The Touchstone - Artist Bios
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Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ. -
Wuthering Heights Artist Biographies Jesse Blumberg (Mr
Wuthering Heights Artist Biographies Jesse Blumberg (Mr. Lockwood) Baritone Jesse Blumberg is an artist equally at home on opera, concert, and recital stages. Last season, he performed the role of the Celebrant in Bernstein's Mass at London's Royal Festival Hall under the baton of Marin Alsop, debuted with Boston Lyric Opera as Harlekin in Ariadne auf Naxos, and performed recitals in Paris with the Mirror Visions Ensemble. In 2007, he created the role of Connie Rivers in The Grapes of Wrath (recorded by P.S. Classics) at the Minnesota Opera, and later made his Utah and Pittsburgh Opera debuts in the same production. Other recent appearances include leading and featured roles with Annapolis Opera, Opera Delaware, Opera Vivente and the Boston Early Music Festival. In concert, Jesse has been a featured soloist with American Bach Soloists, Los Angeles Master Chorale, Sacred Music in a Sacred Space and the Berkshire Choral Festival. He has also given the world premieres of two important chamber works: Ricky Ian Gordon's Green Sneakers (recorded by Blue Griffin Recording) and Lisa Bielawa's The Lay of the Love and Death, the former at the Vail Valley Music Festival, and the latter at Alice Tully Hall. He has toured with the Mark Morris Dance Group and the Waverly Consort, and given recitals for the Marilyn Horne Foundation. Last season, he and pianist Martin Katz performed Schubert's two monumental song cycles, Die schöne Müllerin and Winterreise, over one weekend in Ann Arbor, and will soon repeat this pairing in New York City. Jesse has been recognized in many song and opera competitions, and in 2008 was awarded Third Prize at the International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years. -
Wolf Trap Opera 2017 Artist Roster, Productions and Casting
Wolf Trap Opera 2017 Artist Roster, Productions and Casting Wolf Trap Opera is a summer residency program of Wolf Trap Foundation for the Performing Arts. Each summer, some of the best young opera singers in America come to Wolf Trap to refine their craft. Rather than choosing singers based on casting requirements, Wolf Trap Opera identifies the most promising artists, and then selects repertoire that will best showcase their talents. This artist-centric, tailored approach to artist development makes Wolf Trap Opera one of the most respected artist training programs in the country, and provides audiences with a variety of intriguing operas that play to the strengths of each season’s distinct mix of talent. Through its unique performance-based training program, Wolf Trap Opera has contributed to the career development of nearly 700 emerging professional singers from across the country. WTO alumni can be found working in every top opera house in the U.S., Europe, and beyond. Offstage, WTO has also provided 300+ fellows and interns with the skills needed to achieve significant careers in production, design, and administration. Wolf Trap Opera artists go on to have long and healthy careers on stage, and many of the leading singers of our time started out as a Wolf Trap Opera artists. Distinguished alumni include: Stephanie Blythe, Lawrence Brownlee, Michelle DeYoung, Christine Goerke, Denyce Graves, Nathan Gunn, Alan Held, Dawn Upshaw, and Eric Owens. FILENE YOUNG ARTISTS All principal roles in Wolf Trap Opera productions are performed by singers selected as Filene Young Artists (FYAs). FYAs are at an interim point between academic training and full-time professional careers. -
BILANCIO SOCIALE ANNO 2017 Indice
BILANCIO SOCIALE ANNO 2017 Indice Il Festival 2017 p. 4 Per un bilancio etico p. 7 Valori sociali prodotti p. 9 Ricerca p. 9 Formazione p. 9 Diffusione p. 12 Valore e distribuzione della ricchezza prodotta p. 17 Personale dipendente e collaboratori p. 21 Valore aggiunto p. 25 Conclusioni p. 31 Scheda del Festival p. 34 Teatro Sperimentale - 17 luglio FESTIVAL GIOVANE Accademia Rossiniana “Alberto Zedda” IL Concerto degli allievi Teatro Rossini - 14 e 16 agosto FESTIVAL GIOVANE Il viaggio a Reims FESTIVAL Cantata scenica - Libretto di Luigi Balochi Edizione critica Fondazione Rossini e Casa Ricordi, a cura di Janet Johnson Direttore Michele Spotti Elementi scenici e Regia Emilio Sagi 2017 Ripresa della Regia Elisabetta Courir Costumi Pepa Ojanguren XXXVIII Edizione dedicata ad Alberto Zedda Interpreti Martiniana Antonie, Beatriz De Sousa, 10~22 agosto Valeria Girardello, Sofia Mchedlishvili, Noluvuyiso Mpofu, Adriatic Arena - 10, 13, 16 e 19 agosto Giorgia Paci, Marigona Qerkezi, Francesca Tassinari, LE SIÈGE DE CORINTHE Daniele Antonangeli, Francesco Auriemma, Gurgen Baveyan, Tragédie lyrique in tre atti di Luigi Balocchi e Alexandre Soumet Michael Borth, Emmanuel Faraldo, Ruzil Gatin, Elcin Huseynov, Edizione critica Fondazione Rossini e Casa Ricordi, a cura di Damien Colas Alasdair Kent, Roberto Lorenzi, Oscar Oré, Aleksandr Utkin Filarmonica Gioachino Rossini Direttore Roberto Abbado Produzione 2001, riallestimento Progetto Regia La Fura dels Baus Regia e Scene Carlus Padrissa Auditorium Pedrotti - 15 e 21 agosto Elementi scenografici e pittorici, Costumi e VideoLita Cabellut Concerti di Belcanto Luci Fabio Rossi 15 agosto LUCA PISARONI Giulio Zappa pianoforte Interpreti Nino Machaidze, Cecilia Molinari, Xabier Anduaga, Musiche di F. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
Operaharmony
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too . -
Hansel and Gretel
LEON WILSON CLARK OPERA SERIES SHEPHERD SCHOOL OPERA and the SHEPHERD SCHOOL CHAMBER ORCHESTRA present HANSEL AND GRETEL An opera in three acts by Engelbert Humperdinck Libretto by Adelheid Wette Richard Bado, conductor Debra Dich son, stage director and choreographer October 26, 28, 30 and November 1 7:30 p.m. Wortham Opera Theatre Cel e b ratin . g1; 1975 -2005 1/7 Years THE SHEPHERD SCHOOL t ~ IC RICE UNIVERSITY CAST (in order of vocal appearance) Wednesday, October 26; Friday, October 28; Sunday, October 30 Gretel. Angela Mortellaro Hansel. Kira Austin-Young Mother . Valerie Rogotzke Father. Colm Estridge Sandman . Audrey Walstrom Dew Fairy Hannah Nelson Witch . James Hall Tuesday, November 1 Gretel. Hannah Nelson Hansel . Audrey Walstrom Mother . Valerie Rogotzke Father. Raines Taylor Sandman. Kelly Duerr Dew Fairy Amanda Conley Witch . James Hall Angels and Gingerbread children: Rebecca Henry, Andrea Leyton Mange, Catherine Ott-Holland, Quinn Shadko, Lauren Snouffer, Ryan Stickney, Meghan Tarkington, Emily Vacek Demons: Grace Field, Katina Mitchell, Keith Stonum, Dan Williamson Members of the SHEPHERD SCHOOL CHAMBER ORCHESTRA Larry Rachleff, music director Violin I Cello Trumpet Kristi Helberg, Madeleine Kabat John Williamson concertmaster Victoria Bass Jonathan Brandt Rachelle Hunt Cristian Macelaru Double Bass Trombone Kristiana Matthes Jordan Scapinello, Colin Wise principal Pei-Ju Wu Harp Edward Botsford Kaoru Suzuki Earecka Tregenza Violin II Flute Timpani Steven Zander, Leslie Richmond Evy Pinto principal Oboe 'v Jessica -
PROGRAMME CALENDAR a BRIEF HISTORY Beginning the 135Th Opera Season of OPERA in HUNGARY 2018
PROGRAMME CALENDAR A BRIEF HISTORY Beginning the 135th opera season OF OPERA IN HUNGARY 2018 Two years ago, we celebrated the 200th anniversary of the publication of the play that was later to be “THE PLEASURES OF CIVILISED used as the libretto of the first surviving Hungarian musical drama. And even though some form of op- era performance had already existed in Hungary in the courts of the aristocrats and primates – for an PEOPLE ARE ALWAYS COMPLEX” example, one need look no further than Haydn, who worked at Eszterháza (today’s Fertőd) – the first institution at the national level was the one which opened as the Hungarian Theatre of Pest in 1837 and was renamed the National Theatre in 1840. The opera company led by Ferenc Erkel and the dance en- semble led by Frigyes Campilli were given their own building and independence only at a relatively late stage, in 1884. But then they moved into the new building designed and built by Miklós Ybl on the “radial” avenue, and in doing so became the greatest of all of Hungary’s cultural institutions. We can really put our faith in Géza Csáth, since, as an early “So what do they do? They curse and insult those who, with follower of Freud, he studied the subconscious and believed their youthful tendons, climbed the walls and out into open that the mysterious world within us gives us pleasure. space. They see Puccini’s weaknesses, but are incapable of Opera and ballet, too, are complex experiences, as are all the noticing his youthfullness, his strength. -
Spring 2015 CUES Internet at the Speed of Whoa
OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message. -
La Bohème Cast 2020 Biography
La Bohème Cast 2020 Biography (Vallo della Lucania, Italy) Italian Soprano Maria Agresta began her vocal studies at the Salerno Conservatory as a mezzo-soprano, later switching to soprano and studying with Raina Kabaivanska. After winning several international competitions she made her professional operatic debut in 2007. Engagements include Mimì and Micaëla (Carmen) for the Metropolitan Opera, New York, Suor Angelica for Liceu, Barcelona, Marguerite (Faust) for Salzburg Festival, Leonora (Il trovatore), Liù (Turandot), Donna Elvira (Don Giovanni) and Leonora (Oberto) for La Scala, Milan, Norma for Théâtre des Champs- Élysées and in Madrid, Turin and Tel Aviv, Mimì for Arena di Verona, Paris Opéra, Bavarian State Opera, Teatro Regio, Teatro di San Carlo, Naples, and Torre del Lago Festival, Elvira (I puritani) for Paris Opéra, Violetta (La traviata) for Berlin State Opera and Bavarian State Opera, Elena (I vespri siciliani) in Turin, Leonora (Il trovatore) for Palau de les Arts Reina Sofía, Valencia, Amelia (Simon Boccanegra) for Rome Opera, La Fenice, Venice, Dresden Semperoper and Berlin State Opera with Daniel Barenboim, Amalia (I masnadieri) for La Fenice and Julia (La Vestale) for Dresden Semperoper. Agresta performs widely in concert with such conductors as Barenboim, Nicola Luisotti, Michele Mariotti, Zubin Mehta, Carlo Montanaro, Riccardo Muti, Noseda and Christian Thielemann. Source: Royal Opera House (Brașov, Romania) Aurelia Florian was born in Romania where she has completed her musical studies (singing and piano), she studied at the Music faculty of the university of Transylvania in Brasov and specialized herself in belcanto singing in master classes with the Romanian soprano Mariana Nicolesco. At the Romanian Atheneum Bucharest (with the George Enescu Philharmonic Orchestra) she was highly acclaimed for singing the soprano part in Mahler’s IV symphony (under M° David Gimenez Carreras), and in 2009 she had a big success with the contemporary opera “Celan” written and conducted by Peter Ruzicka. -
Contact: Rachel Krasner Merola Opera Program [email protected] 415-551-6299
Contact: Rachel Krasner Merola Opera Program [email protected] 415-551-6299 FOR IMMEDIATE RELEASE / UPDATED July 1, 2015 Kia Ora Foundation sponsors New Zealand singers Amina Edris and James Ioelu in the world-renowned Merola Opera Program's 2015 summer training program SAN FRANCISCO, UPDATED July 1, 2015 – The Kia Ora Foundation will sponsor two singers from New Zealand, soprano Amina Edris and bass-baritone James Ioelu, in the 2015 Merola Opera Program. Edris and Ioelu were chosen from over 800 artists who applied for this world-renowned summer opera training program. They, along with twenty-one other singers, five apprentice coaches, and one apprentice stage director, representing seven countries, will participate in the 58th season of the Merola Opera Program from June 8 to August 22. The Kia Ora Foundation contributed $10,000 ($5000 for each singer) to sponsor Edris and Ioelu. Merola's training program is offered free of tuition to the participants and Merola also covers travel to and from San Francisco and provides housing and weekly stipend while the artists are in the program. Sponsors play an important role in funding the artists. Edris and Ioelu will both appear in Merola's production of Don Pasquale (Edris as Norina, Ioelu in the title role) which will be presented at the Cowell Theater at Fort Mason Center on August 6 (7:30 pm) and August 8 (2:00 pm). They will also participate in pubic master classes with opera luminaries Jane Eaglen, Martin Katz, Malcolm Martineau, James Morris, and Antony Walker. Edris and Ioelu, along with the other young artists in the program, will perform in the Merola Grand Finale concert on the stage of the War Memorial Opera House on August 22. -
Carol I. Crawford's Accomplishments at Tulsa Opera
FOR IMMEDIATE RELEASE FOR MORE INFORMATION May 25, 2007 Lisa Price: (918)688-2166 or (918)582-4035 CAROL I. CRAWFORD TO LEAVE AT CONCLUSION OF 2008-2009 SEASON Carol I. Crawford announced today that she will leave her position as General Director of Tulsa Opera, Inc. at the conclusion of the 2008-2009 Season, bringing to a close a 16-year tenure as the administrative and artistic head of the nationally acclaimed opera company. The timing will allow the Board of Directors to partner with Ms. Crawford on Tulsa Opera’s 60th Anniversary celebrations in 2007-2008 and a leadership transition season in 2008-2009. Ms. Crawford joined Tulsa Opera as Artistic Director in 1993 and was appointed General Director in 1997. A nationwide search for her successor will begin in the fall, with an appointment hoped within the next 18 months. Ms. Crawford and her successor will work together to consolidate the institutional and artistic momentum of the organization, in line with the Board’s long-term strategic plans. “All good things must come to an end, and while we are deeply saddened by Carol’s decision, we certainly understand it,” said Henry G. Will, president of the Tulsa Opera Board of Directors. “We are grateful that Carol has graciously agreed to remain with us for another two seasons while the Board implements an orderly national search and timely leadership transition. Her extraordinary artistry and leadership commitment to Tulsa Opera have elevated this art form within our community and placed this company squarely on the national stage. She has been an enormous cultural ambassador for the city of Tulsa, and she will be sorely missed.” “I am so proud of all we have achieved together,” said Ms.