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Albanian Families' History and Heritage Making at the Crossroads of New
Voicing the stories of the excluded: Albanian families’ history and heritage making at the crossroads of new and old homes Eleni Vomvyla UCL Institute of Archaeology Thesis submitted for the award of Doctor in Philosophy in Cultural Heritage 2013 Declaration of originality I, Eleni Vomvyla confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signature 2 To the five Albanian families for opening their homes and sharing their stories with me. 3 Abstract My research explores the dialectical relationship between identity and the conceptualisation/creation of history and heritage in migration by studying a socially excluded group in Greece, that of Albanian families. Even though the Albanian community has more than twenty years of presence in the country, its stories, often invested with otherness, remain hidden in the Greek ‘mono-cultural’ landscape. In opposition to these stigmatising discourses, my study draws on movements democratising the past and calling for engagements from below by endorsing the socially constructed nature of identity and the denationalisation of memory. A nine-month fieldwork with five Albanian families took place in their domestic and neighbourhood settings in the areas of Athens and Piraeus. Based on critical ethnography, data collection was derived from participant observation, conversational interviews and participatory techniques. From an individual and family group point of view the notion of habitus led to diverse conceptions of ethnic identity, taking transnational dimensions in families’ literal and metaphorical back- and-forth movements between Greece and Albania. -
“The Semiotics of the Imagery of the Greek War of Independence. from Delacroix to the Frieze in Otto’S Palace, the Current Hellenic Parliament”
American Research Journal of Humanities & Social Science (ARJHSS)R) 2020 American Research Journal of Humanities & Social Science (ARJHSS) E-ISSN: 2378-702X Volume-03, Issue-01, pp 36-41 January-2020 www.arjhss.com Research Paper Open Access “The Semiotics of the Imagery of the Greek War of Independence. From Delacroix to the Frieze in Otto’s Palace, The Current Hellenic Parliament”. Markella-Elpida Tsichla University of Patras *Corresponding Author: Markella-Elpida Tsichla ABSTRACT:- The iconography of the Greek War of Independence is quite broad and it includes both real and imaginary themes. Artists who were inspired by this particular and extremely important historical event originated from a variety of countries, some were already well-known, such as Eugène Delacroix, others were executing official commissions from kings of Western countries, and most of them were driven by the spirit of romanticism. This paper shall not so much focus on matters of art criticism, but rather explore the manner in which facts have been represented in specific works of art, referring to political, religious and cultural issues, which are still relevant to this day. In particular, I shall comment on The Massacre at Chios by Eugène Delacroix, painted in 1824, the 39 Scenes from the Greek War of Independence by Peter von Hess, painted in 1835 and commissioned by King Ludwig I of Bavaria, and the frieze in the Trophy Room (currently Eleftherios Venizelos Hall) in Otto’s palace in Athens, currently housing the Hellenic Parliament, themed around the Greek War of Independence and the subsequent events. This great work was designed by German sculptor Ludwig Michael Schantahaler in 1840 and “transferred” to the walls of the hall by a group of Greek and German artists. -
Early Nineteenth-Century British Drama and the Greek War of Independence
Staging Transcultural Relations: Early Nineteenth-Century British Drama and the Greek War of Independence Alexander Grammatikos, Langara College Abstract Keywords This paper examines two British Romantic dramas written Nineteenth-Century British during the Greek War of Independence and its aftermath: George Drama; Greek War of Burges’s The Son of Erin or the Cause of the Greeks (1823) Independence; British Romantic and John Baldwin Buckstone’s The Maid of Athens; or, the Re- Hellenism; Philhellenism; Lord volt of the Greeks (1829). The paper discusses the plays’ portray- Byron als of transcultural interactions between Greeks and Europeans (Irish and British) and argues that the two dramas encourage audiences to see similarities between themselves and Greeks, while also critiquing British apathy toward the Greeks’ efforts to achieve liberation. Despite Burges’s and Buckstone’s shared support for the Greek war, however, an important difference between the two texts exists: while The Son of Erin maintains a relentless attack on the British government for aligning British politics with Ot- toman policies and remaining indifferent toward the Greek war, The Maid of Athens suggests that Britons who take advantage of Greeks’ subjugation misrepresent Britain’s true feelings about the Greek War of Independence. JMH 34 (2019): Special Issue JMH 34 (2019): Special Issue Article: Alexander Grammatikos Introduction In his seminal text, That Greece Might Still Be Free: The Philhellenes in the War of Independence, William St. Clair writes that “[o]ne of the surprising features of the history of philhellenism during the Greek War of Independence is the slowness of the response in Britain. -
AHEPA TRAVELER Spring/March 2021
AHEPA TRAVELER Spring/March 2021 GOLDEN GATE DISTRICT NO. 21 Ahepa Traveler CHAPTERS THROUGHOUT NORTHERN CALIFORNIA AND WESTERN NEVADA Volume 71, No. 1 OFFICIAL PUBLICATION OF DISTRICT 21 Spring/March 2021 MARCH 25 GREEK INDEPENDENCE DAY 200 YEAR ANNIVERSARY 1821-2021 Page 1 AHEPA TRAVELER Spring/March 2021 AHEPA DISTRICT LODGE DOP DISTRICT LODGE “AHEPA TRAVELER is published quarterly, four 2020-2021 2020-2021 times a year March, June, September and Website: www.ahepa21.org Website: www.dop21.org December by Order of AHEPA, 3327 Lake Albano Circle, San Jose, CA 95135.” District Governor District Governor Alex Mallas Linda Belba AHEPA TRAVELER is the official publication Cell 408 234-9226 of Golden Gate District 21 Order of AHEPA 650 591-1010 Email: [email protected] (American-Hellenic-Educational-Progressive- Email: [email protected] Association). It is published and distribut- District Lt. Governor ed to members and friends. There are thirty District Lt. Governor Chris L. Frangos, Jr. Ahepa, Daughters, Sons and Maids Chapters in Laurie Sahinas, PDG Northern California and Western Nevada. 650 868-2402 Email: [email protected] Cell 408 823-0111 Article III – This Order shall be non-partisan District Secretary Email: [email protected] in politics and non sectarian in religion. All partisan political and all sectarian religious Mark Hallock District Secretary discussions are prohibited in any official delib- 916 956-5188 Email: [email protected] erations thereof. Angela Christon Cell 510 326-5427 District Treasurer Email: [email protected] Demos Papadopoulos EDITORIAL STAFF - AHEPA TRAVELER 916 601-5569 Email: [email protected] District Treasurer BILL CHRISTIE, Editor Mary Gavrilis Editorial Staff for District Warden AHEPA and AUXILIARIES Cell 209 765-2314 408 891-9225 Alex Aliferis Email: [email protected] Email: [email protected] 530 400-5821 Email: [email protected] District Marshal Traveler Ads Manager District Marshal Angie Legakis Tom Chiarchianis, PDG Cell 408 666-2963 Cell 209 401-1179 George C. -
A Journal for Greek Letters from Stories to Narratives: the Enigmas of Transition
Vol. 18 2016 - 2017 Introduction a Journal for Greek letters From Stories to Narratives: the enigmas of transition Editors Vrasidas Karalis and Panayota Nazou 1 Vol. 18 2016 - 2017 a Journal for Greek letters From Stories to Narratives: the enigmas of transition Editors Vrasidas Karalis and Panayota Nazou The Modern Greek Studies by academics are refereed (standard process of blind peer Association of Australia and assessment). This is New Zealand (MGSAANZ) a DEST recognised publication. President - Vrasidas Karalis Το περιοδικό φιλοξενεί άρθρα στα Αγγλικά και Vice President - Maria Herodotou τα Ελληνικά αναφερόμενα σε όλες τις απόψεις Treasurer - Panayota Nazou των Νεοελληνικών Σπουδών (στη γενικότητά Secretary - Panayiotis Diamadis τους). Υποψήφιοι συνεργάτες θα πρέπει να The Modern Greek Studies Association of Australia υποβάλλουν κατά προτίμηση τις μελέτες των and New Zealand (MGSAANZ) was founded in 1990 σε ηλεκτρονική και σε έντυπη μορφή. Όλες οι as a professional association by those in Australia συνεργασίες από πανεπιστημιακούς έχουν υπο- and New Zealand engaged in Modern Greek Studies. Membership is open to all interested in any area of βληθεί στην κριτική των εκδοτών και επιλέκτων Greek studies (history, literature, culture, tradition, πανεπιστημιακών συναδέλφων. economy, gender studies, sexualities, linguistics, The editors would like to express their cinema, Diaspora etc.). Published for the Modern Greek Studies Association gratitude to Mr. Nick Valis & Blink Print The Association issues a Newsletter (Ενημέρωση), of Australia -
Remembering an Oral Performer, Yiorgos Haridimos, Karagiozis Player, 1924-1996 Kostas Myrsiades West Chester University of Pennsylvania, [email protected]
West Chester University Digital Commons @ West Chester University English Faculty Publications English 9-1996 Remembering an Oral Performer, Yiorgos Haridimos, Karagiozis Player, 1924-1996 Kostas Myrsiades West Chester University of Pennsylvania, [email protected] Follow this and additional works at: http://digitalcommons.wcupa.edu/eng_facpub Part of the Byzantine and Modern Greek Commons, and the Other Theatre and Performance Studies Commons Recommended Citation Myrsiades, K. (1996). Remembering an Oral Performer, Yiorgos Haridimos, Karagiozis Player, 1924-1996. Journal of the Hellenic Diaspora, 22(2), 89-100. Retrieved from http://digitalcommons.wcupa.edu/eng_facpub/36 This Article is brought to you for free and open access by the English at Digital Commons @ West Chester University. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of Digital Commons @ West Chester University. For more information, please contact [email protected]. Remembering an Oral Performer, Yiorgos Haridimos, Karagiozis Player, 1924-1996 by KOSTAS MYRSIADES Yiorgos Haridimos's early morning of puppet-making was followed by a simple lunch, consisting almost exclusively of greens cooked in olive oil, and then a nap, which he took in preparation for his evening performance. At around 4:00 in the afternoon he boarded a trolley for Athens and his Plaka theatre. There he swept the stage, cleaned the theatre of debris from the night before, watered the pebbled floor to cool it, dusted the chairs, and set out the puppets in the order in which they were to appear in the evening's performance. His first wife had accompanied him to the theatre each night to put the house in order and prepare the tickets. -
Diaspora Greeks Will Shape Greece's Future Archbishop Refusing To
O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of ΑΠΟ ΤΟ 1915 The National Herald Greek Americans A WEEKLY GREEK AMERICAN PUBLICATION c v www.thenationalherald.com VOL. 10, ISSUE 493 March 24, 2007 $1.00 GREECE: 1.75 EURO Diaspora Greeks Will Shape Greece’s Future Dora discusses issues ahead of her stateside Visit, meets with Ban, Rice and other officials By Aris Papadopoulos Special to the National Herald ATHENS – By enacting legislation allowing Greeks who live abroad to vote in Greek national elections, the Government has fulfilled an obliga- tion to Greeks of the Diaspora, For- eign Minister Dora Bakoyanni told the National Herald, adding that Greeks residing outside the geo- graphic borders of the Hellenic Re- public will “now have a hand in shaping the country’s future.” Speaking to the Herald shortly before her visit to New York this week, Mrs. Bakoyanni said, “This is a very significant initiative adopted by the New Democracy Government. The Greek Government is fulfilling a very large obligation to Greeks living abroad. Through this initiative, the Government is enabling them to equally participate in the most im- portant part of the democratic Foreign Minister Dora Bakoyanni process – elections – by allowing The Spirit of Greek Independence: “We would rather die…” them to mail in their ballots. This tion; and coordinate our efforts for way, they can play a role in shaping every issue concerning Hellenes French artist Claude Pinet’s famous painting, “Dance of Zalongo.” The Souliotisses were women from the mountainous area of Souli in Epiros. -
“Heroes” in Neo-Hellenic Art (19Th – 20Th Centuries) the New National Models and Their Development Panagiota Papanikolaou International Hellenic University
Volume 2, Issue 5, May 2015, PP 249-256 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) www.arcjournals.org International Journal of Humanities Social Sciences and Education (IJHSSE) “Heroes” in Neo-Hellenic Art (19th – 20th Centuries) the New National Models and their Development Panagiota Papanikolaou International Hellenic University “Pity the country that needs heroes.” Bertolt Brecht Abstract The outbreak of the Greek Revolution in 1821 acted as a catalyst for the country and put in place the conditions for the occurrence of many new phenomena, such as the emergence of art, for example, which was influenced by Western mannerisms. This has been considered absolutely normal, because this is when the actual conditions for the development of art were met. The social, legal, moral and political conditions were completely overhauled and this enabled citizens to express themselves freely. (1) For Greeks, the Greek Revolution has been the great historical event out of which the new Greek state emerged. However, to achieve this, sacrifices and struggles have been necessary, which resulted in certain people standing out for their achievements, bringing back to the people’s memory the ancient myths about semi-gods and heroes as well as the saints of the Christian religion. The heroes and heroines of the new Hellenism leapt out of the Greek Revolution, lauded by poets and represented by artists. In general, there are many categories of “heroes”, as there are many definitions thereof. According to dictionaries, a “hero” is someone “who commits a valiant act, often to the point of sacrificing themselves”, a person who achieves something particularly difficult and who is admired by others. -
The CHARIOTEER an Annual Review of Modern Greek Culture
The CHARIOTEER An Annual Review of Modern Greek Culture NUMBERS 33/34 1991-1992 SPECIAL DOUBLE ISSUE NIKIFOROS VRETT AKOS , C. Capri-Karka and R. M. Newton Y UNDER THE ACROPOLIS Tral'M:l~tterl by C. Capri-Karka and I. Karka CHORUS Translated by M. Chambers SELECTIONS FROM: COLLECTED POEMS VOL. 1 \ COLLECTED POEMS VOL. 2 PROTEST SUN LAMP GIFT IN ABEYANCE ENCOUNTER WITH THE SEA Tunslated by A. Michopoulos, G. Pilit9is, D. Connolly R. M. Newton, M. Chambers, I. Karka and M. Polis INTERVIEWS WITH NIKIFOROS VRETTAKOS Translated by A. Michopoulos and M. C. Pantelia A SELECTION OF CRITICAL ESSAYS by A. Argyriou, S. Geranis, K. Haralambides T. Patrikios and Vinzenzo Rotolo T<ranslated by M. C. Pantelia, R. M. Newton A. Michopoulos and C. Capri-Karka $15.00 THE CHARIOTEER AN ANNUAL REVIEW OF MODERN GREEK CULTURE Formerly published by P ARNASSOS Greek Cultural Society of New York NUMBERS 33/34 1991-1992 Publisher: LEANDROS PAPATHANASIOU Editor: c. CAPRI-KARKA Managing Editor: SOPHIA A. PAPPAS THE CHARIOTEER is published by PELLA PUBLISHING COMPANY, INC. Editorial and subscription address: Pella Publishing Company, 337 West 36th Street, New York, NY 10018. One year subscription $15; Two-year subscription $28; Three-year subscription $40. Copyright 1992 by Pella Publishing Company, Inc. All rights reserved. Printed in U.S.A. by Athens Printing Co., 337 West 36th Street, New York, NY 10018-6401-The CHARIOTEER solicits essays on and English translations from works of modern Greek writers. Translations should be accompanied by a copy of the original Greek text. Manuscripts will not be returned unless accompanied by a stamped self-addressed envelope. -
Alexandros Charkiolakis * the Friends of Music Society
Article received on: September 1st 2017 Article accepted on: November 13th 2017 UDC: 78(495)”17/19” 782.1(495)”18” Alexandros Charkiolakis * The Friends of Music Society THE NOTION OF THE ENEMY IN THE GREEK OPERATIC WORLD OF THE 19th A N D 20th C E N T U R IE S *1 Abstract: Opera has been a major and vital element contributing to the firm establishment of the Greek National School during the first decade of the 20th century, following the trends of other national schools appearing around or before that time. The national ele ment has been present in several cases and although the Greek National School was firmly established in 1908 with a manifesto that was presented by Manolis Kalomiris, the Greek operatic world dealt with the patriotic sentiment long before that. During several periods in the 19th and 20th centuries, historical circumstances gave composers the opportunity to express themselves through the notion of the heroic, directing the subjects of their works towards the awakening of national pride, contributing to the nationalistic ideas that were developing during each period. Heroism and heroic deeds of the past were the perfect materials for this purpose. Key words: nationalism, Greece, heroism, Balkan history, Ottoman Empire, national school As odd as it might seem to some of the readers, Greek opera and the equivalent operatic world is actually a vast subject, at least to my eyes, especially when one puts it in a European perspective. During the past decades, Greek musicol ogy was a truly self-contained discipline. Most of the subjects were discussed between Greek musicologists, most of the resources existed only in Greek, a large number of new articles and papers presented were presented only at Greek * Author contact information: [email protected] 1 Sound examples are available online at the official New Sound YouTube channel. -
Παρασκευήthe Interest in Greece and Greeks from 1821 to Today FRIDAY 5/7/2013
MUNICIPALITY OF NIKOLAOS SKOUFAS-DEPARTMENT OF HISTORY AND ARCHEOLOGY, UNIVERISTY OF IOANNINA INTERNATIONAL SYMPOSIUM IN THE CONTEXT OF “FILLELINIA 2013” MANIFESTETIONS ΠαρασκευήThe interest in Greece and Greeks from 1821 to today F RID A Y 5/7/2013 9-9.30 Registration of participants-Greetings from the “Nikolaos Skoufa’s” Mayor Mr Efstathios Giannoulis and the Rector of the University of Ioannina Mr Triantafyllos Albanis Session Α: 9.30-11.00 Presidency: Lampros Flitouris 1. Katerina Zaridi (Univ.of Ioannina): Philhellenism and the Peta’s battle 2. Yannis Karakatsianis (phD in History, Univ.of Athens): The Origins of the terms “Hellenes” and “Greeks”: How was the movement of Philhellenism born? 3. Anna Karakatsouli (University of Athens): The Philhellenes in the Greek War of Independence: A Transnational Approach 4. Alexandra Sfini (National Research Foundation): The rhetoric of philhellenism 11.00-11.15 break Session Β:11.15-12.30 Presidency: Anna Mandylara 1,Vassilios Sabatkakis (Lund University): Early Swedish Travelers and Philhellenism in Scandinavia 2.Karl Reber (University of Lausanne), Switzerland and its Philhellenes 3.Eleonora Naxidou (University of Thrace): A ‘Balkan’ Version of Philhellenism: the Case of Ivan Seliminski 4.Yanna Tzourmana (Open University-Panteion Univ.): “The Happiness of Mankind” Dissenters, Reformers, Philhellenes 5Lia Papadimitriou (PhD in Philosophy-University of Ioannina): The German Philhellenism: The case of W.T.Krug 12.30-12.45 break MUNICIPALITY OF NIKOLAOS SKOUFAS-DEPARTMENT OF HISTORY AND ARCHEOLOGY, UNIVERISTY OF IOANNINA INTERNATIONAL SYMPOSIUM IN THE CONTEXT OF “FILLELINIA 2013” MANIFESTETIONS The interest in Greece and Greeks from 1821 to today F RID A Y 5/7/2013 Session C: 12.45-14.00 Presidency: Giorgos Nikolaou 1. -
Between, Against, Beyond: Challenging National Identities in Contemporary Greek Theatre Dissertation Zur Erlangung Des Grades E
Between, Against, Beyond: Challenging National Identities in Contemporary Greek Theatre Dissertation zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Philosophie und Geisteswissenschaften der Freien Universität Berlin vorgelegt von Ariadni Lignou Tsamantani Berlin 2020 Erstgutachter: Prof. Dr. Matthias Warstat Zweitgutachter: Prof. Dr. Miltos Pechlivanos Tag der Disputation: 9. Juli 2020 TABLE OF CONTENTS Acknowledgments ..................................................................................................................... 3 Preface ....................................................................................................................................... 4 Introduction ............................................................................................................................... 6 1. Framing this study: concepts, contexts, histories ............................................................. 20 1.1 On nation, nationalism and identity ............................................................................ 20 1.2 On nation and theatre .................................................................................................. 28 1.3 Greek (theatre) histories: pasts and presents .............................................................. 36 1.3.1 Nation-state and theatre stage ............................................................................. 37 1.3.2 Performing nation on/as “national stage” ..........................................................