The Building Program of Herod the Great

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The Building Program of Herod the Great The Building Program of Herod the Great http://content-backend-a.cdlib.org/xtf/view?docId=ft3g500594&chunk.i... Preferred Citation: Roller, Duane W. The Building Program of Herod the Great. Berkeley, Calif: University of California Press, c1998 1998. http://ark.cdlib.org/ark:/13030/ft3g500594/ The Building Program of Herod the Great Duane W. Roller UNIVERSITY OF CALIFORNIA PRESS Berkeley · Los Angeles · Oxford © 1998 The Regents of the University of California Preferred Citation: Roller, Duane W. The Building Program of Herod the Great. Berkeley, Calif: University of California Press, c1998 1998. http://ark.cdlib.org/ark:/13030/ft3g500594/ Preface Then Herod . was exceedingly angry, and he sent for and killed all the boys in Bethlehem and all the surroundings who were two years old or less . MATT. 2.16. He who has not seen the Temple of Herod has never seen a beautiful building . JEWISH PROVERB (BABYLONIAN TALMUD, BABA-BATHRA 4A ). I would rather be Herod's pig than his son . EMPEROR AUGUSTUS, QUOTED B MACROBIUS, SATURNALIA 2.4.11. Herod the Great, King of Judaea between 40 and 4 B.C. , is known in the Christian nativity story as the attempted murderer of the infant Jesus. Christian tradition thereafter considered Herod the supreme criminal, and by the end of antiquity, he was remembered almost solely for his role in the Nativity rather than as a client king of Rome's.[1] Works of art such as the Massacre of the Innocents by Pieter Bruegel the Elder[2] have perpetuated and popularized the image of Herod as one of the world's great villains. It is not the purpose of this work to assess the character of Herod or to place him within the religious traditions of Judaea, tasks that have been better performed by others.[3] One expects that Herod's virtues and vices were [1] Christian writers emphasized his role in the Nativity. Eusebios (Ecclesiastical History 1.6.8) suggested that the deterioration of Herod's reign and his terrible death were divine justice for his persecution of Jesus of Nazareth, which came to be an accepted point of view in Christian theology. [2] Now in the Kunsthistorisches Museum, Vienna. [3] Biographies of Herod are numerous, from Walter Otto's lengthy RE article, whose "Zeittafel für Herodes I" is invaluable, to Abraham Schalit's KH and Michael Grant's more popular Herod the Great (London, 1971). In addition, other works particularly valuable for biographical data include Hugo Willrich, Der Haus des Herodes Zwischen Jerusalem und Rom (Heidelberg, 1929); Jones, Herods ; A. Momigliano, "Herod of Judaea," in CAH , 1st ed., corrected (1966), 10: 316–39; Stewart Perowne, The Life and Times of Herod the Great (London, 1956); Menahem Stern, "The Reign of Herod," in HP , 71–123; Schürer (NEV), 1: 287–329 is a particularly straightforward and well-documented summary. Most recently, see Martin Goodman, "Judaea," in CAH , 2d ed. (1996), 10: 737–50, and Peter Richardson, Herod: King of the Jews, Friend of the Romans (Columbia, S.C., 1996), which has an unusually complete discussion of the building program (pp. 174–202). Samuel Sandmel's Herod: Profile of a Tyrant (Philadelphia, 1967), more of a theological study than a political or artistic one, dismisses Herod's building program in a sentence (p. 272). On Herod's miserable death, see Thomas Africa "Worms and the Death of Kings: A Cautionary Note on Disease and History," ClAnt 1 (1982): 9–11; Richard Fenn's The Death of Herod (Cambridge, 1992) is a sociological study of the cultural implications of Herod's death. Many other studies of Herod are cited in the main bibliography to this work; a thorough bibliography of modern works on Herod (through 1980) appears in Louis H. Feldman, Josephus and Modern Scholarship (Berlin, 1984), 278–303. ― x ― little different from those of other dynasts and client kings of the Hellenistic-Roman East. He certainly was more adept than many, as he successfully survived the twists and turns of the Roman civil war from Pompey through Augustus, successively supporting Caesar, Cassius, and Antonius and Cleopatra. He created the model Roman client kingdom of the East, largely based on the Egypt of Antonius and Cleopatra, fostering a Greco-Roman cultural climate, with scholars, a library, artists, and, above all, monumental architecture. It is the architecture of Herod that is the focus of this study, especially the Roman basis of his building program and his overlooked contributions to the architectural history of the Greek and Roman world. Discussions of Herodian architecture are not rare: in fact most treatments of Herod have the requisite summary of his architectural achievements, often lifted bodily from the pages of Josephus. Yet such summaries, however detailed, tend to exclude two important aspects of Herodian architecture: that it extended throughout the eastern Roman world, from western Greece to interior Syria (map 1), and that it was more Roman than Hellenistic in inspiration. Herod built extensively in his kingdom (map 2) and in the surrounding areas: Josephus catalogued over twenty locations within his territory that saw Herodian constructions. But Josephus listed almost as many places outside Herod's kingdom that also benefited from his building,[4] including Syria, Asia Minor, the Greek islands, and even Athens, Sparta, and perhaps Rome. In fact, Herod's career as a builder began not in Judaea but on Rhodes, before he was king.[5] 1 of 177 7/8/2006 7:44 PM The Building Program of Herod the Great http://content-backend-a.cdlib.org/xtf/view?docId=ft3g500594&chunk.i... Moreover, Herod's architectural inspiration was not from the expected Hellenistic and Eastern sources, but a reflection of the immense rebuilding of late Republican and Augustan Rome. Although hinted at by Kathleen M. Kenyon in a fundamental, yet brief and obscurely published, study,[6] this aspect of Herod's career has never been fully and systematically explored.[7] He was a remarkable innovator, introducing to the East such [4] As a typical example of the attitude toward this part of Herod's career, Abraham Schalit devoted nearly eighty detailed pages in his monumental KH to Herod's constructions within his kingdom but barely three, essentially quotations from Josephus, to his buildings in the rest of the Greek and Roman world. Schürer (NEV), 1: 308, likewise acknowledged Herod's work outside his kingdom, but in a single paragraph. [5] AJ 14.378. [6] "Some Aspects of the Impact of Rome on Palestine," JRAS 1970: 181–91. [7] Rare exceptions are Willrich (supra, n. 3) and David Braund's Rome and the Friendly King: The Character of Client Kingship (London, 1984), which also examines the matter of Herod and Rome, with some attention to architectural issues (pp. 75–78, 108–13). Ilana d'Ancona Porte's "The Art and Architecture of Palestine under Herod the Great: A Survey of the Major Sites" (Ph.D. diss., Harvard University, 1966; see the summary in HSCP 26 [1966]: 341–44) is a limited discussion of Herod's architecture within his kingdom, with some allusions to Roman influence, but does not deal with the issue in any systematic or detailed way. Archaeological fieldwork by Ehud Netzer, especially at Herodeion and Jericho, has also raised questions of Roman involvement, even to the point of suggesting that teams of Roman architects were sent from Rome to Judaea. Other fieldwork at a number of sites within Herod's kingdom has revealed specific cases of Roman influence, such as in the harbor technology and urban plan of Caesarea, but this is largely on an ad hoc basis, without consideration of broad questions of inspiration. A brief but incisive discussion of Herodian architecture in Judaea and Syria, which includes acknowledgement of its Roman origins, appears in Ward-Perkins, RIA , 309–14. See also John R. Bartlett, Jews in the Hellenistic World: Josephus, Aristeas, the Sibylline Orations, Eupolemus (Cambridge Commentaries on the Writings of the Jewish and Christian World, 1.1 [Cambridge, 1985]), 102–10, who saw Herod's architectural activities as more Hellenistic than Roman. As a contrast to those who ignored Herod's architectural achievements, Jones, Cities , 270–77, tended to diminish their importance. ― xi ― diverse architectural forms as the Italian podium temple, the Roman theater, the Italian villa, and probably the enclosed portico and amphitheater. In his youth he was inspired by emergent Roman building activities in Syrian and southern Levantine cities and by the unfulfilled eastern architectural legacy of Julius Caesar, but an early visit to Rome in 40 B.C. provided the impetus for a systematic romanizing of the physical aspect of his future kingdom. Central to this study is the first analytical catalogue of the Herodian architectural program, discussing every site at which he built. It is placed within its context both of the Roman influence, its central focus, and of its continuation of the Roman traditions that had emerged since Syria had become a Roman province and several Roman builders had come to Herod's world. Also of importance is the intellectual setting: not only the cultural life of Augustan Rome, but Herod's own scholarly circle in Jerusalem, which recreated the defunct scholarly life of the court of Antonius and Cleopatra. It included a number of people who traveled regularly between Rome and Judaea and thus provided Herod with much of his information about Roman happenings. When Herod died in 4 B.C. , he left a significant legacy in the architectural romanization of the East. His dynastic successors and in-laws in other client kingdoms continued with their own Herodian-inspired programs. But he also laid the groundwork for the successive great Roman constructions in the East and even influenced the later architectural development of Rome.
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