Still on the Road Session Pages: 1975 Rolling Thunder Revue
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Diana Davies Photograph Collection Finding Aid
Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. -
Audience Enrichment Guide
KEY ART: EXTENDED BACKGROUND Girl From the North Country | Study Guide Part One 1 Is created by cropping the layered extended background file. FILE NAME: GFTNC_EXT_COLORADJUST_ LAYERS_8.7.19_V3 ARTS EDUCATION AND ACTIVATION CREATED IN COLLABORATION WITH TDF EDUCATION DEPARTMENT 4 Girl From the North Country | Study Guide Part One 2 HOW TO USE THIS GUIDE This guide is intentionally designed to be a flexible teaching tool for teachers and facilitators focusing on different aspects of Girl From The North Country, with the option to further explore and activate knowledge. The guide is broken up into three sections: I. Getting to know the show, Conor McPherson story II. The Great Depression and historical context III. Bob Dylan and his music Activations are meant to take students from the realm of knowing a thing or fact into the realm of thinking and feeling. Activations can be very sophisticated, or simple, depending on the depth of exploration teachers and facilitators want to do with their students, or the age group they are working with. Girl From the North Country | Study Guide Part One 3 CONOR MCPHERSON ON BEING INSPIRED BY BOB DYLAN’S MUSIC ELYSA GARDNER for Broadwaydirect.com OCTOBER 1, 2019 For the celebrated Irish playwright Conor songs up; by setting it in the ‘30s, we could McPherson, Girl From the North Country rep- do them another way. I knew I wanted a lot of resents a number of firsts: his first musical, his vocals and a lot of choral harmonies.” first work set in the United States, and, oh yes, A guitarist himself, McPherson had always his first project commissioned by Bob Dylan been interested in Dylan’s music, but he — the first theater piece ever commissioned admits, “I was not one of those people who by the iconic Nobel Prize–winning singer/ could cover every decade of his career. -
The Byrds' Mcguinn at Joe College by Kent Hoover Rock in That Era
OUTSIDE WEATHER Temperatures in the 70s Baseball team loses to for Joe College Weekend, The Chronicle li ttle chance of rain today. Duke University Volume 72, Number 135 Friday, April 15,1977 Durham, North Carolina Search reopened for Trinity dean By George Strong to his discipline," Turner observed. The University is again searching for a "There is a real sense in which a staff replacement for David Clayborne, the as position is a detour for someone who is sistant dean of Trinity College who re getting started." signed last summer. In late March, Wright informed John George Wright, the history graduate Fein, dean of Trinity College, of Ken student hired several months ago to be an tucky's offer. "I felt obliged — though assistant dean beginning this fall, has ac regretful — to release him from his ob cepted a faculty position at the University ligation to Duke," Fein said. of Kentucky, his alma mater. "I don't know whether I expected this or His decision leaves Trinity College once not," commented Richard Wells, associate again without a black academic dean. dean of Trinity College. 1 thought maybe Wright maintained that neither qualms it would work out But good people are about the Duke administration nor finan always in demand" cial considerations had entered his de Wells is heading up the screening com cision. mittee for applicants to the vacated posi Couldn't refuse tion. Fein and Gerald Wison, coordinator 1 knew I would eventually move into for the dean's staff, join Wells on the com "What kind of kids eat Armour hot dogs?" Harris Asbeil, Joe College chef, my academic field," he said, "and once the mittee. -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Still on the Road 1990 Us Fall Tour
STILL ON THE ROAD 1990 US FALL TOUR OCTOBER 11 Brookville, New York Tilles Center, C.W. Post College 12 Springfield, Massachusetts Paramount Performing Arts Center 13 West Point, New York Eisenhower Hall Theater 15 New York City, New York The Beacon Theatre 16 New York City, New York The Beacon Theatre 17 New York City, New York The Beacon Theatre 18 New York City, New York The Beacon Theatre 19 New York City, New York The Beacon Theatre 21 Richmond, Virginia Richmond Mosque 22 Pittsburg, Pennsylvania Syria Mosque 23 Charleston, West Virginia Municipal Auditorium 25 Oxford, Mississippi Ted Smith Coliseum, University of Mississippi 26 Tuscaloosa, Alabama Coleman Coliseum 27 Nashville, Tennessee Memorial Hall, Vanderbilt University 28 Athens, Georgia Coliseum, University of Georgia 30 Boone, North Carolina Appalachian State College, Varsity Gymnasium 31 Charlotte, North Carolina Ovens Auditorium NOVEMBER 2 Lexington, Kentucky Memorial Coliseum 3 Carbondale, Illinois SIU Arena 4 St. Louis, Missouri Fox Theater 6 DeKalb, Illinois Chick Evans Fieldhouse, University of Northern Illinois 8 Iowa City, Iowa Carver-Hawkeye Auditorium 9 Chicago, Illinois Fox Theater 10 Milwaukee, Wisconsin Riverside Theater 12 East Lansing, Michigan Wharton Center, University of Michigan 13 Dayton, Ohio University of Dayton Arena 14 Normal, Illinois Brayden Auditorium 16 Columbus, Ohio Palace Theater 17 Cleveland, Ohio Music Hall 18 Detroit, Michigan The Fox Theater Bob Dylan 1990: US Fall Tour 11530 Rose And Gilbert Tilles Performing Arts Center C.W. Post College, Long Island University Brookville, New York 11 October 1990 1. Marines' Hymn (Jacques Offenbach) 2. Masters Of War 3. Tomorrow Is A Long Time 4. -
November 2009 Newsletter
November 09 Newsletter ------------------------------ Yesterday & Today Records PO Box 54 Miranda NSW 2228 Phone/fax: (02)95311710 Email:[email protected] Web: www.yesterdayandtoday.com.au ------------------------------------------------ Postage: 1cd $2/ 2cds 3-4 cds $6.50 ------------------------------------------------ Loudon Wainwright III “High Wide & Handsome – The Charlie Poole Project” 2cds $35. If you have any passion at all for bluegrass or old timey music then this will be (hands down) your album of the year. Loudon Wainwright is an artist I have long admired since I heard a song called “Samson and the Warden” (a wonderfully witty tale of a guy who doesn’t mind being in gaol so long as the warden doesn’t cut his hair) on an ABC radio show called “Room to Move” many years ago. A few years later he had his one and only “hit” with the novelty “Dead Skunk”. Now Loudon pundits will compare the instrumentation on this album with that on that song, and if a real pundit with that of his “The Swimming Song”. The backing is restrained. Banjo (Poole’s own instrument of choice), with guitar, some great mandolin (from Chris Thile) some fiddle (multi instrumentalist David Mansfield), some piano and harmonica and on a couple of tracks some horns. Now, Charlie Poole to the uninitiated was a major star in the very early days of country music. He is said to have pursued a musical career so he wouldn’t have to work and at the same time he could ensure his primary source of income, bootleg liquor, was properly distilled. He was no writer and adapted songs he had heard to his style. -
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political, -
Still on the Road Early 1976 Sessions
STILL ON THE ROAD EARLY 1976 SESSIONS JANUARY 22 Los Angeles, California Instrumental Rentals Studio, Rehearsals 23 Los Angeles, California Instrumental Rentals Studio, Rehearsals 23 Los Angeles, California The Troubadour 25 Houston, Texas Houston Astro drome, Night Of The Hurricane 2 27 Austin, Texas Municipal Auditorium MARCH 30 Malibu, California Shangri -La Studios Malibu, California Shangri -La Studios Still On The Road: 1976 Early sessions 3240 Instrumental Rentals Studio Los Angeles, California 22 January 1976 Rehearsals for the second Hurricane Carter Benefit concert. 1. You Ain't Goin' Nowhere 2. One More Cup Of Coffee (Valley Below) 3. Oh, Sister (Bob Dylan –Jacques Levy/Bob Dylan) 4. Sara 5. Mozambique (Bob Dylan –Jacques Levy/Bob Dylan) Bob Dylan (guitar & vocal), Bob Neuwirth (guitar), Scarlet Rivera (violin), T-bone J. Henry Burnett (guitar), Roger McGuinn (guitar), Mick Ronson (guitar), Rob Stoner (bass), Steven Soles (guitar), David Mansfield (steel guitar, mandolin, violin, dobro), Howie Wyeth (drums). Note. 1 is only a fragment. Bootlegs Days before the Hurricane (Come One! Come All!) . No Label 93-BD-023. Going Going Guam . White Bear / wb05/06/07/08. Reference. Les Kokay: Songs of the Underground. Rolling Thunder Revue . Private publication 2000, page 67. Stereo studio recording, 20 minutes. Still On The Road: 1976 Early sessions 3245 Instrumental Rentals Studio Los Angeles, California 23 January 1976 Rehearsals for the second Hurricane Carter Benefit concert. 1. Just Like A Woman 2. Just Like A Woman 3. Just Like A Woman 4. Just Like A Woman 5. Just Like A Woman 6. Just Like A Woman 7. Loving You Is Sweeter Than Ever (Don Hunter/Stevie Wonder) 8. -
Songs of the Underground Rolling Thunder Revue
Songs of the Underground Rolling Thunder Revue (a collectors guide to the Rolling Thunder Revue 1975-1976) Songs of the Underground - a collectors guide to the Rolling Thunder Revue 1975-1976 © Les Kokay 2000 All rights Reserved. This text may be reproduced, re-transmitted and redistributed provided that it is not altered in any way and the author is acknowledged.. Any corrections, additions and enhancements welcome. I may be contacted at [email protected] for any corrections or enhancements, but I am unable to provide any details on obtaining any tapes, CDs or Bootlegs, or items that would infringe the artists copyright. © Les Kokay 2003 2 All rights Reserved. Songs of the Underground - a collectors guide to the Rolling Thunder Revue 1975-1976 Contents Dedication ...............................................................................................................................................5 Acknowledgents and thanks.....................................................................................................................5 Introduction to RTR 1975...........................................................................................7 Rolling Thunder Revue Rehearsals Oct 75............................................................................................12 Plymouth, Massachusetts, War Memorial Auditorium, 30 Oct 75 ........................................................13 North Dartmouth, Massachusetts, South Eastern University, 1 Nov 75................................................18 -
WDAM Radio's History of the Byrds
WDAM Radio's Hit Singles History Of The Byrds # Artist Title Chart Comments Position/Year 01 Jet Set “The Only One I Adore” –/1964 Jim McGuinn, Gene Clark & David Crosby with studio musicians 02 Beefeaters “Please Let Me Love You” –/1964 03 Byrds “Mr. Tambourine Man” #1/1965 Jim McGuinn, Gene Clark, David Crosby, Michael Clarke & Chris Hillman. Only Jim McGuinn played on this recording with the Wrecking Crew studio musicians. 03A Bob Dylan “Mr. Tambourine Man” #6-Albums/ From Bringing It All Back Home. 1965 03B Brothers Four “Mr. Tambourine Man” #118-Albums/ Recorded in1964, but not issued until 1965.The 1965 Brothers Four had some management connection with Bob Dylan and had even shared some gigs. In late 1963, following JFK's assassination, the Brothers Four began looking at more serious material and were presented with some Bob Dylan demos. Among his songs the group chose to record was Mr. Tambourine Man. Bob Dylan has say over who first releases one of his songs and, since he didn't care for the Brothers Four's arrangement, it wasn't immediately issued. It appeared on their The Honey Wind Blows album following the Byrds' hit and Bob Dylan's own version. 04 Byrds “All I Really Want To Do” #40/1965 A-side of I’ll Feel A Whole Lot Better. 04A Cher “All I Really Want To Do” #15/1965 Cher’s first solo hit single. 04B Bob Dylan “All I Really Want To Do” #43-Albums/ From Another Side Of Bob Dylan. 1964 05 Byrds “I’ll Feel A Whole Lot Better” #103/1965 B-side of All I Really Want To Do. -
May 1965 Sing Out, Songs from Berkeley, Irwin Silber
IN THIS ISSUE SONGS INSTRUMENTAL TECHNIQUES OF AMERICAN FOLK GUITAR - An instruction book on Carter Plcldng' and Fingerplcking; including examples from Elizabeth Cotten, There But for Fortune 5 Mississippi John Hurt, Rev. Gary Davis, Dave Van Ronk, Hick's Farewell 14 etc, Forty solos fUll y written out in musIc and tablature. Little Sally Racket 15 $2.95 plus 25~ handllng. Traditional stringed Instruments, Long Black Veil 16 P.O. Box 1106, Laguna Beach, CaUl. THE FOLK SONG MAGAZINE Man with the Microphone 21 SEND FOR YOUR FREE CATALOG on Epic hand crafted 'The Verdant Braes of Skreen 22 ~:~~~d~e Epic Company, 5658 S. Foz Circle, Littleton, VOL. 15, NO. 2 W ith International Section MAY 1965 75~ The Commonwealth of Toil 26 -An I Want Is Union 27 FREE BEAUTIFUL SONG. All music-lovers send names, Links on the Chain 32 ~~g~ ~ses . Nordyke, 6000-21 Sunset, Hollywood, call!. JOHNNY CASH MUDDY WATERS Get Up and Go 34 Long Thumb 35 DffiE CTORY OF COFFEE HOUSE S Across the Country ••• The Hell-Bound Train 38 updated edition covers 150 coffeehouses: addresses, des criptions, detaUs on entertaInment policies. $1 .00. TaUs Beans in My Ears 45 man Press, Boz 469, Armonk, N. Y. (Year's subscription Cannily, Cannily 46 to supplements $1.00 additional). ARTICLES FOLK MUSIC SUPPLIE S: Records , books, guitars, banjos, accessories; all available by mall. Write tor information. Denver Folklore Center, 608 East 17th Ave., Denver 3, News and Notes 2 Colo. R & B (Tony Glover) 6 Son~s from Berkeley NAKADE GUITARS - ClaSSical, Flamenco, Requinta.