Prints & Multiples

Prints & Multiples Lot 3601 – 3746

Auction: Saturday, 30 June 2018, 10.30 am Preview: Sat. 16 June, 11.30am to 7pm Sun. 17 to Sun. 24 June 2018, 10am to 7pm

Silke Stahlschmidt Clarisse Doge Tel. +41 44 445 63 42 Tel. +41 44 445 63 46 [email protected] [email protected] Due to layout reasons it may be possible that some sheet sizes are not fully illustrated. Please visit the online catalogue for untrimmed illustrations.

The condition of the prints are only partly and in particular cases noted in the catalogue. Please do not hesitate to contact us for a detailed condition report. 3601 FÉLIX VALLOTTON (Lausanne 1865 - 1925 Paris) La manifestation. 1893. Woodcut. 89/100. Signed in pencil lower right: fvallotton, also monogrammed in the block lower right: FV and titled in the block lower left: LA MANIFESTATION. Image 20.2 x 32 cm on cream wove paper 23 x 33.5 cm.

Catalogue raisonné: Vallotton/Goerg, no. 110a.

CHF 2 000 / 3 000 (€ 1 670 / 2 500)

3602 FÉLIX VALLOTTON (Lausanne 1865 - 1925 Paris) 2 sheets: L‘Exécution. 1894. Le mauvais pas. 1893. Lot of 2 woodcuts. Signed and numbered in blue coloured- pen lower right: fvallotton 124 (according to the cat. rais. from an edition of about 100), also monogrammed in the block lower right: FV, and titled lower left: L‘EXECUTION. Image 14.9 x 25 cm on wove paper 25.2 x 32.7 cm. Outside the edition 25, posthumous print. With the monogram stamp lower right: fv, as well as with the monogram in the block lower left: FV, and with the title lower right: LE MAUVAIS PAS. With the atelier blindstamp. Image 22.5 x 17.9 cm on white Japan paper 30.8 x 25,9 cm.

Provenance: - Félix Vallotton estate. - By descent to the present owner, since then privately owned Switzerland.

Catalogue raisonné: Vallotton/Goerg, no. 142 a/130.

CHF 500 / 600 (€ 420 / 500)

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3603 PIERRE-AUGUSTE RENOIR (Limoges 1841 - 1919 Cagnes-sur-Mer) Femme couchée (tournée à gauche). 1906. Etching in red, 2nd state. One of only a few proofs. Signed in the stone lower right: Renoir. Image 13.8 x 19.7 cm on Japan paper 18.7 x 28.4 cm.

Catalogue raisonné: - Delteil, no. 15. - Leymarie/Melot, R.15.

CHF 1 200 / 1 600 (€ 1 000 / 1 330)

3604 HENRI DE TOULOUSE-LAUTREC (Albi 1864 - 1901 Malromé/Gironde) Débauché. 1896. Color lithograph, 3rd state. From an edition of 100. Monogrammed in the plate lower right: T-L. Image 24.4 x 32.2 cm on wove paper 28.1 x 38.4 cm.

Catalogue raisonné: - Adriani, no. 187. - Wittrock, no. 167 II.

CHF 3 000 / 4 000 (€ 2 500 / 3 330)

| 4 3605 PIERRE-AUGUSTE RENOIR (Limoges 1841 - 1919 Cagnes-sur-Mer) Le chapeau épinglé. 1898. Lithograph in blue-green, 2nd state. From an unknown, small edition. Lower right signed in the stone twice: Renoir. Image 60 x 49 cm on thin Chine volant 69 x 57.5 cm. Printed by Auguste Clot.

Catalogue raisonné: - Delteil, no. 30. - Leymarie/Melot, no. R. 8.

CHF 10 000 / 12 000 (€ 8 330 / 10 000)

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3606 LILL TSCHUDI (1911 Schwanden 2004) Militär-Baracken. Colour linocut. 5/100. Signed in pencil lower right: Lill Tschudi, as well as titled lower left: Militär-Baracken. Image 19.8 x 23.3 cm on parchment paper 23.5 x 26.2 cm.

Provenance: Private collection Switzerland.

CHF 600 / 700 (€ 500 / 580)

3607 ALBERT MÜLLER (Basel 1897 - 1926 Obino) Anna Müller mit Judith und Kaspar - Frau mit Kindern. 1925. Woodcut, probably proof print. Signed, with the location and dated in pencil lower right: albert müller Basel 25, as well as titled lower left: Frau mit Kindern. Image 27.5 x 42.6 cm on Japan paper 44.2 x 62.4 cm.

Catalogue raisonné: Kornfeld, no. 49 (most probably A.1).

CHF 1 000 / 1 500 (€ 830 / 1 250)

| 6 3608 ERNST LUDWIG KIRCHNER (Aschaffenburg 1880 - 1938 Frauenkirch near Davos) Trinkende Katzen. 1918. Woodcut. One of three known works. Signed in pencil lower right: ELKirchner, also described lower left: Handdruck and dedicated lower centre: dem jungen Herrn Fehr herzlichst. Image 35.5 x 41.4 on wove paper 44 x 56 cm, firmly laid down. Foxing.

We thank Professor Dr. Gercken for his kind support.

Provenance: - Purchased directly from the artist, private collection Hans Fehr. - By descent to the present owner, since then private collection Switzerland.

Catalogue raisonné: - Dube, no. H 386. - Gercken, no. 915 (this print not listed).

CHF 3 000 / 4 000 (€ 2 500 / 3 330)

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3609 3610 KEES VAN DONGEN GEORGES ROUAULT (Delfshaven 1877 - 1968 Monte Carlo) (1871 Paris 1958) Le carrousel et le fiacre. 1950. Amazone. 1930. Colour lithograph. 110/200. Signed in Colour aquatint. From an edition of 270. pencil lower left: van Dongen. Image Signed and dated in the plate lower right: 42.8 x 27.7 cm on Arches wove paper (with Rouault 1930. Image 29.7 x 22.5 cm on the trimmed watermark) 56.2 x 38.3 cm. wove paper 44.5 x 33.7 cm. Published by Published by Guilde International de la Ambroise Vollard, Paris. Gravure, Geneva/Paris. Sheet 1 from the 8-part portfolio „Cirque“.

Catalogue raisonné: Juffermans, no. JL 27. Catalogue raisonné: Rouault/Chapon, no. 198d. CHF 700 / 800 (€ 580 / 670) CHF 2 200 / 2 600 (€ 1 830 / 2 170)

| 8 3611 LILL TSCHUDI (1911 Schwanden 2004) Strömung III. Colour linocut. 4/50. Signed in the image top left: Lill Tschudi. Titled in pencil lower right: Strömung III, as well as described lower left: Handdruck 4/50. Image 49.7 x 35.1 cm on Japan paper 51.6 x 37.5 cm.

Provenance: Private collection Switzerland.

CHF 600 / 700 (€ 500 / 580)

3612 EMIL NOLDE (Nolde 1867 - 1956 Seebüll/Holstein) Tischgesellschaft. 1906. Greyish blue etching with plate-tone. From an edition of 5. Signed and dated in pencil lower right: Emil Nolde 06. Image 15.1 x 19.3 cm on firm wove paper 31.2 x 44.6 cm.

Provenance: - Purchased directly from the artist, private collection Hans Fehr. - By descent to the present owner, since then private collection Switzerland.

Catalogue raisonné: Schiefler, no. 38 II.

CHF 2 000 / 3 000 (€ 1 670 / 2 500)

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3613 LILL TSCHUDI (1911 Schwanden 2004) MDC Gottlichen. 1974. Colour linocut. 8/20. Signed in pencil lower left: Lill Tschudi, as well as described: Handdruck. Titled and dated lower right: MDC Gottlichen 74. Image 35 x 41 cm on Japan paper 45.2 x 55.5 cm.

Provenance: Private collection Switzerland.

CHF 600 / 700 (€ 500 / 580)

| 10 3614 3615 LILL TSCHUDI LILL TSCHUDI (1911 Schwanden 2004) (1911 Schwanden 2004) Anbetung der Heiligen 3 Könige. Morcote. 1948. Colour linocut. 29/50. Titled and described Colour linocut. 24/50. Signed in pencil in lower centre: Orig. Linolschnitt Handdruck the image on the upper right: Lill Tschudi. „Anbetung der 3 Könige“. Image Image 36 x 22.5 cm on parchment paper 34.4 x 18 cm on parchment paper 38 x 25.4 cm. 38 x 22.3 cm. Provenance: Provenance: Private collection Switzerland. - Purchased directly from the artist, private collection Switzerland. CHF 800 / 1 200 - By descent to the present owner, since (€ 670 / 1 000) then private collection Switzerland.

Literature: Coppel, Stephen: Linocuts of the Machine Age, Claude Flight and the Grosvenors School, Alderhot 1995, LT.81.

CHF 2 000 / 3 000 (€ 1 670 / 2 500)

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“Should one paint what is on a face? What is in a face? Or what is hidden behind a face?” Pablo Picasso

3616 PABLO PICASSO (Málaga 1881 - 1973 Mougins) Françoise. 1946. Lithograph. 31/50. Signed in pencil lower right: Picasso, also dated in the stone lower left: 14 juin 46. Image 61 x 46 cm on Arches wove paper 64.5 x 49.5 cm.

Catalogue raisonné: Bloch, no. 402.

Literature: Gauss, Ulrike (ed.): Pablo Pi- casso. Die Lithographie. Graphikmuseum Pablo Picasso Münster. Die Sammlung Huizinga, Ostfildern-Ruit 2000, no. 46.

CHF 28 000 / 34 000 (€ 23 330 / 28 330)

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Prints & Multiples

3617 PABLO PICASSO (Málaga 1881 - 1973 Mougins) From: Service visage noir. 1948. Plate. Ceramic painted in red, green, white and black. Decorated with engobes and knife engraved under the glaze. From an edition of 100. Diameter 24 cm. On the underside with the stamps: Madoura Plein Feu and Edition Picasso, as well as described: EDITION PICASSO G.

Provenance: For over 50 years in a private Swiss collection.

Catalogue raisonné: Ramié, no. 42.

CHF 3 000 / 5 000 (€ 2 500 / 4 170)

3618 PABLO PICASSO (Málaga 1881 - 1973 Mougins) From: Service visage noir. 1948. Plate. Ceramic painted in red, green, white and black. Decorated with engobes and knife engraved under the glaze. From an edition of 100. Diameter 24 cm. On the underside with the stamps: Madoura Plein Feu and Edition Picasso, as well as described: EDITION PICASSO D.

Provenance: For over 50 years in a private Swiss collection.

Catalogue raisonné: Ramié, no. 39.

CHF 3 000 / 5 000 (€ 2 500 / 4 170)

| 14 3619 PABLO PICASSO (Málaga 1881 - 1973 Mougins) Visage de femme. 1953. Plate. Ceramic painted in blue, green, white and black. Decorated with engobes and knife engraved under the glaze. From an edition of 400. Size 37.5 x 32 cm. On the underside with the stamps: Madoura Plein Feu and Edition Picasso, as well as described: MADOURA EDITION PICASSO.

Provenance: More than 50 years in a private Swiss collection.

Catalogue raisonné: Ramié, no. 220.

CHF 12 000 / 18 000 (€ 10 000 / 15 000)

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3620 PABLO PICASSO (Málaga 1881 - 1973 Mougins) Carré aux danseurs C. 1971. Tile. Red ceramic. 39/500. Inscribed on the reverse: J.160 Madoura, also with the stamp: Poinçon Originale de Picasso. Size 14.5 x 14.5 cm.

Catalogue raisonné: Ramié, no. 618.

CHF 800 / 900 (€ 670 / 750)

3621 PABLO PICASSO (Málaga 1881 - 1973 Mougins) Deux danseurs. 1956. Plate. Ceramic painted in brown and ivory. Reliefs accentuated with glaze. From an edition of 450. Diameter 25.5 cm. On the underside with the stamps: Madoura Plein Feu and Empreinte Originale de Picasso.

Catalogue raisonné: - Bloch, no. 75. - Ramié, no. 380.

CHF 2 500 / 3 500 (€ 2 080 / 2 920)

3622 PABLO PICASSO (Málaga 1881 - 1973 Mougins) Jacqueline de profil (Buste de femme au corsage blanc). 1958. Zincograph, 3rd state. Mirror-dated 3 times top right in the plate: 17.12.57/27.12.58/27.12.58. Inscribed and dedicated by an unknown hand in pencil on the reverse: M311 Jacqueline de profil / Pour Castor fm. Image 71 x 51.5 cm on Arches wove paper (with the watermark) 76.5 x 56.7 cm.

Provenance: - Galerie Hachmeister, Münster. - Private collection Switzerland.

Catalogue raisonné: Mourlot, no. 311.

Literature: Gauss, Ulrike (ed.): Pablo Pi- casso. Die Lithographie. Graphikmuseum Pablo Picasso Münster. Die Sammlung Huizinga, Ostfildern-Ruit 2000, no. 311.

CHF 25 000 / 35 000 (€ 20 830 / 29 170)

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Prints & Multiples

3623* FERNAND LÉGER Provenance: (Argentan 1881 - 1955 Gif-sur-Yvette) - Galerie Raphael, Frankfurt/Main (with Composition abstraite. 1950-53. the confirmation of authenticity by the Ceramic painted in black, yellow, orange, gallery). red, blue and green. 37/250. Monogram- - Purchased from the above by the pre- med lower right: F.L and titled on the rever- sent owner, since then private collection se: COMPOSITION ABSTRAITE (faded). Southern Germany. Also with the stamp: Musée Fernand Léger. Size 46 x 34 x 6.2 cm. CHF 10 000 / 15 000 (€ 8 330 / 12 500)

| 18 3624 PABLO PICASSO Provenance: (Málaga 1881 - 1973 Mougins) - Galerie Hachmeister, Münster. Figure. 1947. - Private collection Switzerland. Zincograph. From an edition of 5. Mirror-dated in the plate lower right by an Catalog raisonné: Mourlot, no. 88. unknown hand: dimanche 20.4.47. Num- bered in pencil lower centre: 88, as well as Literature: Gauss, Ulrike (ed.): Pablo Pi- titled, numbered and dedicated in pencil casso. Die Lithographie. Graphikmuseum on the reverse by an unknown hand: 88 Pablo Picasso Münster. Die Sammlung Figure - Epreuve d‘exposition pour Castor Huizinga, Ostfildern-Ruit 2000, nr. 88. fm. Image 73 x 55.8 on Arches wove paper (with the watermark) 76 x 56.7 cm. CHF 20 000 / 30 000 (€ 16 670 / 25 000)

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3625 PABLO PICASSO (Málaga 1881 - 1973 Mougins) Femme au corsage à fleurs. 1958. Lithograph, third and final state. 36/50. Signed in pencil lower right: Picasso, as well as mirror-dated three times in the plate: 17.12.57/1.5.58/27.12.58. Image 63.5 x 48.3 cm on Arches wove paper (with the watermark) 66 x 50.2 cm.

Provenance: By descent to the present Femme à la robe verte” and “Femme assi- stages. (Mourlot, Fernand: Picasso, Litho- owner, since then privately owned se près de la Fenêtre”, to name just a few. graphe. Edition du Live, Paris 1970, p. 244). Switzerland. In the 20 years of their time together, from His intensive examination of the pictorial 1953 to 1973, Picasso created more than motif of Jacqueline in profile wearing a Catalogue raisonné: 400 portraits of Jacqueline so that there floral shirt began as early as 17 December - Mourlot, no. 307. are more portraits of her than any other 1957 and was printed in an edition of 50 - Bloch, no. 847. woman in his entire oeuvre. numbered exemplars. Here Picasso drew on a zinc plate using a brush to convey the Literature: Gauss, Ulrike (ed.): Pablo Pi- Jacqueline Roque embodied for Picasso shaded outline of the face and the eyes, casso. Die Lithographie. Graphikmuseum the perfect beauty of Spanish women, as well as the dark hair tied back. The floral Pablo Picasso Münster. Die Sammlung which he knew from childhood memories, motif of the blouse was first drawn as Huizinga, Ostfildern-Ruit 2000, no. 307. with the mantilla, the veil which enveloped silhouettes and these appear as complete the head and neck as far as the shoulders. only in the final state. On 1 February 1958 “A picture has to be transformed slowly He painted her in diverse atmospheres Picasso reworked the zinc plate but dis- and sometimes I simply cannot reach the and styles: cheerful or sad, sometimes pensed with all but a few proof prints in an point where I can provide it with the final classical, sometimes cubist, but certainly edition. The final and definitive reworking, thought that it needs”. always with the recurring features of the which is the sheet presented here, was elongated posture, the long neck, the high produced on 27 December 1958. Here In the summer of 1952 Pablo Picasso met cheeks, the straight nose, the line which Picasso reworked the zinc plate with fine the 27-year-old Jacqueline Roque for the continues from nose to forehead and the strokes, which strengthen the features first time at a ceramics workshop at Ma- large black almond-shaped eyes with the and contrasts on the face, and lighten doura in Vallauris, where she was working quick gaze. those of the blouse and the hair. This final as a sales assistant and where he had been version was also produced in an edition of making ceramics since 1946. From then The present print “Femme au corsage à 50. onwards Jacqueline would become his fleurs” from 1957/58 is one of the most main subject, as well as his last wife and important and impressive works which This extraordinarily elaborate series of muse. Picasso created of his wife. portraits and the final state seen here, He used her portrait as model for count- show unequivocally Picasso’s outstanding less experiments, in both paintings and Fernand Mourlot, the printer who worked ability and his unbelievable love of expe- prints. The first works with Jacqueline closely with Picasso and who had printed rimentation, when it comes to printing come from the series „L’Artiste et son the artist’s complete lithographic oeuvre, technique Modèle“ from 1954. Later Picasso began reported that in this series it was especially several series of oil paintings and litho- important to the artist that he experimen- CHF 70 000 / 90 000 graphs inspired by the “Femmes d’Alger” ted in depth with the printing process, so (€ 58 330 / 75 000) by Eugène Delacroix. In 1955 there were that he could develop to perfection the further portraits, including “Portrait de beauty of his wife in the individual printing

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Prints & Multiples

3626* ALBERTO GIACOMETTI (Borgonovo 1901 - 1966 Chur) Autoportrait. 1963. Lithograph. 21/75. Signed in pencil lower right: Alberto Giacometti. Image 53 x 34 cm on Rives wove paper (with the watermark) 65 x 50 cm. Published and printed by Maeght Éditeur, Paris.

Catalogue raisonné: - Lust, no. 355. - Kornfeld, no. 401 C.

CHF 4 000 / 6 000 (€ 3 330 / 5 000)

3627 ALBERTO GIACOMETTI (Borgonovo 1901 - 1966 Chur) Pizzo della Margna vu de la maison de Giacometti à Maloja I. 1957. Lithograph. 40/65. Signed in pencil lower right: Alberto Giacometti. Image 48.2 x 61 cm on Arches wove paper (with the watermark) 50.5 x 65 cm. Published by Kornfeld and Klipstein, Bern. Printed by Mourlot, Paris.

Catalogue raisonné: - Lust, no. 28. - Kornfeld, no. 218 C.

CHF 4 000 / 6 000 (€ 3 330 / 5 000)

| 22 3628* ALBERTO GIACOMETTI (Borgonovo 1901 - 1966 Chur) Buste de Diego au col roulé et sculptures sur l‘étagère de l‘atelier II. 1951. Lithograph. 12/30. Signed in pencil lower right: A Giacometti. Image 36.5 x 51.5 cm on Arches wove paper (with the watermark) 49.5 x 65 cm. Published and printed by Mourlot, Paris. Professionally restored.

Provenance: - Collection Emil Frey, Germany. - By descent to the present owner, since then private collection Southern Germany.

Catalogue raisonné: - Lust, no. 19. - Kornfeld, no. 94 Ca.

CHF 8 000 / 12 000 (€ 6 670 / 10 000)

3629* PABLO PICASSO (Málaga 1881 - 1973 Mougins) Trois femmes. 1968. Etching. 12/50. Signed in pencil lower right: Picasso and mirror-dated in the stone: 30.3.69 II. Image 41.6 x 31.4 cm on Rives wove paper 57.5 x 45.5 cm. Published by Edition Galerie Louis Leiris, Paris. Printed by Crommelynck, Paris.

Catalogue raisonné: - Bloch, no. 1494. - Baer, no. 1510 Bb1.

CHF 5 000 / 7 000 (€ 4 170 / 5 830)

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3630* LE CORBUSIER (CHARLES-EDOUARD JEANNERET) (La Chaux-de-Fonds 1887 - 1965 Roque- brune-Cap-Martin) Les huits. 1963. Colour lithograph. Monogrammed and dated in the stone lower right: L-C 21 8 63, also lower left with the blindstamp: F L-C. Image 40 x 60.7 cm on Japan paper 53.5 x 75.5 cm. Published by Edition Galerie Wolfgang Ketterer (with the blindstamp).

Literature: Edition Galerie Wolfgang Ketterer. 1963-1969, no. 86.

CHF 500 / 600 (€ 420 / 500)

3631 GEORGES BRAQUE (Argenteuil 1882 - 1963 Paris) From: Août. 1958. Aquatint. 70/70. Signed in pencil lower right: G. Braque. Image 13.5 x 20 cm on Auvergne wove paper (with the watermark) 37 x 48 cm. Published by Louis Broder éditeur, Paris. Printed by Cromme- lynck et Dutrou, Paris.

Catalogue raisonné: Vallier, no. 135.

CHF 600 / 700 (€ 500 / 580)

| 24 3632 3633 AFTER GEORGES BRAQUE AFTER GEORGES BRAQUE (Argenteuil 1882 - 1963 Paris) (Argenteuil 1882 - 1963 Paris) Soleil et lune II. Soleil et lune I. 1959. Colour lithograph. 194/275. Signed in Colour lithograph. 17/275. Signed in pencil pencil lower right: G. Braque. Image lower right: G. Braque. Image 21.7 x 9.2 cm 23.5 x 9 cm on BFK Rives wove paper (with on wove paper 48 x 32.5 cm. the watermark) 48.5 x 32.5 cm. Publis- hed by Maeght Éditeur, Paris (with the Catalogue raisonné: blindstamp). - Maeght, no. 1034. - Vallier, p. 295. Catalogue raisonné: - Vallier, p. 295. CHF 500 / 600 - Maeght, no. 1035. (€ 420 / 500)

CHF 500 / 600 (€ 420 / 500)

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3634 3635 3636 MARC CHAGALL AFTER MARC CHAGALL AFTER MARC CHAGALL (Witebsk 1887 - 1985 Saint-Paul-de- (Witebsk 1887 - 1985 Saint-Paul-de- (Witebsk 1887 - 1985 Saint-Paul-de- Vence) Vence) Vence) From: Bibel. 1958. La tribu de Nephtali. 1964. La baie des anges au bouquet de roses. Etching, coloured. 23/100. Monogrammed Colour lithgraph. XXIV/LXXV. Signed in 1967. in pencil lower right: M.Ch., also signed pencil lower right: Marc Chagall. Image Colour lithograph. 43/150. Signed in lower left in the plate: Chagall. Image 61 x 46 cm on Arches wove paper (with pencil lower right: Marc Chagall. Image 31.3 x 24.8 cm on vélin by Arches (with the watermark) 74 x 53 cm. Published by 61 x 45.5 cm on Arches wove paper (with the watermark) 53.5 x 39 cm. Published Mourlot, Paris. Printed by Sorlier, Paris. the watermark) 73.3 x 52.5 cm. Published by Tériade, Paris. Printed by Raymond With the printed details on the reverse. by Mourlot, Paris (verso with the stamp). Haasen, Paris. From the 12-part portfolio „Douze ma- Printed by Sorlier, Paris. On the reverse From the 105-part series „Bible“. quettes de vitraux pour Jérusalem“. with the printed details. From the 12-part portfolio „ Nice et la Côte We thank Mr. Yves und Marc Lebouc, We thank Mr. Yves und Marc Lebouc, d‘Azur“. Bouquinerie de l‘Institut, Paris, for their Bouquinerie de l‘Institut, Paris, for their scientific advice. scientific advice. We thank Mr. Yves und Marc Lebouc, Bouquinerie de l‘Institut, Paris, for their Catalogue raisonné: Cramer, Illustrated Catalogue raisonné: Mourlot, no. CS 21. scientific advice. Books, no. 30. CHF 3 000 / 4 000 Catalogue raisonné: Mourlot, no. CS 30. CHF 2 000 / 3 000 (€ 2 500 / 3 330) (€ 1 670 / 2 500) CHF 10 000 / 15 000 (€ 8 330 / 12 500)

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3637* JOAN MIRÓ (Montroig 1893 - 1983 Palma de Mallorca) From: Série Mallorca. 1973 Etching and colour aquatinta. 7/10. Signed in pencil lower right: Miró. Image 54.4 x 68.7 cm on Guarro Superalfa wove paper 70 x 86.7 cm. Published by Torralba, Barcelona. Printed by Imagen/70, Palma de Mallorca (with the blind stamp). From the 39-part series „Série Mallorca“.

Catalogue raisonné: - Dupin, no. 623. - Cramer, Illustrated Books, no. 177.

CHF 900 / 1 400 (€ 750 / 1 170)

3638 JOAN MIRÓ (Montroig 1893 - 1983 Palma de Mallorca) From: Bouquet de rêves pour Neila. 1967. Colour lithograph, before letters. 7/25. Signed in pencil lower right: Miró. Image 30.8 x 21 cm on Japon nacré 32.6 x 25.2 cm. Printed by Mourlot, Paris. From the book with the same title by Yvan Goll.

Catalogue raisonné: - Miró, Lithograph III, no. 475. - Cramer, Illustrated books, no. 115.

CHF 600 / 700 (€ 500 / 580)

| 28 3639 3640 JOAN MIRÓ JOAN MIRÓ (Montroig 1893 - 1983 Palma de Mallorca) (Montroig 1893 - 1983 Palma de Mallorca) From: Graphikmappe Hochschule Oiseau devant le soleil. 1961. St. Gallen. 1967. Colour lithograph. 145/300. With the Colour lithograph. 101/150. Signed in signature stamp lower right: Miró. Sheet pencil lower right: Miró. Sheet size size 83.5 x 38 cm on wove paper. 65 x 50 cm on Rives wove paper. Publis- hed by Hochschule St. Gallen. Printed by CHF 1 500 / 2 000 Atelier Maeght. (€ 1 250 / 1 670)

Catalogue raisonné: Cramer, Illustrated Books, no. 111.

CHF 1 500 / 2 000 (€ 1 250 / 1 670)

| 29 Contemporary Prints 3641* 3642 HANS HARTUNG PIERRE SOULAGES (Leipzig 1904 - 1989 Paris) (Rodez 1919 - lives and works in Paris) L 26. 1957. Lithographie no. 5. 1957. Colour lithograph. 77/100. Signed in pencil Colour lithograph. 3/60. Signed in pencil lower right: Hartung. Image 50 x 30.5 cm lower right: Soulages. Image on BFK Rives wove paper (with the water- 57.3 x 42.5 cm on BFK Rives wove paper mark) 65.5 x 50 cm. Published by Marbach, (with the watermark) 65.5 x 50.3 cm. Bern. Printed by Jean Pons, Paris. Published by Berggruen, Paris. Printed by Pons, Paris. Catalogue raisonné: Schmücking, no. L26. Catalogue raisonné: Encrevé-Miessner, CHF 800 / 1 000 no. 48. (€ 670 / 830) CHF 3 000 / 4 000 (€ 2 500 / 3 330)

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3643* 3644 3645 ANTONI TÀPIES WOJCIECH FANGOR SERGE POLIAKOFF (1923 Barcelona 2012) (1922 Warsaw 2015) (Moscow 1900 - 1969 Paris) Untiled. 1973. Kreisformation. 1967. Composition rouge, verte, bleue. 1969. Colour lithograph. H.C., hors commerce Colour aquatint. 10/60. Signed and dated Colour lithograph. E.d.a, artist‘s proof from an edition of 15, outside the edition in pencil lower right: Fangor 1967. Image outside the edition of 80. Signed in pencil of 75. Signed in pencil lower right: Tàpies. 34.5 x 34.5 cm on wove paper 61 x 51 cm. lower right: Serge Poliakoff. Image Image 74 x 55.5 cm on Arches wove paper With the blindstamp: N.Y.C.W. 87 x 64 cm on BFK Rives wove paper (with (with the watermark) 76 x 55.5 cm. Publis- the watermark) 105.5 x 75.3 cm. Published hed and printed by Ediciones La Polígrafa CHF 1 500 / 2 000 and printed by Galerie Im Erker rep. Erker- SA, Barcelona. (€ 1 250 / 1 670) Presse, St. Gallen (with the blindstamp). From the 12-part Portfolio „Poems from the Catalan“. Catalogue raisonné: Poliakoff/Schneider, no. 76. Catalogue raisonné: Galfetti, no. 382. CHF 8 000 / 12 000 CHF 800 / 1 200 (€ 6 670 / 10 000) (€ 670 / 1 000)

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3646* DONALD JUDD (Excelsior Springs 1928 - 1994 New York) Untitled. 1973. Lithograph and screenprint. 63/300. Signed in pencil lower right: Judd. Sheet size 22.8 x 30.5 cm on wove paper. Publis- hed by Experiments in Art and Technology. Printed by Styria Studio, New York. From the 30-part portfolio „The New York Collection for Stockholm“.

Catalogue raisonné: Schellmann/Jitta, Appendix B.

CHF 500 / 600 (€ 420 / 500)

3647* ANTONI TÀPIES (1923 Barcelona 2012) Creu i ics. 1979. Colour aquatint and carborundum. H.C, hors commerce from an edition of 10, outside the edition of 75. Signed in pencil lower right: Tápies. Image 18.5 x 37.5 cm on Filigrane Guarro wove paper (with the watermark) 56.5 x 72.4 cm. Published and printed by Ediciones Polígrafa SA, Barcelona.

Catalogue raisonné: Galfetti, no. 712.

CHF 800 / 1 200 (€ 670 / 1 000)

3648 CY TWOMBLY (Lexington 1928 - 2011 Rome) Untitled. 1973. Colour offset lithograph and collotype. HC, hors commerce from the edition of 30, outside the edition of 150. Monogrammed in pencil lower right: CT. Sheet size 76 x 55.5 cm on thin cardboard. Published by Propyläen Verlag, Berlin and Pantheon Press, Rome. Printed by Matthieu-Studio, Zurich. From the 69-part portfolio „Hommage à Picasso“.

Provenance: - Purchased directly from the publisher. - By descent to the present owner, since then private collection Switzerland.

Catalogue raisonné: Bastian, no. 41.

CHF 3 000 / 4 000 (€ 2 500 / 3 330)

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Prints & Multiples

3649* PORTFOLIO SMS Portfolio 1-6. 1968. Complete set of 6 portfolios with varying medias and materials, e.g. with works by Marcel Duchamp, Roy Lichtenstein, Man Ray, Richard Hamilton, Claes Oldenburg, John Cage, Terry Riley und Yoko Ono. From an edition of 200. Published by The Letter Edged in Black Press, New York. In original cardboard boxes. Complete.

CHF 2 300 / 2 800 (€ 1 920 / 2 330)

3650 DANIEL BUREN (Boulogne-Billancourt 1938 - lives and works in Paris) La Grille - La Couleur - Le Motif. 2001. Folder with stickers for an „Art Wall Sti- cker“, as well as with an intruduction letter, installation instructions and a certificate. Signed, numbered, with location and dated on the certificate: Daniel Buren, N° 44, Paris, le 10.10.2001. In its original cardboard folder. Complete.

CHF 1 000 / 1 500 (€ 830 / 1 250)

| 36 3651* ROBERT INDIANA (New Castle 1928 - 2018 Vinalhaven) The American Love. 1975. Enamel print on metal. From an unknown edition. With the incised signature and date lower right: R. Indiana 75, as well as titled lower left: The American Love. Size 35.5 x 33.7 cm.

Catalogue raisonné: Sheehan, cf. no. 76.

CHF 5 000 / 7 000 (€ 4 170 / 5 830)

| 37 Prints & Multiples

3652* JEAN-CHARLES HIRLIMANN Ferrari GTO 250. Portfolio with 8 colour lithographs with information sheets. 93/250. Each signed in pencil lower right: Hirlimann. Varying image sizes on Arches wove paper (with the watermark) 56 x 75.5 cm. In Original folder. Complete.

CHF 2 500 / 3 000 (€ 2 080 / 2 500)

3653* ROBERT INDIANA (New Castle 1928 - 2018 Vinalhaven) Numbers. 1968. Book with 10 colour screenprints, poems by Robert Creely, the introduction by Dieter Honisch and the imprint. There signed and numbered in pencil: R. Indiana Robert Creely 48/250. Image 60 x 50 cm on wove paper 65 x 50 cm. Published by Edition Domberger, Stuttgart and Galerie Schmela, Düsseldorf. Printed by Dom- berger, Stuttgart (screenprints) and Dr. Cantz‘sche Druckerei, Stuttgart (text). Bound. In original cassette. Complete.

Catalogue raisonné: Sheehan, no. 56.

CHF 8 000 / 12 000 (€ 6 670 / 10 000)

| 38 | 39 Prints & Multiples

3654 PORTFOLIO Omaggio a Michelangelo.1975. Portfolio with 13 prints, title, imprint, texts about Michelangelo and biographies of the artists. Including etchings by David Hock- ney, Jorge Castillo, Emilio Greco, Marino Marini, Giacomo Manzù, Jean Ipoustéguy, Eduardo Paolozzi, Fritz Wotruba and lithographs by Horst Antes, Renato Guttuso, Paul Wunderlich, Henry Moore and André Masson. XVI/XX, artist‘s proof outside the edition of 200. Each signed in pencil by the artist and some dated. Varying image sizes on Rives wove paper (with the watermark) 60 x 80 cm resp. 80 x 60 cm. Prints in double sheets, these are with the artists name, a text about Michelangelo and the artist‘s biography in 3 languages. Published by Bruckmann-Stiftung for the 500th birthday of Michelangelo Buonarroti. In original linen-covered folder. Complete.

Provenance: - Purchased directly from the publisher. - By descent to the present owner, since then private collection Switzerland.

CHF 4 000 / 6 000 (€ 3 330 / 5 000)

| 40 | 41 Prints & Multiples

3655 3656 FROM: HOMMAGE À PICASSO. 1973. JEAN TINGUELY (1. LIEFERUNG) (Fribourg 1925 - 1991 Bern) Lot of 7 prints. Each HC resp. EA, hors Viva Picasso. 1974. commerce resp. artist‘s proof outside the Colour lithograph with collage. HC, hors edition of 90. commerce outside the edition of 90. Signed in pencil lower right: Tinguely. Corneille. Colour lithograph.Signed and Jorge Castillo. Colour etching. Signed and Sheet size 76 x 56 cm on wove paper. dated in pencil lower centre: Corneille 73. dated in pencil lower right: Castillo 73. Published by Propyläen Verlag, Berlin and Sheet size 50 x 66 cm on wove paper. Image 48.5 x 58 cm on wove paper Pantheon Press, Rome. 58.5 x 77 cm. From the 69-part portfolio „Hommage à Giacomo Manzù. Aquatint and etching. Picasso“. Signed in pencil lower left: Manzù. Image Roberto Matta. Colour aquatint and 62.5 x 48 cm on wove paper 78 x 58 cm. embossing. With the artist‘s signet lower Provenance: right: Matta. Image 49.5 x 68 cm on Arches - Purchased directly from the publisher. Fritz Wotruba. Lithograph. Signed in pencil wove paper 57 x 76.5 cm. - By descent to the present owner, since lower right: F. Wotruba. Image 36.2 x 42 cm then private collection Switzerland. on Arches wove paper (with the water- Published by Propyläen Verlag, Berlin and mark) 56.5 x 76.5 cm. Pantheon Press, Rome. CHF 1 000 / 1 500 From the 69-part portfolio „Hommage à (€ 830 / 1 250) Pol Bury. Colour lithograph. Signed in pencil Picasso“. lower centre: Pol Bury. Sheet size 71 x 51 cm on wove paper. Provenance: - Purchased directly from the publisher. Jacques Lipchitz. Colour lithograph. - By descent to the present owner, since Signed in pencil lower right: Lipchitz. Image then private collection Switzerland. 64 x 44 cm on wove paper (with the watermark) 78 x 58 cm. CHF 600 / 800 (€ 500 / 670)

| 42 3657* JIM DINE (Cincinnati/Ohio 1935 - lives and works in London and Vermont) Carton d’invitation de la galerie Sonnabend. 1970. Colour offset. Signed lower right in the plate: Jim Dine, as well as described in the plate: JIM DINE GALERIE SONNABEND, 12 RUE MAZARINE PARIS VERNISSAGE, NOVEMBRE 24. 6h-9h. Sheet size 30 x 40.1 cm on wove paper.

CHF 2 000 / 3 000 (€ 1 670 / 2 500)

3658 NIKI DE SAINT PHALLE & JEAN TINGUELY (Neuilly-sur-Seine 1930 - 2002 La Jolla, San Diego/Fribourg 1925 - 1991 Bern) Nana Machine. 1976. Multiple. Resin, painted on a steel base and electric engine. From an edition of 150. Height 43.8 cm.

Catalogue raisonné: Bischofberger, no. 353.

Niki de Saint Phalle and Jean Tinguely worked together from 1960. The first joint projects at this time were the so-called “Assemblages”, initiated by Niki de Saint Phalle, in which materials, paper and wire were painted, shaped and glued and then Jean Tinguely brought these together in an “Assemblage”.

The first joint exhibitions took place in Amsterdam and Stockholm in 1961 and the first large scale collaborative work for the artist duo was their participation in the French pavilion of the 1967 World Fair in Montreal, where an ensemble of sculptures and machines was presented.

CHF 18 000 / 24 000 (€ 15 000 / 20 000)

| 43 Prints & Multiples

3659 3660 FROM: HOMAGE À PICASSO. 1975. ROBERT RAUSCHENBERG (2. LIEFERUNG) (Port Arthur 1925 - 2008 Captiva Island) Hommage à Picasso. 1973. Lot of 5 prints. Each HC resp. EA, hors Offset lithograph. AP4/30, artist‘s proof commerce resp. artist‘s proof outside of ouside the edition of 90. Signed and dated the edition of 90. in pencil lower right: Rauschenberg 73. Sheet size 76.5 x 57 cm on Arches wove Hans Bellmer. Etching. Signed in pencil R.B.Kitaj. Colour screenprint. Signed in paper (with the watermark). Published by lower right: Bellmer. Image 32 x 24 cm on pencil lower left: Kitaj. Sheet size Propyläen Verlag, Berlin and Pantheon Japan paper 67.5 x 51.5 cm. 75.5 x 56 cm on wove paper. Press, Rome. Printed by Graphicstudio University of South Florida, Tampa (verso Shusaku Arakawa. Colour screenprint. Sig- Published by Propyläen Verlag, Berlin and with the stamp). With blindstamps. ned in pencil in the centre: Arakawa. Image Pantheon Press, Rome. From the 69-part portfolio „Hommage à 53.5 x 76 cm on firm wove paper From the 69-part portfolio „Hommage à Picasso“. 57 x 76 cm. Picasso“. Provenance: Jan Voss. Colour lithograph. Signed and Provenance: - Purchased directly from the publisher. dated in pencil lower right: Voss 72. Sheet - Purchased directly from the publisher. - By descent to the present owner, private size 56.5 x 76 cm on firm wove paper. - By descent to the present owner, private collection Switzerland. collection Switzerland. Nicholas Krushenick. Colour screenprint. CHF 700 / 900 Signed and dated on the reverse in pencil: CHF 700 / 900 (€ 580 / 750) Krushenick 1973. Sheet size 56.5 x 76 cm (€ 580 / 750) on firm wove paper.

| 44 3661 DAVID HOCKNEY (Bradford 1937 - lives and works in Brid- Provenance: lington) - Purchased directly from the publisher. The student: homage to Picasso. 1973. - By descent to the present owner, since Etching. E.A. 1/15, artist´s proof outside then private collection Switzerland. the edition of 90. Signed and dated lower right: David Hockney 73. Image Catalogue raisonné: Scottish Arts Council, 57.5 x 44 cm on Arches wove paper no. 153. 75.5 x 56.5 cm. Published by Propyläen Verlag, Berlin and Pantheon Press, Rome. CHF 5 000 / 7 000 Printed by Crommelynck, Paris. (€ 4 170 / 5 830) From the 69-part portfolio „Hommage à Picasso“. Prints & Multiples

3662 RICHARD HAMILTON (1922 London 2011) Picasso‘s meninas. 1973. Aquatint. EA 4/5, artist‘s proof outside the edition of 90. Signed in pencil lower right: R. Hamilton, as well as titled lower left: Picasso‘s meninas. Image 57 x 49 cm on Rives wove paper 75.5 x 57 cm. Published by Propyläen Verlag, Berlin and Pantheon Press, Rome. Printed by Crommelynck, Paris. From the 69-part portfolio „Hommage à Picasso“.

Provenance: Picasso’s artistic mastery as on a stage: and his partner. Even the painting on the - Purchased directly from the publisher. On the right edge of the picture we find back wall has been replaced by Picasso’s - By descent to the present owner, since a harlequin from the pink period, who paintings: “Nu couché et femme assise” then private collection Switzerland. appears to be treading on a bull from from 1942 (Zervos, vol. 12, Nr. 69) and Picasso’s masterpiece “Guernica”. Behind “Three Musicians” from 1921 (Zervos, vol. Catalogue raisonné: Lullin, no. 91. the bull to the right we have a seated wo- 4, Nr. 331). man, modelled after “Femmes assises” of “Las Meninas” by Diego Velázquez from 1927 (Zervos, vol. 7, Nr. 7); to her right is a There is probably no other work in art 1656 is without doubt one of the most im- figure typical of the late 1930s. In the next history which brings together the achie- portant paintings in the history of art. Bet- row there is a woman, who is reminiscent vement and uniqueness of an artist so ween August and November 1957 Pablo of Picasso’s Neo-Classical style of the impressively, and without any doubt Picasso (1881 – 1973) examined the work early 1920s and next to her a figure of an expresses the admiration and recognition intensively and Richard Hamilton (1922 archaic style, which we know from “Les of his unique body of work. That Pablo – 2011) after his first visit to the Prado in demoiselles d’Avignon” (Zervos, vol. 2, Picasso was the most important and 1972 was so powerfully affected by the Nr. 18). In the centre of the picture is an most influential artist of the 20th century, painting, that he used it as the framework Analytic-Cubist figure, who again turns to is, according to this impressive homage, for his print in honour of Picasso. a woman from the Neo-Classical period. beyond all question. Pablo Picasso himself takes up the central He copied the spatial arrangement and position of Velázquez before the easel. In CHF 14 000 / 18 000 position of the staffage exactly but repla- the mirror on the back wall, where in the (€ 11 670 / 15 000) ced the royal family with figures from all the original painting the royal couple can be periods of Picasso’s oeuvre. He presented seen, we see reflected Richard Hamilton

| 46

Prints & Multiples

3663* JOSEPH BEUYS (Krefeld 1921 - 1986 Düsseldorf) From: Rheinische Bienenzeitung. 1975. Offset, folded verticaly in the centre. 8/34. Signed in pencil lower right: Joseph Beuys. Image each 18 x 13 cm on cardboard 23.5 x 33 cm. Published by Verlag Constantin Post, Cologne.

Catalogue raisonné: Schellmann, no. 152.

CHF 1 200 / 1 600 (€ 1 000 / 1 330)

3664* HERMANN NITSCH (Vienna 1938 - lives and works in Vienna) Untitled. Multiple. Photography, cotton fabric, test tube, cardboard. 2/30. Signed on the photography: Hermann Nitsch. Each 17 x 12 cm. Object box 31.2 x 43 cm.

CHF 800 / 1 200 (€ 670 / 1 000)

| 48 3665* JOSEPH BEUYS (Krefeld 1921 - 1986 Düsseldorf) C’est la fin de la fin des latins. 1982. Metal panel with enamel. 75/100. Signed with felt pen on the reverse: Joseph Beuys, and printed recto: Joseph Beuys, as well as titled and dated: C‘est la fin de la fin des Latins, 20 Mars 1982, 11:59. Published by Editions Liliane et Michel Durand-Dessert, Paris.

Catalogue raisonné: Schellmann, no. 414.

CHF 1 200 / 1 800 (€ 1 000 / 1 500)

3666* KARL GERSTNER (1930 Basel 2017) Untitled. Book. Colour screenprint, collaged. 3/125. Signed in pencil lower right: Gerstner. Size 25.8 x 21 cm, each page thin cardboard, bound as a book. On the backsides with text, the biography and a text by Max Lüscher. Cover page on the reverse. Pub- lished by Galerie Denise René, New York.

CHF 900 / 1 200 (€ 750 / 1 000)

| 49 Prints & Multiples

3667* 3668 JOSEPH BEUYS JOSEPH BEUYS (Krefeld 1921 - 1986 Düsseldorf) (Krefeld 1921 - 1986 Düsseldorf) Joseph Beuys. Een konfrontatie. 1979. Flug des Adlers ins Tal und zurück. 1978. Exhibition poster. Colour screenprint. Colour lithograph. 118/120. Signed in pen- Faded signature in felt-tip pen lower right: cil lower right: Joseph Beuys. Sheet size Joseph Beuys. Image 88 x 61.5 cm on 103 x 26 cm on vélin. Published by Edizioni parchment paper. Lucio Amelio, Naples.

CHF 800 / 1 200 Catalogue raisonné: Schellmann, no. 250. (€ 670 / 1 000) CHF 1 000 / 1 500 (€ 830 / 1 250)

| 50 3669* JOSEPH BEUYS (Krefeld 1921 - 1986 Düsseldorf) Tote Hirsche. 1982. Etching. H.C. 2/55, hors commerce outside an edition of 75. Signed in pencil lower left: Joseph Beuys. Image 57 x 44 cm on wove paper 90 x 63 cm. Published by Grafos-Verlag, Vaduz. Sheet 1 from the 21-part series „Zirkulati- onszeit“.

Catalogue raisonné: Schellmann, no. 418 a.

CHF 1 400 / 1 800 (€ 1 170 / 1 500)

3670 JOSEPH BEUYS (Krefeld 1921 - 1986 Düsseldorf) Greta Garbo und der Filzlappen. 1979. Colour offset. 2/40. Signed in pencil on the reverse: Joseph Beuys. Also titled in pencil lower centre: Greta Garbo und der Filzlappen and inscribed upper centre: Frauenraum. Image 62 x 88 cm on wove paper 64 x 94 cm. Published by Kunstmu- seum Luzern (verso with the stamp) and Edizione Lucio Amelio, Naples.

Catalogue raisonné: Schellmann, no. 310.

CHF 1 000 / 1 500 (€ 830 / 1 250)

| 51 Prints & Multiples

3671 ROLF ISELI (Bern 1934 - lives and works in Saint Ro- main/Burgundy) Vernagelte Birne. 1977. Etching. 2/8. Signed and dated lower centre: Rolf Iseli 77, as well as mirror-titled in the plate: Vernagelte Birne, and with the location and date: Genève 77. Image 108 x 79 cm on wove paper 118.5 x 88 cm.

CHF 1 800 / 2 200 (€ 1 500 / 1 830)

3672* SIGMAR POLKE (Oels 1941 - 2010 Cologne) Selbstbildnis. 1971/73. Offset. Artist‘s proof, outside the edition of 120. Signed in biro lower right: Sigmar Polke, also dated lower left: 1973. Image 17.5 x 19 cm on wove paper 21 x 23 cm. Published by Galerie René Block, Berlin. From the special edition „Grafik des Kapi- talistischen Realismus“.

Catalogue raisonné: Becker/van der Os- ten, no. 15.

CHF 1 200 / 1 600 (€ 1 000 / 1 330)

| 52 3673* JOHN M. ARMLEDER (Geneva 1948 - lives and works in Geneva) Untitled. 2003. Monotype. 1/1. Signed and dated in pencil on the reverse: Armelder 2003. Sheet size 56 x 76.7 cm on Arches wove paper (with the watermark). Published by Editionen Copenhagen and House Editions, South Orange. Printed by Editionen Copenhagen. From the 19-part portfolio „Supernova“.

CHF 4 000 / 6 000 (€ 3 330 / 5 000)

| 53 Prints & Multiples

3674* PETER FISCHLI & DAVID WEISS (Zurich 1952 - lives and works in Zurich/1946 Zurich 2012) Untitled (Airport Frankfurt/Main). 1988/89. Colour photolithograph. E.A. XIII/XXV, artist‘s proof outside the edition of 175. Signed in pencil lower right: Fischli D. Weiss. Image 65 x 94.5 cm on vélin by BFK Rives (with the trimmed watermark) 70 x 100 cm.

Literature: see. exh.cat.: Peter Fischli/Da- vid Weiss. Arbeiten im Dunkeln, 31 January - 3 May 1998, Kunstmuseum Wolfsburg, p. 46.

CHF 1 800 / 2 400 (€ 1 500 / 2 000)

| 54 3675* DANIEL BUREN (Boulogne-Billancourt 1938 - lives and works in Paris) Les couleurs traversées. 2001. Artist‘s book. 57/80. On the insight back cover with the stamped monogram: DB. With printed drawings, texts, an interview and plastic film, ring binding. Published for the exhibition at Kunsthaus Bregenz, 27 January - 18 March 2001. In original box.

CHF 1 500 / 2 000 (€ 1 250 / 1 670)

3676 CHRISTO (CHRISTO JAVACHEFF) (Gabrovo 1935 - lives and works in New York) Wrapped Bridge, Project for Le Pont Alex- andre III, Paris. 1977. Colour lithograph, collaged with photo. Printed proof 3/4, outside the edition of 66. Signed in pencil lower centre: Christo, also titled in the stone: Wrapped Bridge, Project for Le Pont Alexandre III - DES INVALIDES - Paris. Sheet size 70 x 55.5 cm on Rives wove paper. Published by Grafos Verlag, Vaduz, Lichtenstein. Printed by Matthieu AG, Zurich.

Catalogue raisonné: Schellmann, no. 86.

CHF 1 200 / 1 600 (€ 1 000 / 1 330)

| 55 Prints & Multiples

3677* 3678* 3679* KEITH HARING KEITH HARING KEITH HARING (Reading 1958 - 1990 New York) (Reading 1958 - 1990 New York) (Reading 1958 - 1990 New York) International Youth Year. 1985. From: Icons. 1990. From: Growing. 1988. Colour lithograph. 472/1000. Signed in Colour screenprint and embossing. HC Colour screenprint. AP 2/15, artist‘s proof pencil in the right margin: K. Haring. Sheet 6/25, hors commerce outside the edition outside the edition of 100. Signed, dated size 27.9 x 21.5 cm on wove paper. Printed of 250. On the reverse with the stamp and and with the artist‘s signet with pencil in by Emiliano Sorini Studio, New York (with signature of Julia Gruen, Executor for the the right margin: K. Haring 88. Sheet size the blindstamp). Keith Haring Estate. Sheet size 101.5 x 76 cm on wove paper. Printed by 53.5 x 63.5 cm on firm wove paper. Pub- Rupert Jasen Smith, New York (with the Provenance: lished by Tony Shafrazi Editions, New York blindstamp) also with the blindstamp: - Martin Lawrence Limited Editions, USA. (verso with the stamp). Printed by Studio MILLE@1988. - Purchased from the above by the pre- Heinrici, New York (with the blindstamp). sent owner in 1996, since then private From the 5-part portfolio. Provenance: collection Southern Germany. - Martin Lawrence Limited Editions, USA. Provenance: - Purchased from the above by the pre- Catalogue raisonné: Littmann, p. 36. - Martin Lawrence Limited Editions, USA. sent owner in 1996, since then private - Purchased from the above by the pre- collection Southern Germany. CHF 700 / 900 sent owner in 1996, since then private (€ 580 / 750) collection Southern Germany. Catalogue raisonné: Littmann, p. 88.

Catalogue raisonné: Littmann, p. 171. CHF 25 000 / 30 000 (€ 20 830 / 25 000) CHF 6 000 / 8 000 (€ 5 000 / 6 670)

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Prints & Multiples

3680* KEITH HARING (Reading 1958 - 1990 New York) Pop Shop I-IV. 1988. Lot of 4 colour screenprints. 183/200. Each signed and dated in pencil in the right margin: K. Haring 88, also with the artist‘s signet. Varying image sizes on wove paper 30.5 x 38 cm.

Provenance: - Barrington Gallery, London. - Purchased in 1996 from the above by the present owner, since then private collection Southern Germany.

Catalogue raisonné: Littmann, p. 96/97.

CHF 25 000 / 35 000 (€ 20 830 / 29 170)

| 58 "The public needs art, and it is the responsibility of a „self-proclaimed artist“ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses.“ Keith Haring

| 59 Prints & Multiples

| 60 3681* 3682 3683* KEITH HARING KEITH HARING KEITH HARING (Reading 1958 - 1990 New York) (Reading 1958 - 1990 New York) (Reading 1958 - 1990 New York) Pop Shop Quad III. 1989. Untitled. 1985. Untitled. 1989. Colour screenprint. 12/75. With the stamp and Colour screenprint. 121/150. Signed and Colour screenprint on canvas. 20/60. the confirmation of authenticity by the Keith dated in pencil in the lower right margin: Signed in felt-tip pen on the label on the Haring Estate on the reverse, also signed by K. Haring 85. Image 53.6 x 73.8 cm on reverse and with the artist‘s signet: Julia Gruen, Executer of the Keith Haring Es- wove paper 60 x 80 cm. K. Haring. Size 20 x 20 cm. tate. Sheet size 68.5 x 83.5 cm on wove paper. Printed by Durham Press, Pennsylvania. Provenance: Provenance: - Gallery Robert Fontaine, Miami. - Barrington Gallery, London. Provenance: - Purchased from the above by the pre- - Purchased from the above by the pre- - Martin Lawrence Limited Editions, USA. sent owner, since then privately owned sent owner in 1996, since then private - Purchased from the above by the pre- Switzerland. collection Southern Germany. sent owner in 1996, since then private collection Southern Germany. Catalogue raisonné: Littmann, p. 50. Catalogue raisonné: Littmann, p. 153.

Catalogue raisonné: Littmann, p. 142. CHF 18 000 / 24 000 CHF 12 000 / 18 000 (€ 15 000 / 20 000) (€ 10 000 / 15 000) CHF 8 000 / 12 000 (€ 6 670 / 10 000) Prints & Multiples

3684* KEITH HARING (Reading 1958 - 1990 New York) Statue of Liberty. 1986. Colour screenprint. H.C. 4/10, hors commerce outside the edition of 100. Signed and dated in pencil in the right margin: K. Haring ‚86. Image 91.1 x 66 cm on wove paper 96.3 x 71.6 cm. Printed by Rupert Jasen Smith (with the blindstamp).

Provenance: helped him to process his thoughts and theme of his own sexuality and repeatedly - Martin Lawrence Limited Editions, USA. ideas. In 1981 Haring exhibited on his own seized on art as a life-giving power. Having - Purchased from the above by the pre- for the first time at the Wesbeth Painters been diagnosed with AIDS in 1988, in the sent owner in 1996, since then private Space and in 1982 there was a solo show following year he set up the Keith Haring collection Southern Germany. at the Tony Shafrazi Gallery in New York. At Foundation, which gave financing and art the same time, he took part in Documenta material to AIDS Organisations as well Catalogue raisonné: Littmann, p. 63. 7 in Kassel, the Sao Paulo Biennale and the as initiating programs for children. He Whitney Biennale. also devoted himself to broadening his Keith Haring was born in Reading, Penn- audience with exhibitions, publications and sylvania in 1958 and learned to draw at an The highest recognition value goes to the licensing of his paintings. He used many early age. Through his father, an engineer pictograms, with which Haring’s oeuvre is of his late works for AIDS awareness. His and amateur caricaturist, he soon disco- associated, and which he filled with his ty- paintings campaigned against AIDS for vered a fondness for cartoons. He quickly pical style. With the use only of the line, he UNICEF, against Apartheid in South Africa, cut short his studies at the Ivy School of developed and imagined everything from against illiteracy and drug abuse. Time and Professional Art in Pittsburgh, as he did the individual details of the figures to the again children were at the centre of his not want to pursue a career as a commer- large narrative cycles. His figures, rende- endeavours. cial graphic artist. By then certain that he red in a lively and striking range of colours, The conscious and targeted marketing of wanted to devote himself entirely to his appear if anything humorous, cute and his art with merchandise which was sold in art, he moved to New York in 1978 and en- smart and are reduced to a pithy essential his Pop Shops first in New York and Tokyo, rolled at the School for Visual Arts. In New gesture. furthered the worldwide popularity and dif- York Haring encountered a flourishing art fusion of his style. The oeuvre which Keith scene, and through his studies he became His artistic messages were above all the Haring left behind with his death at the age familiar with the works of Andy Warhol, testimony of a generation that symbolised of just 31 is as extensive as it is diverse. It Jean Dubuffet, Stuart David, Kenny Scharf, for many the America of the 1980s. For includes paintings, drawings, sculptures, Jackson Pollock, Paul Klee, Mark Tobey and with the simplest pictorial motifs Keith murals and stage sets, painted objects others. Although in his studies he experi- Haring reacted and confronted his epoch and countless temporary works as well as mented with performance art, video and directly and reflected it: in the motif of the T-shirt motifs and posters. other media, drawing remained his primary figure surrounded with rays (Lot 3679 or medium. In the early 1980s he used the Lot 3682), the dog with rays, the UFOs, CHF 30 000 / 40 000 blackboards in the subway in order to draw cultural symbols of the USA, as well the (€ 25 000 / 33 330) ceaselessly. These “Subway drawings” many drawings in which he centred on the

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Prints & Multiples

3685* 3686 EDUARDO CHILLIDA GÜNTHER UECKER (1924 San Sebastián/Spain 2002) (Wendorf 1930 - lives and works in Düssel- Burni Bizitu II. 1971. dorf and St. Gallen) Etching. 36/50. Signed in pencil lower right: Untitled. 1992. Chillida, also with the artist‘s signet. Print with embossing. e/a, artist‘s proof Image 21 x 26.8 cm on Japan paper on outside an edition of 75. Signed and dated Arches wove paper (with the watermark) lower right in pencil: Uecker 92. Image 68 x 56.5 cm. Published by Maeght Éditeur, 87 x 58 cm on wove paper 112 x 79 cm. Paris. Printed by Arte, Paris. CHF 3 000 / 5 000 Catalogue raisonné: Van der Koelen, (€ 2 500 / 4 170) no. 71012.

CHF 1 200 / 1 800 (€ 1 000 / 1 500)

| 64 3687* GÜNTHER UECKER (Wendorf 1930 - lives and works in Düssel- dorf and St. Gallen) Permutation. 1983. Embossing print on wove paper. 26/75. Signed and dated in pencil lower right: Uecker 83, as well as titled in the lower centre: Permutation. Sheet size 33 x 28 cm.

CHF 1 800 / 2 400 (€ 1 500 / 2 000)

3688* ENRICO CASTELLANI (Castelmassa 1930 - 2017 Viterbo) Untitled. 1992. Print with embossing. XXVIII/XXX. Signed and dated in pencil lower right: Castellani 92. Image 44.5 x 70 cm on firm wove paper 64 x 90.5 cm.

CHF 3 800 / 4 400 (€ 3 170 / 3 670)

| 65 Prints & Multiples

3689* 3690 JOHN M. ARMLEDER FRANÇOIS MORELLET (Geneva 1948 - lives and works in Geneva) (1926 Cholet 2016) Untitled. 1987. Striptyque. 2007. Screenprint. 29/30. Signed and dated on Colour screenprint. 7/60. Signed and da- the reverse: Armleder 1987. Sheet size ted with pencil lower right: Morellet 2007. 71 x 182 cm on wove paper. Image 25 x 74.5 cm on wove paper 35 x 85 cm. CHF 500 / 700 (€ 420 / 580) CHF 1 000 / 1 500 (€ 830 / 1 250)

| 66 3691 OLIVIER MOSSET (Bern 1944 - lives and works in Tucson) Untitled. Lithograph. 5/30. Signed in pencil on the reverse: Mosset. Sheet size 1 18.5 x 45.5 cm on wove paper.

CHF 1 000 / 1 500 (€ 830 / 1 250)

| 67 Prints & Multiples

3692* JIM KEMPNER (1955 - lives and works in New York) Sell the fucking Christopher Wool. 2014. Colour screenprint. 19/80. Monogrammed with pencil on the reverse: JK. Sheet size 102 x 71 cm on wove paper.

CHF 1 500 / 2 000 (€ 1 250 / 1 670)

| 68 3693 SARAH MORRIS (Sevenoaks 1967 - lives and works in New York and London) Black Beetle (Origami). 2008. Colour screenprint. 8/60. Signed, dated, titeld and numbered with pencil on the reverse: Sarah Morris 2008 „BLACK BEET- LE“ 8/6. Sheet size 59.8 x 59.8 cm on firm Arches wove paper. Published by Fondati- on Beyeler, Riehen.

With the confirmation of authenticity by Fondation Beyeler, Riehen, August 2008.

CHF 800 / 1 200 (€ 670 / 1 000)

3694 SOL LEWITT (Hartford 1928 - 2007 New York) Arcs and bands in colour. 1999. Colour screenprint. 39/50. Signed lower right in pencil: Lewitt. Image 73.6 x 89.5 cm on Arches wove paper 78.4 x 94 cm. Pub- lished by Fondation Beyeler, Basel. Printed by Watanabe Studio, New York.

Catalogue raisonné: Online catalogue raisonné, no. 1999.08.

CHF 2 000 / 3 000 (€ 1 670 / 2 500)

| 69 Prints & Multiples

3695* DONALD SULTAN (Asheville/North Carolina 1951 - lives and works in New York) Blue and Black. 2017. Colour screenprint and flock print. 17/50. Signed, titled and dated in pencil in the left margin: Blue and Black feb 10 2017 Sultan. Image 72 x 72 cm on firm wove paper 81.5 x 81.5 cm. Verso with the stamp: © 2017 DONALD SULTAN LOCOCO FINE ART PUBLISHER.

CHF 1 500 / 2 500 (€ 1 250 / 2 080)

3696* DONALD SULTAN (Asheville/North Carolina 1951 - lives and works in New York) Blue and White. 2017. Colour screenprint and flock print. 17/50. Signed, titled and dated in pencil in the left margin: Blue and White feb 10 2017 Sultan. Image 72 x 72 cm on firm wove paper 81.5 x 81.5 cm. Verso with the stamp: © 2017 DONALD SULTAN LOCOCO FINE ART PUBLISHER.

CHF 1 500 / 2 500 (€ 1 250 / 2 080)

| 70 3697 TOM WESSELMANN (Cincinnati/Ohio 1931 - 2004 New York) Seascape (Foot). 1968. Colour screenprint. 15/150. Signed and dated in pencil lower right: Wesselmann 68. Image 46 x 45.7 cm on firm wove paper 59.8 x 59.8 cm. From the portfolio „Edition 68“.

Provenance: - RoGallery, Long Island City. - Purchased from the above by the present owner, since then private collection Switzerland.

CHF 8 000 / 12 000 (€ 6 670 / 10 000)

| 71 Prints & Multiples

3698* FRANZ GERTSCH (Mörigen 1930 - lives and works in Rüschegg) Silvia II. 2015. Colour offset. 8/60. Signed in pencil lower left: Franz Gertsch. Image 52 x 50.5 cm on Hahnemühle wove paper 64 x 72.5 cm. Published by Museum Kurhaus Kleve (with the blindstamp). After the painting, dated 2000.

CHF 500 / 600 (€ 420 / 500)

3699* PETER PHILLIPS (Birmingham 1939 - lives and works in Mallorca) Untitled. 2014. Colour screenprint. 92/100. Signed in pencil lower right: Peter Phillips 2014. Image 50.8 x 81.5 cm on wove paper 58.5 x 89.5 cm.

CHF 1 000 / 1 500 (€ 830 / 1 250)

| 72 3700 GEORG BASELITZ (Grossbaselitz 1938 - lives and works in Munich) 3 sheets.: Elke - wife. 2003. Lot of 3 etchings with colour monotype. Each signed in pencil lower right: G. Baselitz, also dated lower left: 14./16./17. VI. 03 as well as numbered lower centre: 8/12/25. Image 32.8 x 24.5 cm on wove paper 74.5 x 57 cm.

Provenance: - Galerie Sabine Knust, Munich. - Purchased from the above in 2004 by the present owner, since then private collection Switzerland.

CHF 8 000 / 12 000 (€ 6 670 / 10 000)

| 73 Prints & Multiples

3701* FRANZ GERTSCH (Mörigen 1930 - lives and works in Rüschegg) Dominique. 1988. Woodcut in colour. 7/18. Signed in pencil on the reverse: Franz Gertsch. Image 234 x 181 cm on Japan paper by Heizo- buro 275 x 219 cm. Published by the artist and Turske & Turske, Zurich. Printed by the artist and Nik Hausmann.

Provenance: - Artist‘s studio. - Purchased directly from the artist by the present owner, since then private collection Southern Germany.

Catalogue raisonné: Mason, no. 8c.

Literature: Munich 1991, p. 115). The priming helps the motif is not reversed on the block, in - Exh.cat.: Franz Gertsch. Holzschnitte. the artist to check the cut work more “Dominique” he cut the block so that so Aus der Natur gerissen, Museum Sinclair- easily. In addition, the repeatedly projected that the image would be reversed (as it Haus, Bad Homburg, 10 March - 26 May photograph, which serves as basis for the typical in woodcuts) and limited himself to 2013, no. 8 (different copy). composition, is an aid to orientation and one block. - Exh.cat.: Franz Gertsch. Holzschnitte und serves as a control during the creative Malerie auf Papier, Kunstmuseum Bern, process, since Gertsch does not make Franz Gertsch has a clear scheme in his September/November 1994 (different proof prints while he is cutting the block. portraits: they are always frontal head and copy). Only when the entire woodcut is ready shoulders portraits of women. They are does the printing process begin. For this striking for their incredible detail and mo- With his monumental woodcuts, the Swiss to happen, the prepared printing block is numental scale. “As we see from up close, artist Franz Gertsch is one of the most placed horizontally, covered evenly with Gertsch has developed a structure made important and influential graphic artists of pigment widthways, protected with sup- from millimetre-sized strokes, which exist the second half of the 20th century. „The porting boards around the block, and then in a dense sequence on the homogenous intention with the woodcuts was from the the paper to be printed is rolled out. Using surface. Seen in detail, a clear relationship beginning to fulfil an old dream – that of a strong convex lens (instead of a folding emerges between the juxtaposed light a realistic monochrome picture“ (quote tool) the rubbing begins, for which usually and dark surfaces. From a distance, on the Franz Gertsch, in: Exh. Cat.: Franz Gertsch. four people are required, and who change other hand, and the size of his woodcuts Franz Gertsch. Holzschnitte und Malerei their position regularly in order to ensure inevitably calls for this, the individual points auf Papier Kunstmuseum Bern, Septem- that the paper is rubbed evenly. Each print of light are condensed into a luminosity, ber – November 1994, p. 56.). In 1986 he is done by hand. While it can take up to which in contrast to the coloured, darker decided to devote himself exclusively to half a year to prepare a printing block, the parts are seen as illuminations of the the woodcut. At the same time, he did not well-rehearsed team can take around a object.” (quote. Helmut Friedel, in: ibid. p. wish to eschew the large format, which he day to print one large sheet. The paper is 115). was accustomed to using in his paintings, custom-made handmade paper, which In addition to the way the light is directed, and therefore faced the challenge of first Gertsch sources from Iwano Heizoburo the expression of the sitter represents a adapting the technical process of the in Japan; the colour pigments used also challenge, as Gertsch himself explains: “As woodcut to this format. come from Japan. Each motif is printed in soon as you photograph a girl, or a young different pigments, which are carefully se- woman, she wants to portray herself, use He primes his grained block, places it lected by the artist and with their sequen- her charm somehow. It is the task of pho- vertically and starts to puncture it with ces of colour and luminosity establish the tography to disrupt that. They just have to different hollow rods. As he himself says, basis of a pictorial idea. be, just look. My ambition is to depict the he thus draws out the light surfaces; then In both the paintings as well as the wood- essence of things.” (quote Franz Gertsch, later the shadow surfaces are printed. cuts Gertsch devotes himself exclusively ibid p. 32) Depending on the arrangement and to the traditional motifs of portrait and intensity of the cut points and strokes, he landscape, in that even the portraits CHF 120 000 / 180 000 creates different degrees and intensity contain a concept of landscape. When (€ 100 000 / 150 000) of light; “he builds up a system of dra- he decided to make only woodcuts, he wing through contrasts of light and dark” first devoted himself to portraits. While in (quote. Helmut Fiedel, in: Mason, Rainer “Natascha” he experimented with different Michael: Franz Gertsch. Holzschnitte, blocks and also different colours, and

| 74

Prints & Multiples

3702* 3703* 3704* FRANZ GERTSCH FRANZ GERTSCH FRANZ GERTSCH (Mörigen 1930 - lives and works in (Mörigen 1930 - lives and works in (Mörigen 1930 - lives and works in Rüschegg) Rüschegg) Rüschegg) Gelber Enzian (olive). 2003. Gelber Enzian (sepia). 2003. Gelber Enzian (vermilon). 2003. Coloured woodcut. 10/14. Signed in pencil Coloured woodcut. II/V. Signed in pencil Coloured woodcut. 10/14. Signed in pencil lower right: Franz Gertsch. Image lower right: Franz Gertsch. Image lower right: Franz Gertsch. Image 69.5 x 56 cm on Kumohadamshi Japan 69.5 x 56 cm on Kumohadamshi Japan 69.5 x 56 cm on Kumohadamshi Japan paper by Heizoburo 89 x 72 cm. paper by Heizoburo 89 x 72 cm. paper by Heizoburo 89 x 72 cm.

Provenance: Purchsed directly from the Provenance: Purchsed directly from the Provenance: Purchsed directly from the artist by the present owner, since then artist by the present owner, since then artist by the present owner, since then privately owned Germany. privately owned Germany. privately owned Germany.

Catalogue raisonné: No longer in Mason. Catalogue raisonné: No longer in Mason. Catalogue raisonné: No longer in Mason.

CHF 4 000 / 6 000 CHF 4 000 / 6 000 CHF 4 000 / 6 000 (€ 3 330 / 5 000) (€ 3 330 / 5 000) (€ 3 330 / 5 000)

| 76

Prints & Multiples

3705* 3706* JULIAN SCHNABEL JULIAN SCHNABEL (New York 1959 - lives and works in New York) (New York 1959 - lives and works in New York) Bill (After Short Silence Then). 1998. Bandini (His Foe Pursued). 1998. Colour lithograph and poured resin completed Colour lithograph and poured resin completed with screenprint. 3/3, p.p., printer‘s proof outside with screenprint. VIII/IX, A.P., artist‘s proof out- the edition of 90. Signed and dated lower right: side the edition of 90. Signed and dated lower Schnabel 98. Sheet size 115 x 91 cm on 4-Ply right: Julian Schnabel 98. Sheet size 115 x 91 cm Museum Board. Published by Lococo-Mulder, on 4-Ply Museum Board. Published by Lococo- St. Louis. Mulder, St. Louis. From the series „View of Dawn in the Tropics“. From the series „View of Dawn in the Tropics“.

CHF 5 000 / 7 000 CHF 5 000 / 7 000 (€ 4 170 / 5 830) (€ 4 170 / 5 830)

| 78 3707* 3708* JULIAN SCHNABEL JULIAN SCHNABEL (New York 1959 - lives and works in New York) (New York 1959 - lives and works in New York) Allen (Cordial Love). 1998. Guiseppe (Brooding on the vast Abyss). 1998. Colour lithograph and poured resin completed Colour lithograph and poured resin completed with screenprint. 13/90. Signed and dated lower with screenprint. 1/6. H.C., hors commerce left: Julian Schnabel 98. Sheet size 115 x 91 cm outside the edition of 90. Signed and dated on 4-Ply Museum Board. Published by Lococo- lower right: Julian Schnabel 98. Sheet size Mulder, St. Louis. 115 x 91 cm on 4-Ply Museum Board. Published From the series „View of Dawn in the Tropics“. by Lococo-Mulder, St. Louis. From the series „View of Dawn in the Tropics“. CHF 5 000 / 7 000 (€ 4 170 / 5 830) CHF 5 000 / 7 000 (€ 4 170 / 5 830)

| 79 Prints & Multiples

3709* NEO RAUCH (Leipzig 1960 - lives and works in Leipzig) Ankunft. 1997. Since the beginning of the 1990s, Neo heavy, muted colouring with odd individual Colour screenprint. e.a., artist‘s proof out- Rauch, whose roots are clearly recog- figurative pieces, which do not tell a linear side the edition of 25. Signed and dated nisable as those of the realistic pictorial story. Rather, each individual pictorial ele- in pencil lower right: Rauch 97, as well as language of Leipzig, has created his own ment seems to bring its own story into the described lower centre: erwartung. Sheet cosmos in his pictures. In surreal colla- picture, which, through the contrasts they size 70 x 100 cm on firm wove paper. ges he leads the viewer into a strange produce, open up a new mystical context. Printed by Tauer Druck, Markkleeberg. dream world in an idiosyncratic colour environment. He is a narrator with a wilful The graphic art in Rauch’s oeuvre repre- Provenance: Private collection Rhineland. iconography, who draws on historical and sents a technique which is equal to pain- art historical references in his motifs, for ting and is of a high artistic standard. The Catalogue raisonné: Grafikstiftung Neo example socialist art as well as everyday importance which the artist attaches to his Rauch, p. 76. motifs. Thus, Rauch acknowledges the graphic work is shown in the establishment influence of comic strips and especially of the Grafikstiftung Neo Rauch 2012 in Neo Rauch, born in Leipzig in 1960, is a MOSAIC books by Hannes Hegenen as Aschersleben (Graphic art foundation), its tightrope walker between worlds, between being an enduring source of inspiration mission being the care and preservation abstraction and figuration, narration and for the colour and compositional deve- as well as “comprehensive and selective concealment, mythology and reality. “I am lopment of his pictures. The structure of presentation” of his graphic work. All 65 of quite clear with myself, that I operate in the pictorial composition as well as the his printed works are archived here, as will the borderlands, where it is precipitous, motivic design of fantastic parallel worlds be all work in the future. and danger lurks, to lose myself in story- find a correspondence in his paintings telling,” Neo Rauch explains. “But the artist and his printed works. In the colour silk CHF 10 000 / 20 000 has to do that: to engage with danger. screens offered here, “Ankunft”(arrival) (€ 8 330 / 16 670) Modernity as a final state and a class goal: and “Zufahrt”(access) the characteristic that is a German misunderstanding.“ features of Rauch’s work come together: a

| 80 3710* NEO RAUCH (Leipzig 1960 - lives and works in Leipzig) Zufahrt. 1997. Colour screenprint. e.a., artist‘s proof outside the edition of 25. Signed and dated in pencil lower right: Rauch 97, as well as titled lower centre: Zufahrt. Sheet size 70 x 100 cm on firm wove paper. Printed by Tauer Druck, Markkleeberg.

Provenance: Private collection Rhineland.

Catalogue raisonné: Grafikstifung Neo Rauch, p. 80.

CHF 15 000 / 25 000 (€ 12 500 / 20 830)

| 81 Prints & Multiples

3711* 3712* ANDY WARHOL VLADIMIR DUBOSSARSKY & (Pittsburgh 1928 - 1987 New York) ALEXANDER VINOGRADOV Saint Apollonia. 1984. (Moscow 1964 - lives and works in Moscow Colour screenprint. 182/250. Signed in /Moscow 1963 - lives and works in chalk lower left: Andy Warhol, also with Moscow) the stamp on the reverse: © Andy Warhol Blue Beetle. 2004. 1984. Sheet size 76 x 55.8 cm on Essex Colour lithograph, completed with Offset Kid Finish wove paper. Published screenprint. Unique. Titled, signed and by Dr. Frank Braun, Düsseldorf. Printed by dated in pencil lower right: „Blue Beetle“ Rupert Jasen Smith, New York. Dubossarsky Vinogradov 2004, as well as From the 4-part portfolio. inscribed lower left: unique. Image 86.2 x 67.4 cm on Fabriano wove paper Catalogue raisonné: Feldman/Schellmann, (with the watermark) 70 x 100 cm. no. II.330. Provenance: CHF 2 500 / 3 500 - Galerie Burkhard Eikelmann, Düsseldorf. (€ 2 080 / 2 920) - Purchased at the above, since then private collection Germany.

CHF 2 200 / 2 800 (€ 1 830 / 2 330)

| 82 3713* VLADIMIR DUBOSSARSKY & ALEXANDER VINOGRADOV (Moscow 1964 - lives and works in Moscow /Moscow 1963 - lives and works in Moscow) Barbie. 2004. Colour lithograph, completed with screenprint. Unique. Signed and dated in pencil lower right: „Barbie“ 2004, as well as with the inscription lower left: unique. Image 67.1 x 89.5 cm on Fabriano wove paper (with the watermark) 70 x 100 cm.

Provenance: - Galerie Burkhard Eikelmann, Düsseldorf. - Purchased at the above, since then private collection Germany.

CHF 2 200 / 2 800 (€ 1 830 / 2 330)

| 83 Prints & Multiples

3714 ANDY WARHOL (Pittsburgh 1928 - 1987 New York) Northwest Coast Mask. 1986. Colour screenprint. 234/250. Signed in pencil lower right: Andy Warhol. Sheet size 91.4 x 91.4 cm on Lenox Museum Board. Published by Gaultney, Klineman Art, New York (with the stamp on the reverse). Printed by Rupert Jasen Smith, New York (with the blindstamp). From the 10-part portfolio „Cowboys and Indians“.

Provenance: - RoGallery, Long Island City. - Purchased from the above by the present owner, since then private collection Switzerland.

Catalogue raisonné: Feldman/Schellmann, no. II.380.

CHF 15 000 / 20 000 (€ 12 500 / 16 670)

| 84 “The idea is not to live forever; it is to create something that will.” Andy Warhol Prints & Multiples

3715* MEL RAMOS (Sacramento 1935 - lives and works in Oakland and Horta de San Juan) Devil Doll. 1997. Colour lithograph. 136/200. Signed lower right in pencil: Mel Ramos. Image 52 x 46 cm on wove paper (with watermark) 73 x 57 cm. Published by Galerie Ernst Hilger, Vienna. Printed by Carini, S. Giovanni Valdarno, Italy (with the blindstamp).

Catalogue raisonné: Hilger, p. 56.

CHF 1 000 / 1 500 (€ 830 / 1 250)

3716* MEL RAMOS (Sacramento 1935 - lives and works in Oakland and Horta de San Juan) Phantom Lady. 1989. Colour screenprint. 41/100. Signed in pencil lower right: Mel Ramos. Image 77 x 61 cm on wove paper 95 x 76 cm. Published by Robert Bane Editions, Beverly Hills (with the stamp). Printed by Accent Studio (with the blindstamp). Also with the stamp: @DC Comics.

Catalogue raisonné: Hilger, no. 95.

CHF 1 500 / 2 000 (€ 1 250 / 1 670)

3717* MEL RAMOS (Sacramento 1935 - lives and works in Oakland and Horta de San Juan) Wonder Woman # 3. 2010. Colour screenprint. 35/199. Signed in pencil lower right: Mel Ramos. Image 69 x 55.5 cm on wove paper (with watermark) 92 x 75 cm. Published by Galerie Ernst Hilger, Vienna. Printed by Carini, S. Giovanni Valdarno, Italy (with the blindstamp).

Catalogue raisonné: Hilger, p. 140.

CHF 2 000 / 2 500 (€ 1 670 / 2 080)

| 86 „I make sure that my pictures are not too erotic and that they always have a trace of humor. I make sure they are ´in good taste ´. Either you understand it or not.“ Mel Ramos Prints & Multiples

3718* MEL RAMOS (Sacramento 1935 - lives and works in Oakland and Horta de San Juan) Mobilcom - FC St. Pauli. 2003. Colour offset lithgraph. 217/400. Signed in pencil lower right: Mel Ramos. Image 53.8 x 47.4 cm on wove paper 63.5 x 55.7 cm.

Catalogue raisonné: No longer in Hilger.

CHF 700 / 800 (€ 580 / 670)

3719* MEL RAMOS (Sacramento 1935 - lives and works in Oakland and Horta de San Juan) Mobilcom - FC St. Pauli. 2003. Colour offset lithograph. 217/400. Signed in pencil lower right: Mel Ramos. Image 56.5 x 45.5 cm on wove paper 66 x 53 cm.

Catalogue raisonné: No longer in Hilger.

CHF 700 / 800 (€ 580 / 670)

| 88 3720* MEL RAMOS (Sacramento 1935 - lives and works in Oakland and Horta de San Juan) Giant Panda. 2012. Colour screenprint. 13/199. Signed in pencil lower right: Mel Ramos. Image 65 x 73 cm on wove paper 88 x 100.5 cm. Published by Galerie Ernst Hilger, Vienna. Printed by Carini, S. Giovanni Valdarno, Italy (with the blindstamp).

Catalogue raisonné: Hilger, p. 154.

CHF 2 000 / 2 500 (€ 1 670 / 2 080)

3721* MEL RAMOS (Sacramento 1935 - lives and works in Oakland and Horta de San Juan) The Rounder. 1999. Colour screenprint. 60/199. Signed in pencil lower right: Mel Ramos. Image 92 x 49 cm on wove paper 109.5 x 63 cm. Published by Galerie Ernst Hilger, Vienna. Printed by Carini, S. Giovanni, Italy (with the blindstamp).

Catalogue raisonné: Hilger, p. 76.

CHF 1 000 / 1 500 (€ 830 / 1 250)

| 89 Prints & Multiples

3722* ALEX KATZ (New York 1927 - lives and works in New York and Maine) Christy. 2010. Aquatint. 58/120. Sheet size 24.5 x 35.3 cm on wove paper. Published by Museum Kurhaus Kleve. Printed by Christopher T. Creyts, Collaborative Art Editions, Temple Terrace.

Catalogue raisonné: Schröder, no. 466.

CHF 900 / 1 200 (€ 750 / 1 000)

3723* MICHELANGELO PISTOLETTO (Biella 1933 - lives and works in Turin) S.P. 2009. Colour screenprint on SuperMirror steel. 67/100. Signed with felt-tip pen on the reverse: Pistoletto. Measurements 30 x 50 cm. Published by Citadellarte, Biella. Printed by Arte3, Milan. In original wrapping with the title and the imprint.

CHF 2 000 / 3 000 (€ 1 670 / 2 500)

| 90 3724* ALEX KATZ (New York 1927 - lives and works in New York and Maine) Standing Ada. 1988. Color screenprint on cutout aluminium. 49/75. With the incised signature on the base: Alex Katz. Size 165 x 25.5 x 0.4 cm. Published and printed by Styria Studio, New York. Cutout by Bernard Manherz, New York.

Catalogue raisonné: Schröder, no. 216.

CHF 14 000 / 22 000 (€ 11 670 / 18 330) Prints & Multiples

3725* RICHARD PETTIBON (Tucson 1957 - lives and works in New York) We are drawn in vowel by vowel into a gradual absorption of a unique poetic message. 1992. Colour aquatint. 34/80. Signed in pencil lower right: Raymond Pettibon. Image 39.5 x 32 cm on Arches on wove paper (with the watermark) 66 x 50.5 cm.

CHF 1 200 / 1 600 (€ 1 000 / 1 330)

3726* MARLENE DUMAS (Cape Town 1953 - lives and works in Amsterdam) Schets voor een monument van vrede. 1993. Lithograph. 8/60. Signed and dated in pencil lower left: M Dumas 1993, also titled upper right: Sketch for a monument of peace. Image 17.5 x 15.2 cm on wove paper 22 x 20.3 cm.

CHF 500 / 600 (€ 420 / 500)

| 92 3727* RAYMOND PETTIBON (Tucson 1957 - lives and works in New York) Plots on loan. 2001. Book with 72 pages with lithographs and a text by Raymond Pettibon. 18/250. Signed with pencil in the imprint: Raymond Petti- bon. Book size 49.3 x 36.7 cm on Somerset wove paper. Published by the artist, Brooke Alexander Editions, New York, and David Zwirner, New York.

CHF 5 000 / 7 000 (€ 4 170 / 5 830)

| 93 Prints & Multiples

3728 PORTFOLIO Kunstraum Walcheturm. 2007. Portfolio with 6 Epson Ultachrome Inkjet Prints by Urs Fischer „Joseph“, Peter Fischli/David Weiss „Fotografias“, Lori Hersberger „Herbst 2064“, David Renggli „Das Ende einer Garderobe“, Ugo Ron- dinone „lines out to silence“, Costa Vece „Bread Heads“, summary and introduction in German to the Kunstverein Walcheturm, as well as with an introduction to the Edi- tion Kunstverein Walcheturm 2007/2008. 16/40. Each signed and numbered by the respective artist on a label. Each 42 x 29.7 cm on Epson photo paper. Each sheet in a protective sleeve. Publis- hed and printed by Kunstverein Walche- turm. Complete.

Provenance: Private collection Switzerland.

CHF 2 500 / 3 500 (€ 2 080 / 2 920)

3729 ED RUSCHA (Omaha/Nebraska 1937 - lives and works in Culver City) Anchor. 1991. Colour lithograph. 61/100. Signed and dated in pencil lower right: Ed Ruscha 91. Sheet size 53.5 x 81.4 cm on wove paper. Published by Paris Review. Printed by Ha- milton Press, Venice, California.

Catalogue raisonné: Engberg, no. 213.

CHF 1 000 / 1 500 (€ 830 / 1 250)

| 94 3730* MARKUS LÜPERTZ (Reichenberg 1941 - lives and works in Düsseldorf) Untitled. Colour woodcut. From an unknown edition. Monogrammed lower right in pencil: ML, also dedicated lower centre: zum 60ten.... Sheet size 60.5 x 87.5 cm on wove paper.

Catalogue raisonné: No longer in Schmidt/Gohr/Hofmaier.

CHF 1 200 / 1 800 (€ 1 000 / 1 500)

3731 TAKASHI MURAKAMI (Tokyo 1962 - lives and works in Japan) Jelly fish Eyes - Black 4. 2006. Colour offset lithograph. 121/300. Signed lower right with felt tip pen: Murakami. As well as with the copyright stamp lower centre. Sheet size 50 x 50 cm on smooth paper.

CHF 500 / 700 (€ 420 / 580)

| 95 Prints & Multiples

3732 MIGUEL BERROCAL (Villanueva de Algaidas 1933 - 2006 Ante- quera) Solidarity (Opus 140 bis). 1995. Multiple. Bronze on steel base. 415/500. With the incised and with the printed sig- natures: Berrocal. Height 13.5 cm (incl. base).

We thank the Fundación Escultor Berrocal, Málaga, for their scientifical advice.

CHF 800 / 1 200 (€ 670 / 1 000)

3733 MIGUEL BERROCAL (Villanueva de Algaidas 1933 - 2006 Ante- quera) Caballo Casinaide (Opus 170). 1978-79. Bronze, ensemble of 22 individual pieces. 812/2000. With the incised signature on the base: © Berrocal. Height 38 cm.

We thank the Fundación Escultor Berrocal, Málaga, for their scientifical advice.

CHF 1 200 / 1 800 (€ 1 000 / 1 500)

| 96 3734 ARMAN (ARMAND PIERRE FERNANDEZ) (Nice 1928 - 2005 New York) Pizzaiola. 2004. Bronze. 64/99. With the incised signature on the marble base: Arman. Height 70 cm (incl. base). Published by Trewell, Great Britain. Casted by Fusions, Charbonnières les Vieilles, France.

This work is recorded in the Fondation A.R.M.A.N, Geneva, under the number: MUL-I-75 (with the photo expertise).

Catalogue raisonné: Durand-Ruel, no. 75.

Provenance: Private collection Ticino.

CHF 4 000 / 6 000 (€ 3 330 / 5 000)

3735 ARMAN (ARMAND PIERRE FERNANDEZ) (Nice 1928 - 2005 New York) Untitled. 2004. Mixed media, papier-mâché on wood panel. 51/99. Signed lower right: Arman. Size 151 x 101 cm.

This work is recorded in the Arman Studio Archives. New York, under the number: APA#1004.03.001. This work is also recorded in the Denyse Durand-Ruel Archives, Rueil-Malmaison under the number: 9350 (with the photo expertise).

Provenance: Private collection Ticino.

CHF 4 000 / 6 000 (€ 3 330 / 5 000)

| 97 Prints & Multiples

3736* A.R. PENCK (RALF WINKLER) (Dresden 1939 - 2017 Zurich) Flaschenbuch. 1991. Multiple. Painted bottle, crank and paper. 21/30. Signed on the bottle: ar. penck, also numbered: nr 21. Height 33 cm. Published by Edition Klöckner (on the original box with the label). In original box.

CHF 500 / 600 (€ 420 / 500)

3737* FRANZ WEST (1947 Vienna 2012) Artist‘s choice. 2001. Multiple. 1 Liter Rum, 1 Meter Strick and 1 CD. 17/100. On the attached note signed: Franz West, also titled and described: ARTIST‘S CHOICE 1 LITER RUM 1 METER STRICK UND AUS IS‘ MIT DER BLASMU- SIK. FRANZ WEST, 2001. Box size 26.8 x 19.4 x 8.3 cm.Published by MAK ART Edition (with the stamp on the original box). In original box.

CHF 700 / 900 (€ 580 / 750)

| 98 3738* BANSKY Er... (Union Jack Tea Towel). Printed fabric. 290/1000, one of 400 numbered pieces. Titled, numbered and inscribed: Er ... 290/1000 100% UNOFFI- CAL NOT MADE IN ENGLAND. Size 43 x 66.5 cm.

CHF 700 / 900 (€ 580 / 750)

3739* JAMES ROSENQUIST (Grand Forks 1933 - 2017 New York) Brazil. 2013. Colour pigment print. 16/90. Signed lower right with felt tip pen: James Rosenquist. Image 60 x 189 cm on wove paper 72 x 198 cm. With the copyright stamp © by James Rosenquist and Vaga.

CHF 5 000 / 7 000 (€ 4 170 / 5 830)

| 99 Prints & Multiples

3740* YAYOI KUSAMA (Matsumoto 1929 - lives and works in To k y o ) Pumpkin (yellow/black). 2013. Multiple. Resin, painted. From an unkown edition. On the underside with the stamped name and copyright: © Yayoi Kusama. Height 10 cm. In original box.

Provenance: Private collection Hong Kong.

CHF 1 000 / 1 500 (€ 830 / 1 250)

3741* YAYOI KUSAMA (Matsumoto 1929 - lives and works in To k y o ) Pumpkin (red/white). 2013. Multiple. Resin, painted. From an unkown edition. On the underside with the stamped name and copyright: © Yayoi Kusama. Height 10 cm. In original box.

Provenance: Private collection Hong Kong.

CHF 1 000 / 1 500 (€ 830 / 1 250)

| 100 3742* YAYOI KUSAMA (Matsumoto 1929 - lives and works in To k y o ) Pumpkin (yellow/black). Multiple. Resin, painted. From an unknown edition. On the bottom with the stamped name and copyright: © Yayoi Kusama. Height 5 cm. In original box.

Provenance: Private collection Hong Kong.

CHF 500 / 700 (€ 420 / 580)

3743* YAYOI KUSAMA (Matsumoto 1929 - lives and works in To k y o ) Dots Obsession. 2004. Multiple. Silkscreen on a nylon pillow. From an unknown edition. With the printed signature and the copyright on the label: Yayoi Kusama © 2004 Yayoi Kusama, as well as printed: DOTS OBSESSION lamm fromm / Sun Arrow. Height 35 cm.

CHF 800 / 1 000 (€ 670 / 830)

| 101 Prints & Multiples

3744* ERIC FISCHL (New York 1948 - lives and works in New York) 4 sheets: Inner Tube. Woman with dog. Rays. Beach. 1989. Lot of 4 colour aquatints. A.P. 9/15, artist‘s proofs outside the edition of 100. Each signed and dated in pencil lower left or right: Eric Fischl 89. Variable image sizes on wove paper 90 x 137 cm.

CHF 5 000 / 7 000 (€ 4 170 / 5 830)

| 102 3745 PETER FISCHLI & DAVID WEISS (Zurich 1952 - lives and works in Zurich / 1946 Zurich 2012) Untitled (Funghi 20). 1998. Inkjet print. 9/9. Signed and dated on the reverse: Fischli David Weiss 1998. Image 66 x 99.5 cm on Durajetfoil 74 x 107 cm.

Provenance: - Formerly gallery Hauser & Wirth, Zurich. - Purchased from the above, since then private collection Switzerland.

CHF 5 000 / 7 000 (€ 4 170 / 5 830)

| 103 Prints & Multiples

3746* SYLVIE FLEURY (Geneva 1961 - lives and works in Geneva) be amazing. 2003. Multiple. Brass plate with black coloured engraving. 57/100. With the incised signture on the reverse: Sylvie Fleury. Measurements 20 x 30 cm. With original box.

CHF 500 / 600 (€ 420 / 500)

| 104