Siegerliste 2018
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I N H a L T S V E R Z E I C H N
SWR BETEILIGUNGSBERICHT 2018 Beteiligungsübersicht 2018 Südwestrundfunk 100% Tochtergesellschaften Beteiligungsgesellschaften ARD/ZDF Beteiligungen SWR Stiftungen 33,33% Schwetzinger SWR Festspiele 49,00% MFG Medien- und Filmgesellschaft 25,00% Verwertungsgesellschaft der Experimentalstudio des SWR e.V. gGmbH, Schwetzingen BaWü mbH, Stuttgart Film- u. Fernsehproduzenten mbH Baden-Baden 45,00% Digital Radio Südwest GmbH 14,60% ARD/ZDF-Medienakademie Stiftung Stuttgart gGmbH, Nürnberg Deutsches Rundfunkarchiv Frankfurt 16,67% Bavaria Film GmbH 11,43% IRT Institut für Rundfunk-Technik Stiftung München GmbH, München Hans-Bausch-Media-Preis 11,11% ARD-Werbung SALES & SERV. GmbH 11,11% Degeto Film GmbH Frankfurt München 0,88% AGF Videoforschung GmbH 8,38% ARTE Deutschland TV GmbH Frankfurt Baden-Baden Mitglied Haus des Dokumentarfilms 5,56% SportA Sportrechte- u. Marketing- Europ. Medienforum Stgt. e. V. agentur GmbH, München Stammkapital der Vereinsbeiträge 0,98% AGF Videoforschung GmbH Frankfurt Finanzverwaltung, Controlling, Steuerung und weitere Dienstleistungen durch die SWR Media Services GmbH SWR Media Services GmbH Stammdaten I. Name III. Rechtsform SWR Media Services GmbH GmbH Sitz Stuttgart IV. Stammkapital in Euro 3.100.000 II. Anschrift V. Unternehmenszweck Standort Stuttgart - die Produktion und der Vertrieb von Rundfunk- Straße Neckarstraße 230 sendungen, die Entwicklung, Produktion und PLZ 70190 Vermarktung von Werbeeinschaltungen, Ort Stuttgart - Onlineverwertungen, Telefon (07 11) 9 29 - 0 - die Beschaffung, Produktion und Verwertung -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
Nordic Drama
NORDIC DRAMA PUBLIC SERVICE ORIGINALS A stronger Nordic public service drama collaboration The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. To ensure that strong, local drama remains a trademark of the Nordic public service broadcasters in a digital world, the Nordvision partners have decided to build a stronger public service drama portfolio. A strengthening that will increase both the volume of Nordic drama that each company have available on their “players” as well as the quality of the publishing right the partners secure for each other. A clear focus on drama that reflects a Nordic culture, reality and identity fits naturally with the public service mission, and it provides a genuine and recognizable promise to the users that sets Nordic public service apart from other content providers. The initiative is called “Nordic Twelve” (N12). What is N12? N12 – is a yearly package of 12 Nordic drama series with 12 month of rights in the Nordic region. In the following you can find all the N12 drama series: N12 - 2018, N12 - 2019, and some drama series from N12 - 2020. The Nordic partners also co-produce between 8 and 10 young adult drama series a year. For more information see www.nordvision.org 4 N12 2018 8 LIBERTY / DR 10 RIDE UPON THE STORM 2 / DR 12 HOME GROUND 1 / NRK 14 MANNERS / RUV 16 SISTERS 1968 / SVT 18 THE DAYS THE FLOWERS BLOOM / SVT 20 BONUS FAMILY 3 / SVT 22 BLIND DONNA / YLE 24 HOOKED 1 + 2 / YLE N12 2019 26 FOLLOW THE MONEY 3 / DR 28 DELIVER US / DR 30 TWIN / NRK 32 HOME GROUND 2 / NRK 34 EVERYTHING I DON´T REMEMBER / SVT 36 SWIPE RIGHT / SVT 38 INVISIBLE HEROES / YLE 40 THE PARADISE / YLE N12 2020 42 A FAMILY MATTER / DR 44 22. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
4-Student-Notes-Media-Industries U2
Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018. -
Programmaschema Npo Radio 4
PROGRAMMASCHEMA NPO RADIO 4 00:00 01:00 02:00 03:00 04:00 05:00 06:00 07:00 08:00 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 De Nacht Voor de Dag De Ochtend van 4 De Klassieken De Muziekfabriek Maatwerk Podium Passaggio Avondconcert Opium Margriet Carine Lacor, Hans Haffmans, Dieuwertje Wouter Pleijsier, Beitske Ab Nieuwdorp Sander Zwiep MAANDAG Vroomans Sander Zwiep e.a. Blok de Jong AVROTROS KRO-NCRV KRO-NCRV AVROTROS AVROTROS MAX NTR KRO-NCRV NTR AVROTROS De Nacht Voor de Dag De Ochtend van 4 De Klassieken De Muziekfabriek Maatwerk Podium Passaggio Avondconcert Opium Margriet Carine Lacor, Hans Haffmans, Dieuwertje Wouter Pleijsier, Beitske Ab Nieuwdorp Sander Zwiep DINSDAG Vroomans Sander Zwiep e.a. Blok de Jong AVROTROS KRO-NCRV KRO-NCRV AVROTROS AVROTROS MAX NTR KRO-NCRV NTR AVROTROS De Nacht Voor de Dag De Ochtend van 4 De Klassieken De Muziekfabriek Maatwerk Podium Passaggio Avondconcert Opium Margriet Carine Lacor, Hans Haffmans, Dieuwertje Wouter Pleijsier, Beitske Ab Nieuwdorp Sander Zwiep WOENSDAG Vroomans Sander Zwiep e.a. Blok de Jong AVROTROS KRO-NCRV KRO-NCRV AVROTROS AVROTROS MAX NTR KRO-NCRV NTR AVROTROS De Nacht Voor de Dag De Ochtend van 4 De Klassieken De Muziekfabriek Maatwerk Podium Passaggio Avondconcert Opium Margriet Carine Lacor, Hans Haffmans, Dieuwertje Wouter Pleijsier, Beitske Ab Nieuwdorp Sander Zwiep DONDERDAG Vroomans Sander Zwiep e.a. Blok de Jong AVROTROS KRO-NCRV KRO-NCRV AVROTROS AVROTROS MAX NTR KRO-NCRV NTR AVROTROS De Nacht Voor de Dag De Ochtend van 4 De Klassieken De Muziekfabriek Maatwerk Podium Passaggio Vrijdagavondconcert Opium Margriet Carine Lacor, Hans Haffmans, Dieuwertje Ab Nieuwdorp Sander Zwiep Hans van den Boom VRIJDAG Vroomans Sander Zwiep e.a. -
NSMC Internal Medicine Residents 2018-2019 PGY-4 Ashish Rai, MD
NSMC Internal Medicine Residents 2018-2019 PGY-4 Ashish Rai, MD Medical School: Dr. D.Y. Patil Medical College, India About me: I am originally from a small town in India called Ranchi. I attended medical school in Mumbai and moved to New York with my wife in 2014. I am interested in Pulmonary/Critical care. I am currently engaged in clinical research involving goals of care discussion among terminally ill patients, role of fluid resuscitation in sepsis, and global health research related to COPD and flutter valve devices. Personal interests: Traveling and food (includes cooking and of course, eating) PGY-3 Yahya Ahmad, MD Medical School: King Edward Medical University, Lahore, Pakistan. About me: I was born in Saudi Arabia, raised in Lahore, Pakistan. I like outdoor activities, especially enjoy watching and playing sports especially tennis, big Federer fan, even now. Clinical Interests: I want myself to be a good well rounded physician. I am interested in Cardiology and would love to be an Interventional cardiologist one day. Hobbies: Watching tennis, Go-karting, Playing squash and table tennis, video direction, trying out new restaurants, following current affairs. Kanwal Anwar, MD Medical School: University Medical & Dental College, Pakistan About me: I spent most of my childhood in Indonesia and later grew up in Pakistan. I love reading novels; some of my favorite series include Harry Potter and Lord of the Rings. Also, I’m a Doctor Who fan. Clinical Interests: Endocrinology, Rheumatology Personal Interests: Baking, Traveling, Photography, Reading. David Cardona, MD. Medical School: Universidad de Monterrey (UDEM), Mexico About me: I grew up in Monterrey, Mexico. -
Racism and Cultural Diversity in the Mass Media
RACISM AND CULTURAL DIVERSITY IN THE MASS MEDIA An overview of research and examples of good practice in the EU Member States, 1995-2000 on behalf of the European Monitoring Centre on Racism and Xenophobia, Vienna (EUMC) by European Research Centre on Migration and Ethnic Relations (ERCOMER) Edited by Jessika ter Wal Vienna, February 2002 DISCLAIMER ------------------------------------------------------------------------------------ This Report has been carried out by the European Research Centre on Migration and Ethnic Relations (ERCOMER) on behalf of the European Monitoring Centre on Racism and Xenophobia (EUMC). The opinions expressed by the authors do not necessarily reflect the position of the EUMC. Reproduction is authorized, except for commercial purposes, provided the source is acknowledged and the attached text accompanies any reproduction: "This study has been carried out on behalf of the European Monitoring Centre on Racism and Xenophobia (EUMC). The opinions expressed by the authors do not necessarily reflect the position of the EUMC." 2 PREFACE The research interest in analysing the way mass media report on ethnic issues has increased in the Member States over the last decades. And for this reason the EUMC decided to bring together the major research reports and their findings over the last five years in this report "RACISM AND CULTURAL DIVERSITY IN THE MASS MEDIA - an overview of research and examples of good practice in the EU Member States, 1995- 2000". The project has been carried out by Dr Jessika ter Wal, at Ercomer, Utrecht University, the Netherlands. I would like to express my sincere gratitude to her for her excellent work. The report underlines the importance of media research in the area of racism and diversity. -
NPO-Fonds Presentatie Cijfers 2018
CIJFERS 2018 Gebaseerd op 1 jaar feitelijke gegevens NPO-fonds (met uitzondering van de diverse talentontwikkelingstrajecten) !1 ALGEMEEN 2018 !2 Hoeveel aanvragen zijn er in totaal bij het NPO-fonds ingediend en toegekend? 2018 !3 TOTAAL INGEDIENDE AANVRAGEN Ontwikkeling Productie Totaal 160 153 140 120 100 89 81 80 72 60 47 40 42 40 30 24 15 20 10 9 0 Video drama Video documentaire Audio Totaal 2018 !4 TOTAAL TOEGEKENDE AANVRAGEN Ontwikkeling Productie Totaal 100 91 90 80 70 56 60 51 50 40 40 28 28 30 22 17 20 13 7 10 5 6 0 Video drama Video documentaire Audio Totaal 2018 !5 TOTAAL SLAGINGS% Ontwikkeling Productie Totaal 100% 80% 67% 67% 63% 63% 60% 59% 60% 57% 55% 54% 50% 52% 47% 40% 20% 0% Video drama Video documentaire Audio Totaal 2018 !6 Hoe is de verhouding tussen indieningen en toekenningen per omroep? 2018 !7 TOTAAL INGEDIEND PER OMROEP Ontwikkeling Productie Totaal 40 34 34 35 30 25 26 25 19 18 20 15 16 16 15 13 15 12 11 9 9 10 7 8 5 4 4 4 5 1 0 1 0 EO MAX NTR VPRO HUMAN BNNVARA AVROTROS KRO-NCRV 2018 !8 TOTAAL TOEGEKEND PER OMROEP Ontwikkeling Productie Totaal 25 20 19 20 18 18 15 13 9 10 10 9 9 10 7 8 7 5 6 5 3 3 5 2 1 0 0 0 0 EO MAX NTR VPRO HUMAN BNNVARA AVROTROS KRO-NCRV 2018 !9 2018 59% 52% 63% 69% Gemiddeld 60% 82% VPRO 80% 78% 81% NTR Totaal 0% 0% MAX 53% 50% Productie 56% !10 54% KRO-NCRV 50% OMROEP 56% HUMAN 56% Ontwikkeling 53% EO 60% 38% 75% TOTAAL SLAGINGS% PER 0% 50% BNNVARA 20% 71% AVROTROS 0% 20% 10% 90% 80% 70% 60% 50% 40% 30% Hoeveel geld is er in totaal toegekend? 2018 !11 2018 € 15.978.099 € 8.927.107 € 7.251.100 -
Press, Radio and Television in the Federal Republic of Germany
DOCUMENT RESUME ED 353 617 CS 508 041 AUTHOR Hellack, Georg TITLE Press, Radio and Television in the Federal Republic of Germany. Sonderdienst Special Topic SO 11-1992. INSTITUTION Inter Nationes, Bonn (West Germany). PUB DATE 92 NOTE 52p.; Translated by Brangwyn Jones. PUB TYPE Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Developing Nations; Foreign Countries; Freedom of Speech; *Mass Media; *Mass Media Effects; *Mass Media Role; Media Research; Professional Training; Technological Advancement IDENTIFIERS *Germany; Historical Background; Journalists; Market Analysis; Media Government Relationship; Media Ownership; Third World; *West Germany ABSTRACT Citing statistics that show that its citizens are well catered for by the mass media, this paper answers questions concerning the media landscape in the Federal Republic of Germany. The paper discusses: (1) Structure and framework conditions of the German media (a historical review of the mass media since 1945); (2) Press (including its particular reliance on local news and the creation of the world status media group, Bertelsmann AG);(3) News agencies and public relations work (which insure a "never-ending stream" of information);(4) Radio and Television (with emphasis on the Federal Republic's surprisingly large number of radio stations--public, commercial, and "guest");(5) New communication paths and media (especially communication and broadcasting satellites and cable in wideband-channel networks);(6) The profession of journalist (which still relies on on-the-job training rather than university degrees); and (7) Help for the media in the Third World (professional training in Germany of journalists and technical experts from underdeveloped countries appears to be the most appropriate way to promote Third World media). -
Paris, 6-7 June Who's Who
Paris, 6-7 June Who's who Yassmin Abdel-Magied Mechanical engineer, Social advocate, Writer, Petrol Head, 2015 Queensland Young Australian of the Year . Ms. Abdel-Magied is a mechanical engineer, social advocate, writer and 'petrol head'. Debut author at 24 with the coming-of-age-memoir, Yassmin¶s Story, the 2015 Queensland Young Australian of the Year advocates for the empowerment of youth, women and those from racially, culturally and linguistically diverse backgrounds. Ms. Abdel-Magied is passionate about making 'diversity' the norm. At age 16, she founded Youth Without Borders, an organisation that empowers young people to realise their full potential through collaborative, community based programs. She was named one of Australia¶s most influential engineers by Engineers Australia, and has been recognised for her work in diversity by the United Kingdom¶s Institute of Mechanical Engineers. The youngest woman named in Australia¶s 100 Women of Influence by the Australian Financial Review in 2012, Ms. Abdel-Magied was the Young Muslim of the Year in 2007 and Muslim Youth of the Year in 2015. A sought-after advisor for federal governments and international bodies, she currently sits on the Boards of ChildFund, The Council for Australian-Arab Relations (CAAR) and the domestic violence prevention organisation, OurWatch. She is the Gender Ambassador for the Inter-American Development Bank and has represented Australia through multiple diplomatic programs across the globe. You can also find Ms. Abdel-Magied presenting on TV, currently hosting ABC's weekly show, Australia Wide. She is a regular on Q&A, The Drum, The Project, and internationally on the BBC.