Done Speak For Me Kate Millett Linda Klein Roxanne Dunbar Robert Roth 3 Open floor for remembrances Lori Hiris singing Hallelujah Photograph courtesy of Lori Hiris. New York, 1997. Reception 6:00–6:30 4 Shulamith Firestone Achievements & Education Writer: 1997 Published Airless Spaces. Semiotexte Press 1997. 1970–1993 Published The Dialectic of Sex, Wm. Morrow, 1970, Bantam paperback, 1971. – Translated into over a dozen languages, including Japanese. – Reprinted over a dozen times up through Quill trade edition, 1993. – Contributed to numerous anthologies here and abroad. Editor: Edited the first feminist magazine in the U.S.: 1968 Notes from the First Year: Women’s Liberation 1969 Notes from the Second Year: Women’s Liberation 1970 Consulting Editor: Notes from the Third Year: WL Organizer: 1961–3 Activist in early Civil Rights Movement, notably St. Louis c.o.r.e. (Congress on Racial Equality) 1967–70 Founder-member of Women’s Liberation Movement, notably New York Radical Women, Redstockings, and New York Radical Feminists. Visual Artist: 1978–80 As an artist for the Cultural Council Foundation’s c.e.t.a. Artists’ Project (the first government funded arts project since w.p.a.): – Taught art workshops at Arthur Kill State Prison For Men – Designed and executed solo-outdoor mural on the Lower East Side for City Arts Workshop – As artist-in-residence at Tompkins Square branch of the New York Public Library, developed visual history of the East Village in a historical mural project.
    [Show full text]
  • TOWARD a FEMINIST THEORY of the STATE Catharine A. Mackinnon
    TOWARD A FEMINIST THEORY OF THE STATE Catharine A. MacKinnon Harvard University Press Cambridge, Massachusetts London, England K 644 M33 1989 ---- -- scoTT--- -- Copyright© 1989 Catharine A. MacKinnon All rights reserved Printed in the United States of America IO 9 8 7 6 5 4 3 First Harvard University Press paperback edition, 1991 Library of Congress Cataloging-in-Publication Data MacKinnon, Catharine A. Toward a fe minist theory of the state I Catharine. A. MacKinnon. p. em. Bibliography: p. Includes index. ISBN o-674-89645-9 (alk. paper) (cloth) ISBN o-674-89646-7 (paper) I. Women-Legal status, laws, etc. 2. Women and socialism. I. Title. K644.M33 1989 346.0I I 34--dC20 [342.6134} 89-7540 CIP For Kent Harvey l I Contents Preface 1x I. Feminism and Marxism I I . The Problem of Marxism and Feminism 3 2. A Feminist Critique of Marx and Engels I 3 3· A Marxist Critique of Feminism 37 4· Attempts at Synthesis 6o II. Method 8 I - --t:i\Consciousness Raising �83 .r � Method and Politics - 106 -7. Sexuality 126 • III. The State I 55 -8. The Liberal State r 57 Rape: On Coercion and Consent I7 I Abortion: On Public and Private I 84 Pornography: On Morality and Politics I95 _I2. Sex Equality: Q .J:.diff�_re11c::e and Dominance 2I 5 !l ·- ····-' -� &3· · Toward Feminist Jurisprudence 237 ' Notes 25I Credits 32I Index 323 I I 'li Preface. Writing a book over an eighteen-year period becomes, eventually, much like coauthoring it with one's previous selves. The results in this case are at once a collaborative intellectual odyssey and a sustained theoretical argument.
    [Show full text]
  • Not for the Uncommitted: the Alliance of Figurative Artists, 1969–1975 By
    Not for the Uncommitted: The Alliance of Figurative Artists, 1969–1975 By Emily D. Markert Submitted in partial fulfillment of the requirements for the degree Master of Arts in Curatorial Practice California College of the Arts April 22, 2021 Not for the Uncommitted: The Alliance of Figurative Artists, 1969–1975 Emily Markert California College of the Arts 2021 From 1969 through the early 1980s, hundreds of working artists gathered on Manhattan’s Lower East Side every Friday at meetings of the Alliance of Figurative Artists. The art historical canon overlooks figurative art from this period by focusing on a linear progression of modernism towards medium specificity. However, figurative painters persisted on the periphery of the New York art world. The size and scope of the Alliance and the interests of the artists involved expose the popular narrative of these generative decades in American art history to be a partial one promulgated by a few powerful art critics and curators. This exploration of the early years of the Alliance is divided into three parts: examining the group’s structure and the varied yet cohesive interests of eleven key artists; situating the Alliance within the contemporary New York arts landscape; and highlighting the contributions women artists made to the Alliance. Keywords: Post-war American art, figurative painting, realism, artist-run galleries, exhibitions history, feminist art history, second-wave feminism Acknowledgments and Dedication I would foremost like to thank the members of my thesis committee for their support and guidance. I am grateful to Jez Flores-García, my thesis advisor, for encouraging rigorous and thoughtful research and for always making time to discuss my ideas and questions.
    [Show full text]
  • The Translation of American Radical Feminist Literature in Italy. the Case of Donne È Bello
    The translation of American radical feminist literature in Italy. The case of Donne è bello. Submitted by Elena Basilio to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Italian In September 2014 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 2 Acknowledgments This thesis would not have been completed without the help and support of many people. First of all I would like to thank Dr. Danielle Hipkins and Dr. Richard Mansell for their valuable guidance, constant support and encouragement and great patience. I also need to thank Dr. Ting Guo and Dr. Olga Castro who have provided me with insightful comments on some parts of my thesis. I am also grateful to Dr. Ruth Ann Henderson for having introduced me to Translation Studies and for having supported me during the application process. During the process of researching and writing this thesis I had the opportunity to meet many women who have helped and inspired my research. First of all I would like to thank Serena Castaldi for her long interview and her interest in my project, and other Anabasi members, Michela Gusmeroli and Bruna Felletti, for having shared their views and memories with me.
    [Show full text]
  • Divisions and Conflict in the Women's Liberation Movement from 1965 To
    Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Divisions and Conflict in the omenW ’s Liberation Movement From 1965 to 1970 Devin Rose DeFlora Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Gender and Sexuality Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation DeFlora, Devin Rose, "Divisions and Conflict in the omenW ’s Liberation Movement From 1965 to 1970" (2018). Senior Projects Spring 2018. 301. https://digitalcommons.bard.edu/senproj_s2018/301 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. ! ! ! ! ! Divisions and Conflict in the Women’s Liberation Movement From 1965 to 1970 Senior Project submitted to The Division of Interdivisional Studies of Bard College by Devin Rose DeFlora Annandale-on-Hudson, New York May 2018 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Dedicated to Kelli and Thomas DeFlora, who have been founts of encouragement throughout
    [Show full text]
  • Duke University Dissertation Template
    Facts and Fictions: Feminist Literary Criticism and Cultural Critique, 1968-2012 by Leah Claire Allen Graduate Program in Literature Duke University Date: _______________________ Approved: ___________________________ Robyn Wiegman, Supervisor ___________________________ Michael Hardt ___________________________ Ranjana Khanna ___________________________ Priscilla Wald Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2014 i v ABSTRACT Facts and Fictions: Feminist Literary Criticism and Cultural Critique, 1968-2012 by Leah Claire Allen Graduate Program in Literature Duke University Date: _______________________ Approved: ___________________________ Robyn Wiegman, Supervisor ___________________________ Michael Hardt ___________________________ Ranjana Khanna ___________________________ Priscilla Wald An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2014 i v Copyright by Leah Claire Allen © 2014 Abstract “Facts and Fictions: Feminist Literary Criticism and Cultural Critique, 1968- 2012” is a critical history of the unfolding of feminist literary study in the US academy. It contributes to current scholarly efforts to revisit the 1970s by reconsidering often- repeated narratives about the critical naivety of feminist literary criticism in its initial articulation. As the story now goes, many of the most prominent feminist thinkers of the period engaged in unsophisticated literary analysis by conflating lived social reality with textual representation when they read works of literature as documentary evidence of real life. As a result, the work of these “bad critics,” particularly Kate Millett and Andrea Dworkin, has not been fully accounted for in literary critical terms.
    [Show full text]
  • Rubenstein Library Magazine
    WINTER 2014 VOLUME 2 ISSUE 2 DUKE UNIVERSITY WINTER 2014 VOLUME 2 ISSUE 2 In this Issue 4 “Truly a Blessed Company” Twenty-Five Years of Documenting Women’s Lives 8 Documenting Haiti New Acquisitions on the Cradle of Black Independence 12 Capturing Madness Iconographie photographique de la Salpêtrière David M. Rubenstein Rare Book & Manuscript Library Rita DiGiallonardo Holloway University Librarian 14 Around the World with the & Vice Provost for Library Affairs Anspach Travel Bureau Deborah Jakubs Collection of Tourism Literature Director of the Rubenstein Library Naomi L. Nelson 16 Outrageous Ambitions Director of Communications Duke University Celebrates 175 Years Aaron Welborn 20 New and Noteworthy RL Magazine is published twice yearly by the David M. Rubenstein Rare Book & Manuscript Library, Duke University Libraries, Durham, NC, 27708. It is distributed 22 Between Slavery and Freedom to friends and colleagues of the Rubenstein Library. Letters to the editor, inquiries, and changes of address should be The Catherine Noyes Papers sent to the Rubenstein Library Publications, Box 90185, Duke University, Durham, NC 27708. 23 Exhibits and Events Calendar Copyright 2014 Duke University Libraries. Photography by Mark Zupan except where otherwise noted. On the Cover: Artwork by Irene Peslikis. Used with Designed by Pam Chastain Design, Durham, NC. permission of her estate. Printed by Riverside Printing. Printed on recycled paper. Left: Detail from Frater Petrus, Legenda de vita S. Find us online: Catharinae, Strasbourg, 1500. library.duke.edu/rubenstein Check out our blog: blogs.library.duke.edu/rubenstein Like us on Facebook: facebook.com/rubensteinlibrary Welcome As I type, I can hear the sounds of construction.
    [Show full text]
  • Download Issue (PDF)
    Vol. 1 No. 3 r r l S J L f J C L f f C t J I Winter/Spring 1977 AT LONG LAST —An historical view of art made by women by Miriam Schapiro page 4 DIALOGUES WITH NANCY SPERO by Carol De Pasquale page 8 THE SISTER CHAPEL —A traveling homage to heroines by Gloria Feman Orenstein page 12 'Women Artists: 1550— 1950’ ARTEMISIA GENTILESCHI — Her life in art, part II by Barbara Cavaliere page 22 THE WOMEN ARTISTS’ MOVEMENT —An Assessment Interviews with June Blum, Mary Ann Gillies, Lucy Lippard, Pat Mainardi, Linda Nochlin, Ce Roser, Miriam Schapiro, Jackie Skiles, Nancy Spero, and Michelle Stuart page 26 THE VIEW FROM SONOMA by Lawrence Alloway page 40 The Sister Chapel GALLERY REVIEWS page 41 REPORTS ‘Realists Choose Realists’ and the Douglass College Library Program page 51 WOMANART MAGAZINE is published quarterly by Womanart Enterprises, 161 Prospect Park West, Brooklyn, New York 11215. Editorial submissions and all inquiries should be sent to: P. O. Box 3358, Grand Central Station, New York, N.Y. 10017. Subscription rate: $5.00 for one year. All opinions expressed are those o f the authors, and do not necessarily reflect those o f the editors. This publication is on file with the International Women’s History Archive, Special Collections Library, Northwestern University, Evanston, IL 60201. Permission to reprint must be secured in writing from the publishers. Copyright © Artemisia Gentileschi- Fame' Womanart Enterprises, 1977. A ll rights reserved. AT LONG LAST AN HISTORICAL VIEW OF ART MADE BY WOMEN by Miriam Schapiro Giovanna Garzoni, Still Life with Birds and Fruit, ca.
    [Show full text]
  • American Feminist Manifestos and the Rhetoric of Whiteness
    AMERICAN FEMINIST MANIFESTOS AND THE RHETORIC OF WHITENESS Elliot C. Adams A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2006 Committee: Ellen Berry, Advisor Lynda Dixon Graduate Faculty Representative John Warren Sue Carter Wood © 2006 Elliot C. Adams All Rights Reserved iii ABSTRACT Ellen Berry, Advisor Using textual analysis, feminist and cultural theories, this study exposed the rhetorical reproduction of whiteness in language, examining how whiteness suffuses linguistic choices that appear to be unbiased. Throughout, it identified where and how whiteness operates as the motivating force in the social power structure of the United States by using certain feminist manifestos as an example of the rhetorical reproduction and performativity of whiteness. Feminist manifestos were chosen as the particular genre of study because while they do represent progress toward social justice in gendered power relations, they do not always or necessarily advance social justice in terms of race, class, or sexuality. Manifestos by white women were shown to include discursive choices that reinforce whiteness, whereas manifestos by women of color critiqued those choices, reminding white feminists that multiple identity factors always simultaneously affect women’s lives. Manifestos by white feminists were organized roughly chronologically, within the standard feminist divisions of First, Second, and Third Waves; this study problematized that historical construction by emphasizing the ways in which, as another function of whiteness, the designation of waves as incorporating certain time periods has been a white feminist tool for structuring history. To show how women of color have always been aware of the multiplicity of issues oppressing women, this study grouped those manifestos together, highlighting their common arguments against white feminist’s singular call for gender equality.
    [Show full text]
  • Papers of the Agricultural Workers Organizing Committee, 1959-1966
    An Index to the Microfilm Edition of The Redstockings Organizational Collection Redstockings Women’s Liberation Archives for Action, 1940’s-1991 Part 1: The Birth of the Women’s Liberation Movement: Pioneers and Their Sources Primary Source Media Redstockings Women’s Liberation Archives for Action, 1940’s-1991 Part 1: The Birth of the Women’s Liberation Movement: Pioneers and Their Sources Guide Compiled By Christine Gauvreau Primary Source Media Primary Source Media Redstockings Women’s Liberation Archives for Action, 1940’s-1991 Part 1: The Birth of the Women’s Liberation Movement: Pioneers and Their Sources Compilation © 2012 Primary Source Media ALL RIGHTS RESERVED. No part of this work covered by the copyright herein may be reproduced, transmitted, stored, or used in any form or by any means graphic, electronic, or mechanical, including but not limited to photocopying, recording, scanning, digitizing, taping, Web distribution, information networks, or information storage and retrieval systems, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the publisher. For product information, contact us at Gale Customer Support, 1-800-444-0799 For permission to use material from this text or product, submit all requests via email online at [email protected] ISBN: 978-1-57803-460-4 Primary Source Media 12 Lunar Drive, Woodbridge, CT 06525 Tel: (800) 444-0799 and (203) 397-2600 Fax: (203) 397-3893 Visit the Primary Source Media website at gale.cengage.com/psm Visit Gale online at gale.cengage.com Visit our corporate website at www.cengage.com Cover photograph: Courtesy of the Redstockings and Beverly Grant.
    [Show full text]
  • Consciousness-Raising: a Radical Weapon
    144 Consciousness-Raising: A Radical Weapon barriers o f segregation and discrimination based on sex. We knew radical thinking and radical action would be necessary to do this. We also believed it necessary to form Women’s Liberation groups which excluded men from their meetings. The following represents a compilation In order to have a radical approach, to get to the root, it and expansion of text, notes and comments seemed logical that we had to study the situation of from a talk Kathie Sarachild gave on women, not just take random action. How best to do this consciousness-raising to the First National came up in the women’s liberation group I was in-N ew York Radical Women, one o f the first in the country— Conference of Stewardesses for Women’s shortly after the group had formed. We were planning our Rights in New York City, March 12,1973. first public action and wandered into a discussion about Sarachild outlined the original program what to do next. One woman in the group, Ann Forer, for “ Radical Feminist Consciousness-Raising” spoke up: “ I think we have a lot more to do just in the area which was presented at the First National o f raising our consciousness,” she said. “ Raising conscious­ Women’s Liberation Conference outside ness?” I wondered what she meant by that. I’d never heard Chicago, November 27, 1968. it applied to women before. “ I’ve only begun thinking about women as an oppressed group,” she continued, “ and each day, I’m still learning more about it—my consciousness gets higher.” Now I didn’t consider that I had just started thinking Kathie Sarachild about the oppression of women.
    [Show full text]