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Women at Crossroads: Multi- Disciplinary Perspectives’
ISSN 2395-4396 (Online) National Seminar on ‘Women at Crossroads: Multi- disciplinary Perspectives’ Publication Partner: IJARIIE ORGANISE BY: DEPARTMENT OF ENGLISH PSGR KRISHNAMMAL COLLEGE FOR WOMEN, PEELAMEDU, COIMBATORE Volume-2, Issue-6, 2017 Vol-2 Issue-6 2017 IJARIIE-ISSN (O)-2395-4396 A Comparative Study of the Role of Women in New Generation Malayalam Films and Serials Jibin Francis Research Scholar Department of English PSG College of Arts and Science, Coimbatore Abstract This 21st century is called the era of technology, which witnesses revolutionary developments in every aspect of life. The life style of the 21st century people is very different; their attitude and culture have changed .This change of viewpoint is visible in every field of life including Film and television. Nowadays there are several realty shows capturing the attention of the people. The electronic media influence the mind of people. Different television programs target different categories of people .For example the cartoon programs target kids; the realty shows target youth. The points of view of the directors and audience are changing in the modern era. In earlier time, women had only a decorative role in the films. Their representation was merely for satisfying the needs of men. The roles of women were always under the norms and rules of the patriarchal society. They were most often presented on the screen as sexual objects .Here women were abused twice, first by the male character in the film and second, by the spectators. But now the scenario is different. The viewpoint of the directors as well as the audience has drastically changed .In this era the directors are courageous enough to make films with women as central characters. -
Exploitation, Victimhood, and Gendered Performance in Rituparno Ghosh’S Bariwali
EXPLOITATION, VICTIMHOOD, AND GENDERED PERFORMANCE IN RITUPARNO GHOSH’S BARIWALI Rohit K. Dasgupta and Tanmayee Banerjee Rituparno Ghosh (1961—2013) was a filmmaker, lyricist, and writer who first emerged on the cultural scene in Bengal as a copywriter at Response, a Kolkata-based advertising firm in the eighties. He made a mark for himself in the world of commercials, winning several awards for his company be- fore directing two documentaries for Doordarshan (India’s national public television). He moved into narrative film- making with the critically acclaimed Hirer Angti (Diamond Ring, 1992) and the National Award–winning Unishe April (19th April, 1995). He is credited with changing the experi- ence of cinema for the middle-class Bengali bhadrolok and 1 thus opening a new chapter in the history of Indian cinema. Ghosh arrived at a time when Bengali cinema was going Rituparno Ghosh. ©SangeetaDatta,2013 through a dark phase. Satyajit Ray had passed away in 1992 , leaving a vacuum. Although filmmakers such as Mrinal Ghosh, clearly influenced by Ray and Sen, addressed the Sen, Goutam Ghose, Aparna Sen, and Buddhadeb Dasgupta Bengali middle-class nostalgia for the past and made films “ ” contributed significantly to his genre of intellectual cinema, that were distinctly “Bengali” yet transcended its parochialism. they did not have much command over the commercial mar- Ghosh’s films were widely appreciated for their challenging “ ” ket. The contrived plots, melodrama, and obligatory fight narratives. His stories explored such transgressive social codes sequences of the action-packed Hindi cinema, so appealing to as incest in Utsab (Festival, 1999), marital rape in Dahan the masses, had barely anything intelligible to offer to those in (Crossfire, 1997), polyamory in Shubho Muharat (First Shot, search of a higher quality cinema. -
1494240149 English.Pdf
Japan will provide 371 billion Yen or Rs 21,590 crores as official development assistance(ODA) to India for various infrastructure projects, including the dedicated freight corridor. 1. El Salvador first nation to impose ban on metal mining A finance ministry statement issued in New Delhi said the El Salvador has made total commitment of Japan International Cooperation history after becoming the Agency ODA during two financial years 2015-16 and first country in the world to 2016-17 is 761.40 billion yen, which is 43.50 per cent of ban metal mining. the total target for five years. • Lawmakers in the Points to Remember water-parched • Japan is a sovereign island nation in Eastern Asia. country passed the ban in a unanimous vote, declaring • Tokyo is the Capital of Japan while Yen is the El Salvador a mining-free territory. Currency. • The decision followed a long and bitter struggle to • Shinzo Abe is the present Prime Minister of Japan. protect the Central American country’s diminishing water sources from polluting mining projects. Moreno wins Ecuador presidential race Points to Remember Ruling party candidate Lenin Moreno was declared the winner • El Salvador is in a state of water crisis, hence it has of Ecuador’s Presidential runoff. banned metal mining because it causes water But his rival, conservative banker Guillermo Lasso, has pollution. yet to concede defeat and demanded a recount after three • El Salvador is the smallest and the most densely exit polls showed him winning. populated country in Central America. The National Electoral Council said Mr. Moreno beat Mr. -
Provisional Rank List - Integrated M.A
Provisional Rank List - Integrated M.A. Economics WARD OF PWD KASHMIRI CUCET SL. NO. APPL. ID ROLL NO. NAME GENDER DOB CATEGORY PWD DEFENCE TYPE MIGRANTS MARKS PERSONNEL 1 UG17113941 11402826 AISWARYA MERIAM JONIE FEMALE 1998-08-17 GEN NO NONE NO NO 74.5 2 UG17114265 14640288 ARYA JASH MALE 1999-04-16 GEN NO NONE NO NO 73.5 3 UG17211898 12413561 MALAVIKA P FEMALE 1999-12-30 GEN NO NONE NO NO 72.5 4 UG17122464 14842664 HARIKRISHNAN M MALE 1999-10-22 GEN NO NONE NO NO 70.25 5 UG17140502 18176876 BURRA U A A BHARADWAJ MALE 1999-11-24 GEN NO NONE NO NO 70.25 6 UG17108496 13319767 HARSHITA VADLAMUDI FEMALE 1999-09-06 GEN NO NONE NO NO 69.75 7 UG17148016 14538997 ARAVIND KRISHNAN MALE 1999-03-03 GEN NO NONE NO NO 69.25 8 UG17101200 15750627 ALITTA JAISON FEMALE 1999-07-18 GEN NO NONE NO NO 69.25 9 UG17179526 12413098 B SOWMYASHREE FEMALE 1999-11-15 GEN NO NONE NO NO 69 10 UG17108811 14135091 ATUL VINCENT MALE 1998-09-06 GEN NO NONE NO YES 68.75 11 UG17102795 15954860 RASHAD ULLAH KHAN MALE 1999-08-13 GEN NO NONE NO NO 67.25 12 UG17117975 11503301 PULKIT SHARMA MALE 2000-01-26 GEN NO NONE NO NO 67.25 13 UG17112715 12208987 ALEENA MATHEWS FEMALE 1998-08-01 GEN NO NONE NO NO 67 14 UG17122679 14538935 ANUP S MALE 1999-04-10 GEN NO NONE NO NO 65.75 15 UG17159132 17674472 SURYA S S MALE 1999-08-03 OBC NO NONE NO NO 65.75 16 UG17106758 14742119 M KRITHIKA MANI FEMALE 1998-07-11 OBC NO NONE NO NO 65.5 17 UG17225645 14640262 SRIJATA MITRA FEMALE 1998-11-16 GEN NO NONE NO NO 65.5 18 UG17218059 17572934 DEVAPRASAD P B MALE 1999-07-23 GEN NO NONE NO NO -
Solidarity Statement Against Police Brutality at Jamia Millia Islamia University and Aligarh Muslim University
Solidarity Statement Against Police Brutality at Jamia Millia Islamia University and Aligarh Muslim University We, the undersigned, condemn in the strongest possible terms the police brutality in Jamia Millia Islamia University, New Delhi, and the ongoing illegal siege and curfew imposed on Aligarh Muslim University, Aligarh. On 15th December 2019 Delhi police in riot-gear illegally entered the Jamia Millia campus and attacked students who are peacefully protesting the Citizenship Amendment Act. The Act bars Muslims from India’s neighboring countries from the acquisition of Indian citizenship. It contravenes the right to equality and secular citizenship enshrined in the Indian constitution. On the 15th at JMIU, police fired tear gas shells, entered hostels and attacked students studying in the library and praying in the mosque. Over 200 students have been severely injured, many who are in critical condition. Because of the blanket curfew and internet blockage imposed at AMU, we fear a similar situation of violence is unfolding, without any recourse to the press or public. The peaceful demonstration and gathering of citizens does not constitute criminal conduct. The police action in the Jamia Millia Islamia and AMU campuses is blatantly illegal under the constitution of India. We stand in unconditional solidarity with the students, faculty and staff of Jamia Millia Islamia and Aligarh Muslim University, and express our horror at this violent police and state action. With them, we affirm the right of citizens to peaceful protest and the autonomy of the university as a non-militarized space for freedom of thought and expression. The brutalization of students and the attack on universities is against the fundamental norms of a democratic society. -
List of Individual Agents As of 30Th Sep 2018 PAN NUMBER CODE
Intermediary Code Name of the Agent Validity of Agency arrangement Place of Operation 200333526898 DEEPAK CHHEDA 28 June 2025 MULUND BRANCH OFFICE 200906348839 SUBHASHCHANDER HANDA 31 March 2025 VIRAR 200103219264 G. INDRAN 29 January 2025 BANGALORE BRANCH 200840695514 MANOHAR LAKHANI 04 January 2025 CANNAUGHT PLACE 201989522125 RASHMIKANT KUNVERJI LAKHANI 19 March 2022 MULUND BRANCH OFFICE 201627507157 MOHAN NADKARNI 19 August 2025 MULUND BRANCH OFFICE 200781005829 CHINTAN JAYANTILAL THAKKER 26 April 2025 MULUND BRANCH OFFICE 200799559087 BHASKAR GAJANAN HEGDE 31 March 2025 ANDHERI 201199371490 K.R.LAKSHMINARAYAN 23 January 2025 ANDHERI 201557598343 SANJAY LALCHAND MULCHANDANI 30 March 2025 GHATKOPAR BRANCH OFFICE 200741521003 URMILA ANAND OKE 07 November 2025 PUNE BRANCH - 1 201612437714 AMAR WADHWA 30 May 2025 ANDHERI 202126732108 DADABHAU DHONDIBA WAKCHOURE 26 January 2025 PIMPRI BRANCH OFFICE 200091546719 PRIYA VINOD CHAWLA 04 October 2025 ANDHERI 200583196055 KANAKSINH CHATURBHUJ DODECHA 29 September 2025 PANVEL BRANCH OFFICE 200470255872 SHANMUKHA KUMAR ELLURU 03 June 2025 HYDERABAD - BRANCH 201836809992 VICTOR J D FERNANDES 19 March 2025 GOA - BRANCH 200139097746 GAJENDRA A.GOYAL 08 October 2025 ANDHERI 202035219776 SHRIPAL JAIN 19 May 2025 VIRAR 201387190904 RAJESH M KOTAK 19 September 2021 MULUND BRANCH OFFICE 201376839120 KHALID QUAMAR 04 May 2025 MUZAFFARPUR-BRANCH 201939292261 BARODIA DEEPAK SURYAKANT 31 March 2025 ANDHERI 200728443453 SIVA PRASAD ECHURI 31 March 2025 KURNOOL 200188402185 V NAGARAJAN 19 May 2025 TRICHY BRANCH -
Of Grove and Lore: Dichotomic Spaces of Sacred Grove in Ananthabhadram
ISSN 2249-4529 www.pintersociety.com GENERAL ISSUE VOL: 8, No.: 1, SPRING 2018 UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 86 | Of Grove and Lore: Dichotomic Spaces of Sacred Grove in Ananthabhadram Of Grove and Lore: Dichotomic Spaces of Sacred Grove in Ananthabhadram Monisha Mohan and Gigy J. Alex Abstract: The paper explores the dichotomic spaces of the Sacred Grove, Sivakavu, in the Malayalam movie Ananthabhadram (Santhosh Sivan, 2005). The article intends to study the reason for and the reason of the creation of the sacred space. “Of Grove and Lore: Dichotomic Spaces of Sacred Grove in Ananthabhadram” refers to the polarity of existence with reference to space and identity contestation in relation to the sacred grove. The paper attempts to argue that Sacred Grove, a holistic space is manipulated by Digambaran as it is a powerful centre of social control and dominance. It will also analyse the relationship between women and sacred groves and its representation in the movie. -
Nominations for the 3Rd Edition of 'Cinemar Samabartan' Announced
Press Release rd Nominations For The 3 Edition Of ‘Cinemar Samabartan’ Announced Award Ceremony To Be Held On 13th January At Basushree Cinema, Kolkata Kolkata, 7th January 2019: West Bengal Film Journalists’ Association (WBFJA) today announced the nominations of the 3rd edition of the West Bengal Film Journalists’ Association Award 2018 entitled ‘Cinemar Samabartan’. Mr. Prosenjit Chatterjee, Mr. Chiranjeet Chakraborty, Mr Haranath Chakraborty, Mr. Gautam Jain of Real Reel and Mr. Nirmal Dhar, Secretary, WBFJA were present to announce the nominations and the other details of the award ceremony. The award ceremony will be held on 13th January, 2019 from 9.30 am onwards at Basushree Cinema, Kolkata. “This is the only simple yet authentic award function of Bangla cinema leaving behind the pomp and grandeur of several similar ceremonies that will follow during the year. Ours is the only film award of the country that is judged exclusively by film journalists and is also the first Industry to Industry award ceremony of the year. This year the theme of the award ceremony is „Content is the king vs Audience is the king‟. We are trying to explore a new method that celebrates recent progressive thinking and vision which is well ahead of time and thus taking the thread from „Tin Yaari Katha‟- a film much ahead of its‟ times. Three talented actor artists will host the show with a roller coaster ride of last year releases”, said Mr Nirmal Dhar, Secretary, West Bengal Film Journalists’ Association (WBFJA) As always there will be seventeen award categories in the popular segment, eight award categories in the Technical Award segment, and a Lifetime Achievement Award. -
Mohanlal Filmography
Mohanlal filmography Mohanlal Viswanathan Nair (born May 21, 1960) is a four-time National Award-winning Indian actor, producer, singer and story writer who mainly works in Malayalam films, a part of Indian cinema. The following is a list of films in which he has played a role. 1970s [edit]1978 No Film Co-stars Director Role Other notes [1] 1 Thiranottam Sasi Kumar Ashok Kumar Kuttappan Released in one center. 2 Rantu Janmam Nagavally R. S. Kurup [edit]1980s [edit]1980 No Film Co-stars Director Role Other notes 1 Manjil Virinja Pookkal Poornima Jayaram Fazil Narendran Mohanlal portrays the antagonist [edit]1981 No Film Co-stars Director Role Other notes 1 Sanchari Prem Nazir, Jayan Boban Kunchacko Dr. Sekhar Antagonist 2 Thakilu Kottampuram Prem Nazir, Sukumaran Balu Kiriyath (Mohanlal) 3 Dhanya Jayan, Kunchacko Boban Fazil Mohanlal 4 Attimari Sukumaran Sasi Kumar Shan 5 Thenum Vayambum Prem Nazir Ashok Kumar Varma 6 Ahimsa Ratheesh, Mammootty I V Sasi Mohan [edit]1982 No Film Co-stars Director Role Other notes 1 Madrasile Mon Ravikumar Radhakrishnan Mohan Lal 2 Football Radhakrishnan (Guest Role) 3 Jambulingam Prem Nazir Sasikumar (as Mohanlal) 4 Kelkkatha Shabdam Balachandra Menon Balachandra Menon Babu 5 Padayottam Mammootty, Prem Nazir Jijo Kannan 6 Enikkum Oru Divasam Adoor Bhasi Sreekumaran Thambi (as Mohanlal) 7 Pooviriyum Pulari Mammootty, Shankar G.Premkumar (as Mohanlal) 8 Aakrosham Prem Nazir A. B. Raj Mohanachandran 9 Sree Ayyappanum Vavarum Prem Nazir Suresh Mohanlal 10 Enthino Pookkunna Pookkal Mammootty, Ratheesh Gopinath Babu Surendran 11 Sindoora Sandhyakku Mounam Ratheesh, Laxmi I V Sasi Kishor 12 Ente Mohangal Poovaninju Shankar, Menaka Bhadran Vinu 13 Njanonnu Parayatte K. -
Journal Vol 2 Issue 2
a transdisciplinary biannual research journal Vol. 2 Issue 2 July 2015 Postgraduate Department of English Manjeri, Malappuram, Kerala. www.kahmunityenglish.in/journals/singularities/ Chief Editor P. K. Babu., Ph. D Associate Professor & Head Postgraduate Dept. of English KAHM Unity Women's College, Manjeri. Members: Dr. K. K. Kunhammad, Asst. Professor, Dept. of Studies in English, Kannur University Mammad. N, Asst. Professor, Dept of English, Govt. College, Malappuram. Dr. Priya. K. Nair, Asst. Professor, Dept. of English, St. Teresa's College, Eranakulam. Aswathi. M . P., Asst. Professor, Dept of English, KAHM Unity Women's College, Manjeri. Advisory Editors: Dr. V. C. Haris School of Letters, M.G. University Kottayam Dr. M. V. Narayanan, Assoc. Professor, Dept of English, University of Calicut. Editor's Note The Singularities is into its fourth issue since it was launched in the January 2014 as a transdisciplinary biannual research Journal. The team of teachers at the English Department of KAHM Unity Women's College, Manjeri, has ensured that the Journal is issued promptly within the time frame we have set for the Journal. Not only have we stuck to the mission, but we have contributed to building writing skill and awareness to Research Writing organising workshops and training sessions in quality writing. The current issue with its core on Film, Women and Literature, carries a range of articles connecting the theme at various nodes. The surge of interest in Films and Women seems to offer a lot to complement each other. There appears to be a lot of interest in Cinema but it seems this is slow in getting translated fully into quality writing from the youngsters. -
Notice for Writtten EXAM (List of Provisonlly Eligible Candidates)
Notice of Written Examination The Written Exam for the following Posts will be conducted on 02.11.2008 (Sunday) in two shifts. The details are as under:- S.No. Name of the Post Shift Timings 1 Manager (Electrical /Cargo/ Commercial Morning Shift 10.00 AM Jr.Executive (P&A/ Arch.) 2 Manager (Airport Operation/Fire Service) Evening Shift 02.30 PM Jr.Executive (IT/Eqpt.) Admit cards have been dispatched to the provisionally eligible candidates individually. In case of non-receipt of Admit Card, duplicate Admit Card can be had in person from this office from 22nd October,08 except Saturday/Sunday and Gagetted holiday. Candidates who did not come here in person are advised to go directly to the examination centre (As per Centre for written exam adopted in the application form) and request to Nodal Officer, AAI at the Venue on the Schedule date of exam. It may be noted that duplicate Admit Card will be issued only those candidates whose name are exist in our master list of provisionally eligible candidates. Candidates are also advised to bring one passport size photo, identical to the photo pasted on their application forms for further enquires, candidates can contact over telephone No. 011-24632950 Extn.2431/2449/2467 from 9.30 AM to 5.30PM.on all working days. The names of the examination centre are as under:- S.No. Centre Venue for Morning Shift- Venue for Evening Shift- For Manager (Electrical For Manager (Airport /Cargo /Commercial) and Operation/Fire Service) JE (P&A/Arch) and JE (IT/Equpt) Kendriya Vidalaya No.1, 1. -
Sangeeta Datta, Kaustav Bakshi & Rohit K Dasgupta the Game
THE WORLD OF RITUPARNO GHOSH: TEXTS, CONTEXTS AND TRANGRESSIONS Sangeeta Datta, Kaustav Bakshi & Rohit K Dasgupta The game-changer Rituparno Ghosh (1961-2013) was a filmmaker, lyricist and writer who emerged on the cultural scene of Bengal as a copywriter of a Kolkata-based advertising firm in the eighties. He made a mark for himself in the world of commercials, winning several awards for Response, the agency he worked for. After directing two documentaries for Doordarshan (National television), he graduated into filmmaking with Hirer Angti (Diamond Ring, 1992), which was critically acclaimed but failed to get a commercial release. For his second film, Ghosh collaborated with Aparna Sen and Renu Roy to form Spandan Films which produced Unishey April (19th April, 1995). The film won the National Award for the Best Film and when it hit the screens in the summer of 1995 it remarkably changed the experience of cinema for the middleclass Bengali bhadrolok.1 Ghosh arrived at a time when Bengali cinema was going through a particularly difficult phase. Satyajit Ray had passed away in 1992, leaving behind him a vacuum which seemed difficult to fill. Although Goutam Ghose, Aparna Sen and Buddhadeb Dasgupta tried to carry forward the legacy of ‘intellectual’ cinema represented by Ray and Mrinal Sen, they made films far in-between having little bearing on the commercial market. Tollygunge, where the main studios are located, had been taken over by filmmakers who were mostly remaking Tamil or Hindi films. They worked within severe budget constraints and the financial and intellectual impoverishment was glaringly visible on screen.