NOVEMBER 15, 1968 Josnph C
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PA 4-H Horse Cloverbud Activity Book B
PA 4-H Horse Cloverbud Activity Book B Name: Club Name: County: Thank you for helping with the PA 4-H Horse Cloverbud Program! Here are some notes to help you lead this project: The PA 4-H Horse Cloverbud Policy & Safety Guidelines must be followed at all times when using this activity book. Please see your Extension Office or http://extension.psu.edu/4-h/projects/ horses/cloverbud-program/cloverbud-policy-and-guidelines for a copy of the policy and guidelines. Many sections include a variety of activities. At least one activity per section must be completed. There will be three PA 4-H Horse Cloverbud Activity Books. All Cloverbud members in one club or group should complete the same book in the course of one year, regardless of their ages or the length of time they have been members. Ex: This year, all Cloverbud Horse Club members complete Book B. Next year, all members will complete Book C, etc. Currently, this curriculum is available as an electronic publication. Please contact your local Extension Office for printed copies. For additional Cloverbud activities, please refer to our Leader & Educator Resource page located at http://extension.psu.edu/4-h/projects/horses/cloverbud-program/leader-resources. PA 4-H Horse Cloverbud Mission This educational program provides safe, fun, hands-on, developmentally appropriate learning opportunities for 4-H youth ages 5 to 7 years (as of January 1st). Using horses, this program will focus on participation as well as cooperative learning in informal settings. Summary of Differences Between -
Ame R I Ca N Pr
A Century of ME R I CA N R IDE A P August 1 3th- 16th 2014 R EGULAR A DMISSION Adults $9.00 | Kids 6-12 $5.00 | Age 5 & under Free W EDNESDAY S PECIAL All Day Adult $5.00 |Kids 6-12 $3.00 | Age 5 & under Free Fair Passes & Carnival Armbands Discounted July 1st - August 1 2th Courtesy of Grants Pass Daily Courier 2 2014 Schedule of Events SUBJECT TO CHANGE 9 AM 4-H/FFA Poultry Showmanship/Conformation Show (RP) 5:30 PM Open Div. F PeeWee Swine Contest (SB) 9 AM Open Div. E Rabbit Show (PR) 5:45 PM Barrow Show Awards (SB) ADMISSION & PARKING INFORMATION: (may move to Thursday, check with superintendent) 5:30 PM FFA Beef Showmanship (JLB) CARNIVAL ARMBANDS: 9 AM -5 PM 4-H Mini-Meal/Food Prep Contest (EB) 6 PM 4-H Beef Showmanship (JLB) Special prices July 1-August 12: 10 AM Open Barrow Show (SB) 6:30-8:30 PM $20 One-day pass (reg. price $28) 1:30 PM 4-H Breeding Sheep Show (JLB) Midway Stage-Mercy $55 Four-day pass (reg. price $80) 4:30 PM FFA Swine Showmanship Show (GSR) Grandstand- Truck & Tractor Pulls, Monster Trucks 5 PM FFA Breeding Sheep and Market Sheep Show (JLB) 7 PM Butterscotch Block closes FAIR SEASON PASSES: 5 PM 4-H Swine Showmanship Show (GSR) 8:30-10 PM PM Special prices July 1-August 12: 6:30 4-H Cavy Showmanship Show (L) Midway Stage-All Night Cowboys PM PM $30 adult (reg. -
1962 FMAC SS.Pdf
WIND DRUM The music of WIND DRUM is composed on a six-tone scale. In South India, this scale is called "hamsanandi," in North India, "marava." In North India, this scale would be played before sunset. The notes are C, D flat, E, F sharp, A, and B. PREFACE The mountain island of Hawaii becomes a symbol of an island universe in an endless ocean of nothingness, of space, of sleep. This is the night of Brahma. Time swings back and forth, time, the giant pendulum of the universe. As time swings forward all things waken out of endless slumber, all things grow, dance, and sing. Motion brings storm, whirlwind, tornado, devastation, destruction, and annihilation. All things fall into death. But with total despair comes sudden surprise. The super natural commands with infinite majesty. All storms, all motions cease. Only the celestial sounds of the Azura Heavens are heard. Time swings back, death becomes life, resurrection. All things are reborn, grow, dance, and sing. But the spirit of ocean slumber approaches and all things fall back again into sleep and emptiness, the state of endless nothingness symbolized by ocean. The night of Brahma returns. LIBRETTO I VI Stone, water, singing grass, Flute of Azura, Singing tree, singing mountain, Fill heaven with celestial sound! Praise ever-compassionate One. Death, become life! II VII Island of mist, Sun, melt, dissolve Awake from ocean Black-haired mountain storm, Of endless slumber. Life drum sing, III Stone drum ring! Snow mountain, VIII Dance on green hills. Trees singing of branches IV Sway winds, Three hills, Forest dance on hills, Dance on forest, Hills, green, dance on Winds, sway branches Mountain snow. -
ALAN HOVHANESS: Meditation on Orpheus the Japan Philharmonic Symphony Orchestra William Strickland, Conducting
ALAN HOVHANESS: Meditation on Orpheus The Japan Philharmonic Symphony Orchestra William Strickland, conducting ALAN HOVHANESS is one of those composers whose music seems to prove the inexhaustability of the ancient modes and of the seven tones of the diatonic scale. He has made for himself one of the most individual styles to be found in the work of any American composer, recognizable immediately for its exotic flavor, its masterly simplicity, and its constant air of discovering unexpected treasures at each turn of the road. Meditation on Orpheus, scored for full symphony orchestra, is typical of Hovhaness’ work in the delicate construction of its sonorities. A single, pianissimo tam-tam note, a tone from a solo horn, an evanescent pizzicato murmur from the violins (senza misura)—these ethereal elements tinge the sound of the middle and lower strings at the work’s beginning and evoke an ambience of mysterious dignity and sensuousness which continues and grows throughout the Meditation. At intervals, a strange rushing sound grows to a crescendo and subsides, interrupting the flow of smooth melody for a moment, and then allowing it to resume, generally with a subtle change of scene. The senza misura pizzicato which is heard at the opening would seem to be the germ from which this unusual passage has grown, for the “rushing” sound—dynamically intensified at each appearance—is produced by the combination of fast, metrically unmeasured figurations, usually played by the strings. The composer indicates not that these passages are to be played in 2/4, 3/4, etc. but that they are to last “about 20 seconds, ad lib.” The notes are to be “rapid but not together.” They produce a fascinating effect, and somehow give the impression that other worldly significances are hidden in the juxtaposition of flow and mystical interruption. -
Curriculum Vitae Daniel L. Howard
CURRICULUM VITAE DANIEL L. HOWARD Business Address: Texas A&M University 4476 TAMU College Station, TX 77843-4476 (979) 862-4508 [email protected] or [email protected] Home Address: 3833 S. Texas Avenue Bryan, TX 77802 (919) 280-1409 (cell) [email protected] PROFESSIONAL EDUCATION: POSTDOCTORAL FELLOW University of North Carolina at Chapel Hill National Research Service Award Cecil G. Sheps Center for Health Services (NRSA) in Health Services Research Research Agency for Healthcare Research Chapel Hill, NC and Quality (AHRQ) (1997-1998) POSTDOCTORAL FELLOW University of Michigan Paul B. Cornely Postdoctoral Scholar School of Public Health Dept. of Health Services Management and Policy; Ford Foundation/Rockefeller Foundation School of Social Work Postdoctoral Fellow Program on Poverty, the Underclass, and Public Policy (1992-1994) Ann Arbor, Michigan Ph.D., EDUCATION AND HUMAN Vanderbilt University DEVELOPMENT (1992) Peabody College of Education and Human (Policy Development and Program Evaluation Development with an emphasis on Health Policy) Vanderbilt Institute for Public Policy Studies Nashville, Tennessee B.A., ECONOMICS (1987) University of Michigan College of Literature, Science, and the Arts Ann Arbor, Michigan DANIEL L. HOWARD Page 2 of 34 RESEARCH INTERESTS: • Opioid Use, Substance Use, Cultural Competency, and Workforce Diversity; • Minority Health and Racial Health Disparities Research; • Health Services Research; • Health Policy, Program Development, and Evaluation; • Epidemiological Patterns of Disease among African Americans and the Minority Elderly. TEACHING INTERESTS: • Grant writing for the social sciences; • Professional writing and academic publishing; • Racial health disparities; • Health policy; Public health • Policies that disproportionately affect African Americans (welfare, drug, children and health); • Policy Analysis and Implementation; • Program Development and Evaluation; • Health Economics; Health Organizations; • Medical Sociology; Social Epidemiology. -
A Celebration of Wood
A Celebration of Wood The family compound is nestled in a private valley set back from the main road. CASE STUDY: April 2011 (Part 1) LANCASTER COUNTY, PENNSYLVANIA Introduction et deep in the heart of Lancaster County, SPennsylvania, is a project that rapidly attained the title Celebration of Wood. True to the 140 acre farmland property’s roots, this project was designed from the start to showcase the natural beauty of forest products. A finished Certi-Sawn® yellow cedar tapersawn shake roof of planning and consultation have gone into this project, and he is clearly thrilled to see his firm’s designs come to life. The theme of this project is “community” and the buildings are designed to suit the lifestyle of a remarkable couple with three grown children, each who have settled Tranquil, tree-lined drive en route to a unique family retreat in a different area of the U.S. After decades spent in Reed Axelrod, AIA, LEED AP of Reed Axelrod Architects in suburban areas, the family decided that a more rural Philadelphia, PA, has a successful 15-year track record lifestyle was preferred. The owners wanted a fully with this project’s clients. He and Project Architect, Diana functional home, equipped with the latest technologies, Henze, have worked together on three previous projects yet also one that remained true to its country roots. for this particular client. He describes his clients as Axelrod has created a design that is perfectly sensitive to “wonderful to work with” as they are open to new ideas, his clients' needs by combining modern amenities with love creative solutions, and encourage spaces that allow living space that permits treasured privacy and reflection. -
Alan Hovhaness: Exile Symphony Armenian Rhapsodies No
ALAN HOVHANESS: EXILE SYMPHONY ARMENIAN RHAPSODIES NO. 1-3 | SONG OF THE SEA | CONCERTO FOR SOPRANO SaXOPHONE AND STRINGS [1] ARMENIAN RHAPSODY NO. 1, Op. 45 (1944) 5:35 SONG OF THE SEA (1933) ALAN HOVHANESS (1911–2000) John McDonald, piano ARMENIAN RHAPSODIES NO. 1-3 [2] I. Moderato espressivo 3:39 [3] II. Adagio espressivo 2:47 SONG OF THE SEA [4] ARMENIAN RHAPSODY NO. 2, Op. 51 (1944) 8:56 CONCERTO FOR SOPRANO SaXOPHONE CONCERTO FOR SOPRANO SaXOPHONE AND STRINGS, Op. 344 (1980) AND STRINGS Kenneth Radnofsky, soprano saxophone [5] I. Andante; Fuga 5:55 SYMPHONY NO. 1, EXILE [6] II. Adagio espressivo; Allegro 4:55 [7] III. Let the Living and the Celestial Sing 6:23 JOHN McDONALD piano [8] ARMENIAN RHAPSODY NO. 3, Op. 189 (1944) 6:40 KENNETH RADNOFSKY soprano saxophone SYMPHONY NO. 1, EXILE, Op. 17, No. 2 (1936) [9] I. Andante espressivo; Allegro 9:08 BOSTON MODERN ORCHESTRA PROJECT [10] II. Grazioso 3:31 GIL ROSE, CONDUCTOR [11] III. Finale: Andante; Presto 10:06 TOTAL 67:39 RETROSPECTIVE them. But I’ll print some music of my own as I get a little money and help out because I really don’t care; I’m very happy when a thing is performed and performed well. And I don’t know, I live very simply. I have certain very strong feelings which I think many people have Alan Hovhaness wrote music that was both unusual and communicative. In his work, the about what we’re doing and what we’re doing wrong. archaic and the avant-garde are merged, always with melody as the primary focus. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
Read the Report
2 0 0 5 a n n u a l r e p o r t You must be“ the change you wish to see in the world. ” — Gandhi Be the change. HEROES, NOT VICTIMS OUR MISSION HOW WE WORK Mercy Corps exists to alleviate suffering, poverty In our 25 years of experience, Mercy Corps has n a year of unprecedented disasters, the amazing and oppression by helping people build secure, learned that communities recovering from war or productive and just communities. social upheaval must be the agents of their own resilience of people the world over has been a triumph we transformation for change to endure. Making can all celebrate. Although millions of people are caught OUR CORE VALUES this happen requires communities, government I ■ We believe in the intrinsic value and dignity and businesses to solve problems in a spirit of in intolerable situations, in the midst of it all, they find the of human life. accountability and full participation. Ultimately, courage to survive, overcome and rebuild. ■ We are awed by human resilience, and believe in secure, productive and just communities arise only the ability of all people to thrive, not just exist. when all three sectors work together as three legs of a For every image of destruction and despair, there are stable stool. ■ Our spiritual and humanitarian values thousands of stories of inspiration. In this year’s report, compel us to act. WHAT WE DO we give voice to some of these remarkable individuals, from ■ We believe that all people have the right to ■ Emergency Relief live in peaceful communities and participate Indonesians recovering from the Indian Ocean tsunami to ■ Economic Development fully in the decisions that affect their lives. -
View Document
p April 15, 1966 MEMORANDUM TO: Council Members Staff Dir actors Task Force Chairmen FROM: The Reverend Walter E. Fauntroy Vice Chairman SUBJECT: Field TriPS I plan to step up our liaison activity next week and will be in the field alm ost full time from now until the Conference. A. The purpose of these trips is: 1. To inform a wide range of people across the country abo ut the Conference. 2. To determin e the reaction of community leaders to some of the proposals to the Conference and to elicit new ideas. 3. To identify individuals who could make a contributionn by being invited to participate. 4. To lay the groundwork for community follow-up. B. In each city visited, we will want to do the following: 1. Involve Cou ncil members. 2. Meet with l ocal civil lights and religious leaders. 3. Meet with the Mayor and members of his official family. 4. Meet with business leaders. -2- 5. Meet with labor leaders. 6. Meet with the Governor or his representative. 7. Hold individual conferences with people who should beeseen separately. C. Traveling with me will be several of our consultants knowledgeable in the fields of business, labor, state and local government and community relations. After I have completed the visits scheduled for April, I may want some of these experts to go for me to other cities which are not now on my schedule. D. My tentative itinerary is as follows: April 21 - 22 Misstssippi April 26 26 New Orleans April 27 28 Houston April 29 - 30 St. -
Alan Hovhaness Across the Ages Troy1805 Albany Records U.S
ALAN HOVHANESS ACROSS THE AGES WWW.ALBANYRECORDS.COM TROY1805 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 christina gullans, cello ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD jeremy filsell, piano TEL: 01539 824008 © 2020 ALBANY RECORDS MADE IN THE USA DDD sowne ensemble WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Gullans_1805_book.indd 1-2 1/29/20 8:29 AM THE RECORDING the Indian jhala rhythmic pattern akin to a Western toccata. The third movement, Intermezzo, Across the Ages features cello works written by the prolific American composer Alan Hovhaness begins with a light-hearted dialog that gradually evolves into an exuberant celebration while (1911-2000). Inspired by elements of ancient Armenian, Japanese, and Indian music, the collec- the next movement, Tremolando glissando, creates a haunting, wintery atmosphere, present tion of works reflects Hovhaness’ renowned ability to synthesize different musical traditions. in many of Yakamochi’s poems. The Suite ends with the Requiem movement, which is a somber Utilizing the cello’s rich and expressive nature, Hovhaness’ music reveals the timeless connec- reflection ultimately closing on a philosophical note. The movement brings to mind the follow- tion we have to past civilizations, to nature, and to one another. ing poem written by Yakamochi: THE MUSIC This world Alan Hovhaness’ music is universal and spiritually uplifting. His profound understanding of Does not go on forever- Western and non-Western musical traditions came from having an early mentorship under Men know it, yet Jean Sibelius (Finland), from being a student of Frederick Converse (England Conservatory), With the chilly autumn wind from being a long-time organist for St. -
History of the Clan Macfarlane
HISTORY OF THE CLAN MACFARLAN Mrs. C. M. Little [gc M. L 929.2 M164t GENEALOGY COLLECTION I I 1149534 \ ALLEN CCnjmVPUBUCUBBABY, 334Z 3 1833 00859 Hf/^. I /^^^^^^ IIISTOKV OF TH1-: CLAN MACFARLANE, (.Macfai'lane) MACFARLAN. MACFARLAND, MACFARLIN. BY MRS. C. M. TJTTLE. TOTTENVILLE, N. Y. MRS. C. M. LITTLK. 1893. Copyrighted. Mrs. C. M. LITTLK 1893. For Private Circucation. 1149534 TO MY DEAR AND AGED MOTHER, WHO, IN HER NINETIETH YEAR, THE LAST OF HER GENERA- TION, WITH INTELLECT UNIMPAIRED, STANDS AS A WORTHY REPRESENTATIVE OF THE INDOM- ITABLE RACE OF MACFARLANE, THIS BOOK IS REVERENTLY deDicatgD, BY HER AFFECTIONATE DAUGHTER, THE AUTHOR. — INTRODUCTION. " Why dost thou build the hall? Son of the winged days! Thou lookest from thy tower to-day; yet a few years and the blast of the desert comes: it howls in thy empty court." Ossian. Being, myself, a direct descendant of the Clan MacFarlane, the old "Coat of Arms" hanging up- on the wall one of my earliest recollections, the oft-repeated story of the great bravery at Lang- side that gave them the crest, the many tradi- tions told by those who have long since passed away, left npon my mind an impression so indeli- ble, that, as years rolled on, and I had become an ardent student of Scottish history, I determined to know more of my ancestors than could be gathered from oral traditions. At length, in the summer of 1891, traveling for the second time in Europe, I was enabled to exe- cute a long-cherished plan of spending some time at Arrochar, at the head of Loch Long, in the Highlandsof Scotland, the hereditary posses- sions for six hundred years of the chiefs of the Clan MacFarlane.