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Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
Documentary Reality Television's Privacy Problem
KENT NEWMAN DOCUMENTARY REALITY TELEVISION’S PRIVACY PROBLEM A dissertation submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Masters of Law. LAWS 592: DISSERTATION FACULTY OF LAW 2020 2 Documentary Reality Television’s Privacy Problem Table of Contents I Introduction .................................................................................................................... 6 A Why Does it Matter? .............................................................................................................7 B Structure .................................................................................................................................8 1 Part one: examining the genre ............................................................................................................9 2 Part two: the privacy implications of the genre ..................................................................................9 II What is Documentary Reality Television? ................................................................. 12 A The Origins of Documentary Reality Television ..............................................................12 1 Ayeni v CBS .................................................................................................................................... 14 2 Berger v Hanlon ............................................................................................................................... 15 3 Marichs v QRZ Media .................................................................................................................... -
Lulu Wilkinson A: 5 Ocean Grove Collaroy NSW 2097 E: [email protected] M: 0402 120 597 Dob: 25/08/1978 W: Linkedin.Com/In/Luluwilkinson
Lulu Wilkinson a: 5 Ocean Grove Collaroy NSW 2097 e: [email protected] m: 0402 120 597 dob: 25/08/1978 w: linkedin.com/in/luluwilkinson Objective The job can change but the objective has always been the same – create really great work and have a good time doing it. Oh - and get fantastic results. Someone recently described me as having a “too diverse, erratic” set of skills. It wasn’t meant as a compliment but I took it as one. I’ve worked in content over a significant period of time and I’ve experienced how it can shift and manifest in different ways according to what the audience needs. I’m platform agnostic – I have got my hands dirty in all sorts of ways – print, online, TV. What matters is that you know your audience and you make quality content they’ll devour. My career objective is that simple – deliver work that activates audiences: to buy, to read, to watch, to engage, to laugh or to cry. I have had a lot of experience managing teams – big and small. I love managing people – I like to motivate them, I enjoy mentoring and the feeling of watching your team reach a satisfying and effective solution is a great one. I get the best out of people. I love entertaining audiences and I believe that comes down to excellent storytelling. I have travelled the world in my role and personal life and found that content that resonates has one thing in common – it means something to people. Whether it is as grand as making their lives better or as simple as starting and ending the day with a smile. -
Seven in 2020
SEVEN IN 2020 Proposed Prime merger makes Seven the leading premium broadcast, video and news network across Australia Focus on content investment to deliver more big shows, more big stars and more 25-54s Seven has the biggest television event of 2020 – the Tokyo 2020 Olympic and Paralympic Games Blockbuster new programs include Mega Mini Golf and SAS: Who Dares Wins, plus the return to Australia of much-loved hit franchises Big Brother and Farmer Wants A Wife Matt Preston and Gary Mehigan join Seven in 2020 for new international cooking competition Plate of Origin Justine Clarke, Rob Collins and Stephen Peacocke lead new Australian drama RFDS Sam Frost and Adam Dovile will dare to bare on special event series The All New Monty: Guys and Gals My Kitchen Rules and House Rules reimagined for 2020 Australia’s No. 1 multichannel 7mate goes HD and 7flix rebrands 23 October 2019: The Seven Network today unveiled its content led growth strategy for the next 12 months, underpinned by new and rejuvenated primetime offerings. James Warburton, Seven West Media Managing Director and CEO said: “I’ve been clear from day one that we’re executing a content led growth strategy. To that end we’re investing 30% more in our tentpole programs and franchises.” Titles new to Seven in 2020 include the family blockbuster Mega Mini Golf; the world’s toughest physical test of celebrities yet, SAS: Who Dares Wins; the return of hit franchises Big Brother and Farmer Wants A Wife; the best of the best in Australia’s Got Talent: The Champions; and male and female celebrities coming together for special event series The All New Monty: Guys and Gals. -
Annual Report 2019/20
Published by Screen Australia October 2020 ISSN 1837-2740 © Screen Australia 2020 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2019/20. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data; Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from Mystery Road series 2. Back cover image from Total Control. Screen Australia operates within Australia, with its head office located in Sydney at 45 Jones Street, Ultimo, and an office in Melbourne at 290 Coventry Street, South Melbourne. -
AUTHORISED PRODUCER LIST | CHURCH VIDEO LICENCE (CVL) for AFRICA List Published July 2021
AUTHORISED PRODUCER LIST | CHURCH VIDEO LICENCE (CVL) FOR AFRICA List published July 2021 101 Films AIM Group (dba Cinevision Global -Ambassador Film Library) 12 Yard Productions Air Productions 123 Go Films Al Dakheel Inc 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) Alberio Films 2929 Entertainment Alcina Pictures (ex. Canada) 365 Flix International Alcon Entertainment 41 Entertaiment LLC Alcon Television 495 Productions Alley Cat Films 4Licensing Corporation (fka 4Kids Entertainment) All-In-Production Gmbh A Really Happy Film (HK) Ltd. (fka Distribution Workshop Aloupis Productions A&E Networks Productions Amazing Maurice Productions Ltd Abacus Media Rights Ltd AMBI Distribution Corp. (pka Ambi Exclusive Aquisitions Co., LLC) Abbey Home Media AMBI Exclusive Acquisitions Co. LLC (pka Icon Film Distribution Pty Ltd) Abot Hameiri American Heroes Productions About Premium Content SAS American Portrait Films Abso Lutely Productions American World Pictures Absurda AMOS Pictures Ltd Acacia Anglia Television ACIP (fka Angel City Factory (ACP)) Animal Planet Productions Acorn Media Animalia Productions Acorn TV Annapurna Productions Actaeon Films APC Kids SAS Action Concept Film und Stuntproduktion (ex. Germany) Apnea Film Srl (ex. IT) Adult Swim Productions Apollo Media Distribution Gmbh Adventure Line Productions (ALP) Arbitrage Aenon Archery Pictures Limited Affiliate of Valiant Women Society (fka Maralee Dawn Ministries) Arclight Films International Agatha Christie Productions ArenaFilm Pty. Ager Film Arenico Productions GmbH AI Film Asmik Ace, Inc. (ex. Japan) Astromech Records Black Bear Studios Athena Black Monday Film Services Atlantic 2000 Blakeway Productions Atlas Block 2 Block Distribution Ltd. August Entertainment Bloodline Pictures Avalon (KL Acquisitions) Blu Avalon Distribution Ltd Blue Ant International Ltd Avalon Television Blue Marlin Television Ltd Azucar Entertainment BMG Audiovisual (Soundstage / Berlin Live TV) Bandai Namco Arts Inc (ex. -
Product Guideguide
MIPT V PRODUCTPRODUCT GUIDEGUIDE LOVE CRUISE 2001CHRIS COLORADO 2 222 FBC A AAA Animation (6x26’) Reality Series (7 x 60min.) Language: French (original version), Cast: Sixteen Eligible Singles Dubbed English, 20TH CENTURY FOX Exec. Prods. Jonathan Murray, Mary- A&E Director: Franck Bertrand, Thibaut INTERNATIONAL Ellis Bunim Arts & Entertainment, A&E Television Chatel, Jacqueline Monsigny Audiences will cruise through the south- Network / The History Channel, 235 East Produced by: AB Productions and TELEVISION ern Caribbean and visit exotic enezuelan 45th Street, New York, NY 10017 USA. Studios Animage 20th Century Fox International ports with eighteen eligible single men Tel: 212.210.1400. Fax: 212.983.4370. Co-producers: MEDIASET /CANAL + / Television, P.O. Box 900, Beverly Hills, and women who are in competition to find At MIP-TV: Carl Meyer (Regional France 3 / AB PRODUCTIONS CA 90213-0900. Tel 310.369.1000. love and to gain an extraordinary grand Managing Director, Asia), Chris O’Keefe Delivery Status: Completed Australia Office: 20th Century Fox prize. (Regional Managing Director, Latin Budget: 43 MF International TV, Level 5, Frank Hurley KATE BRASHER America), Shelley Blaine Goodman (VP, Danger lurks, group of 666’ agents, have Grandstand, Fox Studios Australia. CBS Affiliates Sales, Canada), Maria infiltrated the higher levels power of the Driver Avenue, Moore Park NSW 1363, Drama (6 x 30 min.) Komodikis (SVP, International Managing world federation. Chris Colorado becomes Australia. Tel 61.2.8353.2200. Fax Cast: Mary Stuart Masterson, Rhea Director) the President’s man to save democracy and 61.2.8353.2205. Brazil Office: Fox Film Perlman, and Hector Elizondo Office: E3-08 peace. -
American Primacy and the Global Media
City Research Online City, University of London Institutional Repository Citation: Chalaby, J. (2011). The making of an entertainment revolution: How the TV format trade became a global industry. European Journal of Communication, 26(4), pp. 293- 309. doi: 10.1177/0267323111423414 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/4033/ Link to published version: http://dx.doi.org/10.1177/0267323111423414 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The making of an entertainment revolution: How the TV format trade became a global industry Abstract From its humble origins in the 1950s, the TV format industry has become a global trade worth billions of Euros per year. Few viewers are aware that their favourite shows may be local adaptations but formats represent a significant percentage of European broadcasting schedules in access prime time and prime time. -
The Simple Way to Buy and Sell TV Rights Online
Asia TBIvision.com November 2015 how do you buy a cooking show in less time than it takes to boil an egg? the simple way to buy and sell TV rights online visit trx.tv or ATF stand J08 pOFC Asia15.indd 1 16/11/2015 18:04 pIFC Televisa Asia15.indd 1 16/11/2015 10:20 TBI Asia 2015 Contents 2 TBI interview: Janice Lee, Viu The managing director of Hong Kong telecom company PCCW’s media arm tells TBI about Asia’s latest OTT service 4 New business in China Television companies are exploiting their programming in China, as the country’s appetite for international content grows 6 Viewpoint: Howard Myers British unscripted producer Howard Myers on his relocation to 2 4 Australia, and what the market Down Under looks like 8 Monitor: The QYou The new pay channel is bridging the gap between traditional subscription TV platforms and millennial-focused online video 10 Data: digital driving Asian evolution Ismail Patel from TBI stablemate research firm Ovum on where the growth in Asia is expected to come from 12 Buyers briefing: Sony Pictures Television Programming boss Virginia Lim on the various content needs at Sony Pictures Television Networks Asia 14 ATF preview TBI talks to distributors old and new heading to Asia’s premier 14 content confab, the Asia TV Forum & Market 20 Australia’s drama landscape From soaps to significant scripted: Australia’s drama producers are 26 now focusing high-end efforts. TV Tonight’s David Knox reports 26 Animated in Asia: high five Original content is now the name of the game for Asia’s leading toon producers. -
Proposed Model for an Audit Certificate
Banijay Group Year ended December 31, 2020 Statutory auditor’s report on consolidated financial statements ERNST & YOUNG et Autres ERNST & YOUNG et Autres Tél. : +33 (0) 1 46 93 60 00 Tour First www.ey.com/fr TSA 14444 92037 Paris-La Défense cedex Banijay Group Year ended December 31, 2020 Statutory auditor’s report on consolidated financial statements To the President, Opinion In our capacity as statutory auditor of Banijay Group and in accordance with your request in connection with the shareholders’ agreement, we have audited the consolidated financial statements of Banijay Group and its subsidiaries (the Group), which comprise the consolidated statement of financial position and notes to the consolidated financial statements, including a summary of significant accounting policies. These financial statements were approved by the President, on March 5, 2021, on the basis of the elements available at that date, in the evolving context of the health crisis related to Covid-19. In our opinion, the accompanying consolidated financial statements give a true and fair view of the consolidated financial position of the Group as at December 31, 2020, and of its consolidated financial performance and consolidated cash flows for the year then ended, in accordance with International Financial Reporting Standards as adopted by the EU. Basis for Opinion We conducted our audit in accordance with International Standards on Auditing (ISAs). Our responsibilities under those standards are further described in the Auditor’s Responsibilities for the Audit of the Financial Statements section of our report. We are independent of the Group in accordance with the International Code of Ethics for Professional Accountants (including International Independence Standards) (IESBA Code) together with the ethical requirements that are relevant to our audit of the consolidated financial statements in France, and we have fulfilled our other ethical responsibilities in accordance with these requirements and the IESBA Code. -
Glimpses of 'TV Formats' Disputes Database 1989 to 2007 (C
June 2009 Format Rights Disputes Database (c) Sukhpreet Singh Glimpses of Formats Rights Dispute Database © Sukhpreet Singh, 2009. Bournemouth University. Note: The following represent only 18 of the total 59 disputes systematically collated and synthesized; please contact [email protected] to access the full database. Issue of Actual Legal Judgement / Ruling / Dispute ID Year of Dispute Plaintiff / Claimant Defendant/ Alleged 'Broadcast'/ Other Grounds of Dispute Action/ Settled out of Court/ Remarks / More Information (yr-no-src) Dispute Jurisdiction of Original Format Infringer Source Threatening only? other means? 1989-01-BR 1989 04-Aug-89 New Zealand Hughie Green Broadcasting Copyright Yes Ruled against the Hughie Green sued BCN in High Court of New Zealand in 1979, claiming that (Opportunity Corporation of New Infringement, plaintiff. No action. the NZ programme contained certain features of his original programme, Knocks) Zealand (Opportunity Passing off including the name, various catchphrases used by Green, the use of "sponsors" Knocks) to introduce contestants and a "clapometer" to measure studio reaction. The highest NZ court dismissed the case in 1983. Green then took it to the Privy Council in UK which also dismissed it in 1989. Green was unable to provide tangible scipts of his 'format' and the courts did not see his programme concept as a 'dramatic' work capable of copyright protection. In the words of the Privy Council, "a dramatic work must have sufficient unity to be capable of performance". Secondly, Green failed to show that his format, broadcast on British TV, had any reputation in New Zeland or that the defendant had caused any financial harm to Green while the show was broadcast in New Zealand. -
Pine Gap Screentime, Netflix, Abc & Safc Announce New Production for 2017
PINE GAP SCREENTIME, NETFLIX, ABC & SAFC ANNOUNCE NEW PRODUCTION FOR 2017 --CLASSIFIED-- Thursday 14 September 2017 – Screentime, a Banijay Group company, has been commissioned by Netflix and the ABC to produce a six hour drama series entitled PINE GAP. Created by showrunner Greg Haddrick and co-writer Felicity Packard, the international political thriller is set in and around the enigmatic US/Australia joint defence facility situated in central Australia. With major support from the South Australian Film Corporation and the South Australian State Government, PINE GAP will commence pre-production in Adelaide in November and will film across multiple locations in South Australia and the Northern Territory in 2018. Set in the hidden world of intelligence, PINE GAP exposes the cost of secrecy and the stress inflicted on nations and individuals when our ultimate loyalty is to our country and not to our partner. When a civilian plane is shot down over Myanmar, the search for the true motive threatens the famously strong American/Australian joint military alliance through conflicting interests, personal ideals … and one tragic mistake. The series will be produced by Lisa Scott and Felicity Packard, and executive produced by Screentime’s Bob Campbell, Rory Callaghan and Greg Haddrick, and the ABC’s Sally Riley and Kym Goldsworthy. Executive Chairman of Screentime Bob Campbell said “Screentime is delighted that Netflix and the ABC have come together to commission this production that has been in development by the Screentime drama team for a number of years.” Creator, executive producer, writer and showrunner Greg Haddrick said: “A compelling work of fiction inspired by modern geo political tensions, we are delighted to be working with Netflix and the ABC to produce an original concept for a worldwide audience.” “Greg Haddrick is a magnificent voice in television in Australia and around the world,” said Elizabeth Bradley, Netflix Vice President of Content.