Spotify Stock Hits New High, Valuing Company at $72B
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Dossier De Presse
30 MARS › 02 AVRIL 2017 DOSSIER DE PRESSE FESTIVAL AUGMENTÉ VICTOIRE 2 + ÉCOLOTHÈQUE MONTPELLIER MÉDITERRANÉE MÉTROPOLE WWW.TROPISMEFESTIVAL.FR Après deux éditions à La Panacée qui ont attiré près de 50 000 personnes, le festival Tropisme prend le tramway pour poser ses valises à Victoire 2 et à l’Écolothèque de Montpellier Méditerranée Métropole. Au programme : 4 jours de concerts, de réflexions et d’expérimentations numériques. Tropisme s’empare de la grande salle de Victoire 2, mais aussi de son patio doté d’une scène extérieure avec guinguette, food trucks et sauna, de ses studios de répétitions entièrement réaménagés pour accueillir une grande exposition sur la réalité virtuelle. Mais aussi un des jardins de l’Écolothèque transformé en vaste terrain de jeux et de fête pour les enfants. Tête chercheuse à l’affût des signaux faibles qui constitueront les grandes mutations de demain, Tropisme se décline en deux volets : une programmation artistique pop et numérique, et une académie ouverte à tous, réflexive et participative. Un maître mot pour cette 4e édition : l’immersion. Dans le son, dans l’image, dans la fête et dans la pensée, Tropisme vous immerge dans son univers joyeux et bricolé pour vous faire lâcher-prise en toute liberté, jour et nuit ! IMMERSION DANS L’IMAGE En 1958, l’architecte montpelliérain Philippe Jaulmes brevetait Panrama, un des tous premiers systèmes de projection cinématographique immersive. Près de 60 ans plus tard, l’essor des casques de réalité virtuelle font entrer l’immersion dans une nouvelle dimension. Tropisme vous propose d’expérimenter les dispositifs et contenus immersifs les plus novateurs à travers une grande exposition VR qui vous fera perdre tous vos repères. -
L I E D T E K S T E N
L I E D T E K S T E N 2 Nelly Maaskant www.aerlim.nl De complete verzameling liedteksten tot 2019 foto’s: Nelly Maaskant 2019 Verzameling liedteksten 2019 Nelly Maaskant 3 Nederlands pag titel jaar 9 1972 1972 10 Aan de kant van het water 1990 11 Breng een herinnering thuis 2010 12 DOEN 2007/2008 13 Een hand rond haar hart 2004 14 Een spoor van kindervoeten 2002 15 En God zag dat het goed was 2009 16 Ergens zul je altijd zijn 2002 17 Foto’s in mijn hoofd 2002 18 Hé, jij daar in de spiegel 2011 19 Herfsttintels 2003 20 In de klank van je stem 2000 21 Kindervuur 2017 22 Na vele duizend jaren 1989/2011 23 Vandaag 2007/2012 24 Vrij van binnen 2017 25 Zijn lied 1993 Engels pag titel jaar 27 An ocean inside 2010 28 Calling to the Present 2003 29 Carry on 2011 30 Dear K. and me 2008 31 Don’t tell me to leave it 2009 32 From under my skin 2003 33 I cannot not (arrangement) 2009 34 I give in 2009 35 I make a bed 1998 36 I’ve got the message + the message 2009 38 It’s all information 2010 39 It’s time to wake up 2008 40 Merlia 2003 41 Sanctuary 2012 42 Search and replace 2009 43 Standalone 2012 44 Sweet gentle silence 2007 45 We’ll make it work 2008 Verzameling liedteksten 2019 Nelly Maaskant 4 Echoes of Home pag titel Jaar: 1994 50 A light inside 51 There’s a moment we awake 52 Nowhere to hold 53 A new way of feeling 54 Echoes of Home 55 Goodnight 56 One day I stood before God 57 A goddess within (arrangement) 58 Healing energy 59 In the Garden of Eden 60 The first time I saw you 61 Someone inside Kinderliedjes pag titel jaar 63 ochtend 1985 63 -
“The Chargesare Bulls%&T”
HEN BObbY SHMURDA, THE “Tough times charismatic star of the surprise don’t last forever,” says Shmurda, 2014 hit “Hot N—a,” emerged who performed at from the back of a New York Brooklyn’s Barclays Center on Oct. 30, County Supreme Court room in January, 2014. “God makes his wthe 20-year-old looked sad and serious. toughest battles for his Shmurda sat very still at the defense table, strongest soldiers.” showing none of the viral persona that was responsible for 102 million YouTube views, a $2 million record deal and the interna- tional “Shmoney Dance” craze. Today he was just another young man before the judge, one of 13 reputed members of the East Flatbush, Brooklyn, alleged gang GS9 (“God’s Sons”) to have his case called. “When I see the judge and the DA, I just see a bunch of people trying to take my life away for being blessed,” says Shmurda, who talked with Billboard from the Manhattan Detention Complex, where he has been held since December. “When I look at them, it looks like a bunch of haters.” Four months ago, Shmurda was racing around a Midtown soundstage, sunglasses and gold chains glinting, as he performed “Hot Boy” (the “Hot N—a” radio edit) on The Tonight Show Starring Jimmy Fallon. With him were lifelong GS9 friends, beaming, and two female dancers in “Shmoney Team” &T” crop tops. The same month, “Hot Boy” reached the top 10 on the Billboard Hot 100. “THE CHARGES ARE BULLS% “Everything felt like the best moment of my life,” Shmurda says. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Assessment Day 2013 1. Gender 2. Race Or Ethnicity
Campus Activities Board Survey Results – Assessment Day 2013 Last Modified: 03/28/2013 1. Gender # Answer Response % 1 Male 67 34% 2 Female 133 67% Total 200 100% 2. Race or Ethnicity # Answer Response % 1 White 182 91% African 2 9 5% American 3 Hispanic 3 2% Asian/Pacific 4 4 2% Islander American 5 Indian/Alaskan 0 0% Native 6 Other 2 1% Total 200 100% Other white/black Human 3. Current Classification # Answer Response % 1 Freshman 24 12% 2 Sophomore 38 19% 3 Junior 32 16% 4 Senior 77 39% Graduate or 5 29 15% Professional Total 200 100% 4. Major # Answer Response % 1 Accounting 2 1% 2 Economics - BBA 1 1% 3 Economics - BA 1 1% 4 International Business 0 0% 5 Finance 3 2% 6 Management 10 5% 7 Marketing 8 4% 8 Management Information Systems 0 0% 9 MBA 2 1% 10 Health Care Administration 1 1% 11 Human Resource Management 1 1% 12 Nurse Anesthesia 0 0% 13 Business Undecided 0 0% 14 Early Childhood Education 0 0% 15 Elementary Education 4 2% 16 Secondary Education 7 4% 17 Pre-Elementary Education 0 0% 18 Pre-Secondary Education 1 1% 19 Family and Consumer Science 0 0% 20 Hospitality Management 0 0% 21 Education Undecided 0 0% 22 Special Education 2 1% 23 Literacy Education 0 0% 24 Educational Leadership Studies 0 0% 25 Counseling 1 1% 26 EdD Program 0 0% 27 EdS Program 0 0% 28 EdS in School Psychology 0 0% 29 MAT Program 0 0% 30 RBA Program 1 1% 31 Bachelor of Applied Science Program 1 1% 32 Education Undecided 0 0% 33 Music 4 2% 34 Theatre 2 1% 35 Art 4 2% 36 Pre-Music 0 0% 37 Undecided Fine Arts 0 0% 38 Athletic Training 4 2% 39 Exercise -
Mogwai – As the Love Continues
Mogwai – As The Love Continues (1:01:24, Digital, CD, Vinyl, Rock Action Records/[PIAS]/Rough Trade, 2021) Neun vollwertige Studioalben und diverse Live-Aufnahmen, Soundtracks und EPs haben uns Mogwai bisher in ihren 26 Jahren Bandgeschichte beschert und dabei den Sound des Post Rock- Genres so sehr geprägt wie kaum eine andere Band. „As The Love Continues“ ist nun das zehnte reguläre Album der Schotten und erscheint exakt ein Vierteljahrhundert nach deren Debütsingle ‚Turner’/’Lower‘ und nur wenige Monate nach dem Soundtrack für die Serie „ZeroZeroZero“. Und schon nach wenigen Takten ist „As The Love Continues“ eindeutig als Mogwai-Album identifizierbar. Sprich, auf dem neuen Album der Formation aus Glasgow ist (fast) alles beim Alten geblieben. Langweilig wird es dadurch allerdings nicht, denn auf „As The Love Continues“ spielen Stuart Braithwaite (Gitarre), Dominic Aitchison (E-Bass, Gitarre), Martin Bulloch (Schlagzeug) und Barry Burns (Keyboard, Flöte, Gitarre, Bass) noch immer Post Rock auf aller höchstem Niveau. „As The Love Continues“ beginnt in Form von ‚To The Bin My Friend, Tonight We Vacate Earth‘ mit sehr dezenten Tönen, sanftem Schlagzeugspiel und sparsamen Melodien. Ganz in Bandtradition legen die Schotten im Laufe dieses Stücks Soundschicht um Soundschicht übereinander, bevor der Einsatz verzerrter Gitarren und die so Mogwai-typische Laut-Leise- Dynamik das Stück in einer voluminösen, aber dennoch organischen Wall of Sound zu Ende gehen lassen. Das anschließende ‚Here We, Here We, Here We Go Forever‘ wird durch piepende Synthesizer-Sounds eingeleitet, welche stilistisch an die schottischen Landsleute vonBoards of Canada denken lassen. Die Melodieführung des Stückes ist so eingängig wie zuletzt vielleicht auf dem 2001er Album „Rock Action“, klingt jedoch so, als würden die Instrumente von einem Roboter gespielt werden. -
Jane the Virgin”
Culture, ethnicity, religion, and stereotyping in the American TV show “Jane the Virgin” Fares 2 Contents Introduction………………………………………………………………………..…………….….3 1. Theory & Methodology……………………………………………..………..……………….…4 2. Cultural theory……………………………………………………………..…………………….6 2.1 stereotypes and their Functions: ‘othering’, ‘alterity’, ‘us’ and ‘them’ dichotomy……………………………………………………………...…..…6 2.2 race and ethnicity………………….……..…………………….......….16 2.3 religion………………………………………………………………......18 2.4 virginity and ‘marianismo’..……………………………………….…...19 2.5 identity…………………….………………………...….……………….20 3. Media Context….…………………….……………………...…………………………………24 3.1 postmodernism and television..………………...………………..…24 3.2 Latin American soap operas…………………………………….…..27 3.3 American soap operas ………………………………………..….….31 4. Genre Analysis Context…….…………………………………………………………………33 4.1 genre theory and concepts...…………………………………..……34 4.2 comedy..………………………………………………………...….…38 5. Cultural Analysis oF “Jane The Virgin”……………………………………………………….42 6. Genre Analysis oF “Jane the Virgin”…………………………………………………….……61 7. Comparison & Discussion………………………………………………...…………….…….72 8. Conclusion…………………………………………………………………..………………….75 9. Works Cited…………………..……………………………………………..………………….77 Fares 3 Adalat Lena Fares Bent Sørensen Master’s Thesis 2. June 2020 Culture, ethnicity, religion, and stereotyping in the American TV show "Jane the Virgin" "Jane the Virgin" is an American television show on The CW, that parodies the Latin American soap opera format, while also depicting and handling real-life issues. The -
The Record of the Class
•S^ri^'. w^' Or, /tNNSXV.^ Digitized by the Internet Archive in 2009 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/recordofclass1913have THE BOARD Editor-in-Chief NORRIS FOLGER HALL Associate Editors Joseph Moorhead Beatty, Jr. Arthur Herbert Goddard Francis Mitchell Froelicher Charles Elmer Hires, Jr. Philip Collins Gifford Stephen Warren Header George Montgomery Business Manager JOSEPH TATNALL Assistant Business Managers Francis Harrar Diament William Church Longstreth Philip Collins Gifford Jesse Diverty Ludlam John Valentine Van Sickle THE CLASS JForetDort) WE who have hurriedly collected these few sketches of our College life, feel keenly their inadequacy. Yet the discerning will catch, perhaps between the lines, occasional glimpses of that deep and ever-growing love for Haverford which has been our inspiration. ^^^H ^etiication 3n tf)o bcbtcatioii of tijis booh ttjc i£la~s of ninotccn-* Cf)trtecii turns iritl; a fcclincs of profound respect, abmirafion anb affection to you rrljo fjare for 50 many years beroteb a masterful niinb anb a aener^ ous spirit to ttjc interests of fjaDerforb College, ILpman Idcecljer ^all PAUL GAY BAKER, Sullivan, N. H. Born, West Charleston, Vt., March 20, 1890. Entered Freshman Year from Nute High School, Milton, N. H. Football Squad (4); Class Football Team (1); Football Numerals (4); Gym Team (2, 3, 4); Gym Insignia (3, 4); Class Gym Team (1, 2, 3, 4); Champion Exhibition Squad (4); Y. M. C. A. Cabinet (3, 4). JOSEPH MOORHEAD BEATTY, Jr., Bryn Mawr, Pa. Born, Villa Nova, Pa., January 23, 1891. Treas- Entered Freshman Year. Class Track Team (2, 3); Class Secretary (2) ; urer (4); Y. -
Executive of the Week: Dreamville Co-Founder Ibrahim 'Ib
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2021 Page 1 of 20 INSIDE Executive of the Week: Dreamville • How Does Co-Founder Ibrahim ‘Ib’ Hamad Humbleriot Founder Anthony Demby Stay BY DAN RYS Mindful? When J. Cole released his sixth studio album, The Off- tinue breaking new ground and how management has • Identity, Awareness Season, out on Dreamville/Roc Nation/Interscope, it evolved in the decade since he and Cole made their & Representation: An AAPI Heritage Month launched a tidal wave that swept over the charts. The breakthrough in 2011. Conversation With release landed Cole his sixth straight No. 1 on the J. Cole’s The Off-Season became his sixth No. 1 Young the Giant’s Billboard 200, all 12 songs in the top 40 of the Hot album on the Billboard 200. What key decisions Sameer Gadhia 100, a record-tying four in the top 10, and leading to did you make to help make that happen? • Garth Brooks his first-ever time topping the Hot 100 Songwriters I don’t think it’s any one decision that I would sit Remembers chart, the Streaming Songs chart and the Hot Rap here and take credit for personally, because every de- Dewayne Blackwell, Songs and Hot R&B/Hip-Hop Songs charts. cision is made together with Cole. The way Cole and ‘Friends in Low In short, it was a monumental album release in I have grown to work together, we talk about every Places’ Songwriter: a career that has seen several of them. And it earns decision before we press go. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420.