Paul Greengrass

Total Page:16

File Type:pdf, Size:1020Kb

Paul Greengrass October/November 2018 October/November ChatUp-And-Coming Room 4 The Road To Oscar Directors 27 Series Prequel 4 Lance Acord Paul Greengrass John Hillcoat Chat Room 31 Fall 2018 online.com DIRECTORS Series SHOOT 16 Tamara Jenkins Sam Taylor-Johnson www. Top 10 VFX & Animation Chart 32 Yorgos Lanthimos Jake Scott Malik Vitthal Top 10 Music Summer BTS Photo Contest Tracks Chart 34 Cinematographers & Cameras 12 ©John Platt Photo Winning Prize Grand Winners 30 FOR YOUR CONSIDERATION B E S T P I C T U R E BEST DIRECTOR JOEL COEN & ETHAN COEN “★★★★★ ALTOGETHER INSPIRED, WITH THE SIGNATURE ECCENTRIC, HUMOR ,, AND SOUR-SWEET TANG OF THE COENS BEST WORK. THE TELEGRAPH WINNER VENICE FILM FESTIVAL BEST SCREENPLAY SHOOT MAGAZINE, OCTOBER/NOVEMBER ISSUE, COVER 2 NETFLIX: BALLAD OF BUSTER SCRUGGS PUB DATE: 10/26/18 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” FOR YOUR CONSIDERATION Perspectives B E S T P I C T U R E The Leading Publication For Commercial, Branded Content & Entertainment Production October/November 2018 By Robert Goldrich BEST DIRECTOR Volume 59 • Number 5 spot.com.mentary JOEL COEN & ETHAN COEN www.SHOOTonline.com EDITORIAL Publisher & Editorial Director A Sense Of Purpose Roberta Griefer 203.227.1699 ext. 701 [email protected] Editor Robert Goldrich In this issue’s Directors explained Greengrass. “The far right a young Dominican prostitute living in 203.227.1699 ext 702 [email protected] Series, there’s a sense rhetoric that motivated Breivik needs to Santo Domingo who is selling her body ADVERTISING Digital & Print Rates & Information of profound purpose be combated. His testimony in court was to provide for her family—only Ramirez’s [email protected] among the filmmakers incredibly chilling.” body is failing her. She has a bad heart. 203.227.1699 ext. 701 www.shootonline.com/go/advertise we profiled. Consider director Paul Green- Noting that young viewers might be Elena meets Dr. Mario Garcia, who gives Advertising Production grass’ decision to connect with Netflix, more likely to give 22 July a look-see on her a fighting chance to live via a me- Gerald Giannone [email protected] thus gaining exposure on that platform as Netflix—with the theater option also avail- chanical heart surgery that he and his col- 203.227.1699 ext. 700 well as in theaters for his 22 July, which able—Greengrass explained. “What this leagues can only perform at Montefiore in OFFICES Main Office tells the true story of Norway’s deadliest film deals with are issues that the young the Bronx. This is a story of chance, hope, 606 Post Road East #650 terrorist attack and Westport, CT 06880 USA 203.227.1699 Fax: 203.571.3355 the events that fol- Gaining exposure for this film among young people “figured West lowed. On July 22, heavily in my decision to team with Netflix.” -Paul Greengrass 203.227.1699 ext 702 2011, 77 people were Circulation 203.227.1699 ext 700 [email protected] killed when far-right extremist Anders generation will have to take seriously. courage, friendship, love and generosity. Editorial Production Manager/Custom Reprints Behring Breivik detonated a car bomb They will be on the frontline of this fight While Corazón received Cannes Li- Michael Morgera 203.227.1699 ext. 703 [email protected] in Oslo before traveling to the island for the future of our society. Young people ons plaudits, Hillcoat is most enthused SHOOT Publicity Wire of Utoya to carry out a mass shooting a are our future and so this film gaining ex- over his film’s impact. “The last time I 203.227.1699 ext 700 [email protected] couple of hours later at a leadership camp posure among them figured heavily into checked, the film had initiated 4,000 new © 2018 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered U.S. trademarks. for teens. 22 July focuses in particular on my decision to team with Netflix.” organ donors—that’s equivalent to saving No part of this publication may be reproduced, stored in any one survivor’s journey to recovery—and Meanwhile director John Hillcoat re- or improving 30,000 lives in that one per- retrieval system, or transmitted, in any form or by any means, “ electronic, mechanical, photocopying, recording, or otherwise, in doing so portrays the country’s path to flected on Corazón, his film about organ son can donate eight vital organs,” said without the prior written permission of the publisher. healing and reconciliation. donation for Montefiore hospital out of Hillcoat. “My hope is that the film con- ★★★★★ Print Issues Subscription Service [email protected] “The way our society was going is what agency JohnXHannes, NY. Corazón de- tinues to gain exposure. I’m proud of the Find PDF Versions drew me to this story to begin with,” picts the real-life story of Elena Ramirez, work and what it’s doing.” and order issues ALTOGETHER INSPIRED, backissues.SHOOTonline.com WITH THE SIGNATURE ECCENTRIC HUMOR - , ,, SHOOT (ISSN# 1055-9825) printed edition is published AND SOUR SWEET TANG OF THE COENS BEST WORK. bimonthly for members by DCA Business Media LLC, 606 By Robert Goldrich Post Road East, #650, Westport, CT 06880. Printed periodicals POV THE TELEGRAPH postage paid at Westport, CT and at additional mailing offices. POSTMASTER: Send address changes to SHOOT, P.O. Box 184, Lowell, MA 01853 USPS (06-234) 100 Roofs SHOOT ePubs The SHOOT >e.dition weekly ePub is published on Friday. The SHOOT Dailies are published daily Mon.-Fri. Brand New[s] weekly ePub is published Wednesdays. David Angelo, found- Among the sponsors of the gala—high- seafood, including tuna and sardines, to SHOOT Screenwork published Mondays. er/chairman of agency lighted by a live auction, salsa dancing, both support and sustain the 100Roofs www.shootonline.com/subscribe David&Goliath, is ac- celebrity appearances, and a performance Project volunteers on the ground and the SHOOTmobile Get the SHOOTonline Mobile app customed to success- by Grammy-winning band Oxomatli— Puerto Rico community at large. App Store: iPhone.SHOOTonline.com David Angelo fully working with the were a number of commercialmaking “Our goal is to redefine the model of Google Play: Android.SHOOTonline.com Mobile Web Version: m.SHOOTonline.com production, post and houses spanning production, post, VFX philanthropic marketing,” said Angelo. music communities. But he brought a and music. They included Interrogate, “This is a new paradigm for brands, ce- SHOOT is printed in the U.S.A. new dimension to that collaborative bond Jamm, Arts & Sciences, Bigger Pictures, lebrity influencers, production compa- in his capacity as founder of another or- Therapy Studios, Union Editorial, Hu- nies and non-profits to come together for ganization—Today, I’m Brave which last man, Barking Owl, Fell Visual Effects and a unique kind of cause marketing that SHOOT is a member of: month held its 100Roofs Fundraising Sanctuary Content. effects real change in communities that Gala in Los Angeles. In addition to monetary support, there need it most, in this case Puerto Rico. Hosted by actors/activists Ramon Ro- were several in-kind donations, includ- With 60,000 families living under blue driguez and Rosie Perez, the event raised ing ad placements from Twitter and a tarps instead of roofs a year after Hurri- Follow SHOOT at: more than $500,000 for the nonprofit’s billboard from OUTFRONT Media that cane Maria and Irma devastated Puerto #SHOOTONLINE key initiative for 2018—the 100Roofs went up in Hollywood on the one year an- Rico, we wanted to not only provide an Project to rebuild 100 roofs in Puerto niversary of Hurricanes Maria and Irma immediate solution by rebuilding roofs, Rico by the end of the year. This helps to commemorate and raise funds for the we wanted to provide a sustainable one Front Cover photo credits: First Man, photo by Daniel McFadden/Universal Pictures; BlacKkKlansman, photo by to replenish in part the many homes that hurricane victims. The billboard was by teaching Puerto Ricans the skills to David Lee/Focus Features; The Favourite, photo courtesy were devastated by Hurricanes Irma and supported by donated digital billboards rebuild roofs in their communities. Those of Fox Searchlight Pictures. Paul Greengrass, photo by Erik Aavatsmark/Netflix. Tamara Jenkins, photo by Jojo Maria. Today, I’m Brave is working on the throughout L.A. David&Goliath client are two tangible outcomes that people Whilden/Netflix. Yorgos Lanthimos, photo by Emma Stone. Chat Room pic from Catastrophe, photo courtesy undertaking in tandem with disaster re- Chicken of the Sea International is donat- can rally around and support, and they WINNER of Amazon. lief organization Heart 9/11. ing more than 10,000 cans of shelf stable did, by the hundreds.” VENICE FILM FESTIVAL October/November 2018 SHOOT 3 BEST SCREENPLAY SHOOT MAGAZINE, OCTOBER/NOVEMBER ISSUE, COVER 2 NETFLIX: BALLAD OF BUSTER SCRUGGS PUB DATE: 10/26/18 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” ROAD TO OSCAR PREQUEL DP, Editor and Costume Designer Perspectives Insights into First Man, BlacKkKlansman, The Favourite and Black Panther courtesy Pictures Photo of Universal By Robert Goldrich pictures of Univeersal Daniel McFadden/couresy by Photo Photo courtesy of Fox Searhlight Pictures courtesyPhoto of Fox Features Lee/courtesy of Focus David by Photo In this prequel to SHOOT’s The Road To and is again very much in this awards sea- Damien and I looked into perhaps find- Oscar series which starts next month, we son’s Oscar banter. ing a way to make it feel like this film was tap into voices of experience—Academy Based on the book by James R.
Recommended publications
  • The 26Th Society for Animation Studies Annual Conference Toronto
    Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud.
    [Show full text]
  • Download a Boy and a Brother, Stephen Higgins, Piet, 2008
    A Boy And A Brother, Stephen Higgins, Piet, 2008, 0955693403, 9780955693403, . DOWNLOAD http://bit.ly/1i3RsRI A Snowman Named Just Bob , Mark Kimball Moulton, Aug 1, 1999, Family & Relationships, 32 pages. A snowman comes to life and imparts a message about the importance of friendship.. Doodle Numbers , Taro Gomi, Jan 1, 2010, , 240 pages. Taro Gomi is back with a new addition to his wildly successful series of books on doodles. This time he is making numbers fun with a quirky drawing and activity book that is .... A Royal Wedding , Mark Kimball Moulton, Karen H Good, Feb 15, 2007, , 32 pages. Queen Spider and Sir Fieldmouse find love at the Annual Midsummer Eve Dance in the land just beyond sunrise, where loons sing love ballads, caterpillars tap dance, and shared .... Virtual Apprentice , Gail Karlitz, Jan 1, 2009, , . A Snowgirl Named Just Sue , Mark Kimball Moulton, Karen Hillard Good, Aug 15, 2005, Family & Relationships, 40 pages. A magical change in the weather not only saves Snowman Bob from melting, but also inspires his friends to build a snowgirl to keep him company.. The Princess and the Pea A Traditional Tale, , 1999, Princesses, 32 pages. Flight of Eagles , Jack Higgins, Nov 1, 2011, Brothers, 400 pages. In the early days of World War II, fate pits two brothers--both ace fighter pilots--against each other. Now, the machinery has set in motion an intrigue so devious, so filled .... Princess Tales , Hans Christian Andersen, Charles Perrault, Nov 1, 2007, , 112 pages. Presents four classic fairy tales featuring main characters that are princesses.. The Very Best Pumpkin , Mark Kimball Moulton, Aug 3, 2010, Juvenile Fiction, 32 pages.
    [Show full text]
  • Final Website Delegate List 2017
    Delegate List Updated 27th August 2017 First Name Surname Company Lucy Acfield Guinness World Records Sara Acworth Zeamu Music Patrick Adam The Eggleys Lindsey Adams Daily Madness Productions Rick Adams Rick Adams Productions Folake Adigun Nickelodeon Ivan Agenjo Peekaboo Animation Metsamarja Aittokoski Sun In the Eye Productions Lisa Akhurst DNA Creative Ltd waed al ghabra Sheffield Hallam University Madawi Alahmad University of Sheffield Margret Albers Association for the Promotion of German Milly Ali Timeline Television Shazia Ali Mint Research Ltd Foz Allan Bryncoed Productions Ltd Jo Allen CBBC Ollie Alsop Serious Lunch/Eye Present Vanessa Amberleigh CBeebies Val Ames Kindle Entertainment Xiaomei An The University of Sheffiled Steven Andrew Zodiak Kids Nicola Andrews Keshet International UK Ltd Chris Andrews CA Dev Valentina Andries University of Edinburgh Tom Angell Tom Angell Ltd Laura Annis Blue Zoo Productions Laverne Antrobus Tavistock and Portman NHS Trust Rhodri ap Dyfrig S4C Will Appiah Digital Shoguns Thomas Archibald BT Ben Armstrong BBC Finn Arnesen Hasbro Studios Helen Arntsen Blue Zoo Keith Arrowsmith The Children's Media Conference Nihal Arthanayake BBC Abhi Arya Sandbox Corrina Askin Corrina Askin Films Leigh Aspin BBC Sarah Aspinall Virgin Media Martin Athanasiou I'm Hungry Studios Isabella Atkin Volunteer Tessa Atkins Small Fry Animation Lucy Atkinson BBC Jonathan Attenborough Lost My Name Ros Attille BBC Ami Aubrey The Children's Media Conference Jake Aubrey-Bentley Freelance Lauren Auty Finger Industries Tristan
    [Show full text]
  • Télécharger La Lettre 271 (Pdf)
    janvier 2017 la lettre n° 271 n g i s e D k o p E © e h c i f f a ' l e d e u q i h p a r g n o i t p e c n o C L'AF C p 17 e Micro Salon de l'AFC vendredi 27 eT samedi 28 vou s p résenT e janvier 2017 ses m eilleur s v œux La fémis 6, rue Francœur - Paris 18 e pou r 2 017 ! inscripTion obligaToire e s i e e a u i Films AFC sur les éCrAns > p. 2 ACtivités AFC > p.4 ç q h i n p h a a r s p r r F a g u r miCro sAlon 2017 > p. 6 à 15 FestivAls > p. 16 çà et là > p. 14, 17 à 19 n o e g t o t i o o c t t e h a a r i p i c m in memoriAm > p. 20 à 24 teChnique > p. 25, 37 nos AssoCiés > p. 30 à 36 d a o é l s s n s i e e C d d A internet > p. 37 leCture > p. 38 vie proFessionnelle > p. 39 sur les éCrAns : 3000 nuits de Mai Masri, photographié par Gilles Porte AFC Avec Maisa Abd Elhadi, Nadira Omran, Dictionnaire de traductions de termes techniques du cinéma Raida Adon et de l’audiovisuel Sortie le 4 janvier 2017 [ p. 26 ] Avec le soutien du CNC , de Film France et de la commission Île-de-France Le Cinedico devient une application entièrement installé e sur Le Divan de Staline votre iphone ou ipad ne nécessitant plus de connexion à Internet de Fanny Ardant, photoghraphié par AFC http://www.lecinedico.com / Renaud Personnaz et Renato Berta Avec Gérard Depardieu, Emmanuelle Seigner, Paul Hamy Sortie le 11 janvier 2017 Lumières n°5, esT Toujours disponible Jamais contente d’Emilie Deleuze, photoghraphié par à la venTe, AFC passez commande Jeanne Lapoirie Avec Léna Magnien, Patricia Mazuy, dès mainTenanT ! Philippe Duquesne Sortie le 11 janvier 2017 Des direcTeurs de la La Mécanique de l'ombre phoTographie de Thomas Kruithof, photoghraphié par parlenT de cinéma, Alex Lamarque AFC leur méTier Avec François Cluzet, Denis Podalydès, Sami Bouajila www.cahierslumieres.fr Sortie le 11 janvier 2017 [ p.
    [Show full text]
  • La Técnica Publicitaria Del Product Placement Aplicada Al Género Cinemátográfico De Suspense
    LA TÉCNICA PUBLICITARIA DEL PRODUCT PLACEMENT APLICADA AL GÉNERO CINEMÁTOGRÁFICO DE SUSPENSE. CASO DE ESTUDIO: DAVID FINCHER Grado en Publicidad y Relaciones Públicas Curso 2020 – 2021 María Blanco Torres TRABAJO FIN DE GRADO LA TÉCNICA PUBLICITARIA DEL PRODUCT PLACEMENT APLICADA AL GÉNERO CINEMÁTOGRÁFICO DE SUSPENSE. CASO DE ESTUDIO: DAVID FINCHER Alejandro Buitrago Alonso Segovia, febrero 2021 1 Resumen: En este trabajo de fin de grado se ha realizado un análisis exhaustivo del uso de la técnica del product placement dentro de la filmografía del cineasta David Fincher, concretamente centrándose en su obra asociada al género de suspense. Una vez fijado el objetivo, los motivos por los que se ha elegido este tema y este objeto de estudio son, por una parte, el interés personal acerca de la utilización de esta técnica en el mundo cinematográfico y por otra, la capacidad narrativa de dicho director. Además, Fincher logra emplazar la publicidad de una manera tan sutil que en ocasiones pasa desapercibida. Para esta investigación, primero se ha llevado a cabo una aproximación teórica donde se han recogido los conceptos principales. En este caso han sido el origen del product placement y su importancia, además de su uso y los tipos de emplazamientos que se pueden emplear, y por otro lado se ha analizado la figura de David Fincher, desde sus inicios en la industria cinematográfica hasta sus últimos trabajos, examinando también su cine y su técnica narrativa. Después se ha escogido la metodología de la investigación, que se basa en un análisis exhaustivo de las cinco películas de su filmografía pertenecientes a la categoría de suspense.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • MALIK H. SAYEED Director of Photography
    MALIK H. SAYEED Director of Photography official website COMMERCIALS (partial list) Verizon, Workday ft. Naomi Osaka, IBM, M&Ms, *Beats by Dre, Absolut, Chase, Kellogg’s, Google, Ellen Beauty, Instagram, AT&T, Apple, Adidas, Gap, Old Navy, Bumble, P&G, eBay, Amazon Prime, **Netflix “A Great Day in Hollywood”, Nivea, Spectrum, YouTube, Checkers, Lexus, Dobel, Comcast XFinity, Captain Morgan, ***Nike, Marriott, Chevrolet, Sky Vodka, Cadillac, UNCF, Union Bank, 02, Juicy Couture, Tacori Jewelry, Samsung, Asahi Beer, Duracell, Weight Watchers, Gillette, Timberland, Uniqlo, Lee Jeans, Abreva, GMC, Grey Goose, EA Sports, Kia, Harley Davidson, Gatorade, Burlington, Sunsilk, Versus, Kose, Escada, Mennen, Dolce & Gabbana, Citizen Watches, Aruba Tourism, Texas Instruments, Sunlight, Cover Girl, Clairol, Coppertone, GMC, Reebok, Dockers, Dasani, Smirnoff Ice, Big Red, Budweiser, Nintendo, Jenny Craig, Wild Turkey, Tommy Hilfiger, Fuji, Almay, Anti-Smoking PSA, Sony, Canon, Levi’s, Jaguar, Pepsi, Sears, Coke, Avon, American Express, Snapple, Polaroid, Oxford Insurance, Liberty Mutual, ESPN, Yamaha, Nissan, Miller Lite, Pantene, LG *2021 Emmy Awards Nominee – Outstanding Commercial – Beats by Dre “You Love Me” **2019 Emmy Awards Nominee – Outstanding Commercial ***2017 D&AD Professional Awards Winner – Cinematography for Film Advertising – Nike “Equality” MUSIC VIDEOS (partial list) Arianna Grande, Miley Cyrus & Lana Del Rey, Kanye West feat. Nicki Minaj & Ty Dolla $ign, N.E.R.D. & Rihanna, Jay Z, Charli XCX, Damian Marley, *Beyoncé, Kanye West, Nate Ruess, Kendrick Lamar, Sia, Nicole Scherzinger, Arcade Fire, Bruno Mars, The Weekend, Selena Gomez, **Lana Del Rey, Mariah Carey, Nicki Minaj, Drake, Ciara, Usher, Rihanna, Will I Am, Ne-Yo, LL Cool J, Black Eyed Peas, Pharrell, Robin Thicke, Ricky Martin, Lauryn Hill, Nas, Ziggy Marley, Youssou N’Dour, Jennifer Lopez, Michael Jackson, Mary J.
    [Show full text]
  • Jake Scott Director of Photography
    JAKE SCOTT DIRECTOR OF PHOTOGRAPHY SHORT FILM WOODHOUSE Director: Fred Rowson Production Company: Blink CANDY GIRL Director: Lucy Luscombe Production Company: Random Acts LAY ME DOWN Director: Lucy Tcherniak Production Company: Run Rabbit Films DIRECTOR/COMMERCIAL YONI LAPPIN Adidas ALEX HULSEY Vodafone YVAN FABING Shiseido, Helena Rubenstein, ECI A/W 19, Benetton, Garage Magazine, Salvatore Ferragamo, Givenchy LOUIS LETERRIER Cartier MAX VITALI H&M JOVAN TODROVIC Vimeo TIME BASED ARTS Grey Goose LAUREN CARIS COHAN Max Factor, Smint KATIA LEWKOWICZ Intermarche, Helena Rubenstein, Orange ESTEBAN L’Oréal BHARAT SIKKA Budweiser FRANÇOIS ROUSSELET Dior ACE NORTON House of Fraser MAX WEILAND Teisseire DAVE MEYERS House of Fraser DEXTER NAVY ASOS/Nike Air Max MELO Dove LUX ARTISTS | 1 THE DEMPSEYS Rexona, DHSC CAN EVGIN Heals KINGA BURZA L’Oréal OLU ODUKOYA Balenciaga SANTIAGO & MAURICIO Carolina Herrera, Garnier ROGER DEKKER Stella McCartney for Adidas LACEY Sephora Colorful Mask SIMON CAHN Boots, Huawei VINCENT LOBELLE Intersport TELL NO ONE Nordstrom LUCA FINOTTI L’Oreal MARIE SCHULLER Versace, Dike Kayek, New Balance, River Island HELMI Playboy CLARA CULLEN MAC SARAH CHATFIELD Baileys NATHALIE CANGUILHEM Zendlum ALEX TURVEY & NATHALIE CANGUILHEM Selfridges TERRY HALL Moo, Orchestra IVANA BOBIC Jigsaw DAWN SHADFORTH Matalan, Smart Brabus MARIO TESTINO Ochirly REGAN HALL Revlon FERN BERRESFORD Aldi BUGSY Brand Alley ROHAN BLAIR-MANGAT Asos RANKIN Louis Vuitton BALTHAZAR KLARWEIN Jean Paul Gaultier SEAN FRANK Visionaire LEE FORD Vogue ALEX
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • British Society of Cinematographers
    Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
    [Show full text]
  • Ewan Mcgregor Tilda Swinton
    Presents Ewan McGregor Tilda Swinton YOUNG ADAM “…the best performance of Ewan McGregor's career” Peter Bradshaw, The Guardian WINNER of 4 SCOTTISH BAFTA AWARDS Best Actor (Ewan McGregor) | Best Actress (Tilda Swinton) Best Director (David Mackenzie) | Best Film Nationally in Select Cinemas April 7, 2005 Rating: MA High Level Sex Scenes, Nudity Running Time: 94 minutes www.madman.com.au/incinemas ALL IMAGES AVAILABLE AT: www.image.net Exhibitor contact (and VIC publicity): Publicity (all states excluding VIC) Anna McLeish Edweana Wenkart Theatrical Distribution Manager Director Madman Cinema Tsuki Publicity [email protected] | +61 3 9417 0977 [email protected] | +61 3 8354 1830 RECORDED PICTURE COMPANY, HANWAY, FILM COUNCIL, SCOTTISH SCREEN and SVENO MEDIA present a JEREMY THOMAS production a film by DAVID MACKENZIE EWAN MCGREGOR, TILDA SWINTON, PETER MULLAN, EMILY MORTIMER YOUNG ADAM Casting by DES HAMILTON Costume designer JACQUELINE DURRAN Production designer LAURENCE DORMAN Film editor COLIN MONIE Director of photography GILES NUTTGENS Music by DAVID BYRNE Associate producers PETER WATSON, STEPHAN MALLMANN, GILLIAN BERRIE Based on the novel by ALEXANDER TROCCHI Co-producers ALEXANDRA STONE, NICK O’HAGAN, JIM REEVE Produced by JEREMY THOMAS Written and directed by DAVID MACKENZIE YOUNG ADAM Written and directed by the award-winning short filmmaker David Mackenzie, Young Adam is a hauntingly faithful adaptation of the novel by the Scottish Beat writer Alexander Trocchi. Featuring a strong cast headed by Ewan McGregor, Tilda Swinton, Peter Mullan and Emily Mortimer, Young Adam is a moody, sensual thriller that takes place on the canals between Glasgow and Edinburgh during the 1950s.
    [Show full text]
  • Coffee Break Film School Instructor Guide
    1 Coffee Break Film School Instructor Guide Copyright ©2019 Moviola 2 ISBN: 9781521260418 Copyright ©2019 Moviola - All rights reserved 3 Contents Introduction 9 The CBFS Philosophy 10 10 What it is 10 What it’s not 11 The All-Round Filmmaker 12 A compartmentalized reference What this guide is for 13 14 The Big Picture Course 14 Project-Based Course 16 Understanding the CBFS Unit categories 17 Visual Glossary of Terms 17 Survival Guides 18 Compendium 4 Classes 19 Video resources 20 Suggested textbooks 21 Expanded Curriculum: Big Picture Course 28 28 Unit One 28 Core 32 Signature interview 32 Going deeper 33 Survival Guides 33 Complementary reading 34 Best of the Web & Film History Unit Two 35 35 Core 39 Signature interview 39 Survival Guides 40 Going deeper 40 Complementary reading: 5 41 Best of the Web & Film History Unit Three 42 42 Core 47 Signature interview: 47 Survival Guides 47 Going deeper: 47 Complementary reading: 48 Best of the Web & Film History Unit Four 49 49 Core 53 Signature interview: 53 Going deeper 53 Complementary Reading 54 Best of the Web & Film History Unit Five 55 55 Unit Five Core 59 Signature interview: 59 Going deeper 6 60 Complementary Reading 60 Best of the Web & Film History Unit Six 61 61 Core 66 Signature Interviews 67 Survival guides 67 Going deeper 67 Complementary Reading 68 Best of the Web & Film History Expanded Curriculum: Project-Based Course 70 Unit 1 - Screenwriting 71 76 Unit 2 - Production 80 Unit 3 - Cinematography 84 Unit 4 - Lighting 88 Unit 5 - Sound 91 Unit 6 - Editing and Color Correction 95 Unit 7 - Visual Effects 7 8 9 Introduction The digital filmmaking revolution has been both a blessing and a curse.
    [Show full text]