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Me Israel Aestra JULU 3-QUGUSU 8 1979 Me Israel Assam Founoed Bu A.Z
me Israel Aestra JULU 3-QUGUSU 8 1979 me Israel Assam FOunoeD bu a.z. ppopes JULU 3-aUGUSB 8 1979 Member of the European Association of Music Festivals Executive Committee: Asher Ben-Natan, Chairman Honorary Presidium: ZEVULUN HAMMER - Minister of Education and Culture Menahem Avidom GIDEON PATT - Minister of Industry, Trade and Tourism Gary Bertini TEDDY KOLLEK - Mayor of Jerusalem Jacob Bistritzky Gideon Paz SHLOMO LAHAT - Mayor of Tel Aviv-Yafo Leah Porath Ya'acov Mishori Jacob Steinberger J. Bistritzky Director, the Israel Festival. Director, The Arthur Rubinstein International Piano Master Competition. Thirty years of professional activity in Artistic Advisor — Prof. Gary Bertini the field of culture and arts, as Director of the Department of International The Public Committee and Council: Cultural Relations in the Ministry of Gershon Achituv Culture and Arts, Warsaw; Director of the Menahem Avidom Polish Cultural Institute, Budapest: Yitzhak Avni Director of the Frédéric Chopin Institute, Warsaw. Mr. Bistritzky's work has Mordechai Bar On encompassed all aspects of the Asher Ben-Natan Finance Committee: development of culture, the arts and mass Gary Bertini Menahem Avidom, Chairman media: promotion, organization and Jacob Bistritzky Yigal Shaham management of international festivals and Abe Cohen Micha Tal competitions. Organizer of Chopin Sacha Daphna competitions in Warsaw and International Meir de-Shalit Chopin year 1960 under auspices of Walter Eytan Festival Staff: U.N.E.S.C.O. Shmuel Federmann Assistant Director: Ilana Parnes Yehuda Fickler Director of Finance: Isaac Levinbuk Daniel Gelmond Secretariat: Rivka Bar-Nahor, Paula Gluck Dr. Reuven Hecht Public Relations: Irit Mitelpunkt Dr. Paul J. -
ACE's Scandinavian Sojourn
ACE’s Scandinavian Sojourn : A Southerner’s Perspective Story by: Richard Bostic, assisted by Ronny Cook When I went on the ACEspana trip back in 2009, it was by far one of the most amazing vacations I have ever experienced. In addition to getting to visit parks in a different culture than we see here, it is also a great opportunity to spend time with fellow enthusiasts and grow friendships while enjoying our common interests. When Scandinavia Sojourn was announced for the summer of 2011, I knew it was a trip I could not miss. Since the 2009 trip was my first trip to Europe I thought that there was no way the over- all experience could be better in Scandinavia. I was wrong. We landed in Helsinki, Finland around 1300 the day before we were required to be at the hotel to meet with the group. Helsinki is an interesting city and fairly new compared to many cities in Europe. Walking around the city you can see the Russian influence in the city’s architecture. In fact, many movies during the cold war would use Helsinki to shoot scenes that are supposed to be set in the Soviet Union. After making our way to the Crowne Plaza Hotel and getting a quick lunch at the hotel restaurant we decided to spend the remaining time that afternoon checking out some of the sites around our hotel. Some of these sites included the Temppeliaukio Church inside of a rock formation, the train station, Routatientori Square and National Theater, and a couple of the city’s art museums. -
What's on in Tel Aviv / January
WHAT'S ON IN TEL AVIV / JANUARY MUSIC EVENTS ECHOES PINK FLOYD MAD PROFESSOR SATYRICON 04 LIVE TRIBUTE SHOW 12 AND GAUDI 24 Barby Club Reading 3 Barby Club LED ZEPPELIN 2 – MAURICE EL MEDIONI MANOLIA 07 THE LIVE EXPERIENCE 12 AND NETA ELKAYAM 24 GREEK HITS 08 Bronfman Auditorium Einav Culture Center Suzanne Dellal Center SWING AND RAY GELATO CHRONOS PROJECT THE KOOKS 11 JAZZ CONCERT 15 BY DIMITRA GALANI 27 Barby Club 12 Tel Aviv Museum of Art Tel Aviv Museum of Art 28 MAIN CLASSICAL DANCE 1-4 THE RACE TO THE VIENNA BALL 5-6 THE YOUNG ENSEMBLE, BATSHEVA Strauss, Brahms, Smetana and Dvorak DANCE COMPANY - KAMUYOT Tel Aviv Performing Arts Center Suzanne Dellal Center 5-6 INBAL PINTO AND AVSHALOM POLLAK - OYSTER Suzanne Dellal Center THINGS TO DO FOR FREE ANTIQUE & SECOND HAND ITEMS FAIR Every Tuesday at 10 AM-6 PM and every Friday at 7 AM-4 PM 9 CHRIS ROCK STAND UP SHOW Givon Square Menora Mivtachim Arena TEL AVIV PORT TOUR 19-20 VERTIGO DANCE COMPANY AND Every Thursday at 11 AM REVOLUTION ORCHESTRA - WHITE NOISE Meeting point: Aroma Cafe, 1 Yordei HaSira Tel Aviv Performing Arts Center St. Hangar 9, Tel Aviv Port 4-17 A MIDSUMMER NIGHT'S DREAM DESIGNERS & FOOD MARKET Opera Every Thursday and Friday, Tel Aviv Performing Arts Center FOR KIDS Dizengoff Center 5 CHRISTMAS VIENNESE BALL 6 BUTTERFLIES IN THE STOMACH TETRIS GAME ON THE St. Nicolas Monastery, Old Jaffa Mediatek, Holon• CITY HALL BUILDING 6 UPSTAIRS DOWNSTAIRS 13 ALICE IN WONDERLAND Every Thursday evening - Rabin Square* DANGEROUS LIAISONS IN MOZART’S OPERAS Circus Y, Circus Tent, Ramat Gan Stadium• SARONA TOUR Tel Aviv Performing Arts Center 13,27 GULLIVER (PLAY) Every Friday at 11 AM 16 BACH – BERNSTEIN Gesher Theatre Meeting point: Sarona Visitor’s Center, 11 Avraham Albert Mendler St. -
Four Sermons in Defiance of the Nazis
Four Sermons in Defiance of the Nazis Preached During 1941 by Bischop von Galen of Münster 2 Clemens August, Count von Galen Clemens August, Count von Galen, was born on 16th March 1878 in Burg Dinklage in Oldenburg. As the eleventh of thirteen children he grew up in the safeness of a deeply religious family. He attended the secondary school of the Jesuits in Feldkirch and obtained his leaving certificate at Vechta in 1896. After studying philosophy at Fribourg (Switzerland) for a short period, he resolved to become a priest. He was a student of theology in Innsbruck and Münster and was ordained on 18th March 1904 in Münster. After his ordination he became first a minor canon of Münster Cathedral. At the same time he was commissioned to accompany his uncle, Suffragan Bishop Maximilian Gereon, Count von Galen, on his journeys to conduct confirmations. In 1906 he became chaplain of St Matthias’ Church in Berlin. This was for him the beginning of 23 years of pastoral work in the capital of the Reich. After several years as curate of St Clement’s he was appointed parish priest of St Matthias in 1919. In Berlin he lived through the difficult times of the First World War, the troubled post-war period and a great part of the Weimar Republic. Great demands were made upon him by the diaspora situation in Berlin. In 1929 Clemens August von Galen was called back into the diocese of Münster and appointed parish priest of St Lambert’s Church in Münster. After the death of Bishop Johannes Poggenburg, Clemens August von Galen was made Bishop of Münster. -
Brito;" To'consider Proposal Regarding A
University of Nebraska at Omaha DigitalCommons@UNO Kabul Times Digitized Newspaper Archives 4-14-1966 Kabul Times (April 14, 1966, vol. 5, no. 18) Bakhtar News Agency Follow this and additional works at: https://digitalcommons.unomaha.edu/kabultimes Part of the International and Area Studies Commons Recommended Citation Bakhtar News Agency, "Kabul Times (April 14, 1966, vol. 5, no. 18)" (1966). Kabul Times. 1200. https://digitalcommons.unomaha.edu/kabultimes/1200 This Newspaper is brought to you for free and open access by the Digitized Newspaper Archives at DigitalCommons@UNO. It has been accepted for inclusion in Kabul Times by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. t PAGE' ; " Home NewS In:~Bri~f K~~~, .April 13.-':", fimdamee' tal ""bool ·was. opened Monday ,n Bojil Woleswiali· jn' H.rat. 120 stu· d.nlS bepn Ib.ir sChoolini lb.... l1NITEQ NATU)NS, April' 13, Th. land .lInd construction cost of (DPA).-The I~dian ahel Ethiopilil\ lhe building for th. scbool were members of the lIN ',Decolonisation provid.d by th. public. The Scbool Committee demanded Tuesday 'thai was opened by the· govcmor of Ibe the security Countil pass a resoJu. province. lion sanctioning use of force against In Taran district of Kunar pro Rhodesia. vinCe a village scbool was opened IIi.dian d~legate C.. R..Gharekhan ~ ' , ..-: "i' "\.- .GI"fJ.,I.>,.~,.... ,.,q;~7-1i.. r:li,,: -Monday 'and 40 students were 'cn rJ'~li.~i}.·:"~ '1.j;~'I ~;~~·~1i~:r=4'~~l.W~;&'-, ':nt".~ .~_': (~: "I described ·the April 9 Security CC;lUn. • . .. rolled. -
Privacy in Atlantis*
Harvard Journal of Law & Technology Volume 18, Number 1 Fall 2004 PRIVACY IN ATLANTIS* Jerry Kang & Benedikt Buchner** TABLE OF CONTENTS INTRODUCTION.................................................................................230 SCENE I: PRIVACY’S FORM...............................................................231 A. Market-Talk..............................................................................231 B. Dignity-Talk .............................................................................234 SCENE II: PRIVACY’S SUBSTANCE....................................................236 A. The Core Similarities ...............................................................237 1. Dignity’s Consent (or the Market’s Initial Allocation) .........237 2. Data Protection Regulations (or Intangible Property Regulations) ....................................................................240 B. Too Little Control.....................................................................244 1. The Problem: Hard Choices ..................................................244 2. The Response: Fortifying the Individual...............................246 C. Too Much Control....................................................................251 1. The Problem: Societal Overrides ..........................................251 2. The Response: Interest Balancing .........................................252 CONCLUSION ....................................................................................255 APPENDIX .........................................................................................257 -
Russia and Saudi Arabia: Old Disenchantments, New Challenges by John W
STRATEGIC PERSPECTIVES 35 Russia and Saudi Arabia: Old Disenchantments, New Challenges by John W. Parker and Thomas F. Lynch III Center for Strategic Research Institute for National Strategic Studies National Defense University Institute for National Strategic Studies National Defense University The Institute for National Strategic Studies (INSS) is National Defense University’s (NDU’s) dedicated research arm. INSS includes the Center for Strategic Research, Center for the Study of Chinese Military Affairs, and Center for the Study of Weapons of Mass Destruction. The military and civilian analysts and staff who comprise INSS and its subcomponents execute their mission by conducting research and analysis, publishing, and participating in conferences, policy support, and outreach. The mission of INSS is to conduct strategic studies for the Secretary of Defense, Chairman of the Joint Chiefs of Staff, and the unified combatant commands in support of the academic programs at NDU and to perform outreach to other U.S. Government agencies and the broader national security community. Cover: Vladimir Putin presented an artifact made of mammoth tusk to Crown Prince Mohammad bin Salman Al Saud in Riyadh, October 14–15, 2019 (President of Russia Web site) Russia and Saudi Arabia Russia and Saudia Arabia: Old Disenchantments, New Challenges By John W. Parker and Thomas F. Lynch III Institute for National Strategic Studies Strategic Perspectives, No. 35 Series Editor: Denise Natali National Defense University Press Washington, D.C. June 2021 Opinions, conclusions, and recommendations expressed or implied within are solely those of the contributors and do not necessarily represent the views of the Defense Department or any other agency of the Federal Government. -
Chapter 6. the Voice of the Other America: African
Chapter 6 Th e Voice of the Other America African-American Music and Political Protest in the German Democratic Republic Michael Rauhut African-American music represents a synthesis of African and European tradi- tions, its origins reaching as far back as the early sixteenth century to the begin- ning of the systematic importation of “black” slaves to the European colonies of the American continent.1 Out of a plethora of forms and styles, three basic pil- lars of African-American music came to prominence during the wave of indus- trialization that took place at the start of the twentieth century: blues, jazz, and gospel. Th ese forms laid the foundation for nearly all important developments in popular music up to the present—whether R&B, soul and funk, house music, or hip-hop. Th anks to its continual innovation and evolution, African-American music has become a constitutive presence in the daily life of several generations. In East Germany, as throughout European countries on both sides of the Iron Curtain, manifold directions and derivatives of these forms took root. Th ey were carried through the airwaves and seeped into cultural niches until, fi nally, this music landed on the political agenda. Both fans and functionaries discovered an enormous social potential beneath the melodious surface, even if their aims were for the most part in opposition. For the government, the implicit rejection of the communist social model represented by African-American music was seen as a security issue and a threat to the stability of the system. Even though the state’s reactions became weaker over time, the offi cial interaction with African-American music retained a political connotation for the life of the regime. -
Cedar Point Welcomes 2016 Golden Ticket Awards Ohio Park and Resort Host Event for Second Time SANDUSKY, Ohio — the First Chapter in Cedar and Beyond
2016 GOLDEN TICKET AWARDS V.I.P. BEST OF THE BEST! TM & ©2016 Amusement Today, Inc. September 2016 | Vol. 20 • Issue 6.2 www.goldenticketawards.com Cedar Point welcomes 2016 Golden Ticket Awards Ohio park and resort host event for second time SANDUSKY, Ohio — The first chapter in Cedar and beyond. Point's long history was written in 1870, when a bath- America’s top-rated park first hosted the Gold- ing beach opened on the peninsula at a time when en Ticket Awards in 2004, well before the ceremony such recreation was finding popularity with lake island continued to grow into the “Networking Event of the areas. Known for an abundance of cedar trees, the Year.” At that time, the awards were given out be- resort took its name from the region's natural beauty. low the final curve of the award-winning Millennium It would have been impossible for owners at the time Force. For 2016, the event offered a full weekend of to ever envision the world’s largest ride park. Today activities, including behind-the-scenes tours of the the resort has evolved into a funseeker’s dream with park, dinners and receptions, networking opportuni- a total of 71 rides, including one of the most impres- ties, ride time and a Jet Express excursion around sive lineups of roller coasters on the planet. the resort peninsula benefiting the National Roller Tourism became a booming business with the Coaster Museum and Archives. help of steamships and railroad lines. The original Amusement Today asked Vice President and bathhouse, beer garden and dance floor soon were General Manager Jason McClure what he was per- joined by hotels, picnic areas, baseball diamonds and sonally looking forward to most about hosting the a Grand Pavilion that hosted musical concerts and in- event. -
The Voice of Jazz Musicians in Germany
Felix Felix Falk Angelica Niescier Lucia Cadotsch Gunter Hampel Susan Weinert Shannon Barnett Robert Landfermann Olivia Trummer © Patrick Essex © Patrick Schestag © Rüdiger © Lothar Fietzek Achim Kaufmann Lillinger © Katrin Christian Lillinger Christoph Hillmann Julia Hülsmann Götz © Sven Volker Engelberth Schindelbeck © Frank Alexandra Lehmler Ulla Oster Peter Ehwald Germany MEMBERSHIP APPLICATION GERMAN JAZZ UNION - WHAT WE REPRESENT 0 Individual member 0 Sponsoring member The tasks and goals of the German Jazz Union e. V. are First name wide-ranging. The aim is to give “Jazz made in Germany” an German Jazz Union - appropriate social status within German and Europes diverse Last name cultural scene. Instrument Jazz in and from Germany is globally renowned and creates in- Institution (if applicable) novative potential in all areas of society. Public funding is just as essential for free scenes in jazz and improvised music as it is in Main occupation institutionalized music and culture. Street The German Jazz Union represents the interests of all jazz musicians in Germany and is particularly committed to the Postcode, City following goals: Tel. of Jazz Musicians in The voice 1. SPECIFIC FUNDING FOR JAZZ AND IMPROVISED Fax MUSIC Expansion of public funding, design of existing and new Mobile funding instruments at federal level. Jazz experts in relevant Email institutions. 2. VENUES Expansion of public funding for jazz and improvised music venues, creation of fully financed jazz Website centers. Stronger support from the federal states and local au- Date of birth thorities.3. FAIR COMPENSATION AND SOCIAL SECURITY Ensuring appropriate compensation. Short term minimum Annual membership fee (see back of leaflet) and long term fair fees for musicians, strengthening of social security, in particular through the expansion of the German IBAN Social Fund for Artists (Künstlersozialkasse). -
Integrales Discográficas De Las Sinfonías De Gustav Mahler
MAHLER INTEGRALES DISCOGRÁFICAS DE LAS SINFONÍAS DE GUSTAV MAHLER Índice de contenidos Página Policarbonato y maheriana — Integrales: 03 Integrales de un director y una orquesta: 06 Integrales de un director y más de una orquesta: 54 Integrales de más de un director y una orquesta: 72 Integrales de más de un director y más de una 78 orquesta: Policarbonato y mahleriana su música no sonó en Alemania ni en prácticamente todos los territorios que había anexionado el nazismo. Pocos eran los directores, de la generación que dominó Iniciada la década de los años 60 del siglo XX, había la primera mitad del siglo XX, que verdaderamente creían transcurrido medio siglo desde el fallecimiento de Gustav en su obra. Destacan los casos del Willem Mengelberg, Mahler; cincuenta años en los que el mundo de la Bruno Walter y Otto Klemperer. El primero de ellos logró fonografía, y paralelamente a esta las salas de concierto, en Amsterdam, como director titular de dedicaban aún una exigua —relativa— o nula presencia la Concertgebouworkest, que la ciudad desarrollase una de la obra de Mahler. A lo largo de esa década ese singular y profunda tradición mahleriana. Los otros dos parcial oscurantismo iba a llegar a su fin; el nombrado directores, judíos alemanes ambos, siempre fueron fieles a “boom Mahler" incrementó la presencia, en todos los la obra de su mentor; tanto en Europa, durante los años ámbitos, de la obra del compositor bohemio, que llevaron que pudieron interpretarla, como en su forzado exilio en desde aquellas fechas hasta nuestros días, pocos años los Estados Unidos, principalmente. -
Cloetta Annual Report 2016
ANNUAL AND SUSTAINABILITY REPORT 2016 Contents This is Cloetta Highlights of 2016 1 Words from the President 2 Goals and strategies Long-term financial targets 4 Long-term sustainability targets 5 Strategies and activities 6 Cloetta’s value chain 8 The confectionery market 10 Market strategies for growth 13 Brand development 14 Strategic product development 17 New markets, initiatives and concepts 20 Cloetta’s leading brands 21 Cloetta’s main markets 25 Supply chain 32 Factories 37 Raw material costs 40 Sustainability 42 Core values 42 Long-term sustainability 43 Stakeholders and materiality issues 45 Sustainability goals 47 Sustainable sourcing 48 Responsibility for consumers well-being 52 Reduced environmental impact 54 Employees 56 Share and shareholders 60 Financial performance 66 Net sales and profit 66 Financial position 69 Comments on the cash flow statement 71 Future outlook. Environmental impact 72 and environmental management Risks and risk management 73 Letter from the Chairman 77 Corporate governance report 78 Remuneration to the Group Management Team 84 Internal control over financial reporting 86 Board of Directors 88 Group Management Team 90 Financial information, contents 92 Consolidated profit and loss account 93 Consolidated statement of comprehensive income 94 Consolidated balance sheet 95 Consolidated statement of changes in equity 96 Consolidated cash flow statement 97 Notes to the consolidated financial statements 98 Parent Company financial statements and notes 133 Proposed appropriation of earnings 141 Auditor’s report 142 Nine-year overview 145 Key ratios 146 Reconciliation of alternative performance measures 147 Definitions and glossary 149 GRI index 151 Membership of organizations 153 Auditor’s limited assurance report on sustainability report 154 Shareholder information 155 History 156 The audited annual report for Cloetta AB (publ) 556308-8144 consists of the administration report and the accompanying financial statements on pages 1–4, 6–7 and 66–141.