ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı On behalf of the Ministry of Culture and Mass ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰Â‡ˆËË ÒÂ‰Â˜ÌÓ Communications of the Russian Federation ÔË‚ÂÚÒÚ‚Û˛ ÍÓÌÍÛÒ‡ÌÚÓ‚ Ë „ÓÒÚÂÈ XVII I warmly welcome the competitors and visitors of ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ the 17th Open Russian Film Festival ìKinotavrî. ´üËÌÓÚ‡‚ª! For the seventeenth time a creative competition ¬ ÒÂÏ̇‰ˆ‡Ú˚È ‡Á ‚ „ÓӉ —Ó˜Ë ÒÓÒÚÓËÚÒˇ will be held in Sochi, a competition among the Ú‚Ó˜ÂÒÍÓ ÒÓÒÚˇÁ‡ÌË ÎÛ˜¯Ëı Ô‰ÒÚ‡‚ËÚÂÎÂÈ strongest representatives of Russian cinema, ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡, ‚ ÍÓÚÓÓÏ Ì‡ where award-winning and established directors ‡‚Ì˚ı ·Û‰ÛÚ Û˜‡ÒÚ‚Ó‚‡Ú¸ Í‡Í ÔËÁ̇ÌÌ˚Â, will compete on a par with debutants. They are ÚËÚÛÎÓ‚‡ÌÌ˚ ÂÊËÒÒÂ˚, Ú‡Í Ë ‰Â·˛Ú‡ÌÚ˚. united by their love of cinema, their talent and ¬ÒÂı Ëı Ó·˙‰ËÌˇÂÚ Î˛·Ó‚¸ Í ÍËÌÓ, ڇ·ÌÚ Ë their desire to share this with the audience. Ê·ÌË ÔÓ‰ÂÎËÚ¸Òˇ ˝ÚËÏ ÒÓ ÁËÚÂΡÏË. It is in many respects thanks to ìKinotavrî that ¬Ó ÏÌÓ„ÓÏ ·Î‡„Ó‰‡ˇ ´üËÌÓÚ‡‚Ûª ÓÒÒËÈÒÍËÈ Russian cinema continues to be full of creativity, ÍËÌÂχÚÓ„‡Ù ÔÓ‰ÓÎʇÂÚ ÊËÚ¸ ‡ÍÚË‚ÌÓÈ to develop, and to discover new names. I am Ú‚Ó˜ÂÒÍÓÈ ÊËÁ̸˛, ‡Á‚Ë‚‡Ú¸Òˇ Ë ÓÚÍ˚‚‡Ú¸ confident that this year, too, there will be many ÌÓ‚˚ ËÏÂ̇. ”‚ÂÂÌ, ˜ÚÓ Ë ‚ ˝ÚÓÏ „Ó‰Û Ú‡ÍËı such discoveries, and the festival will once again ÓÚÍ˚ÚËÈ ·Û‰ÂÚ ÌÂχÎÓ, Ë ÙÂÒÚË‚‡Î¸ ‚ meet the expectations of the film fans! Ó˜Â‰ÌÓÈ ‡Á Ì ӷχÌÂÚ ÓÊˉ‡ÌËÈ ‚ÒÂı β·ËÚÂÎÂÈ ÍËÌÓËÒÍÛÒÒÚ‚‡! Wishing you great inspiration and success, 1 Minister of Culture and Mass Communications — ÔÓÊ·ÌˡÏË Ú‚Ó˜ÂÒÍÓ„Ó of the Russian Federation ‚‰ÓıÌÓ‚ÂÌËˇË Û‰‡˜Ë, A. S. Sokolov ÏËÌËÒÚ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰Â‡ˆËË ¿. —. —ÓÍÓÎÓ‚

ŒÚ ‚ÒÂÈ ‰Û¯Ë ÔÓÁ‰‡‚Ρ˛ ‚ÒÂı Ò ÓÚÍ˚ÚËÂÏ I congratulate everybody wholeheartedly on the XVII ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª. «‡ ‰Ó΄Ë „Ó‰˚ opening of the 17th ìKinotavrî festival. For the Ò‚ÓÂ„Ó ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ ´üËÌÓÚ‡‚ª Á‡‚Ó‚‡Î many years of its existence ìKinotavrî has ÒÚ‡ÚÛÒ „·‚ÌÓ„Ó Ì‡ˆËÓ̇θÌÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ achieved the status of the countryís main ÒÚ‡Ì˚ Ë ÔÓ˜Ì˚È ‡‚ÚÓËÚÂÚ ‚ ÏËÓ‚ÓÏ national film festival and gained a strong ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓÏ ÒÓÓ·˘ÂÒÚ‚Â. ¬Ó ÏÌÓ„ÓÏ position in the community of world cinema. In ·Î‡„Ó‰‡ˇ ÙÂÒÚË‚‡Î˛ ÓÒÒËÈÒÍË ÁËÚÂÎË many respects it is thanks to the festival that ËÏÂ˛Ú ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÁ̇ÍÓÏËÚ¸Òˇ Ò Ò‡Ï˚ÏË Russian audiences have an opportunity to get ËÌÚÂÂÒÌ˚ÏË ÍËÌÓÌÓ‚ËÌ͇ÏË. ¬ ÔÓ¯ÎÓÏ „Ó‰Û acquainted with the most interesting new films. ÙÂÒÚË‚‡Î¸ ÔÂÂÊËÎ ‚ÚÓÓ ÓʉÂÌËÂ Ë Last year the festival underwent a phase of ÔÓ‰ÓÎʇÂÚ ‡ÍÚË‚ÌÓ ‡Á‚Ë‚‡Ú¸Òˇ ‚ ‚˚·‡ÌÌÓÏ regeneration and now continues to develop in its ̇Ô‡‚ÎÂÌËË. ”‚ÂÂÌ, ˜ÚÓ Ë ‚ ˝ÚÓÏ „Ó‰Û chosen direction. I am confident that the Ó·ÌÓ‚ÎÂÌÌ˚È ´üËÌÓÚ‡‚ª ÔÓ‡‰ÛÂÚ Ò‚ÓËı updated ìKinotavrî this year will impress its „ÓÒÚÂÈ ÌÓ‚˚ÏË ÓÚÍ˚ÚˡÏË, ڇ·ÌÚÎË‚˚ÏË visitors with new discoveries, talented films and ͇ÚË̇ÏË Ë ÌÂËÁÏÂÌÌ˚Ï Ô‡Á‰Ì˘Ì˚Ï a celebratory atmosphere. I sincerely wish all ̇ÒÚÓÂÌËÂÏ. »ÒÍÂÌÌ Ê·˛ ‚ÒÂÏ participants of ìKinotavrî that they enjoy Û˜‡ÒÚÌËÍ‡Ï ´üËÌÓÚ‡‚‡ª ÔÓ‰ÛÍÚË‚ÌÓ„Ó productive, creative and professional dialogues; Ú‚Ó˜ÂÒÍÓ„Ó Ë ÔÓÙÂÒÒËÓ̇θÌÓ„Ó Ó·˘ÂÌˡ, ‡ may the festival have grateful spectators and a Ò‡ÏÓÏÛ ÙÂÒÚË‚‡Î˛ ·Î‡„Ó‰‡Ì˚ı ÁËÚÂÎÂÈ Ë long life full of interesting events. ‰Ó΄Ëı ÎÂÚ ÊËÁÌË, ̇ÔÓÎÌÂÌÌ˚ı ÏÌÓÊÂÒÚ‚ÓÏ ËÌÚÂÂÒÌ˚ı ÒÓ·˚ÚËÈ. M. E. Shvydkoi Head of the Federal Agency for Culture and Ã. ≈. ÿ‚˚‰ÍÓÈ Cinematography –ÛÍÓ‚Ó‰ËÚÂθ ‘‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ ÔÓ ÍÛθÚÛÂ Ë ÍËÌÂχÚÓ„‡ÙËË ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ”‚‡Ê‡ÂÏ˚ ۘ‡ÒÚÌËÍË Ë „ÓÒÚË ÙÂÒÚË‚‡Îˇ! Dear participants and visitors of the festival! ≈Ê„ӉÌÓ Ò Ë˛Ìˇ ÔÓ ÌÓˇ·¸ ̇¯ Í‡È ÔË‚ÎÂ͇ÂÚ Every year from June until November our region ‚ÌËχÌË ÔÓÙÂÒÒËÓ̇ÎÓ‚ Ë Î˛·ËÚÂÎÂÈ ÍËÌÓ. üÛ- draws the attention of film professionals and fans. ·‡Ì¸, ÊËÚÌˈ‡ Ë Á‰‡‚Ìˈ‡ –ÓÒÒËË, Òڇ· Â˘Â Ë The Kuban region, Russiaís granary and health ÙÂÒÚË‚‡Î¸ÌÓÈ. –‡‰, ˜ÚÓ Ô‡Á‰ÌËÍ ÍËÌÓËÒÍÛÒÒÚ‚‡ resort, becomes even more festive. I am glad that ÒÌÓ‚‡ Ô˯ÂÎ Í Ì‡Ï. the holiday of cinema is with us once again. ´üËÌÓÚ‡‚ª, ÒÓÎ̘Ì˚È „ÓÒÚÂÔËËÏÌ˚È —Ó˜Ë Ë ìKinotavrî, the sunny and hospitable Sochi, and ÚÂÔÎÓ ÏÓ ‚ Ó˜Â‰ÌÓÈ ‡Á ÒÓ·‡ÎË ÚÂı, ÍÚÓ the warm sea have once again attracted those Ô˘‡ÒÚÂÌ Í ÒÓÁ‰‡Ì˲ ÒÓ‚ÂÏÂÌÌÓ„Ó ÓÚ˜ÂÒÚ‚ÂÌÌÓ- involved in modern national cinema, as well as „Ó ÍËÌÓ. » ÚÂı, ÍÚÓ ÔˉË˜Ë‚Ó ÓˆÂÌË‚‡ÂÚ Ëı those who loyally esteem its output: the Ú‚Ó˜ÂÒÚ‚Ó ó ÁËÚÂÎÂÈ. spectators. üÛ·‡Ìˆ˚ β·ˇÚ ÍËÌÓ Ë Ê‰ÛÚ, ˜ÚÓ Ì‡ ÙÂÒÚË‚‡Î The people from Kuban love cinema and expect the ÔÓ ÒÎÓÊË‚¯ÂÈÒˇ Ú‡‰ËˆËË Ì ÚÓθÍÓ ·Û‰ÛÚ ·ÎËÒ- festival, according to tradition, not only to show Ú‡Ú¸ ÎÛ˜¯Ë Á‚ÂÁ‰˚ ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡- them the stars of national cinema but also light up Ù‡, ÌÓ Ë Á‡Ê„ÛÚÒˇ ÌÓ‚˚Â. —Â„Ó‰Ìˇ¯Ì ̇¯Â ÍË- new stars. Our contemporary cinema continues the ÌÓ ‰ÓÒÚÓÈÌÓ ÔÓ‰ÓÎʇÂÚ ÎÛ˜¯Ë Ú‡‰ËˆËË ÓÒ- best traditions of Russian and Soviet cinema. ìThe ÒËÈÒÍÓ„Ó, ÒÓ‚ÂÚÒÍÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ´¬ÂÎËÍÓÎÂÔ- Great Illusionî still helps us to love, to sympathize, ̇ˇ ËÎβÁˡª ÔÓ-ÔÂÊÌÂÏÛ ÔÓÏÓ„‡ÂÚ Ì‡Ï Î˛- and to empathize. Values of spirituality, morality ·ËÚ¸, ÒÓ˜Û‚ÒÚ‚Ó‚‡Ú¸, ÒÓÔÂÂÊË‚‡Ú¸. ¬ ÓÒÒËÈÒÍË and optimism, which were lost in the period of ÙËθÏ˚ ‚ÓÁ‚‡˘‡˛ÚÒˇ ‰ÛıÓ‚ÌÓÒÚ¸, Ì‡‚ÒÚ‚ÂÌ- transition, now return to Russian cinema. 2 ÌÓÒÚ¸ Ë ÓÔÚËÏËÁÏ, ÔÓÚÂˇÌÌ˚ ‚ „Ó‰˚ ÔÂÂÏÂÌ. I believe that this ìKinotavrî will serve as a fine ¬Â˛, ˜ÚÓ Ì˚̯ÌËÈ ´üËÌÓÚ‡‚ª ÔÓÒÎÛÊËÚ ÔÂ- occasion for the expansion of creative contacts. Í‡ÒÌ˚Ï ÔÓ‚Ó‰ÓÏ ‰Îˇ ‡Ò¯ËÂÌˡ Ú‚Ó˜ÂÒÍËı ÍÓÌ- Our visitors will remember the time spent on the Ú‡ÍÚÓ‚, ‡ ‚ÂÏˇ, Ôӂ‰ÂÌÌÓ ̇ ·Î‡„Ó‰‡ÚÌÓÈ ÍÛ·‡Ì- fertile Kuban land for a long time. ÒÍÓÈ ÁÂÏÎÂ, Á‡ÔÓÏÌËÚÒˇ ̇¯ËÏ „ÓÒÚˇÏ Ì‡‰Ó΄Ó. From the bottom of my heart I wish the ŒÚ ‚ÒÂÈ ‰Û¯Ë Ê·˛ Û˜‡ÒÚÌËÍ‡Ï XVII ŒÚÍ˚ÚÓ„Ó participants of the 17th Open Russian festival ÓÒÒËÈÒÍÓ„Ó ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª ÔÎÓ‰ÓÚ‚ÓÌÓÈ ìKinotavrî fruitful business, interesting ‡·ÓÚ˚, ËÌÚÂÂÒÌ˚ı Ú‚Ó˜ÂÒÍËı ‚ÒÚ˜ Ë ÔˡÚ- meetings and a pleasant stay! ÌÓ„Ó ÓÚ‰˚ı‡! Have a good journey, dear festival! ¬ ‰Ó·˚È ÔÛÚ¸, ÙÂÒÚË‚‡Î¸! ¿.Õ. “͇˜Â‚ A. N.Tkachiov √·‚‡ ‡‰ÏËÌËÒÚ‡ˆËË Head of the Krasnodar Regional Administration ü‡ÒÌÓ‰‡ÒÍÓ„Ó Í‡ˇ

¿À≈ü—¿Õƒ– –ŒƒÕflÕ—ü»… ALEXANDER RODNYANSKY

œÂÁˉÂÌÚ ıÓΉËÌ„‡ ´—“— ɡª President of the Media Holding CTC œ‰Ò‰‡ÚÂθ ÔÓÔ˜ËÚÂθÒÍÓ„Ó ÒÓ‚ÂÚ‡ Chairman of the Board of Trustees of the ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª: Festival ìKinotavrî:

´...œÓËÁ‚Ó‰ÒÚ‚Ó ·ÓΠ100 ÙËθÏÓ‚ ‚ 2005 „Ó- ´...The production of over 100 films in 2005 for ‰Û ‰Îˇ ÍËÌÓÚ‡Ú‡Î¸ÌÓ„Ó ÔÓ͇ڇ. ”‚Â΢Â- theatrical release; an increase in the number of ÌË ÍÓ΢ÂÒÚ‚‡ ÍËÌÓÚ‡ÚÓ‚, ÔÓ‰˛ÒÂÒÍËı cinemas, production companies, and investors ÍÓÏÔ‡ÌËÈ, ÙË̇ÌÒÓ‚˚ı ËÌ‚ÂÒÚÓÓ‚, ËÌÚÂÂÒÛ- with an interest in a cinema as an attractive ˛˘ËıÒˇ ÍËÌÂχÚÓ„‡ÙÓÏ Í‡Í ÔË‚ÎÂ͇ÚÂθ- area with potential for growth; the key role of ÌÓÈ ÁÓÌÓÈ ÔÓÚÂ̈ˇθÌÓ„Ó ÓÒÚ‡. üβ˜Â‚‡ˇ television channels in the production and Óθ ÚÂ΂ËÁËÓÌÌ˚ı ͇̇ÎÓ‚ ‚ ÔÓËÁ‚Ó‰ÒÚ‚Â Ë promotion of Russian films ñ all this makes it ÔÓ‰‚ËÊÂÌËË ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÙËθÏÓ‚. ¬Ò ˝ÚÓ possible to say that interesting times have begun ÔÓÁ‚ÓΡÂÚ „Ó‚ÓËÚ¸ Ó ÚÓÏ, ˜ÚÓ ‚ ÓÒÒËÈÒÍÓÏ for Russian cinema. In my opinion, therefore, ÍËÌÓ Ì‡ÒÚÛÔËÎË ËÌÚÂÂÒÌ˚ ‚ÂÏÂ̇. œÓÚÓ- ìKinotavrî ñ as the main festival event of ÏÛ, ̇ ÏÓÈ ‚Á„Ρ‰, Ú‡Í ‚‡ÊÂÌ ´üËÌÓÚ‡‚ª, ÔÓ- national cinema ñ is so important. The above ÔÂÊÌÂÏÛ „·‚ÌÓ ÙÂÒÚË‚‡Î¸ÌÓ ÒÓ·˚ÚË ̇- changes also define the main task of ìKinotavrî: ˆËÓ̇θÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ›ÚËÏË ÔÂÂÏÂ̇- to offer all participants of Russian cinema, ÏË Ë ÓÔ‰ÂΡÂÚÒˇ „·‚̇ˇ Á‡‰‡˜‡ ´üËÌÓÚ‡‚- without exception, an opportunity to look at their ‡ª ó Ô‰ÓÒÚ‡‚ËÚ¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÒÂÏ ·ÂÁ ËÒ- own collective self-portrait by providing a Íβ˜ÂÌˡ Û˜‡ÒÚÌËÍ‡Ï ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÔÓˆÂÒ- platform for professional discussion. ìKinotavrî Ò‡ ÔÓÒÏÓÚÂÚ¸ ̇ ÒÓ·ÒÚ‚ÂÌÌ˚È ´ÍÓÎÎÂÍÚË‚- can reflect both promising developments and Ì˚È ÔÓÚÂÚª, Ó·ÂÒÔ˜˂ ÔÎÓ˘‡‰ÍÛ ÔÓÙÂÒÒËÓ- trends that give rise to concern. ìKinotavrî will ̇θÌÓÈ ‰ËÒÍÛÒÒËË. ´üËÌÓÚ‡‚ª ÒÔÓÒÓ·ÂÌ ÓÚÂ- help develop a system of coordinates and criteria ÙÎÂÍÚËÓ‚‡Ú¸ ÒÚÓθ ÏÌÓ„Óӷ¢‡˛˘ËÂ, ÌÓ Ë that correspond to the new historical context. Ú‚Óʇ˘Ë ÏÌÓ„Ëı ÚẨÂ̈ËË ‡Á‚ËÚˡ ÍË- ìKinotavrî will turn the attention of Russian ÌÓË̉ÛÒÚËË. ´üËÌÓÚ‡‚ª ÔÓÏÓÊÂÚ ‚˚‡·Ó- audiences to a variety of genres, to modern Ú‡Ú¸ ÒËÒÚÂÏÛ ÍÓÓ‰ËÌ‡Ú Ë ÍËÚÂË‚, ÒÓÓÚ- Russian filmsª. ‚ÂÚÒÚ‚Û˛˘Ëı ÌÓ‚˚Ï ËÒÚÓ˘ÂÒÍËÏ ÍÓÌÚÂÍÒ- Ú‡Ï. ´üËÌÓÚ‡‚ª Ó·‡ÚËÚ ‚ÌËχÌË ÓÚ˜ÂÒ- Ú‚ÂÌÌ˚ı ÁËÚÂÎÂÈ Ì‡ ‡ÁÌÓÓ·‡ÁÌ˚Â Ë ‡ÁÌÓ- ʇÌÓ‚˚ ÙËθÏ˚. —Ó‚ÂÏÂÌÌ˚ ÓÒÒËÈÒÍË ÙËθÏ˚ª. »√Œ–‹ “ŒÀ—“”ÕŒ¬ IGOR TOLSTUNOV

√ÂÌÂ‡Î¸Ì˚È ÔÓ‰˛ÒÂ ÙÂÒÚË‚‡Îˇ General Producer ´üËÌÓÚ‡‚ª: of the ´Kinotavrª Festival:

´«‡ Ôӯ‰¯ËÈ „Ó‰ ̇ÏË ÏÌÓ„Ó Ò‰Â·ÌÓ ‰Îˇ ÚÓ- ´Over the last year we have accomplished a „Ó, ˜ÚÓ·˚ ÓÒÌÓ‚‡ÚÂθÌÓ ÔÓ‰„ÓÚÓ‚ËÚ¸ ÒÂÏ̇‰ˆ‡- great deal to prepare thoroughly for the Ú˚È ŒÚÍ˚Ú˚È ÓÒÒËÈÒÍËÈ ÍËÌÓÙÂÒÚË‚‡Î¸ seventeenth Open Russian Film Festival ´üËÌÓÚ‡‚ª. ›ÚËÏ ÎÂÚÓÏ ÓÌ Ô‰ÒÚ‡ÌÂÚ ÔÓÎÌÓ- ìKinotavrî. This summer it will be completely ÒÚ¸˛ Ó·ÌÓ‚ÎÂÌÌ˚Ï: ËÁÏÂÌËÎÒˇ ÙËÏÂÌÌ˚È refreshed: the house style of the festival has ÒÚËθ ÙÂÒÚË‚‡Îˇ, Ë̇˜Â ·Û‰ÛÚ ‚˚„Ρ‰ÂÚ¸ Â„Ó changed, its logo and the prizes will look ÎÓ„ÓÚËÔ Ë ÔËÁ˚. Ã˚ ÙÓÏËÛÂÏ ÌÓ‚Ó ÊËÁÌÂÌ- differently. We are creating a new living space ÌÓ ÔÓÒÚ‡ÌÒÚ‚Ó ÙÂÒÚË‚‡Îˇ, ÍÓÚÓÓ ӷ˙‰Ë- for the festival, which will unite all its ÌËÚ ‚ÒÂı Â„Ó Û˜‡ÒÚÌËÍÓ‚ Ë „ÓÒÚÂÈ. ÕÓ‚˚È ÎÓ„Ó- participants and visitors. Our designers have ÚËÔ Ë ÌÓ‚˚È ÔËÁ ÒÓÁ‰‡Ì˚ ıÛ‰ÓÊÌË͇ÏË-‰ËÁ‡È- created the new logo and the new prize in such a ÌÂ‡ÏË Ú‡ÍËÏ Ó·‡ÁÓÏ, ˜ÚÓ·˚ ËÏÂÚ¸ ‚ÓÁÏÓÊ- way that the entire festival space can be ÌÓÒÚ¸ ̇ Ëı ÓÒÌÓ‚Â ÓÙÓÏËÚ¸ ‚Ò ÙÂÒÚË‚‡Î¸ÌÓ organized accordingly: the coast, the beach, the ÔÓÒÚ‡ÌÒÚ‚Ó: ·Â„ ÏÓˇ, ÔΡÊ, „ÓÒÚËÌËˆÛ Ë Â hotel and its premises, the ìWinter Theatreî, ÚÂËÚÓ˲, «ËÏÌËÈ Ú‡Ú, ÔÎÓ˘‡‰¸ ÔÂ‰ and the area in front of it. The designers have ÌËÏ. Õ‡¯Ë ‰ËÁ‡ÈÌÂ˚ ÔˉÛχÎË Ë ‚ÓÔÎÓÚËÎË developed and implemented a whole host of ideas 3 ‚ ÊËÁ̸ χÒÒÛ Ë‰ÂÈ ‰Îˇ ÒÓÁ‰‡Ìˡ Ô‡Á‰Ì˘ÌÓ„Ó to create a celebratory atmosphere. We want to ̇ÒÚÓÂÌˡ. Ã˚ ıÓÚËÏ Ô‚‡ÚËÚ¸ ÙÂÒÚË‚‡Î¸ transform the festival into a field of constant ‚ ÔÓΠÔÓÒÚÓˇÌÌÓ„Ó Ó·˘ÂÌˡ ÒÓ ÁËÚÂÎÂÏ. dialogue with the audience. œ‰ÏÂÚÓÏ Ì‡¯ÂÈ ÓÒÓ·ÓÈ „Ó‰ÓÒÚË ˇ‚ΡÂÚÒˇ We are especially proud of the complete technical ÔÓÎÌÓ ÚÂıÌ˘ÂÒÍÓ ÔÂÂÓÒ̇˘ÂÌË «ËÏÌÂ„Ó refurbishment of the Winter Theatre. Through Ú‡Ú‡. —Ó‚ÏÂÒÚÌ˚ÏË ÛÒËÎˡÏË ÙÂÒÚË‚‡Îˇ joint efforts between the festival and the city Ë ‡‰ÏËÌËÒÚ‡ˆËË „ÓÓ‰‡ —Ó˜Ë ‚ Á‡Î «ËÏÌÂ„Ó administration of Sochi the auditorium in the Ú‡Ú‡ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÒÓ‚ÂÏÂÌÌÓ ÍËÌÓÔÓÂÍ- Winter Theatre has been fitted with modern film ˆËÓÌÌÓ ӷÓÛ‰Ó‚‡ÌË ó ÎÛ˜¯Â ‚ —Ó˜Ë Ì‡ ÒÂ- projection equipment, making it the best in Sochi „Ó‰Ìˇ, ˜ÚÓ ÔÓÁ‚ÓΡÂÚ ÔÓÒÚ‡‚ËÚ¸ «ËÏÌËÈ ‚ today and allowing the Winter Theatre to be Ó‰ËÌ ˇ‰ Ò ÎÛ˜¯ËÏË ÍËÌÓÚ‡Ú‡ÏË ÒÚ‡Ì˚. ranked alongside the top cinemas of the country. Õ‡˜Ë̇ˇ Ò ˝ÚÓ„Ó „Ó‰‡, ‚Ò ÔÓËÁ‚‰ÂÌˡ, Ô‰- From this year onwards all films submitted to ÒÚ‡‚ÎÂÌÌ˚ ̇ ´üËÌÓÚ‡‚ª, ·Û‰ÛÚ ÔÓ͇Á‡Ì˚ ìKinotavrî will be screened adequately in their ‡‰ÂÍ‚‡ÚÌÓ, ‚ ÚÓÏ ÓË„Ë̇θÌÓÏ ‚ˉÂ, ‚ ÍÓÚÓ- original format. ÓÏ ÓÌË ·˚ÎË ËÒÔÓÎÌÂÌ˚. The year 2006 can certainly be called the year 2006 „Ó‰ ÏÓÊÌÓ ÒÏÂÎÓ Ì‡Á‚‡Ú¸ „Ó‰ÓÏ ÔÂϸÂ of premieres for ìKinotavrî in every respect. The ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª, Ô˘ÂÏ ‚Ó ‚ÒÂı ÓÚÌÓ- festivalís competition programme consists ¯ÂÌˡı. üÓÌÍÛÒ̇ˇ ÔÓ„‡Ïχ ÙÂÒÚË‚‡Îˇ practically entirely of films unknown to ·Û‰ÂÚ Ô‡ÍÚ˘ÂÒÍË ÔÓÎÌÓÒÚ¸˛ ÒÓÒÚÓˇÚ¸ ËÁ audiences and critics. Premieres of debut films ÙËθÏÓ‚, ÌÂÁ̇ÍÓÏ˚ı ÁËÚÂÎˇÏ Ë ÍËÚË͇Ï. will be screened in competition alongside films by ¬ ÍÓÌÍÛÒ ‚Ó¯ÎË ÔÂϸÂ˚ ͇ÚËÌ, ÒÌˇÚ˚ı recognised and established masters. During the Ì ÚÓθÍÓ ÂÊËÒÒÂ‡ÏË-‰Â·˛Ú‡ÌÚ‡ÏË, ÌÓ Ë formation of the competition programme we also ÔËÁ̇ÌÌ˚ÏË ËÏÂÌËÚ˚ÏË Ï‡ÒÚÂ‡ÏË. ¬ ÔÓ- managed to observe a balance between ˆÂÒÒ ÙÓÏËÓ‚‡Ìˡ ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏ˚ mainstream and auteur cinema. Ì‡Ï Û‰‡ÎÓÒ¸ ÒӷβÒÚË ·‡Î‡ÌÒ ÏÂÊ‰Û ÏÂÈÌ- The business programme of the festival continues ÒÚËÏÓÏ Ë ‡‚ÚÓÒÍËÏ ÍËÌÓ. to develop energetically. Besides the traditional œÓ‰ÓÎʇÂÚ ‡ÍÚË‚ÌÓ ‡Á‚Ë‚‡Ú¸Òˇ Ë ‰ÂÎÓ‚‡ˇ round tables, screenings, master classes and ÔÓ„‡Ïχ ÙÂÒÚË‚‡Îˇ. œÓÏËÏÓ Ú‡‰ËˆËÓÌÌ˚ı ìfilm-ringsî, a session of the Club of European ÍÛ„Î˚ı ÒÚÓÎÓ‚, ÒÍËÌËÌ„Ó‚, χÒÚÂ-Í·ÒÒÓ‚ Ë Producers will be held in the context of ´ÍËÌÓËÌ„Ó‚ª, ‚ ‡Ï͇ı ´üËÌÓÚ‡‚‡ª ÒÓÒÚÓËÚ- ìKinotavrî. We have invited 15 European Òˇ Á‡Ò‰‡ÌË üÎÛ·‡ ‚ÓÔÂÈÒÍËı ÔÓ‰˛ÒÂÓ‚. Ã˚ producers to the festival, who are directly Ô˄·ÒËÎË Ì‡ ÙÂÒÚË‚‡Î¸ 15 ‚ÓÔÂÈÒÍËı ÔÓ‰˛- oriented towards cooperation with Russian ÒÂÓ‚, ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ ÓËÂÌÚËÓ‚‡ÌÌ˚ı ̇ ÒÓ- cinematographers. The interest shown by western ÚÛ‰Ì˘ÂÒÚ‚Ó Ò ÓÒÒËÈÒÍËÏË ÍËÌÂχÚÓ„‡ÙËÒ- colleagues in ìKinotavrî is quite logical. For Ú‡ÏË. »ÌÚÂÂÒ, ÔÓˇ‚ÎÂÌÌ˚È Á‡Ô‡‰Ì˚ÏË ÍÓÎÎÂ- many reasons the Russian film-market has not „‡ÏË Í ´üËÌÓÚ‡‚Ûª, ‡·ÒÓβÚÌÓ Á‡ÍÓÌÓÏÂÂÌ. been of particular interest to our European œÓ ÏÌÓ„ËÏ Ô˘ËÌ‡Ï ‰Ó‚ÓθÌÓ ÔÓ‰ÓÎÊËÚÂθ- colleagues for a rather long time. But today, ÌÓ ‚ÂÏˇ ÓÚ˜ÂÒÚ‚ÂÌÌ˚È ÍËÌÓ˚ÌÓÍ ·˚Î ÌÂËÌ- with the national cinema revived, the Club of ÚÂÂÒÂÌ Ì‡¯ËÏ Â‚ÓÔÂÈÒÍËÏ ÍÓÎ΄‡Ï. ¿ Ò„Ӊ- European Producers perceives Russia as a zone Ìˇ, ÍÓ„‰‡ ‚ÓÁÓʉ‡ÂÚÒˇ ̇ˆËÓ̇θÌ˚È ÍËÌÂχ- of special interest, with ìKinotavrî as the ÚÓ„‡Ù, –ÓÒÒˡ ˇ‚ΡÂÚÒˇ ‰Îˇ üÎÛ·‡ ‚ÓÔÂÈ- countryís main national film festivalª. ÒÍËı ÔÓ‰˛ÒÂÓ‚ ÁÓÌÓÈ ÓÒÓ·Ó„Ó ‚ÌËχÌˡ, ‚ ÍÓ- ÚÓÛ˛ ÂÒÚÂÒÚ‚ÂÌÌ˚Ï Ó·‡ÁÓÏ ÔÓÔ‡‰‡ÂÚ Ë ´üË- ÌÓÚ‡‚ª Í‡Í „·‚Ì˚È Ì‡ˆËÓ̇θÌ˚È ÍËÌÓÙÂÒ- ÚË‚‡Î¸ ÒÚ‡Ì˚ª. 30% ó Á‡Û·ÂÊÌ˚ı, 30% ó ÓÒÒËÈÒÍËı, 10% ó ËÁ ÒÚ‡Ì —Õ√ Ë ¡‡ÎÚËË Ë ÓÍÓÎÓ 20 % ó ÍÓÔÓ‰ÛÍˆËˇ. ›ÍÒÔÓÁˈËË ÍËÌÓ˚Ì͇, ÒÓÒÚÓˇ˘Ë ËÁ 50 ÒÚẨӂ, ÔÓÒÂÚˇÚ ·ÓΠ600 Û˜‡ÒÚÌËÍÓ‚. Õ‡ ÒÂ„Ó‰Ìˇ ·‡Á‡ ‰‡ÌÌ˚ı ´üËÌÓÚ‡‚‡ª ̇ҘËÚ˚‚‡ÂÚ 340 ͇- ÚËÌ, ̇ıÓ‰ˇ˘ËıÒˇ ̇ ‡ÁÌ˚ı ÒÚ‡‰Ëˇı ÔÓËÁ‚Ó‰ÒÚ‚‡. œË ‚ÒÂÏ ÔÓÌËχÌËË ‚ËÚۇθÌÓ„Ó ı‡‡ÍÚÂ‡ ˝ÚÓÈ ËÌÙÓχˆËË, ‰‡Ì̇ˇ ˆËÙ‡ ‚Ô˜‡ÚΡÂÚ. 2005 „Ó‰ ÒڇΠ̇ÒÚÓˇ˘ËÏ ÍÓÏ- ÏÂ˜ÂÒÍËÏ ÔÓ˚‚ÓÏ ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓ: Ó·˘‡ˇ ÒÛÏχ ͇ÒÒÓ‚˚ı Ò·ÓÓ‚ ÒÓÒÚ‡‚Ë· 327 ÏËÎÎËÓÌÓ‚ ‰ÓηÓ‚, ËÁ ÌËı 101 ÏËÎÎËÓÌ ÔËıÓ‰ËÚÒˇ ̇ ‰Óβ 63 ÓÒÒËÈÒÍËı ͇ÚËÌ, ‰‚ ËÁ ÍÓÚÓ˚ı ˇ‚Ρ˛ÚÒˇ ‡·ÒÓβÚÌ˚ÏË ˜ÂÏÔËÓ̇ÏË. œÓ- ͇ÚÛ, ·ÂÁÛÒÎÓ‚ÌÓ, ÒÔÓÒÓ·ÒÚ‚ÛÂÚ ‡ÍÚË‚ÌÓ ‡Á‚ËÚË ÒÂÚË ÍËÌÓ- ‘≈—“»¬¿À‹Õ¿fl Ú‡ÚÓ‚: ̇ ÒÂ„Ó‰Ìˇ¯ÌËÈ ÏÓÏÂÌÚ Ëı ‚ –ÓÒÒËË 1036. ¡ÓÍÒ- ÓÙËÒÌ˚È ÔÓ‰˙ÂÏ ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡ ҂ˉÂÚÂθÒÚ- —“¿“»—“»ü¿ ‚ÛÂÚ Ó Ì‡¯ÂÈ ˚ÌÓ˜ÌÓÈ ÔË‚ÎÂ͇ÚÂθÌÓÒÚË, Ô·ÚÂÊÂÒÔÓÒÓ·- ÌÓÒÚË ÓÒÒËÈÒÍÓ„Ó ÁËÚÂΡ, ‰Ë̇ÏËÍ ‡Á‚ËÚˡ ÍËÌÓË̉ÛÒ- Õ‡˜‡ÎÓ Ë˛Ìˇ, Ë —Ó˜Ë ‚ÌÓ‚¸ ÓÍÍÛÔËÓ‚‡Ì ÏÌÓ„Ó˜ËÒÎÂÌÌÓÈ ‡- ÚËË, Ó Â ·Óθ¯ÓÏ ÔÓÚÂ̈ˇÎÂ Ë Ò‡ÏÓ‰ÓÒÚ‡ÚÓ˜ÌÓÒÚË, ‡ ÏËÂÈ ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. ¬ ˝ÚÓÏ „Ó‰Û ´üËÌÓÚ‡- Ú‡ÍÊ ÓÚÍ˚‚‡ÂÚ ÔÂÒÔÂÍÚË‚Û ‚˚ıÓ‰‡ ̇ ÏËÓ‚ÓÈ ÍËÌÓ˚- ‚Ûª ó ·ÂÁ ÔÂÛ‚Â΢ÂÌˡ Ò‡ÏÓÏÛ ÓÊˉ‡ÂÏÓÏÛ ÓÒÒËÈÒÍÓÏÛ ÌÓÍ. ›ÚÓ Ó˜Â‚Ë‰Ì‡ˇ Ôӷ‰‡ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓ Ì‡‰ ‡ÏÂË͇Ì- ÍËÌÓÙÂÒÚË‚‡Î˛ ËÒÔÓÎÌˇÂÚÒˇ ÒÂÏ̇‰ˆ‡Ú¸ ÎÂÚ. ¬ÓÁ‡ÒÚ ÛÊ Ì ÒÍËÏ Ì‡ ̇¯ÂÈ Ê ÚÂËÚÓËË. ÕÓ ÌÂθÁˇ Á‡·˚‚‡Ú¸, ˜ÚÓ Ï˚ ó ÔÂÂıÓ‰Ì˚È. ŒÌ Ú·ÛÂÚ ÓÚ ÛÒÚÓËÚÂÎÂÈ ˜ÂÚÍÓ„Ó ÔÓÌËχÌˡ Ì ÔÂ‚˚Â: fiÊ̇ˇ üÓ¡ Ì‡Ò ÓÔÂ‰Ë·, ¿„ÂÌÚË̇ ҉·· ÚÓ„Ó, ̇ ˜ÚÓ Ì‡¯ ÙÂÒÚË‚‡Î¸ ‡θÌÓ ÒÔÓÒÓ·ÂÌ, ̇ ˜ÚÓ ÓÌ ÏÓ- ˝ÚÓ Ô‡‡ÎÎÂθÌÓ Ò Ì‡ÏË. 4 ÊÂÚ ‚Îˡڸ, ˜ÚÓ ÓÌ ÙËÍÒËÛÂÚ, ÙÓÏËÛÂÚ Ë ÔÓ„ÌÓÁËÛÂÚ, ‡ Ú‡ÍÊ ͇ÍÓ‚˚ Â„Ó ÏÂÒÚÓ Ë ÔÂÒÔÂÍÚË‚˚ ‚ Ó·ÌÓ‚ÎÂÌÌÓÏ ÍËÌÂ- ‘≈—“»¬¿À‹Õ¿fl —Œ÷»ŒÀŒ√»fl χÚÓ„‡Ù˘ÂÒÍÓÏ ÔÓÒÚ‡ÌÒÚ‚Â. ¬Ó-ÔÂ‚˚ı, ̇ ÒÂ„Ó‰Ìˇ¯ÌËÈ Õ‡ÒÚÛÔËÎ 2006 „Ó‰, ÍÓÚÓ˚È ÔÓ͇Á‡Î, ˜ÚÓ ‚ÂÏˇ ˝ÈÙÓËË ÔÓ- ÏÓÏÂÌÚ Ó˜Â‚Ë‰ÌÓ Ó‰ÌÓ: ˆÂÌÌÓÒÚ¸ ÙÂÒÚË‚‡Îˇ ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ¯ÎÓ. ƒ‚‡ „·‚Ì˚ı ÏËÓ‚˚ı ÍËÌÓÒÏÓÚ‡, ¡ÂÎËÌ Ë ü‡ÌÌ, Ì ÓÌ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÓÒÚˇÁ‡Ú¸Òˇ ËÏÂÌÌÓ ÙËθχÏ, ‡ Ì ·˛‰- ÓÚÓ·‡ÎË ÓÒÒËÈÒÍË ÎÂÌÚ˚ ‚ Ò‚ÓË ÍÓÌÍÛÒÌ˚ ´‰‚‡‰ˆ‡ÚÍ˪, ‚ ÊÂÚ‡Ï, χÍÂÚËÌ„Ó‚˚Ï ÒÚ‡ÚÂ„ËˇÏ Ë ÂÒÛÒ‡Ï ÚÂÎÂ͇̇ÎÓ‚, Ó˜Â‰ÌÓÈ ‡Á ‰‡‚ Ì‡Ï ÔÓÌˇÚ¸, ˜ÚÓ Ï˚ ÌÂÍÓÌÍÛÂÌÚÓÒÔÓÒÓ·Ì˚ ÍÓÌÍÛËÓ‚‡Ú¸ ڇ·ÌÚ‡Ï, ‡ Ì ‡Ï·ËˆËˇÏ. Œ˜Â‚ˉÌÓ, ˜ÚÓ ıÛ‰Ó- ̇ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓÏ ÛÓ‚ÌÂ. œÓ ÏÌÂÌ˲ ÓÚ·ÓÓ˜Ì˚ı ÍÓÏËÒÒËÈ ÊÂÒÚ‚ÂÌ̇ˇ Á̇˜ËÏÓÒÚ¸ Ë ÔÓ͇ÚÌ˚È ÛÒÔÂı ñ Ì ‚Ò„‰‡ ÒËÌ- ˝ÚËı ÙÂÒÚË‚‡ÎÂÈ, Û Ì‡Ò Ì ÒÛ˘ÂÒÚ‚ÛÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ëı Á‡- ıÓÌÌ˚. ¬Ó-‚ÚÓ˚ı, ÙÂÒÚË‚‡Î¸ ·˚Î, ÂÒÚ¸ Ë ·Û‰ÂÚ Íβ˜Â‚ÓÈ ÔÓÒ‡Ï ‡‚ÚÓÒÍÓ„Ó ÍËÌÓ. » ̇¯Ë ÂÊËÒÒÂ˚, ‡ÒÒÛʉ‡ˇ Ó ÒÂ- ÔÎÓ˘‡‰ÍÓÈ ‰Îˇ ÍÓÌÚ‡ÍÚ‡, ‚Á‡ËÏÓ‰ÂÈÒڂˡ, Ô‡ÚÌÂÒÚ‚‡ Ë ÒÓ- „Ó‰Ìˇ¯ÌÂÏ ÒÓÒÚÓˇÌËË ÏË‡, Â„Ó ÔÓ¯ÎÓÏ ËÎË ·Û‰Û˘ÂÏ, Ì ÔÂÌ˘ÂÒÚ‚‡, ˜ÚÓ Ó˜Â̸ ‚‡ÊÌÓ, Û˜ËÚ˚‚‡ˇ Ә‚ˉÌÛ˛ ‡Á‰Ó·- ÒÔÓÒÓ·Ì˚ Ò‚Ó·Ó‰ÌÓ „Ó‚ÓËÚ¸ ̇ ˇÁ˚Í ÒÓ‚ÂÏÂÌÌÓ„Ó ÍËÌÓ. “‡- ÎÂÌÌÓÒÚ¸ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÒÓÓ·˘ÂÒÚ‚‡. ¬-ÚÂÚ¸Ëı, Í‡Í Î˛·ÓÈ Í‡ˇ ÔÓÁËˆËˇ ͇ÊÂÚÒˇ ÒÚ‡ÌÌÓÈ, Ú‡Í Í‡Í ËÏÂÌÌÓ ÒÂȘ‡Ò ‚ ÓÒ- ÍÓÌÍÛÒ, ´üËÌÓÚ‡‚ª ÓÒÚ‡ÂÚÒˇ ÁÓÌÓÈ Ôӷ‰ Ë ÔÓ‡ÊÂÌËÈ, ‡‰Ó- ÒËÈÒÍÓÏ ÍËÌÓ ÂÒÚ¸, ËÁ ˜Â„Ó ‚˚·Ë‡Ú¸: Û Ì‡Ò ÔÓˇ‚ËÎËÒ¸ ͇ÚË- ÒÚÂÈ Ë Ó„Ó˜ÂÌËÈ. » ÔÓÒΉÌÂÂ, Û Î˛·Ó„Ó ÙÂÒÚË‚‡Îˇ ÂÒÚ¸ ˜ÂÚ˚- Ì˚ ‚ËÁۇθÌÓ ˝ÙÙÂÍÚÌ˚Â, ‡ÍÚۇθÌ˚ ÔÓ ÒÓ‰ÂʇÌ˲, ËÌÚÂ-  ·‡ÁÓ‚˚ ÒÓÒÚ‡‚Ρ˛˘ËÂ: ÔÓ„‡Ïχ, ÔÂÒÒ‡, ·ËÁÌÂÒ Ë Ò‚ÂÚ- ̇ˆËÓ̇θÌÓ ÓËÂÌÚËÓ‚‡ÌÌ˚Â. ÕÓ Ëı Ì ӈÂÌËÎËÖ Õ‡ ÒÂ„Ó‰Ìˇ Ò͇ˇ ÊËÁ̸. »ı „‡ÏÓÌ˘ÌÓ ÒÓ˜ÂÚ‡ÌË ñ ̇¯‡ ˆÂθ. ‰‡Ì̇ˇ ÚÂχ ˇ‚ΡÂÚÒˇ Ó‰ÌÓÈ ËÁ Ò‡Ï˚ı ÓÒÚ˚ı ‰Îˇ ÓÒÒËÈÒÍËı ¬ÂÒ¸ Ôӯ‰¯ËÈ „Ó‰ Ï˚ ÒÚ‡‡ÚÂθÌÓ ‡·ÓÚ‡ÎË Ì‡‰ ÔÓ‰‚Ë- ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. ¬ ˝ÚÓÈ Ò‚ˇÁË ´üËÌÓÚ‡‚ª ÒÓ‚ÏÂÒÚÌÓ Ò ÊÛ- ÊÂÌËÂÏ ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓ, Í‡Í ‚ÌÛÚË –ÓÒÒËË, Ú‡Í Ë Á‡ ̇ÎÓÏ ´üËÌÓÔÓˆÂÒÒª ÔÓ‚ÂÎ ÓÔÓÒ: ´◊Â„Ó Ì ı‚‡Ú‡ÂÚ ÓÒÒËÈ- Û·ÂÊÓÏ. œÓ¯ÎÓÈ ÓÒÂ̸˛ ÔÓ͇Á˚ ÙËθÏÓ‚-Ôӷ‰ËÚÂÎÂÈ ÒÍÓÏÛ ÍËÌÓ?ª. ¬ ÌÂÏ ÔËÌˇÎË Û˜‡ÒÚË 10 ÔÓ‰˛ÒÂÓ‚, 10 Â- ´üËÌÓÚ‡‚‡ª ÒÓÒÚÓˇÎËÒ¸ ‚ Ò‡Ï˚ı ÔÂÒÚËÊÌ˚ı ÍËÌÓÚ‡Ú‡ı ÊËÒÒÂÓ‚, 10 ‰ËÒÚË·¸˛ÚÓÓ‚, 10 ÍËÌÓÍËÚËÍÓ‚ Ë ÍËÌӂ‰ӂ. ≈͇ÚÂËÌ·Û„‡, üË‚‡, —‡ÌÍÚ-œÂÚÂ·Û„‡, œÂÏË, —‡Ï‡˚ Ë –ÂÁÛθڇÚ˚ ÓÔÓÒ‡: “ÓÏÒ͇ Ë ËÏÂÎË ÛÒÔÂı Û ÔÛ·ÎËÍË. Ã˚ ۷‰ËÎËÒ¸ ‚ ÚÓÏ, ˜ÚÓ »Ú‡Í, ˜Â„Ó Ê Ì ı‚‡Ú‡ÂÚ ÓÚ˜ÂÒÚ‚ÂÌÌÓÏÛ ÍËÌÓ Ò ÚÓ˜ÍË ÁÂÌˡ: ‚ ÒÚ‡Ì ÂÒÚ¸ ´ÌÂÍÓÏÏÂ˜ÂÒÍËȪ ÁËÚÂθ, ÍÓÚÓÓÏÛ ÌÛÊÌ˚ ̇¯Ë ͇ÚËÌ˚. œ–Œƒfi—≈–Œ¬ üÓ΢ÂÒÚ‚Ó ‰ÌÂÈ ‰Îˇ ÍÓÌÍÛÒÌ˚ı ÔÓ͇ÁÓ‚ ̇ Ì˚̯ÌÂÏ ÙÂÒ- 1. ÕÓ‚˚ı ÍËÌÓÚ‡ÚÓ‚, ‰ÓÒÚÛÔÌ˚ı ÍËÌÓ·ËÎÂÚÓ‚, Ô·ÚÂÊÂÒ- ÚË‚‡Î ÒÓÍ‡˘ÂÌÓ ‰Ó ÒÂÏË. ¿ ÍÓ΢ÂÒÚ‚Ó ÔÓ„‡ÏÏ ÔË ˝ÚÓÏ ÔÓÒÓ·Ì˚ı ÁËÚÂÎÂÈ Û‚Â΢ËÎÓÒ¸ ‰Ó ‰‚Â̇‰ˆ‡ÚË. —Âϸ ËÁ ÌËı ñ ˝ÚÓ Ì‡¯Â ´Ò„Ӊ- 2. “‚Ó˜ÂÒÍÓÈ ÒÏÂÎÓÒÚË, Ò‡ÏÓ·˚ÚÌ˚ı, ÌÓ‚˚ı ˉÂÈ Ìˇª Ë ´Á‡‚Ú‡ª, ‡ ÔˇÚ¸ ñ ̇¯Â ´‚˜Â‡ª. ¬ÒÂ„Ó Ì‡ ´üËÌÓÚ‡‚- 3. ÕÓ‚˚ı ÂÊËÒÒÂÓ‚, ‡‰ÂÍ‚‡ÚÌÓ ‚ÓÒÔËÌËχ˛˘Ëı Á‡ÔÓ- ª ·Û‰ÂÚ Ô‰ÒÚ‡‚ÎÂÌÓ 120 ͇ÚËÌ Ì‡ ÚÂı ÙÂÒÚË‚‡Î¸Ì˚ı Ò˚ ‡Û‰ËÚÓËË, Á̇˛˘Ëı ÒÓ‚ÂÏÂÌÌ˚ ÚẨÂ̈ËË ÏËÓ- ÔÎÓ˘‡‰Í‡ı. «‡ÏÂÚÌÓ ‚ÓÁÓÒÎÓ ÍÓ΢ÂÒÚ‚Ó Á‡ˇ‚ÓÍ Ì‡ Û˜‡ÒÚËÂ: ‚Ó„Ó ÍËÌÓ ÔËÏÂÌÓ 70 ÙËθÏÓ‚ ÔÂÚẨӂ‡ÎÓ ‚ ÍÓÌÍÛÒ ÔÓÎÌÓÏÂÚ‡Ê- –≈∆»——≈–Œ¬ ÌÓ„Ó ÍËÌÓ Ë 130 ñ ‚ ÔÓ„‡ÏÏÛ ´üËÌÓÚ‡‚. üÓÓÚÍËÈ ÏÂÚª 1. “‚Ó˜ÂÒÍÓÈ ÒÏÂÎÓÒÚË, Ò‡ÏÓ·˚ÚÌ˚ı, ÌÓ‚˚ı ˉÂÈ (˝ÚÓ ÔÓ͇Á‡ÚÂθ Í‡Í Ì‡ÎË˜Ëˇ ‰ÂÌ„ ‚ ÍËÌÓ, Ú‡Í Ë ·˚ÒÚÓ„Ó 2. ∆‡ÌÓ‚Ó„Ó Ë ÚÂχÚ˘ÂÒÍÓ„Ó ‡ÁÌÓÓ·‡Áˡ ‚ ÂÔÂÚÛ‡Â, ‡Á‚ËÚˡ ÍËÌÓÚÂıÌÓÎÓ„ËÈ). Õ‡ ÙÂÒÚË‚‡Î ÓÊˉ‡ÂÚÒˇ ÓÍÓÎÓ ´˜ÂÎӂ˜ÂÒÍËı ËÒÚÓËȪ 1500 „ÓÒÚÂÈ, ·Óθ¯‡ˇ ˜‡ÒÚ¸ ÍÓÚÓ˚ı, ‡ÁÛÏÂÂÚÒˇ, ÍËÌÂχÚÓ- 3. ƒ‡Î¸ÌӂˉÌ˚ı, ÒÓÒÚÓˇÚÂθÌ˚ı ÔÓ‰˛ÒÂÓ‚ „‡ÙËÒÚ˚, ÔËÏÂÌÓ 250 Ô‰ÒÚ‡‚ËÚÂÎÂÈ —û (·Û‰ÂÚ ‡ÍÍÂ- ü–»“»üŒ¬ » ü»ÕŒ¬≈ƒŒ¬ ‰ËÚÓ‚‡ÌÓ 15 ÚÂÎÂ͇̇ÎÓ‚ Ë 200 ÔÂËӉ˘ÂÒÍËı ËÁ‰‡ÌËÈ) Ë 1. “‚Ó˜ÂÒÍÓÈ ÒÏÂÎÓÒÚË, Ò‡ÏÓ·˚ÚÌ˚ı, ÌÓ‚˚ı ˉÂÈ ÍËÌÓÚÛËÒÚ˚, ÍÓÚÓ˚ı ‚ ˝ÚÓÏ „Ó‰Û ÔˉÂÚ ‚‰‚Ó ·Óθ¯Â. 2. ÕÓ‚˚ı ÂÊËÒÒÂÓ‚, ‡‰ÂÍ‚‡ÚÌÓ ‚ÓÒÔËÌËχ˛˘Ëı Á‡ÔÓ- ¬ÚÓÓÈ „Ó‰ ÔÓ‰ˇ‰ ´üËÌÓÚ‡‚ª ÔÓ‚Ó‰ËÚ showcase ñ ÔÓ͇Á˚ Ò˚ ‡Û‰ËÚÓËË, Á̇˛˘Ëı ÒÓ‚ÂÏÂÌÌ˚ ÚẨÂ̈ËË ÏËÓ- ÓÒÒËÈÒÍËı ÙËθÏÓ‚ ‰Îˇ ËÌÓÒÚ‡ÌÌ˚ı „ÓÒÚÂÈ: ‰ËÂÍÚÓÓ‚ Ë ‚Ó„Ó ÍËÌÓ ÓÚ·Ó˘ËÍÓ‚ ÙÂÒÚË‚‡ÎÂÈ, ‰ËÒÚË·¸˛ÚÓÓ‚, ÊÛ̇ÎËÒÚÓ‚ 3. —Ήӂ‡Ìˡ ÎÛ˜¯ËÏ ÓÚ˜ÂÒÚ‚ÂÌÌ˚Ï ÍËÌÓÚ‡‰ËˆËˇÏ ÍÛÔÌÂȯËı ÏËÓ‚˚ı ÍËÌÓËÁ‰‡ÌËÈ. »ÚÓ„ÓÏ ˝ÚÓÈ ÔÓ¯ÎÓ- ƒ»—“–»¡‹fi“Œ–Œ¬ „Ó‰ÌÂÈ ËÌÌÓ‚‡ˆËË ÒÚ‡ÎÓ Û‚Â΢ÂÌË ‰ÓÎË Û˜‡ÒÚˡ ÓÒÒËÈ- 1. ƒÂÌ„, ‚ ÚÓÏ ˜ËÒΠÔÓÚ‡˜ÂÌÌ˚ı ̇ ÂÍ·ÏÛ ÒÍÓ„Ó ÍËÌÓ Ì‡ ‡Á΢Ì˚ı Ãü‘. ¬ ˜ËÒΠ̇¯Ëı ÒÍÓÏÌ˚ı 2. ÕÓ‚˚ı ÂÊËÒÒÂÓ‚, ‡‰ÂÍ‚‡ÚÌÓ ‚ÓÒÔËÌËχ˛˘Ëı Á‡ÔÓ- Ôӷ‰ ÏÓÊÌÓ ÓÚÏÂÚËÚ¸ ÔÓ‚˚¯ÂÌÌ˚È ËÌÚÂÂÒ Á‡Ô‡‰ÌÓÈ ÍËÌÓ- Ò˚ ‡Û‰ËÚÓËË, Á̇˛˘Ëı ÒÓ‚ÂÏÂÌÌ˚ ÚẨÂ̈ËË ÏËÓ- ÔÂÒÒ˚ Í ÙÂÒÚË‚‡Î˛, ·ÓΠÚÓ„Ó, Í Ì‡Ï Ì‡˜‡ÎË ÔÓÒÚÛÔ‡Ú¸ Á‡- ‚Ó„Ó ÍËÌÓ ÔÓÒ˚ ‡Úı‡ÛÒÌ˚ı ‰ËÒÚË·¸˛ÚÓÓ‚ ËÁ ≈‚ÓÔ˚, ¿ÏÂËÍË Ë 3. “‚Ó˜ÂÒÍÓÈ ÒÏÂÎÓÒÚË, Ò‡ÏÓ·˚ÚÌ˚ı, ÌÓ‚˚ı ˉÂÈ ¿ÁËË. «‡Ï˜‡ÚÂθÌÓ, ˜ÚÓ Ï˚ ӷ·‰‡ÂÏ Ó„‡ÌËÁ‡ˆËÓÌÌ˚ÏË Ë ¬—≈’ Œœ–Œÿ≈ÕÕ¤’ ÙË̇ÌÒÓ‚˚ÏË ÂÒÛÒ‡ÏË ‰Îˇ ÔÓ‰ÓÎÊÂÌˡ ˝ÚÓÈ ‡·ÓÚ˚ ó ‚ 1. “‚Ó˜ÂÒÍÓÈ ÒÏÂÎÓÒÚË, Ò‡ÏÓ·˚ÚÌ˚ı, ÌÓ‚˚ı ˉÂÈ Ì˚̯ÌÂÏ „Ó‰Û Í Ì‡Ï ÔˉÂÚ ÛÊ ·ÓΠ100 ˜ÂÎÓ‚ÂÍ. ÕÓ 2. ÕÓ‚˚ı ÂÊËÒÒÂÓ‚, ‡‰ÂÍ‚‡ÚÌÓ ‚ÓÒÔËÌËχ˛˘Ëı Á‡ÔÓ- Ò‡ÏÓ „·‚ÌÓÂ, ˜ÚÓ ÙÂÒÚË‚‡Î¸ ÔÂÂÒÚ‡ÂÚ ‚‡ËÚ¸Òˇ ‚ ÒÓ·ÒÚ‚ÂÌ- Ò˚ ‡Û‰ËÚÓËË, Á̇˛˘Ëı ÒÓ‚ÂÏÂÌÌ˚ ÚẨÂ̈ËË ÏËÓ- ÌÓÏ ÒÓÍÛ, ̇˜Ë̇ÂÚ ‡·ÓÚ‡Ú¸ ̇ ÔÂÒÔÂÍÚË‚Û Ë ‰Â·ÂÚ ‚Ò ‚Ó„Ó ÍËÌÓ ‰Îˇ ÚÓ„Ó, ˜ÚÓ·˚ ÒÓ‚ÂÏÂÌÌÓ ÓÒÒËÈÒÍÓ ÍËÌÓ ÛÍÂÔËÎÓ Ò‚ÓË 3. ÕÓ‚˚ı ÍËÌÓÚ‡ÚÓ‚, ‰ÓÒÚÛÔÌ˚ı ÍËÌÓ·ËÎÂÚÓ‚, Ô·ÚÂÊÂÒ- ÔÓÁˈËË Ì‡ ÏÂʉÛ̇Ó‰ÌÓÈ ‡ÂÌÂ, Í‡Í ˝ÚÓ ‚ Ò‚Ó ‚ÂÏˇ Û‰‡- ÔÓÒÓ·Ì˚ı ÁËÚÂÎÂÈ ÎÓÒ¸ ҉·ڸ üËÚ‡˛, »‡ÌÛ Ë fiÊÌÓÈ üÓÂÂ. ´üËÌÓÚ‡‚ª ÔÓ‰ÓÎÊËÚ ÒÓÚÛ‰Ì˘ÂÒÚ‚Ó Ò 67-Ï ÓÒÒËÈÒÍËÏ œÓÎÌÓÒÚ¸˛ ÂÁÛθڇÚ˚ ÓÔÓÒ‡ ·Û‰ÛÚ ÓÔÛ·ÎËÍÓ‚‡Ì˚ ‚ ·ÎË- ÍËÌÓ˚ÌÍÓÏ, ̇ ÍÓÚÓÓÏ ·Û‰ÛÚ Ô‰ÒÚ‡‚ÎÂÌ˚ 300 ÙËθÏÓ‚: ʇȯËı ÌÓÏÂ‡ı ÊÛ̇· ´üËÌÓÔÓˆÂÒÒª.

—ËÚÓ‡ ¿ÎË‚‡, ‰ËÂÍÚÓ ÍËÌÓÔÓ„‡ÏÏ about 20% co-production. The exhibition of the film-market, FESTIVAL consisting of 50 stands, will be visited by over 600 participants. STATISTICS At present the database of ìKinotavrî contains 340 films at different production stages. Whilst fully understanding the The beginning of June, and Sochi is again occupied by the virtual character of this information, the figure is impressive. large army of national cinematographers. This year The year 2005 became a genuine commercial breakthrough for ìKinotavrî ñ without exaggeration the most awaited Russian Russian cinema: the total box office grossing reached $327 film festival ñ is seventeen years old. Its age is no longer million, of which $101 million were achieved by the 63 transitional. It demands from the organizers a precise Russian films, among them two absolute champions. The understanding of what the festival is really capable of, what distribution is, no doubt, assisted by the vigorous development it can influence, what it fixates, forms and predicts, and of the cinema networks: today Russia has 1036 cinemas. The what its place and prospects are in the new cinematic space. rise of the box office in Russian cinema testifies to our Firstly, one thing is obvious today: the festivalís merit lies in market appeal, the solvency of the Russian audience, the its ability to organize a competition of films, not budgets, dynamic development of the film industry, its huge potential marketing strategies and resources of television channels, a and self-sufficiency, as well as the prospect of entering the competition among talents rather than ambitions. It is world market. It is the obvious victory of Russian cinema over obvious that the artistic significance and success in American cinema in our territories. But we must not forget distribution are not always synonymous. Secondly, the that we are not the first: South Korea has outstripped us, and festival was, is and will be a key platform for contacts, Argentina runs in parallel with us. interactions, partnership and rivalries; and this is very important, bearing in mind the obvious dissociation of the FESTIVAL SOCIOLOGY Russian film community. Thirdly, as any competition, The year 2006 has shown that the time of euphoria has gone. ìKinotavrî remains an area for victories and defeats, for joy The two main film festivals of the world, Berlin and Cannes, and disappointment. And finally, any festival has four basic have not selected any Russian films among the twenty 5 components: the programme, the press, the business section, competition films; once again they have let us know that we and high life. Their harmonious combination is our purpose. are non-competitive on an artistic level. In the opinion of the For the whole of last year we have diligently worked on the selection commissions of these festivals, we do not have an promotion of Russian cinema, both within Russia and abroad. auteur cinema that corresponds to their demands. Our Last autumn screenings of the winners of ìKinotavrî took directors, arguing about todayís condition of the world, its place in the most prestigious cinemas of Ekaterinburg, Kiev, past or future, are not capable of speaking freely the language Saint Petersburg, Perm, Samara and Tomsk. They were a of modern cinema. Such a position seems strange, because success with the audiences. We convinced ourselves that right now there is a choice in Russian cinema: there are films there is a ìnon-commercialî spectator in the country who that are visually effective, topical in content, internationally needs our films. oriented. But they have not been valued Ö Today this is an The number of days for the competition screenings at this acute issue for Russian cinematographers. In this connection yearís festival has been reduced to seven. Yet the number of ìKinotavrî, together with the magazine ìKino-Processî, has programmes has increased to twelve. Seven programmes carried out a survey: ìwhat is lacking in Russian cinema?î concern our ìtodayî and ìtomorrowî; five concern our Ten producers, ten directors, ten distributors, ten film critics ìyesterdayî. ìKinotavrî will screen a total of 120 films on and scholars have taken part in this survey. three festival arenas. The number of applications for Survey Results: participation has increased noticeably: approximately 70 What is lacking in national cinema from the point of view of: feature films were submitted to the competition programme, and 130 shorts for the programme ìKinotavr. Shortsî (this is PRODUCERS an indicator of the availability of money in cinema and the 1. New cinemas, affordable tickets, solvent spectators fast development of film technologies). About 1500 visitors 2. Bold creativity, original and new ideas are expected at the festival, mostly cinematographers; about 3. New directors who are perceptive to audience demand and 250 representatives of mass-media (15 television channels and know the current trends of world cinema 200 periodicals will be accredited); and twice as many film- DIRECTORS tourists than usual. 1. Bold creativity, original and new ideas For the second year running ìKinotavrî conducts a showcase 2. Genre and theme variety in the repertoire, ìhuman storiesî of screenings of Russian films for foreign visitors: directors 3. Far-sighted, solvent producers and festivals selectors, distributors, journalists of the worldís CRITICS AND FILM HISTORIANS largest film publications. A result of this innovation 1. Bold creativity, original and new ideas introduced last year, the share of Russian cinema at various 2. New directors who are perceptive to audience demand and international film festivals increased. We may note among know the current trends of world cinema our modest victories the heightened interest of the western 3. Following the best traditions of Russian film film press in the festival. Moreover, art-house distributors DISTRIBUTORS from Europe, America and Asia are making enquiries. It is 1. Money, including money spent on advertising splendid that we possess the organizational and financial 2. New directors who are perceptive to audience demand and resources to continue this work: this year more than 100 know the current trends of world cinema people will be arriving for the showcase. But most 3. Bold creativity, original and new ideas importantly the festival has stop to keep itself to itself: it is ALL SURVEY PARTICIPANTS beginning to work with perspective and is doing everything 1. Bold creativity, original and new ideas to strengthen the position of modern Russian cinema on the 2. New directors who are perceptive to audience demand and international scene, as this happened in its time for China, know the current trends of world cinema Iran and South Korea. 3. New cinemas, affordable tickets, solvent spectators ìKinotavrî will continue to co-operate with the 67th Russian film-market, where 300 films will be presented: 30% foreign, The full results of the survey will be published in the next 30% Russian, 10% from the CIS and the Baltic States, and issues of the magazine ìKino-Processî.

Sitora Alieva Programme Director œŒœ≈◊»“≈À‹—ü»… TUTORIAL COUNCIL —Œ¬≈“ ‘≈—“»¬¿Àfl OF THE FESTIVAL

¿À≈ü—¿Õƒ– –ŒƒÕflÕ—ü»… ALEXANDER RODNYANSKY œÂÁˉÂÌÚ ıÓΉËÌ„‡ ´—“— ɡª President of the Media Holding CTC œ‰Ò‰‡ÚÂθ ÔÓÔ˜ËÚÂθÒÍÓ„Ó ÒÓ‚ÂÚ‡ Chairman of the Board of Trustees of the ÙÂÒÚË‚‡Îˇ ´üËÌÓÚ‡‚ª Kinotavr Festival

œ≈“– ¿¬≈Õ PETER AVEN œÂÁˉÂÌÚ Œ¿Œ ´¿Î¸Ù‡-¡‡Ìͪ President of ìAlpha Bankî

ŒÀ≈√ ƒ≈–»œ¿—ü¿ OLEG DERIPASKA √ÂÌÂ‡Î¸Ì˚È ‰ËÂÍÚÓ Œ¿Œ ´–ÛÒÒÍËÈ ‡Î˛ÏËÌËȪ General Director of ìRussian Aluminiumî 6 ¬»“¿À»… »√Õ¿“≈ÕüŒ VITALY IGNATENKO √ÂÌÂ‡Î¸Ì˚È ‰ËÂÍÚÓ ´»“¿–-“¿——ª General Director of ìITAR-TASSî

¿À≈ü—¿Õƒ– “ü¿◊≈¬ ALEXANDER TKACHIOV √·‚‡ ‡‰ÏËÌËÒÚ‡ˆËË ü‡ÒÌÓ‰‡ÒÍÓ„Ó Í‡ˇ Governor of the Krasnodar Region

û’¿»À ÿ¬¤ƒüŒ… MIKHAIL SHVYDKOI –ÛÍÓ‚Ó‰ËÚÂθ ‘‰Â‡Î¸ÌÓ„Ó ¿„ÂÌÚÒÚ‚‡ ÔÓ Head of the Federal Agency for Culture and ÍÛθÚÛÂ Ë ÍËÌÂχÚÓ„‡ÙËË Cinematography

üŒÕ—“¿Õ“»Õ ›–Õ—“ KONSTANTIN ERNST √ÂÌÂ‡Î¸Ì˚È ‰ËÂÍÚÓ Œ¿Œ ´œÂ‚˚È Í‡Ì‡Îª General Director of ìFirst Channelî

ƒ»–≈ü÷»fl FESTIVAL ‘≈—“»¬¿Àfl DIRECTORATE

»√Œ–‹ “ŒÀ—“”ÕŒ¬ IGOR TOLSTUNOV √ÂÌÂ‡Î¸Ì˚È ÔÓ‰˛ÒÂ General producer

—»“Œ–¿ ¿À»≈¬¿ SITORA ALIEVA œÓ„‡ÏÏÌ˚È ‰ËÂÍÚÓ Programme Director

≈À≈Õ¿ À¿œ»Õ¿ ELENA LAPINA »ÒÔÓÎÌËÚÂθÌ˚È ‰ËÂÍÚÓ Executive Director

œŒÀ»Õ¿ «”≈¬¿ POLINA ZUEVA üÓÏÏÂ˜ÂÒÍËÈ ‰ËÂÍÚÓ Commercial Director

Àfi¡Œ¬‹ œ¿—“”’Œ¬¿ LIUBOV PASTUKHOVA ‘Ë̇ÌÒÓ‚˚È ‰ËÂÍÚÓ Financial Director

¿Õ¿—“¿—»fl ¡”À√¿üŒ¬¿ ANASTASIA BULGAKOVA –ÛÍÓ‚Ó‰ËÚÂθ Óډ· promotion Head of Promotion

≈À≈Õ¿ ü”œ–»flÕŒ¬¿ ELENA KUPRIYANOVA –ÛÍÓ‚Ó‰ËÚÂθ PR-Óډ· Head of PR

Õ¿“¿À‹fl flü”ÿü»Õ¿ NATALIA YAKUSHKINA –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔÓÚÓÍÓ· Head of Protocol Œ“ü–¤“»≈ 8 OPENING GALA üŒÕü”–— 10 COMPETITION

ü»ÕŒ“¿¬–. üŒ–Œ“ü»… Ã≈“– 42 KINOTAVR. SHORTS ÒÓ‰ÂʇÌË contents 7 –”——ü¿fl ›…‘Œ–»fl 76 RUSSIAN EUPHORIA ü»ÕŒ Õ¿ œÀŒŸ¿ƒ» 91 CINEMA ON THE SQUARE —œ≈÷»¿À‹Õ¤… œŒü¿« 113 SPECIAL SCREENING ¬ «≈–ü¿À≈ ƒŒü”Ã≈Õ“¿ 125 IN THE MIRROR OF THE DOCUMENT 90-Â. ü»ÕŒ, üŒ“Œ–Œ≈ ä œŒ“≈–flÀ» 136 1990s. THE CINEMA THAT WE LOST Õ¿◊¿À¿. À≈Õ»Õ√–¿ƒ—ü¿fl ÿüŒÀ¿ 148 THE BEGINNINGS. THE LENINGRAD SCHOOL ‘≈—“»¬¿À‹Õ¤≈ À¿”–≈¿“¤ 152 FESTIVAL WINNERS 9 œ¿À‹Ã 170 9 PALMS »Ì‰ÂÍÒ ÙËθÏÓ‚ 181 Index of films »Ì‰ÂÍÒ ÂÊËÒÒÂÓ‚ 182 Index of directors Œ„‡ÌËÁ‡ˆËË/ üÓÌÚ‡ÍÚ˚ 183 Companies/ Contacts 8 ÓÚÍ˚ÚË opening gala œÓËÁ‚Ó‰ÒÚ‚Ó ŒÎ¸„‡ ¬‡ÒË肇 œÓ‰˛ÒÂ˚ fiËÈ üÛÁ̈ӂ ¬ËÍÚÓ —ÛıÓÛÍÓ‚,ÕË̇”Ò‡ÚÓ‚‡,¬ËÍÚÓˡ»Ò‡ÍÓ‚‡, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,112ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 THE ISLAND Œ—“–Œ¬ —ÚÂÙ‡Ì ¿Î¸·ËÌÂ,¬Î‡‰ËÏËÀËÚÓ‚ÌËÍ ¿Î¸·Ë̇ ¿ÌÚËÔÂÌÍÓ œÂÚ ÇÏÓÌÓ‚,ƒÏËÚËȃ˛Ê‚, ¿Ì‰ÂÈ ∆„‡ÎÓ‚ œ‡‚ÂÎ ÀÛÌ„ËÌ ≈͇ÚÂË̇ ƒ˚ÏËÌÒ͇ˇ —Â„ÂÈ ÿÛχÍÓ‚,œ‡‚ÂÎÀÛÌ„ËÌ, »„Ó¸ üÓˆ‡‚,¿ÎÂÍ҇̉“ÓÎ͇˜Â‚ ¬Î‡‰ËÏË ÇÚ˚ÌÓ‚ ´—ÚÛ‰Ëˇ œ‡‚·ÀÛÌ„Ë̇ª ƒÏËÚËÈ —Ó·Ó΂ Production Producers Nina Usatova,VictoriaIsakova,YuriKuznetsov Cast: Editor Sound Composer Costumes Art Director Camera Scriptwriter Director 2006, Russia,112min,colour,1:2.35,DolbyDigital5.1 Pyotr Mamonov,DmitryDyuzhev,VictorSukhorukov, Albina Antipenko Ste Andrey Zhegalov Pavel Lounguine phane Albinet,VladimirLitrovnik Ekaterina Dyminskaya Vladimir Martynov Sergei Shumakov,PavelLounguine,OlgaVasilieva Pavel LounguineStudio Dmitry Sobolev Igor Kotsarev,AlexanderTolkachiov ÓÚÍ˚ÚË opening gala

œ‡‚ÂÎ ÀÛÌ„ËÌ –ÂÊËÒÒÂ Ë„Ó‚Ó„Ó Ë ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ, ÒˆÂ̇ËÒÚ, ÔÓ‰˛ÒÂ. œËÁÂ ÏÂʉÛ̇Ó‰- Ì˚ı Ë ÓÒÒËÈÒÍËı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ 12 ˲Ρ 1949 „Ó‰‡ ‚ ÃÓÒÍ‚Â. ŒÍÓ̘ËÎ ÓÚ‰Â- ÎÂÌË χÚÂχÚ˘ÂÒÍÓÈ Ë ÔËÍ·‰ÌÓÈ ÎËÌ„- ‚ËÒÚËÍË ÙËÎÓÎӄ˘ÂÒÍÓ„Ó Ù‡ÍÛθÚÂÚ‡ Ã√” (1971), ¬˚үˠÍÛÒ˚ ÒˆÂ̇ËÒÚÓ‚ Ë ÂÊËÒ- ÒÂÓ‚ (1980, χÒÚÂÒ͇ˇ √.Õ.ƒ‡ÌÂÎËË, Ã.√.À¸‚Ó‚ÒÍÓ„Ó). ¬ ÍËÌÓ ‰Â·˛ÚËÓ‚‡Î Í‡Í ÒˆÂ̇ËÒÚ ‚ 1976 „Ó‰Û (´¬Ò ‰ÂÎÓ ‚ ·‡Úª, ÂÊ. ¬‡ÎÂÌÚËÌ √ÓÎÓ‚). œÓÁÊ ÔÓ Â„Ó ÒˆÂ̇- 9 ËˇÏ ·˚ÎË ÔÓÒÚ‡‚ÎÂÌ˚ ÙËθÏ˚ ´üÓ̈ ËÏ- ÔÂ‡ÚÓ‡ ڇȄ˪, ´ü‡Ù‰‡ª, ´ÕÂÔӷ‰Ë- Ï˚Ȫ Ë ‰Û„ËÂ. œÂ‚˚È ÙËÎ¸Ï ÂÊËÒÒÂ‡ ñ ´“‡ÍÒË-·Î˛Áª (ÒÔˆˇθÌ˚È ÔËÁ Á‡ ÂÊËÒ- ÒÛÛ Ãü‘ ‚ ü‡Ì̇ı) ó ÒڇΠÍÛθÚÓ‚˚Ï ÙËθÏÓÏ. — ̇˜‡Î‡ 90-ı „Ó‰Ó‚ ÂÊËÒÒÂ ÊË- ‚ÂÚ ‚Ó ‘‡ÌˆËË, ÒÌËχÂÚ ÙËθÏ˚ ÔË Û˜‡Ò- ÚËË Ù‡ÌˆÛÁÒÍËı ÔÓ‰˛ÒÂÓ‚, ÌÓ ÔÓ-ÔÂÊ- ÌÂÏÛ ó ‚ –ÓÒÒËË Ë Ó –ÓÒÒËË.

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡ (Ë„Ó‚Ó ÍËÌÓ): 1990 ....“‡ÍÒË-·Î˛Á 1992 ....ÀÛ̇-Ô‡Í 1996 ....ÀËÌˡ ÊËÁÌË 2000 ....—‚‡‰¸·‡ 2002 ....ŒÎË„‡ı 2005 ....¡Â‰Ì˚ Ó‰ÒÚ‚ÂÌÌËÍË 2005 ....ƒÂÎÓ Ó ´ÃÂÚ‚˚ı ‰Û¯‡ıª (ÒÂˇÎ) 2006 ....ŒÒÚÓ‚ Pavel Lounguine Director of feature and documentary films, script-writer, producer. Award winner of numerous international and Russian film festivals. Born on 12 July 1949 in Moscow. ƒ‡Ï‡. ¬ÚÓ‡ˇ ÏËÓ‚‡ˇ ‚ÓÈ̇. ¡‡ÊÛ, ̇ ÍÓÚÓÓÈ ¿Ì‡ÚÓÎËÈ Ë Â„Ó ÒÚ‡¯ËÈ Graduated from the Department of ÚÓ‚‡ˢ “ËıÓÌ ÔÂ‚ÓÁˇÚ Û„Óθ, Á‡ı‚‡Ú˚‚‡ÂÚ ÌÂψÍËÈ ÒÚÓÓÊ‚ÓÈ ÍÓ‡·Î¸. Mathematical and Applied Linguistics of ¬˚χÎË‚‡ˇ ÔÓ˘‡‰Û Û ÌÂψ‚, ¿Ì‡ÚÓÎËÈ ÒÓ‚Â¯‡ÂÚ Ô‰‡ÚÂθÒÚ‚Ó ñ Moscow State University (MGU, 1971), the ‡ÒÒÚÂÎË‚‡ÂÚ “ËıÓ̇. ÕÂψ˚ ÓÒÚ‡‚Ρ˛Ú ÚÛÒ‡ ̇ Á‡ÏËÌËÓ‚‡ÌÌÓÈ ·‡ÊÂ, Higher Courses for Scriptwriters and Directors (1980, class of Georgi Daneliya and ÌÓ ·Î‡„Ó‰‡ˇ ÔÓÏÓ˘Ë ÏÓ̇ıÓ‚, ÔÓÊË‚‡˛˘Ëı ‚ ÓÒÚÓ‚ÌÓÏ ÏÓ̇ÒÚ˚Â, ÂÏÛ Mikhail Lvovsky). Debut as scriptwriter in Û‰‡ÂÚÒˇ ‚˚ÊËÚ¸... œÓıÓ‰ˇÚ „Ó‰˚. Õ‡ ÓÒÚÓ‚Â ÒÚ‡ˆ‡ ¿Ì‡ÚÓÎˡ ÔÓ˜ËÚ‡˛Ú Á‡ 1976 (ìBlame your brotherî, dir. Valentin Ô‡‚‰ÌÛ˛ ÊËÁ̸ Ë ÔÓËÒÚËÌ ˜Û‰ÂÒÌÛ˛ ÔÓÏÓ˘¸, ÍÓÚÓÛ˛ ÓÌ Ó͇Á˚‚‡ÂÚ Gorlov). Later he scripted such films as ìThe ÔËÂı‡‚¯ËÏ Ò˛‰‡ β‰ˇÏ. Œ‰Ì‡ÍÓ ÒÚ‡¯Ì˚È „Âı Û·ËÈÒÚ‚‡, ÒÓ‚Â¯ÂÌÌ˚È End of the Taigaís Emperorî, ìThe Departmentî, ìInvincibleî and others. ËÏ ‚Ó ‚ÂÏˇ ‚ÓÈÌ˚, Ì ‰‡ÂÚ ÂÏÛ ÔÓÍÓˇ. ◊Û‚ÒÚ‚Ûˇ ÔË·ÎËÊÂÌË ҂ÓÂÈ Directorial debut with ìTaxi Bluesî (Special ÍÓ̘ËÌ˚, ¿Ì‡ÚÓÎËÈ „ÓÚÓ‚ËÚÒˇ Í ÒÏÂÚË Ë ÔÓ͇ Ì Á̇ÂÚ, ˜ÚÓ ÒÍÓÓ ·Û‰ÂÚ Award for Best Director, Cannes IFF), which ÔÓ˘ÂÌÖ became a cult film. Since the early 1990s lives in France; makes films with Drama. WWII. The barge, on which Anatoly and his senior comrade Tikhon participation of French producers, but always filmed in Russia, and about Russia. transport coal, is seized by a German patrol ship. Anatoly begs the Germans for mercy, and in an act of disloyalty he shoots his captain. The Germans leave Directorís filmography (features) the coward on the mined barge, but thanks to the help of the monks from a 1990 ....Taxi Blues nearby monastery on an island, Anatoly survives... Years go by. The Elder 1992 ....Luna Park Anatoly is respected for his just life and the really wonderful help which he 1996 ....Line of Life gives to the islandís visitors. However, the terrible sin of the murder he 2000 ....The Wedding 2002 ....The Tycoon committed during the war does not give him peace. When he feels his death 2005 ....Roots approach, Anatoly does not know yet that he will be soon forgiven Ö 2005 ....Gogolís Dead Souls (serial) 2006 ....The Island ÍÓÌÍÛÒ 10 competition

∆fi–» / JURY

–ÛÒÚ‡Ï »·‡„ËÏ·ÂÍÓ‚ ‰‡Ï‡ÚÛ„ Ú‡Ú‡ Ë ÍËÌÓ, ÔËÒ‡ÚÂθ, ÂÊËÒÒÂ, ÔÓ‰˛ÒÂ ñ Ô‰Ò‰‡ÚÂθ Ê˛Ë

Rustam Ibragimbekov scriptwriter, playwright, writer, film director, producer ñ jury chairman

»„Ó¸ ü‡ÎÂÌÓ‚ ŒÎ„ ÀÛ͢‚ ¿ÎÂÍ҇̉ ÔÓ‰˛ÒÂ ÍËÌÓÓÔÂ‡ÚÓ œÓ¯ÍËÌ ÍËÌÓÂÊËÒÒÂ, Igor Kalionov Oleg Lukichiov ÒˆÂ̇ËÒÚ producer cinematographer Alexander Proshkin film director, scriptwriter

À‡ËÒ‡ ¿ÎÂÍ҇̉ ŒÍ҇̇ —‡‰ËÎÓ‚‡ “Ó¯ËÌ ‘‡Ì‰Â‡ ÍËÌÓÂÊËÒÒÂ, ÍËÌӂ‰ ‡ÍÚËÒ‡ ÒˆÂ̇ËÒÚ, ÔÓ‰˛ÒÂ, Alexander Oksana ‡ÍÚËÒ‡ Troshin Fandera film historian actress Larissa Sadilova film director, scriptwriter, producer, actress ‚ÓθÌ˚È ÔÂ‚Ӊ FREE TRANSLATION „‡‰ÍË ÎÂ·Â‰Ë THE UGLY SWANS ÊË‚ÓÈ ALIVE Á‡ˇˆ ̇‰ ·ÂÁÌÓÈ RABBIT OVER THE VOID ËÁÓ·‡Ê‡ˇ ÊÂÚ‚Û PLAYING THE VICTIM 11 ÏÌ Ì ·ÓθÌÓ IT DOESNíT HURT ̇ÌÍËÌÒÍËÈ ÔÂÈÁ‡Ê NANKIN LANDSCAPE Ô‡Í ÒÓ‚ÂÚÒÍÓ„Ó ÔÂËÓ‰‡ SOVIET PARK ÔÂ„ÓÌ TRANSIT Ò‚Ó·Ó‰ÌÓ Ô·‚‡ÌË FREE FLOATING Ò‚ˇÁ¸ RELATIONS ÒÚ‡ÌÌËÍ THE WANDERER ÚӘ͇ THE SPOT ˜ÂÎÓ‚ÂÍ ·ÂÁ‚ÓÁ‚‡ÚÌ˚È THE MAN OF NO RETURN ˝ÈÙÓˡ EUPHORIA 12 ÍÓÌÍÛÒ competition FREE TRANSLATION ¬ŒÀ‹Õ¤… œ≈–≈¬Œƒ œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛ÒÂ ¿Ì‰ÂÒ œÙ‡ÈÙÎË œÓ‰˛ÒÂ˚ ÕË̇ –ÛÒ·ÌÓ‚‡ ¿ÎÂÍ҇̉ ¡‡ÎÛ‚,¡ÛÌÓ“Ó‰ÂÒÍËÌË,≈ÎÂ̇—‡ÙÓÌÓ‚‡, ¬ ÓΡı: ÃÓÌÚ‡Ê ¿‚ÚÓ ÔÂÒÌË üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔÂ‡ÚÓ ÃËı‡ËÎ ¡‡¯ËÌÒÍËÈ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ/ÿ‚ÂȈ‡ˡ,105ÏËÌ.,ˆ‚.,1:1.85,DolbySRD ÇË̇ ¬‡ÒË肇 fiÎˡ ¡‡ÚËÌÓ‚‡,—Â„ÂÈ√‡χ¯, »„Ó¸ üÓÊ‚ÌËÍÓ‚ ≈ÎÂ̇ ’‡Á‡ÌÓ‚‡ ÕËÍÓθ ‘Â‡Ë ≈ÎÂ̇ flˆÛ‡,›Î¸‰‡√ÛˉËÌÂÚÚË, Çˡ ÿÏˉÚ,≈͇ÚÂË̇«‡ÎÂڇ‚‡ —Â„ÂÈ ÃÂθÍÛÏÓ‚ ≈‚„ÂÌËÈ √‡Î¸ÔÂËÌ ƒË‡Ì‡ ¿·ÂÌË̇ ´‘ËθÏÓÍÓϪ, VenturaFilmS.A.(ÿ‚ÂȈ‡ˡ) ≈ÎÂ̇ ’‡Á‡ÌÓ‚‡,√‡Èˇ√Û‡ÒÚË, (Switzerland) Production Producers Bruno Todescini,ElenaSafonova,NinaRuslanova Cast: Editing Song Composer Costumes Art Director Camera Mikhail Brashinsky Scriptwriters Director 2005, Russia/Switzerland,105min,colour,DolbySRD Yulia Batinova,SergeiGarmash,AlexanderBaluev, by DianaArbenina Marina Vasilieva Igor Kozhevnikov Elena Khazanova Nicole Ferrari Evgeny Galperin Elena Yatsura,EldaGuidinetti,AndresPfaffli Filmokom (Russia),VenturaFilmS.A. Maria Shmidt,EkaterinaZaletaeva Elena Khazanova,GaiaGuasti, ÍÓÌÍÛÒ competition

≈ÎÂ̇ ’‡Á‡ÌÓ‚‡ –ÂÊËÒÒÂ Ë ÒˆÂ̇ËÒÚ. –Ӊ˷Ҹ ‚ ÃÓÒÍ‚Â 1 Ë˛Ìˇ 1977 „Ó‰‡. ¬ 12-ÎÂÚÌÂÏ ‚ÓÁ‡ÒÚ ÔÂÂÂı‡Î‡ Ò ÒÂϸÂÈ ‚ ∆ÂÌÂ‚Û (ÿ‚ÂȈ‡ˡ). »„‡Î‡ ‚ Ì·Óθ¯ÓÈ Ú‡Ú‡Î¸ÌÓÈ ÚÛÔÔÂ, Á‡ÚÂÏ Û˜Ë·Ҹ ‚ ÍËÌÓ¯ÍÓ·ı ‘‡ÌˆËË Ë —ÿ¿ (ÍÛÒ˚ ÒˆÂ̇ËÒÚÓ‚ Ë Í‡ÒÚËÌ„- ‰ËÂÍÚÓÓ‚ ‚ Ã˝ÌÂ). ¿‚ÚÓ ÌÂÒÍÓθÍËı ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı Ë ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚. ¬ 2004 „Ó‰Û ÒÌˇÎ‡ ÔÂ‚˚È 13 ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ñ ÍÓω˲ ´À˛·Ó‚Ì˚È ˝ÍÒÔÂÒÒª/ Love Express üËÏË̇θ̇ˇ ÏÂÎÓ‰‡Ï‡. (ÿ‚ÂȈ‡ˡ). ´¬ÓθÌ˚È ÔÂ‚Ӊª ó ‚ÚÓÓÈ √·‚̇ˇ „ÂÓËÌˇ, ÛÒÒ͇ˇ ‰Â‚ۯ͇ »Ë̇, ÊË‚ÂÚ ‚ ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ÂÊËÒÒÂ‡. ∆ÂÌ‚Â, ÍÛ‰‡ Ó̇ ˝ÏË„ËÓ‚‡Î‡ ‚ ÒÂÏËÎÂÚÌÂÏ ‚ÓÁ‡ÒÚ Elena Khazanova ‚ÏÂÒÚ ÒÓ Ò‚ÓÂÈ Ï‡ÚÂ¸˛, ÇËÌÓÈ. —Ú‡ËÌÌ˚È ÔˡÚÂθ Director and script-writer. Born in Moscow on 1 June 1977. Moved with her family to ÇËÌ˚ Ô‰·„‡ÂÚ » ÔÓ‰‡·ÓÚ‡Ú¸ ÔÂ‚Ӊ˜ËˆÂÈ Û Geneva (Switzerland) at the age of twelve. ̇ıÓ‰ˇ˘Â„ÓÒˇ ‚ Ú˛¸Ï »‚‡Ì‡ “‡¯ÍÓ‚‡. œÓ ‚ÂÒËË Acted in a small theatre company, then studied at film schools in France and the US ¯‚ÂȈ‡ÒÍËı ‚·ÒÚÂÈ, “‡¯ÍÓ‚ ñ ÍËÏË̇θÌ˚È ‡‚ÚÓËÚÂÚ, (courses for script-writers and casting ÌÓ ÓÌ Ò·ˇ Ú‡ÍÓ‚˚Ï Ì ҘËÚ‡ÂÚÖ directors in Maine). Author of several short and documentary films. In 2004 made her first feature film, the comedy ìLove Expressî Criminal melodrama. (Switzerland). ìFree Translationî is her second feature film. The heroine, the Russian girl Irina, lives in Geneva since emigrating at the age of seven with her mother, Marina. Marinaís old friend suggests that Irina could earn some extra money by translating for the prisoner Ivan Tashkov. According to the Swiss authorities Tashkov is a criminal authority, but he is of a different opinion Ö 14 ÍÓÌÍÛÒ competition THE UGLYSWANS √¿ƒü»≈ À≈¡≈ƒ» √Ó·‡˜Â‚-‘Ó̉‡, ÃÂʉÛ̇Ó‰ÌÓ„Ó «ÂÎÂÌÓ„ÓüÂÒÚ‡ ‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË, CNC, œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛ÒÂ œÓ‰˛ÒÂ ¿ÎÂÍÒÂÈ »Ì„Â΂˘,¬ËÍÚÓÃËı‡ÈÎÓ‚ —Â„ÂÈ ¡‡ÍÓ‚ÒÍËÈ,ƒËχ»ÒÔÓ·ÚÓ‚,ŒÎ¸„‡—‡ÏÓ¯Ë̇, ¿ÎÂÍÒÂÈ üÓÚÌ‚,–ËÏχ—‡ÍËÒˇÌ,À‡Û‡œËˆı·ÛË, ¬ ÓΡı: —Â„ÂÈ Œ·ÛıÓ‚ ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ÔË Û˜‡ÒÚËˬËÍÚÓ‡»‚‡ÌÓ‚‡ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ œÓ Ó‰ÌÓËÏÂÌÌÓÈÔÓ‚ÂÒÚË·‡Ú¸Â‚—ÚÛ„‡ˆÍËı ¬ˇ˜ÂÒ·‚ –˚·‡ÍÓ‚, ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ/‘‡ÌˆËˇ,105ÏËÌ.,ˆ‚.,1:1.85,DolbyDigitalSEX ÀÂÓÌˉ √‡‚˘ÂÌÍÓ ¿ÎÂÍ҇̉ «‡ˆÍËÈ,ÇÍÒËÏ’ÓÎÓ‰˛Í, √Ë„ÓËÈ √·‰ËÈ,ÀÂÓÌˉÃÓÁ„Ó‚ÓÈ, ¬Î‡‰ËÒ·‚ √Û˜ËÌ üÓÌÒÚ‡ÌÚËÌ ÀÓÔÛ¯‡ÌÒÍËÈ “‡Ï‡‡ —ÂÙÂˇÌ ¿Ì‰ÂÈ —˄ΠüÓÌÒÚ‡ÌÚËÌ œ‡ıÓÚËÌ, ü‡ÚËÌ ƒ˛ÒÒ‡ ¿Ì‰ÂÈ —˄ΠProline-film, CDP,ÔËÛ˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó üÓÌÒÚ‡ÌÚËÌ ÀÓÔÛ¯‡ÌÒÍËÈ, Gorbachev Foundation,International GreenCross Federal AgencyforCultureandCinematography, CNC, Production Co-Producer Producer Victor Mikhailov Dima Ispolatov,OlgaSamoshina,AlexeiIngelevich, Rimma Sarkisian,LauraPitskhelauri,SergeiBarkovsky, Cast: Sergei Obukhov Editing Sound Composer Costumes with participationofVictorIvanov Art Director Camera Story by Scriptwriters Director 2006, Russia/France,105min,colour,1:1.85,DolbyDigitalSEX Gregory Hlady,LeonidMozgovoy,AlexeiKortnev, Leonid Gavrichenko Alexander Zaretsky,MaximKholodiuk, Vladislav Gurchin Konstantin Lopushansky Brothers Strugatsky Andrei Sigle Tamara Seferian Andrei Sigle Proline-film, CDPwithparticipation ofthe Catherine Dussart Konstantin Pakhotin Konstantin Lopushansky,ViacheslavRybakov ÍÓÌÍÛÒ competition

üÓÌÒÚ‡ÌÚËÌ ÀÓÔÛ¯‡ÌÒÍËÈ üËÌÓÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ. «‡ÒÎÛÊÂÌÌ˚È ‰ÂˇÚÂθ ËÒÍÛÒÒÚ‚ –ÓÒÒËË, ·ÛÂ‡Ú √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÂÏËË ËÏÂÌË ¡‡Ú¸Â‚ ¬‡ÒËθ‚˚ı Ë ÔÂÏËË ‘»œ–≈——», ÔËÁÂ ÏÂʉÛ̇Ó‰Ì˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ 12 Ë˛Ìˇ 1947 ‚ „ÓӉ ƒÌÂÔÓÔÂÚÓ‚ÒÍÂ, ”Í‡Ë̇. ŒÍÓ̘ËÎ ü‡Á‡ÌÒÍÛ˛ ÍÓÌÒÂ‚‡ÚÓ˲ ÔÓ Í·ÒÒÛ ÒÍËÔÍË, ‡ÒÔË‡ÌÚÛÛ ÀÂÌËÌ„‡‰ÒÍÓÈ ÍÓÌÒÂ‚‡ÚÓËË (Í‡Í ËÒÍÛÒÒڂӂ‰), ¬ü—– (1978, ÂÊËÒÒÂÒ͇ˇ χÒÚÂÒ͇ˇ ›ÏËΡ 15 ÀÓÚˇÌÛ). ¬ ÔÂËÓ‰ Ó·Û˜ÂÌˡ ÔÓıÓ‰ËÎ Ô‡ÍÚËÍÛ Û ¿Ì‰¡ “‡ÍÓ‚ÒÍÓ„Ó Ì‡ ÙËθÏ ´—Ú‡ÎÍÂª, Ò 1980 ñ ÂÊËÒÒÂ-ÔÓÒÚ‡ÌÓ‚˘ËÍ ÍËÌÓÒÚÛ‰ËË ´ÀÂÌÙËθϪ. ¬ 1991-1996 ‚ÓÁ„·‚ΡΠ’ËÒÚˇÌÒÍÛ˛ ÍËÌÓ‡ÒÒӈˇˆË˛ —‡ÌÍÚ-œÂÚÂ·Û„‡. œÂ‰‡„Ó„ —‡ÌÍÚ- œÂÚÂ·Û„ÒÍÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡ ÍËÌÓ Ë ÚÂ΂ˉÂÌˡ ñ —œ·√”üË“.

‘ËθÏÓ„‡Ùˡ: 1980 ....—ÓÎÓ (Í/Ï, ‰ËÔÎÓÏ) 1986 ....œËҸχ ÏÂÚ‚Ó„Ó ˜ÂÎÓ‚Â͇ 1989 ....œÓÒÂÚËÚÂθ ÏÛÁ¡ 1994 ....–ÛÒÒ͇ˇ ÒËÏÙÓÌˡ 2001 ....üÓ̈ ‚Â͇ 2006 ....√‡‰ÍË ÎÂ·Â‰Ë Konstantin Lopushansky Filmmaker, scriptwriter. Honored artist of Russia, winner of the Vasiliev Brothers' State Prize and a FIPRESCI award, prize-winner of international and national film festivals. Born on 12 June 1947 in Dnepropetrovsk, Ukraine. Graduated from Kazan ‘ËÎÓÒÓÙÒ͇ˇ ÔËÚ˜‡/ ÃËÒÚ˘ÂÒÍËÈ ÚËÎÎÂ. Conservatory in violin, followed by ¬ ÓÒÌÓ‚Â ÒˆÂ̇ˡ ´√‡‰ÍËı η‰ÂȪ ÔÓ‚ÂÒÚ¸ Ó „ÓÓ‰Â-ÔËÁ‡ÍÂ Ò postgraduate study at the Leningrad Conservatory (as critic), Higher Courses for ËÌÚÂ̇ÚÓÏ ‰Îˇ Ó‰‡ÂÌÌ˚ı ‰ÂÚÂÈ. “‡Ï ÔÓ‰‡ÒÚ‡ÂÚ ÔÎÂÏˇ ÏÓÎÓ‰ÓÂ Ë ÔÛ„‡˛˘Â Scriptwriters and Directors (1978, directors' ÒÚ‡ÌÌÓÂ, ˜¸ËÏË Û˜ËÚÂΡÏË ˇ‚Ρ˛ÚÒˇ ÒÛ˘ÂÒÚ‚‡ ´ÏÓÍˆ˚ª ó ÚÓ ÎË workshop of Emil Lotianu). During his ÏÛÚ‡ÌÚ˚, ÚÓ ÎË Ô˯Âθˆ˚. ¬ „ÓӉ ÔÓËÒıÓ‰ËÚ ·ÂÒÔ˘ËÌÌÓ ËÁÏÂÌÂÌË studies he gained some work experience with ÍÎËχڇ, ̇ÔÓÏË̇˛˘Â ¬ÒÂÎÂÌÒÍËÈ ÔÓÚÓÔ. ›ÚÛ ‡ÌÓχÎ˲ ËÁÛ˜‡˛Ú Andrei Tarkovsky on the film "Stalker"; since ·ÂÒÍÓ̘Ì˚ ÍÓÏËÒÒËË, ‡ÒÒÎÂ‰Û˛Ú ÒÔˆÒÎÛÊ·˚ Ë ÒÔˆ‡„ÂÌÚ˚. √ÂÓÈ 1980 director at Lenfilm studio. From 1991- 1996 headed the Christian Film Association ÙËθχ, ÔËÒ‡ÚÂθ ¬ËÍÚÓ ¡‡Ì‚, ‚˚ÌÛʉÂÌ ‚ÂÒÚË ÒÓ·ÒÚ‚ÂÌÌÓ ‡ÒÒΉӂ‡ÌË in Saint Petersburg. Teaches at St.- ˝ÚÓÈ ÒËÚÛ‡ˆËË, Ú‡Í Í‡Í ÒÂ‰Ë ‰ÂÚÂÈ ËÌÚÂ̇ڇ ̇ıÓ‰ËÚÒˇ Â„Ó ‰Ó˜¸. ŒÌ Petersburg University of Cinema and ‚Íβ˜‡ÂÚÒˇ ‚ ·Ó¸·Û Ì ÚÓθÍÓ Á‡ ÒÛ‰¸·Û ‰ÂÚÂÈ, ÌÓ Ë Á‡ ÚÛ ÙÓÏÛ ¡Û‰Û˘Â„Ó, Television (SPbGUKiT). ÍÓÚÓÓ ‚˚·ÂÂÚ ˜ÂÎӂ˜ÂÒÚ‚Ó. Filmography: 1980 ....Solo Philosophical Parable. Mystical Thriller. 1986 ....Letters of Dead Man A story about a ghost town with a boarding school for gifted children lies at 1989 ....A Museum Visitor the basis of the script for ìUgly Swansî. The young people who grow up there 1994 ....The Russia Symphony are frightfully strange, taught by creatures called ìmokretsyî ñ mutants of 2001 ....The Turn of the Century humans, the ìugly swansî of the title. In the city the climate changes without 2006 ....The Ugly Swans any obvious reason and reminds of the deluge. Infinite commissions, special services and agents investigate this anomaly. The filmís hero, the writer Victor Banev, is compelled to conduct his own investigation of the situation, because his daughter is among the children of the boarding school. He participates in the struggle not only because of the childrenís fate, but also because mankind will choose the form of the Future. 16 ÍÓÌÍÛÒ competition www.pgmfilm.ru Ë ÍËÌÂχÚÓ„‡ÙËË,ÍËÌÓÍÓÏÔ‡ÌËË ´ü¬»ƒª ÔË Û˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ œÓËÁ‚Ó‰ÒÚ‚Ó ÍËÌÓÒÚÛ‰Ëˇ —ÓÔÓ‰˛ÒÂ œÓ‰˛ÒÂ ¿ÎÂÍÒÂÈ ◊‡‰Ó‚,¿ÎÂÍ҇̉–Ó·‡Í,≈͇ÚÂË̇¬ÓÎÍÓ‚‡ ≈ÔËه̈‚, ŒÎ¸„‡¿ÌÚ„Óθˆ,¬ËÍÚÓˡ—ÏËÌÓ‚‡, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,98ÏËÌ.,ˆ‚.,1:1.85,ÓÔÚ˘ÂÒ͇ˇÏÓÌÓ ALIVE ∆»¬Œ… ¿Ì‰ÂÈ ’Û‰ˇÍÓ‚ ¿Ì‰ÂÈ ◊‡‰Ó‚,ÇÍÒËÏÀ‡„‡¯ÍËÌ,¬Î‡‰ËÏË œ‡‚ÂÎ »„̇ÚÓ‚ ¿ÎÂÍ҇̉ ¬ÂΉËÌÒÍËÈ ›‰Û‡‰ √‡ÎÍËÌ —Â„ÂÈ ◊ÎËˇÌˆ ›‰Û‡‰ √‡ÎÍËÌ,—Â„ÂÈ“˚ËÌ ¬‡‰ËÏ √ÓˇËÌÓ‚ ¿ÎÂÍÒÂÈ œ.«Û·‡‚ »„Ó¸ œÓ۷΂,¿ÎÂÍ҇̉¬ÂΉËÌÒÍËÈ ´œË„χÎËÓÌ œÓ‰‡Í¯Ìª, www.pgmfilm.ru KVID FilmCompany Federal AgencyforCultureandCinematography, Production Co-producer Producer Alexander Robak,EkaterinaVolkova Olga Arntgolts,VictoriaSmirnova,AlexeiChadov, Cast: Sound Composer Costumes Art Directors Camera Scriptwriters Director 2006, Russia,98min,colour,1:1.85,opticalmono Andrey Chadov,MaximLagashkin,VladimirEpifantsev, Andrey Khudiakov Pavel Ignatov Alexander Veledinsky Sergei Chliyants Eduard Galkin Alexei P.Zubarev Pygmalion FilmCompanywithparticipationofthe Vadim Goriainov Igor Porubliov,AlexanderVeledinsky Eduard Galkin,SergeiTyrin ÍÓÌÍÛÒ competition

¿ÎÂÍ҇̉ ¬ÂΉËÌÒÍËÈ –ÂÊËÒÒÂ Ë ÒˆÂ̇ËÒÚ. –Ó‰ËÎÒˇ 27 ˲Ρ 1959 „Ó‰‡, „. √Ó¸ÍËÈ (ÕËÊÌËÈ ÕÓ‚„ÓÓ‰). ŒÍÓ̘ËÎ √Ó¸ÍÓ‚ÒÍËÈ ÔÓÎËÚÂıÌ˘ÂÒÍËÈ ËÌÒÚËÚÛÚ (1981), ÂÊËÒÒÂÒÍÓ ÓÚ‰ÂÎÂÌË ¬ü—– (1995, χÒÚÂÒ͇ˇ ¿.¿.œÓ¯ÍË̇ Ë ¬.Ã. œËÂÏ˚ıÓ‚‡), ‰ËÔÎÓÏ Á‡˘ËÚËÎ ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚Ï ÙËθÏÓÏ ´“˚ ‰‡ ˇ, ‰‡ Ï˚ Ò ÚÓ·ÓȪ (2001) ñ Û˜‡ÒÚË ‚ ÔÓ„‡ÏÏ ´ŒÒÓ·˚È ‚Á„Ρ‰ª Ãü‘ ‚ ü‡Ì̇ı, ÔËÁ˚ 17 Ãü‘ Ë –ü‘. —Ó‡‚ÚÓ ÒˆÂ̇Ë‚ Ó‰ÌËı ËÁ Ò‡Ï˚ı ÂÈÚËÌ„Ó‚˚ı ÒÂˇÎÓ‚: ´ƒ‡Î¸ÌÓ·ÓÈ˘ËÍË, ´¡Ë„‡‰‡ª, ´«‡ÍÓ̪.

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 1994 ....¿ÌÙ‡Ì “Â˷θ E.T. (Í/Ï, ÍÛÒÓ‚‡ˇ) 2001 ....“˚ ‰‡ ˇ, ‰‡ Ï˚ Ò ÚÓ·ÓÈ (Í/Ï, ‰ËÔÎÓÏ) 2002 ....«‡ÍÓÌ (ÒÂˇÎ) 2004 ....–ÛÒÒÍÓ 2006 ....∆Ë‚ÓÈ Alexander Veledinsky Director and script-writer. Born on 27 July 1959, Gorky (now Nizhny Novgorod). Graduated from the Gorky Polytechnic (1981), and the Directorsí section of the Higher Courses for Script-writers and Directors (1995, course of Alexander Proshkin and Valery Priyomykhov); diploma work ìJust the üË, Ó·˚ÍÌÓ‚ÂÌÌ˚È ÏÓÎÓ‰ÓÈ Ô‡Â̸, ‚ÓÁ‚‡˘‡ÂÚÒˇ Í Two of Usî (short, 2001) participated in the ÌÓχθÌÓÈ ÊËÁÌË ÔÓÒΠ‡ÌÂÌˡ ‚ ◊˜ÌÂ. ƒÓχ Â„Ó Ê‰ÂÚ programme ìA Certain Viewî (Un Certain Regard) at the IFF in Cannes, and received χχ Ë ‰Â‚ۯ͇, ‡‰Ë Ò‚‡‰¸·˚ Ò ÍÓÚÓÓÈ ÓÌ Ë ÓÚÔ‡‚ËÎÒˇ prizes at international and national film ÒÎÛÊËÚ¸ ÔÓ ÍÓÌÚ‡ÍÚÛ. Œ‰Ì‡ÍÓ ÊËÁ̸ ̇ „‡Ê‰‡ÌÍ festivals. Co-author of the script of some of ‰‡ÎÂ͇ ÓÚ Ë‰Â‡ÎÓ‚ ÒÔ‡‚‰ÎË‚ÓÒÚË. üË ÒÓ‚Â¯‡ÂÚ the most popular television serials, ìThe Truckersî, ìThe Brigadeî, ìThe Lawî. ‚ÓÓ‚ÒÚ‚Ó, Á‡ÚÂÏ ñ Ô‰‡ÚÂθÒÚ‚Ó. » Ӊ̇ʉ˚ ÓÌ ÔÓÈÏÂÚ, ˜ÚÓ Á‡ÔÛÚ‡ÎÒˇ. ¬ ˝ÚÓÚ ÏÓÏÂÌÚ ‚ Â„Ó ÊËÁÌË ÔÓˇ‚ˇÚÒˇ Filmography (as director): ÔËÁ‡ÍË ‰‚Ûı ·Ó‚˚ı ÚÓ‚‡ˢÂÈ, ÍÓÚÓ˚ ·Û‰ÛÚ ıÓ‰ËÚ¸ 1994 ....Enfant Terrible (short, course work) Á‡ ÌËÏ ÔÓ ÔˇÚ‡Ï. ¡‡Î‡ÌÒËÛˇ ̇ „‡ÌË ÊËÁÌË Ë ÒÏÂÚË, 2001 ....Just the Two of Us (short, diploma) 2002 ....Law (serial) ÓÌ ·Û‰ÂÚ ËÒ͇ڸ ÓÚ‚ÂÚ˚ Ë ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒÚËÚ¸ Ò·ˇ. 2004 ....Russkoe (Russian) 2006 ....Alive Kir is an ordinary young guy, who returns to normal life after an injury in Chechnya. At home he is awaited by his mum and by his girlfriend: in order to pay for the wedding he had signed a contract to fight in Chechnya. However, civil life is far from his ideals of justice. Kir steals, then betrays. One day he understands that he got muddled, and at this moment the phantoms of two fighting comrades appear in his life and follow him on every step. On the verge of life and death, Kir searches for answers and for an opportunity to redeem himself. 18 ÍÓÌÍÛÒ competition www.centpart.ru œÓÍ‡Ú ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œ‡ÚÌÂ¯ËÔª, ÔËÛ˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ≈ÎÂ̇ —‡ÙÓÌÓ‚‡ »Î¸ËÌ, ÃËı‡ËÎ≈ÙÂÏÓ‚,»„Ó¸«ÓÎÓÚӂˈÍËÈ, ƒ‡‡Í˜ˇÌ, ¬‡ÎÂˡÀ‡ÌÒ͇ˇ,fiËÈ—ÚÓˇÌÓ‚,¬Î‡‰ËÏË ¬ „Î.ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,90ÏËÌ.,ˆ‚.,DolbyStereo5.1+7.8Prologic RABBIT OVERTHEVOID «¿fl÷ Õ¿ƒ¡≈«ÕŒ… –Ó·̉ ü‡Á‡ˇÌ ´÷ÂÌÚ‡Î œ‡ÚÌÂ¯ËÔª »„Ó¸ ŒÚ‰ÂθÌÓ‚ »„Ó¸ üη‡ÌÓ‚ “Ë„‡Ì üÂÓÒ‡ˇÌ Շڇθˇ ¿ÎÂÍ҇̉Ó‚‡ –Û·ÂÌ ƒË¯‰Ë¯ˇÌ ÕËÍÓÎ‡È “ÂÂıÓ‚ ¡Ó„‰‡Ì —ÚÛÔ͇,—Â„ÂÈ√‡Á‡Ó‚,¬‡Ú‡Ì ¿ÎÂÍÒÂÈ –˚·ÌËÍÓ‚ —ÚÛ‰Ëˇ ´2¬ªÔÓÁ‡Í‡ÁÛ´÷ÂÌÚ‡Î ƒÏËÚËÈ »‚‡ÌÓ‚ www.centpart.ru Distribution of theFederalAgencyforCultureandCinematography Production Producer Mikhail Efremov,IgorZolotovitsky,ElenaSafonova Darakchian, ValeriaLanskaya,YuryStoyanov,VladimirIlyin, Principal Cast: Editor Sound Composer Costumes Art Director Camera Scriptwriter Director 2006, Russia,90min,colour,DolbyStereo5.1+7.8Prologic Igor Otdelnov Roland Kazarian Igor Klebanov Tigran Keosaian Ruben Dishdishian Natalia Alexandrova Alexei Rybnikov Central Partnership,2VStudiowithparticipation Central Partnership Dmitry Ivanov Nikolai Terekhov Bogdan Stupka,SergeiGazarov,Vartan ÍÓÌÍÛÒ competition

“Ë„‡Ì üÂÓÒ‡ˇÌ –ÂÊËÒÒÂ Ë ÔÓ‰˛ÒÂ, ÔËÁÂ ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ ‚ ÃÓÒÍ‚Â (04.01.1966). ŒÍÓ̘ËÎ ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡. ƒÓ΄Ó ‚ÂÏˇ ‡·ÓڇΠ‚ ¯ÓÛ-·ËÁÌÂÒÂ. ¬ ÍËÌÓ ‰Â·˛ÚËÓ‚‡Î ‚ 1992 „Ó‰Û, ‡ÍÚË‚ÌÓ ‡·ÓÚ‡ÂÚ ‰Îˇ ÚÂ΂ˉÂÌˡ.

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 19 1992 ....ü‡Ú¸Í‡ Ë ÿËÁ ÀË˘ÂÒ͇ˇ ÍÓωˡ. 1996 ....ƒÂ· ÒϯÌ˚Â, ‰Â· ÒÂÏÂÈÌ˚ (ÒÂˇÎ) »ÌÓ„‰‡ Ë Ò ‚ÂÎËÍËÏË ÏË‡ ÒÂ„Ó ÔËÍβ˜‡˛ÚÒˇ ÒÚ‡ÌÌ˚ 1997 ....¡Â‰Ì‡ˇ —‡¯‡ ‚¢Ë. œÓÂı‡Î Ӊ̇ʉ˚ ıÓÁˇËÌ ‚ÒÂÈ ÒÓ‚ÂÚÒÍÓÈ ÁÂÏÎË, 1999 ....œÂÁˉÂÌÚ Ë Â„Ó ‚Ì͇ۘ 2000 ....À‡Ì‰˚¯ ÒÂ·ËÒÚ˚È ÍÓÚÓÓ„Ó ‚Òˇ ÒÚ‡Ì‡ Ë̇˜Â Í‡Í ´Ì‡¯ ‰ÓÓ„ÓÈ ÀÂÓÌˉ 2001 ....ÃÛÊÒ͇ˇ ‡·ÓÚ‡ (ÒÂˇÎ) »Î¸Ë˜ª Ë Ì ̇Á˚‚‡Î‡, Ò ‚ËÁËÚÓÏ ‚ ÃÓΉ‡‚˲, Ó‰ÌÛ ËÁ 2002 ....ÃÛÊÒ͇ˇ ‡·ÓÚ‡ ñ 2 (ÒÂˇÎ) 2004 ....À‡Ì‰˚¯ ÒÂ·ËÒÚ˚È (ÒÂˇÎ) Ò‚ÓËı β·ËÏ˚ı ÂÒÔÛ·ÎËÍ. » Ò‡ÁÛ ÔÓÒΠÓÙˈˇθÌÓ„Ó 2006 ....«‡ˇˆ ̇‰ ·ÂÁ‰ÌÓÈ ÔËÂχ ËÒ˜ÂÁ. ¿ ˜ÂÂÁ ÚË ‰Ìˇ ̇¯ÂÎÒˇ Ë ÛÎÂÚÂÎ Ò ‚ËÁËÚÓÏ Tigran Keosaian ‚ »Ì‰Ë˛. ¿ Í‡Í ÔÓ‚ÂÎ ‚ÂÎËÍËÈ ˜ÂÎÓ‚ÂÍ ˝ÚË ÚË ‰Ìˇ ‚‰‡ÎË Director and producer, prize winner of ÓÚ Î˘ÌÓÈ Óı‡Ì˚, ÒÓÚÛ‰ÌËÍÓ‚ ÍÓÏÔÂÚÂÌÚÌ˚ı Ó„‡ÌÓ‚ Ë national festivals. Born in Moscow (04.01.1966). Graduated from the Directorsí ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ı ÒÂÍÂÚ‡ÂÈ, ÂÒÚ¸ ‡ÁÌ˚ ‚ÂÒËË. Faculty at the Film Institute VGIK. For a Õ‡ÔËÏÂ, ˜ÚÓ Ì‡¯ ‰ÓÓ„ÓÈ ÀÂÓÌˉ »Î¸Ë˜ Ó͇Á‡ÎÒˇ ‚ long time worked in show business. His debut in cinema came in 1992; he also works for „ÓÒÚˇı Û Ó‰ÌÓ„Ó ˆ˚„‡ÌÒÍÓ„Ó ·‡Ó̇, ÒڇΠ҂‡ÚÓÏ Ì‡ ‚ÂÒÂÎÓÈ television. Ò‚‡‰¸·Â, ˜ÛÚ¸ ·˚ÎÓ Ì ÔÂÂÒÂÎËÎ ˆÂÎ˚È Ì‡Ó‰ ‚ —Ë·Ë¸ Ë Directorís Filmography: ÒÏÓ„ ÔËÁÌ‡Ú¸Òˇ ‚ β·‚Ë Ò‡ÏÓÈ ‰ÓÓ„ÓÈ, ÌÓ Ì‰ÓÒÚËÊËÏÓÈ 1992 ....Katka and Shiz ‰‡Ê ‰Îˇ ÌÂ„Ó ÊÂÌ˘ËÌÂÖ 1996 ....Funny Matters, Family Matters (serial) 1997 ....Poor Sasha Lyrical comedy. 1999 ....The President and His Granddaughter Sometimes strange things happen even the great people of 2000 ....The Silvery Lily of the Valley this world. Once the ruler of all Soviet lands, whom all the 2001 ....Menís Work (serial) 2002 ....Menís Work 2 (serial) people used to call only ìour dear Leonid Ilyichî (Brezhnev), 2004 ....The Silvery Lily of the Valley (serial) went on a visit to Moldovia, one of his favourite republics. 2006 ....Rabbit over the Void Immediately after the formal reception he disappeared. Three days later he was found, only to leave for a visit to India. But how did the great man spend these three days, far away from his bodyguards, from civil servants and numerous secretaries? There are different versions. For example, that ìour dear Leonid Ilyichî found himself the guest of a gipsy baron, and was best man at a merry wedding, almost moved the entire population to Siberia and declared his love to the nicest, but even for him unattainable, womanÖ 20 ÍÓÌÍÛÒ competition PLAYING THEVICTIM »«Œ¡–¿∆¿fl ∆≈–“¬” œÓÍ‡Ú ÍËÌÂχÚÓ„‡ÙËË ÔË Û˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó ÀÂÓÌˉ «‡„‡Î¸ÒÍËÈ œÓ‰˛ÒÂ˚ ÃÓÓÁÓ‚‡, ‘‰ÓƒÓ·ÓÌ‡‚Ó‚ ‘ÓÏËÌ, ÇÍÒËÏüÓÌÓ‚‡ÎÓ‚,»„Ó¸√‡ÒÔ‡ˇÌ,≈ÎÂ̇ Àˡ ¿ı‰ʇÍÓ‚‡,Ç‡Ú¡‡¯‡Ó‚,ÇË̇√ÓÎÛ·,¿Ì‰ÂÈ ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ¿ÌËχˆËˇ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,100ÏËÌ.,ˆ‚.,1:1.66,DolbySRD ƒ‡ÎÂ ’‡Ò‡ÌÓ‚ üÓÏÔ‡Ìˡ ´¬ÂÒÚª fiËÈ ◊ÛÒËÌ,¬ËÚ‡ÎËÈ’‡Â‚,¿Ì̇ÃËı‡ÎÍÓ‚‡, ŒÎ¸„‡ √Ë̯ÔÛÌ —Â„ÂÈ ÃÓÍˈÍËÈ üËËÎÎ —Â·ÂÌÌËÍÓ‚ ¬‡ÎÂËÈ ¿ıËÔÓ‚ –ÓÏ‡Ì —ÓÍÓÎÓ‚ Շڇθˇ ÃÓÍˈ͇ˇ,”θˇÌ‡—‡‚Â肇, ¿ÎÂÍ҇̉ ÇÌÓˆÍÓ‚ —ÚÛ‰Ëˇ ´ÕÓ‚˚Âβ‰Ëª,´¬Â„‡œÓ‰‡Í¯Ìª, ·‡Ú¸ˇ œÂÒÌˇÍÓ‚˚ Distribution Cinematography participation oftheFederalAgency forCultureand Production Leonid Zagalsky Producers Fyodor Dobronravov Fomin, MaximKonovalov,IgorGasparian,ElenaMorozova, Lia Akhedzhakova,MaratBasharov,MarinaGolub,Andrey Cast: Editing Sound Composer Animator Director Art Camera Scriptwriters Director 2006, Russia,100min,colour,1:1.66,DolbySRD Yuri Chursin,VitalyKhaev,AnnaMikhalkova, Daler Khasanov Olga Grinshpun Sergei Mokritsky Kirill Serebrennikov Roman Sokolov Alexander Manotskov Natalia Mokritskaya,UlianaSavelieva, ìNovye Lyudiî,ìVegaProductionî with West Company Valery Arkhipov Presnyakov Brothers ÍÓÌÍÛÒ competition

üËËÎÎ —Â·ÂÌÌËÍÓ‚ –ÂÊËÒÒÂ Ú‡Ú‡ Ë ÍËÌÓ, ·ÛÂ‡Ú Ò‡Ï˚ı ÔÂÒÚËÊÌ˚ı Ú‡Ú‡Î¸Ì˚ı ÔÂÏËÈ Ë ÔÂÏËË “›‘» (1999, Á‡ ‰ÓÍÛÏÂÌڇθÌ˚È ÙËÎ¸Ï ´“‡ÈÌ˚ „ÓÁ˚ª). –Ó‰ËÎÒˇ ‚ –ÓÒÚÓ‚Â-̇-ƒÓÌÛ (1969). ŒÍÓ̘ËÎ ÙËÁËÍÓ-χÚÂχÚ˘ÂÒÍËÈ Ù‡ÍÛθÚÂÚ –ÓÒÚÓ‚ÒÍÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡. —Ú‡‚ËÎ ÒÔÂÍÚ‡ÍÎË ‚ –ÓÒÚÓ‚Â-̇-ƒÓÌÛ, ÒÌˇÎ ÌÂÒÍÓθÍÓ ÚÂÎÂÙËθÏÓ‚ ‰Îˇ „ËÓ̇θÌÓ„Ó ÚÂ΂ˉÂÌˡ, ‡·ÓڇΠ‚ ÂÍ·ÏÌÓÏ ·ËÁÌÂÒÂ. 21 — 1998 ÊË‚ÂÚ Ë ‡·ÓÚ‡ÂÚ ‚ ÃÓÒÍ‚Â, ÒÚ‡‚ËÚ ÒÔÂÍÚ‡ÍÎË Ì‡ ÒˆÂ̇ı Ã’“ ËÏÂÌË ◊ÂıÓ‚‡, “‡Ú‡ ËÏÂÌË œÛ¯ÍË̇, Ú‡Ú‡ ´—Ó‚ÂÏÂÌÌËͪ Ë ‰Û„Ëı ÔÎÓ˘‡‰Í‡ı.

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 1998 ....“‡ÈÌ˚ „ÓÁ˚ (‰ÓÍ.) 1998 ....–‡Á‰ÂÚ˚ 2000 ....–ÓÒÚÓ‚-Ô‡Ô‡ (ÒÂˇÎ) 2002 ....ƒÌ‚ÌËÍ Û·ËȈ˚ (ÒÂˇÎ) 2003 .... œÓÒÚÂθÌ˚ ҈ÂÌ˚ (ÙËÎ¸Ï ‡Î¸Ï‡Ì‡ı‡ ´—ÔËÒÓÍ ‚β·ÎÂÌÌ˚ı –‘ª) 2004 ....–‡„ËÌ 2006 ....»ÁÓ·‡Ê‡ˇ ÊÂÚ‚Û Kirill Serebrennikov Director of theatre and cinema, winner of the most prestigious theatre awards and the TEFI television award (1999, for the documentary film ìSecrets of a Thunderstormî). Born in ◊Â̇ˇ ÍÓωˡ, ˝Í‡ÌËÁ‡ˆËˇ Ó‰ÌÓËÏÂÌÌÓÈ Ô¸ÂÒ˚ ·‡Ú¸Â‚ œÂÒÌˇÍÓ‚˚ı. Rostov-on-Don (1969). Graduated from the ¬˚ÔÛÒÍÌËÍ ÛÌË‚ÂÒËÚÂÚ‡ ¬‡Îˇ ÛÒÚ‡Ë‚‡ÂÚÒˇ ‡‰Ë Á‡‡·ÓÚ͇ ‚ ÏËÎËˆË˛, „‰Â ‚Ó Faculty of Physics and Mathematics of ‚ÂÏˇ ÒΉÒÚ‚ÂÌÌ˚ı ˝ÍÒÔÂËÏÂÌÚÓ‚ ‰ÓÎÊÂÌ ËÁÓ·‡Ê‡Ú¸ ÊÂÚ‚ ÔÂÒÚÛÔÎÂÌËÈ. Rostov University. Staged productions in —ΉÒÚ‚ÂÌ̇ˇ „ÛÔÔ‡ ‚ ÒÓÒÚ‡‚ ı‡ËÁχÚ˘ÌÓ„Ó Í‡ÔËڇ̇, ‚ÓÓÛÊÂÌÌÓÈ Rostov, made several television films for ‚ˉÂÓ͇ÏÂÓÈ Ô‡ÔÓ˘Ëˆ˚ À˛‰˚ Ë ÚÛÔÓ‚‡ÚÓ„Ó ÒÂʇÌÚ‡ Âʉ̂ÌÓ ‚˚‚ÓÁËÚ regional television, worked in advertising. ÔÓ‰ÒÛ‰ËÏ˚ı ̇ ÏÂÒÚ‡ ÔÂÒÚÛÔÎÂÌËÈ, „‰Â ÔÓÎÓÊÂÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ͇ÚËÌÛ Since 1998 lives and works in Moscow, staged Ú‡„‰ËË. ƒÓÔÓÎÌËÚÂθÌÓ ÒÛχүÂÒÚ‚Ë ‚ ÔÓËÒıÓ‰ˇ˘Â ÔË‚ÌÓÒˇÚ Ò‡ÏË performances at the Chekhov Moscow Arts ÔÂÒÚÛÔÌËÍË: Ó‰ËÌ ‚˚·ÓÒËÎ ËÁ ÓÍ̇ ÒÓ·ÒÚ‚ÂÌÌÛ˛ ÊÂÌÛ, ‚ÚÓÓÈ ÛÚÓÔËÎ Theatre, the Pushkin Theatre, the β·ËÏÛ˛ ‰Â‚Û¯ÍÛ ‚ ·‡ÒÒÂÈÌÂ, ÚÂÚËÈ ÌË Ò ÚÓ„Ó, ÌË Ò ÒÂ„Ó ‚ ˇÔÓÌÒÍÓÏ Sovremennik Theatre and other theatres. ÂÒÚÓ‡Ì ´ÔÛθÌÛÎ ËÁ ÔËÒÚÓÎÂÚ‡ª ‚ Ó‰ÌÓÍ·ÒÒÌË͇... œÓÌˇÚÌÓ ‰ÂÎÓ, ‚Ò ˝ÚË ´‡ÒÒΉӂ‡Ìˡª ÔÓ‚Ó‰ˇÚÒˇ ‰Îˇ „‡ÎÓ˜ÍË (ËÒıÓ‰ ‰Â· Ô‰¯ÂÌ, ÔÂÒÚÛÔÌËÍ Filmography (as director): ·Û‰ÂÚ ÓÒÛʉÂÌ), ˜ÚÓ ÒÓÁ‰‡ÂÚ ÙÓÌ Î„ÍÓ„Ó ‡·ÒÛ‰‡. 1998 ....Secrets of a Thunderstorm (doc). 1998 ....Naked A black comedy, screen version of the play of the same title by the Presnyakov 2000 ....Rostov-Papa (serial) Brothers 2002 ....Diary of a Murderer (serial) In order to earn money, the university graduate Valia takes up a job with the 2003 ....Bad Bed Scenes (film in the almanac police, where he plays crime victims in reconstructions of events for the ìList of those in Love in the Russian investigation. Every day the team of investigators, including the charismatic Federationî) captain, the officer Liuda who is armed with a video-camera, and a dumb 2004 ....Ragin sergeant, take defendants to crime scenes and reconstruct the tragedy that 2006 ....Playing the Victim occurred. In each event additional madness comes into play from the criminals: one has thrown his wife out of a window, the second has drowned his beloved in a pool, the third ñ for no reason whatsoever ñ shot at his former schoolmate in a Japanese restaurant... Clearly, all these ìinvestigationsî are carried out only to adhere to the procedures, because the outcome of each case is well known in advance: the criminal will be convicted. This premise creates a slight absurdity. 22 ÍÓÌÍÛÒ competition IT DOESNíTHURT ÃÕ≈ Õ≈¡ŒÀ‹ÕŒ www.ctb.ru; www.nashekino.ctb.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ¬‡ÎÂÌÚËÌ üÛÁ̈ӂ,—Â„ÂÈÇÍӂˆÍËÈ,ÇÍ–Û‰Ë̯ÚÂÈÌ ƒÏËÚËÈ ƒ˛Ê‚,ÕËÍËÚ‡ÃËı‡ÎÍÓ‚,»Ì„‡Œ·ÓΉË̇, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,104ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 ÃËı‡ËÎ ÕËÍÓ·‚ ´Õ‡¯Â ÍËÌÓª,´ü‡ÓÔÓ͇ڪ “‡Ú¸ˇÌ‡ üÛÁ¸Ï˘‚‡ –Â̇ڇ ÀËÚ‚ËÌÓ‚‡,¿ÎÂÍ҇̉flˆÂÌÍÓ, —Â„ÂÈ ¿ÒÚ‡ıÓ‚ ¿ÎÂÍÒÂÈ ¡‡Î‡·‡ÌÓ‚ “‡Ú¸ˇÌ‡ œ‡Ú‡ı‡Î¸ˆÂ‚‡ —Â„ÂÈ —ÂθˇÌÓ‚ œ‡‚ÂÎ œ‡ıÓÏÂÌÍÓ ¬‡‰ËÏ —‡ÏÓÈÎÓ‚ —“¬ ¬‡ÎÂËÈ Ã̇ˆ‡Í‡ÌÓ‚ www.ctb.ru; www.nashekino.ctb.ru Distribution Production Producer Sergei Makovetsky,MarkRudinshtein Nikita Mikhalkov,IngaOboldina,ValentinKuznetsov, Cast: Editing Sound Composer Costumes Art Director Camera Scriptwriter Director 2006, Russia,104min,colour,1:1.85,DolbyDigital5.1 Renata Litvinova,Alexander Mikhail Nikolaev Tatiana Kuzmichiova Sergei Astakhov Alexei Balabanov Sergei Selyanov Tatiana Patrakhaltseva Vadim Samoylov CTB FilmCompany Nashe Kino,Karoprokat Valery Mnatsakanov Pavel Parkhomenko Yatsenko, Dmitry Dyuzhev, ÍÓÌÍÛÒ competition

¿ÎÂÍÒÂÈ ¡‡Î‡·‡ÌÓ‚ –ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ, ÔÓ‰˛ÒÂ. œËÁÂ ÏÂʉÛ̇Ó‰Ì˚ı Ë ÓÒÒËÈÒÍËı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ. –Ó‰ËÎÒˇ ‚ —‚Â‰ÎÓ‚ÒÍ 25 Ù‚‡Îˇ 1959„Ó‰‡. ŒÍÓ̘ËÎ ÔÂ‚Ӊ˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ √Ó¸ÍÓ‚ÒÍÓ„Ó Ô‰‡„ӄ˘ÂÒÍÓ„Ó ËÌÒÚËÚÛÚ‡ (1981), ¬ü—– ó ¬˚үˠÍÛÒ˚ ÒˆÂ̇ËÒÚÓ‚ Ë ÂÊËÒÒÂÓ‚ (1990, ˝ÍÒÔÂËÏÂÌڇθÌ˚È ÍÛÒ ´¿‚ÚÓÒÍÓ 23 ÍËÌÓª). ¬ 1992 „Ó‰Û ‚ÏÂÒÚÂ Ò —Â„ÂÂÏ —ÂθˇÌÓ‚˚Ï Ë ¬‡ÒËÎËÂÏ √Ë„Ó¸Â‚˚Ï ÓÒÌÓ‚‡Î üËÌÓÍÓÏÔ‡Ì˲ —“¬, ÔË Û˜‡ÒÚËË ÍÓÚÓÓÈ ÓÌ ‚ ÓÒÌÓ‚ÌÓÏ Ë ÒÌËχÂÚ Ò‚ÓË ÙËθÏ˚.

»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 1991 ....—˜‡ÒÚÎË‚˚ ‰ÌË 1994 ....«‡ÏÓÍ 1995 ....“ÓÙËÏ˙ (Í/Ï, ‡Î¸Ï‡Ì‡ı ´œË·˚ÚË ÔÓÂÁ‰‡ª) 1997 ....¡‡Ú 1998 ....œÓ ÛÓ‰Ó‚ Ë Î˛‰ÂÈ 2000 ....¡‡Ú-2 2000 ....–Â͇ 2002 ....¬ÓÈ̇ 2005 ....∆ÏÛÍË Alexei Balabanov Director, scriptwriter, producer. Prize-winner of international and national film festivals, ÃÂÎÓ‰‡Ï‡. winner of professional film awards. Born 25 “Ó ‰ÛÁÂÈ ÒÚÓˇÚ Ì‡ ÔÓÓ„Â ¯Ë͇ÌÓ„Ó ‰Óχ ‚ ˆÂÌÚ ·Óθ¯Ó„Ó „ÓÓ‰‡. February 1959 in Sverdlovsk. Graduated from ŒÌË ÏÓÎÓ‰˚, ÔÓÎÌ˚ ˝ÌÂ„ËË, Û ÌËı ÂÒÚ¸ ڇ·ÌÚ, ÒÌÓӂ͇, ʇʉ‡ ÊËÁÌËÖ the Translation Department of Gorky ¬ Ó·˘ÂÏ, Û ÌËı ÂÒÚ¸ ‚ÒÂ, ÍÓÏ ‰ÂÌ„. «‡ ˝ÚËÏ ÓÌË Ò˛‰‡ Ë Ô˯ÎË ñ Pedagogical Institute (1981), and from the Ô‰ÎÓÊËÚ¸ ÛÒÎÛ„Ë ‰ËÁ‡ÈÌÂ‡ ıÓÁˇÈÍ ‰Óχ. Õ‡Ú˝Î· ¿ÌÚÓÌӂ̇ ÚÓÊ Higher Courses for Directors and ÏÓÎÓ‰‡, ÌÓ Í‡ÊÂÚÒˇ, ÊËÁ̸ ÂÈ ÛÊ ÛÒÔ· ̇ÒÍÛ˜ËÚ¸. œÓ Í‡ÈÌÂÈ ÏÂÂ Ú‡Í Scriptwriters at the Film Institute (1990, ·˚ÎÓ ‰Ó ‚ÒÚÂ˜Ë Ò Ã˯ÂÈ. ŒÌ ÔÓÏÓ„ ÂÈ ÒÌÓ‚‡ ‚β·ËÚ¸Òˇ ‚ ÊËÁ̸, ‡ Ó̇ experimental course of ëdirectorís cinemaí). In ̇¯Î‡ ÂÏÛ Ë Â„Ó ‰ÛÁ¸ˇÏ ËÌÚÂÂÒÌÛ˛ ‡·ÓÚÛ. 1992 he founded, together with Sergei ¡Ó„‡Ú˚ ÍÎËÂÌÚ˚, ‰ÓÓ„Ë ӷ‰˚, Ó„ÓÏÌ˚ „ÓÌÓ‡˚ ñ ‰ÛÁ¸ˇ Ó· ˝ÚÓÏ Ë Ì Selianov and Vasily Grigoriev, the film ϘڇÎË. » Ò‡ÏÓ „·‚ÌÓ ñ Ó̇ β·ËÚ Â„Ó! ÕÓ ÔË ˝ÚÓÏ ÒÍ˚‚‡ÂÚ ˜ÚÓ-ÚÓ company —“¬, with whose participation he Ó˜Â̸ ‚‡ÊÌÓÂ, ˜ÚÓ ÌÂËÁ·ÂÊÌÓ ÔÓ‚ÎˡÂÚ Ì‡ Ëı ·Û‰Û˘ÂÂÖ subsequently made all his films. Melodrama. Selected Directorís Filmography: Three friends stand on the threshold to a posh house in the center of a big 1991 ....Happy Days city. They are young and full of energy; they have talent, skills, and a thirst 1994 ....The Castle of life Ö broadly speaking they have everything, except for money. And for 1995 ....Trofim that they have come here: to offer their services as designers to the landlady. (short, almanac ìArrival of a trainî) Natella Antonovna is also young, but her life seems to have turned into 1997 ....Brother boredom already. At least this was the case until she met Misha. He helped her 1998 ....Of Freaks and Men love her life once again; she found him and his friends an interesting job. Rich 2000 ....Brother 2 clients, expensive dinners, and huge fees: our friends could not have dreamt of 2001 ....The River that. And, most important, she loves him! But she hides something crucial, and 2002 ....War this will inevitably affect their futureÖ 2005 ....Dead Manís Bluff 24 ÍÓÌÍÛÒ competition ‘‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ≈„Ó ¡‡ËÌÓ‚ ¬ „·‚Ì˚ıÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,101ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 NANKIN LANDSCAPE Õ¿Õü»Õ—ü»… œ≈…«¿∆ »„Ó¸ ”‚‡ÌˆÂ‚ À˛‰‚Ë„ ¬‡Ì¡ÂÚıÓ‚ÂÌ,¡ẨʇÏËÌ¡‡¯‡È »Ë̇ üÓÊÂÏˇÍË̇ ¬ËÍÚÓ ÿÂÒÚÓÔÂÓ‚ ¬‡ÎÂËÈ –Û·Ë̘ËÍ ƒÏËÚËÈ ¿Ì‰‚ ¿ÎÂÍ҇̉ œÓÚÂÏÍËÌ »Ë̇ ¿ÎÂÍÒ‚‡ üËÌÓÒÚÛ‰Ëˇ ´¿–ü-ÙËθϪ,ÔËÛ˜‡ÒÚËË ¿Ì‰ÂÈ ¡˚˜ÍÓ‚ ƒ‡¸ˇ ÃÓÓÁ,üÓÌÒÚ‡ÌÚËÌÀ‡‚ÓÌÂÌÍÓ, Agency Production Producer Egor Barinov Cast: Principal Editing Sound Music Costumes Art Director Camera Scriptwriter Director 2005, Russia,101min,colour,1:1.85,DolbyDigital5.1 Ludwig vanBeethoven,BenjaminBarshai Igor Urvantsev for CultureandCinematography Irina Kozhemyakina Victor Shestopiorov Valery Rubinchik Alexander Potyomkin Dmitry Andreev ARK-film, withparticipationoftheFederal Andrey Bychkov Irina Alexeeva Daria Moroz,KonstantinLavronenko, ÍÓÌÍÛÒ competition

¬‡ÎÂËÈ –Û·Ë̘ËÍ –ÂÊËÒÒÂ Ë ÒˆÂ̇ËÒÚ. «‡ÒÎÛÊÂÌÌ˚È ‰ÂˇÚÂθ ËÒÍÛÒÒÚ‚ –ÓÒÒËË, ÔËÁÂ ÏÂʉÛ̇Ó‰Ì˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ ‚ ÃËÌÒÍ 17 ‡ÔÂΡ 1940 „Ó‰‡. ŒÍÓ̘ËÎ ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¡ÂÎÓÛÒÒÍÓ„Ó Ú‡Ú‡Î¸ÌÓ„Ó ËÌÒÚËÚÛÚ‡ (1962), ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1969, χÒÚÂÒ͇ˇ fl.¿.—„ÂΡ). Õ‡˜Ë̇Π̇ ÒÚÛ‰ËË ´¡Â·ÛÒ¸ÙËθϪ. 25 — 1988 „Ó‰‡ ÊË‚ÂÚ Ë ‡·ÓÚ‡ÂÚ ‚ ÃÓÒÍ‚Â. –ÛÍÓ‚Ó‰ËÚÂθ ÂÊËÒÒÂÒÍÓÈ Ï‡ÒÚÂÒÍÓÈ ¬√»ü‡ Ë ÂÊËÒÒÂÒÍÓÈ Ï‡ÒÚÂÒÍÓÈ »ÌÒÚËÚÛÚ‡ ÒÓ‚ÂÏÂÌÌÓ„Ó ËÒÍÛÒÒÚ‚‡.

‘ËθÏÓ„‡Ùˡ (Ë„Ó‚Ó ÍËÌÓ): 1969 ...... ü‡ÒÌ˚È ‡„ËÚ‡ÚÓ “ÓÙËÏ √ÎÛ¯ÍÓ‚ (Ú‚) 1971 ....ÃÓ„Ë· 肇 1974 ....œÓÒΉÌ ÎÂÚÓ ‰ÂÚÒÚ‚‡ (Ú‚) 1975 ....√‡ÏÎÂÚ ŸË„Ó‚ÒÍÓ„Ó ÛÂÁ‰‡ (Ú‚) 1976 ....¬ÂÌÓÍ ÒÓÌÂÚÓ‚ 1979 ....ƒË͇ˇ ÓıÓÚ‡ ÍÓÓΡ —Ú‡ı‡ 1982 ....üÛθÚÔÓıÓ‰ ‚ Ú‡Ú 1983 ....üÓÏ˘ÂÒÍËÈ Î˛·Ó‚ÌËÍ, ËÎË À˛·Ó‚Ì˚ Á‡ÚÂË Ò˝‡ ƒÊÓ̇ ‘‡Î¸ÒÚ‡Ù‡ (Ú‚) 1988 ....ŒÚÒÚÛÔÌËÍ 1989 ....üÓωˡ Ó ÀËÒËÒÚ‡Ú 1991 ....ÕÂβ·Ó‚¸ 1995 ....œÂÈÁ‡Ê Ò ÚÂÏˇ ÍÛԇθ˘Ëˆ‡ÏË 2002 ....üËÌÓ ÔÓ ÍËÌÓ Valery Rubinchik Director and scriptwriter. Honored Artist of Russia, prize-winner of international and national film festivals. Born in Minsk on 17 ÃÂÎÓ‰‡Ï‡. April 1940. Graduated from the Directorsí œËÚ˜‡ Ó· ‡Ï·Ë‚‡ÎÂÌÚÌÓÒÚË Ë ‡ÁÛ¯‡˛˘ÂÈ ‰‚ÓÈÒÚ‚ÂÌÌÓÒÚË ñ Faculty of the Belarus Theatre Institute (1962), the Directorsí Faculty of the Film Institute ·‡Î·‰‡ Ó· Ó‰ËÌÓ˜ÂÒÚ‚Â ˜ÂÎÓ‚Â͇, ÍÓÚÓ˚È ÍÓ„‰‡-ÚÓ Ô‰‡Î VGIK (1969, class of Ya. Segel). Began at the Ò‚Ó˛ β·Ó‚¸. studio Belarusfilm. Since 1988 lives and works in Moscow. Head of a Directorsí Course at the Film Institute VGIK and a Directorsí Workshop Melodrama. at the Institute of Contemporary Art. A parable about the ambivalence and destructive duplicity; Filmography as director 1969...... The Red Agitator Trofim Glushkov (TV) a ballad about the loneliness of a man, who sometime betrayed 1971 ....The Lionís Grave his real love. 1974 ....Last Summer of Childhood (TV) 1975 ....Hamlet of the Shchigrov County (TV) 1976 ....A Wreath of Sonnets 1979 ....Savage Hunt of King Stakh 1982 ....Cultural Venture to the Theatre 1983 ....Comic Lover, or Love Escapades of Sir John Falstaff (TV) 1988 ....The Apostate 1989 ....Comedy about Lysistrata 1991 ....No Love 1995 ....Landscape with Three Bathers 2002 ....Cinema about Cinema 26 ÍÓÌÍÛÒ competition SOVIET PARK œ¿–ü —Œ¬≈“—üŒ√Œœ≈–»Œƒ¿ Ë ÍËÌÂχÚÓ„‡ÙËË ÔË Û˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛ œÓËÁ‚Ó‰ÒÚ‚Ó fiÎËÈ √ÛÒχÌ,“ËÏÛ¬‡È̯ÚÂÈÌ œÓ‰˛ÒÂ˚ —Â„ÂÈÃÂθÍÛÏÓ‚,¿͇‰ËÈ√‡È‰‡Ï‡Í, ¡‡ËÌÓ‚, –‡Ù‡˝Î¸ÃÛ͇‚,¬Î‡‰ËÏË«Âθ‰ËÌ ÕË̇ ”Ò‡ÚÓ‚‡,Àˉˡ‘‰ÓÒ‚‡-ÿÛͯË̇,¬‡ÎÂËÈ ¿ÎÂÍ҇̉ œ‡¯ÛÚËÌ,—Â„ÂÈÕËÍÓÌÂÌÍÓ,¿ÎÂÍÒÂÈ¡ÛΉ‡ÍÓ‚, ÃËı‡ËÎ ≈ÙÂÏÓ‚,¬Î‡‰ËÏËƒÓÎËÌÒÍËÈ,¿ÎÂÍ҇̉ƒÁ˛·‡, ¬ ÓΡı: ÃÓÌÚ‡ÊÂ «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,124ÏËÌ.,ˆ‚.,1:1.85,DolbyDigitalSEX ŒÎ„ ÷˚„‡ÌÍÓ‚ ¿ÎÂÍ҇̉ À‡Á‡‚-ÏÎ.,≈ÎËÁ‡‚ÂÚ‡¡ÓˇÒ͇ˇ, »„Ó¸ üη‡ÌÓ‚ fiÎËÈ √ÛÒÏ‡Ì Õ‡Ú‡Îˡ —Ú˚ˆ˛Í »Ë̇ üÓÊÂÏˇÍË̇ ŒÎ¸„‡ ü‡‚˜ÂÌˇ ÇÍÒËÏ ƒÛ̇‚ÒÍËÈ Ã‡ÍÒËÏ ƒÛ̇‚ÒÍËÈ œü ´—ÎÓ‚Óª,fi√-“¬,´¿.√.œË͘ÂÁª, ›‰Û‡‰ ¿ÍÓÔÓ‚,fiÎËÈ√ÛÒÏ‡Ì and Cinematography Pictures withparticipationoftheFederal AgencyforCulture Production Timur Vainshtein Producers Mukaev, PolinaLazareva,VladimirZeldin Usatova, LidiaFedoseeva-Shukshina,ValeryBarinov,Rafael Alexander Pashutin,SergeiNikonenko,AlexeiBuldakov,Nina Mikhail Efremov,VladimirDolinsky,AlexanderDziuba, Cast: Editor I Sound Composer Costumes Art Director Camera Scriptwriters Director 2006, Russia,124min,colour,1:1.85,DolbyDigitalSEX Alexander Lazarev-younger,ElizavetaBoiarskaya, Oleg Tsygankov rina Kozhemiakina Igor Klebanov Yuli Gusman Natalia Stytsiuk Maxim Dunaevsky Sergei Melkumov,ArkadiGaydamak,YuliGusman, Slovo ProductionCompany,YuG-TV, A.G. Olga Kravchenia Eduard Akopov,YuliGusman ÍÓÌÍÛÒ competition

fiÎËÈ √ÛÒÏ‡Ì –ÂÊËÒÒÂ, ‰‡Ï‡ÚÛ„, Ó„‡ÌËÁ‡ÚÓ ÍËÌÓÔÓˆÂÒÒ‡, ÚÂÎÂ‚Â‰Û˘ËÈ. «‡ÒÎÛÊÂÌÌ˚È ‰ÂˇÚÂθ ËÒÍÛÒÒÚ‚ –ÓÒÒËË, Õ‡Ó‰Ì˚È ‡ÚËÒÚ ¿ÁÂ·‡È‰Ê‡Ì‡. –Ó‰ËÎÒˇ ‚ ¡‡ÍÛ 8 ‡‚„ÛÒÚ‡ 1943 „Ó‰‡. ŒÍÓ̘ËÎ ¡‡ÍËÌÒÍËÈ Ï‰ˈËÌÒÍËÈ ËÌÒÚËÚÛÚ (1966), ‡ÒÔË‡ÌÚÛÛ »ÌÒÚËÚÛÚ‡ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡Ìˡ ‚‡˜ÂÈ, ¬ü—– (1972). — 1964 ó ‡ÍÚË‚Ì˚È Û˜‡ÒÚÌËÍ ü¬Õ, ‚ 1976-84 ñ ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚È ÛÍÓ‚Ó‰ËÚÂθ ¡‡ÍËÌÒÍÓ„Ó Ú‡Ú‡ ÏÛÁ˚͇θÌÓÈ ÍÓωËË, ÂÊËÒÒÂ 27 ·‡ÍËÌÒÍÓ„Ó “fi«‡, ÂÊËÒÒÂ ÍËÌÓÒÚÛ‰ËË ´¿ÁÂ·‡È‰Ê‡ÌÙËθϪ. –ÛÍÓ‚Ó‰ËÎ Ú‡Ú‡Î¸Ì˚ÏË ÔÓÒÚ‡Ìӂ͇ÏË ‚ —ÿ¿, üËÚ‡Â Ë flÔÓÌËË, ÔÂÔÓ‰‡‚‡Î ‚ —ÿ¿. ¬ 2004 ÔÓÒÚ‡‚ËΠ̇ ÒˆÂÌ ÷¿“–¿ Ï˛ÁËÍÎ ´◊ÂÎÓ‚ÂÍ ËÁ À‡Ï‡Ì˜Ëª. ¬ 1993-95 ó ‰ÂÔÛÚ‡Ú √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ‰ÛÏ˚ Ë ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚È ÛÍÓ‚Ó‰ËÚÂθ ÷ÂÌÚ‡Î¸ÌÓ„Ó ‰Óχ ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. ¿‚ÚÓ Ë ÓÒÌÓ‚‡ÚÂθ œÂÏËË ÍËÌӇ͇‰ÂÏËË ´ÕË͇ª, ‰Û„Ëı ÔÓÙÂÒÒËÓ̇θÌ˚ı ÔÂÏËÈ Ë ÙÂÒÚË‚‡ÎÂÈ.

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 1977 ....¬ Ó‰ËÌ ÔÂÍ‡ÒÌ˚È ‰Â̸ (ÌÓ‚Âη ‚ Ó‰ÌÓËÏÂÌÌÓÏ ‡Î¸Ï‡Ì‡ıÂ) 1978 ....ƒ‡˜Ì˚È ‰ÓÏËÍ ‰Îˇ Ó‰ÌÓÈ ÒÂÏ¸Ë 1981 ....Õ ·ÓÈÒˇ, ˇ Ò ÚÓ·ÓÈ! (Ú‚) 1983 ....À¸‰Ë̇ ‚ ÚÂÔÎÓÏ ÏÓ (Ú‚) 1985 ....◊ÚÓ Ú‡ÍÓ ´≈‡Î‡¯ª? (Ú‚) 2006 ....œ‡Í ÒÓ‚ÂÚÒÍÓ„Ó ÔÂËÓ‰‡ Yuli Gusman Director, playwright, organizer of the cinematic process, television presenter. ÕË ·ÂÁ ÔÓÏÓ˘Ë Á‡Ô‡‰Ì˚ı ËÌ‚ÂÒÚÓÓ‚ ÓÒÒËÈÒÍË ·ËÁÌÂÒÏÂÌ˚ ÂÍÓÌÒÚÛËÓ‚‡ÎË Honoured Artist of Russia, National Actor of ´ÓÒÚÓ‚ÓÍ ÒÓ‚ÂÚÒÍÓÈ ÊËÁÌ˪ Ë Ì‡Á‚‡ÎË Ò‚Ó ‰ÂÚˢ ´œ‡ÍÓÏ Ï˜Ú˚ª. » ÏÓ Azerbaijan. Born in Baku on 8 August 1943. Graduated from Baku Medical Institute Á‰ÂÒ¸ ÂÒÚ¸, Ë ÔÓ˜ÚË Ì‡ÒÚÓˇ˘ËÈ üÂÏθ ˇ‰ÓÏ, Ë ÂÍË, Ë „Ó˚, Ë ÔÛÒÚ˚Ìˇ ñ ‚Ò (1966), postgraduate study at the Institute of ‚ Ó‰ÌÓÏ Ô‡ÍÂ. » ÓÍÛʇڸ „ÓÒÚÂÈ ·Û‰ÛÚ Ò‡Ï˚ ËÁ‚ÂÒÚÌ˚ β‰Ë ÚÂı ÎÂÚ: Higher Medical Qualifications, Higher ‡ÍÚÂ˚, Ô‚ˆ˚, ¯‡ıχÚËÒÚ˚Ö œÓÔÛΡÌ˚È ÚÂÎÂÊÛ̇ÎËÒÚ ŒÎ„ «ËÏËÌ, Courses for Scriptwriters and Directors ÍÓÚÓ˚È ‰ÓÎÊÂÌ ‰‡Ú¸ ÂÍ·ÏÛ ˝ÚÓ„Ó Ô‡͇ ‚ Ò‚ÓÂÈ ÔÓ„‡ÏÏÂ, ÒÚ‡ÌÓ‚ËÚÒˇ (1972). Since 1964 participant in KVN (Club of the Cheerful and Inventive), from 1976-84 Ó‰ÌËÏ ËÁ ÔÂ‚˚ı Â„Ó ÔÓÒÂÚËÚÂÎÂÈ. ”ÒÚ‡‚¯ËÈ ÓÚ ÏÓÒÍÓ‚ÒÍËı ÌÂÔˡÚÌÓÒÚÂÈ, art director of the Baku Theatre of Musical ÍÓÚÓ˚ ӷÛ¯ËÎËÒ¸ ̇ ÌÂ„Ó ÒÓ ‚ÒÂı ÒÚÓÓÌ, ÓÌ ¯‡ÂÚ Á‡Ó‰ÌÓ Ë ÓÚ‰ÓıÌÛÚ¸. Comedy, director at Bakuís Theatre of the —̇˜‡Î‡ ‚Ò ‚˚Á˚‚‡ÂÚ Û ŒÎ„‡ ËÒÍÂÌÌËÈ ‚ÓÒÚÓ„ Ë ‚Ò ̇ÔÓÏË̇ÂÚ Ó ˛ÌÓÒÚË. Young Spectator, director of the film studio ŒÎ„ ‚β·ÎˇÂÚÒˇ ‚ ¿ÎÂÌÛ ¬ÓÎÍÓ‚Û, Ó‰ÌÛ ËÁ ÎÛ˜¯Ëı ‡·ÓÚÌˈ Ô‡͇. ÕÓ ‚ÒÍÓ ìAzerbaijanfilmî. Supervised theatre ÂÏÛ ‰‡˛Ú ÔÓÌˇÚ¸, ˜ÚÓ ÍÓÌÚ‡ÍÚ˚ ÏÂÊ‰Û ÒÓÚÛ‰ÌË͇ÏË Ô‡͇ Ë ÓÚ‰˚ı‡˛˘ËÏË productions in the US, China and Japan, and taught in the US. In 2004 directed at the Á‡Ô¢ÂÌ˚ Ë ˜ÚÓ Û ¿ÎÂÌ˚ ÂÒÚ¸ ÔÓÍÎÓÌÌËÍ ñ χÒÒÓ‚ËÍ-Á‡ÚÂÈÌËÍ –Ó·ÂÚ, Ë ˜ÚÓ Central Russian Army Theatre the musical ÚÓ‚‡ˢ –Ó·ÂÚ ó Ó‰ËÌ ËÁ „·‚Ì˚ı β‰ÂÈ ‚ ‡‰ÏËÌËÒÚ‡ˆËË Ô‡Í‡Ö ìMan from LaMancheî. From 1993-95 deputy of the State Duma and art director of the Without the help of western investors, Russian businessmen have Central House of Cinematographers. Author and founder of the Film Academy award reconstructed an ìisland of Soviet lifeî and called their child ìDream Parkî. In NIKA, other professional and awards and one park they have the sea, and an almost real Kremlin, rivers, mountains and festivals. the desert. The visitors are surrounded by the most popular actors, singers, chess-players of those timesÖ The popular TV reporter Oleg Zimin, who is Filmography as director: supposed to advertise this park on his programme, is one of the first visitors. 1977 ....One Fine Day (short story in the almanac of the same title) Tired from the troubles that have descended upon him from different 1978 ....A Small Country House for One directions in the busy Moscow, he decides to rest at the same time as visiting Family the park. At first he is genuinely delighted and everything reminds him of his 1981 ....Donít be Afraid, I am with You! (TV) youth. Then Oleg falls in love with Aliona Volkova, one of the best workers in 1983 ....An Ice Floe in the Warm Sea (TV) 1985 ....Whatís a Jumble? (TV) the Park. But soon he is told that contacts between employees and visitors are 2006 ....Soviet Park forbidden, and that Aliona already has an admirer: the entrepreneur Robert. And comrade Robert is one of top people in the Parkís administrationÖ 28 ÍÓÌÍÛÒ competition TRANSIT œ≈–≈√ŒÕ www.ctb.ru; www.nashekino.ctb.ru œÓÍ‡Ú ‘‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ fiËÈ »ˆÍÓ‚,ŒÎ„ÇÎÍËÌ,¿Ì̇–Û‰¸,ŒÎÓ‚ œÂÚÓ‚, ¿Ì‰ÂÈÿË·‡¯ËÌ,»‚‡ÌœËÎθ,¿ÚÂϬÓÎÓ·Û‚, »ÌÌÓ˜ÂÌÚÂ, —‡‡–‡ÚÎË,¿Ì̇-ÇË̇¡ÂÌÒ‡Û‰,¿ÎÂÍÒÂÈ ÕÂÏÓΡ‚‡, üËËÎΔθˇÌÓ‚,—‡‡¡ÛÎÎË,ü˝ÚËÌ ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ √·‚Ì˚È ÓÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2006, –ÓÒÒˡ,127ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 ¿Ì‡ÚÓÎËÈ √Û‰ÍÓ‚ÒÍËÈ ´Õ‡¯Â ÍËÌÓª,´ü‡ÓÔÓ͇ڪ fiÎˡ –ÛÏˇÌˆÂ‚‡ ƒ‡ÌËËÎ —Ú‡ıÓ‚,¿ÎÂÍÒÂÈ—Â·ˇÍÓ‚,¿Ì‡ÒÚ‡Òˡ ¬‡ÎÂÌÚË̇ ü‡ÏÂÌ‚‡ —Â„ÂÈ —ÂθˇÌÓ‚ ¬Î‡‰ËÏË ƒˇÚÎÂÌÍÓ ƒÏËÚËÈ œ‡‚ÎÓ‚ üËÌÓÍÓÏÔ‡Ìˡ —“¬,ÔËÛ˜‡ÒÚËË ¿Ì‰ÂÈ ∆„‡ÎÓ‚ ¿ÎÂÍ҇̉ –Ó„ÓÊÍËÌ www.ctb.ru; www.nashekino.ctb.ru Distribution Federal AgencyforCultureandCinematography Production Producer Malkin, AnnaRudí,YuriOrlov Shibarshin, IvanPrill,ArtyomVolobuev,YuriItskov,Oleg Sarah Rutley,AnnaMarinaBensaud,AlexeiPetrov,Andrey Nemolyaeva, KirillUlianov,SarahBulley,CaterinaInnocente, Cast: Editor Sound Composer Costumes Art Director Camera Scriptwriter andDirector 2006, Russia,127min,colour,1:2.35,DolbyDigital5.1 Daniil Strakhov,AlexeiSerebryakov,Anastasia Yulia Rumyantseva Anatoly Gudkovsky Andrey Zhegalov Sergei Selyanov Valentina Kameneva Dmitry Pavlov CTB FilmCompanywiththeparticipationof Nashe Kino,Karoprokat Vladimir Dyatlenko Alexander Rogozhkin ÍÓÌÍÛÒ competition

¿ÎÂÍ҇̉ –Ó„ÓÊÍËÌ ó ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ, ıÛ‰ÓÊÌËÍ. Õ‡Ó‰- Ì˚È ‡ÚËÒÚ –ÓÒÒËË, ÔËÁÂ ÏÂʉÛ̇Ó‰Ì˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ. –Ó‰ËÎÒˇ ‚ ÀÂÌËÌ„‡‰Â 3 ÓÍÚˇ·ˇ 1949 „Ó‰‡. ŒÍÓ̘ËÎ ËÒÚÓ˘ÂÒÍËÈ Ù‡ÍÛθÚÂÚ À√”, Û˜ËÎÒˇ ̇ ıÛ- ‰ÓÊÂÒÚ‚ÂÌÌÓ-„‡Ù˘ÂÒÍÓÏ Ù‡ÍÛθÚÂÚ ÀÂ- ÌËÌ„‡‰ÒÍÓ„Ó Ô‰‡„ӄ˘ÂÒÍÓ„Ó ËÌÒÚËÚÛÚ‡ ËÏ. √ÂˆÂ̇. –‡·ÓڇΠıÛ‰ÓÊÌËÍÓÏ Ì‡ ÀÂÌËÌ- „‡‰ÒÍÓÏ ÚÂ΂ˉÂÌËË, ıÛ‰ÓÊÌËÍÓÏ-‰ÂÍÓ‡- ÚÓÓÏ Ì‡ ÍËÌÓÒÚÛ‰ËË ´ÀÂÌÙËθϪ. ¬ 1981 29 ÓÍÓ̘ËÎ ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (χÒÚÂÒ͇ˇ —.¿. √Â‡ÒËÏÓ‚‡) Ë ÒڇΠÂÊËÒ- ÒÂÓÏ-ÔÓÒÚ‡ÌÓ‚˘ËÍÓÏ ÍËÌÓÒÚÛ‰ËË ´ÀÂÌ- ¬ÓÂÌ̇ˇ ‰‡Ï‡. ÙËθϪ. —ÓÚÛ‰Ì˘‡ÂÚ Ò üËÌÓÍÓÏÔ‡ÌËÂÈ 1942 „Ó‰, ◊ÛÍÓÚ͇, Ú‡ÌÁËÚÌ˚È ‡˝Ó‰ÓÏ. ¿ÏÂË͇̈˚- —“¬ Ë ‰Û„ËÏË ÒÚÛ‰ËˇÏË, Û˜‡ÒÚ‚ÛÂÚ ‚ ÚÂÎÂ- ‚ËÁËÓÌÌ˚ı ÔÓÂÍÚ‡ı, ÔÓÒΉÌËÈ ËÁ ÍÓÚÓ˚ı ñ ÒÓ˛ÁÌËÍË ˜ÂÂÁ ÓÍÂ‡Ì ÔÂ„ÓÌˇ˛Ú ËÒÚ·ËÚÂÎË ÚÂÎÂÙËÎ¸Ï ´—‚Óˇ ˜Ûʇˇ ÊËÁ̸ª (2004). »Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ (ÍËÌÓ): ´¿˝ÓÍÓ·‡ª, ‡ ̇¯Ë ÔËÎÓÚ˚ ÓÚ„ÓÌˇ˛Ú Ëı ̇ ÙÓÌÚ. –ˇ‰ÓÏ 1985 ....–‡‰Ë ÌÂÒÍÓθÍËı ÒÚÓ˜ÂÍ 1988 ....ÃËÒÒ ÏËÎÎËÓÌÂ¯‡ ÒÛ˘ÂÒÚ‚ÛÂÚ Ë ‰Û„ÓÈ ÏË ñ ÏË ÏÂÒÚÌ˚ı ˝ÒÍËÏÓÒÓ‚, 1989 ....ü‡‡ÛÎ 1990 ....“ÂÚ¸ˇ Ô·ÌÂÚ‡ ÊË‚Û˘Ëı ‰‡ÎÂÍÓÈ ÓÚ ‚ÓÈÌ˚ ÊËÁ̸˛. –‡ÁÏÂÂÌÌ˚È ıÓ‰ 1991 ....◊ÂÍËÒÚ 1993 ....¿ÍÚ; ∆ËÁ̸ Ò Ë‰ËÓÚÓÏ ÒÓ·˚ÚËÈ Ì‡Û¯‡ÂÚÒˇ, ÍÓ„‰‡ ÒÚ‡ÌÓ‚ËÚÒˇ ˇÒÌÓ, ˜ÚÓ 1995 ....ŒÒÓ·ÂÌÌÓÒÚË Ì‡ˆËÓ̇θÌÓÈ ÓıÓÚ˚ ‡ÏÂË͇ÌÒÍË ÎÂÚ˜ËÍË Ì‡ Ò‡ÏÓÏ ‰ÂΠñ ÔË‚ÎÂ͇ÚÂθÌ˚Â Ë 1996 ....ŒÔÂ‡ˆËˇ ´— ÕÓ‚˚Ï „Ó‰ÓϪ 1997 ....ƒ‡ (Í/Ï) Ó·‡ˇÚÂθÌ˚ ‰Â‚Û¯ÍË. ◊Û‚ÒÚ‚‡ ̉‡‚ÌËı χθ˜Ë¯ÂÍ, 1998 ....¡ÎÓÍÔÓÒÚ 1998 ....ŒÒÓ·ÂÌÌÓÒÚË Ì‡ˆËÓ̇θÌÓÈ ˚·‡ÎÍË ÒÂ„Ó‰Ìˇ Ï·‰¯Ëı ÎÂÈÚÂ̇ÌÚÓ‚, ÒÚ‡ÎÍË‚‡˛ÚÒˇ Ò ˇÁ˚ÍÓ‚˚ÏË 1999 ....¡ÓΉËÌÒ͇ˇ ÓÒÂ̸ (Í/Ï) 2000 ....ŒÒÓ·ÂÌÌÓÒÚË Ì‡ˆËÓ̇θÌÓÈ ÓıÓÚ˚ Ë ÍÛθÚÛÌ˚ÏË ·‡¸Â‡ÏË. »Á-Á‡ ˜Â„Ó ‚ÓÁÌË͇ÂÚ ÏÌÓÊÂÒÚ‚Ó ‚ ÁËÏÌËÈ ÔÂËÓ‰ 2002 ....üÛÍۯ͇ ÍÛ¸ÂÁÌ˚ı, ÌÂÎÂÔ˚ı Ë Ú‡„˘ÂÒÍËı ÒËÚÛ‡ˆËÈÖ Alexander Rogozhkin Director, scriptwriter, artist. Peopleís Artist of Military drama. Russia, prize-winner of international and national film festivals, winner of professional 1942, Chukotka. A transit airport. The Allied Forces, the awards. Born 3 October 1949 in Leningrad. In 1972 graduated from the Faculty of History of Americans, are moving the destroyer ëAerocobraí across the Leningrad State University, studied at the Art and Graphics Section of Leningradís Herzen ocean, while Russian pilots drive them to the front. But there Pedagogical Institute. Worked as artist at Leningrad Television, then as designer at is another world: the world of the local eskimos, who lead a Lenfilm Studio. In 1981 completed the Course life far away from war. The moderated course of events is of Directors at the Moscow Film Institute under S.A. Gerasimov. Since 1981 he has broken up when it emerges that the American pilots are worked as director at Lenfilm; cooperated with the film company —“¬ and participated in actually attractive and charming girls. The feelings of the television projects (five-part television series ìMy Own Strange Lifeî, 2004, and others). recent teenagers, who are now junior lieutenants, collide with Selected Filmography: 1985 ....For the Sake of a Few Lines language and culture barriers. Therefore a range of funny, 1988 ....Miss Millionaire 1989 ....The Guard ridiculous and tragic situations arisesÖ 1990 ....The Third Planet 1991 ....The Chekist 1993 ....The Act; Life with an Idiot 1995 ....Peculiarities of the National Hunt in Autumn 1996 ....Operation ìHappy New Year!ª 1998 ....Checkpoint 1998 ....Peculiarities of National Fishing 1999 ....Boldino Autumn (short) 2000 ....Peculiarities of the National Hunt in Winter 2002 ....The Cuckoo 2006 ....Transit 30 ÍÓÌÍÛÒ competition FREE FLOATING —¬Œ¡ŒƒÕŒ≈ œÀ¿¬¿Õ»≈ ‘‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ¬Î‡‰ËÏË “Â¢ÂÌÍÓ ¿‰Ë‡Ì –ÓÒÚÓ‚ÒÍËÈ,—Â„ÂÈœÂÒÚËÍÓ‚,Õ‡Ò‰ÍËÌ, ÕË̇ —ÂÏÂÌÓ‚‡,¿ÎÂÍÒÂÈŒ¯ÛÍÓ‚,“‡Ú¸ˇÌ‡–‡ÒÒ͇ÁÓ‚‡, —˚Ú˚È, œÂÚ«‡È˜ÂÌÍÓ,¡ÓËÒœÂÚÓ‚,“‡„Ë–‡ıËÏÓ‚, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,105ÏËÌ.,ˆ‚.,1:1.37,DolbySRD ÇÍÒËÏ ¡ÂÎÓ‚ÓÎÓ‚ »‚‡Ì À·‰‚ ¿ÎÂÍ҇̉ flˆÂÌÍÓ,ƒ‡¸ˇ≈͇χÒÓ‚‡,≈‚„ÂÌËÈ ÿ‡Ì‰Ó ¡ÂÍÂ¯Ë ¡ÓËÒ ’ηÌËÍÓ‚ —‚ÂÚ·̇ ÃËı‡ÈÎÓ‚‡ –ÓÏ‡Ì ¡ÓËÒ‚˘ ŒÎ¸„‡ ’ηÌËÍÓ‚‡ üËÌÓÍÓÏÔ‡Ìˡ ´üÓÍÚ·Âθª,ÔËÛ˜‡ÒÚËË ¡ÓËÒ ’ηÌËÍÓ‚,¿ÎÂÍ҇̉–Ó‰ËÓÌÓ‚ Federal AgencyforCultureandCinematography Production Producer Tereshchenko Rostovsky, SergeiPestrikov,Nasedkin,Vladimir Semyonova, AlexeiOshurkov,TatianaRasskazova,Andrian Pyotr Zaychenko,BorisPetrov,TagirRakhimov,Nina Cast: Editor Sound Costumes Art Director Camera Scriptwriters Director 2006, Russia,105min,colour,1:1.37,DolbySRD Alexander Yatsenko,DariaEkamasova,EvgenySyty, Ivan Lebedev Maxim Belovolov Sandor Berkesi Boris Khlebnikov Roman Borisevich Svetlana Mikhaylova Koktebel FilmCompanywithparticipationofthe Olga Khlebnikova Boris Khlebnikov,AlexanderRodionov ÍÓÌÍÛÒ competition

¡ÓËÒ ’ηÌËÍÓ‚ —ˆÂ̇ËÒÚ Ë ÂÊËÒÒÂ. –Ó‰ËÎÒˇ 28 ‡‚„ÛÒÚ‡ 1972 „Ó‰‡. ŒÍÓ̘ËÎ ÍËÌӂ‰˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1997). ¡˚Î ‰‡ÍÚÓÓÏ Ì‡ ÔÓÂÍÚ‡ı ÒÚÛ‰ËË ´“Ë“˝ª. ¬ 2003 „Ó‰Û ÒÓ‚ÏÂÒÚÌÓ Ò ¿ÎÂÍÒÂÂÏ œÓÔÓ„·ÒÍËÏ ÒÌˇÎ ÔÂ‚˚È ÔÓÎÌÓÏÂÚ‡ÊÌ˚È Ë„Ó‚ÓÈ ÙËÎ¸Ï ´üÓÍÚ·Âθª, ÒÚ‡‚¯ËÈ ÒÓ·˚ÚËÂÏ ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓ„Ó „Ó‰‡ (—Â·ˇÌ˚È 31 ´—‚ˇÚÓÈ √ÂÓ„ËȪ ÃÓÒÍÓ‚ÒÍÓ„Ó Ãü‘, ÒÔˆ.ÔËÁ Ê˛Ë Ãü‘ ‚ ü‡ÎÓ‚˚ı ¬‡‡ı, ÒÔˆ.ÔËÁ Ê˛Ë ‘ÂÒÚË‚‡Îˇ ‚ÓÔÂÈÒÍÓ„Ó ÍËÌÓ ‚ ¡˛ÒÒÂÎÂ Ë ‰.).

‘ËθÏÓ„‡Ùˡ: 1994 ....ÃËÏÓıÓ‰ (‰ÓÍ., Ò ¿ÎÂÍÒÂÂÏ œÓÔÓ„·ÒÍËÏ) 2001 ....’ËÚ‡ˇ Ρ„ۯ͇ (Í/Ï) 2002 ....ÃËı‡ËÎ ¡Û΄‡ÍÓ‚. ◊ÂÌ˚È ÒÌ„ (‰ÓÍ., ÒÂˇÎ) 2003 ....üÓÍÚ·Âθ (Ò ¿ÎÂÍÒÂÂÏ œÓÔÓ„·ÒÍËÏ) 2006 ....—‚Ó·Ó‰ÌÓ Ô·‚‡ÌË Boris Khlebnikov Scriptwriter and director. Born on 28 August 1972. Graduated in cinema studies from the Film Institute VGIK (1997). Editor on projects of the studio ìTriTeî. In 2003, together with Alexei Popogrebsky, he made ÇÎÂ̸ÍËÈ „ÓÓ‰ÓÍ Ì‡ ·ÂÂ„Û ¬Ó΄Ë, „‰Â ͇ʉ˚È ‰Â̸ ÌÂÓÚ΢ËÏÓ ÔÓıÓÊ Ì‡ his first full-length feature film ìKoktebelî, Ô‰˚‰Û˘ËÈ. ÕÓ ‰‚‡‰ˆ‡ÚËÎÂÚÌËÈ ÀÂÌˇ ÔÓÒÚÓˇÌÌÓ ÓÚÍ˚‚‡ÂÚ ‚ Ò‚ÓÂÈ ÊËÁÌË which became a major event in the film ˜ÚÓ-ÚÓ, Ó ˜ÂÏ Â˘Â Ì Á̇Π‚˜Â‡. œÓÒΠÁ‡Í˚Úˡ Á‡‚Ó‰‡, ̇ ÍÓÚÓ˚È ÀÂÌˇ calendar (Silver Saint George, Moscow IFF; ÚÓθÍÓ-ÚÓθÍÓ ÛÒÚÓËÎÒˇ ‡·ÓÚ‡Ú¸, ÓÌ Ë‰ÂÚ ‚ ÔÓÏÓ˘ÌËÍË Í ÔÓ‰‡‚ˆÛ Ó·Û‚Ë Special Prize at the Karlovy Vary IFF; ̇ ÏÂÒÚÌ˚È ˚ÌÓÍ, ÔÓÚÓÏ Ô˚Ú‡ÂÚÒˇ ÒÚ‡Ú¸ ¯ÚÛ͇ÚÛÓÏ. » ‚ÒˇÍËÈ ‡Á ÌÓ‚‡ˇ Special Jury Prize of the Festival of ‡·ÓÚ‡ Ì ËÌÚÂÂÒÛÂÚ Â„Ó ‰Óθ¯Â Ô‡˚ ‰ÌÂÈ, ÔÓ˝ÚÓÏÛ ÓÌ ˜‡ÒÚ˚È „ÓÒÚ¸ ̇ European Cinema in Brussels, etc.). ÏÂÒÚÌÓÈ ·ËÊ ÚÛ‰‡. Œ‰Ì‡Ê‰˚ ÀÂÌˇ ÔÓÔ‡‰‡ÂÚ ‚ ·Ë„‡‰Û, ÂÏÓÌÚËÛ˛˘Û˛ ‰ÓÓ„Û Ì‰‡ÎÂÍÓ ÓÚ Â„Ó ‰Óχ. ÕÓ ÓÌ ÒÎ˯ÍÓÏ ÏÓÎÓ‰, ˜ÚÓ·˚ Òӷβ‰‡Ú¸ Filmography: Á‡ÍÓÌ˚ β‰ÂÈ, Ò ÍÓÚÓ˚ÏË Ò‚ˇÁ‡ÎÒˇÖ 1994 ....Passing By (ìMimokhodî) (doc., with Alexei Popogrebsky) A small town on the Volga, where each day is like the previous one. But 2001 ....Tricky Frog (short) twenty-year-old Lionya constantly discovers something in life that he did not 2002 ....Michael Bulgakov. Black Snow know the previous day. After the closure of the factory where Lionya had only (doc., serial) just found work, he works as sales assistant for footwear on the local market; 2003 ....Roads to Koktebel then he tries to become a plasterer. And every time the new work does not (with Alexei Popogrebsky) interest him for longer than a couple of days, so that he becomes a frequent 2006 ....Free Floating visitor at the local job centre. Then Lionya joins a brigade that repairs the road near his house. But he is too young to follow the laws of the people whom he has joined Ö 32 ÍÓÌÍÛÒ competition RELATIONS —¬fl«‹ œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ Շڇθˇ –ۉ̇ˇ,ÀÂÓÌˉflÏÓθÌËÍ ÿ‡ÔÓ‚‡ÎÓ‚‡, flÓÒ·‚œÂ¯‡ÍÓ‚,√ÂÌ̇‰ËÈ—ÏËÌÓ‚, —„Ρ, ƒÏËÚËÈÿ‚˜ÂÌÍÓ,»Ë̇–ÓÁ‡ÌÓ‚‡,ÃÛÒˇ ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ œÂÚ üÎËÏÓ‚ ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2006, –ÓÒÒˡ,80ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 À‚ ≈ÊÓ‚ ÷ÂÌÚ‡Î œ‡ÚÌÂ¯ËÔ ¡ÓËÒ √·ÂÌ˘ËÍÓ‚,¿ÎÂÍÒÂȗڷ΂, ≈ÎÂ̇ ¿Ì‰‚‡,√ηÕËÍÛθÒÍËÈ ÃËı‡ËÎ œÓ˜ÂÌÍÓ‚,¿Ì̇ÃËı‡ÎÍÓ‚‡,Õ‡ÒÚˇ —Â„ÂÈ Ã‡˜ËθÒÍËÈ ŒÍ҇̇ flÏÓθÌËÍ ¿ÎÂÍÒÂÈ ”˜ËÚÂθ ¿Ì‰ÂÈ ¬‡ÒËÌ “œŒ ´–Óͪ ¿‚‰ÓÚ¸ˇ —ÏËÌÓ‚‡ Distribution Federal AgencyforCultureandCinematography Production Producer Leonid Yarmolnik Yaroslav Pershakov,GennadySmirnov,NataliaRudnaya, Dmitry Shevchenko,IrinaRozanova,MusiaShapovalova, Cast: Editing Sound Music Costumes Art Director Camera Director andScriptwriter 2006, Russia,80min,colour,1:2.35,DolbyDigital5.1 Mikhail Porechenkov,AnnaMikhalkova,NastiaSeglia, Boris Grebenshchikov,AlexeiSteblev,PyotrKlimov Lev Ezhov Elena Andreeva,GlebNikulsky Sergei Machilsky Alexei Uchitel Oksana Yarmolnik Rock FilmStudiowithparticipationofthe Central Partnership Andrey Vasin Avdotia Smirnova ÍÓÌÍÛÒ competition

¿‚‰ÓÚ¸ˇ —ÏËÌÓ‚‡ üËÌÓ‰‡Ï‡ÚÛ„. –Ӊ˷Ҹ ‚ ÃÓÒÍ‚Â 28 Ë˛Ìˇ 1969 „Ó‰‡. ŒÍÓ̘Ë· ÙËÎÓÎӄ˘ÂÒÍËÈ Ù‡ÍÛθÚÂÚ Ã√”. –‡·Óڇ· ÊÛ̇ÎËÒÚÓÏ ‚ ´üÓÏÏÂÒ‡ÌÚª, Á‡ÚÂÏ ÍÌËÊÌ˚Ï Ó·ÓÁ‚‡ÚÂÎÂÏ ÊÛ̇· ´¿Ù˯‡ª, Ô˜‡Ú‡ÂÚÒˇ ‚ ÍËÌÓËÁ‰‡Ìˡı (ÊÛ̇Π´»ÒÍÛÒÒÚ‚Ó ÍËÌÓª Ë ‰.). ¬Â‰Û˘‡ˇ (Ò “‡Ú¸ˇÌÓÈ “ÓÎÒÚÓÈ) ÔÓ„‡ÏÏ˚ ´ÿÍÓ· ÁÎÓÒÎӂˡª (͇̇Π´üÛθÚÛ‡ª, Õ“¬). ¿‚ÚÓ 33 ÒˆÂ̇Ë‚ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚ ´¡‡ÚÚÂÙÎˇÈª, ´œÓÒΉÌËÈ „ÂÓȪ, ‡ Ú‡ÍÊ ˄Ó‚˚ı ÙËθÏÓ‚ ´Ã‡Ìˡ ∆ËÁÂÎ˪ (1995), ´ƒÌ‚ÌËÍ Â„Ó ÊÂÌ˚ª (2000; ‚ÚÓÓÈ ÔËÁ ÍÓÌÍÛÒ‡ ÒˆÂ̇Ë‚ Hartley Merrill Prize, —ÿ¿), ´œÓ„ÛÎ͇ª (2003) ÂÊËÒÒÂ‡ ¿ÎÂÍÒ¡ ”˜ËÚÂΡ, Ò ÍÓÚÓ˚Ï Ó̇ ÔÓÒÚÓˇÌÌÓ ÒÓÚÛ‰Ì˘‡ÂÚ Ò 1995 „Ó‰‡. ´—‚ˇÁ¸ª ó ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú. Avdotia Smirnova Script writer. Born in Moscow on 28 June 1969. Graduated from the Faculty of Philology of Moscow State University. Worked as journalist for "Kommersant" newspaper, then as book reviewer for the magazine "Afisha"; writes for film journals (magazine "Film Art", etc.). Presenter (with Tatiana Tolstaya) of the programme "School of Scandal" (channel "Kultura", NTV). Author of scripts for documentary films: "Butterfly", Love story. »Î¸ˇ ÊË‚ÂÚ ‚ ÃÓÒÍ‚Â, ÕË̇ ó ‚ œÂÚÂ·Û„Â. ŒÌ ó ÛÒÔ¯Ì˚È "The Last Hero", and for fiction films: ·ËÁÌÂÒÏÂÌ, ‚·‰ÂΈ ÓıÓÚÌ˘¸Ëı χ„‡ÁËÌÓ‚. ≈„Ó ÊÂ̇ ó Í‡Ò‡‚ˈ‡, "Giselle's Mania" (1995), "His Wife's Diary" ÛÏÌˈ‡, ‚ÂÎËÍÓÎÂÔ̇ˇ ıÓÁˇÈ͇, ‰Ó˜¸ ‰‚Â̇‰ˆ‡ÚË ÎÂÚ. ÕË̇ ó ÂÍ·ÏÌ˚È (2000; second prize in the scriptwriters' ‡„ÂÌÚ. ≈ ÏÛÊ ó ËÌÚÂÎÎË„ÂÌÚÌ˚È Ë Ó˜Â̸ β·ˇ˘ËÈ ˜ÂÎÓ‚ÂÍ, ‚Áˇ‚¯ËÈ Ì‡ competition of "The Harley-Merrill Ò·ˇ ‚Ò ÒÂÏÂÈÌ˚ Á‡·ÓÚ˚, Ò˚Ì ‚Ó ‚ÚÓÓÏ Í·ÒÒÂ. √‰Â-ÚÓ ÏÂÊ‰Û —‡ÌÍÚ- International Screening Competition", USA), œÂÚÂ·Û„ÓÏ Ë ÃÓÒÍ‚ÓÈ ÓÌË ‚ÒÚÂÚËÎËÒ¸ Ë ‚β·ËÎËÒ¸. » ÔÓÚˇÌÛ·Ҹ "The Stroll" (2003) all directed by Alexei ‚ÂÂÌˈ‡ ‚ÒÚ˜ ó „ÓÒÚËÌˈ˚, Ô‡ÌÒËÓ̇Ú, ÓχÌÚ˘ÂÒÍË ÔÓ„ÛÎÍË. Uchitel, with whom she has worked since œÓÒÚÂÔÂÌÌÓ Î„ÍÓÒÚ¸ ÍÛ‰‡-ÚÓ ËÒ˜ÂÁ·, ÓÒڇ·Ҹ ˘ÂÏˇ˘‡ˇ ÔÓÚ·ÌÓÒÚ¸ ‚ˉÂÚ¸ 1995. "Relations" is her directorial debut. ‰Û„ ‰Û„‡. ¬ÁÓÒÎ˚ ÒÂÏÂÈÌ˚ β‰Ë, ÓÌË Ò Ò‡ÏÓ„Ó Ì‡˜‡Î‡ ‰Ó„Ó‚ÓËÎËÒ¸, ˜ÚÓ Ì ÒÓ·Ë‡˛ÚÒˇ ÌË ‡Á‚Ó‰ËÚ¸Òˇ, ÌË Ú‚ÓÊËÚ¸ Ò‚ÓËı ÒÛÔÛ„Ó‚ ÔÓ‰ÓÁÂÌˡÏË. ÕÓ Ú‡Í, ÍÓ̘ÌÓ, Ì ÔÓÎÛ˜‡ÂÚÒˇÖ

Love story. Ilya lives in Moscow, Nina in Petersburg. He is a successful businessman, owner of hunting shops. His wife is beautiful and intelligent, a good housewife, and they have a twelve-year old daughter. Nina is an advertising agent.. Her husband is intelligent and caring, having taken on all family business; their son is in the second grade at school. Somewhere between St Petersburg and Moscow they meet Ö and fall in love with each other. A series of meetings followsÖ hotels, inns, romantic walksÖ Gradually the sense of lightness disappears, but the pressing need to see each other remains. As they are grown-up family people, they had agreed from the start that they would not to divorce, nor disturb their spouses with suspicion. But this is clearly impossible Ö 34 ÍÓÌÍÛÒ competition THE WANDERER —“–¿ÕÕ»ü ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ü‡Ï˚¯Â̈‚ ¿Ì‡ÚÓÎËÈ ¡ÛΉ‡ÍÓ‚,—Â„ÂÈ—‚¯ÌËÍÓ‚,¿ÎÂÍ҇̉ üË‚Ó·ÓÓ‰Ó‚, ¿ÎÂÍ҇̉fiÏËÌÓ‚,üÓÌÒÚ‡ÌÚËÌ¡˚ÍÓ‚, üÎÓ˜¸Â‚, œÂÚüÓÊ‚ÌËÍÓ‚,¿Ì‡ÚÓÎËȃ۷ËÌÍËÌ,ÇÍÒËÏ ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ √‡‚ËËÎ ÀÛ·ÌËÌ üÓÏÔÓÁËÚÓ˚ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿ÎÂÍÒ¡ “˛ËÍÓ‚‡ —Â„ÂÈ ü‡‡Ì‰‡¯Ó‚,ÔËÛ˜‡ÒÚËË›‰„‡¡‡ÚÂÌ‚‡, ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,90ÏËÌ.,ˆ‚.,1:1.66,DolbySRD ¿ÎÂÍ҇̉ ƒÛ‰‡‚,¬ËÚ‡ÎËÈ—ÓÓÍËÌ –‡ËÒ‡ ÀËÒÓ‚‡ ¬ËÚ‡ÎËÈ œË˜ËÍ,≈͇ÚÂË̇√ÓÓıÓ‚Ò͇ˇ,“ÓΡ ¿ÎÂÍ҇̉ üÛÁ̈ӂ —Â„ÂÈ ü‡‡Ì‰‡¯Ó‚ —ÓÙ¸ˇ ¿Á‡ıË,“‡Ú¸ˇÌ‡»Î¸Ë̇ ¬ˇ˜ÂÒ·‚ “ÂθÌÓ‚ ÀÂÓÌˉ ü‡ÔÓ‚ —ƒ‘, ÔËÛ˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ ÔÓ ¿ÎÂÍÒÂÈ œ.«Û·‡‚,¿ÎÂÍ҇̉∆Û‡‚΂, –ËÚ‡ Ç„Ó,ÃËı‡ËÎüÓÌÓ‚‡Î¸˜ÛÍ, Culture andCinematography Petersburg) withparticipationofthe FederalAgencyfor Production Producer Sergei Sveshnikov,AlexanderKamyshentsev Alexander Yuminov,KonstantinBykov,AnatolyBuldakov, Pyotr Kozhevnikov,AnatolyDubinkin,MaximKrivoborodov, Cast: Editing Sound Gavriil Lubnin Composers Costumes Art Director Camera with participationofEdgarBartenev,AlexeiTyurikov Scriptwriters Director 2005, Russia,90min,colour,1:1.66,DolbySRD Vitaly Pichik,EkaterinaGorokhovskaya,ToliaKlochiev, Alexander Dudarev,VitalySorokin Raisa Lisova Alexander Kuznetsov Sergei Karandashov Viacheslav Telnov Sofia Azarkhi,TatianaIlyina Alexei P.Zubarev,AlexanderZhuravliov, SDF (StudioofDocumentaryFilms, St. Leonid Karpov Rita Margo,MikhailKonovalchuk ÍÓÌÍÛÒ competition

—Â„ÂÈ ü‡‡Ì‰‡¯Ó‚ üËÌÓÂÊËÒÒÂ, ÔËÁÂ ÍÓÌÍÛÒÓ‚ ‰ÓÍÛÏÂÌڇθÌÓ„Ó ÍËÌÓ. –Ó‰ËÎÒˇ ‚ 1964 „Ó‰Û ‚ „ÓӉ ◊ÂΡ·ËÌÒÍÂ. ü‡Í ‡ÍÚÂ Ë ÂÊËÒÒÂ ‡·ÓڇΠ‚ Ò‡ÏӉ¡ÚÂθÌÓÏ Ú‡ÚÂ, ÒÌËχΠÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ ÙËθÏ˚ ̇ ˜ÂΡ·ËÌÒÍÓÈ ÒÚÛ‰ËË ´ÃÓÚË‚ª. ¬ 1988-91 Û˜ËÎÒˇ ̇ ËÒÍÛÒÒڂӂ‰˜ÂÒÍÓÏ Ù‡ÍÛθÚÂÚ –ÓÒÒËÈÒÍÓ„Ó 35 ıËÒÚˇÌÒÍÓ„Ó „ÛχÌËÚ‡ÌÓ„Ó ËÌÒÚËÚÛÚ‡ (—œ·), Ò 1991 ó ‚ ÂÊËÒÒÂÒÍÓÈ Ï‡ÒÚÂÒÍÓÈ ÃËÒÚ˘ÂÒ͇ˇ ‰‡Ï‡/ œËÚ˜‡. ¿ÎÂÍÒ¡ √Âχ̇ (—ÚÛ‰Ëˇ ÔÂ‚Ó„Ó Ë üÓ„‰‡-ÚÓ ñ ˝ÚÓ ·˚ÎÓ ‰‡‚Ì˚Ï-‰‡‚ÌÓ ó ÌÂ·Ó ·˚ÎÓ ÌËÊÂ, Ë ¡Ó„ ˝ÍÒÔÂËÏÂÌڇθÌÓ„Ó ÙËθχ, ´ÀÂÌÙËθϪ). ¬ 1993-97 ó ÂÊËÒÒÂ-ÒÚ‡ÊÂ ̇ ÙËθÏ ‡Á„Ó‚‡Ë‚‡Î Ò Î˛‰¸ÏË ˇÁ˚ÍÓÏ ˜Û‰ÂÒ Ë Á̇ÏÂÌËÈ. ∆‡Ê‰‡ ´’ÛÒڇ΂, χ¯ËÌÛ!ª ¿ÎÂÍÒ¡ √Âχ̇. ˜Û‰‡ Ë ÚÂÔÂ¸ ÔÓ‰ÒÔÛ‰ÌÓ ÊË‚ÂÚ ‚ ͇ʉÓÏ ˜ÂÎÓ‚ÂÍÂ. √ÂÓÈ — 2000 ‡·ÓÚ‡ÂÚ Ì‡ ÏÌÓ„ÓÒÂËÈÌÓÏ ÙËθχ ‘∏‰Ó ÒÚ‡ÌÓ‚ËÚÒˇ ҂ˉÂÚÂÎÂÏ ÌÂÒ˜‡ÒÚÌÓ„Ó ÒÎÛ˜‡ˇ, ‚ ‰ÓÍÛÏÂÌڇθÌÓÏ ÚÂÎÂÔÓÂÍÚ ´Œ·‡Ú̇ˇ ÒÚÓÓ̇ «ÂÏÎ˪ (ÔÂ‚˚ ÙËθÏ˚: ÂÁÛθڇÚ ÍÓÚÓÓ„Ó „Ë·ÌÛÚ ·ÎËÁÍË ÂÏÛ Î˛‰Ë. ŒÌ ¯‡ÂÚ, ´œË·ÂÊË˘Âª ó ÔÂÏˡ ´À‡‚Ó‚‡ˇ ‚ÂÚ‚¸ª ˜ÚÓ ÒÔ‡ÒÒˇ Ì ÒÎÛ˜‡ÈÌÓ, Ë ˜ÚÓ ÚÂÔÂ¸ ‰ÓÎÊÂÌ ËÁÏÂÌËÚ¸ Ò‚Ó˛ Á‡ ËÁÓ·‡ÁËÚÂθÌÓ ¯ÂÌË ÙËθχ, 2001); ÊËÁ̸. ∆Ë‚ˇ Ó‰ËÌ ‚ ÎÂÒÛ, ‚ ÓÒÚ‡‚¯ÂÏÒˇ ÓÚ ‚ÓÈÌ˚ ´œÓÔ Ë ÔËıÓ‰ª ñ 2003). ”˜‡ÒÚÌËÍ ÔÓÂÍÚ‡ ´œÂÚÂ·Û„-300ª (—ƒ‘), ‚ ‡Ï͇ı ÍÓÚÓÓ„Ó Á‡·Ó¯ÂÌÌÓÏ ƒŒ“Â, ÓÌ Ô˚Ú‡ÂÚÒˇ ÊËÚ¸ Ú‡Í, Í‡Í ÊËÎË ÒÌˇÎ ÌÂË„Ó‚ÓÈ ÙËÎ¸Ï ´ƒ‡ª (2002). Ô‡‚ÓÒ·‚Ì˚ ÓÚ¯ÂθÌËÍË, ËÁ‚Ó‰ˇ Ò·ˇ ÏÓÎËÚ‚‡ÏË Ë ´—Ú‡ÌÌËͪ ñ ‰Â·˛Ú ‚ Ë„Ó‚ÓÏ ÍËÌÓ.. ÔÓÒÚ‡ÏË. ¬ ˝ÚÓÏ ÌÓ‚ÓÏ ÏË ‘‰Ó ̇ıÓ‰ËÚ ÔÓ‚Ó‰ÌË͇ ñ Sergei Karandashov ÓÚˆ‡ »Î·ËÓ̇. ” ÓÚ¯ÂθÌË͇, ̇ÍÓ̈, ÔÓˇ‚ΡÂÚÒˇ Film director, prize-winner of documentary ̇‰Âʉ‡ ̇ ÚÓ, ˜ÚÓ ÒÍÓÓ ÓÌ ÒÚ‡ÌÂÚ Ó˜Â‚Ë‰ˆÂÏ ŒÚÍÓ‚ÂÌˡ. film competitions. Born in 1964 in ÕÓ ÓÚˆ‡ »Î·ËÓ̇ ÌÂÎÂÔÓ Ë ·ÂÒÒÏ˚ÒÎÂÌÌÓ Û·Ë‚‡˛Ú. Chelyabinsk. Acted and directed at an œÂÂÊË‚ „ÎÛ·ÓÍÓ ÓÚ˜‡ˇÌËÂ, ‘‰Ó ‚ÂÌÂÚÒˇ Í Î˛‰ˇÏ, amateur theatre, made shorts at the Chelyabinsk studio ìMotiveî. From 1988-91 ËÒÔ˚Ú‡ÂÚ Î˛·Ó‚¸ Ë ‚ÌÓÒÚ¸, ÌÂ̇‚ËÒÚ¸ Ë ÒÚ‡ı. » Î˯¸ studied at the Faculty of Art History of the ‰Óȉˇ ‰Ó Í‡ˇ ó ¯˂¯ËÒ¸ ̇ Û·ËÈÒÚ‚Ó ó ÒÚ‡ÌÂÚ Russian Christian Humanities Institute (St.. ҂ˉÂÚÂÎÂÏ ˜Û‰‡Ö Petersburg); from 1991 studied under Alexei German in his directorsí workshop (Studio of First Experimental Film, Lenfilm). From Mystical drama. Parable. 1993-97 trainee director on Germanís film A long time ago the heavens were lower and God spoke to the ìKhrustalev, my Car!î. Since 2000 works on people through miracles and signs. The thirst for a miracle the multi-serial documentary television project ìThe Other Side of the Earthî (first remains latent in every man. The filmís hero Fiodor witnesses films: ìShelterî, Laurel Award for graphic an accident, as a result of which those close to him perish. design, 2001; ìThe Priest and the Parishî, He decides that he was saved for a reason and that he must 2003). Participated in the project ìPetersburg ñ 300î (SDF) where he made the documentary now change his life. Living alone in the forest, in a deserted film ìThe Giftî (2002). ìThe Wandererî is pill-box from the war, he tries to live in the manner of his debut in fiction feature films. orthodox eremites, exhausting himself in prayers and fasting, without experiencing a revelation. At last Fiodor finds a companion in this new world: father Illarion. The eremite finds hope. But father Illarion is killed in a ridiculous and senseless way. After deep despair Fiodor returns to the world and experiences love and jealousy, hatred and fear. Only when he goes right to the brink of the abyss, deciding to kill himself, he witnesses a miracleÖ 36 ÍÓÌÍÛÒ competition www.centpart.ru œÓÍ‡Ú ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œ‡ÚÌÂ¯ËÔª, ÔËÛ˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó¿„ÂÌÚÒÚ‚‡ÔÓ œÓËÁ‚Ó‰ÒÚ‚Ó ≈ÎÂ̇ flÍӂ΂‡,ÃËı‡ËÎ≈ÙÂÏÓ‚,√Ó‚ÓÈ ¬ ÓΡı: «‚ÛÍ üÓÒÚ˛Ï˚ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ œÓ ÔÓ‚ÂÒÚË ÒˆÂ̇ˡ ¿‚ÚÓ˚ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,85ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 THE SPOT “Œ◊ü¿ ÇË̇ Õ˄χÚÛÎË̇ ´÷ÂÌÚ‡Î œ‡ÚÌÂ¯ËÔª ƒ‡¸ˇ ÃÓÓÁ,¬ËÍÚÓˡ»Ò‡ÍÓ‚‡,¿Ì̇”ÍÓÎÓ‚‡, ÕËÍÓÎ‡È »‚‡ÒË‚ fiËÈ ÃÓÓÁ ¿ÎÂÍ҇̉ ŒÒËÔÓ‚ ≈͇ÚÂË̇ üÓÊ‚ÌËÍÓ‚‡ √Ë„Óˡ –ˇÊÒÍÓ„Ó ƒ‡ËÌ —˚ÒÓ‚ —ÚÛ‰Ëˇ ´üÓÎË·˪ÔÓÁ‡Í‡ÁÛ´÷ÂÌÚ‡Î √Ë„ÓËÈ –ˇÊÒÍËÈ,fiËÈÃÓÓÁ www.centpart.ru Distribution Cinematography participation oftheFederalAgencyforCultureand Production Yakovleva, MikhailEfremov,Gorevoy Cast: Sound Costumes Composer Art Director Camera Novel by Scriptwriters Director 2006, Russia,85min,colour,1:1.85,DolbyDigital5.1 Darya Moroz,VictoriaIsakova,AnnaUkolova,Elena Marina Nigmatulina Nikolai Ivasiv Yuri Moroz Grigory Ryazhsky Alexander Osipov Darin Sysoev Central Partnership,ColibriStudiowiththe Central Partnership Ekaterina Kozhevnikova Grigory Ryazhsky,YuriMoroz ÍÓÌÍÛÒ competition

fiËÈ ÃÓÓÁ –ÂÊËÒÒÂ, ÔÓ‰˛ÒÂ, ‡ÍÚÂ. –Ó‰ËÎÒˇ ‚ ü‡ÒÌÓ‰ÓÌ (29.09.1956). ŒÍÓ̘ËÎ ÿÍÓÎÛ- ÒÚÛ‰Ë˛ Ã’¿“ (1979, ÍÛÒ ¬.ü. ÃÓÌ˛ÍÓ‚‡), ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1988, χÒÚÂÒ͇ˇ —.¿. √Â‡ÒËÏÓ‚‡ Ë “.‘. Ç͇Ó‚ÓÈ). ¬ 1979-87 ñ ‡ÍÚÂ Ú‡Ú‡ ËÏÂÌË ÀÂÌËÌÒÍÓ„Ó ÍÓÏÒÓÏÓ·. ¬ ÍËÌÓ ‰Â·˛ÚËÓ‚‡Î Í‡Í ‡ÍÚÂ ‚ 1980 „Ó‰Û. ¬ ̇ÒÚÓˇ˘Â ‚ÂÏˇ ñ ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚È 37 ÛÍÓ‚Ó‰ËÚÂθ ÔÓËÁ‚Ó‰ÒÚ‚ÂÌÌÓÈ ÒÚÛÍÚÛ˚ üËÌÓÍÓÏÔ‡ÌËË ´÷ÂÌÚ‡Î œ‡ÚÌÂ¯ËÔª.

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 1990 ....œÓ‰ÁÂÏÂθ ‚‰¸Ï 1992 ....◊ÂÌ˚È Í‚‡‰‡Ú 2000 ....ü‡ÏÂÌÒ͇ˇ (ÒÂˇÎ) 2002 ....ü‡ÏÂÌÒ͇ˇ ñ 2 (ÒÂˇÎ) 2003 ....ü‡ÏÂÌÒ͇ˇ ñ 3 (ÒÂˇÎ) 2004 ....∆ÂÌ˘Ë̇ ‚ Ë„ ·ÂÁ Ô‡‚ËÎ (ÒÂˇÎ) 2005 ....ƒÂÚË ¬‡Ì˛ıË̇ (ÒÂˇÎ) 2006 ....“Ә͇ Yuri Moroz Director, producer, and actor. Born in Krasnodon (29.09.1956). Graduated from the Moscow Art Theatre Studio School (1979, course of V. Monyukov), and from the Directorsí Faculty of the Film Institute VGIK (1988, class of S. Gerasimov and T. Makarova). From 1979-87 actor at the ƒ‡Ï‡Ú˘ÂÒ͇ˇ ËÒÚÓˡ ÏÓÎÓ‰˚ı ‰Â‚Û¯ÂÍ, ‡·ÓÚ‡˛˘Ëı ̇ Lenkom Theatre, Moscow. His debut as film actor was in 1980. At present he is art ´ÚӘͪ. ü‡Ê‰‡ˇ ËÁ „ÂÓË̸ ÓÚ˜‡ˇÌÌÓ ˆÂÔΡÂÚÒˇ Á‡ director in the production department of the ̇‰ÂÊ‰Û Ì‡ ´ÌÓχθÌÛ˛ª ÊËÁ̸. ÕÓ ÂÒÎË ÍÓÏÛ-ÚÓ Û‰‡ÒÚÒˇ film company ìCentral Partnershipî. ‚˚‚‡Ú¸Òˇ ËÁ ÔÓÓ˜ÌÓ„Ó ÍÛ„‡, ÚÓ ÍÚÓ-ÚÓ Ó·˜ÂÌ ÓÒÚ‡Ú¸Òˇ ‚ Directorís Filmography: ÌÂÏ Ì‡‚Ò„‰‡Ö 1990 ....The Underworld of Witches 1992 ....Black Square 2000 ....Kamenskaya (serial) The dramatic story of young girls working on the ëspotí. The 2002 ....Kamenskaya 2 (serial) 2003 ....Kamenskaya 3 (serial) girls desperately cling to the hope for a ënormalí life. But 2004 ....A Woman in a Game without Rules while some manage to escape from the vicious circle, others (serial) 2005 ....Vaniukhinís Children (serial) are doomed to remain trapped forever Ö 2006 ....The Spot 38 ÍÓÌÍÛÒ competition www.zgfilm.com œÓËÁ‚Ó‰ÒÚ‚Ó ËÔ‡‚‡ œÓ‰˛ÒÂ˚ «‡ÈˆÂ‚‡ ¬‡Î˛¯ÍË̇, ÃËı‡ËΖÂÏËÁÓ‚,¬ËÚ‡ÎËÈ√Ó„ÛÌÒÍËÈ,ŒÎ¸„‡ flÍӂ΂‡, —Â„ÂÈ◊ÓÌ˯‚ËÎË,¿Ì̇’ËθÍ‚˘,≈ÎÂ̇ —Â„ÂÈ ü‡ÔË‚‡,¿Ì̇◊ÛË̇,¿Ì‰ÂÈ≈„ÓÓ‚,¿ÎÂ̇ ¬ ÓΡı: –ÂÊËÒÒÂ «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,104ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 THE MANOFNORETURN ◊≈ÀŒ¬≈ü ¡≈«¬Œ«¬–¿“Õ¤… ¿ÎÂÍÒÂÈ œÛÁËÍÓ‚ ÒˆÂ̇ˡ œÂÚ—ÚÂÔËÌ √‡ÎË̇ …ӂӂ˘(ÀÓ„ËÌÓ‚‡),≈͇ÚÂË̇–‰ÌËÍÓ‚‡, ¿ÎÂÍÒÂÈ ¿Ì‰ˇÌÓ‚ ÏÓÌڇʇ ≈͇ÚÂË̇√ÓıÓ‚Ò͇ˇ ≈͇ÚÂË̇ √ÓıÓ‚Ò͇ˇ ¿ÌÚÓÌË̇ Ç‚Ë̇ »„Ó¸ «‡‰ÓËÌ,ƒÏËÚËÈ–Û·ËÌ ≈‚„ÂÌËÈ √‡Î¸ÔÂËÌ ZGfilm, CinelineStudio www.zgfilm.com andSales Production Producers Mikhail Remizov,VitalyGogunsky,OlgaZaitseva Sergei Chonishvili,AnnaKhilkevich,ElenaValyushkina, Krapiva, AnnaChurina,AndreyEgorov,AlyonaYakovleva, Cast: Directorís Sound Composer Art Director Camera Scriptwriter Director 2006, Russia,104min,colour,1:1.85,DolbyDigital5.1 Galina Jovovich(Loginova),EkaterinaRednikova,Sergei Alexei Puzikov Alexei Andrianov Ekaterina Grokhovskaia Evgeny Galperin Cut EkaterinaGrokhovskaia Igor Zadorin,DmitryRubin Pyotr Styopin Antonina Mavrina ZGfilm, CinelineStudio ÍÓÌÍÛÒ competition

≈͇ÚÂË̇ √ÓıÓ‚Ò͇ˇ - ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ. –Ӊ˷Ҹ ‚ ÃÓÒÍ‚Â. ¬ ̇ÒÚÓˇ˘Â ‚ÂÏˇ ñ ÒÚÛ‰ÂÌÚ͇ ÔÓÒΉÌÂ„Ó ÍÛÒ‡ ÂÊËÒÒÂÒÍÓ„Ó Ù‡ÍÛθÚÂÚ‡ ¬√»ü‡ (χÒÚÂÒ͇ˇ ≈.».“‡¯ÍÓ‚‡). ƒÓ ÔÓÒÚÛÔÎÂÌˡ ‚Ó ¬√»ü Ë ‚Ó ‚ÂÏˇ ۘ·˚ ÒÌËχ· ÍÎËÔ˚ Ë ˝ÍÒÔÂËÏÂÌڇθÌ˚ ÍÓÓÚÍË ÙËθÏ˚. ”˜Â·Ì‡ˇ ‡·ÓÚ‡ ñ ´ƒ‚Óª - Û˜‡ÒÚ‚Ó‚‡Î‡ ̇ ÏÌÓ„Ëı ÏÂʉÛ̇Ó‰Ì˚ı ÒÚÛ‰Â̘ÂÒÍËı ÙÓÛχı, ÔÓÎۘ˷ „·‚Ì˚È ÔËÁ ‚ 39 ÔÓ„‡ÏÏ ´ƒÂ·˛Ú-üËÌÓÚ‡‚. üÓÓÚÍËÈ ÏÂÚª Œ–ü‘ ‚ —Ó˜Ë, 2005. ´◊ÂÎÓ‚ÂÍ ·ÂÁ‚ÓÁ‚‡ÚÌ˚Ȫ - ÔÂ‚‡ˇ ÔÓÎÌÓÏÂÚ‡Ê̇ˇ ͇ÚË̇. Ekaterina Grokhovskaia Director and scriptwriter. Born in Moscow. Currently graduating from the Directorsí Faculty at the Film Institute VGIK (class of Evgeny Tashkov). Before and during her study, she made clips and experimental short films. Her course work ìTwoî took part in many international student forums and received the main prize of the programme ìKinotavr Debuts: Shortsî at the Film Festival in Sochi in 2005. ìThe Man of No Returnî is her first full-length feature film. ƒ‡Ï‡.

—Û‰¸·˚ ÌÂÒÍÓθÍËı ÒÂÏÂÈ Ó·Î‡ÒÚÌÓ„Ó ÔË‚ÓÎÊÒÍÓ„Ó „ÓÓ‰‡, ÍÓÚÓ˚ ÌÂÁ̇ÍÓÏ˚ ‰Û„ Ò ‰Û„ÓÏ, ÌÓ Ëı ÊËÁÌË Ó͇Á˚‚‡˛ÚÒˇ ÌÂ‡Á˚‚ÌÓ Ò‚ˇÁ‡ÌÌ˚ÏË Ë ‚Á‡ËÏÓÁ‡‚ËÒËÏ˚ÏË. ƒ‚Â̇‰ˆ‡Ú¸ „·‚Ì˚ı „ÂÓ‚, Ë Í‡Ê‰˚È ·ÓÂÚÒˇ ÒÓ Ò‚ÓËÏË ‰ÂÏÓ̇ÏË ÔÓ-Ò‚ÓÂÏÛ. » Î˯¸ Ó‰ÌÓ Ëı Ó·˙‰ËÌˇÂÚ ñ β·Ó‚¸ Í Ò‚ÓÂÏÛ „ÓÓ‰Û, ÒÚÂÏÎÂÌËÂ Í Ò˜‡ÒÚ¸˛, β·‚Ë Ë ÔÓÍÓ˛. Drama.

The destinies of several families from a provincial town on the Volga, who do not know each other, but whose lives seem to be inextricably linked and mutually dependent on each other. Twelve protagonists, who all struggle with their inner devils in their own way. Only one thing bonds them: the love for their town, the aspiration for happiness, love and peace. 40 ÍÓÌÍÛÒ competition EUPHORIA ›…‘Œ–»fl www.euphoria-film.com œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ≈‚„ÂÌˡ ƒÏËÚË‚‡,¬ˇ˜ÂÒ·‚üÓÍÓËÌ,«Óˇ«‡‰ÓÓÊ̇ˇ ŒÍÛÌ‚, ljÎẪʇ·‡ËÎÓ‚‡,ÇÍÒËÏÀËÚÓ‚˜ÂÌÍÓ, ÓΡı: ¬ ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2006, –ÓÒÒˡ,74ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 üËËÎÎ ¬‡ÒËÎÂÌÍÓ »„Ó¸ Ç·ıÓ‚ œÓÎË̇ ¿„Û‚‡,ÇÍÒËÏ”¯‡ÍÓ‚,ÃËı‡ËÎ ¿Ì‰ÂÈ Õ‡È‰ÂÌÓ‚ (ÔÓÒÚ‡Ìӂ͇ ËÍÓÒÚ˛Ï˚)fiËÈ’‡ËÍÓ‚ ¿ÎÂÍ҇̉ ÿÂÈÌ,√ÂÓ„ËÈÀÓ‰ÍËÔ‡ÌˉÁ ¿È‰‡ √‡ÈÌÛÎÎËÌ ´œÂ‚Ó üËÌÓÔ‡ÚÌÂÒÚ‚Óª,´2Ô·Ì2ª »‚‡Ì ¬˚˚ԇ‚ www.euphoria-film.com Production Producers Viacheslav Kokorin,ZoiaZadorozhnaia Madlen Dzhabrailova,MaximLitovchenko,EvgeniaDmitrieva, Cast: Editor Sound Composer Director Art Camera Scriptwriter andDirector 2006, Russia,74min,colour,1:1.85,DolbyDigital5.1 Polina Agureeva,MaximUshakov,MikhailOkunev, Igor Malakhov Kirill Vasilenko Andrey Naydionov Aydar Gaynullin Alexander Shein,GeorgyLordkipanidze Pervoe Kinopartnerstvo,2plan , CostumDesignerYuriKharikov Ivan Vyrypaev ÍÓÌÍÛÒ competition

»‚‡Ì ¬˚˚ԇ‚ ƒ‡Ï‡ÚÛ„, ‡ÍÚÂ, ÂÊËÒÒÂ. À‡ÛÂ‡Ú Ò‡Ï˚ı ÔÂÒÚËÊÌ˚ı Ú‡Ú‡Î¸Ì˚ı ÔÂÏËÈ Ë ÔÂÏËË œÂÁˉÂÌÚÒÍÓ„Ó ÒÓ‚ÂÚ‡ ´«‡ ‚Í·‰ ‚ ÓÚ˜ÂÒÚ‚ÂÌÌÛ˛ ÎËÚÂ‡ÚÛÛª. –Ó‰ËÎÒˇ 3 ‡‚„ÛÒÚ‡ 1974 „Ó‰‡. ŒÍÓ̘ËÎ »ÍÛÚÒÍÓ Ú‡Ú‡Î¸ÌÓ ۘËÎˢ (1995). ¿‚ÚÓ ÍËÌÓÒˆÂ̇Ë‚: ´ƒÛ„ÓÈ ‡ÈÓ̪, ´¡ÛÌÍÂª, ´¿ÌÚÓÌË̇ ӄΡÌÛ·Ҹª, ´¡Ûı‡ÂÒÚ 68ª, ´¡ÛÏÂ-2ª (ÒÓ‡‚ÚÓ). ¿‚ÚÓ 41 Ô¸ÂÒ: ´»˛Î¸ª, ´¡˚ÚË π 2ª, ´üËÒÎÓÓ‰ª, ´¬‡ÎÂÌÚËÌÓ‚ ‰Â̸ª, ´√ÓÓ‰, „‰Â ˇª, ´—Ì˚ª. Love story/ ƒ‡Ï‡. œÓ Ô¸ÂÒ‡Ï »‚‡Ì‡ ¬˚˚ԇ‚‡ ÔÓÒÚ‡‚ÎÂÌ˚ ÒÔÂÍÚ‡ÍÎË ‚Ó ÏÌÓ„Ëı Ú‡Ú‡ı ÏË‡. ¿‚ÚÓ »ÒÚÓˡ β·‚Ë ÏÛʘËÌ˚ Ë ÊÂÌ˘ËÌ˚ ó ÌÂʉ‡ÌÌÓÈ, ÍÌË„Ë ´13 ÚÂÍÒÚÓ‚, ̇ÔËÒ‡ÌÌ˚ı ÓÒÂ̸˛ª ̇ÒÚÓˇ˘ÂÈ, ·ÂÒÔÓ˘‡‰ÌÓÈ. ›Ú‡ ËÒÚÓˡ Ó ÚÓ„‡ÚÂθÌ˚ı Ë (ËÁ‰-‚Ó ´¬ÂÏˇª, 2005). ´›ÈÙÓˡª ñ ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú ‚ ÍËÌÓ. ÊÂÒÚÓÍËı β‰ˇı, Ë ·ÂÁÏÓ΂ÌÓÏ Ò‚Ë‰ÂÚÂΠËı ÒÚ‡ÒÚÂÈ ñ Ivan Vyrypaev –ÂÍÂ, ‚Â΢ÂÒÚ‚ÂÌÌÓ ÌÂÒÛ˘ÂÈ Ò‚ÓË ‚Ó‰˚ ˜ÂÂÁ ‚Â͇. Õ Playwright, actor, director. Winner of the ̇ۘÂÌÌ˚ β·ËÚ¸ Ë ·˚Ú¸ β·ËÏ˚ÏË, ÓÌË, Í‡Í ‰ÂÚË, Ì most prestigious theatre awards and the prize ÏÓ„ÛÚ ÒÔ‡‚ËÚ¸Òˇ Ò Óı‚‡ÚË‚¯ÂÈ Ëı ˝ÈÙÓËÂÈ. Õ‡ ÙÓÌ of the Presidential Council "For the Contribution to Russian Literature". ‰ËÍÓÈ ÔËÓ‰˚ ÓÌË Î˯¸ χÎÂ̸ÍË ·ÂÒÔÓÏÓ˘Ì˚ Born on 3 August 1974. Graduated from ÙË„ÛÍË, ̇ıÓ‰ˇ˘ËÂÒˇ ÔÓ‰ ‚·ÒÚ¸˛ ƒÛı‡ ÒÚÂÔË ó Irkutsk Theatre School (1995). Writer of film scripts: "Another District", "Bunker", ÒÚ‡¯ÌÓ„Ó Ë ÔÂÍ‡ÒÌÓ„ÓÖ "Antonina Looks Back", "Bucharest 68", "Bimmer 2" (co-author). Love story/ Drama. Author of plays: "July", "Genesis No. 2", "Oxygen", "Valentine's Day", "The City, where The love story of a man and a woman; a story of unexpected, I am", "Dreams". Ivan Vyrypaev's plays have true, and ruthless love. This story is about moving and harsh been staged at many theatres worldwide. He is the author of the book "Thirteen Texts people, and the silent witness of their passion: the River that Written in the Autumn" (published by majestically carries its waters through centuries. Without "Vremya", 2005). "Euphoria" is his directorial debut. having learnt to love and to be loved, they are like children; they cannot cope with the euphoria that has taken hold of them. Against the backdrop of untamed nature, they are just small and helpless figures, standing under the power of the terrible and beautiful Spirit of the steppeÖ ÍËÌÓÚ‡‚ ÍÓÓÚÍËÈ ÏÂÚ 42 kinotavr shorts

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¬ËÚ‡ÎËÈ Ã‡ÌÒÍËÈ ÂÊËÒÒÂ-‰ÓÍÛÏÂÌÚ‡ÎËÒÚ, ÔÓ‰˛ÒÂ ñ Ô‰Ò‰‡ÚÂθ Ê˛Ë

Vitaly Mansky director of documentary cinema, producer ñ jury chairman

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45 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 46 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ‚ ¿ÙËÍÂ,‚ÒÂÓ˜Â̸ÍÂÔÍÓÒÔˇÚÖ ÓÌË ÔÓ˛Ú,‚ÒÂÁ‡Ò˚Ô‡˛Ú.œÓ˝ÚÓÏÛÚ‡Ï, ¬ ¿ÙËÍÂÂÒÚ¸Ú‡ÍËÂÏÛ¯ÍËóÍÓ„‰‡ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ Շڇθˇ ¿ÌÚËÔÓ‚‡,Çˡ¡˚ÒÚÓ‚‡ Շڇθˇ Õ‡ÛÏÓ‚‡,¬ÂÓÌË͇‘‰ÓÓ‚‡, ¿ÌËχÚÓ˚ «‚ÛÍ Ladysmith BlackMambazo »ÒÔÓÎÌËÚÂθ ÔÂÒÌË ≈ÎËÁ‡‚ÂÚ‡ —Í‚ÓˆÓ‚‡ ¿‚ÚÓ ÒˆÂ̇ˡ,ÂÊËÒÒÂ,ıÛ‰ÓÊÌËÍ 2005, –ÓÒÒˡ,3ÏËÌ.,ˆ‚.,‡ÌËχˆËˇ AN AFRICANLULLABY ¿‘–»ü¿Õ—ü¿fl üŒÀ¤¡≈À‹Õ¿fl —Â„ÂÈ üÛ·‡ÚÓ‚ ¿ÒÂÌ √ÓÚÎË· ¿Ì̇ —‡ÏÓÈÎӂ˘, ´ÃÂÚÓÌÓÏ ÙËθϪ in AfricaeverybodysleepssowellÖ they hum,everyonefallasleep.Therefore In Africatherearehugefliesandwhen Production Producer Antipova, MariaBystrova Naumova, VeronikaFiodorova,Natalia Animators Sound Performance Elizaveta Skvortsova Scriptwriter, Director,ArtDirector 2005, Russia,3min,colour,animation Sergei Kurbatov Arsen Gotlib Anna Samoilovich,Natalia Metronome Film Ladysmith BlackMambazo PIXEL). ‰ËÔÎÓÏ; ÔÂ‚‡ˇÔÂÏˡÙÂÒÚË‚‡Îˇ ÍÛÒÓ‚‡ˇ), ´œÓ‰ÓʉËÔÓʇÎÛȪ(2002, (1999, ۘ·̇ˇ),´ÒÂϸҌÓ˜Âͪ ‘ËθÏ˚ (Í/Ï,‡ÌËχˆËˇ):´ƒÓʉ¸ª ÔËÁÂ ‡ÌËχˆËÓÌÌ˚ıÙÂÒÚË‚‡ÎÂÈ. ¬.œ.üÓÎÂÒÌËÍÓ‚ÓÈ). ”˜‡ÒÚÌËÍË „‡ÙËÍË Ë‡ÌËχˆËË¿.Ã.√ÓÎÂÌÍÓ ¬√»ü‡ (χÒÚÂÒ͇ˇÍÓÏÔ¸˛ÚÂÌÓÈ ŒÍÓ̘Ë· ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚ÈÙ‡ÍÛθÚÂÚ (. 1978,ÃÓÒÍ‚‡). ≈ÎËÁ‡‚ÂÚ‡ —Í‚ÓˆÓ‚‡ PIXEL). diploma; firstprizeofthefestival coursework, ìWaitPerhapsî(2002, practical), ìSevenShirtsî(1999, (shorts, animation):ìRainî(1999, winner ofanimationfestivals.Films Kolesnikova). Participantandprize- Alexander GorlenkoandVioletta computer graphicsandanimationof Film InstituteVGIK(courseof Graduated fromtheArtsFacultyof (b. 1978,Moscow). Elizaveta Skvortsova Straight (2006). Witnesses (2004),Inside(2005), work. Films(doc.,shorts):Beslan. Witnessesî ishersecond-yearcourse of SergeiMiroshnichenko).ìBeslan. Institute VGIK(courseoffilmdirecting Currently third-yearstudentoftheFilm (b. 1980,Leningrad). Varvara Kuznetsova ´Õ‡ÔˇÏËͪ (2006). —‚ˉÂÚÂÎ˪ (2004),´¬ÌÛÚ˪(2005), ÍÛÒ). ‘ËθÏ˚(‰ÓÍ.,Í/Ï):´¡ÂÒ·Ì. —‚ˉÂÚÂÎ˪ -ۘ·̇ˇ‡·ÓÚ‡(‚ÚÓÓÈ ÍËÌÓ —.¬.ÃËÓ¯Ì˘ÂÌÍÓ).´¡ÂÒ·Ì. (χÒÚÂÒ͇ˇ ÂÊËÒÒÛ˚ÌÂË„Ó‚Ó„Ó —ÚÛ‰ÂÌÚ͇ ÚÂڸ„ÓÍÛÒ‡¬√»ü‡ (. 1980,„.ÀÂÌËÌ„‡‰). ¬‡‚‡‡ üÛÁ̈ӂ‡ ˜ÂÏ ÒÚ‡ÎË‚ËıÊËÁÌË˝ÚËÚË‰Ìˇ. ¯ÍÓÎ˚ ‚¡ÂÒ·ÌÂ,‡ÒÒ͇Á˚‚‡˛ÚÓÚÓÏ, ƒ‚‡ χθ˜Ë͇,·˚‚¯ËÂÁ‡ÎÓÊÌËÍË œÓËÁ‚Ó‰ÒÚ‚Ó ¬‡‚‡‡ üÛÁ̈ӂ‡ ¿‚ÚÓ-ÂÊËÒÒÂ, ÓÔÂ‡ÚÓ 2004, –ÓÒÒˡ,10ÏËÌ.,ˆ‚.,Betacam ¡≈—À¿Õ. —¬»ƒ≈“≈À» ¬√»ü BESLAN. WITNESSES three daysfortheirlives in Beslan,talkabouttheroleofthese Two boys,formerhostagesoftheschool Production Varvara Kuznetsova Scriptwriter, Director,Cinematographer 2004, Russia,10min,colour,Betacam VGIK

47 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 48 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÔÓ ÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË ÔË Û˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó »„Ó¸ √·¯‚ËÎË √ÂÌÂ‡Î¸Ì˚È ÔÓ‰˛ÒÂÔÓÂÍÚ‡ œÓ‰˛ÒÂ «‚ÛÍ üÓÏÔÓÁËÚÓ œÓ ÏÓÚË‚‡ÏËÚÂθÏÂÌÒÍÓÈÒ͇ÁÍË. ÔÓÒÚ‡‰‡Î ÓÚÒÓ·ÒÚ‚ÂÌÌÓÈʇ‰ÌÓÒÚË. ÓÚÔ·ÚËÎË ÚÓÈÊÂÏÓÌÂÚÓÈ,ËÓÌ »ÒÚÓˡ ÓÚÓÏ,͇͂ÓÓÌÛ-Ó·Ï‡Ì˘ËÍÛ “ÂÍÒÚ —‚ˇÚÓÒ·‚ ”¯‡ÍÓ‚ ’Û‰ÓÊÌËÍË ¿ÎÂÍ҇̉ “‡Ú‡ÒÍËÈ ÔÓÂÍÚ‡ –ÛÍÓ‚Ó‰ËÚÂθ √ÂÓ„ËÈ «‡ÍÓÎÓ‰ˇÊÌ˚È ¿ÎÂÍ҇̉ “‡Ú‡ÒÍËÈ, ÒˆÂ̇ˡ ¿‚ÚÓ˚ ¿Ì‰ÂÈ üÛÁ̈ӂ –ÂÊËÒÒÂ ËıÛ‰ÓÊÌËÍ-ÔÓÒÚ‡ÌÓ‚˘ËÍ ‡ÌËχˆËˇ, ËÒÓ‚‡ÌÌ˚È 2005, –ÓÒÒˡ,13í10î,ˆ‚.,DVD, THE RAVENCHEAT ¬Œ–ŒÕ-Œ¡Ã¿ÕŸ»ü ¬Î‡‰ËÒ·‚ “‡‡ÒÓ‚ ˜ ËÚ‡ÂÚ »Ë̇ ü‡Ô΢̇ˇ ¿Ì‰ÂÈ üÛÁ̈ӂ, √ÂÓ„ËÈ ¿Ì‰ˡÌÓ‚ ¿ÎÂÍ҇̉ œÓʇÓ‚ ´œËÎÓÚª, ´¿˝ÓÔ·̪, (animation cycleìTheMountainofGemsî) suffers fromhisowngreed. is repaidwiththesamecoin,andthus A storyaboutaraven,whocheatsand On motivesofanItelmenfairytale. Culture andCinematography participation oftheFederalAgencyfor Production Igor Gelashvili ofProject Producer General Producer Sound Composer Narrator Ushakov Artists Projectís Chief Georgy Zakolodiazhny Scriptwriters Andrei Kuznetsov Director animation, drawn 2005, Russia,13í10î,colour.,DVD, Vladislav Tarasov Andrey Kuznetsov,Sviatoslav , Art Director Alexander Pozharov Irina Kaplichnaya Georgy Andriyanov Pilot, Eeroplanwith Alexander Tatarsky, Alexander Tatarsky (‡ÌËχˆËÓÌÌ˚È ˆËÍδ√Ó‡Ò‡ÏÓˆ‚ÂÚÓ‚ª) Ò‡ÏÓˆ‚ÂÚÓ‚ª). ӷχÌÛÎË «Ï¡ª(ˆËÍδ√Ó‡ –ÂÊËÒÒÂÒÍËÈ ‰Â·˛Úó´ü‡Í ̇ ‡ÌËχˆËÓÌÌÓÈÒÚÛ‰ËË´œËÎÓÚª. Ù‡ÍÛθÚÂÚ Ã√œ»,Ò1990„Ó‰‡‡·ÓÚ‡ÂÚ ŒÍÓ̘ËÎ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓ-„‡Ù˘ÂÒÍËÈ (. 1966,„.fiÊÌÓ-—‡ı‡ÎËÌÒÍ). ¿Ì‰ÂÈ üÛÁ̈ӂ (cycle ìTheMountainofGemsî). debut isìHowtheSnakewasDeceivedî animation studioìPilotî.Hisdirectorial Polytechnic, since1990worksatthe department ofMoscowState Graduated fromtheartsandgraphics (b. 1966,Yuzhno-Sakhalinsk). Andrei Kuznetsov Broken Microscopeîishissecondfilm. short). ìWewillseeKazaninthe ìElectric TrainDialoguesî(2004,doc., (1996). Hisdirectorialdebutwas Popoví featurefilmìTheKittenî and tookpartinthemakingofIvan he mademorethan20documentaries (1989, courseofVadimYusov).AsDoP VGIK, FacultyofCinematography Graduated fromtheFilmInstitute national andinternationalfestivals. at KazanFilmStudio.Prizewinnerof Director ofphotographyandfilmmaker (b. 1961). Sergei Litovets ÂÊËÒÒÂ‡. ۂˉËÏ ü‡Á‡Ì¸ª-‚ÚÓÓÈÙËÎ¸Ï Í/Ï). ´¬ÒÎÓχÌÌ˚ÈÏËÍÓÒÍÓÔÏ˚ ´ƒË‡ÎÓ„Ë ‚˝ÎÂÍÚ˘Íª(2004,‰ÓÍ., ƒÂ·˛Ú ‚͇˜ÂÒÚ‚ÂÂÊËÒÒÂ‡- ´üÓÚÂÌÓͪ »‚‡Ì‡œÓÔÓ‚‡(1996). Û˜‡ÒÚ‚Ó‚‡Î ‚Ò˙ÂÏ͇ıË„Ó‚Ó„ÓÙËθχ ·ÓΠ20-ÚˉÓÍÛÏÂÌڇθÌ˚ıÙËθÏÓ‚, fiÒÓ‚‡). ¬Í‡˜ÂÒÚ‚ÂÓÔÂ‡ÚÓ‡ÒÌˇÎ ¬√»ü‡ (1989,χÒÚÂÒ͇ˇ¬‡‰Ëχ ŒÍÓ̘ËÎ ÓÔÂ‡ÚÓÒÍËÈÙ‡ÍÛθÚÂÚ ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. ÒÚÛ‰ËË. œËÁÂÏÂʉÛ̇Ó‰Ì˚ıË ŒÔÂ‡ÚÓ ËÂÊËÒÒÂü‡Á‡ÌÒÍÓÈ (. 1961). —Â„ÂÈ ÀËÚӂˆ ¬ —ÀŒÃ¿ÕÕ¤…ûü–Œ—üŒœÃ¤”¬»ƒ»Ãü¿«¿Õ‹ WE WILLSEEKAZANINTHEBROKENMICROSCOPE ÒÂ‰ˆÂ ü‡Á‡ÌË. ‚Óί·ÌËÍË, ÊË‚Û˘Ë‚‡ÁÛ¯‡ÂÏÓÏ √ÂÓË ÙËθχñ„ÓÓ‰ÒÍË ÒÔÓÒÓ·ÌÓÒÚË. ¬ÓÁÏÓÊÌÓÒÚË Ô‚‡˘‡˛ÚÒˇ‚ Ô‚‡˘‡ÂÚÒˇ ‚‚Óί·ÒÚ‚Ó. ›Ú‡ β·Ó‚¸,ÂÒÎËÓ˜Â̸ÒËθ̇ˇ, À˛·Ó‚¸ Í„ÓÓ‰ÛñÍβ˜ÌËÏ. Ú‡ÈÌ Ë˜Û‰ÂÒÌ˚ı‚ÓÁÏÓÊÌÓÒÚÂÈ. √ÓÓ‰ÒÍÓ ÔÓÒÚ‡ÌÒÚ‚ÓËÒÔÓÎÌÂÌÓ ÔÓ ÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË ÔË Û˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ «ÛÙ‡ ’‡ÙËÁÓ‚,¬‡ÎÂËÈÀËÚӂˆ ÇË̇ œÓÔÓ‚‡,¬‡ÒËÎËÈ¡‡È„Û¯ÍËÌ, ÒÌËχÎËÒ¸: ÙËθÏ ¬ ¬ËÍÚÓ üΡ˜ÍËÌ,¬ˇ˜ÂÒ·‚¬ÓÓ·¸Â‚ «‚ÛÍ üÓÏÔÓÁËÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ ËÓÔÂ‡ÚÓ 20 ÏËÌ.,ˆ‚. 2006, –ÂÒÔÛ·ÎË͇“‡Ú‡ÒÚ‡Ì(–‘), œ‡‚ÂÎ —ÓÍÓÎÓ‚ÒÍËÈ, ÃËı‡ËÎ ÃËı‡ÈÎÓ‚ “‡Ú¸ˇÌ‡ ÀËÚӂˆ ü‡Á‡ÌÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ, ƒÂÌËÒ ŒÒÓÍËÌ —Â„ÂÈ ÀËÚӂˆ ŒÎ„ —Ë·ıËÌ, Kazan. who liveinthedestroyedheartof The heroesofthefilmarecitywizards, Opportunities turnintoabilities. strong. This loveturnsmagicifitisvery secrets. The loveforthecityiskeytothese wonderful opportunities. The cityspaceisfullofsecretsand Culture andCinematography participation FederalAgencyfor Production Producer Zufar Khafizov,ValeryLitovets Marina Popova,VasilyBaygushkin, Characters: Victor Klyachkin,VyacheslavVorobiov Sound Composer Scriptwriter Sergei Litovets Director andCinematographer 20 min,colour 2006, TatarstanRepublic(RF), Pavel Sokolovsky, Mikhail Mikhaylov Tatiana Litovets Kazan FilmStudiowith Oleg Silakhin, Denis Osokin

49 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 50 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÁÂ͇ÎÓÏ?.. ۂˉÂÚ¸, ÍÓ„‰‡ÓÒڇ̯¸ÒˇÌ‡Â‰ËÌÂÒ ÊË‚˚ı? »ÎËÓÚÓÏ,˜ÚÓÏÓÊÌÓ Œ ˜ÂÏ˝ÚÓÚÙËθÏ?ÚÂÌˇıËÎË ´üËÌÓÚ‡Ú.docª ËÔÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ÃÓÌÚ‡Ê —‡¯‡ ÇÎËÌËÌ ¿‚ÚÓ ˉÂË,ÂÊËÒÒÂËÓÔÂ‡ÚÓ 2006, –ÓÒÒˡ,27ÏËÌ.,ˆ‚.,4:3,miniDV EXHALE ¬¤ƒŒ’ ü‡ÂÌ ¿ÛÚ˛ÌˇÌ ÃËı‡ËÎ —ËÌ‚ alone withamirror?... or life?Whatdoweseewhenstay What isthisfilmabout?Aboutshadows Kinoteatr.doc Production Producer Editing Sasha Malinin Directing, ConceptandCamera 2006, Russia,27min,colour,video Karen Arutiunian Mikhail Siniov and Distribution ¯ÂÒÚÂÓª (2005,‰ÓÍ.). Í/Ï, ‚ˉÂÓÍÓηÊ),´¿Ò‰ÂÚ¸ÏËñ ‘ËθÏ˚: ´œÂ‚˚ÈÔÓˆÂÎÛȪ(2004, À.¿. œ˜ÂÎÍË̇,–.».ÀË·ÎË͇). ÒÓ‚ÂÏÂÌÌÓ„Ó ËÒÍÛÒÒÚ‚‡(χÒÚÂÒ͇ˇ ÚÂÎÂÂÊËÒÒÛ˚ »ÌÒÚËÚÛÚ‡ ÔÓÒÚÛÔËΠ̇هÍÛθÚÂÚÍËÌÓ-Ë ÔÂÙÓχÌÒ‡ÏË. ¬2000„Ó‰Û ÏÛÁ˚͇θÌÓ-˝ÎÂÍÚÓÌÌ˚ÏË ‚˚ÒÚÛԇΠ‚„ÓÓ‰ÒÍËıÍÎÛ·‡ıÒ ¬ 1997ÒÓÁ‰‡ÎÏÛÁ˚͇θÌÛ˛„ÛÔÔÛ, ”˜ËÎÒˇ ‚¿Í‡‰ÂÏËËÔÛÚÂÈÒÓÓ·˘ÂÌˡ. (. 1980,„.ÕÓ‚ÓÒË·ËÒÍ). —‡¯‡ ÇÎËÌËÌ childrenî (2005,doc.). short, videocollage),ìSixwiththe Liblik). Films:ìFirstKissî(2004, (workshop LeonidPchiolkin,Rein Institute ofContemporaryArt Cinema andTelevisionDirectingatthe clubs. In2000enrolledattheFacultyof performances ofelectronicmusicin In 1997foundedamusicalband,gave Studied attheTransportAcademy. (b. 1980,Novosibirsk). Sasha Malinin 04....Wait 2004 ....It isHardtoBecomeGod 2003 ....The SagaofaFieryFamily; 2002 ....ThePennant;August 2001 ....ChechenGambit 2000 Selected Filmography(doc.): (Moscow). at thefilmandvideostudioìRiskî Alexander Kochetkov).Currentlyworks Institute VGIK(1998,classof film festivals.GraduatedfromtheFilm winner ofnationalandinternational Director ofdocumentarycinema,prize- (b. 1967,Odessa,Ukraine). Sergei Bosenko ....∆‰Ë 2004 ....“Û‰ÌÓÒÚ‡Ú¸·Ó„ÓÏ 2003 ....—‡„‡Ó„ÌÂÌÌÓÈÒÂϸË;ƒÂÁÂÚË 2002 ....¬˚ÏÔÂÎ;¿‚„ÛÒÚ 2001 ....◊˜ÂÌÒÍËÈ„‡Ï·ËÚ 2000 »Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ(‰ÓÍ.): ÍËÌӂˉÂÓÒÚÛ‰ËË ´–ËÒͪ(ÃÓÒÍ‚‡). ̇ÒÚÓˇ˘Â ‚ÂÏˇ‡·ÓÚ‡ÂÚ̇ χÒÚÂÒ͇ˇ ¿.—.üÓ˜ÂÚÍÓ‚‡).¬ ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. ŒÍÓ̘Ëά√»ü(1998, ÔËÁÂ ÓÚ˜ÂÒÚ‚ÂÌÌ˚ıËÏÂʉÛ̇Ó‰Ì˚ı ñ ÂÊËÒÒÂ‰ÓÍÛÏÂÌڇθÌÓ„ÓÍËÌÓ, (. 1967,Œ‰ÂÒÒ‡,”Í‡Ë̇). —Â„ÂÈ ¡ÓÒÂÌÍÓ The Deserter ÍÛÔËÚ¸ Áϲ˂˚ÔÛÒÚËÚ¸ÂÂÖ √‡‰˛¯ÓÌ͇ ÔÓˇ‚ΡÂÚÒˇÏ˜ڇñ ÔÓ‰‡ÂÚ ÁÏÂÈÍÛ.—˝ÚÓ„ÓÏÓÏÂÌÚ‡Û ‚ÒÚ˜‡ÂÚ Ì‡ÛÎˈÂÊÂÌ˘ËÌÛ,ÍÓÚÓ‡ˇ ÁÎÓÈ ‚ÓÎÂÓ͇Á‡‚¯ËÈÒˇ‚ÃÓÒÍ‚Â, √‡‰˛¯ÓÌÓÍ, ÌÂËÁ‚ÂÒÚÌÓ͇ÍËÔÓ˜¸ÂÈ Ú‡‰ÊËÍÒÍËÈ Ï‡Î¸˜ËÍÔÓÔÓÁ‚Ë˘Û ‚ÓÒÔˡÚËË ÏË‡.œˇÚËÎÂÚÌËÈ ÀË˘ÂÒÍËÈ ˝Ú˛‰Ó‰ÂÚÒÚ‚ÂËÔÂ‚ÓÏ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ƒÏËÚËÈ üÓÌ˛¯ÂÌÍÓ «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ÔË Û˜‡ÒÚËË—Â„¡¡ÓÒÂÌÍÓ ÒˆÂ̇ˡ ¿‚ÚÓ –ÂÊËÒÒÂ ÓÔÚ˘ÂÒ͇ˇ ÏÓÌÓ 2005, –ÓÒÒˡ,30ÏËÌ.,ˆ‚.,1:1.37, ¿ÎÂÍ҇̉ ¿·‡ÏÓ‚, –ÛÒÎ‡Ì √Â‡ÒËÏÂÌÍÓ‚ —Â„ÂÈ ¡ÓÒÂÌÍÓ Õ‡Ú‡Î¸ˇ ∆ÂÎÚÛıË̇ ¬.ƒÓ̈ӂ ¿ÎÂÍ҇̉ ¿·‡ÏÓ‚ –ËÒÍ »Ë̇ —Âχ¯ÍÓ GADYUSHONOK [NastyBoy] √¿ƒfiÿŒÕŒü to buythesnakeandreleaseitÖ onwards Gadyushonokhasonedream: vipers onthestreet.Fromthismoment in Moscow,meetsawomanwhosells reason bysomemaliciousintentendsup Gadyushonok, whoforsomeunknown year-old Tajikboywiththenickname first perceptionoftheworld.Afive- A lyricaletudeaboutchildhoodandthe Production Producer Dmitry Konyushenko Sound Composer Art DirectorV.Dontsov Camera participation ofSergeiBosenko Scriptwriters Director optical mono 2005, Russia,30min,colour,1:1.37, Alexander Abramov, Ruslan Gerasimenkov Sergei Bosenko Natalia Zheltukhina Alexander Abramov Risk Irina Semashkowith

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53 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 54 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÌÂÚ ÛÍñÓÌÔÓÚÂˇÎËı̇‚ÓÈÌÂ. ·˚‚¯ËÏ ‚‡„‡Ï,ÌÓÌÂÏÓÊÂÚ.”ÌÂ„Ó ‚Ò ÔÓÒÚËÎË„ÓÚÓ‚ÔÓʇڸÛÍË ‰‚ËÊÂÌˡ Ò‚ÓËıÛÍ.ŒÌ‰‡‚ÌÓ‚ÒÂÏ Ó·Ë‰, ÓÌÔÓÏÌËÚÚÓθÍÓÊÂÒÚ˚Ë ÓÌ ÌÂÔÓÏÌËÚ‚ÓÈÌ˚,Ë ¬ÓÈ̇ ÔÂ‚ÂÌÛ·‚Ò˛Â„ÓÊËÁ̸.ÕÓ ¿ÎÂÍ҇̉ ÕËÍÓ·‚˘ӘÂ̸ÒÚ‡. œÓËÁ‚Ó‰ÒÚ‚Ó ◊ËÌ„ËÁ –‡ÒÛÎÁ‡‰Â ËÏÓÌڇʇ Á‚Û͇ –ÂÊËÒÒÛ‡ ŒÔÂ‡ÚÓ ◊ËÌ„ËÁ –‡ÒÛÎÁ‡‰Â ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ ÏÓÌÓ, 16ÏÏ,‰ÓÍ. 2005, –ÓÒÒˡ,10ÏËÌ.,ˆ‚.,4:3, GESTURESÖ RECONCILIATION ∆≈—“¤Ö œ–»Ã»–≈Õ»≈ —Â„ÂÈ —ÓÎÓ‚¸Â‚ Absheron Artists has nohands:helosttheminthewar. with theformerenemy,buthecanít.He everything andisreadytoshakehands time nowhehasforgiveneverybody movements ofhishands.Foralong insults, butonlythegesturesand does notrememberthewar,nor war turnedhislifeupsidedown.Buthe Alexander Nikolaevichisveryold.The Production Chingiz Rasulzade andCuter Director Sound Camera Chingiz Rasulzade Scriptwriter andDirector mono, 16mm,doc. 2005, Russia,10min,colour,4:3, Sergei Soloviov Absheron Artists 2005). ÙÂÒÚË‚‡Îˇ ÍËÌÓ¯ÍÓÎ‚Ã˛ÌıÂÌÂ, (ÔÂ‚˚È ÔËÁÃÂʉÛ̇Ó‰ÌÓ„Ó (2002), ´∆ÂÒÚ˚ÖœËÏËÂÌ˪ ¿.¿.›¯Ô‡ˇ). ‘ËθÏ˚:´ÃËÏŒÊËÁÌ˪ Ù‡ÍÛθÚÂÚ ¬√»ü‡(2005,χÒÚÂÒ͇ˇ ËÒÍÛÒÒÚ‚ (1998),ÂÊËÒÒÂÒÍËÈ ŒÍÓ̘ËÎ ¿ÁÂ·‡È‰Ê‡ÌÒÍËÈËÌÒÚËÚÛÚ (. 1972,¡‡ÍÛ,¿ÁÂ·‡È‰Ê‡Ì). ◊ËÌ„ËÁ –‡ÒÛÎÁ‡‰Â Schools inMunich,2005). of theInternationalFestivalFilm- ìGesturesÖ Reconciliationî(FirstPrize Eshpai). Films:ìLives-Amissî(2002), VGIK (2005,courseofAndreyA. Directorsí FacultyoftheFilmInstitute Institute ofArts(1998),andthe Graduated fromAzerbaijanState (b. 1972,Baku,Azerbaijan). Chingiz Rasulzade Warî (2005,doc.). (2003, doc.);ìThePersonalTruth about Bicycleî (2003);ìTheLostHouseî (1997); ìTheDateî(2000), Minutesî (1995);ìARiverFilmî (shorts): ìTheBelltowerî(1994),ìSeven director andeditingdirector.Films ìAssembly ofErrorsî(ORT)asassistant Alexander Gordonísdocumentaryserial diploma in1998.In1999workedon Vladimir Meníshov),andreceivedhis Scriptwriters andDirectors(courseof studied ontheHigherCoursesfor ìItalian Lessonsî.Since1993has and actorinthetelevisionprogramme (1988). Workedastranslatoronfilms, Thorez InstituteofForeignLanguages Graduated fromtheMoscowMaurice (b. 1966,Moscow). Dmitry Tikhomirov ‚ÓÈ̪ (2005,‰ÓÍ.). ‰ÓϪ (2003,‰ÓÍ.),´À˘̇ˇÔ‡‚‰‡Ó (2000), ´¬ÂÎÓÒËÔ‰ª,´œÓÚÂˇÌÌ˚È ÌÓÈ ÙËθϪ(1997),´—‚ˉ‡Ì˪ ̇ˇª (1994),´7ÏËÌÛÚª(1995),´–˜- ÏÓÌڇʇ. ‘ËθÏ˚(Í/Ï):´üÓÎÓÍÓθ- ‡ÒÒËÒÚÂÌÚÓÏ ÂÊËÒÒÂ‡ËÂÊËÒÒÂÓÏ Ì‡ ´—Ó·‡ÌËÂÁ‡·ÎÛʉÂÌËȪ(Œ–“)- ÌÓ-Ë„Ó‚ÓÏ ÒÂˇÎ¿ÎÂÍ҇̉‡√Ó‰Ó- 1998. ¬1999‡·ÓÚ‡Î̇‰ÓÍÛÏÂÌڇθ- ¬.¬.ÃÂ̸¯Ó‚‡), Á‡˘ËÚËΉËÔÎÓÏ‚ ÊËÒÒÂÓ‚ ñ¬ü—–(χÒÚÂÒ͇ˇ ̇ ¬˚Ò¯ËıÍÛÒ‡ıÒˆÂ̇ËÒÚÓ‚ËÂ- ËڇθˇÌÒÍÓ„Ó ˇÁ˚͇ª.—1993Û˜ËÎÒˇ ÏÓ‚, ‡ÍÚÂÓÏ‚ÚÂÎÂÔÂ‰‡˜Â´”ÓÍË (1988). –‡·ÓÚ‡ÎÔÂ‚Ӊ˜ËÍÓÏÙËθ- ‡ÌÌ˚ı ˇÁ˚ÍÓ‚ËÏÂÌËÃÓËÒ‡“ÓÂÁ‡ ŒÍÓ̘ËÎ ÃÓÒÍÓ‚ÒÍËÈËÌÒÚËÚÛÚËÌÓÒÚ- (. 1966,ÃÓÒÍ‚‡). ƒÏËÚËÈ “ËıÓÏËÓ‚ ̇Á‡‰, ‚Ó‚ÂÏˇÁËÏÌËı͇ÌËÍÛÎÖ ‰Û„ Ò‰Û„ÓÏÌÂÒÍÓθÍÓÏÂÒˇˆÂ‚ ÒÚ‡¯ÂÍÛÒÌËÍË. ŒÌËÔÓÁ̇ÍÓÏËÎËÒ¸ ÿÛ‡ ˬ‡‰ËÏñÒÚÛ‰ÂÌÚ˚- œ‡ÒÚÂ͇̇ ÒÎÛ˜‡ÈÌÓ‚ÒÚ˜‡˛ÚÒˇ 1960-È „Ó‰.Õ‡ÔÓıÓÓ̇ı¡ÓËÒ‡ ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË ÔÓ‰‰ÂÊÍ ‘‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ fiÎˡ √ÓÏ‡Ì˛Í Õ‡‰Âʉ‡ ¡ÓËÒÓ‚‡,¿ÌÚÓÌ—ÂÏÍËÌ, ¬ ÓΡı: üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ƒÏËÚËÈ “ËıÓÏËÓ‚ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,43ÏËÌ.,˜/·,35ÏÏ. «»ÃÕ»≈ ü¿Õ»ü”À¤ ¬ËÚ‡ÎËÈ ≈χ¯Ó‚, ¿ÎÂÍ҇̉ —ÏËÌÓ‚ »‚‡Ì “‚Â‰Ó‚ÒÍËÈ ÕËÍÓÎ‡È œÓÍ·‰ ¬Î‡‰ËÏË ¡‡‡ÌÓ‚ ´“Ә͇ ÁÂÌˡª,ÔË THE WINTERVACATION during thewintervacationÖ with eachotherseveralmonthsearlier, are bothstudents.Theygotacquainted Shura andVadimmeetbychance;they 1960. AtBorisPasternakísfuneral Culture andCinematography participation FederalAgencyfor Production Producer Yulia Gomanyuk Borisova, AntonSiomkin, Cast: Composer Director Art Camera Dmitry Tikhomirov Scriptwriter andDirector black andwhite,35mm 2005, Russia,43min, Vitaly Ermashov,Nadezhda Alexander Smirnov Ivan Tverdovsky Vladimir Baranov Tochka Zreniawith Nikolai Poklad

55 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 56 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË ´üÓͪ, ÔËÛ˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó œÓËÁ‚Ó‰ÒÚ‚Ó »„Ó¸ √·¯‚ËÎË √ÂÌÂ‡Î¸Ì˚È ÔÓ‰˛ÒÂÔÓÂÍÚ‡ œÓ‰˛ÒÂ »Ë̇ü‡Ô΢̇ˇ ≈‚„ÂÌËÈ ÿ‡ı,»χ¬ËÚÓ‚Ò͇ˇ –ÓÎË ÓÁ‚Û˜ËÎË: »ÎËÍÓ ◊ËÚ‡¯‚ËÎË «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔÂ‡ÚÓ ¿ÎÂÍ҇̉ “‡Ú‡ÒÍËÈ –ÛÍÓ‚Ó‰ËÚÂθ ÔÓÂÍÚ‡ ¿ÎÂÍ҇̉ “‡Ú‡ÒÍËÈ ’Û‰. ÛÍÓ‚Ó‰ËÚÂÎË Ã‡Ë̇ œ‡¯ÍÓ‚Ò͇ˇ ’Û‰ÓÊÌËÍ-ÔÓÒÚ‡ÌÓ‚˘ËÍ ÒˆÂ̇ˡ ¿‚ÚÓ –ÂÊËÒÒÂ ‡ÌËχˆËˇ, Ô·ÒÚËÎËÌ 2005, –ÓÒÒˡ,13í12î,ˆ‚.,DVD, Á‡‚ËÒÚÎË‚˚ ÒÓÒ‰Ë̇ÊËÎËÒÂ·Â·Â‰Ö ÒÔ‡‚Ë·Ҹ Ò̇ԇÒÚ¸˛,‡Ëı χÎÂ̸ÍË ‚‰ËÚÂÎË-ÁÎ˚‰ÌË.—Âϸˇ ¬ ‰ÓÏÂœÂÚ‡ËÇÙ˚ÔÓÒÂÎËÎËÒ¸ Ò͇ÁÍË. œÓ ÏÓÚË‚‡Ï„ÛˆÛθÒÍÓÈ̇Ó‰ÌÓÈ WICKED CREATURES(animationcycleìTheMountainofGemsî) «À¤ƒÕ» ƒÏËÚËÈ √‡·ÍÓ, ¬Î‡‰ËÏË √‡ÎˈÍËÈ —ÚÂÔ‡Ì üÓ‚‡Î¸ À‚ «ÂÏÎËÌÒÍËÈ —ÚÛ‰Ëˇ ´œËÎÓÚª,Ãü‘ fiËÈ üÓ‚‡ÎÂÌÍÓ, ¿ÎÂÍ҇̉ “‡Ú‡ÒÍËÈ ›‰Û‡‰ Õ‡Á‡Ó‚, (‡ÌËχˆËÓÌÌ˚È ˆËÍδ√Ó‡Ò‡ÏÓˆ‚ÂÚÓ‚ª) themselves intotroubleÖ but theirenviousneighboursgot The familycopeswiththemisfortune, settled inPeterísandMarfaíshouse. Some small,wickedcreatureshave fairytale. On motivesofaHutsulnational Culture andCinematography participation oftheFederalAgencyfor Production Igor Gelashvili ofproject Producer General Producer Evgeny Shakh,IrmaVitovskaya Cast Sound Composer Camera Projectís Chief Alexander Tatarsky Art Chiefs Art Director Scriptwriter Director animation, plasticine 2005, Russia,13í12î,colour,DVD, (voices): YuriKovalenko, Dmitry Grabko,IlikoChitashvili Vladimir Galitsky Stepan Koval Irina Kaplichnaya Lev Zemlinsky Eduard Nazarov, Pilot Studio,KrokIFFwith Alexander Tatarsky Marina Pashkovskaya Alexander Tatarsky ‰ËÔÎÓÏ), ´ÿÂÎÚ‡Ï‚‡Èπ9ª(2002). Ï˚ª (1995,ۘ·Ì˚È),´Z-Z-Zª(1998, ‡ÌËχˆËÓÌÌÓ„Ó ÍËÌÓª.‘ËθÏ˚:´›ÚÓó ÔÓ ÒÔˆˇθÌÓÒÚË´ÂÊËÒÒÂ ËÏÂÌË ».ü.ü‡ÔÂÌÍÓ-ü‡Ó„Ó(1998) üË‚ÒÍËÈ Ú‡Ú‡Î¸Ì˚ÈËÌÒÚËÚÛÚ üË‚ÒÍÓÈ ‡Í‡‰ÂÏËËËÒÍÛÒÒÚ‚(1993), ŒÍÓ̘ËÎ ‡ıËÚÂÍÚÛÌ˚ÈÙ‡ÍÛθÚÂÚ ƒÌÂÔÓÔÂÚÓ‚Ò͇ˇ Ó·Î.). (. 1965,„.ÕÓ‚ÓÏÓÒÍÓ‚ÒÍ, —ÚÂÔ‡Ì üÓ‚‡Î¸ ìHere goestramNo.9î(2002). coursework), ìZ-Z-Zî(1998,diploma), animationî. Films:ìThisisUsî(1995, (1998), specializingasìdirectorof Karpenko-Karo KievTheatreInstitute of theKievAcademyArts(1993), Graduated fromthearchitecturefaculty Dnepropetrovsk region). (b. 1965,Novomoskovsk, Stepan Koval Observerî (coursework). ìPostscriptî (practical)andìThe three films(shorts),including: Lonskoy). Duringherstudyshemade Institute VGIK(2004,courseofValery Vocational TrainingoftheFilm from theFacultyofAdditional in philologyandeconomics.Graduated was borninMoscow.Highereducation Ksenia Kondrashina ´Õ‡·Î˛‰‡ÚÂθª (ÍÛÒÓ‚‡ˇ). ´œÓÒÚÒÍËÔÚÛϪ (ۘ·̇ˇ)Ë ÚË ÙËθχ(Í/Ï),‚ÚÓϘËÒÎÂ: «‡‚ÂÏˇÛ˜Â·˚ÒÌˇÎ‡ ¬.fl. ÀÓÌÒÍÓ„Ó). ÂÊËÒÒÂÒ͇ˇ χÒÚÂÒ͇ˇ Ó·‡ÁÓ‚‡Ìˡ ñ‘ƒœŒ¬√»ü‡(2004, ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÔÓÙÂÒÒËÓ̇θÌÓ„Ó ˝ÍÓÌÓÏ˘ÂÒÍÓÂ. ŒÍÓ̘Ë·‘‡ÍÛθÚÂÚ Ó·‡ÁÓ‚‡Ìˡ: ÙËÎÓÎӄ˘ÂÒÍÓÂË »ÏÂÂÚ‰‚‡‚˚Ò¯Ëı Ӊ˷Ҹ ‚ÃÓÒÍ‚Â. üÒÂÌˡ üÓ̉‡¯Ë̇ ‚ÓÁÏÓÊÌÓ ÎË˝ÚÓ?.. ÓÒÚ‡ÚÓÍ ‰ÌÂÈ‚ÔÓÍÓÂËÍÓÏÙÓÚÂ.ÕÓ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡Á˙Âı‡Ú¸ÒˇË‰ÓÊËÚ¸ Õ‡ÍÓ̈ ËÏÔ‰ÓÒÚ‡‚ΡÂÚÒˇ ËÒÔÓÚËÎË ‰Û„‰Û„ÛÊËÁ̸. ‡·ÒÓβÚÌ˚ ‡ÌÚËÔÓ‰˚,ÓÌËÔÓÒÛÚË ‚Ò˛ ÊËÁ̸‚Ó‰ÌÓÈÍ‚‡ÚËÂ.ü‡Í ƒ‚‡ ÒÚ‡Ë͇ÔÓ‚ÓÎÂÒÛ‰¸·˚ÔÓÊËÎË ‘Ó̉ ÃËı‡Ë·ü‡Î‡ÚÓÁÓ‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó ¬Î‡‰ËÒ·‚ –ÓÁËÌ œÓ‰˛ÒÂ˚ ¿Ì‰ÂÈ –‡ÔÓÔÓÚ üÛÁ¸ÏÂÌÍÓ‚, ŒÎ¸„‡¡‡ÌÂÚ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ üÒÂÌˡ üÓ̉‡¯Ë̇ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ ÏÓÌÓ, 35ÏÏ 2005, –ÓÒÒˡ,40ÏËÌ.,ˆ‚.,1:1.85, œ‡‚ÂÎ «ËÏËÌ ü¿–“Œÿü¿ Õ¿—¿À≈ ¿Ì‡ÚÓÎËÈ ¿‰ÓÒÍËÌ,fiËÈ ÃËı‡ËÎ ŒÌËÔÂÌÍÓ »Ë̇ √‡Ê‰‡ÌÍË̇ ≈ÎÂ̇ »„̇ÚÂÌÍÓ ÃËı‡ËÎ ü‡Î‡ÚÓÁ˯‚ËÎË, üËËÎÎ ÀÛÍËÌ that possible? their daysinpeaceandcomfort.Butis opportunity topartandlivetherestof conditions ofmodernlife,theyhavethe otherís lives.Now,atlast,underthe absolute antipodesandhaveruinedeach apartment. Deepdown,theyare have livedalltheirlivesinone By somestrokeoffatetwooldmen Production Vladislav Rozin Producers Andrey Rapoport Yuri Kuzmenkov,OlgaBarnet, Cast: Sound Composer Costumes Art Director Camera Ksenia Kondrashina Scriptwriter andDirector mono, 35mm 2005, Russia,40min,colour,1:1.85, Anatoly Adoskin, FRIED POTATOES Pavel Zimin Mikhail Onipenko Irina Grazhdankina Kirill Lukin Mikhail Kalatozishvili, Mikhail KalatozovísFund Elena Ignatenko

57 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 58 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts œÓËÁ‚Ó‰ÒÚ‚Ó ËÔ‡‚‡ «‚ÛÍ ÓÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÒÚËıÓ‚,ÂÊËÒÒÂ, 2006, –ÓÒÒˡ,9ÏËÌ.,ˆ‚.,1:1.66,35ÏÏ Ôӷ‰ËÚ¸. ÔÓ͇ Á‚Û˜‡ÚÒÚËıË,Ó̇ÌÂÏÓÊÂÚÂ„Ó ÚÂÍÒÚ. —ÏÂÚ¸‰˚¯ËÚÂÏÛ‚ÒÔËÌÛ.ÕÓ Ë ËÚÏ,Ó·‡ÁÛ˛˘ËÂÔÓ˝Ú˘ÂÒÍËÈ ¡ÎÛʉ‡ˇ Ò‰ËÛËÌ,ÓÌ̇ıÓ‰ËÚÒÎÓ‚‡ ÊË‚˚Ï ÒÛ˘ÂÒÚ‚ÓÏÓÒÚ‡ÂÚÒˇÔÓ˝Ú. ‡ÔÓ͇ÎËÔÒËÒ‡ ‚ÏË‰ËÌÒÚ‚ÂÌÌ˚Ï ¿Î΄Óˡ. œÓÒÎÂÏËÓ‚Ó„Ó ESTUARY À»Ã¿Õ ÕÂÎÎË »‚‡ÌÓ‚‡ “ËÏÓÙÂÈ œ‡˘ËÍÓ‚ ¬√»ü resound. cannot seizehimwhilehisverses Death breathesdownhisneck,but and rhymeswhichformapoetictext. Wandering amongruinshefindswords only livingcreatureonearthisapoet. Allegory. Afteraglobalapocalypsethe andSales Production Sound Poems by Timofei Parshchikov Scriptwriter, Director,Cinematographer 2006, Russia,9min,colour,1:1.66,35mm Nelli Ivanova Timofei Parshchikov VGIK ÂÊËÒÒÂÒ͇ˇ ‡·ÓÚ‡. ¬√»üÂ. ´ÀËχ̪ñÔÂ‚‡ˇ ”˜ËÎÒˇ ÓÔÂ‡ÚÓÒÍÓÏÛχÒÚÂÒÚ‚Û‚Ó (. 1983,ÃÓÒÍ‚‡). “ËÏÓÙÂÈ œ‡˘ËÍÓ‚ directorial debut. Institute VGIK.ìEstuaryîishis Studied photographyattheFilm (b. 1983,Moscow). Timofei Parshchikov animation filmforums. Gorlenko). Prize-winnerofstudentand computer graphicsofAlexander VGIK (courseofanimationand Fifth-year studentoftheFilmInstitute Nizhny NovgorodRegion). (b. 1980,Bogorodsk, Elena Borisova Ë ‡ÌËχˆËÓÌÌ˚ıÍËÌÓÙÓÛÏÓ‚. ¿.Ã. √ÓÎÂÌÍÓ).œËÁÂÒÚÛ‰Â̘ÂÒÍËı ÍÓÏÔ¸˛ÚÂÌÓÈ „‡ÙËÍË,ÛÍÓ‚Ó‰ËÚÂθó (χÒÚÂÒ͇ˇ ‡ÌËχˆËËË —ÚÛ‰ÂÌÚ͇ ÔˇÚÓ„ÓÍÛÒ‡¬√»ü‡ ÕËÊ„ÓÓ‰Ò͇ˇ Ó·Î.). (. 1980,„.¡Ó„ÓÓ‰ÒÍ, ≈ÎÂ̇ ¡ÓËÒÓ‚‡ À”Õ¿“Õ¤≈ ”ÿ¿—“»ü» ÍÓÎË͇ª. œË‚Ó‚‡Ó‚ÓÈ ´ƒ‚‡Ó˜Â̸ÒÏÂÎ˚ı œÓ ÏÓÚË‚‡ÏÒÚËıÓÚ‚ÓÂÌˡ»ËÌ˚ ̇ ÀÛÌÛ,ÔÓÚÓÏÛ˜ÚÓÍÓÎËÍËÛÊÂÚ‡Ï. ÇÎÂ̸ÍËÈ ÎËÒÂÌÓÍϘڇÂÚÔÓÔ‡ÒÚ¸ œÓËÁ‚Ó‰ÒÚ‚Ó ≈ÎÂ̇ ¡ÓËÒÓ‚‡ ıÛ‰ÓÊÌËÍ, ‡ÌËχÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ,ÂÊËÒÒÂ, ‡ÌËχˆËˇ 2005, –ÓÒÒˡ,2í45î,ˆ‚.,BetacamSP, ¬√»ü BIG-EARED SLEEPWALKERS Moon Ö courageous rabbits,whotravelledtothe A littlefoxisreadingabookabouttwo Production (Two VeryBoldRabbits) Poem by Elena Borisova Animator Scriptwriter, Director,Atr animation 2005, Russia,2í45î,colour,BetacamSP, Irina Pivovarova VGIK

59 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 60 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÓÚ ËÒÚËÌÌ˚ıÏÓÚË‚Ó‚Ôӷ„‡. ÔÓËÒıÓ‰ˇ˘Â„Ó ‡ÁËÚÂθÌÓÓÚ΢‡ÂÚÒˇ Ú˛¸Ï˚. —Û·˙ÂÍÚ˂̇ˇÓˆÂÌ͇ Ó‰ÌÓ„Ó ËÁÛ˜‡ÒÚÌËÍÓ‚Ôӷ„‡ ‚ÓβˆËÓÌÌÓÈ ÓχÌÚËÍÓÈÏÓÁ„Û ÒÍ·‰˚‚‡˛ÚÒˇ ‚Á‡ÚÛχÌÂÌÌÓÏ ‡θÌ˚ı ÔÓÒÚÛÔÍÓ‚,ÍÓÚÓ˚ ˜ÂÎӂ˜ÂÒÍÓ„Ó ‰Ûı‡ËÌËÁÏÂÌÌÓÒÚË ¿Ì‰‚‡ (1905).Œ‚Â΢ËË œÓ ÏÓÚË‚‡Ï‡ÒÒ͇Á‡ÀÂÓÌˉ‡ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ˜ËÚ‡ÂÚ “ÂÍÒÚ ƒÏËÚËÈ ü‡ÚÓÁˡ flÍÛ¯ËÌ, œÂÚœÓÔÓ‚,“ËÏÓÙÂÈ¡‡ÈÂ, —ÚÂÔËÌ, ÃËı‡ËÎü˚ÎÓ‚, ¬ËÍÚÓ —ÛÔÛÌ,ŒÎ„’˚˜Â‚,—Â„ÂÈ ŒÎ„ œ˚¯ÌÂÌÍÓ,ƒÏËÚËÈœÂÒËÌ, ÓΡı: ¬ ŒÔÂ‡ÚÓ ¬‡‰ËÏ “Ûı‚‡ÚÛÎÎËÌ –ÂÊËÒÒÂ˚ ˜/·, ÏÓÌÓ,1:1.66,35ÏÏ 2005, –ÓÒÒˡ,12ÏËÌ., MARSEILLAISE ÿ–—≈À‹≈«¿ œ‡‚ÂÎ —·Ó˘ËÍÓ‚, ≈ÎËÁ‡‚ÂÚ‡ √ÓÎÓ‚Ë̇ ¿ÎÂÍ҇̉ Õ‡ÛÏÓ‚ ¿ÎÂÍ҇̉ Õ‡ÛÏÓ‚, —Â„ÂÈ ◊ÓÌ˯‚ËÎË VT Cinema motives fortheescape. strikingly differentfromthetrue The subjectiveevaluationoftheeventis obscured byrevolutionaryromanticism. in themindofaprisonrunaway, lowliness ofactualdeeds,whichemerge magnitude ofthehumansouland Andreevís story(1905).Aboutthe Based onthemotivesofLeonid Production Producer Narrator Dmitry Katrozia Pyotr Popov,TimofeiBaier, Mikhail Krylov,Yakushin, Suprun, OlegKhrychiov,SergeiStepin, Pyshnenko, DmiryPersin,Victor Cast: Camera Vadim Tukhvatullin Directors b/w, 1:1.66,35mm 2005, Russia,12min, Pavel Sborshchikov,Oleg Elisaveta Golovina Sergei Chonishvili Alexander Naumov Alexander Naumov, VT Cinema his directorialdebutincinema. channel —“—.ThefilmìMarseillaiseîis Marketing Departmentofthetelevision (2000). From2001-2005producerinthe theatre projectìChapaevandPustotaî (1997). Authorofaplay,producerthe M. Gluzsky),andpostgraduatestudy the FilmInstituteVGIK(1995,courseof Graduated fromtheActingFacultyof (b. 1969). Alexander Naumov ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú‚ÍËÌÓ. ͇̇· —“—.‘ËθϴÇÒÂθÂÁ‡ªñ ‰˛ÒÂ ƒÂÔ‡Ú‡ÏÂÌڇχÍÂÚËÌ„‡ÚÂÎÂ- œÛÒÚÓÚ‡ª (2000).¬2001-2005ñÔÓ- ‰˛ÒÂ Ú‡Ú‡Î¸ÌÓ„ÓÔÓÂÍÚ‡´◊‡Ô‡Â‚Ë ‡ÒÔË‡ÌÚÛÛ (1997).¿‚ÚÓÔ¸ÂÒ˚,ÔÓ- (1995, χÒÚÂÒ͇ˇÃ.¿.√ÎÛÁÒÍÓ„Ó), ŒÍÓ̘ËÎ ‡ÍÚÂÒÍËÈÙ‡ÍÛθÚÂÚ¬√»ü‡ (. 1969). ¿ÎÂÍ҇̉ Õ‡ÛÏÓ‚ ìMarseillaiseî ishis debutincinema. theatre withbusiness.Thefilm Successfully combineshisworkinthe the theatreìArtHouseî(Moscow). of YuriLyubimov).Artisticdirector of from theShchukinTheatreSchool(course theatre productions.In1994graduated studio theatres;designerforsome40 as loader,caretaker,andactorinsmall the AirForcefornineyears,thenworked Theatre director,setdesigner.Servedin (b. 1958). Vadim Tukhvatullin ‘ËÎ¸Ï ´Ã‡ÒÂθÂÁ‡ª-‰Â·˛Ú‚ÍËÌÓ. ÛÒÔ¯ÌÓ ÒÓ‚Ï¢‡ÂÚÒ·ËÁÌÂÒÓÏ. (ÃÓÒÍ‚‡). “‡Ú‡Î¸ÌÛ˛‰ÂˇÚÂθÌÓÒÚ¸ ÛÍÓ‚Ó‰ËÚÂθ Ú‡Ú‡´¿Ú’‡ÛÒª ÒÔÂÍÚ‡ÍΡı. ’Û‰ÓÊÂÒÚ‚ÂÌÌ˚È ıÛ‰ÓÊÌË͇-ÔÓÒÚ‡ÌÓ‚˘Ë͇ ÔÓ˜ÚË‚40 fi.œ.À˛·ËÏÓ‚‡), Û˜‡ÒÚ‚Ó‚‡Î‚͇˜ÂÒÚ‚Â ÂÊËÒÒÂÒ͇ˇ χÒÚÂÒ͇ˇ ËÏÂÌË ¡.¬.ŸÛÍË̇(1994, ‡ÍÚÂÓÏ ‚‡ÌÚÂÔËÁ‡ı.ŒÍÓ̘Ëά“” ‡·ÓڇΠ„ÛÁ˜ËÍÓÏ,‰‚ÓÌËÍÓÏ, ƒÂ‚ˇÚ¸ ÎÂÚÒÎÛÊË΂¬¬—,Á‡ÚÂÏ “‡Ú‡Î¸Ì˚È ÂÊËÒÒÂ,ÒˆÂÌÓ„‡Ù. (. 1958). ¬‡‰ËÏ “Ûı‚‡ÚÛÎÎËÌ such aWindowsuchî(2005,doc.). ìMy Kieslowskiî(2005,doc.),ìThereis ìDistanceî (2005,feature,diploma), Spaceî (2004,doc.,coursework), happenedî (2003,doc.,practical),ìLive Films (shorts):ìWhathappened, non-fiction film). (2004, courseofdirectingfictionand Courses forScriptwritersandDirectors University (2000),andfromtheHigher and journalismofKrasnoyarsk Graduated fromthefacultyofphilology Krasnoyarsk Region). (b. 1977,Khatanga,Taimyr, Irina Volkova ÓÍÌÓ Ú‡ÍÓª(2005,‰ÓÍ.). ´ÃÓÈ üÂÒ΂ÒÍËȪ(2005,‰ÓÍ.),´≈ÒÚ¸ ´–‡ÒÒÚÓˇÌ˪ (2005,Ë„Ó‚ÓÈ,‰ËÔÎÓÏ), ÔÓÒÚ‡ÌÒÚ‚Óª (2004,‰ÓÍ.,ÍÛÒÓ‚‡ˇ), (2003, ‰ÓÍ.,ۘ·Ì˚È),´∆Ë‚Ó ‘ËθÏ˚ (Í/Ï):´◊·˚ÎÓ,ÚÓ·˚ÎÓª ÌÂË„Ó‚Ó„Ó ÍËÌÓ). χÒÚÂÒ͇ˇ ÂÊËÒÒÂÓ‚Ë„Ó‚Ó„ÓË ÒˆÂ̇ËÒÚÓ‚ ËÂÊËÒÒÂÓ‚(2004, ÛÌË‚ÂÒËÚÂÚ‡ (2000),¬˚Ò¯ËÂÍÛÒ˚ ÊÛ̇ÎËÒÚËÍË ü‡ÒÌÓˇÒÍÓ„Ó ŒÍÓ̘Ë· Ù‡ÍÛθÚÂÚÙËÎÓÎÓ„ËËË ü‡ÒÌÓˇÒÍËÈ Í‡È). (. 1977,ÔÓÒÂÎÓÍ’‡Ú‡Ì„‡,“‡ÈÏ˚, »Ë̇ ¬ÓÎÍÓ‚‡ ´—ÎÛ˜‡Èª. Ô˯ÎË Ì‡Í‡ÒÚËÌ„ËÏÂÈ͇ÙËθχ ‰Ó˜¸ ÂÊËÒÒÂ‡Ëβ‰Ë,ÍÓÚÓ˚ ÎÂÚ ÒÓ‰ÌˇÂ„ÓÒÏÂÚË‡ÒÒ͇Á˚‚‡˛Ú ü¯Ë¯ÚÓÙ üÂÒ΂ÒÍËÈ,ÒÔÛÒÚˇ‰ÂÒˇÚ¸ Á̇ÏÂÌËÚ˚È ÔÓθÒÍËÈÂÊËÒÒÂ Œ ÚÓÏ,͇ÍÊË‚Âڂ̇¯ÂÈÔ‡ÏˇÚË ÔË Û˜‡ÒÚËˬü—– œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ÃÓÌÚ‡Ê “ÂÂÒ‡ —ÚÂÏÔÂ̸ «‚ÛÍ ›Î¸Ê·ÂÚ‡flÍÛ·Ó‚Ò͇ˇ, üÓÏÔÓÁËÚÓ “Óχ¯ ÕÓ‚‡Í,›ËÍ’Ëθ‰Â·‡Ì‰Ú ŒÔÂ‡ÚÓ˚ ’Û‰. ÛÍ. »Ë̇ ¬ÓÎÍÓ‚‡ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ ÒÚÂÂÓ, DVCam,‰ÓÍ. 2005, –ÓÒÒˡ/œÓθ¯‡,22ÏËÌ.,ˆ‚., »Ë̇ ¬ÓÎÍÓ‚‡ ¬Î‡‰ËÏË ‘Â̘ÂÌÍÓ ü¯Ë¯ÚÓÙ üÓÔ˜ËÌÒÍËÈ ÃËı‡Î ÿÎ˛Ò‡˜ËÍ, ¿ÎÂÍÒÂÈ ¿È„Ë Eurekamedia, ÃŒ… ü≈—À≈¬—ü»… years afterhisdeath. Kieslowski livesinourmemoryten well-known PolishdirectorKrzisztof film ìTheIncidentîspeakabouthowthe worked onthecastingforaremakeof The directorísdaughterandpeoplewho Production Producer Editor Teresa StempeÒ Sound Composer Tomasz Novak,ErikChildebrandt Camera Master Director, Scriptwriter stereo, DVCam,doc. 2005, Russia/Poland,22min,colour, MY KIESLOWSKI Irina Volkova El beta Jakubowska, Vladimir Fenchenko Michal Szljusarczik, Krzysztof Kopczinsky Alexei Aigi Eurekamedia, HCSF Irina Volkova

61 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 62 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÊÂÌ˘ËÌ ËÔÓÒ‚ˇ˘‡ÂÚËÏÒ‚ÓËÒÚËıË. ÔÓÒÚÓˇÌÌÓ ‚β·ÎˇÂÚÒˇ‚ÏÓÎÓ‰˚ı ̇ ÍÓÚÓ˚ıÏÓÂÔ˯ÂÚ͇ÚËÌ˚, ·ÂÁÁ‡·ÓÚÌÛ˛ ÊËÁ̸:ÒÓ·Ë‡ÂÚ͇ÏÌË, Ò·‚ ÔÓ˝Ú‡.—Â„Ó‰ÌˇÓ̂‰ÂÚ ·˚‚¯ËÈ ÓÙˈÂ,ÍÓ„‰‡-ÚÓϘڇÎÓ 70-ÎÂÚÌËÈ ÏÓˇÍ—Â„ÂȬ‡ÒËθ‚˘, ÔË ÔÓ‰‰ÂÊÍÂÒÚÛ‰ËË´ŒÒÚÓ‚ª œÓËÁ‚Ó‰ÒÚ‚Ó «‚ÛÍ ¬‡ÒËÎËÈ “˚˜ËÌÒÍËÈ ŒÔÂ‡ÚÓ˚ ŒÍ҇̇ ÕÂÂÁÂÌÍÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ Betacam SP 2005, –ÓÒÒˡ,23ÏËÌ.,ˆ‚.,ÒÚÂÂÓ, SEAÖ STONESÖANDLOVE ÃŒ–≈Ö ü¿ÃÕ»Ö»Àfi¡Œ¬‹ œ‡ÔÛ̇ œËÔˡ ŒÍ҇̇ ÕÂÂÁÂÌÍÓ, ´Nerezenko&Coª women towhomhededicateshispoems. constantly fallsinlovewithyoung which theseapaintsitspictures,and carefree life:hecollectsstones,on dreamt ofpoeticglory.Todayheleadsa Vasilievich, aformerofficer,once The 70-year-oldseamanSergei with theparticipationOstrovStudio Production Sound Vasily Tychinsky Camera Oksana Nerezenko Scriptwriter andDirector Betacam SP 2005, Russia,23min.,colour,stereo, Papuna Pipia Oksana Nerezenko, Nerezenko&Co β·Ó‚¸ª (2005). ´—ÎË‚˚ª (2003),´ÃÓÂÖ͇ÏÌËÖË ‘ËθÏ˚ (Í/Ï):´–˚·‡Î͇ª(2002), —.¬.ÃËÓ¯Ì˘ÂÌÍÓ, ¬.¿.‘Â̘ÂÌÍÓ). (2005, χÒÚÂÒ͇ˇ¿.¿.›¯Ô‡ˇ, Ù‡ÍÛθÚÂÚ ÍËÌÓÂÊËÒÒÛ˚¬√»ü‡ ËÌÒÚËÚÛÚ ËÏÂÌ˃‡¯ÍÓ‚ÓÈ(1997), Û˜ËÎˢÂ, ÃÓÒÍÓ‚ÒÍËÈ„ÛχÌËÚ‡Ì˚È ŒÍÓ̘Ë· —Ó˜ËÌÒÍÓÂıÛ‰ÓÊÂÒÚ‚ÂÌÌÓ (. 1976,„.—Ó˜Ë,ü‡ÒÌÓ‰‡ÒÍËÈÍ‡È). ŒÍ҇̇ ÕÂÂÁÂÌÍÓ Ö andLoveî(2005). (2002), ìPlumsî(2003),ìSeaÖStones Fenchenko). Films(shorts):ìFishingî Eshpai, S.Miroshnichenko,V. Film InstituteVGIK(2005,courseofA. Moscow (1997);FacultyofDirecting, Dashkova InstituteofHumanities, Graduated fromSochiArtSchool; (b. 1976,Sochi,KrasnodarRegion). Oksana Nerezenko ìScent Obsessionîisherfirstfilm. Faculty ofDirectioninAnimation. Student oftheFilmInstituteVGIK, (b. 1986,Moscow). Vera Miakisheva Á‡Ô‡ı‡ª ñÔÂ‚˚ÈÙËθÏ. ÂÊËÒÒÛ˚ ‡ÌËχˆËË.´Õ‡‚‡Ê‰ÂÌË —ÚÛ‰ÂÌÚ͇ ¬√»ü‡,Ù‡ÍÛθÚÂÚ‡ (. 1986,ÃÓÒÍ‚‡). ¬Â‡ ÃˇÍ˯‚‡ œ‡·ÎÓ ÕÂÛ‰˚. ÀË˘ÂÒÍÓ ‚ÓÒÔÓÏË̇ÌËÂÔÓÒÚËı‡Ï œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ —ÚËıË «‚ÛÍ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,3ÏËÌ.,ˆ‚.,‡ÌËχˆËˇ Õ¿¬¿∆ƒ≈Õ»≈ «¿œ¿’¿ ¿Ì‡ÒÚ‡Òˡ œ‡ÒÂ̘ÛÍ ˜ ËÚ‡ÂÚ ¬Â‡ ÃˇÍ˯‚‡ ¬Â‡ ÃˇÍ˯‚‡ –˘‡‰ ¡Ó̉‡‚ ¬√»ü Pablo Neruda. Lyrical memoirsbasedonpoemsby Production Producer by read Poems Sound Director 2005, Russia,3min,colour,animation SCENT OBSESSION Anastasia Pasenchuk Vera Miakisheva Vera Miakisheva VGIK Richard Bondarev

63 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 64 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts œ‡‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó œÂÚ —Ïˉӂ˘,√ÂχÌÃÓΘ‡ÌÓ‚ ¬ ÓΡı: «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,16ÏËÌ.,ˆ‚.,35ÏÏ ÏÛÊÂÏ ‚Á‡ÎÂ...ª ÔÓÒ˚θÌ˚Ï ÓÚÏÓ‰ËÒÚÍË.—ˉÂÎË Ò ‰ÓÏ Ì‡ÌӘ΄,̇Á‚‡ÎÒˇÏÛÊÛ ·ÂÒ‰ÍÂ. œÓÒÎÂÔ˯ÎÓÒ¸ÔÓÒËÚ¸Òˇ‚ ¿Ì‰‚˘, ÔÓ͇ÌÂÁ‡ÏÂÁ,ÒˉÂ΂ ÒÚÂÏÌÂÎÓ ËÔÓ¯ÂΉÓʉ¸.—ÚÂÔ‡Ì ‚ÓÁÏÓÊÌÓÒÚË: ÎÓ‰Ó˜ÌËÍÛÔÎ˚Î, ƒÓ·‡Ú¸Òˇ ‰ÓÒڇ̈ËËÌÂÚÌË͇ÍÓÈ „‡Ìˈ˚ ÏÛÊÕ‡‰Â̸ÍËñ∆‡Í. ÔËÌˇÚ¸, Ú‡Í͇͂ÂÌÛÎÒˇËÁ-Á‡ Ì ÔÓÒ˜‡ÒÚÎË‚ËÎÓÒ¸,„ÓÓÚ͇Á‡ÌÓ ·Óθ¯Û˛ ÍÓÓ·ÍÛÒÔ·ڸÂÏ.ÕÓÂÏÛ Òڇ̈ËË. ŒÌÔË‚ÂÁÂÈÓÁ˚Ë ÒÚÓÓÌ ÂÍËÓÚÊÂÎÂÁÌÓ‰ÓÓÊÌÓÈ ÛʇÒÌÓ ‰‡ÎÂÍÓÓÚ„ÓÓ‰‡,̇‰Û„ÓÈ Î˛·Ó‚ÌËˆÛ Õ‡‰Â̸ÍÛ,ÊË‚Û˘Û˛ÎÂÚÓÏ ¿Ì‰‚˘ ∆ËÍÓ‚ÔÓÒ¢‡ÂÚÒ‚Ó˛ ¿.œ. ◊ÂıÓ‚‡.´¡‡ËÌ—ÚÂÔ‡Ì œÓ ÏÓÚË‚‡ÏÓ‰ÌÓËÏÂÌÌÓ„Ó‡ÒÒ͇Á‡ UNPLEASANT STORY Õ≈œ–»fl“Õ¿fl »—“Œ–»fl Çˡ ¬ÓÎÓ‰Ë̇ ¬√»ü, fiÎˡœ‡˛ÒÓ‚‡ ≈ÎÂ̇ ÃÓÓÁÓ‚‡, ≈͇ÚÂË̇ ƒÛ·Ó‚Ò͇ˇ fiÎˡ œ‡˛ÒÓ‚‡ Շڇθˇ ŒÒÏÓÎÓ‚Ò͇ˇ ¿Ì‰ÂÈ ∆ÂÎÛ‰ÍÓ‚ ¬√»ü √ÂÏ‡Ì ÃÓΘ‡ÌÓ‚ Sales Production German Molchanov Cast: Sound Costumes Art Director Camera Scriptwriter Director 2005, Russia,16min,colour,35mm husband inthehall...î the fashiondesigner.Hesitswith the pretending tobethehusbandsent by for lodgingsthenightinhouse, the gardenpavilion.Laterhehastoask starts torain.StepanAndreevichsitsin returned, darknessisfalling,andit back tothestation:ferrymanhas from abroad.Thereisnochancetoget Nadiaís husbandJacqueshasreturned cannot bereceivedatthehouse,because a dress.Butluckisnotonhisside:he brought herrosesandalargeboxwith river fromtherailwaystation.He the summer:onothersideof terribly farawayfromthecityduring visits hismistressNadia,wholives Landlord StepanAndreevichZhirkov Chekhovís storyofthesametitle.ìThe Based onthemotivesofAnton Elena Morozova,PyotrSmidovich, VGIK, JuliaPayusova Maria Volodina Ekaterina Dubrovskaya Julia Paiusova Natalia Osmolovskaya VGIK German Molchanov Andrey Zheludkov (2005, ‰ËÔÎÓÏ̇ˇ‡·ÓÚ‡). ÍÛÒÓ‚‡ˇ), ´ÕÂÔˡÚ̇ˇËÒÚÓˡª ‘ËθÏ˚ (Í/Ï):´—ÍËÔ‡˜ª(2005, ¬.». ’ÓÚËÌÂÌÍÓˬ.¿.‘Â̘ÂÌÍÓ). Ù‡ÍÛθÚÂÚ‡ ¬√»ü‡(χÒÚÂÒ͇ˇ ¬˚ÔÛÒÍÌˈ‡ ÂÊËÒÒÂÒÍÓ„Ó (. 1977). fiÎˡ œ‡˛ÒÓ‚‡ ìUnpleasant Storyî(2005,diplomawork). Violinistî (2005,coursework), Fenchenko). Films(shorts):ìThe Vladimir Khotinenkoand of theFilmInstituteVGIK(course Graduated fromtheDirectorsíFaculty (b. 1977). Julia Paiusova with thefilmìWhilehewasFlyingî. Fenchenko). Defendedhisthediploma Khotinenko, PavelFinn,Vladimir and Directors(courseofVladimir for theHigherCoursesofScriptwriters also workedabroad.In2004enrolled Worked inmarketingcommunications, international journalismMGIMO(1996). Army. Graduatedfromthefacultyof whence hewasdraftedintotheSoviet Institute (MAI,facultyofastronauts), enrolled attheMoscowAviation Suvorov MilitarySchool(1987)he After graduatingfromMoscowís (b. 1970,Zhitomir,Ukraine). Alexander Kessel ÙËθÏÓÏ ´œÓ͇ÓÌÎÂÚ‡ÎÖª. ¬.¿.‘Â̘ÂÌÍÓ). «‡˘ËÚËΉËÔÎÓÏ ¬.».’ÓÚËÌÂÌÍÓ, œ.ü.‘ËÌ̇, ÂÊËÒÒÂÓ‚ (χÒÚÂÒ͇ˇ ̇ ¬˚Ò¯ËÂÍÛÒ˚ÒˆÂ̇ËÒÚÓ‚Ë ˜ËÒΠËÁ‡Û·ÂÊÓÏ.¬2004ÔÓÒÚÛÔËΠχÍÂÚËÌ„Ó‚˚ı ÍÓÏÏÛÌË͇ˆËÈ,‚ÚÓÏ Ã√»ÃŒ (1996).–‡·Óڇ΂ӷ·ÒÚË ÏÂʉÛ̇Ó‰ÌÓÈ ÊÛ̇ÎËÒÚËÍË ÒÎÛÊ·Û ‚—¿.ŒÍÓ̘ËÎÙ‡ÍÛθÚÂÚ ÍÓÒÏÓ̇‚ÚËÍË), ÓÚÍÛ‰‡·˚ÎÔËÁ‚‡Ì̇ ËÌÒÚËÚÛÚ ñÿ»(Ù‡ÍÛθÚÂÚ ÔÓÒÚÛÔËÎ ‚ÃÓÒÍÓ‚ÒÍËȇ‚ˇˆËÓÌÌ˚È ÒÛ‚ÓÓ‚ÒÍÓ„Ó ‚ÓÂÌÌÓ„ÓÛ˜ËÎˢ‡(1987) œÓÒΠÓÍÓ̘‡ÌˡÃÓÒÍÓ‚ÒÍÓ„Ó (. 1970,„.∆ËÚÓÏË,”Í‡Ë̇). ¿ÎÂÍ҇̉ üÂÒÒÂθ ÒÎÛ˜‡˛ÚÒˇÖ ÒÏÓÚËÏ ‚Ì·ÂÒ‡.»ÌÓ„‰‡˜Û‰ÂÒ‡ »ÌÓ„‰‡ ó‚̇‰ÂʉÂ̇˜Û‰ÓÏ˚ ÓÚÒÛÚÒÚ‚Û˛˘ËÈ ÓÚˆñ„ÂÓÈ-ÎÂÚ˜ËÍ. ‡ÒÒ͇Á˚ ‚ÁÓÒÎ˚ıÓÚÓÏ,˜ÚÓ —ÂÏËÎÂÚÌˇˇ ‰Â‚Ә͇ËÒÍÂÌÌ‚ÂËÚ‚ œ‡‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó ”ÙËψ‚‡, —Â„ÂÈÀ‡ÔÚ‚ ¬Ó‰Ó·ÊÒÍËÈ, —ËÏÓÌüÓÚÂÒ,“‡Ú¸ˇÌ‡ ¿Ì‰ÂÈ ‘ËÎËÔÔ‡Í,ÃËı‡ËÎ √ÂÌ̇‰ËÈ –Ó„‡ÌÍÓ‚,¿ÎÂÍÒÂÈ—ËÎÍËÌ, ÇÍ ¡‡ÎÏ˚¯Â‚,›ÎÂ̇ƒÂÌËÒÂÌÍÓ, ›‡ «Ë„‡Ì¯Ë̇,¬ËÚ‡ÎËÈüÛ‰ˇ‚ˆÂ‚, ¬ ÓΡı: üÓÏÔÓÁËÚÓ Çˡ «‡ËÍË̇,—Û„‡Í ’Û‰ÓÊÌËÍË Ã‡ÍÒËÏ ¿È‡ÔÂÚÓ‚ ŒÔÂ‡ÚÓ˚ ¿ÎÂÍ҇̉ üÂÒÒÂθ ¿‚ÚÓ˚ ÒˆÂ̇ˡ ¿ÎÂÍ҇̉ üÂÒÒÂθ –ÂÊËÒÒÂ ËÔÓ‰˛ÒÂ 2006, –ÓÒÒˡ,35ÏËÌ.,ˆ‚.,1:1.85,ÏÏ ¿ÎÂÍ҇̉ üÂÒÒÂθ Çˡ –‡ÌÂÌÍÓ-»Î¸Ë̇, ƒÏËÚËÈ üÛ‚¯ËÌÓ‚, —Â„ÂÈ üÓ‚‡Î¸ÒÍËÈ ¬ü—– CÂ„ÂÈ ¬ÂÂÈÍËÌ, œŒü¿ ŒÕÀ≈“¿À WHILE HEWASFLYING miracles happenÖ miracle, welooktoheaven.Sometimes is apilothero.Sometimes,hopingfor in adultsístoriesthatherabsentfather A seven-yearoldgirlgenuinelybelieves Sales Production Sergei Laptev Kortes, TatianaUfimtseva, Filippak, MikhailVodolazhsky,Simon Rogankov, AlexeiSilkin,Andrey Balmyshev, ElenaDenisenko,Gennady Ziganshina, VitalyKudryavtsev,Mark Cast: Composer Maria Sugak Directors Art Maxim Ayrapetov Camera Alexander Kessel Scriptwriters Director andProducer 2006, Russia,35min,colour,1:1.85,mm Maria Ranenko-Ilyina,Era Alexander Kessel Dmitry Kuvshinov, Sergei Kovalsky HCSF Sergei Vereikin, Maria Zaikina, Alexander Kessel

65 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 66 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ‡ÒÒ͇Á‡Ú¸ ÂÏÛÌÂÏÓÊÂÚÖ ƒ‡ ËüÓÒÚˇÔÓ˜ÚËÌ˘„ÓÓÒ· ÌÂÓÊˉ‡ÌÌÓ ÔËÂı‡‚¯ËÈÍÌÂÏÛÓÚˆ. ÚÛÚ Á‡ÌËχÂÚÒˇñ˝ÚÓ„ÓÌÂÁ̇ÂÚ ÎÂÚ óüÓÒÚˇÊË‚ÂÚ‚ÃÓÒÍ‚Â.◊ÂÏÓÌ ÎÂÚ˜ËÍÓÏ. “ÂÔÂ¸ñÔÓ˜ÚËÛÊÂÒÂϸ üÓ„‰‡-ÚÓ üÓÒÚˇÏ˜ڇÎÒÚ‡Ú¸ œÓËÁ‚Ó‰ÒÚ‚Ó «‡Û —‡Ì‡ÍÓ‚ ¬ ÓΡı: «‚ÛÍ ¬‡ÎÂÌÚËÌ ›¯Ô‡È,¿ÚÂÏ‘ÛÏ‡Ì ŒÔÂ‡ÚÓ˚ ¡ÓËÒ √ۘχÁÓ‚ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ ÓÔÚ˘ÂÒ͇ˇ ÏÓÌÓ,35ÏÏ 2005, –ÓÒÒˡ,26ÏËÌ.,ˆ‚.,1:1.66, AWAKENING œ–Œ¡”∆ƒ≈Õ»≈ œ.ƒÛ‰ËÌ, ¬.œÓÎÚ‡‚ˆ üÓÌÒÚ‡ÌÚËÌ ’‡·ӂ, ≈„Ó –ˇ·˜ËÍÓ‚, ¬√»ü tell himanythingabouthimselfÖ surprise visit.AndKostiacanhardly unknown tohisfatherwhoarrivesona years. Whathedoeshereforalivingis Kostia haslivedinMoscowforseven Production Zaur Sanakoev Cast: Sound Valentin Eshpay,ArtyomFurman Camera Boris Guchmazov Scriptwriter andDirector optical mono,35mm 2005, Russia,26min,colour,1:1.66, Konstantin Kharebov, P.Dudin, V.Poltavets Egor Riabchikov, VGIK ¿Ì̇ª, ÃÓÒÍ‚‡,2006) (‰ËÔÎÓÏ; ‚ÚÓ‡ˇÔÂÏˡÍÓÌÍÛÒ‡´—‚. (2003, ÍÛÒÓ‚‡ˇ),´œÓ·ÛʉÂÌ˪ ¬.¿.‘Â̘ÂÌÍÓ). ‘ËθÏ˚:´«Ëχª ¬√»ü‡ (χÒÚÂÒ͇ˇ¬.».’ÓÚËÌÂÌÍÓË Ì‡ÒÚÓˇ˘Â ‚ÂÏˇñÒÚÛ‰ÂÌÚ-‰ËÔÎÓÏÌËÍ fiÊÌÓ-ŒÒÂÚËÌÒÍÓ„Ó ÛÌË‚ÂÒËÚÂÚ‡.¬ ”˜ËÎÒˇ ̇˝ÍÓÌÓÏ˘ÂÒÍÓÏÙ‡ÍÛθÚÂÚ (.1978, „.œÂÚÓÔ‡‚ÎÓ‚ÒÍ-ü‡Ï˜‡ÚÒÍËÈ). ¡ÓËÒ √ۘχÁÓ‚ Annaî, Moscow,2006) second prizeofthecompetitionìSt. coursework), ìAwakeningî(diploma; Fenchenko). Films:ìWinterî(2003, Vladimir Khotinenkoand Film InstituteVGIK(courseof Currently adiplomastudentatthe the UniversityofSouthernOssetia. Studied attheFacultyofEconomics (b.1978, Petropavlovsk-Kamchatsky). Boris Guchmazov ìCamomilesî ishiscoursework. Khotinenko andV.Fenchenko). Institute VGIK(workshopofV. the DirectorsíFacultyatFilm producer. Since2004heisastudentof worked aseditorandlaterexecutive In 1996movedtoSweden,wherehe Worked ascorrespondentfortelevision. (b. 1973,KrivoiRog,Ukraine). Fillip Korshunov ‡·ÓÚ‡. ‘Â̘ÂÌÍÓ). ´–Óχ¯Í˪óÍÛÒÓ‚‡ˇ (χÒÚÂÒ͇ˇ ¬.».’ÓÚËÌÂÌÍÓˬ.¿. ÂÊËÒÒÂÒÍÓ„Ó Ù‡ÍÛθÚÂÚ‡¬√»ü‡ ÔÓ‰˛ÒÂÓÏ. —2004óÒÚÛ‰ÂÌÚ ÔÓÁÊ óËÒÔÓÎÌËÚÂθÌ˚Ï ÿ‚ÂˆË˛, „‰Â‡·ÓÚ‡ÎÏÓÌÚ‡ÊÂÓÏ,‡ ÚÂ΂ˉÂÌËË. ¬1996ÔÂÂÂı‡Î‚ –‡·ÓڇΠÍÓÂÒÔÓ̉ÂÌÚÓÏ̇ (. 1973,„.üË‚ÓÈ–Ó„,”Í‡Ë̇). ‘ËÎËÔÔ üÓ¯ÛÌÓ‚ Ô˚Ú‡˛ÚÒˇ „ÓÓÒÚ‡‚ËÚ¸‰ÓÏ‡Ö ”ÓÎÎ-ÒÚËÚ. ƒÛÁ¸ˇ,Ó‰Ì˚Â,β·Ëχˇ ‚ Õ¸˛-…ÓÍó„ÓʉÂÚ‡·Óڇ̇ ◊ÂÂÁ ‰‚ẨÂÎËÓ̉ÓÎÊÂÌ‚ÂÌÛÚ¸Òˇ ÏÓÎÓ‰ÓÈ ˜ÂÎÓ‚ÂÍÔËÂÁʇÂÚ‰ÓÏÓÈ. «‡‚Â¯Ë‚ Ó·‡ÁÓ‚‡ÌË‚¿ÏÂËÍÂ, ÃÂÎÓ‰‡Ï‡. ¬√»ü œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ŒÁ‚Û˜‡ÌË –Óχ̗‚ËˉÂÌÍÓ üÓ¯ÛÌÓ‚‡, ÃËı‡ËÎÃË·‡ı √Âη‡‰, À‡cÕÛ‰Â,¿Ì̇ ¬ ÓΡı: üÓ¯ÛÌÓ‚‡, ÃËı‡ËÎÃË·‡ı √Âη‡‰, À‡cÕÛ‰Â,¿Ì̇ —˙ÂÏÍË: Á‚ÛÍÓÂÊËÒÒÂ –ÂÊËÒÒÂ, ‡‚ÚÓÒˆÂ̇ˡ, ˆ‚., miniDV 2006, –ÓÒÒˡ/ÿ‚ÂˆËˇ,16ÏËÌ., ÇÚÒ ›‚‡ÌÒÓÌ,¿ÌÌÂ-ÀË Ã‡ÚÒ ›‚‡ÌÒÓÌ,¿ÌÌÂ-ÀË ‘ËÎËÔÔ üÓ¯ÛÌÓ‚ ‘ËÎËÔÔ üÓ¯ÛÌÓ‚, ‘ËÎËÔÔ üÓ¯ÛÌÓ‚ and hisgirltrytomakehimstayÖ waiting forhim.Hisfriends,hisrelatives York, whereajobonWallStreetis two weekshehastogobackNew America, ayoungmanreturnshome.In Having finishedhiseducationin Melodrama. Production Producer Mirbach, RomanSviridenko(voice) Lars Norder,¿Ì̇üÓ¯ÛÌÓ‚‡,Michael Cast: Mirbach Lars Norder,¿Ì̇üÓ¯ÛÌÓ‚‡,Michael Camera Director, Editor Director, Scriptwriter,Sound colour, miniDV 2006, Russia/Sweden,16min, –ŒÃ¿ÿü» Mats Evenson,AnneLiGelbard, Mats Evenson,AnneLiGelbard, Filipp Korshunov Filipp Korshunov,VGIK CAMOMILES Filipp Korshunov

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71 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 72 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ‡Á‚Ó‡˜Ë‚‡˛ÚÒˇ ÒÓ·˚ÚËˇÖ –˚·‡ ñÙÂÚ˯,‚ÓÍÛ„ÍÓÚÓÓ„ÓË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ «‚ÛÍ üÓÏÔÓÁËÚÓ À˛‰ÏË· ÀËÔӂ͇ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,3í50î,ˆ‚.,‡ÌËχˆËˇ THANKS FORTHEFISH —œ¿—»¡Œ «¿–¤¡” flÓÒ·‚ —‡ÔÓÊÌËÍÓ‚ À˛‰ÏË· ÀËÔӂ͇ ¿ÎÂÍÒÂÈ œ‡ÔÂÌ˚È ¬√»ü happen. Fish isafetisharoundwhichevents Production Producer Sound Composer Lyudmila Lipovka Scriptwriter andDirector 2005, Russia,3í50î,colour,animation Yaroslav Sapozhnikov Lyudmila Lipovka Alexei Paperny VGIK (2005). ´“ˇ„ÛÎÂÔª (2005),´—Ô‡ÒË·ÓÁ‡˚·Ûª ÂÊËÒÒÛ˚ ‡ÌËχˆËË).‘ËθÏ˚: ÒÚÛ‰ÂÌÚ͇ ¬√»ü‡(Ù‡ÍÛθÚÂÚ ´¿„ÛÒª, ‚̇ÒÚÓˇ˘Â‚ÂÏˇñ ŒÍÓ̘Ë· ‡ÌËχˆËÓÌÌ˚ÈÎˈÂÈ (. 1984,„.¬ËÚ·ÒÍ,¡Â·ÛÒ¸). À˛‰ÏË· ÀËÔӂ͇ (2005). ìTyagulepî (2005),ìThanksforaFishî Direction inAnimation).Films: the FilmInstituteVGIK(Facultyof ARGUS andcurrentlyisastudentof Graduated fromtheanimationschool (b. 1984,Vitebsk,Belarus). Lyudmila Lipovka Great Lake(2006). (2005, coursework),Childrenofthe the WhiteSea(2005),TheOldDacha Marching intheWar(2004),Lightof (2003, practical),Mid-Season(2003), (shorts, doc):RobinsononHoliday the studioìGamayunî(Moscow).Films film ofIgorGelein).In2004founded Institute VGIK(courseofdocumentary at theDirectorsíFacultyofFilm ìteatr.docî. Currentlyfifth-yearstudent Ural region;from2002-04actressat worked forradioandtelevisionofthe Journalism ofUralStateUniversity, Graduated fromtheFacultyof (b. 1979,Polevskoy,SverdlovskRegion). Anastasia Tarasova ´ƒÂÚË ‚ÂÎËÍÓ„ÓÓÁÂ‡ª(2006). (2005), ´—Ú‡‡ˇ‰‡˜‡ª(2005,ÍÛÒÓ‚‡ˇ), ‚ÓÈÌÛª (2004),´—‚ÂÚ¡ÂÎÓ„ÓÏÓˇª ´ÃÂÊÒÂÁÓ̸ª (2003),´ÿ‡„ÌÛ‚¯Ë‚ ·ËÌÁÓÌ ‚ÓÚÔÛÒͪ(2003,ۘ·̇ˇ), ˛Ìª (ÃÓÒÍ‚‡).‘ËθÏ˚(Í/Ï,‰ÓÍ):´–Ó- ÎÂÈ̇). ¬2004ÓÒÌÓ‚‡Î‡ÒÚÛ‰Ë˛´√‡Ï‡- (χÒÚÂÒ͇ˇ ÌÂË„Ó‚Ó„ÓÍËÌÓ».».√Â- Ò‡ ÂÊËÒÒÂÒÍÓ„ÓÙ‡ÍÛθÚÂÚ‡¬√»ü‡ ÒÚÓˇ˘Â ‚ÂÏˇóÒÚÛ‰ÂÌÚ͇ԡÚÓ„ÓÍÛ- 2002-04 ó‡ÍÚËÒ‡´“‡Ú‡.docª.¬Ì‡- ÚÂ΂ˉÂÌËË ”‡Î¸ÒÍÓ„Ó„ËÓ̇,‚ „Ó ÛÌË‚ÂÒËÚÂÚ‡,‡·Óڇ·̇‡‰ËÓË ŒÍÓ̘Ë· Ù-ÚÊÛ̇ÎËÒÚËÍË”‡Î¸ÒÍÓ- (. 1979,„.œÓ΂ÒÍÓÈ,—‚Â‰ÎÓ‚Ò͇ˇÓ·Î.). ¿Ì‡ÒÚ‡Òˡ “‡‡ÒÓ‚‡ - √‡Ì-ÔË Ãü‘´OffCinemaª, ÚÂÏÌÓÚ˚ ÒÚ‡ÓÈÁ‡ÔÛ˘ÂÌÌÓȉ‡˜ËÖ Ó˜Â̸ ıÓÓ¯ÓÔÓÒχÚË‚‡ÂÚÒˇËÁ Ó„ÌˇÏË ÌÓ‚Ó„Ó‰ÌˇˇÂÎ͇ñ‚Ò½ÚÓ ÊÛ̇ÎËÒÚ‡, Ë͇ÍÚ‚ÓÊÌÓÏÂˆ‡ÂÚ ÍÓÙ ̇‡·Ó˜ÂÏÒÚÓÎÂËÁ‚ÂÒÚÌÓ„Ó Á‡„ÓÓ‰Ì˚È ÍÓÚÚ‰ÊË͇͉˚ÏËÚÒˇ Ã˚ ‚ˉËÏ,͇͂˚ÒÓÍÓÏÂÂÌ Œ‰Ì‡ÍÓ Ì‡Ò‡ÏÓωÂÎÂÒÂȘ‡ÒÁËχ. Í ‰ÓÏÛÔÓ‰˙‰ÂÚ˜Â̇ˇÏ‡¯ËÌ‡Ö Ó˜Â‰ÌÓÈ ÌÓÏÂÊÛ̇··Û‰ÂÚ„ÓÚÓ‚, ´ÚËÔÓ„‡Ùˡª. ¬Â˜ÂÓÏ,ÍÓ„‰‡ ‡·ÓÚ‡ÂÚ Ò‡ÏËÁ‰‡ÚÓ‚Ò͇ˇ Ô˜‡ÚÌÓÈ Ï‡¯ËÌÍËó̇˝ÚÓȉ‡˜Â ͇ÚËÌÍË Ì‡ÁÓÈÎË‚ÓÔÓ·Ë‚‡ÂÚÒˇÁ‚ÛÍ Ì‡ ˜ÍÛÖ˜ÂÂÁÔ‡ÒÚÓ‡Î¸Ì˚ ¯‡ÎËÚ ·ÂÌÓÍ,‚ÁÓÒÎ˚ÂÒÓ·Ë‡˛ÚÒˇ ‰Â̸ 1964„Ó‰‡,ÔÓ‰ÏÓÒÍӂ̇ˇ‰‡˜‡, ƒÓÍÛÏÂÌڇθ̇ˇ Ù‡ÌÚ‡Áˡ.ÀÂÚÌËÈ œÓËÁ‚Ó‰ÒÚ‚Ó ŒÔÂ‡ÚÓ ¿Ì‡ÒÚ‡Òˡ “‡‡ÒÓ‚‡ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ ÏÓÌÓ, 35ÏÏ 2005, –ÓÒÒˡ,10ÏËÌ.,ˆ‚.+˜/·, œÓÁ̸̇, œÓθ¯‡. »Ë̇ ÿ‡Ú‡ÎÓ‚‡ ¬√»ü —“¿–¿fl ƒ¿◊¿ - Grand PrixIFFìOffCinemaî,Poznan, Christmas TreeshinesintheroomÖ journalist thecoffeeissteaminganda built, andonthedeskofawell-known deserted dachaalargecottagehasbeen However, itiswinternow,andnearthe black cardrivesuptothehouseÖ next issueofthemagazineisready,a is atwork.Intheeveningwhen ìsamizdatî (self-publishing)typography importunately: inthisdachaa pierces thesoundofatypewriter river. Throughthispastoralimages child, adultswhoareabouttogothe 1964, adachanearMoscow,playing Documentary fantasy.Asummerdayin Production Camera Anastasia Tarasova Scriptwriter andDirector mono, 35mm 2005, Russia,10min,colour+b/w, Poland. THE OLDDACHA Irina Shatalova VGIK

73 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts 74 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts ÛÌË‚ÂÒËÚÂÚ ÍËÌÓËÚÂ΂ˉÂÌˡ œÂÚÂ·Û„ÒÍËÈ „ÓÒÛ‰‡ÒÚ‚ÂÌÌ˚È œÓËÁ‚Ó‰ÒÚ‚Ó ÌËÏË ‚ÒÚ‡ÂÚÚÓÔÓˢÂ... ŒÌ‡ β·ËÚ„Ó,ÓÌÂÂ,ÏÂÊ‰Û œÓ‰˛ÒÒÂ ¡‡Î‡È, ¿ÎÂÍ҇̉≈Ò‡ÛÎÓ‚ ÃËı‚, ¬ËÍÚÓ“ÂÂıÓ‚,»Ë̇ ¬ ÓΡı: «‚ÛÍ ŒÔÂ‡ÚÓ ÕËÍÓÎ‡È ¡Óˆ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,23ÏËÌ.,ˆ‚.,miniDV THE AXEHELVE “ŒœŒ–»Ÿ≈ √Ë„ÓËÈ ƒÓηË‚ ŒÍ҇̇ —͇ÍÛÌ,¿ÚÂÏ ¬ˇ˜ÂÒ·‚ ÀÓÊÍÓ‚ÓÈ ¿ÎÂÍ҇̉ ¡ÂÎÓÛÒÓ‚ —œ·√”üË“ ñ—‡ÌÍÚ- them standanaxehelve... She loveshim,heher,between Cinema andTelevision Production Producer Alexander Esaulov Victor Terekhov,IrinaBalai, Cast: Sound Camera Nikolai Borts Scriptwriter andDirector 2005, Russia,23min,color,miniDV Oksana Skakun,ArtiomMikheev, Grigory Dolbiev Viacheslav Lozhkovoy Alexander Belousov St. PetersburgUniversityof 2 ÍÛÒ. ü.—. ÀÓÔÛ¯‡ÌÒÍÓ„Óˬ.¬.—ÏËÌÓ‚‡), (χÒÚÂÒ͇ˇ ÂÊËÒÒÛ˚Ë„Ó‚Ó„ÓÍËÌÓ ÛÌË‚ÂÒËÚÂÚ‡ ÍËÌÓËÚÂ΂ˉÂÌˡ —ÚÛ‰ÂÌÚ —‡ÌÍÚ-œÂÚÂ·Û„ÒÍÓ„Ó (. 1980,ÀÂÌËÌ„‡‰). ÕËÍÓÎ‡È ¡Óˆ V. Smirnov). feature filmsofK.Lopushanskyand Television (workshopofdirecting Petersburg UniversityofCinemaand Second-year studentoftheSt. (b. 1980,Leningrad). Nikolai Borts television channels(ìKulturaîandORT). Kobrin). Worksasdirectoroncentral computer graphics,courseofVladimir VGIK (1996,workshopoftrick-filmand Directorsí FacultyoftheFilmInstitute Television andgraduatedfromthe worked asassistantdirectorofSuma Studied atthePedagogicalInstitute, (b. 1963,Kharkov,Ukraine). Andrei Magdich ÚÂ΂ˉÂÌËË (´üÛθÚÛ‡ª,Œ–“). ÂÊËÒÒÂÓÏ ‡‚ÚÓÒÍËıÔÓ„‡ÏÏ̇ ¬Î‡‰ËÏË üÓ·ËÌ).–‡·ÓÚ‡ÂÚ ÍÓÏÔ¸˛ÚÂÌÓÈ „‡ÙËÍË,χÒÚÂñ (1996, χÒÚÂÒ͇ˇÚ˛ÍÓ‚Ó„ÓÍËÌÓË ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ¬√»ü‡ “Â΂ˉÂÌˡ „ÓÓ‰‡—ÛÏ˚,ÓÍÓ̘ËÎ ‡·ÓڇΠ‡ÒÒËÒÚÂÌÚÓÏÂÊËÒÒÂ‡ ”˜ËÎÒˇ ‚œÂ‰‡„ӄ˘ÂÒÍÓÏËÌÒÚËÚÛÚÂ, (. 1963,„.’‡¸ÍÓ‚,”Í‡Ë̇). ¿Ì‰ÂÈ Ã‡„‰Ë˜ Ô‡‡ÎÎÂθÌÓÏ ÏËÂ. ËÒ͇ڸ ‚Ò‚ÓËıÒ̇ıËÎˉÛ„ÓÏ, ̇ȉˇ ˝ÚÓ„Ó‚‡θÌÓÒÚË,ÔÓ‰ÓÎʇÂÚ Î˛·Ó‚¸, ‰Ó·Ó,Ò‚Ó˛ÔÓÎÓ‚ËÌÛ.»Ì ̇Ò, ÏÛʘË̇ËÊÂÌ˘Ë̇.ŒÌˢÂÚ ˜ÂÎÓ‚Â͇. ›ÚÓÚ˜ÂÎÓ‚ÂÍñ͇ʉ˚ÈËÁ ‡Î΄Óˡ Ó·ÂÒÍÓ̘ÌÓÏÔÓËÒÍ ÕÂË„Ó‚ÓÈ ˝ÍÒÔÂËÏÂÌڇθÌ˚ÈÙËθÏ- œÓËÁ‚Ó‰ÒÚ‚Ó ¬Œ« œÓ‰˛ÒÂ ¿Ì‰ÂÈ Ã‡„‰Ë˜ –ÂÊËÒÒÂ ˇ‚ÚÓÒˆÂ̇ˡ Betacam SP 2006, –ÓÒÒˡ,40ÏËÌ.,35ÏÏ/ ›ÏËÎˡ Ç„‰Ë˜ “–¿√»“”–√»fl dreams andinanother,parallelworld. reality, hecontinuestosearchinhis his otherhalf.Unabletofinditin and woman.Hesearcheslove,kindness, a person.Thispersoniseachofus,man allegory onthenever-endingsearchfor Experimental non-fictionfilm,an Production VOZ Producer Andrei Magdich Scriptwriter andDirector Betacam SP 2006, Russia,40min,35mm/ Emilia Magdich TRAGITURGIA

75 ÍËÌÓÚ‡‚. ÍÓÓÚÍËÈ ÏÂÚ kinotavr. shorts Õ‡Ò·ʉ‡Ú¸Òˇ Enjoy, ÔÓ-ÛÒÒÍË Russian style!

´–ÛÒÒ͇ˇ ˝ÈÙÓˡª ó ÌÓ‚˚È ÓÔ˚Ú "Russian Euphoria" is a new programme ÔÓ„‡ÏÏËÓ‚‡Ìˡ ̇ ´üËÌÓÚ‡‚ª. for "Kinotavr". It has been brought to ŒÌ ‚˚Á‚‡Ì Í ÊËÁÌË ·ÛÌ˚Ï ‡Á‚ËÚËÂÏ life by the rapid development of our ̇¯ÂÈ ÍËÌÓË̉ÛÒÚËË, ÍÓÚÓ‡ˇ ÛÊ film industry, which no longer fits into ÌËÍ‡Í Ì ÛÍ·‰˚‚‡ÂÚÒˇ ‚ Ó‰ËÌ ËÎË ‰‚‡ one or two basic programme sections. ÓÒÌÓ‚Ì˚ı ÙÓχڇ. üÓÌÍÛÒ ñ ˝ÚÓ ÔÂ- The competition is largely festival ËÏÛ˘ÂÒÚ‚ÂÌÌÓ ÙÂÒÚË‚‡Î¸Ì˚È ÏÂÈÌ- mainstream. "Russian Euphoria" ÒÚËÏ. ´–ÛÒÒ͇ˇ ˝ÈÙÓˡª ó ÚÓ, ˜ÚÓ represents what in festival jargon is ̇ ÙÂÒÚË‚‡Î¸ÌÓÏ Ê‡„ÓÌ ̇Á˚‚‡˛Ú called "side-bar": a separate, ҇ȉ-·‡: ÓÚ‰Âθ̇ˇ ÌÂÁ‡‚ËÒËχˇ ÒÂÍ- independent section that reveals the ˆËˇ, ÔÓˇ‚Ρ˛˘‡ˇ ÔÓ‰‚Ó‰Ì˚ Ú˜ÂÌˡ undercurrents of the cinematic process. ÍËÌÓÔÓˆÂÒÒ‡. The title for the "side bar" has been Õ‡Á‚‡ÌË ‰Îˇ ҇ȉ-·‡‡ Ï˚ ÔÓÁ‡ËÏ- borrowed from a programme which we ÒÚ‚Ó‚‡ÎË ÓÚ ÔÓ„‡ÏÏ˚, ÍÓÚÓÛ˛ ÛÊ have been running in Moscow for 76 Ì ÔÂ‚˚È „Ó‰ Ó„‡ÌËÁÛÂÏ ‚ ÃÓÒÍ‚Â several years, and which mainly consists ÔÂËÏÛ˘ÂÒÚ‚ÂÌÌÓ ËÁ Á‡Û·ÂÊÌ˚ı of foreign films. The selection principle ÙËθÏÓ‚. œË̈ËÔ ‚Ò„‰‡ Ó‰ËÌ Ë ÚÓÚ is always the same: the films should be ÊÂ: ÒÓ·‡ÌÌ˚ ͇ÚËÌ˚ ‰ÓÎÊÌ˚ ‰Ó- enjoyable for great mastery, for ÒÚ‡‚Ρڸ Û‰Ó‚ÓθÒÚ‚Ë ‚˚ÒÓÍËÏ Ï‡Ò- refinement, and for visual imagination. ÚÂÒÚ‚ÓÏ, ËÁÓ˘ÂÌÌ˚Ï ËÒÍÛÒÒÚ‚ÓÏ, ‚Ë- It is cinema as a legal and relatively ÁۇθÌÓÈ Ù‡ÌÚ‡ÁËÂÈ. üËÌÓ Í‡Í Î„‡Î¸- safe addiction. The time has come to ̇ˇ Ë Ò‡‚ÌËÚÂθÌÓ ·ÂÁÓÔ‡Ò̇ˇ ÙÓχ test "Euphoria" for the first time on a ̇ÍÓχÌËË. œ˯ÎÓ ‚ÂÏˇ ‚ÔÂ‚˚ range of Russian films. ËÒÔ˚Ú‡Ú¸ ´›ÈÙÓ˲ª ̇ ÓÚ˜ÂÒÚ‚ÂÌÌÓÏ The programme presents both veterans ÍËÌÓχÚÂˇÎÂ. of auteur cinema (such as Ivan ¬ ÔÓ„‡ÏÏ Ô‰ÒÚ‡‚ÎÂÌ˚ ‚ÂÚÂ‡Ì˚ Dykhovichny) and talented young ‡‚ÚÓÒÍÓ„Ó ÍËÌÓ (»‚‡Ì ƒ˚ıӂ˘Ì˚È), directors with a successful festival ڇ·ÌÚÎË‚˚ ÏÓÎÓ‰˚ ÂÊËÒÒÂ˚ Ò ÛÒ- history (Alexei German Jr., Alexei Ô¯ÌÓ ÒÍ·‰˚‚‡˛˘ÂÈÒˇ ÙÂÒÚË‚‡Î¸ÌÓÈ Fedorchenko, Nikolai Khomeriki), as ÒÛ‰¸·ÓÈ (¿ÎÂÍÒÂÈ √ÂχÌ-Ï·‰¯ËÈ, well as Peter Shepotinnik and Alexander ¿ÎÂÍÒÂÈ ‘‰Ó˜ÂÌÍÓ, ÕËÍÓÎ‡È ’ÓÏÂ- Rastorguev with their interesting work ËÍË), ‡ Ú‡ÍÊ œÂÚ ÿÂÔÓÚËÌÌËÍ Ë in the field of unconventional ¿ÎÂÍ҇̉ –‡ÒÚÓ„Û‚, ÍÓÚÓ˚ ËÌÚÂ- documentary film. The mixture of ÂÒÌÓ ‡·ÓÚ‡˛Ú ‚ ÔÓΠÌÂÚ‡‰ËˆËÓÌÌÓÈ genres and types of film-spectacles (as ‰ÓÍÛÏÂÌÚ‡ÎËÒÚËÍË. —ϯÂÌË ʇÌÓ‚ seen last year in the amazing example Ë ÚËÔÓ‚ ÍËÌÓÁÂÎˢ (ÔÓ‡ÁËÚÂθÌ˚È of Fedorchenko's "First on the Moon") ÔËÏÂ ˝ÚÓ„Ó Ï˚ ۂˉÂÎË Â˘Â ‚ ÔÓ- allows us to see clearer those hidden ¯ÎÓÏ „Ó‰Û ‚ ‡Ï͇ı Ó‰ÌÓ„Ó ÙËθχ ó springs that move the cinematic ´œÂ‚˚ ̇ ÀÛ̪ ‘‰Ó˜ÂÌÍÓ) ÔÓÁ‚Ó- process. ΡÂÚ Î˯¸ ÎÛ˜¯Â ‡Á„Ρ‰ÂÚ¸ Ú ÒÍ˚- Ú˚ ÔÛÊËÌ˚, ÍÓÚÓ˚ ÛÔ‡‚Ρ˛Ú Andrei Plakhov, ‰‚ËÊÂÌËÂÏ ÍËÌÓÔÓˆÂÒÒ‡. Programme Curator

¿Ì‰ÂÈ œÎ‡ıÓ‚, More information on the history and ÍÛ‡ÚÓ ÔÓ„‡ÏÏ˚ current events of the programme "Euphoria" can be found on the website — ËÒÚÓËÂÈ Ë ‡ÍÚۇθÌ˚ÏË ÌÓ‚ÓÒÚˇÏË www.plakhov.com ÔÓ„‡ÏÏ˚ ´›ÈÙÓˡª ÏÓÊÌÓ ÓÁ̇ÍÓÏËÚ¸Òˇ ̇ Ò‡ÈÚ www.plakhov.com ÛÒÒ͇ˇ ˝ÈÙÓˡ russian euphoria

77 977 977 garpastum GARPASTUM ‚‰Óı ‚˚‰Óı INHALE EXHALE ‰ËÍËÈ, ‰ËÍËÈ ÔΡÊ. ʇ ÌÂÊÌ˚ı WILD, WILD BEACH. THE HEAT OF THE GENTLE Ë„ÓÍË, ËÎË ÒÂȘ‡Ò ‚˚ȉÂÚ Ó΄ OLEG WILL APPEAR NOW ¯Ó¯Ó SHOSHO 78 ÛÒÒ͇ˇ ˝ÈÙÓˡ russian euphoria ‘‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ œ‡‚ÂÎ À˛·Ëψ‚,¿Ì‰ÂÈü‡Á‡ÍÓ‚ ¿ÎËÒ‡ ’‡Á‡ÌÓ‚‡,ü‡ÚÂË̇√ÓÎ۷‚‡,ÀÂÓü‡‡ÍÒ, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ÒˆÂ̇ˡ ¿‚ÚÓ˚ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,87ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 977 ŒÎ¸„‡ ¬ËÌÓ„‡‰Ó‚‡,¬ËÌÒÂÌÚ¬Â‰Û,∆ÛθÂÌ–Û‡„ »„Ó¸ üË‚,üËËÎÎüÓÁÎÓ‚ ‘‰Ó À‡‚Ó‚,ü·‚‰ËˇüÓ¯ÛÌÓ‚‡, ¿Î˯Â ’‡ÏˉıӉʇ‚ ÕËÍÓÎ‡È ’ÓÏÂËÍË —‚ÂÚ·̇ √‡ÔË̘ÂÌÍÓ ¿ÒÂÌ √ÓÚÎË· ƒÂÌËÒ ÿË·‡ÌÓ‚ ‘‰Ó À‡‚Ó‚ ´“ÂÎÂÍËÌÓª, ´ÃÂÚÓÌÓÏ-ÙËθϪ,ÔËÛ˜‡ÒÚËË fiÌËÈ ƒ‡‚˚‰Ó‚,ÕËÍÓ·ȒÓÏÂËÍË the FederalAgencyforCultureandCinematography Production Producer Kazakov Katerina Golubeva,LeosCarax,PavelLiubimtsev,Andrei Cast: Editing Sound Composer Costumes Art Director Camera Scriptwriters Director 2006, Russia,87min,colour,1:1.85,DolbyDigital5.1 Fiodor Lavrov,KlavdiaKorshunova,AlisaKhazanova, Olga Vinogradova,VincentVerdoux,JulienRoig Igor Kireev,KirillKozlov Alisher Khamidkhodzhaev Nikolai Khomeriki Arsen Gotlib Svetlana Garpinchenko Fiodor Lavrov Telekino, MetronomeFilmswithparticipationof Denis Shibanov Yuni Davydov,NikolaiKhomeriki russian euphoria ÕËÍÓÎ‡È ’ÓÏÂËÍË ÛÒÒ͇ˇ ˝ÈÙÓˡ üËÌÓÂÊËÒÒÂ. –Ó‰ËÎÒˇ 17 ‡ÔÂΡ 1975 „Ó‰‡ ‚ ÃÓÒÍ‚Â. ŒÍÓ̘ËÎ ˝ÍÓÌÓÏ˘ÂÒÍËÈ Ù‡ÍÛθÚÂÚ Ã√” (1996), ¬ü—– (2002, χÒÚÂÒ͇ˇ ¬.». ’ÓÚËÌÂÌÍÓ, œ.ü. ‘ËÌ̇, ¬.¿. ‘Â̘ÂÌÍÓ), ÒÚ‡ÊËÓ‚‡ÎÒˇ ‚ Õ‡ˆËÓ̇θÌÓÈ ÍËÌÓ¯ÍÓΠ‘‡ÌˆËË La FEMIS (2001-05). ¡˚Î ‡ÒÒËÒÚÂÌÚÓÏ Û ‘ËÎËÔÔ‡ √‡ÂΡ (´œÓÒÚÓˇÌÌ˚ β·Ó‚ÌËÍ˪) Ë ÀÂÓ ü‡‡ÍÒ‡ (´ÿ‡Ï˚ª, 79 2006). œËÁÂ Ãü‘ Ë –ü‘. ‘ËÎ¸Ï ´¬‰‚ÓÂϪ ñ Û˜‡ÒÚÌËÍ Ãü‘ ‚ ü‡Ì̇ı-2005: ÔÓ„‡Ïχ Cinefondation. ´977ª (ÔÓ„‡Ïχ ´ŒÒÓ·˚È ‚Á„Ρ‰ª Ãü‘ ‚ ü‡Ì̇ı, 2006) ñ ÔÂ‚‡ˇ ÔÓÎÌÓÏÂÚ‡Ê̇ˇ ͇ÚË̇ ÂÊËÒÒÂ‡.

‘ËθÏÓ„‡Ùˡ: 1998 ....ü‡ÔΡ (Í/Ï) 2002 ....“ÂÁ͇ (Í/Ï) 2003 ....◊Â‚ˇÍ (Í/Ï) 2004 ....ÿÚÓÏ (Í/Ï) 2005 ....¬‰‚ÓÂÏ (Í/Ï) 2006 ....977 Nikolai Khomeriki Filmmaker. Born in Moscow on 17 April 1975. Graduated from Moscow State University, Faculty of Economics (1996); and from the Higher Courses for Scriptwriters and Directors (2000, course of V. Khotinenko, P. Finn and V. Fenchenko). From 2001-2005 he studied at the National ÃËÒÚ˘ÂÒ͇ˇ ‰‡Ï‡. Film School "La FEMIS" in France. Worked 977 ñ ˝ÚÓ ÍÓ‰Ó‚Ó ˜ËÒÎÓ Ò‚ˇÁ‡ÌÓ Ò ÔÓÔ˚ÚÍÓÈ ´ÔÓ‚ÂËÚ¸ ‡Î„·ÓÈ as assistant for Philippe Garrel on "Regular „‡ÏÓÌ˲ª, ̇ÈÚË Ï‡ÚÂχÚ˘ÂÒÍË Á‡ÍÓÌÓÏÂÌÓÒÚË ‚ ˝ÏÓˆËÓ̇θÌÓÈ Ë Lovers" ("Les Amants Reguliers", 2005 ) and ‰ÛıÓ‚ÌÓÈ ÒÙÂ ˜ÂÎÓ‚Â͇. √ÂÓË ÙËθχ ñ ‰Ó·Ó‚ÓθÌ˚ ۘ‡ÒÚÌËÍË for Leos Carax on "Scars", 2006. Received ˝ÍÒÔÂËÏÂÌÚ‡ ñ ÔÓıÓ‰ˇÚ Ì ÚÓθÍÓ ˜ÂÂÁ ÒÔˆˇθÌÛ˛ ͇ÏÂÛ, ‚ ÍÓÚÓÓÈ awards at numerous international and Ëı Ó·ÒÎÂ‰Û˛Ú, ÌÓ Ë ˜ÂÂÁ ˇ‰ ‚ÔÓÎÌ ÊËÚÂÈÒÍËı ËÒÔ˚Ú‡ÌËÈ ‰ÛÊ·ÓÈ, Russian festivals. "The Two of Us" β·Ó‚¸˛, ‚ΘÂÌËÂÏ, Á‡‚ËÒÚ¸˛ Ë ´ÒËθÌÂȯËÏ ËÁ ‡ÙÙÂÍÚÓ‚ª ñ participated in the Cinefondation Programme β·ÓÔ˚ÚÒÚ‚ÓÏ. ¬ ËÚӄ ̇ۘÌ˚È ÓÔ˚Ú Ô‚‡˘‡ÂÚÒˇ ‚ ˜ÂÎӂ˜ÂÒÍËÈ, Ô˘ÂÏ at Cannes IFF 2005. "977" is the director's Í‡Í ÚÓÚ, Ú‡Í Ë ‰Û„ÓÈ Ú‡„˘Ì˚. full-length debut film and has been selected for the "Certain Regard" programme at Mystical Drama. Cannes IFF 2006. 977 is a code relating the attempt to "test harmony with algebra", to figure out the mathematical laws of the emotional and spiritual realms of a human being. Filmography: The characters are volunteers in an experiment that puts to the test not only 1998 ....A Drop (short) scientific research, but also the everyday trials of friendship, love, attraction, 2001 ....Namesake (short) envy and "the strongest of affects" ñ curiosity. Thus, the scientific experience 2004 ....Storm (short) becomes a human one, and the result is unpredictableÖ 2005 ....The Two of Us (short) 2006 ....977 80 ÛÒÒ͇ˇ ˝ÈÙÓˡ russian euphoria GARPASTUM www.garpastum.ru œÓÍ‡Ú ‘‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ƒ‡Ì‡ ¿„˯‚‡ ÀÂÓÌˉ ÃÓÁ„Ó‚ÓÈ,√Ó¯‡üÛˆÂÌÍÓ,–ÛÒ·̻·‡„ËÏÓ‚, »‡ÏÁ —ÛıËÚ‡¯‚ËÎË,œ‡‚ÂΖÓχÌÓ‚,ŒÎ¸„‡—‡ÏÓ¯Ë̇, ¬Î‡‰ËÏËÓ‚, ¿ÎÂÍ҇̉¡˚ÍÓ‚ÒÍËÈ,◊ÛÎԇ̒‡Ï‡ÚÓ‚‡, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ÔË Û˜‡ÒÚËˬ·‰ËÏË‡ÃÛÁË̇,—Â„¡Œ‚˜ËÌÌËÍÓ‚‡ ’Û‰ÓÊÌËÍË ŒÔÂ‡ÚÓ ÔË Û˜‡ÒÚËË¿ÎÂÍÒ¡¿.√Âχ̇ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,117ÏËÌ.,˜/·,1:2.35,DollbySRD —Â„ÂÈ —ÓÍÓÎÓ‚,¬Î‡‰ËÏË≈„ÓÓ‚ ´»ÌÚÂÒËÌÂχ ¿Úª »‚‡Ì À·‰‚ ≈‚„ÂÌËÈ œÓÌËÌ,ƒ‡ÌË·üÓÁÎÓ‚ÒÍËÈ,ƒÏËÚËÈ ŒÎ„ ÀÛ͢‚ ¿ÎÂÍÒÂÈ ¿.√ÂÏ‡Ì ≈ÎÂ̇ Ç΢ ¿ÎÂÍ҇̉ ¬‡È̯ÚÂÈÌ —Â„ÂÈ –‡ÍÛÚÓ‚,√ÂÓ„ËÈüÓÔ‡˜Â‚, »„Ó¸ ¬‰Ó‚ËÌ ´V.ü ñü‡ÏÔ‡Ìˡª,ÔËÛ˜‡ÒÚËË ŒÎ„ ¿ÌÚÓÌÓ‚,¿ÎÂÍ҇̉¬‡È̯ÚÂÈÌ, www.garpastum.ru Distribution IntercinemaArt Federation Federal AgencyforCultureandCinematography ofRussian Production Producer Mozgovoy, GoshaKutsenko,RuslanIbragimov,DanaAgisheva Sukhitashvili, PavelRomanov,OlgaSamoshina,Leonid Alexander Bykovsky,ChulpanKhamatova,Iamze Cast: Editor Sound Composer Costumes with participationofVladimirMurzin,SergeiOvchinnikov Art Directors Camera with participationofAlexeiA.German Scriptwriters Director 2005, Russia,117min,colour,1:2.35,DollbySRD Evgeny Pronin,DanilaKozlovsky,DmitryVladimirov, Ivan Lebedev Sergei Sokolov,VladimirEgorov Oleg Lukichiov Alexei A.German Alexander Vainshtein Elena Malich Igor Vdovin V.K. ñCampaign,withtheparticipation ofthe Oleg Antonov,AlexanderVainshtein Sergei Rakutov,GeorgyKropachyov russian euphoria ¿ÎÂÍÒÂÈ ¿.√ÂÏ‡Ì ÛÒÒ͇ˇ ˝ÈÙÓˡ (. 1976, ÃÓÒÍ‚‡). üËÌÓÂÊËÒÒÂ, ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ, ÔËÁÂ Ãü‘. ”˜ËÎÒˇ ̇ Ú‡Úӂ‰˜ÂÒÍÓÏ Ù‡ÍÛθÚÂÚ —‡ÌÍÚ- œÂÚÂ·Û„ÒÍÓÈ ‡Í‡‰ÂÏËË Ú‡Ú‡Î¸ÌÓ„Ó ËÒÍÛÒÒÚ‚‡ Ë ÂÊËÒÒÂÒÍÓÏ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1997-2001, χÒÚÂÒ͇ˇ —.¿. —ÓÎÓ‚¸Â‚‡ Ë ¬.ƒ. –Û·Ë̘Ë͇). 81 ‘ËθÏÓ„‡Ùˡ: 1998 ....«Ì‡Ïˇ (Í/Ï) 1914 „Ó‰. ÕÂÒÍÓ̘‡ÂÏ˚ ÍÓÌÙÎËÍÚ˚ ‚ —Â·ËË ÔÂÂıÓ‰ˇÚ ‚ 1999 ....¡Óθ¯Ó ÓÒÂÌÌ ÔÓΠ(Í/Ï) ÌÓ‚Ó ͇˜ÂÒÚ‚Ó ó ̇˜Ë̇ÂÚÒˇ ‰‡‚ÌÓ ÓÊˉ‡Âχˇ ÃËÓ‚‡ˇ 2001 ....ƒÛ‡˜ÍË (Í/Ï) ‚ÓÈ̇. —Â·Ëˇ Ì ¯Ë·Ҹ ·˚ ‚Ó‚‡Ú¸, ÂÒÎË ·˚ Û Ì ̠2003 ....œÓÒΉÌËÈ ÔÓÂÁ‰ ·˚ÎÓ Ú‡ÍÓ„Ó ÒËθÌÓ„Ó ÒÓ˛ÁÌË͇, Í‡Í –ÓÒÒˡ. ÃÂÊ‰Û ÚÂÏ 2005 ....Garpastum (‰ËÔÎÓÏ̇ˇ ‡·ÓÚ‡) œÂÚÂ·Û„ ÒÍÓÓ ÒÚ‡ÌÂÚ œÂÚÓ„‡‰ÓÏ, Â„Ó ‡ÚËÒÚ˘ÂÒ͇ˇ Alexei A.German ˝ÎËÚ‡ ÊË‚ÂÚ Ì ‚ ‰‚‡‰ˆ‡ÚÓÏ, ‡ ‚ —Â·ˇÌÓÏ ‚ÂÍÂÖ ƒ‚‡ (b. 1976, Moscow). ·‡Ú‡ ó ÙÛÚ·ÓÎËÒÚ˚ ¿Ì‰ÂÈ Ë ÕËÍÓÎ‡È ñ Ô˚Ú‡˛ÚÒˇ Director, award-winner of professional film Á‡‡·ÓÚ‡Ú¸ ‰Â̸„Ë, ˜ÚÓ·˚ ÔÓÒÚÓËÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚È ÒÚ‡‰ËÓÌ Ë awards and international film festivals. Ë„‡Ú¸ ‚ ‚˚Ò¯ÂÈ ÎË„Â. ¡‡Ú¸ˇ ÒÚ‡ÎË ·˚ ÎÛ˜¯ËÏË Graduated from the department of theatre studies at the St. Petersburg Academy of ÙÛÚ·ÓÎËÒÚ‡ÏË ÏË‡, ÌÓ ÏËÛ ·˚ÎÓ Ì ‰Ó ÙÛÚ·Ó·... Theatre Arts and the directorsí department of - œÂÏËË ÍËÌÓÍËÚËÍË Ë ÍËÌÓÔÂÒÒ˚ ´¡ÂÎ˚È —ÎÓ̪ Á‡ the Film Institute VGIK (1997-2001, course 2005 „Ó‰ ñ ÎÛ˜¯ÂÏÛ ÓÔÂ‡ÚÓÛ, Á‡ ÎÛ˜¯Û˛ ÏÛÊÒÍÛ˛ of Sergei Soloviev and Valery Rubinchik). Óθ (ƒ‡ÌË· üÓÁÎÓ‚ÒÍËÈ); - œÂÏËË üËÌÓ͇‰ÂÏËË ´ÕË͇ª Á‡ 2005 „Ó‰ ó ÎÛ˜¯ÂÏÛ Filmography: ÂÊËÒÒÂÛ, ÎÛ˜¯ÂÏÛ ıÛ‰ÓÊÌËÍÛ ÔÓ ÍÓÒÚ˛Ï‡Ï; 1998 ....Banner (short) 1999 ....Large Autumn Field (short) - œÂÏˡ ÍËÌÓËÁÓ·‡ÁËÚÂθÌÓ„Ó ËÒÍÛÒÒÚ‚‡ ´¡ÂÎ˚È 2001 ....Little Fools (short) Í‚‡‰‡Úª Á‡ 2005 „Ó‰ (ÓÔÂ‡ÚÓ ŒÎ„ ÀÛ͢‚); 2003 ....The Last Train - “ÂÚ¸ˇ ÔÂÏˡ Ãü‘ ‰Â·˛ÚÓ‚ ´ƒÛı Ó„Ìˇª, ’‡ÌÚ˚- 2005 ....Garpastum (diploma) ÇÌÒËÈÒÍ, 2006 Ë ‰.

1914. The endless conflicts in Serbia take on a new quality. The long-expected world war breaks out. Serbia would not have dared enter the war had it not been for the alliance with the powerful Russia. Meanwhile Petersburg is about to become Petrograd, its artistic elite lives in the Silver Age, not the 20th century, and two football players ñ the brothers Andrei and Nikolai ñ dream of building their own stadium and playing in the top league. The brothers would have become the best football players in the world, but the world had other things to take care of besides football. - Prize of the Guild of Film Critics and the Film Press ìWhite Elephantî, 2005, for the Best Director of Photography, Best Actor (Danila Kozlovsky); - NIKA Award of the Film Academy, 2005, for Best Director, Best Costume Designer; - Prize of Film and Visual Arts ìWhite Squareî, 2005, for DoP Oleg Lukichev; - Third Prize of the IFF Spirit of Fire, Khanty-Mansiisk, 2006, and others. 82 ÛÒÒ͇ˇ ˝ÈÙÓˡ russian euphoria INHALE EXHALE ¬ƒŒ’ ¬¤ƒŒ’ www.vdoh-vydoh.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ –¯ÂÚÌˇÍ, À˛·Ó‚¸¿ÌËÒËÏÓ‚‡,–ÓχÌljˇÌÓ‚ ŒÎ¸„‡ ƒ˚ıӂ˘̇ˇ,¿Ì‰ÂÈ¡‡ÚÛı‡ÌÓ‚,¿ÎÂÍ҇̉ ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ ¬Ó͇ΠüÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¬Î‡‰ËÏË ÃÓËÒÂÂÌÍÓ,¿ÎÂÍ҇̉ÕÓ‚ÓÚÓˆÍËÈ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,86ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 flÌ œÓÚÓˆÍËÈ ≈͇ÚÂË̇ ¬ÓÎÍÓ‚‡,—Â„ÂÈÇÁ‡Â‚ ´√ÂÏËÌË ‘ËθϪ ≈ÎÂ̇ ¿Ù‡Ì‡Ò¸Â‚‡ »„Ó¸ ÃËÍÛ·‡ÌÓ‚,≈͇ÚÂË̇¬ÓÎÍÓ‚‡, ÇÍÒËÏ ŒÒ‡‰˜ËÈ »‚‡Ì ƒ˚ıӂ˘Ì˚È Ã‡ˇÌ̇ ¿ÚÂϸ‚‡ ƒ‡ÌËÎ ’‡˜‡ÚÛÓ‚ ¿Ì‡ÒÚ‡Òˡ ÕÂÙ‰ӂ‡ ¿ÌÚÓÌ ¡‡Ú‡„Ó‚ ´ƒ-ÙËθϪ »‚‡Ì ƒ˚ıӂ˘Ì˚È, Vocal Composer Costumes Art Director Camera Alexander Novototsky Scriptwriters Director 2006, Russia,86min,colour,1:1.85,DolbyDigital5.1 www.vdoh-vydoh.ru Distribution Production Producer Reshetniak, LyubovAnisimova,RomanMadianov Olga Dykhovichnaya,AndreyBatukhanov,Alexander Cast: Editor Sound Igor Mirkubanov,EkaterinaVolkova, Ekaterina Volkova,SergeiMazaev Elena Afanasieva Yan Pototsky Maxim Osadchy Ivan Dykhovichny Danil Khachaturov Marianna Artiomieva Anton Batagov D-Film Gemini Film Anastasia Nefiodova Ivan Dykhovichny,VladimirMoiseenko, russian euphoria »‚‡Ì ƒ˚ıӂ˘Ì˚È ÛÒÒ͇ˇ ˝ÈÙÓˡ (. 1947, ÃÓÒÍ‚‡). ŒÍÓ̘ËÎ ‡ÍÚÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬“” ËÏÂÌË ¡.¬.ŸÛÍË̇ (1969, χÒÚÂÒ͇ˇ ¬.ü.À¸‚Ó‚ÓÈ Ë À.Ã.ÿËıχÚÓ‚‡), ¬ü—– (1982, χÒÚÂÒ͇ˇ ›.¿.–ˇÁ‡ÌÓ‚‡). ¬ 1969-70 Ë„‡Î ̇ ÒˆÂÌ ÀÂÌËÌ„‡‰ÒÍÓ„Ó Ú‡Ú‡ ÏËÌˇڲ, ‚ 1970-1981 ó ‡ÍÚÂ “‡Ú‡ ‰‡Ï˚ Ë ÍÓωËË Ì‡ “‡„‡ÌÍÂ. ¿‚ÚÓ Ë ‚Â‰Û˘ËÈ ÚÂÎÂÔÓ„‡ÏÏ Ó ÍËÌÓ ´”Îӂ͇ 22ª (Õ“¬), 83 ´Õ‚ÂÓˇÚÌ˚ ËÒÚÓË˪ (RenTV). œËÁÂ ÏÂʉÛ̇Ó‰Ì˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ, ·ÛÂ‡Ú ÔÂÏËË ‘Ó̉‡ ÍÛθÚÛ˚ ËÏÂÌË ∆Óʇ —‡‰ÛΡ (‘‡ÌˆËˇ, 1989, Á‡ ÎÛ˜¯ËÈ ‰Â·˛Ú „Ó‰‡ ñ ´◊ÂÌ˚È ÏÓ̇ıª).

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡ (Ë„Ó‚Ó ÍËÌÓ): 1983 ....¡‡Ú¸ˇ (Í/Ï, ‰ËÔÎÓÏ) 1985 ....»ÒÔ˚Ú‡ÚÂθ (ÌÓ‚Âη ‚ ÙËθÏ ´¬ÓÒÍÂÒÌ˚ ÔÓ„ÛÎÍ˪) 1988 ....◊ÂÌ˚È ÏÓ̇ı 1992 ....œÓ‚‡ 1995 ....∆ÂÌÒ͇ˇ Óθ (ÏÓÌÚ‡ÊÌ˚È) 1995 ....ÃÛÁ˚͇ ‰Îˇ ‰Â͇·ˇ 1998 ....ÕÂÁ̇ÍÓÏÓ ÓÛÊËÂ, ËÎË üÂÒÚÓÌÓÒˆ-2 2002 ....üÓÔÂÈ͇ 2002 ....ƒÂ̸„Ë (ÒÂˇÎ) 2006 ....¬‰Óı ‚˚‰Óı Ivan Dykhovichny (b. 1947, Moscow). Love story/ œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. Graduated from the Actorsí Faculty of the ÃË¯Â Ë ¬Â ͇Á‡ÎÓÒ¸, ˜ÚÓ ÓÌË ÊË‚ÛÚ Â‰ËÌ˚Ï ‰˚ı‡ÌËÂÏ, ÓÌË Ó‰Ë̇ÍÓ‚Ó Shchukin Theatre School (1969, course of V. Ï˚ÒÎˇÚ Ë ˜Û‚ÒÚ‚Û˛Ú, ÓÌË ó ‰ËÌÓ ˆÂÎÓÂ. ÕÓ Ó‰Ì‡Ê‰˚ ̇ÒÚÛÔËÎ ÏÓÏÂÌÚ, Ë Lvova and L. Shikhmatov), Higher Courses of ͇ʉ˚È ‚‰Û„ ÔÓÌˇÎ, ˜ÚÓ ÊË‚ÂÚ ˇ‰ÓÏ Ò ˜ÂÎÓ‚ÂÍÓÏ, ÍÓÚÓÓ„Ó ÓÍÛʇÂÚ Ò‚ÓÈ Scriptwriters and Directors (1982, course of ÏË. ›ÚÓ ÒÎۘ˷Ҹ, ÍÓ„‰‡ ‚ Ëı ÊËÁÌË ÔÓˇ‚Ë·Ҹ üË‡. ›Ú‡ ÊÂÌ˘Ë̇ ‰Îˇ E. Riazanov). In 1969-70 acted at the ¬Â˚ Òڇ· ·ÓΠ·ÎËÁÍËÏ ˜ÂÎÓ‚ÂÍÓÏ, ˜ÂÏ Â ÒÓ·ÒÚ‚ÂÌÌ˚È ÏÛÊ. œÓÒΠÒÂÏË Leningrad Theatre of Miniatures, from 1970- ÎÂÚ Ò˜‡ÒÚÎË‚ÓÈ ÊËÁÌË Ã˯‡ Ë ¬Â‡ ‡ÒÒÚ‡ÎËÒ¸. œÓ¯ÎË „Ó‰˚. 35-ÎÂÚÌËÈ 81 actor at the Taganka Theatre of Drama ‡ıËÚÂÍÚÓ ÃËı‡ËÎ, Ô˷„ÌÛ‚ Í ÒÓ‚ÂÚÛ ‰ÓÍÚÓ‡, Ô˄·¯‡ÂÚ ‰Â‚Û¯ÍÛ ÔÓ and Comedy. Author and presenter of ‚˚ÁÓ‚Û ó ̇ 10 ˜‡ÒÓ‚. Õ‡ ‚˚ÁÓ‚ ÔËıÓ‰ËÚ ¬Â‡. ” ÌËı ÔÓˇ‚ΡÂÚÒˇ television programmes about cinema ìCatch ‚ÓÁÏÓÊÌÓÒÚ¸ ËÁ·‡‚ËÚ¸Òˇ ÓÚ ·ÓÎË, ÓÒ‚Ó·Ó‰ËÚ¸ Ò‚ÓË ˜Û‚ÒÚ‚‡ ÓÚ ‚ÒÂ„Ó Î˯Ì„Ó, 22î (NTV) and ìImprobable Storiesî (RenTV). ÔÓÌˇÚ¸ Ë ÔÓÒÚËÚ¸ ‰Û„ ‰Û„‡... Award winner of international and national film festivals, winner of the Best debut of the Love story. Psychological drama. Year Award of the George Sadoul Culture Misha and Vera think that they live by a single breath: they think and feel Fund (France, 1989) for ìThe Black Monkî. alike, they are one single whole. But one day they both suddenly realized that they are living next to a person surrounded by his own world. This happened Filmography as director (feature films): 1983 .... Brothers (short, diploma) when Kira appeared in their life. She became closer to Vera than her own 1985 .... The Tester (short story in the film husband. After seven years of happy life, Misha and Vera separate. Years have ìSunday ìWalksî) passed. Following his doctorís advice, the 35-year old architect Michael invites 1988 .... The Black Monk a call-girl for ten hours. Vera appears in answer to his call. They have the 1992 .... Moscow Parade 1995 .... Female Role (montage) opportunity to get rid of the pain, to free their feelings from everything 1995 .... Music for December superfluous, to understand and forgive each other... 1998 .... An Unfamiliar Weapon, or The Crusader 2 2002 .... The Kopeck 2002 .... Money (serial) 2006 .... Inhale Exhale 84 ÛÒÒ͇ˇ ˝ÈÙÓˡ russian euphoria www.vertov.ru œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,178ÏËÌ.,ˆ‚.,ˆËÙÓ‚Ó‚ˉÂÓ,‰ÓÍ. WILD, WILDBEACH.THEHEATOFGENTLE ƒ»ü»…, ƒ»ü»…œÀfl∆.∆¿–Õ≈∆Õ¤’ √ÂÓ„ËÈ ≈ÏÓÎÂÌÍÓ,ƒÏËÚËÈ«ËÏËÌ ›‰Û‡‰ ü˜‰ÊËˇÌ ¿ÎÂÍ҇̉ –‡ÒÚÓ„Û‚ ¬ËÚ‡ÎËÈ Ã‡ÌÒÍËÈ ¿ÎÂÍ҇̉ œ‡ÌÚ˛ıËÌ ´¬ÂÚÓ‚ ËüÓª,“Õ“ —ÛÒ‡Ì̇ ¡‡‡ÌÊË‚‡ www.vertov.ru Production Producer Sound Camera Scriptwriter Director 2005, Russia,178min,colour,digitalvideo,doc. Georgy Ermolenko,DmitryZimin Eduard Kechedzhiyan Alexander Rastorguev Vitaly Mansky Vertov &Co,TNT Susanna Baranzhieva russian euphoria ¿ÎÂÍ҇̉ –‡ÒÚÓ„Û‚ ÛÒÒ͇ˇ ˝ÈÙÓˡ (1971, „. –ÓÒÚÓ‚-̇-ƒÓÌÛ). üËÌÓÂÊËÒÒÂ, Ó‰ËÌ ËÁ ˇ˜‡È¯Ëı Ô‰ÒÚ‡‚ËÚÂÎÂÈ Ì‡Ô‡‚ÎÂÌˡ ´‡θÌÓ„Ó ÍËÌÓª ‚ ‰ÓÍÛÏÂÌÚ‡ÎËÒÚËÍÂ, ÔËÁÂ ÙÂÒÚË‚‡ÎÂÈ ÌÂË„Ó‚Ó„Ó ÍËÌÓ, ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ. ŒÍÓ̘ËÎ —œ·√¿“» ó —‡ÌÍÚ-œÂÚÂ·Û„ÒÍÛ˛ ¿Í‡‰ÂÏ˲ Ú‡Ú‡Î¸ÌÓ„Ó ËÒÍÛÒÒÚ‚‡ (1998). ∆Ë‚ÂÚ ‚ –ÓÒÚÓ‚Â-̇-ƒÓÌÛ, ÌÂÒÍÓθÍÓ ÎÂÚ 85 ‡·ÓڇΠ̇ ÒÚÛ‰ËË ´ƒÓÌÚÂÎÂÙËθϪ.

‘ËθÏÓ„‡Ùˡ: 1997 ....ƒÓ ҂ˉ‡Ìˡ, χθ˜ËÍË; ◊ÂÌÓ‚ËÍ 1998 ....–Ó‰Ë̇ 2000 ....“‚ÓÈ Ó‰; ¬ÂÍ ÏÓÈ 2001 ....√Ó‡; ÇÏÓ˜ÍË 2002 ....◊ËÒÚ˚È ˜ÂÚ‚Â„ 2005 ....ƒËÍËÈ, ‰ËÍËÈ ÔΡÊ. ∆‡ ÌÂÊÌ˚ı Alexander Rastorguev (b. 1971, Rostov-on-Don). Film director, prize winner of festivals of non-fiction films, winner of professional film awards. Graduated from St. Petersburg Theatre Institute (SPbGATI, 1998). Lives in Rostov-on-Don; for several years worked at the studio ìDon-Tele-Filmî. His films strengthen the positions of ìreal cinemaî in documentary cinema. –‡θ̇ˇ Ú‡„ËÍÓωˡ. Filmography: ü‡Ê‰Ó ÛÚÓ ‚ Ú˜ÂÌË ÔÓÒΉÌËı 25 ÎÂÚ ÔÓÚÓÏÒÚ‚ÂÌÌ˚È ÔΡÊÌ˚È ÙÓÚÓ„‡Ù 1997 ....Good-bye, boys; Draft Copy ∆ÂÌˇ Ë Â„Ó ‚Â·Î˛‰ ÓÚÔ‡‚Ρ˛ÚÒˇ ̇ ‡·ÓÚÛ ‚ ÏË ӷ̇ÊÂÌÌ˚ı β‰ÂÈ. Õ‡ 1998 ....Homeland ˝Í‡Ì Ô‰ÒÚ‡ÂÚ „‡ÎÂ¡ Ó·‡ÁÓ‚, ÒÓÁ‰‡˛˘‡ˇ ÛÌË͇θÌ˚È ÔÓÚÂÚ 2000 ....Your People ÒÓÒÚÓˇÌˡ ÒÓ‚ÂÏÂÌÌÓ„Ó ÏË‡, ‚ ÍÓÚÓÓÏ ‚Ò Ï˚ ÊË‚ÂÏ: ËÒÚÓËË Î˛·‚Ë Ë 2001 ....The Mountain; Mums Ô‰‡ÚÂθÒÚ‚‡, ÊËÁÌË Ë ÒÏÂÚË, ‡ÒÒ͇Á‡ÌÌ˚ ÔÓÓÈ ËÓÌ˘ÌÓ, ‡ ÔÓÓÈ 2002 ....Maundy Thursday „ÛÒÚÌÓ. 2005 ....The Wild, Wild Beach - œÂÏËË ´À‡‚ª Á‡ ‰ÓÒÚËÊÂÌˡ ‚ ÌÂË„Ó‚ÓÏ ÍËÌÓ Ë ÚÂ΂ˉÂÌËË ‚ ÌÓÏË̇ˆËˇı: ÎÛ˜¯ËÈ ÌÂË„Ó‚ÓÈ ‡Ú-ÙËÎ¸Ï 2005 „Ó‰‡, ÎÛ˜¯ËÈ ÓÔÂ‡ÚÓ; - œËÁ ‘Ó̉‡ ›‰Û‡‰‡ —‡„‡Î‡Â‚‡ ñ ´«ÓÎÓÚ‡ˇ ͇ÏÂ‡ª, 2006; - —ÔˆÔËÁ Ê˛Ë ´«‡ ‰ÓÍÛÏÂÌڇθÌ˚È ˝ÔÓÒª ó ‘ÂÒÚË‚‡Î¸ ‰ÂÈÒÚ‚ËÚÂθÌÓ„Ó ÍËÌÓ ´üËÌÓÚ‡Ú.Docª, 2006.

A real tragicomedy. For the last 25 years the beach photographer Zhenia and his camel set off every morning to work in the world of naked people. The film presents a gallery of images that form a unique portrait of the modern world: histories of love and betrayal, life and death are told at times with irony, at times with sadness. - Prize ìLaurelî for achievement in non-fiction cinema and television in the nominations: Best Non-Fiction Film of 2005, Best Director of Photography; - Prize of the Eduard Sagalaev Fund ìGolden Cameraî, 2006; - Special Jury Prize ìFor a Documentary Epicî, Festival of Real Cinema ìKinoteatr.docî, 2006. 86 ÛÒÒ͇ˇ ˝ÈÙÓˡ russian euphoria ÍËÌÂχÚÓ„‡ÙËË ÔË Û˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¿ÎÂÍÒÂÈ √Ó·ÛÌӂˉ. ¿ÎÂÍ҇̉ ”ÒÓ‚,ÕËÍËÚ‡ÃËı‡ÎÍÓ‚,“‡Ú‡ÂÌÍÓ‚, Û˜‡ÒÚ‚Û˛Ú ¬ ÙËθÏ ÿÂÙ-‰‡ÍÚÓ ÃÓÌÚ‡Ê «‚ÛÍ Ì‡Ӊ̇ˇ ÏÛÁ˚͇ ÃÛÁ˚͇ ŒÔÂ‡ÚÓ˚ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,52ÏËÌ.,ˆ‚.,BetacamSP,‰ÓÍ. OLEG WILLAPPEARNOW »√–Œü», »À»—≈…◊¿—¬¤…ƒ≈“ŒÀ≈√ ¿Ì‰ÂÈ üÓËÌÒÍËÈ,»Î¸ˇü‡˜ÂÊÛÍ ¬‡ÎÂËÈ √‡‚ËÎËÌ,„ÛÔÔ‡´7‡Ò‡ª, »Î¸ˇ œÓÒÎÓ‚ËÌ ¿Ì‡ÚÓÎËÈ “Â¢ÂÌÍÓ,ƒÂÌËҿ·ÍÓÌ √Ë„ÓËÈ œÓ‰ÁÂÏÂθÌ˚È,ŒÎ„ÿÚÓÏ ´œÓÔÂÎÎÂ ÔÓ‰‡Í¯Ìª,´—“‘˛ÌËÚª, ¿Òˇ üÓÎÓ‰ËÊÌÂ ŒÎ„ ÃÂ̸¯ËÍÓ‚,¬ËÍÚÓ—ÛıÓÛÍÓ‚, œÂÚ ÿÂÔÓÚËÌÌËÍ of theFederalAgencyforCultureandCinematography Production Producers and others Usov, NikitaMikhalkov,Tatarenkov,AlexeiGorbunov Participants Chief-Editor Cutter Sound Music Camera Scriptwriter andDirector 2005, Russia,52min,colour,BetacamSP,doc. Valery Gavrilin,7race,folk Andrey Korinsky,IlyaKacherzhuk Ilya Poslovin Anatoly Tereshchenko,DenisAlarcon Grigory Podzemelny,OlegShtrom Propeller Production,STFUnitwithparticipation Asia Kolodizhner Oleg Menshikov,VictorSukhorukov,Alexander Peter Shepotinnik russian euphoria ÛÒÒ͇ˇ ˝ÈÙÓˡ œÂÚ ÿÂÔÓÚËÌÌËÍ (. 1956, ÃÓÒÍ‚‡). ŒÍÓ̘ËÎ ÍËÌӂ‰˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡. –‡·ÓڇΠ‚ ÊÛ̇Π´»ÒÍÛÒÒÚ‚Ó ÍËÌÓª. — 1994 ó ‡‚ÚÓ Ë ‚Â‰Û˘ËÈ ÚÂÎÂÔÓ„‡ÏÏ˚ ´üËÌÂÒÍÓÔª (´“¬ 6 ÃÓÒÍ‚‡ª, Á‡ÚÂÏ ñ ÚÂÎÂ͇̇Π´–ÓÒÒˡª). ¿‚ÚÓ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ı ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚ Ó ÍËÌÂχÚÓ„‡ÙËÒÚ‡ı Ë ‚ˉÂÓ‚ÂÒËÈ ÒÔÂÍÚ‡ÍÎÂÈ ŒÎ„‡ ÃÂ̸¯ËÍÓ‚‡ ´√Ó ÓÚ 87 Ûχª (1999) Ë ´»„ÓÍ˪ (2005). ◊ÎÂÌ ‡Í‡‰ÂÏËÈ “›‘» Ë Õ»ü¿. œËÁÂ ÏÂʉÛ̇Ó‰Ì˚ı Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÚÂÎÂ- Ë ÍËÌÓÙÂÒÚË‚‡ÎÂÈ.

»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ (‰ÓÍ): 1994 ....ŒıÎÓ·˚ÒÚËÌ ‚ Ò‚ÂÚÒÍÓÏ 1995 ....Ã‡Îˇ‚Ë̇. –Ó˘‡ 1995 ....’‡Ï‰‡ÏÓ‚ ̇ ‚ˉÂÓ 1996 ....ÃÛ‡ÚÓ‚‡-96 1997 ....77.RUS 1997 ....üÓÒ‡ÍÓ‚ÒÍËÈ. üÓθˆ‡ 1997-2003 œÓÒΠ“‡ÍÓ‚ÒÍÓ„Ó 1998 ....ƒÛ„‡ˇ ÊÂ̇ ¬˚ÒÓˆÍÓ„Ó 1998 ....¡‡Ú‡ÎÓ‚ÒÍÓ 2001 ....¡‡Î‡·‡ÌÓ‚ ̇ ‚ÓÈÌ 2003 ....¬ˇ˜ÂÒ·‚ “ËıÓÌÓ‚. »‚Ó΄‡ 2003 ....” √Âχ̇ ÒÂ„Ó‰Ìˇ 122 ̇ 85 2004 ....»ÓÒÂΡÌË. ¡ÂÁ ̇Á‚‡Ìˡ 2005 ....»„ÓÍË, ËÎË —ÂȘ‡Ò ‚˚ȉÂÚ ŒÎ„ 2006 ....≈‚„ÂÌËÈ ÃËÓÌÓ‚. ÕË˜Â„Ó Î˘ÌÓ„Ó 2006 ....—Â„ÂÈ √Â‡ÒËÏÓ‚. ¡Ó„‡Ú˚Ò͇ˇ ÒËÏÙÓÌˡ Peter Shepotinnik (b. 1956, Moscow). ŒÎ„ ÃÂ̸¯ËÍÓ‚ ó Ó‰ËÌ ËÁ Ò‡Ï˚ı ÌÂ‡Á„‡‰‡ÌÌ˚ı ‡ÍÚÂÓ‚ Gr‡duated from the department of film Ë ‚ ÍËÌÓ, Ë ‚ Ú‡ÚÂ. ÿÎÂÈÙ ÒÎÛıÓ‚ Ë ÏÌÂÌËÈ ÒÓÔÛÚÒÚ‚ÛÂÚ studies of the Film Institute VGIK. Worked ͇ʉÓÈ Â„Ó ÌÓ‚ÓÈ ‡·ÓÚÂ. À˛‰ÂÈ, ÍÓÚÓ˚ ÒÎ˚¯‡ÎË Ó Â„Ó for the journal ìFilm Artî (Iskusstvo kino). Since 1994 author and anchor of the Ú‡Ú‡Î¸Ì˚ı ‡·ÓÚ‡ı, „Ó‡Á‰Ó ·Óθ¯Â, ˜ÂÏ ÚÂı, ÍÓÏÛ television programme ìKinescopeî (channel ÔÓÒ˜‡ÒÚÎË‚ËÎÓÒ¸ Ëı ۂˉÂÚ¸. ≈„Ó Ó·Óʇ˛Ú Ó‰ÌË Ë Ì TV6 Moscow, then RTR/Russia). Author of numerous documentaries about film-makers ÔÓ˘‡˛Ú ÌË Ï‡ÎÂȯËı ÔÓχıÓ‚ ‰Û„ËÂ. œÂÚÛ and video-versions of the productions by Oleg ÿÂÔÓÚËÌÌËÍÛ ÔÓÒ˜‡ÒÚÎË‚ËÎÓÒ¸ ·˚Ú¸ ‰ÓÔÛ˘ÂÌÌ˚Ï ‚ Menshikov, ìWoe from Witî (1999) and ìThe Gamblersî (2005). Member of the TEFI Ú‚Ó˜ÂÒÍÛ˛ ··Ó‡ÚÓ˲ ‡ÍÚÂ‡ Ë ÂÊËÒÒÂ‡ ÃÂ̸¯ËÍÓ‚‡ (television award) and NIKA (film award) Ë ·ÂÒÔÂÔˇÚÒÚ‚ÂÌÌÓ Ì‡·Î˛‰‡Ú¸, Í‡Í ÒÓÁ‰‡˛ÚÒˇ ÍËÌÓÓÎË Ë Academies. Prize-winner of international and national television and film festivals. ÒˆÂÌ˘ÂÒÍË ÔÓÒÚ‡ÌÓ‚ÍË ñ ËÏ‚¯Ë ¯ÛÏÌÛ˛ Ò·‚Û ÒÔÂÍÚ‡ÍÎË ´√Ó ÓÚ Ûχª √Ë·Ó‰ӂ‡ Ë ´»„ÓÍ˪ √Ó„ÓΡ. Select filmography (doc.): 1994 ....The Worldly Okhlobystin 1995 ....Malyavina. Grove Oleg Menshikov is one of the greatest riddles among cinema 1995 ....Khamdamov on video and theatre actors. A wave of rumours and opinions 1996 ....Muratova-96 1997 ....77. RUS accompanies each new work. More people have heard about 1997 ....Kosakovsky. Circles his theatre work than have managed to see him on the stage. 1997-2003 After Tarkovsky Some adore him, others cannot forgive him the slightest 1998 ....Vysotskyís Other Wife 1998 ....Batalovskoye mistake. Peter Shepotinnik has been lucky enough to be 2001 ....Balabanov at War admitted into the actorís and directorís creative circle, and at 2003 ....Viacheslav Tikhonov. An oriole 2003 ....German is 122 by 85 Today liberty to observe how film roles and stage productions are 2004 ....Iosseliani. Untitled created: the hugely praised shows of ìWoe from Witî by 2005...... The Gamblers, or Oleg Will Appear Now 2006 ....Evgeny Mironov. Nothing personal Griboedov and Gogolís ìThe Gamblersî. 2006 ....Sergei Gerasimov. Bogatyr symphony 88 ÛÒÒ͇ˇ ˝ÈÙÓˡ russian euphoria œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ üÓÏÔÓÁËÚÓ ŒÔÂ‡ÚÓ ÒˆÂ̇ˡ ¿‚ÚÓ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,60ÏËÌ.,ˆ‚.,ÒÚÂÂÓ,BetacamSP SHOSHO ÿŒÿŒ ÀÂÓÌˉ »Î˛ıËÌ ¿ÎÂÍÒÂÈ ‘‰Ó˜ÂÌÍÓ »Ë̇ —ÌÂÊËÌÒ͇ˇ —Â„ÂÈ —ˉÂθÌËÍÓ‚ üËÌÓÍÓÏÔ‡Ìˡ ´—Ì„‡ª ƒÂÌËÒ ŒÒÓÍËÌ Production Producer Composer Camera Scriptwriter Director 2006, Russia,60min.,colour,stereo,BetacamSP Leonid Ilyukhin Alexei Fedorchenko Irina Snezhinskaya Sergei Sidelnikov Snega FilmCompany Denis Osokin russian euphoria ¿ÎÂÍÒÂÈ ‘‰Ó˜ÂÌÍÓ ÛÒÒ͇ˇ ˝ÈÙÓˡ œÓ‰˛ÒÂ, ÒˆÂ̇ËÒÚ, ÂÊËÒÒÂ. –Ó‰ËÎÒˇ ‚ 1966 „Ó‰Û ‚ „ÓӉ —Óθ-»ÎÂˆÍ ŒÂÌ·Û„ÒÍÓÈ Ó·Î‡ÒÚË. ŒÍÓ̘ËÎ ”‡Î¸ÒÍËÈ ÔÓÎËÚÂıÌ˘ÂÒÍËÈ ËÌÒÚËÚÛÚ (1988), Ù‡ÍÛθÚÂÚ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÔÓÙÂÒÒËÓ̇θÌÓ„Ó Ó·‡ÁÓ‚‡Ìˡ ¬√»ü (2000, ÒˆÂ̇̇ˇ χÒÚÂÒ͇ˇ À.üÓÊËÌÓ‚ÓÈ, ¬.◊ÂÌ˚ı‡ Ë fi.–Ó„ÓÁË̇). — 1990 ‡·ÓÚ‡ÂÚ Ì‡ —‚Â‰ÎÓ‚ÒÍÓÈ ÍËÌÓÒÚÛ‰ËË, Ò 2001 ó ÛÍÓ‚Ó‰ËÚÂθ ÔÓ‰˛ÒÂÒÍÓ„Ó ÛÔ‡‚ÎÂÌˡ ÒÚÛ‰ËË, Ò 2005 ñ ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚È 89 ÛÍÓ‚Ó‰ËÚÂθ ´üËÌÓÍÓÏÔ‡ÌËË 29 Ù‚‡Îˇª. ´œÂ‚˚ ̇ ÀÛ̪ ñ ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ƒÓÍÛÏÂÌڇθ̇ˇ Ò͇Á͇ ÔÓ ÍÌË„Â ƒÂÌËÒ‡ ŒÒÓÍË̇ ´ÕÓ‚˚ ˄Ó‚ÓÈ ‰Â·˛Ú ñ ÒڇΠӉÌËÏ ËÁ Ò‡Ï˚ı ˇÍËı ÍËÌÓÒÓ·˚ÚËÈ 2005 „Ó‰‡: ÔËÁ Á‡ ·ÓÚËÌÍ˪. »ÒÚÓˡ ÔÓ Ï‡ËÈÒÍËı ˇÁ˚˜ÂÒÍËı Êˆӂ, ÎÛ˜¯ËÈ ‰ÓÍÛÏÂÌڇθÌ˚È ÙËÎ¸Ï ÔÓ„‡ÏÏ˚ ´√ÓËÁÓÌÚ˚ª ó Ãü‘ ‚ ¬Â̈ËË; ÔËÁ ‰Ûˉӂ, Ëı ·˚ÚÂ Ë Ò‚ˇ˘ÂÌÌÓ‰ÂÈÒڂˡı. ‘ËÎ¸Ï ÒÌˇÚ Ì‡ Ê˛Ë Á‡ ÎÛ˜¯ËÈ ‰Â·˛Ú, ÔËÁ √Ëθ‰ËË ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ ó Œ–ü‘ ˇÁ˚Í ÎÛ„Ó‚˚ı χË –ÂÒÔÛ·ÎËÍË Ã‡ËÈ ›Î. ÿÓ¯Ó ñ ˝ÚÓ Û ´üËÌÓÚ‡‚ª; ÔÂÏËË ´¡ÂÎ˚È ÒÎÓ̪ Ë ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ̇„‡‰. ÌËı ‚ÂÒ̇.

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 1999 ....ü·ÒÒË͇ Z Documentary fairy tale based on Denis Osokinís book ìNew (‰ÓÍ., Í/Ï, Ò —Â„ÂÂÏ ÕÓıËÌ˚Ï) 2000 ....ÕÂÓ·˚ÍÌÓ‚ÂÌÌ˚È ÍÓ̈ÂÚ (‰ÓÍ.) Bootsî. A story about Mari pagan priests, druids, their life 2002 ....ƒ‡‚ˉ (‰ÓÍ.) and their rites. The film is shot in the language of the field 2003 ....ƒÂÚË ¡ÂÎÓÈ ÃÓ„ËÎ˚ (‰ÓÍ.) 2005 ....œÂ‚˚ ̇ ÀÛÌ Mari (Republic Mari El). There ìshoshoî means ìspringî. 2006 ....ÿÓ¯Ó (‰ÓÍ.) Alexei Fedorchenko Producer, scriptwriter, director. Born in 1966 in Sole-Iletsk, Orenburg region. In 1988 graduated from the Ural Polytechnical Institute, in 2000 from the Department of Additional Professional Education of the Film Institute VGIK (scriptwriting workshop of L. Kozhinova, V. Chernykh and Yu. Rogozin). Since 1990 works at the Sverdlovsk film studio, since 2001 Head of the studioís Production Management. Since 2005 art director of the ìFilm Company of 29 Februaryî. ìFirst on the Moonî is his full- length feature film debut and became one of the most significant film events of 2005: Prize for Best Documentary in the programme ìHorizonsî of the Venice IFF; Jury Prize for the Best Debut, Prize of the Guild of Film Scholars and Film Critics, ORFF ìKinotavrî; ìWhite Elephantî award, and numerous other awards.

Directorís filmography: 1999 ....Classic Z (doc., short, with Sergei Nokhrin) 2000 ....Unbelievable Concert (doc.) 2002 ....David (doc.) 2003 ....White Graveís Children (doc.) 2005 ....First on the Moon 2006 ....Shosho (doc.) www.kinotavr.ru ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square

91 9 ÓÚ‡ 9TH COMPANY ·Óθ¯‡ˇ β·Ó‚¸ BIG LOVE ‰Ì‚ÌÓÈ ‰ÓÁÓ DAY WATCH ‰Ó·˚Ìˇ ÌËÍËÚ˘ Ë ÁÏÂÈ „Ó˚Ì˚˜ DOBRYNIA AND DRAGON ÊÂÒÚ¸ JUNK ÎÂÒ̇ˇ ·‡Ú‚‡ OVER THE HEDGE ÌËÍÚÓ Ì Á̇ÂÚ ÔÓ ÒÂÍÒ NOBODY KNOWS SEX ÓıÓÚ‡ ̇ ÔË‡Ì¸˛ HUNTING FOR PIRANHA ÔËÚÂ fm PITER FM Ò‚ÓÎÓ˜Ë BASTARDS 92 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square 9 9 –Œ“¿ www.9rota.ru œÓÍ‡Ú MRP MatilaRohrProductionsOy (‘ËÌÎˇÌ‰Ëˇ) Pictures Group,—“—,”Í‡ËÌÒ͇ˇ ωËÈ̇ˇ „ÛÔÔ‡,1+1, œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛ÒÂ˚ ¿ÎÂÍ҇̉ –Ó‰ÌˇÌÒÍËÈ œÓ‰˛ÒÂ˚ ≈ÙÂÏÓ‚, ¿ÎÂÍÒÂÈü‡‚˜ÂÌÍÓ,—Ú‡ÌËÒ·‚√Ó‚ÓÛıËÌ ¡‡¯ËÓ‚, ¿ÎÂÍÒÂÈ—Â·ˇÍÓ‚,»Ë̇–‡ıχÌÓ‚‡,ÃËı‡ËÎ ü‡ˆËÓÌ, Ç‡Ú√ۉ˂,¿ÎÂÍ҇̉À˚ÍÓ‚, Çχ‰‡ÍÓ‚, ü‡ÂÌÇÚËÓÒˇÌ,¿ÎÂÍ҇̉ÿÂÈÌ,ŒÎÂÒ¸ ÕËÍÓ·‚, —ÓÒ·̑ˉ‡Ó‚,ƒÏËÚËÈÃÛı‡Ï‡‰Â‚,¿Ï‡‰Û ÃËı‡ÎÍÓ‚, ‘‰Ó¡Ó̉‡˜ÛÍ,ÃËı‡ËÎ≈‚·ÌÓ‚,»‚‡Ì —ÏÓθˇÌËÌÓ‚, üÓÌÒÚ‡ÌÚËÌü˛ÍÓ‚,»‚‡ÌüÓÍÓËÌ,¿ÚÂÏ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍË ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ Dolby SRD 2005, –ÓÒÒˡ/”Í‡Ë̇/‘ËÌÎˇÌ‰Ëˇ,130ÏËÌ.,ˆ‚.,1:2.35, TH üËËÎÎ ¬‡ÒËÎÂÌÍÓ COMPANY ´√ÂÏËÌË ÙËθϪ ÃËı‡ËÎ œÓ˜ÂÌÍÓ‚,¿ÎÂÍÒÂÈ◊‡‰Ó‚,¿ÚÛ ÇÍÒËÏ ŒÒ‡‰˜ËÈ ‘‰Ó ¡Ó̉‡˜ÛÍ Õ‡‰Âʉ‡ ¡‡Î‡Ì‰Ë̇,ÇÍÒËÏœ‡ÁËÎÓ‚ ≈ÎÂ̇ flˆÛ‡,—Â„ÂÈÃÂθÍÛÏÓ‚, √Ë„ÓËÈ œÛ¯ÍËÌ,¿ÎÂÍ҇̉—ÚÓÈÎÓ ƒ‡ÚÓ ≈‚„ÂÌˉÁ ‘‰Ó ¡Ó̉‡˜ÛÍ,¬Î‡‰ËÏËŒÒÂΉ˜ËÍ œÓ‰˛ÒÂÒ͇ˇ ÍÓÏÔ‡Ìˡ´—ÎÓ‚Óª, Art fiËÈ üÓÓÚÍÓ‚ www.9rota.ru Distribution Rohr ProductionsOy(Finland) CTC Television,UkrainianMediaGroup, 1+1,MRPMatila Production Co-Producers Alexander Rodniansky Producers Efremov, AlexeiKravchenko,StanislavGovorukhin Bashirov, AlexeiSerebryakov,IrinaRakhmanova,Mikhail Katsion, MaratGudiev,AlexanderLykov, Mamadakov, KarenMartirosian,AlexanderShein,Oles Nikolaev, SoslanFidarov,DmitryMukhamadeev,Amadu Mikhalkov, FyodorBondarchuk,MikhailEvlanov,Ivan Smolianinov, KonstantinKriukov,IvanKokorin,Artiom Cast: Sound Composer Costumes Art Directors Camera Scriptwriter Director Dolby SRD 2005, Russia/Ukraine/Finland,130min.,colour,1:2.35, Mikhail Porechenkov,AlexeiChadov,Artur Kirill Vasilenko Maxim Osadchy Fyodor Bondarchuk Nadezhda Balandina,MaximPazilov Dato Evgenidze Elena Yatsura,SergeiMelkumov, Slovo ProductionCompany,ArtPictures Group, Gemini Film Yuri Korotkov Fyodor Bondarchuk,VladimirOseledchik Grigory Pushkin,AlexanderStroylo ‘‰Ó ¡Ó̉‡˜ÛÍ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ¿ÍÚÂ ÍËÌÓ (31 Óθ), ÂÊËÒÒÂ, ÔÓ‰˛ÒÂ,

ÚÂÎÂ‚Â‰Û˘ËÈ, ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚È cinema on the square ÛÍÓ‚Ó‰ËÚÂθ ÒÚÛ‰ËË ´Art Pictures Groupª (ÃÓÒÍ‚‡), ·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ.

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 1989 ....—ÓÌ ‚ ÎÂÚÌ ÛÚÓ (Í/Ï, ۘ·̇ˇ, ¬√»ü) 93 1993 ....À˛·Î˛ (ÏÛÁ., ‚ˉÂÓ) 2003 ....9 ÓÚ‡ (ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú) Fyodor Bondarchuk Film actor (31 roles), director, producer; television presenter, art director of the studio Art Pictures Group (Moscow), winner of professional awards.

Filmography as director: 1989 ....Dream on a Summer Morning (short, practical, VGIK) 1993 ....I Love (music video) 2003 ....9TH COMPANY (directorial debut)

√ÂÓ˘ÂÒ͇ˇ ‰‡Ï‡. Œ ÊËÁÌË Ë ÒÏÂÚË, ‰ÓÎ„Â Ë ˜ÂÒÚË, ·‡ÚÒÚ‚Â Ë ÏÛÊÂÒÚ‚Â ñ Ó· ÓÚ˜‡ˇÌÌ˚ı ı‡- ·ˆ‡ı, ‚˚ÊË‚¯Ëı Ë ÔÓ„Ë·¯Ëı ‚ ‡Ù„‡ÌÒÍËı „Ó‡ı. ¬ ÓÒÌÓ‚Â Ò˛ÊÂÚ‡ ó Â- ‡Î¸Ì˚ ÒÛ‰¸·˚ ‚ÓËÌÓ‚-‡Ù„‡ÌˆÂ‚. ƒÂÈÒÚ‚Ë ÔÓËÒıÓ‰ËÚ ‚ 1987-89 „Ó‰‡ı Ë Á‡- ‚Â¯‡ÂÚÒˇ ‚˚‚Ó‰ÓÏ ÒÓ‚ÂÚÒÍËı ‚ÓÈÒÍ ËÁ ¿Ù„‡ÌËÒڇ̇. —ÂÏÂÓ 18-ÎÂÚÌËı ÏÓÒ- ͂˘ÂÈ, ‰Ó·Ó‚ÓθÌÓ Á‡ÔËÒ‡‚¯ËÂÒˇ ‚ ´‡Ù„‡ÌÒÍÛ˛ ÍÓχ۪̉, Á̇ÍÓÏˇÚÒˇ ̇ ÔËÁ˚‚ÌÓÏ ÔÛÌÍÚÂ. –·ˇÚ‡ ÔÓÔ‡‰‡˛Ú ‚ ۘ·ÍÛ, Á‡ÚÂÏ ‚ Á̇ÏÂÌËÚÛ˛ 9-˛ ÓÚÛ 345-„Ó Ô‡‡¯˛ÚÌÓ-‰ÂÒ‡ÌÚÌÓ„Ó ÔÓÎ͇ ñ Ò‡ÏÛ˛ ·ÓÂÒÔÓÒÓ·ÌÛ˛, Ò‡ÏÛ˛ „ÂÓ˘ÂÒ- ÍÛ˛. ¬ ÊÂÒÚÓÍÓÈ Òı‚‡ÚÍÂ Ò ´˜ÂÌ˚ÏË ‡ËÒÚ‡Ï˪ ÔÓ‰ ÍÓχ̉ӂ‡ÌËÂÏ ”Ò‡Ï˚ ¡ÂÌ À‡‰Â̇ ó ÔË ÓÚÒÛÚÒÚ‚ËË Ò‚ˇÁË ó ÒÓΉ‡Ú˚ Û‰ÂÊË‚‡˛Ú ‚˚ÒÓÚÛ Ë ÔÓ˜ÚË ‚Ò ÔÓ„Ë·‡˛Ú. - ÀˉÂ ÓÒÒËÈÒÍÓ„Ó ÔÓ͇ڇ ÔÓ ËÚÓ„‡Ï 2005 „Ó‰‡ (͇ÒÒÓ‚˚ ҷÓ˚: $25 556 ÏÎÌ. ñ ̇ 05.12.2005). - œÂÏËË üËÌӇ͇‰ÂÏËË ´«ÓÎÓÚÓÈ ÓÂΪ Á‡ 2005 „Ó‰ ‚ ÌÓÏË̇ˆËˇı: ÎÛ˜¯ËÈ ÙËθÏ, ÎÛ˜¯‡ˇ ÓÔÂ‡ÚÓÒ͇ˇ ‡·ÓÚ‡, ÎÛ˜¯‡ˇ ÏÛÁ˚͇, ÎÛ˜¯‡ˇ ‡·ÓÚ‡ Á‚ÛÍÓÂÊËÒÒÂ‡; - œÂÏËË üËÌӇ͇‰ÂÏËË ´ÕË͇ª Á‡ 2005 „Ó‰ ‚ ÌÓÏË̇ˆËˇı: ÎÛ˜¯ËÈ ÙËθÏ, ÎÛ˜¯‡ˇ ÏÛÁ˚͇, ÎÛ˜¯‡ˇ ‡·ÓÚ‡ Á‚ÛÍÓÂÊËÒÒÂ‡; - œÂÏˡ ÍËÌÓËÁÓ·‡ÁËÚÂθÌÓ„Ó ËÒÍÛÒÒÚ‚‡ Á‡ 2005 „Ó‰ ´¡ÂÎ˚È Í‚‡‰‡Úª (ÓÔÂ‡ÚÓ ÇÍÒËÏ ŒÒ‡‰˜ËÈ).

Heroic drama. About life and death, duty and honour, brotherhood and courage; about desperate brave men who survived and died in the Afghan mountains. The plot is based on the fate of real soldiers of the Afghan War. The action takes place in 1987-89, and ends with the withdrawal of the Soviet forces from Afghanistan. Seven 18-year-old Muscovites, who have voluntary enrolled for the ìAfghan Unitî, meet at the an induction base. They sit on the school bench before they are assigned to the well-known Ninth Company of the Parachute Troupe 345 ñ the most efficient and heroic detachment. In a fierce fight with the ìblack storksî under the command of Osama Ben Laden, and without communication, the soldiers defend the heights, but almost everyone perishes. - Leader of Russian distribution for 2005 (box office $25,556 mill. on 05.12.2005). - Prize of the Film Academy ìGolden Eagleî for 2005 in the nominations: Best Film, Best Director of Photography, Best Music, Best Sound; - Prizes of the Film Academy NIKA for 2005 in the nominations: Best Film, Best Music, Best Sound; - Prize of Cinematic Art for 2005 ìWhite Squareî (camera: Maxim Osadchy). 94 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square BIG LOVE ¡ŒÀ‹ÿ¿fl Àfi¡Œ¬‹ œÓÍ‡Ú ÍËÌÂχÚÓ„‡ÙËË ÔË Û˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó —Â„ÂÈ ÿÛχÍÓ‚ œÓ‰˛ÒÂ˚ ”ÍÓÎÓ‚‡, ŒÎ„¿ÍÛ΢ ŒÎ„ ƒÓÎËÌ,ŒÎ¸„‡ƒÓ·Ë̇,√ÂÌ̇‰ËÈÃËÚÌËÍ,¿Ì̇ ¬‡ÒËθ‚, »Ì̇Ç͇Ó‚‡,∆‡Ì̇›ÔÔÎÂ,√‡ÎË̇œÂÚÓ‚‡, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,90ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 ŒÎ„ œÂÚÂÌÍËÌ ´Õ‡¯Â ÍËÌÓª ÃËı‡ËÎ œÓ˜ÂÌÍÓ‚,fiÎˡÃÂ̸¯Ó‚‡,¿Ì‡ÚÓÎËÈ √Ó‡Ì œ‡‚˘‚˘ ƒÏËÚËÈ ‘ËÍÒ ¿ÎË̇ ¡Û‰ÌËÍÓ‚‡ ¿ÎÂÍ҇̉ “ÓÎ͇˜Â‚ ÇÍÒËÏ —Ú˯ӂ,ƒÏËÚËÈ‘ËÍÒ,—Â„ÂÈ »Î¸ˇ ƒÛıÓ‚Ì˚È ´ÃÓÚÓ ‘ËθϗÚÛ‰Ëˇª,“ÂÎÂ͇̇δ–ÓÒÒˡª, ÇÍÒËÏ —Ú˯ӂ Distribution Cinematography participation oftheFederalAgencyforCultureand Production Shumakov Producers Dobrina, GennadyMitnik,AnnaUkolova,OlegAkulich Inna Makarova,JannaEpple,GalinaPetrova,OlegDolin,Olga Cast: Sound Composer Costumes Art Director Camera Scriptwriter Director 2006, Russia,90min,colour,1:1.85,DolbyDigital5.1 Mikhail Porechenkov,YuliaMenshova,AnatolyVasiliev, Oleg Petrenkin Goran Pavicevic Dmitry Fiks Alina Budnikova Ilya Dukhovny Maxim Stishov,DmitryFiks,Sergei Motor FilmStudio,RussiaTelevisionwith Nashe Kino Maxim Stishov Alexander Tolkachiov ƒÏËÚËÈ ‘ËÍÒ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë –ÂÊËÒÒÂ ÍËÌÓ Ë ÚÂ΂ˉÂÌˡ, ÔÓ‰˛ÒÂ,

ÍÎËÔÏÂÈÍÂ. œËÁÂ ÏÂʉÛ̇Ó‰Ì˚ı cinema on the square Ë ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÚÂ΂ËÁËÓÌÌ˚ı ÙÂÒÚË‚‡ÎÂÈ Ë ÙÂÒÚË‚‡ÎÂÈ ÂÍ·Ï˚ .

‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡ (Ë„Ó‚Ó ÍËÌÓ): 1996 ....—Ú‡˚ ÔÂÒÌË Ó „·‚ÌÓÏ (ÙËθÏ-ÍÓ̈ÂÚ, Ú‚) 1999 ....’ÓÓ¯ËÂ Ë ÔÎÓıË 95 (Ò ¿Ì‡ÚÓÎËÂÏ ¿Ú‡ÏÓÌÓ‚˚Ï) 2000-02 ÀËÌˡ Á‡˘ËÚ˚ (ÙËθÏ˚ ÒÂˇ·) 2003 ....ÃÓˇ Ó‰Ìˇ (ÒÂˇÎ) 2002-06 ¡‡Î¸Á‡ÍÓ‚ÒÍËÈ ‚ÓÁ‡ÒÚ, ËÎË ¬Ò ÏÛÊËÍË Ò‚Ó... 1, 2 (ÒÂˇÎ˚) 2003-04 ¿‰‚ÓÍ‡Ú (ÒÓÂÊËÒÒÂ) 2004 ....¬ÚÓÓÈ ÙÓÌÚ 2006 ....¡Óθ¯‡ˇ β·Ó‚¸

Dmitry Fiks Film and television director, producer, clip- maker. Prize winner of international and national television and advertising festivals.

Filmography as director (cinema): 1996 ....Old Songs about the Main Thing (film-concert, TV) 1999 ....Good and Bad (with Anatoly Artamonov) 2000-02 Line of Defense (films in a serial) ÀË˘ÂÒ͇ˇ ÍÓωˡ/ –ÂÚÓ. 2003 ....My Relatives (serial) 1962 „Ó‰. ¡‡‚˚È „ÂÌÂ‡Î ¿ÌÚÓÌ ”Î˚·‡·Ó‚, Û·ÂʉÂÌÌ˚È ıÓÎÓÒÚˇÍ 2002-06 Balzac Age, Ë ÓÚ˜‡ˇÌÌ˚È ·‡·ÌËÍ, ÔÓÎÛ˜‡ÂÚ ÔË͇Á ÊÂÌËÚ¸Òˇ ‚ Ú˜ÂÌË ‰‚Ûı ̉Âθ ñ or All Men are ... 1, 2 (serials) ‚ ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÂÏÛ „ÓÁËÚ Û‚ÓθÌÂÌË ËÁ ‡ÏËË. —Ó‚Â¯Ë‚ ÏÌÓÊÂÒÚ‚Ó 2003-04 The Lawyer (co-director) ΢Ì˚ı ÔÓ‰‚Ë„Ó‚ Ë ÌÂÒÛ‡ÁÌ˚ı „ÎÛÔÓÒÚÂÈ ‚ ÔÓˆÂÒÒ ·ÂÁÛÒÔ¯Ì˚ı ÔÓËÒÍÓ‚ 2004 ....The Second Front Ì‚ÂÒÚ˚, „ÂÌÂ‡Î ‚ÔÂ‚˚ ‚ ÊËÁÌË ÔÓ-̇ÒÚÓˇ˘ÂÏÛ ‚β·ÎˇÂÚÒˇ... 2006 ....Big Love Lyrical Comedy. Retro. 1962. The gallant general Anton Ulybabov, a convinced bachelor and desperate womanizer, is ordered to marry within two weeks, otherwise he will be dismissed from the army. Having accomplished a range of personal feats and stupid mistakes during his hapless search for a bride, for the first time in his life the general really falls in love... 96 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.dozorfilm.ru œÓÍ‡Ú œÓ‰‡Í¯Ìª, œÂ‚˚È͇̇ΠœÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ƒËχ ÇÚ˚ÌÓ‚,√Ó¯‡üÛˆÂÌÍÓ ÕËÍÓÎ‡È ŒÎˇÎËÌ,»„Ó¸ÀËÙ‡ÌÓ‚,–ËÏχÇÍÓ‚‡, ∆‡Ì̇ ‘ËÒÍÂ,¿ÎÂÍÒÂÈ◊‡‰Ó‚,¬‡ÎÂËÈ«ÓÎÓÚÛıËÌ, √‡ÎË̇ “˛ÌË̇,ÇˡœÓÓ¯Ë̇,¬ËÍÚÓ¬ÂʷˈÍËÈ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿ÎÂÍ҇̉ “‡Î‡Î ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,140ÏËÌ.,ˆ‚.,1:2.35,DolbySRD DAY WATCH ƒÕ≈¬ÕŒ… ƒŒ«Œ– —Â„ÂÈ ü‡ÔÂÌÍÓ ´√ÂÏËÌË ÙËθϪ üÓÌÒÚ‡ÌÚËÌ ’‡·ÂÌÒÍËÈ,¬Î‡‰ËÏËÃÂ̸¯Ó‚, —Â„ÂÈ “ÓÙËÏÓ‚ “ËÏÛ ¡ÂÍχϷÂÚÓ‚ ¬‡ˇ ¿‚‰˛¯ÍÓ ¬‡ÎÂËÈ ¬ËÍÚÓÓ‚ ¿Ì‡ÚÓÎËÈ Ã‡ÍÒËÏÓ‚,üÓÌÒÚ‡ÌÚËÌ›ÌÒÚ fiËÈ œÓÚÂÂÌÍÓ üËÌÓÒÚÛ‰Ëˇ ´“¿¡¡¿üª,´¡‡ÁÂÎÂ‚Ò “ËÏÛ ¡ÂÍχϷÂÚÓ‚,—Â„ÂÈÀÛ͸ˇÌÂÌÍÓ, www.dozorfilm.ru Distribution Channel OneRussia Production Producers Lifanov, RimmaMarkova,DimaMartynov,GoshaKutsenko Alexei Chadov,ValeryZolotukhin,NikolaiOlialin,Igor Tyunina, MariaPoroshina,VictorVerzhbitsky,ZhannaFriske, Cast: Sound Composer Costumes Art Director Camera Alexander Talal Scriptwriters Director 2005, Russia,140min,colour,1:2.35,DolbySRD Konstantin Khabensky,VladimirMenshov,Galina Sergei Karpenko Sergei Trofimov Timur Bekmambetov Varia Avdyushko Yuri Potienko Anatoly Maximov,KonstantinErnst TABBAK Studio,BazelevsProduction, Gemini film Valery Victorov Timur Bekmambetov,SergeiLukianenko, “ËÏÛ ¡ÂÍχϷÂÚÓ‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ Ë ıÛ‰ÓÊÌËÍ, ÔËÁÂ

ÏÂʉÛ̇Ó‰Ì˚ı ÍËÌÓÙÂÒÚË‚‡ÎÂÈ Ë cinema on the square ÙÂÒÚË‚‡ÎÂÈ ÂÍ·Ï˚, ÛÍÓ‚Ó‰ËÚÂθ ÍËÌÓÒÚÛ‰ËË ´“¿¡¡¿üª. ‘ËθÏÓ„‡Ùˡ: 1993 ....œÂ¯‡‚‡ÒÍËÈ ‚‡Î¸Ò (Ò √ÂÌ̇‰ËÂÏ ü‡˛ÏÓ‚˚Ï) 2001 ....√·‰Ë‡ÚËÍÒ (—ÿ¿) 2004 ....ÕÓ˜ÌÓÈ ‰ÓÁÓ 97 2005 ....ƒÌ‚ÌÓÈ ‰ÓÁÓ Timur Bekmambetov Director and artist, prize winner of international film and advertising festivals, head of the film studio ìTABBAKî Filmography: 1993 ....Peschawar Waltz (with Gennady Kayumov) 2001 ....The Arena (USA) 2004 ....Night Watch 2005 ....Day Watch

¡ÎÓÍ·‡ÒÚÂ. ÕÓ˜¸˛, ‚ ÔÓ‰˙ÂÁ‰Â Ò‚ÓÂ„Ó ‰Óχ Û·ËÚ‡ ÏÓÎÓ‰‡ˇ ÊÂÌ˘Ë̇. Õ‡ ÚÂΠ̠ӷ̇ÛÊÂÌÓ ÌË͇ÍËı ÒΉӂ ̇ÒËÎËˇÖ «˚·ÍÓ ‡‚ÌÓ‚ÂÒË ÏÂÊ‰Û —‚ÂÚÎ˚ÏË Ë “ÂÏÌ˚ÏË Ì‡Û¯ÂÌÓ. » ˜‡¯‡ ‚ÂÒÓ‚ ÒÍÎÓÌˇÂÚÒˇ ‚ ÒÚÓÓÌÛ ´ÚÂÏÌ˚ıª. ÕÓ Û·ËÚ‡ˇ ñ ´ÚÂÏ̇ˇ Ë̇ˇª, ‡ Á̇˜ËÚ, ÔÓ‰ ÔÓ‰ÓÁÂÌËÂÏ - ´Ò‚ÂÚÎ˚ª. √ÂÒÂ ÒÓ˜ÌÓ ÒÓ·Ë‡ÂÚ ÍÓχ̉Û: Ó·‚ËÌÂÌË ‚ Û·ËÈÒÚ‚Â ñ ÒÂ¸ÂÁ̇ˇ ÔÓ·ÎÂχ. ŒÌ Ó·ˇÁ‡Ì ‡„ËÓ‚‡Ú¸. » ÔÂʉ ‚ÒÂ„Ó ÔÓÌˇÚ¸, ÍÚÓ „‰Â ·˚Î Ë ˜ÂÏ Á‡ÌËχÎÒˇ ‚ Û͇Á‡ÌÌÓ ‚ÂÏˇ. ¬˚ˇÒÌˇÂÚÒˇ, ˜ÚÓ ‡ÎË·Ë ÓÚÒÛÚÒÚ‚ÛÂÚ ÚÓθÍÓ Û ¿ÌÚÓ̇ √ÓӉˆÍÓ„ÓÖ ÀˉÂ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÔÓ͇ڇ, ͇ÒÒÓ‚˚ ҷÓ˚: $34.5 ÏÎÌ. (̇ 17.02.2006).

Blockbuster. A young woman is killed at night on the staircase of her house. No traces of violence can be found on the body Ö The shaky balance between Light and Dark is upset, and the scales incline towards the dark side. But the dead woman is a ìdark oneî, which means that suspicion falls on the light side. Gesser urgently puts together a special unit: the charge of murder is a serious problem. He is obliged to react. Above all, he must understand who was where doing what at the time in question. It transpires that only Anton Gorodetsky has no alibiÖ Leader of Russian distribution, box office: $34.5 million (as of 17.02.2006). 98 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square DOBRYNIA ANDDRAGON ƒŒ¡–¤Õfl Õ»ü»“»◊»«Ã≈…√Œ–¤Õ¤◊ www.ctb.ru ´—Ó˛Á-‚ˉÂÓª (DVD,‚ˉÂÓ) œÓÍ‡Ú ÍËÌÂχÚÓ„‡ÙËË Û˜‡ÒÚËË ‘‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ÃËı‡ËÎ ◊ÂÌˇÍ(ÚÂÍÒÚÓÚ‡‚ÚÓ‡) Շڇθˇ ƒ‡ÌËÎÓ‚‡,¿Ì‡ÚÓÎËÈœÂÚÓ‚,ŒÎ„üÛÎËÍӂ˘, ÇÍӂˆÍËÈ, ¿Ì‰ÂÈ“ÓÎ۷‚,≈͇ÚÂË̇√ÓÓıÓ‚Ò͇ˇ, –ÓÎË ÓÁ‚Û˜ËÎË: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ-ÔÓÒÚ‡ÌÓ‚˘ËÍ ¿ÎÂÍ҇̉ ¡ÓˇÒÍËÈ,»Î¸ˇÃ‡ÍÒËÏÓ‚ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,70ÏËÌ.,ˆ‚.,1:1.85,DolbyDigital5.1 ¬Î‡‰ËÏË √ÓÎÓÛÌËÌ ´Õ‡¯Â ÍËÌÓª,´ü‡ÓÔÓ͇ڪ; »Î¸ˇ ÇÍÒËÏÓ‚ —Â„ÂÈ —ÂθˇÌÓ‚,¿ÎÂÍ҇̉¡ÓˇÒÍËÈ ¬‡ÎÂÌÚËÌ ¬‡ÒÂÌÍÓ‚ üËÌÓÍÓÏÔ‡Ìˡ —“¬,ÒÚÛ‰Ëˇ´ÃÂθÌˈ‡ª,ÔË ¬‡ÎÂËÈ —ÓÎÓ‚¸Â‚,fiËÈ“‡‡ÒÓ‚,—Â„ÂÈ Ã‡ÍÒËÏ —‚¯ÌËÍÓ‚, ŒÎ¸„‡ ¿Î¸Ú‡ÔÓ‚‡-Œ‚˜ËÌÌËÍÓ‚‡ www.ctb.ru Soyuz-video (DVD,video) Distribution of theFederalAgencyforCultureandCinematography Production Producers Narrator MikhailCherniak Natalia Danilova,AnatolyPetrov,OlegKulikovich Makovetsky, AndreyTolubeev,EkaterinaGorokhovskaya, Cast (voices): Sound Composer Art Director Ilya Maximov Scriptwriters Director 2006, Russia,70min,colour,1:1.85,DolbyDigital5.1 Vladimir Golounin Ilya Maximov Valentin Vasenkov Sergei Selianov,AlexanderBoiarsky CTB Company,MelnitsaStudiowithparticipation Nashe kino,Karoprokat, Olga Altapova-Ovchinnikova Valery Soloviov,YuriTarasov,Sergei Maxim Sveshnikov,AlexanderBoiarsky, »Î¸ˇ ÇÍÒËÏÓ‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ÂÊËÒÒÂ ‡ÌËχˆËÓÌÌÓÈ ÒÚÛ‰ËË

´ÃÂθÌˈ‡ª (—‡ÌÍÚ-œÂÚÂ·Û„). cinema on the square

»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ: 2000 ....œËÍβ˜ÂÌˡ ‚ »ÁÛÏÛ‰ÌÓÏ „ÓӉ (4 ÒÂˡ ÒÂˇ·) 2003 ....ü‡ÎËÍ ÕÓÒ 2006 ....ƒÓ·˚Ìˇ ÕËÍËÚ˘ Ë «ÏÂÈ √Ó˚Ì˚˜ 99 Ilya Maximov Director of the animation studio ìMelnitsaî üÓωËÈ̇ˇ Ò͇Á͇, ‚ÚÓÓÈ ÙËÎ¸Ï ËÁ ‡ÌËχˆËÓÌÌÓ„Ó (St. Petersburg). ˆËÍ· ´“Ë ·Ó„‡Ú˚ˇª. ü‡ÒÓ˜Ì˚È Ë ‚ÂÒÂÎ˚È, ÓÌ

Selected Filmography: ‡ÒÒ͇Á˚‚‡ÂÚ Ó ÚÓÏ, Í‡Í ·Ó„‡Ú˚¸ ƒÓ·˚Ìˇ ÕËÍËÚ˘ 2000 ....Adventures in Emerald City ÓÚÔ‡‚ΡÂÚÒˇ ÒÔ‡Ò‡Ú¸ ÍÌˇÊÂÒÍÛ˛ ÔÎÂÏˇÌÌËˆÛ «‡·‡‚Û ËÁ (ìThe Wizard of Ozî, 4 series) 2003 ....Little Long-Nose Î‡Ô «Ï¡ √Ó˚Ì˚˜‡. ÕÂÔÓÒÚÓ ·Û‰ÂÚ ƒÓ·˚ÌÂ Ë Â„Ó ˛ÌÓÏÛ 2006 ....Dobrynia and Dragon Û˜ÂÌËÍÛ ≈ÎËÒ² ‚˚ÔÓÎÌËÚ¸ Á‡‰ÛχÌÌÓÂ. Õ Á̇ÂÚ ƒÓ·˚Ìˇ Ë ‰‡Ê Ì ‰Ó„‡‰˚‚‡ÂÚÒˇ Ó ÚÓÏ, ˜ÚÓ Ò‡Ï üÌˇÁ¸ ÔÓÒÚ‡‚ÎÂÌ ‚ ·ÂÁ‚˚ıÓ‰ÌÓ ÔÓÎÓÊÂÌËÂ Ë ‚Ó‚Ò Ì Á‡ËÌÚÂÂÒÓ‚‡Ì ‚ ‚ÓÁ‚‡˘ÂÌËË ÔÎÂÏˇÌÌˈ˚. “ˇÊÍÓ ËÒÔ˚Ú‡ÌË Ô‰ÒÚÓËÚ ƒÓ·˚Ì ñ ÔÓÁ̇ڸ „Ó˜¸ Ô‰‡ÚÂθÒÚ‚‡. Œ‰Ì‡ÍÓ Ì ÒÛʉÂÌÓ ·Û‰ÂÚ Ò·˚Ú¸Òˇ ÁÎÓ‰ÂÈÒÍËÏ ÔÎ‡Ì‡Ï ‰‡Ê ¡‡·˚ fl„Ë...

A comic fairy tale; the second film from the animation cycle ìThree Knights (bogatyrs)î. Colourful and cheerful, it tells the story of the bogatyr Dobrynia Nikitich, who sets out to rescue the princely niece Zabava from the claws of Zmei Gorynych. Dobrynia and his young pupil Elisei face no easy task. Dobrynia cannot know, or even guess, that the Prince himself is in a desperate position and it is not interested at all in the return of his niece. Dobrynia faces a difficult test: he has to learn about the bitterness of treachery. However, the evil plots of Baba Yaga are doomed to fail.... 100 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square JUNK ∆≈—“‹ www.zhestfilm.ru œÓÍ‡Ú Pride ProfessionalGroup,ZnakyProduction Studio œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÚÂÏ “ÂÂÌڸ‚,√ÂÌ̇‰ËÈü‡‚ˆ œÓ‰˛ÒÂ˚ ≈ÎÂ̇ –ÛÙ‡ÌÓ‚‡,»„Ó¸◊ÂÌ‚˘ ÿ‡ÍÛÓ‚, fiÒÛÔ¡‡ı¯Ë‚,»„Ó¸ÀËÙ‡ÌÓ‚,√Ó¯‡üÛˆÂÌÍÓ, —Â·ˇÍÓ‚, ¿Ì‡ÚÓÎËÈ¡ÂÎ˚È,¬ˇ˜ÂÒ·‚–‡Á·Â„‡Â‚,—Â„ÂÈ ¬ ÓΡı: «‚ÛÍ —‡Û̉ÚÂÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,110ÏËÌ.,ˆ‚.,DolbySRD Շڇθˇ –Ó„ËÌÒ͇ˇ ´÷ÂÌÚ‡Î œ‡ÚÌÂ¯ËÔª ¿ÎÂ̇ ¡‡·ÂÌÍÓ,ÃËı‡ËÎ≈ÙÂÏÓ‚,¿ÎÂÍÒÂÈ ÃËı‡ËÎ ÃÛ͇ÒÂÈ ƒÂÌËÒ ÕÂÈχ̉ ´üÓ‚ÓÒÚÓͪ ¬Î‡‰ËÏË fiʇÍÓ‚ fiÒÛÔ ¡‡ı¯Ë‚,¬ËÍÚÓ“‡ÍÌÓ‚, »„Ó¸ ¬‰Ó‚ËÌ MB Production,Arnold&Gregor üÓÌÒÚ‡ÌÚËÌ ÃÛÁÂÌÍÓ www.zhestfilm.ru Distribution Pride ProfessionalGroup,ZnakyProduction Studio Production Artiom Terentiev,GennadyKravets Producers Igor Chernevich Bakhshiev, IgorLifanov,GoshaKutsenko,ElenaRufanova, Anatoly Beliy,ViacheslavRazbegaev,SergeiShakurov,Yusup Cast: Sound Soundtrack Composer Art Director Camera Scriptwriter Director 2006, Russia,110min,colour,DolbySRD Aliona Babenko,MikhailEfremov,AlexeiSerebriakov, Natalia Roginskaia Mikhail Mukasei Denis Neimand Igor Vdovin Yusup Bakhshiev,VictorTaknov, MB Production,Arnold&Gregor Krovostok Central Partnership Konstantin Murzenko Vladimir Yuzhakov ƒÂÌËÒ ÕÂÈχ̉ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ñ ‰ËÁ‡ÈÌÂ, ‡ıËÚÂÍÚÓ, ‚ˉÂÓıÛ‰ÓÊÌËÍ,

‡‚ÚÓ-ÂÊËÒÒÂ ÌÂË„Ó‚˚ı ÙËθÏÓ‚. cinema on the square ´∆ÂÒÚ¸ª - ÔÂ‚˚È Ë„Ó‚ÓÈ ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËθÏ. Denis Neimand Designer, architect, video-artist, author and director of non-fiction films. ìJunkîis his first feature film. 101

œÒËıÓ‚ËÍ/ “ËÎÎÂ. ∆ÛÚ͇ˇ, ÔÓÎÛÏËÒÚ˘ÂÒ͇ˇ Ë ‚ÂҸχ ÌÂÓ‰ÌÓÁ̇˜Ì‡ˇ ËÒÚÓˡ Ó ÊËÁÌË, ÍÓÚÓ‡ˇ ÏÓÊÂÚ ·˚Ú¸ ÔÓ-̇ÒÚÓˇ˘ÂÏÛ ÊÂÒÚÍÓÈ. »Á‚ÂÒÚ̇ˇ ÊÛ̇ÎËÒÚ͇ ÇË̇, ÒÔˆˇÎËÁËÛ˛˘‡ˇÒˇ ̇ ÒÂÌÒ‡ˆËÓÌÌ˚ı χÚÂˇ·ı, ‚ԇ· ‚ ‰ÂÔÂÒÒ˲ Ë ÛÊ ÔÓ‰ÛÏ˚‚‡Î‡ Ó ÒÏÂÌ ÔÓÙÂÒÒËË ÔÓÒΠÚÓ„Ó, Í‡Í Ó‰ËÌ ËÁ „ÂÓ‚  ÂÔÓڇʇ ·˚Î Á‡ÒÚÂÎÂÌ ÏËÎˈÂÈÒÍËÏ Ò̇ÈÔÂÓÏ ÔˇÏÓ Û Ì ̇ „·Á‡ı. ÕÓ Â ÛÔÓÒËÎË Ò‰Â·ڸ ÔÓÒΉÌËÈ Ï‡ÚÂˇÎ, Ò˙ÂÁ‰ËÚ¸ ‚ ÔÒËıˇÚ˘ÂÒÍÛ˛ Θ·ÌËˆÛ Ë ÔÓ„Ó‚ÓËÚ¸ Ò ˜ÂÎÓ‚ÂÍÓÏ, Ó·‚ËÌˇÂÏ˚Ï ‚ ÊÂÒÚÓÍËı ÒÂËÈÌ˚ı Û·ËÈÒÚ‚‡ı. ü‡Á‡ÎÓÒ¸ ·˚, ÔÓÒÚÓ Á‡‰‡ÌË ӷÂÌÛÎÓÒ¸ ‰Îˇ ÏÓÎÓ‰ÓÈ ÊÛ̇ÎËÒÚÍË ÍӯχÓÏ, ÍÓÚÓ˚È ÔÓ‰ÚÓÎÍÌÛÎ ÂÂ Í ÔÂÂÓÒÏ˚ÒÎÂÌ˲ Ò·ˇ Ë ÓÍÛʇ˛˘ÂÈ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË.

Thriller. A terrible, semi-mystical and quite ambiguous story about how life can suddenly turn harsh. The well-known journalist Marina specializes in sensational reports; she has lapsed into depression and is thinking about changing her professional career in the aftermath of one of her criminal subjects being shot by a sniper right in front of her eyes. She is asked to do one last story: visit a psychiatric clinic to talk to a man accused of serial killings. And then the simple task turns into a nightmare for the young journalist; she is forced to reconsider the world that surrounds her. 102 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square OVER THEHEDGE À≈—Õ¿fl ¡–¿“¬¿ www.overthehedgemovie.com œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ¡ÓÌÌË¿ÌÓθ‰ ŒÏˉ ƒÊ‡ÎËÎË ÿ‡ÚÌÂ, ¿‚ËÎÀ‡‚Ë̸,fi‰ÊËÌÀ‚Ë,ÕËÍÕÓÎÚË, √Ó¯‡ üÛˆÂÌÍÓ),√˝Ëÿ˝Ì‰ÎËÌ„,—ÚË‚ü˝ÂÎ,”ËθˇÏ –ÓÎË ÓÁ‚Û˜ËÎË: ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ-ÔÓÒÚ‡ÌÓ‚˘ËÍ ü˝Ë üËÍÔ‡ÚËÍ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ˚ 2006, —ÿ¿,97ÏËÌ.,ˆ‚.,DolbySRD United InternationalPicturesñUIP ¡ÂÌ ‘Óθ‰Ò(ÔÂÒÌË),–ÛÔÂÚ√„ÒÓÌ-”ËθˇÏÒ ƒÊÂÈÌ œÛθ “ËÏ ƒÊÓÌÒÓÌËü˝ËüËÍÔ‡ÚËÍ DreamWorks Animation ¡˛Ò ”ËÎÎËÒ(‚ÓÒÒËÈÒÍÓÏÔÓ͇ÚÂñ ÇÈÍÎ ‘‡È,“ËÀ¸˛ËÒ,ÀÂÌ¡ÎÛÏ, ü‡ÚË ¿Î¸ÚÎÂË www.overthehedgemovie.com Distribution Production Producer Avril Lavigne,EugeneLevy,NickNolte,OmidDjalili version), GarryShandling,SteveCarell,WilliamShatner, Cast (voices): Costume Production Music Len Blum,KareyKirkpatrick Scriptwriters Directors 2006, USA,97min,colour,DolbySRD Ben Folds(songs),RupertGregson-Williams Design JanePoole Bonnie Arnold Tim Johnson,KareyKirkpatrick DreamWorks Animation Design KathyAltieri United InternationalPicturesñUIP Bruce Willis(GoshaKutsenkoñinRussian Michael Fry,T.Lewis, ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square

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¿ÌËχˆËÓÌ̇ˇ ÍÓωˡ. œ˯· ‚ÂÒ̇. ◊ÂÂÔ‡¯Í‡ ¬ÂÌË Ë Â„Ó ‰ÛÁ¸ˇ ÔÓ·Û‰ËÎËÒ¸ ÓÚ ‰Ó΄ÓÈ ÁËÏÌÂÈ ÒÔˇ˜ÍË Ë Í Ò‚ÓÂÏÛ Û‰Ë‚ÎÂÌ˲ ӷ̇ÛÊËÎË, ˜ÚÓ Ëı ÎÂÒÓÍ ÓÍÛÊÂÌ ·ÂÒÍ‡ÈÌÂÈ ÁÂÎÂÌÓÈ ËÁ„ÓÓ‰¸˛. ’ËÚ˚È ÂÌÓÚ ›ƒÊÂÈ ÔÓˇÒÌËÎ, ˜ÚÓ ÏË ÔÓ ÚÛ ÒÚÓÓÌÛ ËÁ„ÓÓ‰Ë Ì‡Á˚‚‡ÂÚÒˇ ´‚ÓÓÚ‡ÏË ‚ ıÓÓ¯Û˛ ÊËÁ̸ª, Ë·Ó Ú‡Ï Ó·ËÚ‡˛Ú ÒÚ‡ÌÌ˚ ÒÛ˘ÂÒÚ‚‡, ̇Á˚‚‡ÂÏ˚ β‰¸ÏË, ÍÓÚÓ˚ ÊË‚ÛÚ, ˜ÚÓ·˚ ÂÒÚ¸. ŒÒÚÓÓÊÌ˚È ¬ÂÌË ıÓ˜ÂÚ Û‰Âʇڸ Ò‚Ó˛ ÒÂϸ˛ ÔÓ ˝ÚÛ ÒÚÓÓÌÛ ËÁ„ÓÓ‰Ë, ÌÓ ›ƒÊÂÈ ‰Ó͇Á˚‚‡ÂÚ ÂÏÛ, ˜ÚÓ ˜ÂÎӂ˜ÂÒÍËÈ ÏÛÒÓ Ô‰ÒÚ‡‚ΡÂÚ ‰Îˇ ÊË‚ÓÚÌ˚ı ÌÂËÒÒˇÍ‡ÂÏ˚È Ó„ ËÁÓ·ËÎˡ. »Ï¡ ÍÓÂ-͇ÍË Á‡‰ÌË Ï˚ÒÎË, ÓÌ Û„Ó‚‡Ë‚‡ÂÚ Ï‡ÎÂ̸ÍËı Ó·ËÚ‡ÚÂÎÂÈ ÎÂÒ‡ ÌË˜Â„Ó Ì ·ÓˇÚ¸Òˇ Ë Ì‡Ò·ʉ‡Ú¸Òˇ ÔÎÓ‰‡ÏË ˆË‚ËÎËÁ‡ˆËË. ¬ÏÂÒÚ ÊË‚ÓÚÌ˚ ‚˚ıÓ‰ˇÚ ̇ ÓıÓÚÛ Á‡ ‚ÒÂÏ ÚÂÏ, ˜ÚÓ ÔÎÓıÓ ÎÂÊËÚÖ.

Animation comedy. Spring has come. The turtle Verne and its friends have woken up after a long hibernation, and to their surprise they find their forest surrounded by an endless green fence. The clever raccoon RJ explains that the world on that side of the fence is called ìa gate to good lifeî, because its inhabitants re strange beings called people, who live to eat. The cautious Verne wants to keep his family on this side of the fence, but RJ proves to him that the rubbish from the people represents an inexhaustible horn of plenty for animals. With some ulterior motives he persuades the small creatures of the forest not to be afraid of anything and to enjoy the fruits of civilization. Together the animals leave for a hunt on everything that lays wasteÖ 104 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square NOBODY KNOWSSEX Õ»ü“Œ Õ≈«Õ¿≈“œ–Œ—≈ü— www.centpart.ru œÓÍ‡Ú œÓ Á‡Í‡ÁÛ´÷ÂÌÚ‡Îœ‡ÚÌÂ¯ËÔª œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ÃËı‡ËÎ ≈ÙÂÏÓ‚,¿ÎÂÍ҇̉¡‡¯ËÓ‚,¿Ì‡ÚÓÎËÈüÛÁ̈ӂ üÓ̇ıËÌ, VJ¿‚Ó‡,ÇÍÒËÏüÓÌÓ‚‡ÎÓ‚,≈ÎÂ̇flÍӂ΂‡, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,97ÏËÌ.,ˆ‚.,1:2.35,DolbySRD ¿Ì‰ÂÈ üÓËÌÒÍËÈ ´÷ÂÌÚ‡Î œ‡ÚÌÂ¯ËÔª ÕËÍÓÎ‡È Ã‡˜ÛθÒÍËÈ,Çˡ√Ó̘‡,üËËÎÎ ŒÎ„ ÀÛ͢‚ ¿ÎÂÍÒÂÈ √Ó‰Â‚ ≈ÎÂ̇ ÀÛ͸ˇÌÓ‚‡ —Â„ÂÈ “˚ËÌ —Â„ÂÈ ƒ‡ÌËÂΡÌ,¿‡ÏÃÓ‚ÒÂÒˇÌ,fiËÈÃÓÓÁ »Î¸ˇ ÿËÔËÎÓ‚ —ÚÛ‰Ëˇ ´—ÀŒÕª ƒÂÌËÒ –Ó‰ËÏËÌ www.centpart.ru Distribution Production Yuri Moroz(CentralPartnership) Producers Efremov, AlexanderBashirov,AnatolyKuznetsov Aurora, MaximKonovalov,ElenaYakovleva,Mikhail Cast: Sound Composer Costumes Art Director Camera Scriptwriter Director 2006, Russia,97min,colour,1:2.35,DolbySRD Nikolai Machulsky,MariaGonchar,KirillKonakhin,VJ Andrey Korinsky Oleg Lukichiov Alexei Gordeev Elena Lukianova Ilya Shipilov Sergei Danielian,AramMovsesian, SLON Studio,CentralPartnership Central Partnership Denis Rodimin Sergei Tyrin ¿ÎÂÍÒÂÈ √Ó‰Â‚ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë –ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ, ÔÓ‰˛ÒÂ. cinema on the square ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 2001 ....¿Ì„ÂÎ˚ (Í/Ï) 2002 ....√·Á‡ÏË Ò‡‰Ó‚ÌË͇ (Í/Ï, ÍÛÒÓ‚‡ˇ ¬ü—–) 2004 ....Hello, ƒÓıÎ˚È! 2006 ....ÕËÍÚÓ Ì Á̇ÂÚ ÔÓ ÒÂÍÒ 105 Alexei Gordeev Director, scriptwriter, producer. ÃÓÎÓ‰ÂÊ̇ˇ ÍÓωˡ. ÃÓÎÓ‰ÓÈ ÔÓ‚Ë̈ˇΠ≈„Ó ÒÎÛ˜‡ÈÌÓ Á̇ÍÓÏËÚÒˇ Ò Filmography: 2001 ....Angels (short) ÚÂÎÂ‚Â‰Û˘ÂÈ ¿Ì„ÂÎËÌÓÈ Ë ÓÚÔ‡‚ΡÂÚÒˇ ‚ ÃÓÒÍ‚Û 2002 ....Through the Eyes of a Gardener ÊÂÌËÚ¸Òˇ. œË‚˚ÍÌÛÚ¸ Í ÒÚÓ΢ÌÓÏÛ ÚÂÏÔÛ ÊËÁÌË ≈„ÓÛ (short, coursework Higher Courses) 2004 ....Hello, Sickly! ÌÂÔÓÒÚÓ. ¬ÒÂ Â„Ó Á̇Ìˡ Ó ÏË ӄ‡Ì˘ÂÌ˚ ÚÂÏ, ˜ÚÓ ÓÌ 2006 ....Nobody Knows Sex ÛÁ̇Π‚ Ó‰ÌÓÈ Ú‡È„Â, Ë ÚÂÏ, ˜ÚÓ ‡ÒÒ͇Á‡Î ÂÏÛ Â‰ËÌÒÚ‚ÂÌÌ˚È Ó‰ÒÚ‚ÂÌÌËÍ ó ÒÚ‡˚È ‰Â‰-ÓıÓÚÌËÍ. ≈„ÓÛ Ô‰ÒÚÓËÚ ÔÓÈÚË ËÒÔ˚Ú‡ÌË ËÒÔÓ˜ÂÌÌÓÈ ÒÚÓÎˈÂÈ, ‚ÒÚÂÚËÚ¸ ̇ÒÚÓˇ˘Û˛ β·Ó‚¸ Ë ‚Ò ÛÁ̇ڸ ÔÓ ÒÂÍÒ.

Youth comedy. The young provincial lad Egor has a chance encounter with the television presenter Angelina and goes to Moscow to marry. Egor has no easy job to adapt to the pace of life in the capital. His knowledge of the world is limited to his experiences of his native taiga, and to the stories told by his only relative ñ his granddad, and old hunter. Egor has to pass the test of the spoiled capital, meet his real love, and find out everything about sex. 106 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square HUNTING FORPIRANHA Œ’Œ“¿ Õ¿œ»–¿Õ‹fi www.piraniafilm.ru œÓÍ‡Ú œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ÃËı‡ËÎ ≈ÙÂÏÓ‚ ÃÂÁÎËÍËÌ, ¿ÎÂÍÒÂÈ√Ó·ÛÌÓ‚,¿Ì̇¡‡Ì˘ËÍÓ‚‡, ¿ÌÚÓÌÓ‚‡, —Â„ÂÈ√‡χ¯,¬ËÍÚÓˡ»Ò‡ÍÓ‚‡,¿Ì‰ÂÈ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ˚ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ (ÔÓ Ó‰ÌÓËÏÂÌÌÓÈÍÌ˄¿ÎÂÍ҇̉‡¡Û¯ÍÓ‚‡) ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,125ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 —Â„ÂÈ ◊ÛÔÓ‚ ´÷ÂÌÚ‡Î œ‡ÚÌÂ¯ËÔª ¬Î‡‰ËÏË ǯÍÓ‚,≈‚„ÂÌËÈÃËÓÌÓ‚,—‚ÂÚ·̇ –ÓÏ‡Ì ¬‡Ò¸ˇÌÓ‚ ¿Ì‰ÂÈ ü‡‚ÛÌ À˛‰ÏË· √‡Ë̈‚‡ »„Ó¸ ŸÂÎÓÍÓ‚ ¬‡ÎÂËÈ “Ó‰ÓÓ‚ÒÍËÈ,»Î¸ˇÕÂÂÚËÌ ´–ÂÍÛÌ-“¬ª ƒÏËÚËÈ “‡‡‚ÍÓ‚,¬ËÚ‡ÎËÈ¿ÚËÒÚ ƒÏËÚËÈ «‚Â¸ÍÓ‚ www.piraniafilm.ru Distribution Producers Gorbunov, AnnaBanshchikova,MikhailEfremov Sergei Garmash,VictoriaIsakova,AndreiMerzlikin,Alexei Cast: Soun Music Costumes Art Director Camera Novel byAlexanderBushkov Scriptwriter Director 2006, Russia,125min,colour,1:2.35,DolbyDigital5.1 Vladimir Mashkov,EvgenyMironov,SvetlanaAntonova, Sergei Chuprov Dmitry Taravkov,VitalyArtist Roman Vasianov Andrei Kavun Lyudmila Gaintseva Racoon-TV Central Partnership Dmitry Zveríkov Igor Shchyolokov ¿Ì‰ÂÈ ü‡‚ÛÌ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë ñ ÒˆÂ̇ËÒÚ, ÂÊËÒÒÂ, ‡ÍÚÂ. cinema on the square ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡: 2004 ....üÛÒ‡ÌÚ˚ (ÒÂˇÎ) 2004 ....¬ÓÍÁ‡Î (ÒÂˇÎ) 2004 ....üÓχ̉‡ (ÒÂˇÎ) 2006 ....ŒıÓÚ‡ ̇ ÔË‡Ì¸˛ Andrei Kavun 107 Scriptwriter, Director, Actor.

Directorís Filmography: 2004 ....Couriers (serial) 2004 ....The Railway Station (serial) 2004 ....The Command Unit (serial) 2006 ....Hunting for Piranha

¡Ó‚ËÍ ÔÓ Ó‰ÌÓËÏÂÌÌÓÏÛ ÓχÌÛ ¿ÎÂÍ҇̉‡ ¡Û¯ÍÓ‚‡. ¿„ÂÌÚ ÒÔˆÔÓ‰‡Á‰ÂÎÂÌˡ ´œË‡Ì¸ˇª üËËÎΠÇÁÛ Ò ÍÓÎ΄ÓÈ ŒÎ¸„ÓÈ Ì‡Ô‡‚Ρ˛ÚÒˇ ̇ —‚Â Ò Á‡‰‡ÌËÂÏ ÎË͂ˉËÓ‚‡Ú¸ ÒÍ·‰ ÒÂÍÂÚÌÓ„Ó ÓÛÊˡ. ÕÂÓÊˉ‡ÌÌÓ ÓÌË Ó͇Á˚‚‡˛ÚÒˇ ‚ ÏËÂ, „‰Â Á‡ÍÓÌ˚ ˆË‚ËÎËÁ‡ˆËË Á‡·˚Ú˚, ‡ ÒÏÂÚÓÌÓÒÌÓ ÓÛÊË Á‡ı‚‡˜ÂÌÓ ·‡Ì‰ËÚ‡ÏË ÔÓ‰ Ô‰‚Ó‰ËÚÂθÒÚ‚ÓÏ ÌÓ‚Ó„Ó ´ıÓÁˇË̇ ڇȄ˪, œÓıÓ‡, ÍÓÚÓ˚È Ì‡ ‰ÓÒÛ„Â ‡Á‚ÎÂ͇ÂÚÒˇ ̇ÒÚÓˇ˘ÂÈ ÓıÓÚÓÈ Ì‡ β‰ÂÈÖ

Action film based on the novel of the same title by Alexander Bushkov. Under the guise of a romantic couple on vacation, secret service officer Kirill Mazur and his colleague Olga go to the Russian Taiga. Their mission is to destroy a biological ammunition storage. They get trapped in a world where human rules are scorned and the deadly weapon is seized by gangsters. The gangís leader, ëProkhorí, is a powerful and influential villain, who makes up his own rules. His hobby is huntingÖfor people. Mazur had never dreamt he would change his high-tech gun for a self-made ivory knife. Neither did he expect having to rescue his beloved companion and himself before saving the world. Mazur eventually learns that survival is a game without rulesÖ 108 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.piter-fm.ru œÓÍ‡Ú Ë ÍËÌÂχÚÓ„‡ÙËË ÔË Û˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ ÔÓÍÛθÚÛ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ »„Ó¸ “ÓÎÒÚÛÌÓ‚ √ÂÌÂ‡Î¸Ì˚ ÔÓ‰˛ÒÂ˚ ¿Ì‰ÂÈ ü‡ÒÍÓ,¬Î‡‰ËÏËǯÍÓ‚ ¿ÎÂÍ҇̉ ¡‡¯ËÓ‚,¿ÚÂÏ—ÂχÍËÌ,’‚‡Ì, ≈‚„ÂÌËÈ üÛ·ÍÓ‚,üËËÎÎœËÓ„Ó‚,“‡Ú¸ˇÌ‡ü‡‚˜ÂÌÍÓ, ¡‡‡·‡¯, »Ë̇–‡ıχÌÓ‚‡,Շڇθˇ–‚‡,ŒÎ„ƒÓÎËÌ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, –ÓÒÒˡ,85ÏËÌ.,ˆ‚.,1:1.66,DolbySRD PITER FM œ»“≈– FM fiÎˡ ≈„ÓÓ‚‡ ´√ÂÏËÌË ÙËθϪ ≈͇ÚÂË̇ ‘‰ÛÎÓ‚‡,≈‚„ÂÌËÈ÷˚„‡ÌÓ‚,¿ÎÂÍÒÂÈ »‚‡Ì √Û‰ÍÓ‚ ŒÍ҇̇ ¡˚˜ÍÓ‚‡ ŒÎ¸„‡ ¡˚˜ÍÓ‚‡ »„Ó¸ üÓˆ‡‚ ≈ÎÂ̇ √ÎËÍχÌ,¿Ì̇ü‡„‡Îˈ͇ˇ üËËÎÎ œËÓ„Ó‚ “ÂÎÂ͇̇Π—“—,´œÓ‘»“ª,´œÓÚÂΪ, Շ̇ √Ë̯ÚÂÈÌ,ŒÍ҇̇¡˚˜ÍÓ‚‡ ¿ÎÂÍ҇̉ –Ó‰ÌˇÌÒÍËÈ, www.piter-fm.ru Distribution of theFederalAgencyforCulture and Cinematography Production Producers General Producers Vladimir Mashkov Bashirov, ArtyomSemakin,AlexanderKhvan,AndreiKrasko, Kulakov, KirillPirogov,TatianaKravchenko,Alexander Irina Rakhmanova,NataliaRyova,OlegDolin,Evgeny Cast: Sound Composer Costumes Art Director Camera Scriptwriters Director 2006, Russia,85min,colour,1:1.66,DolbySRD Ekaterina Fedulova,EvgenyTsyganov,AlexeiBarabash, Yulia Egorova Ivan Gudkov Oksana Bychkova Olga Bychkova Kirill Pirogov Elena Glikman,AnnaKagarlitskaia CTC Television,ProFIT,Protelwith participation Gemini Film Igor Kotsarev Nana Grinshtein,OksanaBychkova Alexander Rodniansky,IgorTolstunov ŒÍ҇̇ ¡˚˜ÍÓ‚‡ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë üËÌÓÂÊËÒÒÂ Ë ÒˆÂ̇ËÒÚ. cinema on the square ‘ËθÏÓ„‡Ùˡ: 2001 ....ƒ‚ ÒÚÓÓÌ˚ ÒÚÂÍ· (Í/Ï, ۘ·̇ˇ ñ ¬ü—–) 2002 ....“Ë ÒÂÒÚ˚ (Í/Ï, ÍÛÒÓ‚‡ˇ) 2006 ....œËÚÂ FM (‰Â·˛Ú) Oksana Bychkova 109 Film director, scriptwriter.

Filmography: 2001 ....Two Sides of Glass (short, practical, Higher Courses) 2002 ....Three Sisters (short, coursework) 2006 ....Piter FM (debut)

ÃÓÎÓ‰ÂÊ̇ˇ ÓχÌÚ˘ÂÒ͇ˇ ÍÓωˡ. ǯ‡ ñ ‰Ë-‰ÊÂÈ Ì‡ ÔÓÔÛΡÌÓÏ ÔËÚÂÒÍÓÏ ‡‰ËÓ, ÇÍÒËÏ ñ ÏÓÎÓ‰ÓÈ ‡ıËÚÂÍÚÓ. ǯ‡ „ÓÚÓ‚ËÚÒˇ Í Ò‚‡‰¸·Â Ò ·˚‚¯ËÏ Ó‰ÌÓÍ·ÒÒÌËÍÓÏ, ÇÍÒËÏ Ôӷ‰ËÎ ‚ ÏÂʉÛ̇Ó‰ÌÓÏ ÍÓÌÍÛÒ ‡ıËÚÂÍÚÓÓ‚ Ë ÒÓ·Ë‡ÂÚÒˇ ̇ ‡·ÓÚÛ ‚ √ÂχÌ˲. ÕÓ Ó·‡ ÓÌË Ì ۂÂÂÌ˚, ˜ÚÓ ËÏ ÌÛÊÌÓ ËÏÂÌÌÓ ˝ÚÓ. ÇÍÒËχ Û‰ÂÊË‚‡ÂÚ ‚ œËÚÂ β·Ó‚¸ Í ‰Â‚Û¯ÍÂ, ÍÓÚÓ‡ˇ Â„Ó ÓÒÚ‡‚Ë·, ‡ ǯ‡ ˜Û‚ÒÚ‚ÛÂÚ, ˜ÚÓ Â ÊÂÌËı üÓÒÚˇ ñ ÒÓ‚ÒÂÏ Ì ÚÓÚ ˜ÂÎÓ‚ÂÍ, ·ÂÁ ÍÓÚÓÓ„Ó Ó̇ ·˚ Ì Ïӄ· ÊËÚ¸. » ÍÚÓ Á̇ÂÚ, Í‡Í ·˚ ÔÓ‚ÂÌÛ·Ҹ Ëı ÒÛ‰¸·‡, ÂÒÎË ·˚ Ì ÒÎÛ˜‡È ñ ǯ‡ ÚÂˇÂÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ, ‡ ÇÍÒËÏ Â„Ó Ì‡ıÓ‰ËÚÖ œÛθÒËÛ˛˘ËÈ Ó„‡ÌËÁÏ Ï„‡ÔÓÎËÒ‡, „Ó¸ÍË ‡ÒÒÚ‡‚‡Ìˡ Ë ÌÓ‚˚ ‚ÒÚ˜Ë, ̇ÍÓ̈ Ò‡ÏÓ ‚ÂÏˇ, ‚ ÍÓÚÓÓÏ ÊË‚ÛÚ „ÂÓË, ÚÂÒÌÓ ÔÂÂÔÎÂÚÛÚÒˇ, ˜ÚÓ·˚ ÔË‚ÂÒÚË Ëı ‰Û„ Í ‰Û„Û.

Romantic youth comedy. Masha, a DJ with a popular Petersburg radio station; Maxim, a young architect. Masha prepares for her wedding to her former schoolmate; Maxim has won an international architectsí competition and prepares to go to work in Germany. But neither of them is sure that this is what they need. Maxim is attached to the city because of an old flame, who left him; Masha feels that her fianc Kostia is not at all the person with whom she wants to be. And who knows how their lives would have developed had it not been for chance: Masha loses her mobile phone and Maxim finds itÖ the pulsating organism of the megapolis, bitter separations and new encounters, and the time in which the protagonists live are closely woven together in order to bring the two heroes closer to each other. 110 ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë cinema on the square www.svolochifilm.ru œÓÍ‡Ú ‘‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË ÍËÌÓÚÂ΂ËÁËÓÌ̇ˇ ÍÓÏÔ‡Ìˡ´–ËÚϪ,ÔËÛ˜‡ÒÚËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¬‡‰ËÏ üÓ΄‡ÌÓ‚,—ÂÏÂÌ—Ë‚ÍÓ‚,ƒÏËÚËÈ√Ó‚ÓÈ ƒÂÌËÒ ü‡‡Ò‚,–ÓÒÚËÒ·‚¡Â¯‡Û˝,¿ÎÂÍ҇̉ÕËÍÛÎËÌ, ¿ÎÂÍ҇̉ √ÓÎÓ‚ËÌ,¬Î‡‰ËÏËü‡¯ÔÛ,¿Ì‰‚, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ÒˆÂ̇ˡ ¿‚ÚÓ˚ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,96ÏËÌ.,ˆ‚.,1:2.35,DolbyDigital5.1 BASTARDS —¬ŒÀŒ◊» fiÎˡ ≈„ÓÓ‚‡ ¿„ÂÌÚÒÚ‚Ó ´œ‡‡‰ËÁª ¿Ì‰ÂÈ œ‡ÌËÌ,ü‡ÒÍÓ,—Â„ÂÈ–˚˜ÂÌÍÓ‚, ƒÏËÚËÈ fl¯ÓÌÍÓ‚ ¿ÎÂÍ҇̉ ¿Ú‡ÌÂÒˇÌ ¿ÎÂÍÒÂÈ ü‡Ï˚¯Ó‚,≈ÎÂ̇—Ú‡ÌÍ‚‡ ÇÍÒËÏ ‘ÂÒ˛Ì √‚Ó„ ÕÂÒËÒˇÌ,fiËÈüÛ¯ÌÂ‚ ¿͇‰ËÈ ”ÍÛÔÌËÍ œÓ‰˛ÒÂÒÍËÈ ˆÂÌÚ´œ‡‡‰ËÁª, ¬Î‡‰ËÏË üÛÌËÌ,¿ÎÂÍ҇̉¿Ú‡ÌÂÒˇÌ www.svolochifilm.ru Distribution Cinematography participation oftheFederalAgencyforCultureand Production Producers Vadim Kolganov,SemionSivkov,DmitryGorevoy Denis Karasiov,RostislavBershauer,AlexanderNikulin, Alexander Golovin,VladimirKashpur,Andreev, Cast: Sound Composer Costumes Art Director Camera Scriptwriters Director 2005, Russia,96min,colour,1:2.35,DolbyDigital5.1 Andrei Panin,Krasko,SergeiRychenkov, Yulia Egorova Dmitry Yashonkov Alexander Atanisian Alexei Kamyshov,ElenaStankeeva Arkady Ukupnik Gevorg Nersisian,YuriKushneriov Paradise FilmProduction,RitmCompanywith Paradise Agency Maxim Fesiun Vladimir Kunin,AlexanderAtanesian ¿ÎÂÍ҇̉ ¿Ú‡ÌÂÒˇÌ ÍËÌÓ Ì‡ ÔÎÓ˘‡‰Ë œÓ‰˛ÒÂ, ÂÊËÒÒÂ, ‡ÍÚÂ, ÒˆÂ̇ËÒÚ,

·ÛÂ‡Ú ÔÓÙÂÒÒËÓ̇θÌ˚ı ÍËÌÓÔÂÏËÈ. cinema on the square ¿Í‡‰ÂÏËÍ ‡Í‡‰ÂÏËË ÍËÌÂχÚÓ„‡Ù˘ÂÒÍËı ËÒÍÛÒÒÚ‚ ´Õ»ü¿ª, ˜ÎÂÌ Ô‡‚ÎÂÌˡ √Ëθ‰ËË üËÌÓÔÓ‰˛ÒÂÓ‚ –ÓÒÒËË, ˜ÎÂÌ Ô‡‚ÎÂÌˡ —Ó˛Á‡ ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ –ÓÒÒËË, „ÂÌÂ‡Î¸Ì˚È ‰ËÂÍÚÓ ÍÓÏÔ‡ÌËË ´¿Ì„ÂÎ-ÙËθϪ (ÃÓÒÍ‚‡). 111 ‘ËθÏÓ„‡Ùˡ ÂÊËÒÒÂ‡ (Ë„Ó‚Ó ÍËÌÓ): 2000 ....24 ˜‡Ò‡ 2002 ....ÀÂÚÌËÈ ‰Óʉ¸ 2005 ....◊ÂÎÓ‚ÂÍ-‡ÏÙ˷ˡ 2005 ....—‚ÓÎÓ˜Ë 2006 ....”.≈. (ÒÂˇÎ) Alexander Atanesian Producer, director, actor, script writer, winner of professional film-prizes. Member of academy of cinema arts ´NIKAª, member of board of Guild of Film producers of Russia, member of board of the Union of cinematographers of Russia, general manager ´Angel-filmª (Moscow).

Filmography as director (feature films): 2000 ....24 Hours 2002 ....Summer Rain 2005 ....Amphibian Man 2005 ....Bastards √ÂÓ˘ÂÒ͇ˇ ‰‡Ï‡ ÔÓ Ó‰ÌÓËÏÂÌÌÓÈ ÔÓ‚ÂÒÚË ¬Î‡‰ËÏË‡ üÛÌË̇. 2006 ....”.≈. (serial) 1943 „Ó‰, ¬ÂÎË͇ˇ ŒÚ˜ÂÒÚ‚ÂÌ̇ˇ ‚ÓÈ̇. ƒÎˇ ‚˚ÔÓÎÌÂÌˡ ÒÂÍÂÚÌÓ„Ó Ô‡‚ËÚÂθÒÚ‚ÂÌÌÓ„Ó Á‡‰‡Ìˡ ËÁ Á‡Íβ˜ÂÌˡ ÓÒ‚Ó·Óʉ‡ÂÚÒˇ ÔÓÎÍÓ‚ÌËÍ ¬Ë¯Ì‚ˆÍËÈ. ¡˚‚¯ÂÏÛ ÒÔÓÚÒÏÂÌÛ Ë ‡Î¸ÔËÌËÒÚÛ ÔÓÛ˜‡ÂÚÒˇ ̇·‡Ú¸ „ÛÔÔÛ ËÁ ÓÚ˜‡ˇÌÌ˚ı χθ˜Ë¯ÂÍ 14-15 ÎÂÚ, ÒËÓÚ, ÍÓÚÓ˚ı ÌËÍÚÓ ÌËÍÓ„‰‡ Ì ·Û‰ÂÚ ËÒ͇ڸ. œÓ‰ÓÒÚÍÓ‚ ÓÚÔ‡‚Ρ˛Ú ‚ Ú‡ÈÌ˚È „ÓÌ˚È Î‡„Â¸, „‰Â ÓÌË ÔÓıÓ‰ˇÚ ÒÔˆˇθÌÛ˛ ÔÓ‰„ÓÚÓ‚ÍÛ. »Ï Ô‰̇Á̇˜ÂÌÓ ÛÌ˘ÚÓÊËÚ¸ ‡Î¸ÔËÈÒÍÛ˛ Ù‡¯ËÒÚÒÍÛ˛ ‚ÓÂÌÌÛ˛ ·‡ÁÛ ´√ÂÙβ„ÂθıÓÙª ‰Ë‚ËÁËË ´›‰Âθ‚ÂÈÒª...

Heroic drama based on the story of the same title by Vladimir Kunin 1943, Great Patriotic War. In order to carry out a confidential governmental task, colonel Vishnevetsky is released from confinement. The former sportsman and climber is entrusted with building a group from desperate orphans aged 14-15 years, whom nobody will ever search for. The teenagers are sent to a secret mountain camp, where they undergo a special training programme. The plan is to destroy the fascist Alpine military base ìGefluegelhofî of the Edelweiss Division, which is based in the Caucasus... www.kinotavr.ru ÒÔˆˇθÌ˚È ÔÓ͇Á special screening

113 ‚ÓÁ‚‡˘ÂÌÌ˚ ¯Â‰Â‚˚ (ÂÍÓÌÒÚÛÍˆËˇ ´ÔÓ„Ë·¯Ëıª ÙËθÏÓ‚) RETURNED MASTERPIECES (RECONSTRUCTION OF "LOST" FILMS)

‡ÌÚÓÎӄˡ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓ ANTHOLOGY OF RUSSIAN CINEMA

ÍËÌÓ ´ÒËÌ هÌÚÓϪ: CINEMA OF "CINE FANTOM": ͇ÒÚËÌ„ THE CASTING ‚Ó΄‡-‚Ó΄‡ VOLGA-VOLGA ÒÛχү‰¯ËÈ ÔË̈ ˝ÒÙË¸ MAD PRINCE ESTHER 114 ÒÔˆˇθÌ˚È ÔÓ͇Á special screening (ÂÍÓÌÒÚÛÍˆËˇ ´ÔÓ„Ë·¯ËıªÙËθÏÓ‚) ¬Œ«¬–¿Ÿ≈ÕÕ¤≈ ÿ≈ƒ≈¬–¤ œ‰ÒÚ‡‚ΡÂÚ ÔÓÂÍÚ —ÚÛ‰Ëˇ Õ›÷ü»ËÏÂÌË—‡‚‚˚üÛÎ˯‡ œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍ҇̉ ¿ÎÂÍ҇̉Ó‚,flÌË̇∆ÂÈÏÓ,“‡Ú¸ˇÌ‡¬ÂÌÚˆÂθ ¿Ì‰ÂÈ üÓÒÚ˘ÍËÌ,≈‚„ÂÌËÈüÛÏÂÈÍÓ,›ÏËθ√‡Î¸, ¬ ÓΡı: ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ÀÂÓÌˉ “‡Û·Â„ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ˚ ‚ÂÏˇ Ò˙ÂÏÓÍ. ¯ÍÓÎ˚ª. ¬ÓÒÒÚ‡ÌÓ‚ÎÂ̇ÔÓÙÓÚÓ„‡ÙˡÏ,҉·ÌÌ˚Ï‚Ó ‚‡ÊÌÂȯ Á̇˜ÂÌˉΡÙÓÏËÓ‚‡Ìˡ´ÎÂÌËÌ„‡‰ÒÍÓÈ √Ë„ÓËÈ üÓÁË̈‚ËÀÂÓÌˉ“‡Û·Â„),ËÏ‚¯‡ˇ ñ ˝ÍÒˆÂÌÚ˘ÂÒ͇ˇÍÓωˡ„ÛÔÔ˚‘›ü—(ÂÊËÒÒÂ˚ ûÿü» œ–Œ“»¬fiƒ≈Õ»◊¿ Production Alexandrov, Yanina Zheimo,TatianaVentsel Andrey Kostrichkin,EvgenyKumeiko, EmilGall,Alexander Cast: Set Design DoP Script Directors reconstructed onthebasisofproductionstills. major roleintheformationofìLeningradschoolî.Itwas Grigory KozintsevandLeonidTrauberg),whichplayeda An eccentriccomedyoftheFEKSgroup(bydirectors 1925, 16min MISHKI AGAINSTYUDENICH Ò·Ó‡ ‚ÒÂıÓÒÚ‡‚¯ËıÒˇÏ‡ÚÂˇÎÓ‚(ÙÓÚÓ„‡Ù˘ÂÒÍËıË Õ‡ ÓÒÌÓ‚ÂÏÌÓ„ÓÎÂÚÌËı‡ıË‚Ì˚ıËÁ˚Ò͇ÌËÈ,ÍÓÔÓÚÎË‚Ó„Ó Ì‡‡ÚË‚Ì˚ı Ë‚˚‡ÁËÚÂθÌ˚ıÒ‰ÒÚ‚. ËÏ‚¯Ë ӄÓÏÌÓÂÁ̇˜ÂÌˉΡ‡Á‚ËÚˡˇÁ˚͇ÍËÌÓ,Â„Ó ÔÓˆÂÌÚÓ‚. ¬˝ÚÓ˜ËÒÎÓ‚ıÓ‰ˇÚ͇ÚËÌ˚,‚Ò‚Ó‚ÂÏˇ ÏËÓ‚Ó„Ó ÍËÌÓ´ÌÂÏÓ„ÓÔÂËÓ‰‡ªÔÓ„Ë·ÎÓÓÍÓÎÓ80 œÓ ÒÚ‡ÚËÒÚËÍÂ,Í̇ÒÚÓˇ˘ÂÏÛ‚ÂÏÂÌËËÁ‚ÒÂıÙËθÏÓ‚ 2005, –ÓÒÒˡ,BetacamSP œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ¿‚ÚÓ ÂÍÓÌÒÚÛ͈ËÈ 1925, 16ÏËÌ. Fridrich Verigo-Darovsky Shura Zavialov,PolinaPonna,Sergei Gerasimov, Irina Kunina,GrigoryKozintsev,Leonid Trauberg ÿÛ‡ «‡‚¸ˇÎÓ‚,œÓÎË̇œÓÌ̇,—Â„ÂÈ√Â‡ÒËÏÓ‚, Grigory Kozintsev,LeonidTrauberg ‘ˉËı ¬ÂË„Ó-ƒ‡Ó‚ÒÍËÈ ¿ÌÓθ‰ √ËÒÍËÌ ≈‚„ÂÌËÈ ≈ÌÂÈ Evgeny Yenei SEVZAPKINO √Ë„ÓËÈ üÓÁË̈‚,ÀÂÓÌˉ“‡Û·Â„ —≈¬«¿œü»ÕŒ üËÌÓÒÚÛ‰Ëˇ Õ›÷ü»ËÏÂÌË—‡‚‚˚üÛÎ˯‡ »Ë̇ üÛÌË̇,√Ë„ÓËÈüÓÁË̈‚, ÕËÍÓÎ‡È »Á‚ÓÎÓ‚ ҉·ÌÌ˚ ‚‡ÁÌ˚ıÏÂÚÓ‰Ë͇ı. Õ‡ÒÚÓˇ˘ËÈ ÔÓÂÍÚ‚Íβ˜‡ÂÚ‚Ò·ˇ˜ÂÚ˚Â‡·ÓÚ˚, ÔÓ͇Á˚‚‡˛ÚÒˇ ÔÓÚÂ΂ˉÂÌ˲,‚˚ıÓ‰ˇÚ̇DVD. ÛÒÔÂıÓÏ ‚Ò‰ÂÍÛθÚÛÓÎÓ„Ó‚,Ò·‚ËÒÚÓ‚,ωˇÚÂÓÂÚËÍÓ‚, ‚ÒÂ„Ó ÙËθÏ˚¿ÎÂÍ҇̉‡Ã‰‚‰ÍË̇)ÔÓθÁÛ˛ÚÒˇ·Óθ¯ËÏ œ‰˚‰Û˘Ë ÂÍÓÌÒÚÛ͈ËËÕËÍÓ·ˇ»Á‚ÓÎÓ‚‡(ÔÂʉ Á‡ËÌÚÂÂÒÓ‚‡ÌÌ˚ı Îˈ. ÂÁÛÎ¸Ú‡Ú ˝ÚÓÚ‡·ÓÚ˚ñ‰ÓÒÚÛÔÌ˚Ï‰ÎˇÓ„ÓÏÌÓ„ÓÍÛ„‡ ÚÂıÌÓÎÓ„ËË ‰Â·˛Ú˝ÚÓÚÔÓˆÂÒÒ‚ÓÁÏÓÊÌ˚Ï‰ÎˇÛ˜ÂÌ˚ı,‡ ÙËθÏÓ‚ ‚ÔÓÒÚ‡ÌÒÚ‚ÂÌÌÓ-‚ÂÏÂÌÌÓςˉÂ.÷ËÙÓ‚˚ ÎËÚÂ‡ÚÛÌ˚ı) ‚ÓÁÏÓÊÌÓÒ‚ÓÂÓ·‡ÁÌÓ´‚ÓÒÒÓÁ‰‡Ì˪˝ÚËı Production Alexandra Khokhlova,LevKuleshov Cast: DoP Scriptwriter andDirector script andauthenticframesfromthe film. the 1920sî.Ithasbeenrestoredusingoriginalshooting many respectsthestyleofìSovietcinemaavant-garde was madeduringthePolishcampaign.Thisfilmshapedin plot issetintherealconditionsofCivilWar.Thefilm the futureìKuleshovcollectiveî(directorLevKuleshov).The An agit-filmfromthetimeofCivilWar,firstwork 10 min ON THEREDFRONT,1920 Ã.Œ.Õ.Œ. œÓËÁ‚Ó‰ÒÚ‚Ó ¿ÎÂÍ҇̉‡ ’ÓıÎÓ‚‡,À‚üÛίӂ ¬ ÓΡı: ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ ÔÓ‰ÎËÌÌ˚ı ͇‰Ó‚ËÁÙËθχ. ¬ÓÒÒÚ‡ÌÓ‚ÎÂ̇ ̇ÓÒÌÓ‚ÂÓË„Ë̇θÌÓ„ÓÏÓÌÚ‡ÊÌÓ„ÓÎËÒÚ‡Ë ÙÓÏËÓ‚‡Ì˲ ÒÚËΡ´ÒÓ‚ÂÚÒÍÓ„ÓÍËÌÓ‡‚‡Ì„‡‰‡1920-ıª. ͇ÏÔ‡ÌËË. ›Ú‡‡·ÓÚ‡‚ÓÏÌÓ„ÓÏÒÔÓÒÓ·ÒÚ‚Ó‚‡Î‡ „‡Ê‰‡ÌÒÍÓÈ ‚ÓÈÌ˚.‘ËθÏÒÌˇÚ‚Ó‚ÂÏˇÔÓθÒÍÓÈ »„Ó‚ÓÈ Ò˛ÊÂÚÔÓÏ¢ÂÌ‚‡θÌÛ˛Ó·ÒÚ‡ÌÓ‚ÍÛ ·Û‰Û˘Â„Ó ´ÍÓÎÎÂÍÚË‚‡üÛίӂ‡ª(ÂÊËÒÒÂÀ‚üÛίӂ). ñ ‡„ËÚÙËθςÂÏÂÌ„‡Ê‰‡ÌÒÍÓÈ‚ÓÈÌ˚,ÔÂ‚‡ˇ‡·ÓÚ‡ 1920, 10ÏËÌ. Õ¿ ü–¿—ՌÑ–ŒÕ“≈ Peter Yermolov Leonid Obolensky,A.Reich, ÀÂÓÌˉ Œ·ÓÎÂÌÒÍËÈ,¿.–ÂÈı, œÂÚ ≈ÏÓÎÓ‚ M.O.N.O. ‘ÓÚÓ-ÒÂÍˆËˇ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓ„ÓÔÓ‰Óډ· Lev Kuleshov À‚ üÛίӂ NETSKI Studio named after Savva Kulish Represents the project RETURNED MASTERPIECES (reconstruction of "lost" films)

Author of reconstruction Nikolai Izvolov literary) an idiosyncratic ìreconstructionî of these films in Producer Arnold Giskin their spatial and temporary form is possible. Digital Production NETSKI Studio named after Savva Kulish technology has made this process possible for scientists, 2005, Russia, Betacam SP and the result of this work is accessible to a wide circle of special screening people. According to statistics, at present about 80% of the worldís cinema of the silent era have been lost. This figure includes Nikolai Izvolovís previous reconstructions (above all of ÒÔˆˇθÌ˚È ÔÓ͇Á films that, in their time, played a most important role for the Alexander Medvedkinís films) enjoy great success among development of film language, its narrative and expressive culturologists, Slavists, and media theorists, and they are means. shown on TV and issues on DVD.

On the basis of long-term archival research, the laborious The present project includes four works using different collection of all remaining materials (photographic and techniques. 115

ƒŒ’”Õƒ¿ ∆≈Õ»“‹¡¿ (‚ ÔÂÂ‚Ó‰Â Ò Ú‡‰ÊËÍÒÍÓ„Ó ´·Â‰ÌˇÍª, ´·Ó‰ˇ„‡ª), 1936, 60 ÏËÌ. 1936, 44 ÏËÌ. ñ ΄Ẩ‡Ì˚È ÙËÎ¸Ï À¸‚‡ üÛίӂ‡, ˝Í‡ÌËÁ‡ˆËˇ Óχ̇ ñ ÔÂ‚‡ˇ ÂÊËÒÒÂÒ͇ˇ ‡·ÓÚ‡ ËÁ‚ÂÒÚÌÂÈ¯Â„Ó ‡ÍÚÂ‡ ›‡ÒÚ‡ —‡‰ˉ‰Ë̇ ¿ÈÌË, ÍÓÚÓ˚È ‰ÓÎÊÂÌ ·˚Î ÒÚ‡Ú¸ ÔÂ‚˚Ï Ò‰- √‡Ë̇, ‚ÓÒÔËÚ‡ÌÌË͇ ÏÂÈÂıÓθ‰Ó‚ÒÍÓÈ ¯ÍÓÎ˚. ›Í‡ÌËÁ‡- ̇ÁˇÚÒÍËÏ ÔÓÎÌÓÏÂÚ‡ÊÌ˚Ï Ë„Ó‚˚Ï ÙËθÏÓÏ, ÌÓ ÓÒÚ‡Î- ˆËˇ Ô¸ÂÒ˚ √Ó„ÓΡ. ›ÚÓÚ ÙËÎ¸Ï ÓÒÚ‡ÎÒˇ ‚ Ô‡ÏˇÚË ÒÓ‚ÂÚÒÍËı Òˇ ÌÂÁ‡ÍÓ̘ÂÌÌ˚Ï. ›Ú‡ ‡·ÓÚ‡ ÒËθÌÓ ÔÓ‚Îˡ· ̇ ÒÓÁ‰‡ÌË ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ Í‡Í Î„Ẩ‡Ì˚È, ıÓÚˇ ÌËÍÚÓ Ì ‚ˉÂÎ Ò‚ÓÂÓ·‡ÁÌÓ„Ó ÒÚËΡ Ò‰Ì‡ÁˇÚÒÍÓ„Ó ÍËÌÂχÚÓ„‡Ù‡ ÒÓ‚ÂÚ- Â„Ó ÛÊÂ Ò ÔÓÒ΂ÓÂÌÌÓ„Ó ‚ÂÏÂÌË. ¬ÓÒÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ÓÒÌÓ‚Â ÒÍÓ„Ó ÔÂËÓ‰‡. ¬ÓÒÒÚ‡ÌÓ‚ÎÂ̇ ̇ ÓÒÌÓ‚Â ÓË„Ë̇θÌÓ„Ó Â- ÏÓÌÚ‡ÊÌÓ„Ó ÎËÒÚ‡, ͇‰Ó‚ ËÁ ÙËθχ Ë ÙÓÚÓ„‡ÙËÈ, ҉·Ì- ÊËÒÒÂÒÍÓ„Ó ÒˆÂ̇ˡ, ËÎβÒÚËÓ‚‡ÌÌÓ„Ó Í‡‰‡ÏË ‡ÍÚÂ- Ì˚ı ‚Ó ‚ÂÏˇ Ò˙ÂÏÓÍ. “ÂÍÒÚ ÓÁ‚Û˜ÂÌ ¿ÎÂÍ҇̉ÓÏ Õ„·ÓÈ. ÒÍËı ÂÔÂÚˈËÈ. ¿‚ÚÓ˚ ÒˆÂ̇ˡ Ë ÂÊËÒÒÂ˚ ›‡ÒÚ √‡ËÌ, ’ÂÒˇ ÀÓͯË̇ ¿‚ÚÓ ÒˆÂ̇ˡ ŒÒËÔ ¡ËÍ ŒÔÂ‡ÚÓ ¿Ì‡ÚÓÎËÈ œÓ„ÓÂÎ˚È –ÂÊËÒÒÂ À‚ üÛίӂ ’Û‰ÓÊÌËÍ »Ò‡‡Í ÇıÎËÒ —ÓÂÊËÒÒÂ —Â„ÂÈ —Í‚ÓˆÓ‚ «‚ÛÍ ¿ÎÂÍ҇̉ ¡ÂÍÍÂ ŒÔÂ‡ÚÓ üÓÌÒÚ‡ÌÚËÌ üÛÁ̈ӂ ¬ ÓΡı: ›‡ÒÚ √‡ËÌ, —ÚÂÔ‡Ì ü‡˛ÍÓ‚, ¿ÎÂÍÒÂÈ Ã‡ÚÓ‚, ÕË̇ À‡ÚÓÌË̇, «Óˇ ‘‰ÓÓ‚‡ ¬ ÓΡı: ü‡ÏËθ flχÚÓ‚, “‡Òˇ –‡ıχÌÓ‚‡, —ÂÏÂÌ —‚‡¯ÂÌÍÓ, —Â„ÂÈ üÓχÓ‚ Ë ‰Û„ËÂ. œÓËÁ‚Ó‰ÒÚ‚Ó ´ÀÂÌÙËθϪ DOKHUNDA THE MARRIAGE (in translation from Tadjik ëpoor maní, ëtrampí), 1936, 60 min 1936, 44 min The legendary film by Lev Kuleshov, an adaptation of the The directorial debut of the famous actor Erast Garin, a pupil novel by Sadriddin Aini, which should have become the first of the Meyerhold school. An adaptation of Gogolís play. This Central Asian full-length feature film, but remained film remains a legend in the memory of Soviet unfinished. This work strongly influenced the creation of an cinematographers, although nobody actually saw it since the original style of Central Asian cinematography during the war. It has been restored on the basis of the shooting script, Soviet period. It has been restored on the basis of the original stills from the film and photos taken during the filming. The directorís script illustrated with photos of the actors during text is narrated by Alexander Negreba. rehearsals. Scriptwriters and Directors Erast Garin, Hesia Lokshina Scriptwriter Osip Brik DoP Anatoly Pogorely Director Lev Kuleshov Set Design Isaak Makhlis Co-Director Sergei Skvortsov Sound Alexander Bekker DoP Konstantin Kuznetsov Cast: Erast Garin, Stepan Kayukov, Alexei Matov, Nina Latonina, Zoya Fyodorova Cast: Kamil Yarmatov, Tasia Rakhmanova, Semyon Svashenko, Sergei Komarov Production Lenfilm 116 ÒÔˆˇθÌ˚È ÔÓ͇Á special screening ÍÛθÚÛ ËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ÏÓÌڇʇ –ÂÊËÒÒÂ “ÂÍÒÚ ˜ËÚ‡ÂÚ «‚ÛÍ üÓÏÔÓÁËÚÓ ≈ÏÂÍ Ã‡Ï·ÂÚÓ‚(´√ÓÓ‰ÒÌÓ‚ª) ŒÔÂ‡ÚÓ˚ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,(55+56+57)ÏËÌ.,‰ÓÍÛÏÂÌڇθÌ˚ȈËÍÎ ANTHOLOGY OFRUSSIANCINEMA ¿Õ“ŒÀŒ√»fl –Œ——»…—üŒ√Œü»ÕŒ √‡ÎË̇ —Ë‚Â ÇˇÌ̇ üË‚‡ ÇË̇ “Û¯ ÃËı‡ËÎ ü‡Ò¸ÍÓ‚(´√‡Ìˈ‡ª,´¬ÓÁ‚‡˘ÂÌ˪), ¿ÎÂÍ҇̉ ◊‡ÈÍÓ‚ÒÍËÈ ¿ÎÂÍ҇̉ √Ó‰ÓÌ —ÚÛ‰Ëˇ ´¿ÚËχª,‘‰Â‡Î¸ÌÓ‡„ÂÌÚÒÚ‚ÓÔÓ Ã‡ˇÌ̇ üË‚‡,≈‚„ÂÌËÈÇ„ÓÎËÚ fiËÈ üÓÚÓ‚ and Cinematography Production Producer Editor Narrator Sound Composer Ermek Mambetov(CityofDreams) Camera Scriptwriters Director 2005, Russia,(55+56+57)min,documentarycycle Yuri Kotov Galina Siver Mikhail Kasíkov(TheBorder,TheReturn), Marianna Kireeva Alexander Gordon Marina Trush Alexander Chaikovsky Artima Studio,theFederalAgencyforCulture Marianna Kireeva,EvgenyMargolit special screening ÒÔˆˇθÌ˚È ÔÓ͇Á

ÇˇÌ̇ üË‚‡ ÓÍÓ̘Ë· ÍËÌӂ‰˜ÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬√»ü‡ (1987, χÒÚÂÒ͇ˇ À. ÇχÚÓ‚ÓÈ, ≈. —ÛÍÓ‚‡), Á‡ÚÂÏ ñ ‡ÒÔË‡ÌÚÛÛ. ¬ 1992-2002 ‡·Óڇ· ̇ ‡Á΢Ì˚ı ‰ÓÎÊÌÓÒÚˇı ‚ 117 ÒËÒÚÂÏ ÍËÌÓÔÓ͇Á‡ –ÓÒÒËÈÒÍÓ„Ó ÚÂ΂ˉÂÌˡ. —Ó‡‚ÚÓ Ë ÂÊËÒÒÂ ˆËÍÎÓ‚ÓÈ 5-È ÙËÎ¸Ï ´√–¿Õ»÷¿ª (1933-1938). ÔÓ„‡ÏÏ˚ ´ÃÛÁÂÈ ÍËÌÓª (´ÿ‰‚˚ ¬˚‚‡‚¯ËÒ¸ ËÁ ÚËÒÍÓ‚ ´‡„ËÚÔÓÔ‡ª, ÒÓ‚ÂÚÒÍÓ ÍËÌÓ ‚ 33-34 „Ó‰‡ı ‚ÌÓ‚¸ ÒÚ‡Ó„Ó ÍËÌÓª, 1993-1997, ÚÂÎÂ͇̇Î˚ ÔËıÓ‰ËÚ ‚ ‰‚ËÊÂÌËÂ. ÕÓ ‰‚ËÊÂÌ˲ ˝ÚÓÏÛ Ô‡ÍÚ˘ÂÒÍË Ò‡ÁÛ ´–ÓÒÒˡª Ë ´–ÓÒÒËÈÒÍË ÛÌË‚ÂÒËÚÂÚ˚ª). Ô‰ÔËÒ˚‚‡ÂÚÒˇ ˜ÂÚ͇ˇ „‡Ìˈ‡. ’Û‰ÓÊÌËÍË ÒÚ‡ÌÓ‚ˇÚÒˇ Á‡ÎÓÊÌË͇ÏË —Ó‡‚ÚÓ Ë ÒÓÂÊËÒÒÂ ÙËθχ Ó —Â„ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÓÚÍ˚ÚËÈ. √‡Ìˈ‡ ñ ̇ Á‡ÏÍÂ. ›ÈÁÂ̯ÚÂÈÌ ´ƒÓÏ Ã‡ÒÚÂ‡ª (ÔÂÏˡ 6-È ÙËÎ¸Ï ´√Œ–Œƒ —ÕŒ¬ª (1938-1943). ´“›‘»ª). — 2002 ‡·ÓÚ‡ÂÚ Ì‡‰ ü ÍÓÌˆÛ 30-ı ˉ‡θÌ˚È ÏË, ‚ÓÁ‚Ó‰ËÏ˚È Ì‡ ˝Í‡ÌÂ, Ó·˙ˇ‚ΡÂÚÒˇ ‰ÓÍÛÏÂÌڇθÌ˚Ï ˆËÍÎÓÏ ´¿ÌÚÓÎӄˡ ‰ËÌÒÚ‚ÂÌÌÓ ÔÓ‰ÎËÌÌÓÈ ‡θÌÓÒÚ¸˛. ¬ÚÓÊÂÌË ه¯ËÒÚÒÍÓÈ √ÂχÌËË ÓÒÒËÈÒÍÓ„Ó ÍËÌÓª. Û¯ËÚ ˝ÚÛ ËÎβÁ˲. ◊ÂÎÓ‚ÂÍ ÓÒÚ‡ÂÚÒˇ Ó‰ËÌ Ì‡ Ó‰ËÌ Ò ËÒÚÓËÂÈ ñ Ë ‚ ÊËÁÌË, Ë Ì‡ ˝Í‡ÌÂ. » ‚ ˝ÚÓÏ ÔÓ‰ËÌÍ ÂÏÛ Û‰‡ÂÚÒˇ ‚˚ÒÚÓˇÚ¸. Marianna Kireeva 7-È ÙËÎ¸Ï ´¬Œ«¬–¿Ÿ≈Õ»≈ª (1942-1950). Graduated in cinema studies from the Film ◊ÂÎÓ‚ÂÍ ‚ÓÁ‚‡˘‡ÂÚÒˇ Ò ‚ÓÈÌ˚, ̇‰ÂˇÒ¸, ˜ÚÓ Á‡‚Ó‚‡Î ̇ÍÓ̈-ÚÓ Ô‡‚Ó Institute VGIK (1987, course of L. ÊËÚ¸ Ò‚ÓÂÈ ˜‡ÒÚÌÓÈ ÊËÁ̸˛. ÕÓ ÒÔ‡ÒÂÌÌÓ ËÏ „ÓÒÛ‰‡ÒÚ‚Ó ‚ÒÔÓÏË̇ÂÚ Ó Mamatova, E. Surkov), then postgraduate Ò‚ÓËı Ô‡‚‡ı. » ̇ ˝Í‡Ì ‚ÓÁ‚‡˘‡ÂÚÒˇ √ÓÓ‰ ÒÌÓ‚ ñ ¢ ·ÓΠstudy. From 1992-2002 worked in various χүڇ·Ì˚È, ‡Îӄ˘Ì˚È Ë Ó·ÂÒ˜ÂÎӂ˜ÂÌÌ˚È, ˜ÂÏ ‰Ó ‚ÓÈÌ˚. jobs in film programming for Russian television. Co-author and director of the cycle Film 5 ìTHE BORDERî (1933-1938). ìMuseum of Cinemaî (ìMasterpieces of Old Having escaped from the vices of ìagitpropî, Soviet cinema of the years 1933- Cinemaî, 1993-1997, television channels 1934 begins to move once again. But this movement almost immediately ìRussiaî and ìRussian Universitiesî). Co- encounters limitations and borders. Artists become hostages of their own author and co-director of a film about Sergei discoveries. The border is locked. Eisenstein, ìThe House of the Masterî (TEFI Film 6 ìCITY OF DREAMSî (1938-1943). award). Since 2002 works on the documentary By the end of the 1930s the ideal world shown on the screen declares itself as cycle ìAnthology of Russian Cinemaî. the only valid reality. The intrusion of fascist Germany destroys this illusion. Man remains alone with history, both in life and on the screen. In this niche he manages to resist. Film 7: ìTHE RETURNî (1942-1950). Man returns from the war with the hope of having won, at last, the right to live his own private life. But the state that he defended claims its rights. The City of Dreams returns to the screen, now even grander, more a-logical and face-less than before the war. 118 ÒÔˆˇθÌ˚È ÔÓ͇Á special screening www.cinefantom.ru ü¿—“»Õ√ THE CASTING special screening ÒÔˆˇθÌ˚È ÔÓ͇Á

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ŒÎ¸„‡ —ÚÓÎÔÓ‚Ò͇ˇ 2006, –ÓÒÒˡ, 20 ÏËÌ., ˆ‚., 1:1.85, 35 ÏÏ 2006, Russia, 20 min., 1:1.85, 35 mm –ÂÊËÒÒÂ, ÒˆÂ̇ËÒÚ, ÔÓ‰˛ÒÂ. –Ӊ˷Ҹ 5 ÓÍÚˇ·ˇ 1969 „Ó‰‡ ‚ ÃÓÒÍ‚Â. ŒÍÓ̘Ë· ÃÓÒ- ¿‚ÚÓ ÒˆÂ̇ˡ Ë ÂÊËÒÒÂ Scriptwriter and Director ÍÓ‚ÒÍÓ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓ ۘËÎˢ (1986), Ç- ŒÎ¸„‡ —ÚÓÎÔÓ‚Ò͇ˇ Olga Stolpovskaya ÒÚÂÒÍÛ˛ Ë̉˂ˉۇθÌÓÈ ÂÊËÒÒÛ˚ Ô/ ¡Ó- ŒÔÂ‡ÚÓ «‡Û ¡ÓÎÓڇ‚ Camera Zaur Bolotaev ËÒ‡ fiı‡Ì‡ÌÓ‚‡ (1997). ü‡Í ÌÂÁ‡‚ËÒËÏ˚È ÂÊËÒÒÂ ÒÓÁ‰‡Î‡ ÌÂÒÍÓθÍÓ ÏËÍÓÙËθÏÓ‚, üÓÒÚ˛Ï˚ ŒÎ¸„‡ —ÚÓÎÔÓ‚Ò͇ˇ Costumes Olga Stolpovskaya ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ÙËθÏÓ‚, ‚ˉÂÓ Ë Ï‰ˇ- «‚ÛÍ ¬ˇ˜ÂÒ·‚ ÃËıÂθ Sound Viacheslav Mikhel ËÌÒÚ‡ÎΡˆËÈ, ÔÓ͇Á‡ÌÌ˚ı ̇ ÏÌÓ„Ó˜ËÒÎÂÌ- ÃÓÌÚ‡Ê ƒÏËÚËÈ ¡Ó„‰‡ÌÓ‚ Editing Dmitry Bogdanov Ì˚ı ÙÓÛχı. üÓÓÚÍÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ´—Û‰ ̇‰ ¡ÛÌÂÓϪ (1998) ÔËÓ·ÂÚÂÌ ÃÛÁÂ- ¬ „·‚Ì˚ı ÓΡı: ¿ÎÂÍ҇̉ Principal cast: Alexander Nesterov, ÂÏ ÒÓ‚ÂÏÂÌÌÓ„Ó ËÒÍÛÒÒÚ‚‡ ñ Ìÿ (Õ¸˛- …ÓÍ), ´¿·ÓÌÂÌÚ˚ª (2000) ÔÓÎÛ˜ËÎ ‚ÚÓÓÈ ÕÂÒÚÂÓ‚ Ë ÕË̇ ≈ÒË̇ Nina Esina ÔËÁ ωˇ-ÒÂ͈ËË Ãü‘ ‚ ÃÓÒÍ‚Â. —Ó‚ÏÂÒÚ- ÌÓ Ò ƒÏËÚËÂÏ “ÓˈÍËÏ ÓÒÌÓ‚‡Î‡ ÒÚÛ‰Ë˛ œÓ‰˛ÒÂ˚ ƒÏËÚËÈ “ÓˈÍËÈ, Producers Dmitry Troitsky, ´Ã‡Î‚˘ œÓ‰‡Í¯Ìª. ¬ 2004 ÒÌˇÎ‡ ÔÂ‚˚È ŒÎ¸„‡ —ÚÓÎÔÓ‚Ò͇ˇ Olga Stolpovskaya ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ´fl β·Î˛ Ú·ˇª (Ò ƒÏ. “ÓˈÍËÏ) ñ ÙÂÒÚË‚‡Î¸Ì˚È ÛÒÔÂı Ë œÓËÁ‚Ó‰ÒÚ‚Ó ´Ã‡Î‚˘ œÓ‰‡Í¯Ìª Production Malevich Production ÏÂʉÛ̇Ó‰Ì˚È ÔÓÍ‡Ú ñ www.youilove.ru. www.cinefantom.ru www.cinefantom.ru

Olga Stolpovskaya œÒËıÓÎӄ˘ÂÒ͇ˇ ‰‡Ï‡. Psychological drama. “‡„ËÍÓÏ˘ÂÒ͇ˇ ËÒÚÓˡ ÏÓÎÓ‰Ó„Ó The story of a young film director who Film and television director, ÍËÌÓÂÊËÒÒÂ‡, Ó͇Á‡‚¯Â„ÓÒˇ ÔÂ‰ faces a choice: to betray his ideals but scriptwriter, producer. Born on 5 ‚˚·ÓÓÏ: Ô‰‡Ú¸ ˉ‡Î˚, ÌÓ ËÏÂÚ¸ have an opportunity to make a film, or October 1969 in Moscow. Graduated ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÌËχڸ ÍËÌÓ, ËÎË to lose everything. Impartial, often from Moscow Art College in 1986, from ÔÓÚÂˇÚ¸ ‚Ò ‡‰Ë ‚ÂÌÓÒÚË Ò‚ÓËÏ comic details of the modern film the Studio of Individual Directing in ˉ‡·Ï. business. The tragedy of a person 1997. As independent filmmaker she œÂ‚‡ˇ ˜‡ÒÚ¸ ÔÓÎÌÓÏÂÚ‡ÊÌÓÈ deceived by temptation is painted in created a number of short films, videos ÚËÎÓ„ËË, ‚ ÍÓÚÓÛ˛ ‚ÓȉÛÚ Â˘Â ‰‚ gloomy water-colours. and media installations, which were ‡·ÓÚ˚ ÂÊËÒÒÂ‡, ÒÓÒÚ‡‚Ë‚ ÔÓÂÍÚ ´Œ The first part of a full-length trilogy, presented at numerous film and media ÊËÁÌË Ë ÒÏÂÚ˪. which will include two further works by festivals. The short film ìBrunerís the director, completing the project Trialî (1998) was acquired by the ìAbout Life and Deathî. Museum of Modern Art (Ìÿ), New York. ìThe Subscribersî (2000) received the second prize in the media section of Moscow IFF. Together with Dmitri Troitsky she founded in 2004 ´Ãalevich Productionª Studio. In 2004 she made her first feature film, ´You I Loveª (with Dmitri Troitsky; www.youilove.ru). 120 ÒÔˆˇθÌ˚È ÔÓ͇Á special screening VOLGA-VOLGA ¬ŒÀ√¿-¬ŒÀ√¿ www.cinefantom.ru ˆÂÌÚ‡ ´ƒÓϪ˴—ËÌ‘‡ÌÚÓϪ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ¬ „·‚ÌÓÈÓÎË ÒÔˆ˝ÙÙÂÍÚÓ‚ ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ŒÔÂ‡ÚÓ –ÂÊËÒÒÂ˚ –ÛÍÓ‚Ó‰ËÚÂθ ‡Ú-ÔÓÂÍÚ‡ 2006, –ÓÒÒˡ,70ÏËÌ.,ˆ‚.+˜/·,BetacamSP ÕËÍÓÎ‡È «ÓÎÓÚÛıËÌ √ÂÌ̇‰ËÈ ¡ÂΡ‚ ¿Ì‰ÂÈ —Ëθ‚ÂÒÚÓ‚,œ‡‚ÂÎÀ‡·‡ÁÓ‚ ¿Ì‰ÂÈ —Ëθ‚ÂÒÚÓ‚,œ‡‚ÂÎÀ‡·‡ÁÓ‚ ›‰Û‡‰ —Ë‚ÍÓ‚ ´¬Ë‰ÂÓƒÓϪ, ÔËÛ˜‡ÒÚËËüÛθÚÛÌÓ„Ó ¬Î‡‰ËÒ·‚ ÇÏ˚¯Â‚-ÃÓÌÓ Ã‡ÍÒËÏ “ËÏÓÙ‚ ¬Î‡‰ËÒ·‚ ÇÏ˚¯Â‚-ÃÓÌÓ www.cinefantom.ru Centre ìDomîandìCineFantomî Production Producers cast Principal ofSpecialEffects Editing Sound Composer Camera Directors Director ofArt-Project 2006, Russia,70min,colour+b/w,BetacamSP Nikolai Zolotukhin Gennady Beliaev Andrei Silvestrov,PavelLabazov Eduard Sivkov Andrei Silvestrov,PavelLabazov ìVideohouseî withparticipationoftheCultural Vladislav Mamyshev-Monroe Vladislav Mamyshev-Monroe Maxim Timofeev œ‡‚ÂÎ À‡·‡ÁÓ‚ special screening (. 1973, ÃÓÒÍ‚‡).

ŒÍÓ̘ËÎ Ã√”, ‚ıÓ‰ËÎ ‚ ıÛ‰ÓÊÂÒÚ‚ÂÌÌÛ˛ ÒÔˆˇθÌ˚È ÔÓ͇Á „ÛÔÔÛ ´¿–“-¡Îˇª, Á‡ÌËχÎÒˇ „‡Ù˘ÂÒÍËÏ ‰ËÁ‡ÈÌÓÏ Ë ‡ÚÔÓÂÍÚ‡ÏË. ƒËÂÍÚÓ ÃÂʉÛ̇Ó‰ÌÓ„Ó ‚ˉÂÓÙÂÒÚË‚‡Îˇ ‚ ü‡ÌÒÍÂ. ƒËÔÎÓχÌÚ üÓÌÍÛÒ‡ ÒÚÛ‰Â̘ÂÒÍËı Ë ‰Â·˛ÚÌ˚ı ÙËθÏÓ‚ ´—‚. ¿Ì̇ª (2000). ‘ËθÏ˚ À‡·‡ÁÓ‚‡ ‰ÂÏÓÌÒÚËÓ‚‡ÎËÒ¸ ̇ ÙÂÒÚË‚‡Îˇı ‚ ljˉÂ, üË‚Â, √‡ˆÂ, ÃÓÒÍ‚Â, —‡ÌÍÚ-œÂÚÂ·Û„Â. ¬ 2000 „Ó‰Û ‚ ÒÓ‡‚ÚÓÒÚ‚Â Ò ¿Ì‰ÂÂÏ —Ëθ‚ÂÒÚÓ‚˚Ï 121 ÒÓÁ‰‡Î ‚ˉÂÓ‰ÂÍÓ‡ˆËË Í Ï‡Ò¯Ú‡·ÌÓÏÛ ÔÓÂÍÚÛ ´—Ú‡ÒÚË ÔÓ Ã‡ÚÙ²ª (»ÌÒÚËÚÛÚ ÃÛÁ˚͇θ̇ˇ ÍÓωˡ. √ÂÚÂ), ‡ ‚ 2001-2002 ·˚Î ‚ˉÂÓÂÊËÒÒÂÓÏ ‰‚Ûı ÔÓÒÚ‡ÌÓ‚ÓÍ ¡Óθ¯Ó„Ó Ú‡Ú‡ ó ÓÔÂ˚ ÕÓ‚‡ˇ „ÂÓËÌˇ ÙËθχ ó ÃÓÌÓ (Ó̇ Ê ñ À˛·Ó‚¸ ŒÎÓ‚‡, ´—Ì„ÛӘ͇ª Ë ´Ã‡ÁÂÔ‡ª (ÔÓÒÚ‡Ìӂ͇ Ó̇ Ê ó ÔӘڇθÓ̯‡ —ÚÂÎ͇), ‡ ÚÓ˜ÌÂÂ,  √ŒÀŒ¬¿ –Ó·ÂÚ‡ —ÚÛÛ‡). („Ó‚Óˇ˘‡ˇ Ë ÔÓ˛˘‡ˇ) ÎËıÓ ‚̉Ë·Ҹ ‚ Ò˛ÊÂÚ ÙËθχ, ‚ Pavel Labazov Â„Ó ˜ÂÌÓ-·ÂÎ˚ ÔÓÎÂÚ‡ÒÍË ˆÂÌÌÓÒÚË, ‚ Â„Ó (b. 1973, Moscow). ÔÒ‚‰ÓÍ·ÒÒ˘ÂÒÍËÈ Í‡ÚÓÌÌ˚È ÒÚËθ. ¬ÓÍÛ„ ˝ÚÓÈ „ÓÎÓ‚˚, Graduated from Moscow State University, joined the art group ìArt-Blaî, engaged in Í‡Í Í‡ÚË̇ ̇ „‚ÓÁ‰Â, ‚ÂÚˇÚÒˇ ÒÏ˚ÒÎ˚ Ë ÍÓÌÚÂÍÒÚ˚, graphic design and art-projects. Director of ÎÓχÂÚÒˇ ÒÚ‡‡ˇ ÎÓ„Ë͇, Ó„‡ÌËÁÛˇ ÌÓ‚˚È ¯ÛÚÓ‚ÒÍÓÈ the International Videofestival in Kansk. Diploma recipient in the competition of ‡ÍÛÒ Ò ÔÓÂ͈ËÂÈ Ì‡ ÔÛÚËÌÒÍÛ˛ –ÓÒÒ˲. ¡ÂÎ˚ student and debut films for the national ìSt. ÍÓÎÓÌ̇‰˚ ¯Î˛ÁÓ‚ ͇̇· ÃÓÒÍ‚‡-¬Ó΄‡, Ô‡ÓıÓ‰ ´»ÓÒËÙ Annaî awards (2000). Labazovís films were —Ú‡ÎË̪ Ë ‰‡Ê ÒÚ‡ÚÛˇ ÀÂÌË̇ Ó·ÂÚ‡˛Ú ÒÍÂÔÒËÒ shown at festivals in Madrid, Kiev, Graz, Moscow, and Saint Petersburg. In 2000 ‰ÂÍÓ‡ˆËÈ, ‡ „Ó‰˚ ÒÓ‚ÂÚÒÍË β‰Ë, ÓÚ˜‡ˇÌÌÓ ÔÎ˚‚Û˘Ë ‚ created with Andrei Silvestrov the video- ‰‡ÎÂÍÛ˛ Ë Ê·ÌÌÛ˛ ÒÚÓÎËˆÛ Ì‡ ‚ÒÂÒÓ˛ÁÌ˚È ÍÓÌÍÛÒ scenery for the large-scale project ìSt Matthewís Passionî (Goethe Institute); in Ò‡ÏӉ¡ÚÂθÌÓÒÚË, ÒÚ‡ÌÓ‚ˇÚÒˇ ÔÓıÓÊËÏË Ì‡ ÚÓÎÔÛ 2001-2002 video director of two productions ‚ÓβˆËÓÌÂÓ‚-Ó·Ó‚‡ÌˆÂ‚, Û ÍÓÚÓ˚ı, ÏÓÊÂÚ ·˚Ú¸, Ë ÌÂÚ of the Bolshoy Theatre: the operas ìSnow Maidenî and ìMazepaî (dir. Robert Sturua). ˆÂÎË, ÌÓ ÂÒÚ¸ ÔÂÒÌˇ. ¿ ËÁ ÔÂÒÌË ÒÎÓ‚ Ì ‚˚ÍË̯¸. ÃËÓ‚‡ˇ ÔÂϸÂ‡: Ãü‘ ‚ –ÓÚÚÂ‰‡Ï (ÔÓ„‡Ïχ ´Cine ¿Ì‰ÂÈ —Ëθ‚ÂÒÚÓ‚ Fantom Dayª), 2006. (. 1972, ÃÓÒÍ‚‡). ŒÍÓ̘ËÎ –√√” Ë Ã‡ÒÚÂÒÍÛ˛ Ë̉˂ˉۇθÌÓÈ ÂÊËÒÒÛ˚ ¡ÓËÒ‡ Musical comedy. fiı‡Ì‡ÌÓ‚‡. ¿‚ÚÓ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ı ÍËÌÓ- Ë ‚ˉÂÓ ÔÓÂÍÚÓ‚, Û˜‡ÒÚ‚Ó‚‡‚¯Ëı ‚ The new heroine of film, Monroe (she is also Liubov Orlova ÙÂÒÚË‚‡Îˇı ‚ Õ¸˛-…ÓÍÂ, ÃÓÒÍ‚Â, —‡ÌÍÚ- and the post-girl Strelka), or ñ to be exact ñ her (speaking œÂÚÂ·Û„Â, ›‰ËÌ·Û„Â, ¬ÂÌÂ, √‡ˆÂ, ¡˛ÒÒÂÎÂ, Ã˛ÌıÂÌÂ. —Â‰Ë Ú‡Ú‡Î¸Ì˚ı and singing) HEAD, has immersed herself into the filmís ‡·ÓÚ ó ‚ˉÂÓ‰ÂÍÓ‡ˆËË ‰Îˇ ÓÔÂ plot, its black-and-white proletarian values, its pseudo- ´—Ì„ÛӘ͇ª Ë ´Ã‡ÁÂÔ‡ª ‚ ¡Óθ¯ÓÏ Ú‡Ú (ÔÓÒÚ‡Ìӂ͇ –Ó·ÂÚ‡ —ÚÛÛ‡) Ë classical cartoon style. Around this head, which is like a ‚ˉÂÓÔÓÂÍˆËˇ ‰Îˇ ÏÛÁ˚͇θÌÓ„Ó ÔÓÂÍÚ‡ picture hung on a wall, spin meanings and contexts; the old ´—Ú‡ÒÚË ÔÓ Ã‡ÚÙ²-2000ª (‚Ò ÒÓ‚ÏÂÒÚÌÓ Ò logic breaks up and makes way for a new, jocular perspective œ‡‚ÎÓÏ À‡·‡ÁÓ‚˚Ï). that projects Putinís Russia. The white colonnades of the Andrei Silvestrov locks of the Moscow-Volga Canal, the steamship ìJoseph (b. 1972, Moscow). Graduated from RGGU and the Workshop of Stalinî, and even Leninís statue, become skeptical scenery, Individual Direction under Boris while the proud Soviet people who desperately travel to the Yukhananov. Author of numerous film and video projects that have participated in distant and longed-for capital, to the all-union competition of festivals in New York, Moscow, Saint amateur performances, resemble more and more the crowds of Petersburg, Edinburgh, Vienna, Graz, revolutionaries and ragamuffins, who may not even have an Brussels, and Munich. Among his theatre works: video scenery for the operas ìSnow aim. But there is a song. And the words cannot be Maidenî and ìMazepaî at the Bolshoi Theatre disentangled from the song. (dir. Robert Sturua) and of a video projection for the musical project ìSt Matthewís Passion World Premiere: Rotterdam IFF (programme ìCine Fantom 2000î (together with Paul Labazov). Dayî), 2006. 122 ÒÔˆˇθÌ˚È ÔÓ͇Á special screening www.cinefantom.ru ´—ËÌ ‘‡ÌÚÓϪ œÓËÁ‚Ó‰ÒÚ‚Ó ¡ÓËÒ fiı‡Ì‡ÌÓ‚ œÓ‰˛ÒÂ˚ ¿‚ÚÓ 1987-2006, ———–-–ÓÒÒˡ,85ÏËÌ.,DigitalBetacam MAD PRINCEESTHER —”ÿ—ÿ≈ƒÿ»… œ–»Õ÷›—‘»–‹ ¡ÓËÒ fiı‡Ì‡ÌÓ‚ √η ¿ÎÂÈÌËÍÓ‚,¿ÎÂÍ҇̉ƒÛÎÂ‡ÈÌ, ´¬ÒÂÏËÌ˚È “‡Ú¬Ë‰ÂÓª, www.cinefantom.ru Production Boris Yukhananov Producers Author 1987-2006, USSR-Russia,85min,DigitalBetacam Boris Yukhananov Gleb Aleinikov,AlexanderDulerain, ìWorld TheatreofVideoî,ìCine-Fantomî ¡ÓËÒ fiı‡Ì‡ÌÓ‚ special screening ÂÊËÒÒÂ, ‡ÍÚÂ, Ô‰‡„Ó„. Œ‰ËÌ ËÁ Ò‡Ï˚ı ÒÔˆˇθÌ˚È ÔÓ͇Á ËÌˈˇÚË‚Ì˚ı ˜ÎÂÌÓ‚ ÍÎÛ·‡ ´—ËÌ ‘‡ÌÚÓϪ. –Ó‰ËÎÒˇ ‚ ÃÓÒÍ‚Â (1957). ŒÍÓ̘ËÎ ‡ÍÚÂÒÍÓ ÓÚ‰ÂÎÂÌË ¬ÓÓÌÂÊÒÍÓ„Ó Ú‡Ú‡Î¸ÌÓ„Ó ËÌÒÚËÚÛÚ‡ (1979), ÂÊËÒÒÂÒÍÓ ÓÚ‰ÂÎÂÌË √»“»—‡ (1985, χÒÚÂÒ͇ˇ ¿.›ÙÓÒ‡, ¿.¬‡ÒË肇). ¿‚ÚÓ- ÂÊËÒÒÂ ÚÂÎÂÚËÎÓ„ËË ´ƒ‡ÛÌ˚ ÍÓÏÏÂÌÚËÛ˛Ú ÏËª, ÚÂÎÂÒÂˇ· ´ÃÓÒÍ‚‡, 123 ’’ ‚Âͪ, ˇ‰‡ Ú‡Ú‡Î¸Ì˚ı ÔÓÂÍÚÓ‚, ‚ ÚÓÏ ˜ËÒΠ·‡ÎÂÚÌ˚ı. ŒÍÓÎÓ ‰ÂÒˇÚË ÓÎÂÈ ›ÍÒÔÂËÏÂÌڇθÌÓ ‚ˉÂÓ. “ÂÚ¸ˇ „·‚‡ ˆËÍ· ´¬Ë‰ÂÓÓÏ‡Ì ËÒÔÓÎÌËÎ ‚ ÍËÌÓ. ’Û‰ÓÊÂÒÚ‚ÂÌÌ˚È 1000 ͇ÒÒÂÚ. —Ûχү‰¯ËÈ ÔË̈ª (1986-2007). ÛÍÓ‚Ó‰ËÚÂθ ÂÊËÒÒÂÒÍÓ„Ó ÍÛÒ‡ –¿“». ◊ÚÓ·˚ ÒÌˇÚ¸ ˝ÔËÁÓ‰ ‰Îˇ ‚ˉÂÓÓχ̇ ´—Ûχү‰¯ËÈ Boris Yuhhananov ÔË̈ª ¡ÓËÒ fiı‡Ì‡ÌÓ‚ ‚ÏÂÒÚ ÒÓ Ò‚ÓËÏË ‰ÛÁ¸ˇÏË ó Director, actor, teacher. One of the most active members of the Cine-Phantom club. “‡ÛÁÓÏ, —‡Î‡ıÓÏ, Õ‡‰ÂÈ Ë ŒÎÂÈ ó ‰ÛÚ Í ÕËÍËÚÂ, ÍÓÚÓ˚È Born in Moscow (1957). Graduated from the ̇ıÓ‰ËÚÒˇ ‚ ÍËÌÓ˝ÍÒÔ‰ˈËË ÔÓ‰ œÒÍÓ‚ÓÏ. ¬ ÔÛÚË Ëı acting department of Voronezh Theatre Institute (1979), and from the Directorsí ÓÊˉ‡ÂÚ Ú‡„˘ÂÒ͇ˇ ËÒÚÓˡ ˜Â˜ÂÌÒÍÓ„Ó Ì‡Ó‰‡, Department of the State Theatre Institute, ÒÓÔˇ„‡˛˘‡ˇÒˇ Ò ·Ë·ÎÂÈÒÍÓÈ ÍÌË„ÓÈ ›ÒÙËË, ‚ˉÂÓ Ò ÍËÌÓ, GITIS (1985, course of A. Efros and A. Vasiliev). Author and director of the tele- β·Ó‚¸ ÒÓ ÒÏÂÚ¸˛, ÒÓÎÌˆÂ Ò ÌÓ˜¸˛, ‡ Ò˜‡Òڸ ÒÓ ÒÎÂÁ‡ÏË. trilogy ìDowns Comment on the Worldî, the œÂϸÂ‡: Ãü‘ ‚ –ÓÚÚÂ‰‡Ï (ÔÓ„‡Ïχ ´Cine Fantom television series ìMoscow, 20th centuryî, and several theatre projects, including ballets. Dayª), 2006. Played about ten film roles. Runs a Directorís Course at the State Theatre Institute RATI (formerly GITIS). Experimental video. Third chapter in the cycle ìA Video- novel in 1000 Tapes. The Mad Princeî (1986-2007). In order to shoot an episode for the video-novel ìThe Mad Princeî Boris Yukhananov, together with his friends Tauz, Salakh, Nadia and Olya, visited Nikita on a film expedition near Pskov. On the way they encounter the tragic story of the Chechen people, interwoven with the biblical story of the Book of Esther, video mixed with cinema, love mixed with death, sun with night and happiness with tears. Premiere: Rotterdam IFF (programme ìCine Fantom Dayî), 2006. www.kinotavr.ru ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of the document

125 ‡Ì„ÂÎ ÛÒÒÍÓÈ ˆÂÍ‚Ë ÔÓÚË‚ ÓÚˆ‡ ‚ÒÂı ̇Ó‰Ó‚ THE ANGEL OF THE RUSSIAN CHURCH AGAINST THE FATHER OF ALL PEOPLES ·ÎÓ͇‰‡ BLOCKADE ‚ Á‡ÚÓÌ IN THE BACKWATERS ‚¯ÍË Ì‡‰ ÂÍÓÈ RODS ON THE RIVER ‚Ò ‰ÂÚË Óʉ‡˛ÚÒˇ Áˇ˜ËÏË ALL CHILDREN ARE BORN WITH SIGHT ‚˝Î· VELLA „‡Ê‰‡ÌÒÍÓ ÒÓÒÚÓˇÌË A CIVIL CONDITION „ÛÔÔ‡ ÍÓ‚Ë BLOOD TYPE ‰‡ ·Û‰ÛÚ ‰ÌË Ì‡¯Ë ‰ÎËÌÌ˚ÏË LET OUR DAYS BE LONG ÍËÌÓ‚ÂÍ ÒÂ„¡ ÍÓχÓ‚‡ THE FILM-CENTURY OF SERGEY üŒÃ¿–Œ¬¿ ÏÓË ‚ÓÓÌ˚ MY CROWS ÒÒÒ-ÓÒÒˡ-Ú‡ÌÁËÚ USSR ñ RUSSIA TRANSIT ÒÛ‰¸·‡ ÏËÎÎËÓÌÂ‡ ‚ ÓÒÒËË THE FATE OF A MILLIONAIRE IN RUSSIA ÒˆÂ̇ THE STAGE ÚËÏÛ. ËÒÚÓˡ ÔÓÒΉÌÂ„Ó ÔÓÎÂÚ‡ TIMUR. THE HISTORY OF THE LAST FLIGHT ˛Á, ‰Ê‡Á, Ë͇ Ë ÔÂÒ YUZ, JAZZ, IRKA AND DOG ˇ Í ‚‡Ï Ú‡‚Ó˛ ÔÓ‡ÒÚÛÖ AND AS GRASS I GROW UP TO YOUÖ 126 ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of the document THE DOCUMENT IN THEMIRROROF ƒŒü”Ã≈Õ“¿ ¬ «≈–ü¿À≈ here-and-now, theirpastandhopesforthefuture. famous orobscurefellowcitizens,abouttheirproblemsof to tragedyñwhospeakaboutthecontemporarylivesoftheir filmmakers, whoallworkindifferentgenresñfromcomedy programme toopresentsfilmsbyRussiandocumentary Russian documentaryfilms.Asinpreviousyears,thecurrent The programmeofìKinotavrîhastraditionallyincludednew ˜ÚÓ ÔÂÂÊËÚÓËÏË‚ÔÓ¯ÎÓÏ,Ó̇‰Âʉ‡ı̇·Û‰Û˘ÂÂ. ÌËÍÓÏÛ ÌÂËÁ‚ÂÒÚÌ˚ı,Ó·ËıÒÂ„Ó‰Ìˇ¯ÌËıÔÓ·ÎÂχı,ÓÚÓÏ, ÒÂ„Ó‰Ìˇ¯ÌÂÈ ÊËÁÌË̇¯ËıÒÓ„‡Ê‰‡Ì,‚˚‰‡˛˘ËıÒˇË Ê‡Ì‡ı: ÓÚÍÓωËˉÓÚ‡„‰ËË,‡ÒÒ͇Á˚‚‡˛˘ËÏËÓ ÓÒÒËÈÒÍËÏË ‰ÓÍÛÏÂÌÚ‡ÎËÒÚ‡ÏË,‡·ÓÚ‡˛˘ËÏË‚‡ÁÌ˚ı Ì˚̯ÌÂÈ ÔÓ„‡ÏÏÂóÔÓ͇ÁÙËθÏÓ‚,ÒÌˇÚ˚ı ÓÒÒËÈÒÍÓ ‰ÓÍÛÏÂÌڇθÌÓÂÍËÌÓ.ü‡ÍË‚ÔÂÊÌË„Ӊ˚, “‡‰ËˆËÓÌÌÛ˛ ÔÓ„‡ÏÏÛ´üËÌÓÚ‡‚‡ªÒÓÒÚ‡‚ËÎÓÌÓ‚Ó üÛ‡ÚÓ ÔÓ„‡ÏÏ˚ Programme Curator –ËÚ‡ ◊ÂÌÂÌÍÓ Rita Chernenko OF ALLPEOPLES CHURCH AGAINSTTHEFATHER THE ANGELOFRUSSIAN œ–Œ“»¬ Œ“÷¿¬—≈’Õ¿–ŒƒŒ¬ ¿Õ√≈À –”——üŒ…÷≈–ü¬» estate inRussia:priesthood(1999). begun withhisfilmìPriestsîabout theonlyexistingclergy continues thedifficultthemeofëbelief anddisbeliefíthatwas Valery Zalotukha(ìMakarovî,ìThe Muslimî,ì72Metersî).It This istheseconddocumentaryofwell-knownscriptwriter nations, JosephStalin. Sergius (IvanNikolaevichStragorodsky)andtheleaderofall heroes ofthefilmareopponents,antipodes:Patriarch unexpectedly elevatedandcherishedbytheleader.Themain era, thechurchwaspracticallydestroyed,andthenquite history oftheRussianorthodoxchurchwhen,inStalin About oneofthemosttragicandambiguouspagesin ìOrthodox Encyclopediaî Production Producer Camera Scriptwriter andDirector 2005, Russia,84min,colour,BetacamSP –ÓÒÒËË ñÒ‚ˇ˘ÂÌÒÚ‚Â(1999). ÙËθÏÓÏ ´œÓÔ˚ªÓ‰ËÌÒÚ‚ÂÌÌÓÒÓı‡ÌË‚¯ÂÏÒˇÒÓÒÎÓ‚ËË‚ ÔÓ‰ÓÎʇÂÚ ÚÛ‰ÌÛ˛ÚÂÏÛ´‚Â˚Ë·ÂÁ‚Âˡª,̇˜‡ÚÛ˛ ¬‡ÎÂˡ «‡ÎÓÚÛıË(´Ã‡Í‡Ó‚ª,´ÃÛÒÛθχÌË̪,´72ÏÂÚ‡ª) ¬ÚÓ‡ˇ ‰ÓÍÛÏÂÌڇθ̇ˇÍ‡ÚË̇ËÁ‚ÂÒÚÌÓ„ÓÍËÌÓ‰‡Ï‡ÚÛ„‡ ÕËÍÓ·‚˘) Ë‚Óʉ¸‚ÒÂı̇Ó‰Ó‚ñ»ÓÒËÙ—Ú‡ÎËÌ. ‡ÌÚËÔÓ‰˚: œ‡Úˇı—Â„ËÈ(—Ú‡„ÓÓ‰ÒÍËÈ»‚‡Ì ӷ·Ò͇̇ ‚ÓʉÂÏ.√·‚Ì˚„ÂÓËÙËθχñÔÓÚË‚ÌËÍË- Ô‡ÍÚ˘ÂÒÍË ÛÌ˘ÚÓÊÂ̇,‡Á‡ÚÂÏÌÂÓÊˉ‡ÌÌÓ‚ÓÁÌÂÒÂÌ‡Ë ÷ÂÍ‚Ë, ÍÓ„‰‡ñ‚ÒÚ‡ÎËÌÒÍË‚ÂÏÂ̇Ó̇·˚· ÔÓÚË‚Ó˜˂˚ı ÒÚ‡ÌˈËÒÚÓËË–ÛÒÒÍÓÈœ‡‚ÓÒ·‚ÌÓÈ ¬ ÙËθÏÂ‡ÒÒ͇Á˚‚‡ÂÚÒˇÓ·Ó‰ÌÓÈËÁÒ‡Ï˚ıÚ‡„˘ÂÒÍËıË ´œ‡‚ÓÒ·‚̇ˇ ˝ÌˆËÍÎÓÔ‰ˡª œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ŒÔÂ‡ÚÓ˚ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,84ÏËÌ.,ˆ‚.,BetacamSP Alisher Khamidkhodzhaev,SergeiMokritsky Natalia Gostyushina Õ‡Ú‡Îˡ √ÓÒÚ˛¯Ë̇ Culture FundìFilm-BroadcastingCompanyî, ¿Î˯Â ’‡ÏˉıӉʇ‚,—Â„ÂÈÃÓÍˈÍËÈ üÛθÚÛÌ˚È ÙÓ̉´üËÌÓ-ÚÂÎÂÍÓÏÔ‡Ìˡª, Valery Zalotukha ¬‡ÎÂËÈ «‡ÎÓÚÛı‡ ¡ÀŒü¿ƒ¿ ¬ «¿“ŒÕ≈ BLOCKADE IN THE BACKWATERS ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of document 127

2005, –ÓÒÒˡ, 52 ÏËÌ., ˜/·, 35 ÏÏ 2005, –ÓÒÒˡ, 26 ÏËÌ., ˆ‚., Betacam SP

¿‚ÚÓ ÒˆÂ̇ˡ Ë ÂÊËÒÒÂ fiËÈ ÿËÎÎÂ ¿‚ÚÓ ÒˆÂ̇ˡ Ë ÂÊËÒÒÂ —Â„ÂÈ ÀÓÁÌˈ‡ ŒÔÂ‡ÚÓ »„Ó¸ “ËÒÍËÈ «‚ÛÍ ¬Î‡‰ËÏË √ÓÎÓ‚ÌˈÍËÈ œÓ‰˛ÒÂ fiËÈ ÿËÎÎÂ œÓ‰˛ÒÂ ¬ˇ˜ÂÒ·‚ “ÂθÌÓ‚ œÓËÁ‚Ó‰ÒÚ‚Ó »ÒÒΉӂ‡ÚÂθÒÍËÈ ˆÂÌÚ ´üÛθÚÛ‡ ̇Ó‰Ó‚ œÓËÁ‚Ó‰ÒÚ‚Ó —ƒ‘ ñ —ÚÛ‰Ëˇ ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθÏÓ‚ (—œ·) —Ë·Ë˪, ÔË Û˜‡ÒÚËË ‘‰Â‡Î¸ÌÓ„Ó ‡„ÂÌÚÒÚ‚‡ ÔÓ ÍÛθÚÛÂ Ë ÍËÌÂχÚÓ„‡ÙËË

‘ËÎ¸Ï ÔÓÎÌÓÒÚ¸˛ Ò‰ÂÎ‡Ì ËÁ ‡ıË‚Ì˚ı χÚÂˇÎÓ‚ Ë «‡ÚÓÌ ó ˝ÚÓ ÔË·ÂÊÌ˚È ‡ÈÓÌ ÕÓ‚ÓÒË·ËÒ͇, „‰Â ÔÓˇ‚ËÎÒˇ ·Î‡„Ó‰‡ˇ ÚÂÏ ÂÊËÒÒÂ‡Ï Ë ÓÔÂ‡ÚÓ‡Ï, ÍÓÚÓ˚ ̇ıÓ‰ËÚÒˇ ·‡Á‡ ˜ÌÓ„Ó ÙÎÓÚ‡. —Â‰Ë ˜‡ÒÚÌ˚ı ‰Â‚ˇÌÌ˚ı ÒÌËχÎË ÎÂÌËÌ„‡‰ÒÍÛ˛ ıÓÌËÍÛ ‚ ÒÚ‡¯Ì˚ ‰ÌË ·ÎÓ͇‰˚. ‰ÓÏËÍÓ‚ Á‡ÚÂˇÎÓÒ¸ ÒÚÓÂÌËÂ, ̇ ‰‚ÂË ÍÓÚÓÓ„Ó ÔË·ËÚ˚ ›ÚÓ ÙËÎ¸Ï Ó ÚÓÏ, Í‡Í ÓÒڇ̇‚ÎË‚‡ÂÚÒˇ ‚ÂÏˇ Ë Í‡Í ÍÓ‚‡Ì˚ ·ÛÍ‚˚ ´üÛÁÌˇª. ›ÚÓÚ ‰ÓÏËÍ ıÓÓ¯Ó Á̇˛Ú ÏÌÓ„Ë ÏÂÒÚÌ˚ ·ˇÚ˯ÍË, ÓÚ ÌËı ‚ ÍÛÁÌ ÓÚ·Óˇ ÌÂÚ. —Â‰Ë ÒÊËχÂÚÒˇ ÊËÁ̸, ÛÒÚÛÔ‡ˇ Ò‚Ó ÔÓÒÚ‡ÌÒÚ‚Ó ÒÏÂÚË. ´ÌÂÁ‚‡Ì˚ı „ÓÒÚÂȪ ÍÛÁ̈‡ ÌÂχÎÓ ·ÂÒÔËÁÓÌËÍÓ‚ Ë ‰ÂÚÂÈ, - Õ‡ˆËÓ̇θ̇ˇ ÔÂÏˡ ÍËÌÓÍËÚËÍË Ë ÍËÌÓÔÂÒÒ˚ ´¡ÂÎ˚È Û ÍÓÚÓ˚ı ÒÎÛ˜ËÎÒˇ ÍÓÌÙÎËÍÚ ‚ ÒÂϸÂ. «‰ÂÒ¸ ÓÌË Ì‡ıÓ‰ˇÚ —ÎÓ̪ Á‡ ÎÛ˜¯ËÈ ‰ÓÍÛÏÂÌڇθÌ˚È ÙËθÏ; Ì ÚÓθÍÓ ÔË˛Ú Ë ÔˢÛ, ÌÓ Ë ‚ÌËχÌËÂ Ë ÔÓÌËχÌËÂ. - œËÁ √Ëθ‰ËË ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ –ÓÒÒËË ´«‡ «‰ÂÒ¸ ÓÌË Ì‡˜Ë̇˛Ú Ó˘Û˘‡Ú¸ Ò·ˇ ÔÓÎÌÓˆÂÌÌ˚ÏË Î˛‰¸ÏË, ÔË̈ËÔˇθÌÛ˛ ÌÓ‚ËÁÌÛ ‡·ÓÚ˚ Ò ıÓÌËÍÓÈ Ë Ëϲ˘ËÏË Ô‡‚Ó Ì‡ ΢ÌÓ ÏÌÂÌËÂ, ̇ ÒÓ·ÒÚ‚ÂÌÌ˚ ‰Â· Ë ÔÓÒÚÛÔÍË. ‰ÓÒÚËÊÂÌË ˝ÙÙÂÍÚ‡ ´Á‡Ô˜‡ÚÎÂÌÌÓ„Ó ‚ÂÏÂÌ˪; - √·‚Ì˚È ÔËÁ Á‡ ‰ÓÍÛÏÂÌڇθÌ˚È ÙËÎ¸Ï ó –ü‘ ´ŒÍÌÓ ‚ - œÂÏˡ üËÌӇ͇‰ÂÏËË ´ÕË͇ª Á‡ ÎÛ˜¯ËÈ ÌÂË„Ó‚ÓÈ ≈‚ÓÔÛª, ¬˚·Ó„, 2005; ÙËÎ¸Ï 2005 „Ó‰‡; - œËÁ Ãü‘ ‰ÓÍÛÏÂÌڇθÌÓÈ ÏÂÎÓ‰‡Ï˚ ´—‡‡ÚÓ‚ÒÍË - —ÔˆˇθÌ˚È ‰ËÔÎÓÏ Ê˛Ë, œËÁ √Ëθ‰ËË ÍËÌӂ‰ӂ Ë ÒÚ‡‰‡Ìˡª, —‡‡ÚÓ‚, 2005. ÍËÌÓÍËÚËÍÓ‚ ñ Ãü‘ Ó Ô‡‚‡ı ˜ÂÎÓ‚Â͇ ´—Ú‡ÎÍÂª.

2005, Russia, 52 min, black and white, 35 mm 2005, Russia, 26 min, colour, Betacam SP

Scriptwriter and Director Yuri Shiller Scriptwriter and Director Sergei Loznitsa Camera Igor Tirsky Sound Vladimir Golovnitsky Producer Yuri Shiller Producer Vyacheslav Telnov Production Research Centre ìCulture of the Peoples of Production SDF (Studio of Documentary Films), St. Petersburg Siberiaî with the participation of the Federal Agency for Culture and Cinematography

The film consists entirely of archival material and has been The ìBackwatersî are a region in Novosibirsk where the base possible only thanks to those directors and cameramen, who of the river fleet is located. Among private wooden houses filmed the Leningrad chronicle during the terrible days of the stands a building with a door on which the letters ëKuznyaí blockade. This film explores how time stops and life is (smithy) have withered away. The local kids know this small house very well, the ìsmithyî can hardly keep going without compressed, conceding its place to death. them. Among the blacksmithís ìuninvited visitorsî are a great - National Award of Film Critics and the Film Press ìWhite number of homeless children and children from problem Elephantî for the Best Documentary Film; families. Here, they find not only shelter and food, but also - Prize of the Guild of Film Scholars and Film Critics of attention and understanding. Here, they feel like proper Russia ìFor the basic novelty of working with chronicles and people who have the right to a personal opinion, to their own affairs and behaviour. for achieving the effect of ëtime imprintedíî; - Main Prize for Documentary Film, Russian FF ìWindow on - Prize of the Film Academy NIKA for the Best Non-fiction Europeî, Vyborg, 2005; Film; - Prize of IFF of Documentary Melodrama ìSaratov - Special Jury Diploma and Prize of the Guild of Film Sufferingsî, Saratov, 2005. Scholars and Film Critics, IFF of Human Rights ìStalkerî. 128 ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of the document connects theleftandrightbanksofcity. rods thatwillmarkthewinterroadacrossice,which the firsttoventureontoonlyjustfrozenriverplace helps hisneighbours,animalsandalllivingcreatures.Heis a holyfool.Withoutvestedinterest,yetwithoutfail,he him withesteem,definingeitheraskindbutcrazy,or has alreadybeensilentforsomeyears.Theotherstalkabout who speakabouttheirworries.Onlyoneheroissilent,andhe About realpeoplelivinginprovincialRussiancitiestoday, Cinematography participation oftheFederalAgencyforCultureand Production Sergei Linnikov Producers Scriptwriter, DirectorandCinematographer 2005, Russia,52min,BetacamSP Ô‡‚Ó·ÂÂÊÌ˚ ‡ÈÓÌ˚„ÓÓ‰‡. Á‡ÏÂÁ¯Û˛ ÂÍÛ,ÍÓÚÓ‡ˇÒÓ‰ËÌËÚ΂ӷÂÂÊÌ˚ÂË ‚¯Í˪, ‚ÂÚӘ͇ÏË̇Ϙ‡ˇÁËÏÌ˛˛‰ÓÓ„Û˜ÂÂÁ œÂ‚˚Ï, ÔÓ‰‚‡ÓÍÂÔ¯ÂÏÛθ‰ÛÓÌÓÚÔ‡‚ΡÂÚÒˇ´ÒÚ‡‚ËÚ¸ ÓÌ Ò‚ÓËÏ·ÎËÊÌËÏóβ‰ˇÏ,ÊË‚ÓÚÌ˚ÏË‚ÒÂÏÛÊË‚ÓÏÛ. ˛Ó‰ÒÚ‚Û˛˘Â„Ó Ò‚ˇÚÓ„Ó.¡ÂÒÍÓ˚ÒÚÌÓË·ÂÁÓÚ͇ÁÌÓÒÎÛÊËÚ ÔÓ˜ËÚ‡˛˘Ë „ÓÚÓÎËÁ‡‰Ó·Ó„ÓÒÛχү‰¯Â„Ó, ÛÊ ÌÂÒÍÓθÍÓÎÂÚ.ŒÌÂÏ‡ÒÒ͇Á˚‚‡˛Ú‰Û„ËÂ, ÓÒÓ·ÂÌÌÓ ‚ÓÎÌÛÂÚ.»ÚÓθÍÓÓ‰ËÌ„ÂÓÈÏÓΘËÚ,ËÏÓΘËÚÓÌ ÛÒÒÍËı „ÓÓ‰‡ı.ŒÌËÒ‡ÏË‡ÒÒ͇Á˚‚‡˛ÚÓÚÓÏ,˜ÚÓËı Œ ‡θÌ˚ıβ‰ˇı,ÊË‚Û˘ËıÒÂ„Ó‰Ìˇ‚ÔÓ‚Ë̈ˇθÌ˚ı ÍËÌÂχÚÓ„‡ÙËË ‚Âͪ, ÔËÛ˜‡ÒÚËˑ‰Â‡Î¸ÌÓ„Ó‡„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂË œÓËÁ‚Ó‰ÒÚ‚Ó —Â„ÂÈ ÀËÌÌËÍÓ‚ œÓ‰˛ÒÂ˚ ¿‚ÚÓ ÒˆÂ̇ˡ,ÂÊËÒÒÂËÓÔÂ‡ÚÓ 2005, –ÓÒÒˡ,52ÏËÌ.,BetacamSP RODS ONTHERIVER ¬≈ÿü» Õ¿ƒ–≈üŒ… Alexei Malechkin,AlexanderGundorov, Studio ofNationalFilmë21stCenturyíwiththe ¿ÎÂÍÒÂÈ Ã‡Î˜ÍËÌ,¿ÎÂÍ҇̉√Û̉ÓÓ‚, ÷ÂÌÚ-ÒÚÛ‰Ëˇ ̇ˆËÓ̇θÌÓ„ÓÙËθχ´XXI ¡ÓËÒ ÀËÁÌ‚ Boris Liznev WITH SIGHT ALL CHILDRENAREBORN «–fl◊»Ã» ¬—≈ ƒ≈“»–Œ∆ƒ¿fi“—fl - Prize fortheBestScript,IFFofHumanRightsìStalkerî, - Special JuryPrizefortheBestScript,of although thechildisnotblind.Andthisprocessmutual. and athree-yearoldson,whomheteachestoseetheworldñ himself. Hehasajobthathelikes,lotoffriends,wife, world withtheothers.Hetriestomanagehisdifficulties full life:havinglostoneofhissenses,heintenselysensesthe Having lostsightattheageof12,Sashaneverthelesslivesa Production Producer Camera Scriptwriter Director 2005, Russia,45min,colour,BetacamSP - œËÁ Á‡ÎÛ˜¯ËÈÒˆÂ̇ËÈñÃü‘ÓÔ‡‚‡ı˜ÂÎÓ‚Â͇ - —ÔˆˇθÌ˚È ÔËÁÊ˛ËÁ‡ÎÛ˜¯Û˛‰‡Ï‡ÚÛ„˲, Û˜ËÚ ‚ˉÂÚ¸ÏË.»˝ÚÓÚÔÓˆÂÒÒñ‚Á‡ËÏÌ˚È. ÏÌÓ„Ó ‰ÛÁÂÈ,ÊÂ̇ËÚÂıÎÂÚÌËÈÁˇ˜ËÈÒ˚Ì,ÍÓÚÓÓ„ÓÓÌ Ò‚ÓËÏË ÚÛ‰ÌÓÒÚˇÏËÒ‡Ï.”Ì„ÓÂÒڸβ·Ëχˇ‡·ÓÚ‡, ‚ÒÂı ÓÒڇθÌ˚ıÔÓˇ‚ÎÂÌˡı.ŒÌÒÚ‡‡ÂÚÒˇÒÔ‡‚ÎˇÚ¸ÒˇÒÓ À˯˂¯ËÒ¸ Ó‰ÌÓ„Ó˜Û‚ÒÚ‚‡,ÓÌÓ·ÓÒÚÂÌÌÓÓ˘Û˘‡ÂÚÏË‚Ó œÓÚÂˇ‚ ÁÂÌË‚12ÎÂÚ,—‡¯‡ÊË‚ÂÚÔÓÎÌÓÈÊËÁ̸˛. œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ œ‡‚ÂÎ üÓÒÚÓχÓ‚ ŒÔÂ‡ÚÓ˚ ¿‚ÚÓ –ÂÊËÒÒÂ 2005, –ÓÒÒˡ,45ÏËÌ.,ˆ‚.,BetacamSP Moscow, 2005. Open DocumentaryFestivalëRussiaí,Ekaterinburg,2005; newspaper TheUralWorkerìForthehumanismoffilmartî, ´—Ú‡ÎÍÂª, ÃÓÒÍ‚‡,2005. ÍËÌÓËÒÍÛÒÒÚ‚‡ª 󌑃ü´–ÓÒÒˡª,≈͇ÚÂËÌ·Û„,2005; „‡ÁÂÚ˚ ´”‡Î¸ÒÍËÈ‡·Ó˜ËȪ󴫇„ÛχÌËÁÏ ÒˆÂ̇ˡ À‚–Ó¯‡Î¸ Arkady Kogan,MartynshPunans,PavelKostomarov Arkady Kogan Alexander Azadiants ¿͇‰ËÈ üÓ„‡Ì ¿ÎÂÍ҇̉ ¿Á‡‰ˇÌˆ Atalanta ¿͇‰ËÈ üÓ„‡Ì,ÇÚ˚̸¯œÛ̇ÌÒ, Lev Roshal ¿Ú‡Î‡ÌÚ‡ ¬›ÀÀ¿ √–¿∆ƒ¿Õ—üŒ≈ VELLA —Œ—“ŒflÕ»≈ A CIVIL CONDITION ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of document 129

2005, –ÓÒÒˡ, 35 ÏËÌ., ˆ‚., Betacam SP 2005, –ÓÒÒˡ, 29 ÏËÌ., ˆ‚, 35 ÏÏ

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2005, Russia, 35 min, colour, Betacam SP 2005, Russia, 29 min, color, 35 mm

Scriptwriter and Director Vladimir Gerchikov Scriptwriter and Director Alina Rudnitskaya Camera Alisher Khamidkhodzhaev Camera Alexander Filippov Producer Vladimir Gerchikov Producer Viacheslav Telnov Production Telemost Production SDF (Studio of Documentary Films), St. Petersburg

The poet, hunter, and reindeer breeder Yuri Vella, hoping for A witty, yet sad film about the staff at a registry office, understanding and the help of the authorities, begins a fight where every day important events happen for the visitors: with an oil corporation... weddings, divorces, births, deathsÖ 130 ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of the document Victor Tsoyísmostfamoussong?Is italsothesame? name. Ordothey?Whatistheirblood typeñthetitleof Committee. Theyhavenothingincommon, exceptfortheir young businessman;theeighth,achairman ofaHousing repairman; thesixth,anelderlyscientist; theseventh,a Buddhist; thefourth,ahoodlum;fifth,sewingmachine computer freak;thethird,hisnamesakedaughter,adevout of allMoscowísKoreans;another,hisnamesakeson,a of alegendarylateRussian-Koreanrockstar.Oneisthechief Korean descent,allnamedthesameñVictorTsoy,name modern Moscow.´BloodTypeªisabouteightMuscovitesof ethnic originwhoñintheirvarietymakeupthefaceof project ´Diasporaª,acycleoffilmsaboutpeopledifferent ´Blood Typeªisapilotfilmofthelarge-scaledocumentary www.diaspora-film.ru Agency forCultureandCinematography Production Producer Camera Scriptwriter andDirector 2006, Russia,44min,colour,BetacamSP ‚ÒÂı ñӉ̇?.. ËÏÂÌË. »ÎË‚ÒÂ-Ú‡ÍËÂÒÚ¸?ü‡Í‡ˇÛÌËı„ÛÔÔ‡ÍÓ‚Ë?Õ‡ ∆—ü. ÃÂʉÛÌËÏËÌÂÚÌ˘„ÓÓ·˘Â„Ó.ÕÛ‡Á‚˜ÚÓÍÓÏ ̇˜Ë̇˛˘ËÈ Ô‰ÔËÌËχÚÂθ,‚ÓÒ¸ÏÓÈñÔ‰Ò‰‡ÚÂθ ¯‚ÂÈÌ˚ı χ¯ËÌÓÍ,¯ÂÒÚÓÈñÔÓÊËÎÓÈÛ˜ÂÌ˚È,Ò‰¸ÏÓÈ ·Û‰‰ËÒÚ͇, ˜ÂÚ‚ÂÚ˚ÈñıÛÎË„‡Ì,ÔˇÚ˚È̇·‰˜ËÍ ÍÓÏÔ¸˛ÚÂÓÏ, ÚÂÚ¸ˇñ„ÓÚÂÁ͇-‰Ó˜¸,ÔÓÒ‚ˇ˘ÂÌ̇ˇ ÚÂÁ͇-Ò˚Ì, ´·‡Î·ÂÒª,ÔÓ‚Ó‰ˇ˘ËÈ‚Ò‚ÂÏˇÁ‡ Œ‰ËÌ ñ̇˜‡Î¸ÌËÍ‚ÒÂıÏÓÒÍÓ‚ÒÍËıÍÓÂȈ‚,‰Û„ÓÈÂ„Ó ÔÓËÒıÓʉÂÌˡ, ͇ʉӄÓËÁÍÓÚÓ˚ıÁÓ‚ÛÚ¬ËÍÚÓ÷ÓÈ. Íӂ˪ ñÓ‚ÓÒ¸ÏÂ˚ıÏÓÒ͂˘‡ıÍÓÂÈÒÍÓ„Ó ÏÌÓ„ÓÓ·‡ÁËË ÎˈÓÒÓ‚ÂÏÂÌÌÓÈÃÓÒÍ‚˚.‘Ëθϴ√ÛÔÔ‡ ‡ÁÌ˚ı ̇ˆËÓ̇θÌÓÒÚÂÈ,ÒÓÒÚ‡‚Ρ˛˘Ëı‚Ó‚ÒÂÏÒ‚ÓÂÏ ´ƒË‡ÒÔÓ˚ª, ˆËÍ·ÙËθÏÓ‚,‡ÒÒ͇Á˚‚‡˛˘ËıÓÎˈ‡ı ´√ÛÔÔ‡ Íӂ˪ñÔËÎÓÚÍÛÔÌÓχүڇ·ÌÓ„ÓÔÓÂÍÚ‡ www.diaspora-film.ru ‘‰Â‡Î¸ÌÓ„Ó ¿„ÂÌÚÒÚ‚‡ÔÓÍÛθÚÛÂËÍËÌÂχÚÓ„‡ÙËË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2006, –ÓÒÒˡ,44ÏËÌ.,ˆ‚.,BetacamSP BLOOD TYPE √–”œœ¿ ü–Œ¬» Oleg Shuvaev Ekaterina Filippova ŒÎ„ ÿÛ‚‡Â‚ ≈͇ÚÂË̇ ‘ËÎËÔÔÓ‚‡ Atlantic StudiowithparticipationoftheFederal —ÚÛ‰Ëˇ ´¿Ú·ÌÚËͪ,ÔËÔÓ‰‰ÂÊÍ Mikhail Brashinsky ÃËı‡ËÎ ¡‡¯ËÌÒÍËÈ LET OURDAYSBELONG Õ¿ÿ» ƒÀ»Õդû ƒ¿ ¡”ƒ”“ƒÕ» - Participation intheCompetitionProgrammeofShortFilms in verse...îñGeorgyParadjanov their deaths.Onmarbleplatesdestinieswereembossed stages ofthelivesthoseburiedhereandreasonsfor and ceilingsofwhichhadbeenpaintedwithfrescoesreflecting Tbilisiís cemeteries,whereIsawsevensmallcrypts,thewalls ìThe ideatomakethisfilmwasbornaftervisitingoneof Production/ Sales Ekaterina Davitaya Producers Sound Music Camera Director/ Scriptwriter 2005, Russia,21min.,color,1:1.37,35mm - ”˜‡ÒÚË ‚ÍÓÌÍÛÒÌÓÈÔÓ„‡ÏÏÂÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı œ‡‡‰Ê‡ÌÓ‚ Ú‡·Î˘͇ı ·˚ÎË‚˚·ËÚ˚‚ÒÚËı‡ıËıÒÛ‰¸·˚...ªñ√ÂÓ„ËÈ Á‰ÂÒ¸ β‰ÂÈËÔ˘ËÌ˚ËıÒÏÂÚË.¿Ì‡Ï‡ÏÓÌ˚ı ÙÂÒ͇ÏË, ÓÚ‡Ê‡˛˘ËÏËÒˆÂÌ˚ËÁÊËÁÌËÔÓ„·ÂÌÌ˚ı ÒÍÎÂÔÓ‚, ÒÚÂÌ˚ËÔÓÚÓÎÍËÍÓÚÓ˚ı·˚ÎË‡ÒÔËÒ‡Ì˚ Ó‰ÌÓ„Ó ËÁÍ·‰·Ë˘“·ËÎËÒË,„‰ÂˇÛ‚ˉÂÎÒÂϸχÎÂ̸ÍËı ´»‰Âˇ ÒÌˇÚ¸˝ÚÓÚÙËθÏӉ˷ҸÛÏÂÌˇÔÓÒÎÂÔÓÒ¢ÂÌˡ œÓËÁ‚Ó‰ÒÚ‚Ó ≈͇ÚÂË̇ ƒ‡‚ËÚ‡ˇ œÓ‰˛ÒÂ˚ «‚ÛÍ ÃÛÁ. ÓÙÓÏÎÂÌË ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,21ÏËÌ.,ˆ‚.,1:1.37,35ÏÏ at theVeniceIFF,2005. ÙÂÒÚË‚‡Îˇı. ÙËθÏÓ‚ ñÃü‘‚¬Â̈ËË,2005Ë̇ÏÌÓ„Ëı‰Û„Ëı ƒÏËÚËÈ ÃÓÓÁÓ‚ Designer SvetlanaStepchenko Dmitry Morozov Nodar Paliashvili ÕÓ‰‡ œ‡Îˇ¯‚ËÎË Georgy Paradjanov,AnnaGolko, √ÂÓ„ËÈ œ‡‡‰Ê‡ÌÓ‚,¿Ì̇√ÓÎÍÓ, √ÂÓ„ËÈ œ‡‡‰Ê‡ÌÓ‚‘ËÎ¸Ï —‚ÂÚ·̇ —ÚÂÔ˜ÂÌÍÓ Georgy ParadjanovFilm Georgy Paradjanov √ÂÓ„ËÈ œ‡‡‰Ê‡ÌÓ‚ ü»ÕŒ¬≈ü ÃŒ» ¬Œ–ŒÕ¤ —≈–√≈fl üŒÃ¿–Œ¬¿ MY CROWS THE FILM-CENTURY OF SERGEY üŒÃ¿–Œ¬¿ ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of document 131

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Directors and Scriptwriters Marianna Kireeva, Marina Trush Scriptwriter and Director Svetlana Bychenko Camera Valery Konin Camera Sergei Kulishenko, Svetlana Bychenko, Ivan Finogeev Producer Marina Trush Art Director Anna Chistova Production Artima Studio Special effects Sergei Danilchenko Sound Ilya Kar-Cherzhuk (Ilya Kacherzhuk) ìIf there is cinema, then it should also be studied as a Producer Mairam Yusupova disciplineî. Guided by this idea, the film enthusiasts of the Production August Studio 1920s created the new discipline of film studies. One of them was the teacher of the Film Institute VGIK, professor Sergei A documentary film-novella. Grey ravens love Moscow, and Vasilievich Komarov. He was the first in Russia to start especially the Kremlin. Ornithologists cannot establish the collecting and processing material about the history of cinema reason for the behaviour of these quite ordinary birds. The in the United States, France, and Scandinavia. An expert on soldiers of the Presidential Guard shoot them every morning, cinema who tirelessly expanded his knowledge, Sergei or they frighten them with hawks, but the ravens return all Komarov generously shared it with young colleagues. He died the same... in 2002 at the age of 97. - Prize in the category ìPopular Scientific and Educational Programmesî, 8th Eurasian Teleforum, 2005. 132 ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of the document and otherawards - Prize ofAudienceSympathies, FestivalofRealCinema - Prize oftheMayorSaratov, Tele-FestivalofDocumentary - Jury PrizeforNon-fictionDebut,IFFofHumanRights - Third PrizeinthesectionìNon-fictionFilmî,Competition - outer spaceÖ landownerís manor,whilethethirdiswaitingforhelpfrom collection ofcuriosities,anotherinthecreationa for themeaningoflife.Onethemseeshiscallingin About somestrangeprovincialpeople,whowanderinsearch Production Producer Camera Scriptwriter andDirector 2005, Russia,52min,colour,BetacamSP - œËÁ ÁËÚÂθÒÍËı ÒËÏÔ‡ÚËÈó‘ÂÒÚË‚‡Î¸ - - œËÁ Ï˝‡„ÓÓ‰‡—‡‡ÚÓ‚‡ñ“ÂÎÂÙÂÒÚË‚‡Î¸ - œËÁ Ê˛ËÌÂË„Ó‚Ó„ÓÍËÌÓÁ‡‰Â·˛ÚóÃü‘ÓÔ‡‚‡ı - “ÂÚ¸ˇ ÔÂÏˡ‚‡Á‰ÂÎÂÌÂË„Ó‚Ó„ÓÍËÌÓñüÓÌÍÛÒ´—‚. - œËÁ Á‡ÎÛ˜¯ËÈÔÓÎÌÓÏÂÚ‡ÊÌ˚ÈÙËθÏ,ÔËÁ ÍÓÒÏÓÒ‡Ö ‚ ÒÓÁ‰‡ÌËËÔÓÏÂ˘Ë˜¸ÂÈÛÒ‡‰¸·˚,ÚÂÚËÈʉÂÚÔÓÏÓ˘ËËÁ ÍÓÎÎÂ͈ËÓÌËÓ‚‡ÌËË ‡ËÚÂÚӂۯ‰¯ÂÈ˝ÔÓıË,‰Û„ÓÈñ ÒÏ˚Ò· ÊËÁÌË.Œ‰Ë̂ˉËÚÒ‚ÓÂÔËÁ‚‡ÌË‚ Œ ÔÓ‚Ë̈ˇθÌ˚ı˜Û‰Ë͇ı,·ÎÛʉ‡˛˘Ëı‚ÔÓËÒ͇ı œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,52ÏËÌ.,ˆ‚.,BetacamSP USSR ñRUSSIATRANSIT ———–-–Œ——»fl-“–¿Õ«»“ ìKinoteatr.docî, Moscow,2006; Melodrama ìSaratovSufferingsî, Saratov, 2005; ìStalkerî, Moscow,2005; ìSt. Annaî,Moscow,2005; ‰ÂÈÒÚ‚ËÚÂθÌÓ„Ó ÍËÌÓ´üËÌÓÚ‡Ú.Docª,ÃÓÒÍ‚‡,2006ˉ. —‡‡ÚÓ‚, 2005; ‰ÓÍÛÏÂÌڇθÌÓÈ ÏÂÎÓ‰‡Ï˚´—‡‡ÚÓ‚ÒÍËÂÒÚ‡‰‡Ìˡª, ˜ÂÎÓ‚Â͇ ´—Ú‡ÎÍÂª,ÃÓÒÍ‚‡,2005; ¿Ì̇ª, ÃÓÒÍ‚‡,2005; ≈͇ÚÂËÌ·Û„, 2005; ÔËÒڇθÌÓÒÚ¸ ‚Á„Ρ‰‡ªóŒ‘ƒü´–ÓÒÒˡª, ŒÚÍ˚ÚÓ„Ó ‡Û͈ËÓ̇´“‡Ú¸ˇÌË̉Â̸ªó´«‡ Documentary FestivalìRussiaî,Ekaterinburg,2005; ìTatianaís Name-Dayî,ìForanobstinategazeî,Open Prize forBestFeatureFilm,oftheOpenAuction Evgeny Tsigel Irina Snezhinskaya ≈‚„ÂÌËÈ ÷Ë„Âθ »Ë̇ —ÌÂÊËÌÒ͇ˇ Snega ´—Ì„‡ª Andrei Titov ¿Ì‰ÂÈ “ËÚÓ‚ IN RUSSIA THE FATEOFAMILLIONAIRE ¬ –Œ——»» —”ƒ‹¡¿ ûÀÀ»ŒÕ≈–¿ years intheNizhnyTagilzoneforVIPsÖ life, homeorfreedom.Pavelwaslucky:hegotoffwith8 Then itwaseasy.Latermuchmoredifficulttonotlose During thecrazy1990sPavelSilkovbecameamillionaire. Production Producer Camera Scriptwriter andDirector 2005, Russia,33min,colour,BetacamSP ‚ÓÒÂϸ˛ „Ó‰‡ÏË‚ÕËÊÌÂ-“‡„ËθÒÍÓÈÁÓ̉ΡVIPÖ ÊËÁ̸, Ó‰ËÌÛËÎËÒ‚Ó·Ó‰Û.œ‡‚ÎÛÔÓ‚ÂÁÎÓñÓÌÓډ·ÎÒˇ ·˚ÎÓ ÌÂÚÛ‰ÌÓ.“Û‰ÌÂÂÌÂÔÓÚÂˇÚ¸‚ÂÁÛθڇÚ ¬ ·ÂÁÛÏÌ˚Â90-Âœ‡‚ÂΗËÎÍÓ‚ÒÚ‡ÎÏËÎÎËÓÌÂÓÏ.“Ó„‰‡˝ÚÓ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ŒÔÂ‡ÚÓ˚ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,33ÏËÌ.,ˆ‚.,BetacamSP Alexander Shubin,VladimirIvanov Alexander Radov ¿ÎÂÍ҇̉ –‡‰Ó‚ Fishka-Film ¿ÎÂÍ҇̉ ÿÛ·ËÌ,¬Î‡‰ËÏË»‚‡ÌÓ‚ ´‘˯͇-ÙËθϪ Irina Vasilieva »Ë̇ ¬‡ÒË肇 —÷≈Õ¿ “»Ã”–. »—“Œ–»fl THE STAGE œŒ—À≈ƒÕ≈√Œ œŒÀ≈“¿ TIMUR. THE HISTORY OF THE LAST FLIGHT ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of document 133

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2005, Israel, 54 min, colour, 1:1.37, Betacam SP PAL 2005, Russia, 26 min, colour, 35 mm

Scriptwriter and Director Pyotr Mostovoy Scriptwriter and Director Natalia Gugueva Camera Ofer Harari Camera Irina Uralskaya, Roman Kondratiev, Ivan Alfyorov Composer Ilya Bershadsky Producer Natalia Zheltukhina Production Risk Film-Video Studio Characters: Misha Teplitsky, Tanya Malovichko, Yuri Khanin, Tamara Kopanskaya, Lyudmila Kovalevskaya, Ilya Bershadsky 10,000 spectators were eyewitnesses of the death of the Hero of Russia, Timur Apakidze, a light aircraft pilot; among them Producer Pyotr Mostovoy were his friends and fellow-pilots. On one occasion Apakidze Production Pack Line successfully ejected from a falling out-of-control plane. He was close to death then, and remembered this experience for Documentary tragicomedy. The casting story for participation the rest of his life. Shortly before his death, as if he had a in the Israeli project ëCabaretí. Russian repatriates, many of premonition, he gave a detailed account of the feelings and whom have come to the capital from other cities, talk about thoughts of a pilot when his plane falls, and why it is so themselves. Then follow rehearsals, and the only performance difficult for a pilot to make the decision to eject Ö of a newly born theatre. People dream of a career in theatre - National Award ìLaurelî in the category Best Non-fiction and gradually transform into genuine actors. These were the Film on 35 mm, 2005; best days of their lifeÖ - Pavel Kogan Prize, IFF ìMessage to Manî, St Petersburg, - Prize ìLaurelî for the Best Full-length Non-fiction Television 2005; Film of 2005; - Diploma IFF ìGolden Vityazî, 2005, etc. - Prize of the Channel 24doc, Festival of Real Cinema ìKinoteatr.docî, Moscow, 2006. 134 ‚ ÁÂ͇Π‰ÓÍÛÏÂÌÚ‡ in the mirror of the document seems thateverythinghasbeensaid, heisagainbeforeus. against thelogicofself-preservation. Andtoday,whenit the onewithmostreaders.His actionsalwayswent well-known writerinthecountry, which hestillconsidersas USA. HavingmadethewayfromEasttoWest,hebecamea incompatible withSovietofficialculture,heemigratedtothe deprived offreedom.Asaresulthisrebelliousnessthatwas who managedtoexpressideasofmillionsSovietcitizens, an author:YuzAleshkovsky,thewriterandpoet,oneofthose Politburo). Veryfewpeopleknewthatthesenationalhitshad were sungallovercountry(andevenbymembersofthe ìCigarette Stubî,ìComradeStalin,youareaGreatScientistî During theSoviettimessongssuchasìSovietEasterî, Monologue. Production Producers Sound Camera Scriptwriter andDirector 2005, Russia,70min,colour,BetacamSP Ò˜ËÚ‡ÂÚÒˇ Ò‡ÏÓȘËÚ‡˛˘ÂÈ. ÒڇΠËÁ‚ÂÒÚÌ˚ÏÔËÒ‡ÚÂÎÂÏ‚ÒÚ‡ÌÂ,ÍÓÚÓ‡ˇ‰ÓÒËıÔÓ ˝ÏË„ËÓ‚‡Î ‚—ÿ¿.œӉ·‚ÔÛÚ¸Ò¬ÓÒÚÓ͇̇«‡Ô‡‰,ÓÌ Ì‡ÍÎÓÌÌÓÒÚÂÈ, ÌÂÒÓ‚ÏÂÒÚËÏ˚ıÒÒÓ‚ÂÚÒÍËÏÂÊËÏÓÏ,ÓÌ „‡Ê‰‡Ì, Î˯ÂÌÌ˚ıÒ‚Ó·Ó‰˚.¬ÒËÎÛÒ‚ÓËı·ÛÌÚ‡ÒÍËı ÚÂı, ÍÚÓÒÛÏÂ΂˚‡ÁËÚ¸Ï˚ÒÎËÏËÎÎËÓÌÓ‚ÒÓ‚ÂÚÒÍËı ÂÒÚ¸ ‡‚ÚÓñfiÁ¿Î¯ÍÓ‚ÒÍËÈ,ÔËÒ‡ÚÂθËÔÓ˝Ú,Ó‰ËÌËÁ ÔÓÎËÚ·˛Ó). »Ï‡ÎÓÍÚÓÁ̇Î,˜ÚÓÛ˝ÚËı̇Ó‰Ì˚ııËÚÓ‚ ‚Òˇ ÒÚ‡Ì‡(‡ÔÓÒÎÛı‡ÏñÒÛ‰Ó‚ÓθÒÚ‚ËÂÏ˘ÎÂÌ˚ ´ŒÍÛÓ˜Âͪ, ´“Ó‚‡ˢ—Ú‡ÎËÌ,‚˚·Óθ¯ÓÈÛ˜ÂÌ˚ȪÔ· ¬ ÒÓ‚ÂÚÒÍË‚ÂÏÂ̇ÔÂÒÌË´—Ó‚ÂÚÒ͇ˇÔ‡Òı‡Î¸Ì‡ˇª, ÃÓÌÓÎÓ„. œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ «‚ÛÍ ŒÔÂ‡ÚÓ˚ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, –ÓÒÒˡ,70ÏËÌ.,ˆ‚.,BetacamSP YUZ, JAZZ,IRKAANDDOG fi«, ƒ∆¿«,»–ü¿»œ≈— “‡Ú¸ˇÌ‡ “˛Ë̇ Tatiana Tyurina Evgeny Smirnov,VyacheslavSachkov Grigory Libergal,SergeiMiroshnichenko Ostrov withparticipationInternews ≈‚„ÂÌËÈ —ÏËÌÓ‚,¬ˇ˜ÂÒ·‚—‡˜ÍÓ‚ √Ë„ÓËÈ ÀË·Â„‡Î,—Â„ÂÈÃËÓ¯Ì˘ÂÌÍÓ ´ŒÒÚÓ‚ª, ÔËÛ˜‡ÒÚËË´»ÌÚÂ̸˛Òª Sergei Miroshnichenko —Â„ÂÈ ÃËÓ¯Ì˘ÂÌÍÓ AND ASGRASSIGROWUPTOYOUÖ œ–Œ–¿—“”Ö fl ü¬¿Ã“–¿¬Œfi - Prize fortheBestNon-fictionFilm,IFFofHumanRights workers, whoalltogethermakeupthewordìpeopleî. Stalinís terror:priests,officers,artists,engineers,peasants, Polygon. Nexttohimresttensofthousandsvictims the giftedartist,whowasshotin1938onButovsk shadow ofherdisgracealsofellonson,VladimirTemirev, Kolchak with39yearsincamps,prisonsandexile.The Anna VasilievnaTemirevapaidforherlovetoAdmiral Production Leonid Leonidov Producers Camera Scriptwriter Director 2004, Russia,2partsx52min,blackandwhite/colour - œËÁ Á‡ÎÛ˜¯ËÈÌÂË„Ó‚ÓÈÙËθÏñÃü‘ÓÔ‡‚‡ı Ò·„‡ÂÚÒˇ ÒÎӂӴ̇Ó‰ª. ıÛ‰ÓÊÌËÍË, ËÌÊÂÌÂ˚,ÍÂÒÚ¸ˇÌÂ,‡·Ó˜ËÂñ‚ÒÂ,ËÁÍÓ„Ó Ú˚Òˇ˜ ÊÂÚ‚ÒÚ‡ÎËÌÒÍÓ„ÓÚÂÓ‡:Ò‚ˇ˘ÂÌÌËÍË,ÓÙˈÂ˚, „Ó‰Û Ì‡¡ÛÚÓ‚ÒÍÓÏÔÓÎË„ÓÌÂ.–ˇ‰ÓÏÒÌËÏÔÓÍÓˇÚÒˇ‰ÂÒˇÚÍË “ÂÏË‚‡, ڇ·ÌÚÎË‚Ó„ÓıÛ‰ÓÊÌË͇,‡ÒÒÚÂΡÌÌÓ„Ó‚1938 “Â̸ ÂÂÓԇθÌÓÈÒÛ‰¸·˚ԇ·Ë̇Ò˚̇ñ¬Î‡‰ËÏË‡ “ÂÏË‚‡ Á‡Ô·ÚË·39„Ó‰‡ÏË·„ÂÂÈ,Ú˛ÂÏËÒÒ˚ÎÓÍ. «‡ Ò‚Ó˛Î˛·Ó‚¸Í‡‰ÏË‡ÎÛüÓΘ‡ÍÛ¿Ì̇¬‡ÒËθ‚̇ œÓËÁ‚Ó‰ÒÚ‚Ó ÀÂÓÌˉ ÀÂÓÌˉӂ œÓ‰˛ÒÂ˚ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2004, –ÓÒÒˡ,2ÒÂËËx52ÏËÌ.,˜/·+ˆ‚. ìStalkerî, Moscow,2005. ˜ÂÎÓ‚Â͇ ´—Ú‡ÎÍÂª,ÃÓÒÍ‚‡,2005. Evgeny Sinelnikov Alexei Kolesnikov ≈‚„ÂÌËÈ —ËÌÂθÌËÍÓ‚ ¿ÎÂÍÒÂÈ üÓÎÂÒÌËÍÓ‚ Alexei Kolesnikov,AlexanderLipkov, Filmen ¿ÎÂÍÒÂÈ üÓÎÂÒÌËÍÓ‚,¿ÎÂÍ҇̉ÀËÔÍÓ‚, Alexander Lipkov ´‘ËÎÏÂ̪ ¿ÎÂÍ҇̉ ÀËÔÍÓ‚ www.kinotavr.ru 90-Â. 1990s. üËÌÓ, ÍÓÚÓÓ The Cinema Ï˚ ÔÓÚÂˇÎË That We Lost

›ÚÓÚ ÔÓÂÍÚ Ï˚ ̇˜‡ÎË ‚ ÍÓ̈ 2003- We began this project at the end of „Ó ÒÚ‡Ú¸ÂÈ ƒ‡ÌËË· ƒÓ̉Û¡ ´ŒÚÍ‡Ú 2003 with an article by Daniil Û·ËÎ ÔÓ͇ڪ, Á‡‚Â¯ËÎË ‚ ̇˜‡Î Dondurei, ìSlumping kills 2006-„Ó. » ‚˚¯ÎÓ Ì ÒÚÓθÍÓ distributionî; the project was completed ËÒÒΉӂ‡ÌË ‚Â‰Û˘ËÏË ÓÒÒËÈÒÍËÏË in the beginning of 2006. Apart from ÍËÚË͇ÏË ÍËÌÓ 90-ı, ÒÍÓθÍÓ research by leading Russian critics on ÔÓ„ÛÊÂÌË ‚Ó ‚ÂÏˇ, Â„Ó ÒÓ˜ËÌË‚¯ÂÂ. the cinema of the 1990s, the project Œ·˘ËÏË ÛÒËÎˡÏË ÔÓ‰ÌËχÎË also involved an immersion into the ¿Ú·ÌÚË‰Û ÏÌÓ„ÓÎËÍÓ„Ó ÍËÌÓ ó time that composed that cinema. ÒÔÓÌÓ„Ó, ˜‡˘Â ó ÌÂÔË‚ÂÚÎË‚Ó„Ó. Common efforts lifted up an Atlantis of ¡Óθ¯ÂÈ ˜‡ÒÚ¸˛ ‡ÁÏËÌÛ‚¯Â„ÓÒˇ ÒÓ multi-faceted cinema, often disputable ÁËÚÂÎÂÏ (ÔÓ͇Ú-ÚÓ ‚ԇΠ‚ ÎÂÚ‡„˲). and unflattering. It largely passed 136 üËÌÓ Ò ¯ËÓÍÓ Á‡Í˚Ú˚ÏË „·Á‡ÏË unnoticed by audiences, as the Ôӂ‰‡ÎÓ Ì‡Ï Ó ‰Ì ‚˜Â‡¯ÌÂÏ, ËÁ distribution then was lethargic. Cinema, ÍÓÚÓÓ„Ó ÔÓËÒÚÂÍÎË Ï˚ Ì˚̯ÌËÂ. with eyes wide shut, told to us about » ‚Ó ÏÌÓ„ÓÏ Ó·˙ˇÒÌËÎÓ ó ÔÓ˜ÂÏÛ Ï˚ the yesterday, from where our today ÒÚ‡ÎË ËÏÂÌÌÓ Ú‡ÍËÏË. ŒÍ‡Á˚‚‡ÂÚÒˇ, emerged. And it explained many things: ËÁÛ˜‡Ú¸ ·ÎËʇȯ ÔÓ¯ÎÓ ÎÛ˜¯Â Ì why we became the way we did. It ÔÓ ÏÂÏÛ‡‡Ï, „‡ÁÂÚÌ˚Ï ÔÓÎÓÒ‡Ï, appears that the study of the immediate ËÒÚÓ˘ÂÒÍËÏ Ó·ÁÓ‡Ï, ‡ ÙËÎ¸Ï‡Ï ó past is best made not through memoirs, ‚ ÌËı ÊË‚ÓÈ ÚÓÍ ‚ÂÏÂÌË. newspaper columns, and historical ‘ËθÏ˚ 90-ı ó ÔÓ‡ÊÂ̈˚. ∆ÂÚ‚˚ surveys, but through films, as they ÔÂÂıÓ‰ÌÓ„Ó ÔÂËÓ‰‡, Î˯ÂÌÌ˚ Ô‡‚‡ contain the vital current of the time. ̇ ˝Í‡ÌÌÛ˛ ÊËÁ̸. ÀÛ˜¯Ë ËÁ ÌËı The films of the 1990s are defeatist. ó ·ÛÏÂ‡Ì„Ë. œÓÒ·Ìˡ Í ÁËÚÂβ Victims of the period of transition, they Ò‚ÓÂ„Ó ‚ÂÏÂÌË ‚ÂÌÛÎËÒ¸ Í Ò‚ÓËÏ were deprived of the right to a screen ‡‚ÚÓ‡Ï Á‡ ‚˚·˚ÚËÂÏ ´‡‰ÂÒ‡Ú‡ª. life. The best of them were boomerangs: “ÂÔÂ¸ ‚ÓÁ‚‡˘‡˛ÚÒˇ Í Ì‡Ï, their messages to the contemporary ‰ÂÏÓÌÒÚËÛˇ Ì ÚÓθÍÓ Í‡˜ÂÒÚ‚Ó spectator returned to the authors with ÔÓÙÂÒÒËË, ÌÓ Ë ÔÓÔ˚ÚÍÛ ÛÌË͇θÌ˚ı the remark ìreturn to senderî. Now ÍËÌÂχÚÓ„‡Ù˘ÂÒÍËı ÔÓÁÂÌËÈ, they return to us, showing not only ·ÂÒÒÚ‡¯Ë ÔÂ‰ ·ÓÒÍÓÏ ‚ ´ı‡ÓÒ their professional quality, but also an ÌÂÓÚÙÓχÚËÓ‚‡ÌÌÓ„Ó Ì‡ÒÚÓˇ˘Â„Óª. attempt at unique cinematic insights, ¬ Ò‡‚ÌÂÌËË Ò ÌËÏË, ÌÂÔ˘ÂÒ‡ÌÌ˚ÏË, fearless before the leap into ìthe chaos Ì˚̯ÌËÈ „Ρ̈, ÒÓÚ‚ÓÂÌÌ˚È Ì‡ of an unformatted presentî. In ÍÓÌ‚ÂÈÂ ‚ÓÒÒڇ̇‚ÎË‚‡˛˘Â„ÓÒˇ comparison with these badly groomed ÔÓËÁ‚Ó‰ÒÚ‚‡, ‚˚„Ρ‰ËÚ ÒËÌÚÂÚ˘ÂÒÍËÏ works, todayís glamour created on the ÏÛΡÊÓÏ. conveyor belt of a production line under üËËÎÎ –‡ÁÎÓ„Ó‚ ̇Á‚‡Î 90- ÔÓ‚ÓÈ, reconstruction looks like a synthetic ÍÓÚÓ‡ˇ ‚ÚˇÌÛ· ˆÂÎÓ ÔÓÍÓÎÂÌË model. ÏÓÎÓ‰˚ı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. ¬ ̇¯ÂÏ Kirill Razlogov called the 1990s an ÇÚËÓÎÓ„Â (´ÕÓ‚‡ˇ „‡ÁÂÚ‡ª, π17) ìabyssî, which devoured a whole ÔÓ‡Ê‡ÂÚ Ì ÔÓÒÚÓ Ó·ËÎË ËÏÂÌ, ‡ ÚÓ, generation of young cinematographers. ˜ÚÓ ˝ÚÓ ËÏÂ̇ Ò‡Ï˚ı ‰‡Ó‚ËÚ˚ı, Our Martyrologue (ìNovaya gazetaî No. ÌÂÔ‰Ò͇ÁÛÂÏ˚ı, ÏÌÓ„Óӷ¢‡˛˘Ëı 17) impresses not just because of the ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. œÂ‚˚ı ó large number of names, but also because ‚ ÂÊËÒÒÛÂ, ‰‡Ï‡ÚÛ„ËË, ÍËÚËÍÂ, these are the names of the most gifted, ‡ÍÚÂÒÚ‚ÂÖ unpredictable, promising ¬ Ì˚̯ÌÂÈ ÂÚÓÒÔÂÍÚË‚Â Î˯¸ cinematographers. Leaders in directing, ÌÂÒÍÓθÍÓ Í‡ÚËÌ ó ÓÚ‰ÂθÌ˚ı scriptwriting, criticism, actingÖ ´Ù‡„ÏÂÌÚÓ‚ª ÍËÌÓÎÂÌÚ˚ ‰ÎËÌÓÈ ‚ The present retrospective shows only a 13 ÎÂÚÖ few films, individual ìfragmentsî of a film that is 13 years longÖ À‡ËÒ‡ Ã‡Î˛ÍÓ‚‡ üÛ‡ÚÓ ÔÓ„‡ÏÏ˚ Larisa Malyukova Programme Curator 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 1990s. the cinema that we lost 137

´‡χ‚Ëª ´ARMAVIRª ‚ÂÏˇ Ô˜‡ÎË Â˘Â Ì Ô˯ÎÓ THE TIME FOR SORROW HAS NOT YET COME ‰Â̸ ÔÓÎÌÓÎÛÌˡ THE DAY OF THE FULL MOON Á‡ ‰Â̸ ‰ÓÖ THE DAY BEFORE... ϘÚ˚ ˉËÓÚ‡ IDIOTíS DREAMS ÌÂβ·Ó‚¸ THE DISLIKE ÌÓ„‡ THE LEG ÓÍ‡Ë̇ OUTSKIRTS Ó‡ÌÊ‚˚È ‰Ê‡Á ORANGE JAZZ 138 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 1990s. the cinema that we lost ´ARMAVIRª ´¿–ÿ¬»–ª ÎÂÚ ´Â‰ËÌ˚ϘÂÎӂ˜ÂÒÍËÏÓ·˘ÂÊËÚËÂϪ. ‘ËÎ¸Ï ÔÓÒÏÂÚ¸‡θÌÓÒÚË,‚ÍÓÚÓÓÈ Ï˚ÊËÎˉÂÒˇÚÍË ÏÛʘËÌ˚, ̇ÍÓ̈,̇ıÓ‰ˇÚÇËÌÛ,Ó̇ÌÂÔËÁ̇ÂÚËı... ˜ÚÓ-ÎË·Ó Á̇ڸ.Œ·‡ÓÌËÔÓ-ÔÂÊÌÂÏÛβ·ˇÚÂÂ.»ÍÓ„‰‡ ÍÓÚÓÓÏ Ó̇Ì˘„ÓÌÂÁ̇ÂÚ,ÔÓÚÓÏÛ˜ÚÓÒÚ‡ÎÓÌ‚˚ÌÓÒËÏÓ Î˛·ËÚ, ÔÓÚÓÏÛ˜ÚÓÌÂÏÓÊÂÚÛÊÂβ·ËÚ¸,ËÂÂÓÚˆ,Ó ‡Á˚ÒÍË‚‡˛Ú ‰‚ÓÂ:‚ÓÁβ·ÎÂÌÌ˚È,ÍÓÚÓÓ„ÓÓ̇Ì œÓÒΠÍÛ¯ÂÌˡԇÒÒ‡ÊËÒÍÓ„ÓÍÓ‡·ÎˇÃ‡ËÌÛ Ã„‡ÏÂÚ‡ÙÓ‡. œÒËıÓÎӄ˘ÂÒÍËÈ ÚËÎÎÂ/—ӈˇθ̇ˇÔËÚ˜‡/ ´ÃÓÒÙËθϪ, √ÓÒÍËÌÓ–‘ œÓËÁ‚Ó‰ÒÚ‚Ó ∆‡Ì ¡‡Èʇ̷‡Â‚,¬‡ÎÂÌÚË̇—‚ÂÚÎÓ‚‡,“‡Ú¸ˇÌ‡≈„ÓÓ‚‡ «‡È˜ÂÌÍÓ, –ËÏ¿˛ÔÓ‚,ՇڇθˇœÓÚ‡ÔÓ‚‡,¿ÎÂÍ҇̉¬‰Ó‚ËÌ, ÿ‚˜ÂÌÍÓ, —Â„ÂÈ√‡χ¯,Çˡ—ÚÓ„‡ÌÓ‚‡,œÂÚ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ŒÎ„ œÓÚ‡ÌËÌ ’Û‰ÓÊÌËÍË ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 1991, ———–,130ÏËÌ.,ˆ‚. ÀËÎˡ “ÂÂıÓ‚Ò͇ˇ —Â„ÂÈ üÓÎÚ‡ÍÓ‚,ÿ‡ÍÛÓ‚,≈ÎÂ̇ ƒÂÌËÒ ≈‚ÒÚË„Ì‚ ¬‡‰ËÏ ¿·‰‡¯ËÚÓ‚ »Ì̇ Õ‡Á‡Ó‚‡,≈͇ÚÂË̇≈̉‡ÒÓ‚‡ ¿ÎÂÍ҇̉ “ÓÎ͇˜Â‚,¬Î‡‰ËÏË≈χÍÓ‚, ¬Î‡‰ËÏË ƒ‡¯Í‚˘ ´¿Í-ÙËθϪ, ´—Ó˛Áª,ÔËÛ˜‡ÒÚËË ¿ÎÂÍ҇̉ ÃË̉‡‰Á human communityí. of areality,inwhichwelivedfordecadesëuniform Marina, shedoesnotrecognizethem...Afilmaboutthedeath anything atall.Bothstillloveher.Whenthemenlastfind knows nothing,becauseithadbecomeintolerabletoknow she cannotloveanymore;andherfather,aboutwhom for Marina:herbeloved,whomshenolongerloves,because After thedestructionofapassengershiptwopeoplesearch Psychological thriller.Socialparable.Mega-metaphor. RF, Mosfilm Production Valentina Svetlova,TatianaEgorova Ayupov, NataliaPotapova,AlexanderVdovin,JanBaijanbaev, Sergei Garmash,MariaStroganova,PyotrZaichenko,Rim Cast: Sound Composer Costumes Oleg Potanin Art Directors Camera Scriptwriter Director 1991, USSR,130min.,colour Sergei Koltakov,Shakurov,ElenaShevchenko, Lilia Terekhovskaya Denis Evstigneev Vadim Abdrashitov Inna Nazarova,EkaterinaEndasova Vladimir Dashkevich Ark-Film, SoyuzwithparticipationGoskinoof Alexander Mindadze Alexander Tolkachyov,VladimirErmakov, ¬–≈Ãfl œ≈◊¿À» ≈Ÿ≈ Õ≈ œ–»ÿÀŒ THE TIME FOR SORROW HAS NOT YET COME 1990s. the cinema that we lost 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 139

1995, –ÓÒÒˡ, 95 ÏËÌ., ˆ‚., 1:1.66 1995, Russia, 95 min, colour, 1:1.66

–ÂÊËÒÒÂ —Â„ÂÈ —ÂθˇÌÓ‚ Director Sergei Selianov ¿‚ÚÓ˚ ÒˆÂ̇ˡ —Â„ÂÈ —ÂθˇÌÓ‚, ÃËı‡ËÎ üÓÌÓ‚‡Î¸˜ÛÍ Scriptwriters Sergei Selianov, Mikhail Konovalchuk ŒÔÂ‡ÚÓ ƒÂÌËÒ ŸË„ÎÓ‚ÒÍËÈ Camera Denis Shchiglovsky ’Û‰ÓÊÌËÍ ¬Â‡ «ÂÎËÌÒ͇ˇ Art Director Vera Zelinskaya üÓÒÚ˛Ï˚ ≈ÎÂ̇ «‡ÈˆÂ‚‡ Costumes Elena Zaitseva üÓÏÔÓÁËÚÓ ¬Î‡‰ËÏË –‡‰˜ÂÌÍÓ‚ Composer Vladimir Radchenkov «‚ÛÍ üËËÎÎ üÛÁ¸ÏËÌ Sound Kirill Kuzímin

¬ ÓΡı: ¬‡ÎÂËÈ œËÂÏ˚ıÓ‚, œÂÚ ÇÏÓÌÓ‚, ÇË̇ Cast: Valery Priyomykhov, Pyotr Mamonov, Marina Levtova, À‚ÚÓ‚‡, ÃËı‡ËÎ —‚ÂÚËÌ, —Â„ÂÈ œ‡¯ËÌ, —ÂÏÂÌ —ÚÛ„‡˜Â‚, Mikhail Svetin, Sergei Parshin, Semyon Strugachyov, Yuris fiËÒ —ÚÂÌ„‡, ¬ËÍÚÓ ƒÂÏÂÌÚ, œÂÚˇ ¬‡ÒËθ‚, √‡ÎË Strenga, Victor Dement, Petya Vasiliev, Gali Abaidulov, ¿·‡È‰ÛÎÓ‚, “‡Ú¸ˇÌ‡ ∆Û‡‚΂‡, ÕËÍÓÎ‡È ÃÛ‡‚¸Â‚, Tatiana Zhuravlyova, Nikolai Muraviov, Alexander Shevelev, ¿ÎÂÍ҇̉ ÿ‚Â΂, —‚ÂÚ·̇ ¡ÛÎ˚ÌÂÌÍÓ‚‡, ‘‡ÚËχ —‡Ì¸ˇ Svetlana Bulynenkova, Fatima Sania

œÓ‰˛ÒÂ —Â„ÂÈ —ÂθˇÌÓ‚ Production CTB, Roskomkino, Lenfilm œÓËÁ‚Ó‰ÒÚ‚Ó —“¬, –ÓÒÍÓÏÍËÌÓ, ´ÀÂÌÙËθϪ www.ctb.ru www.ctb.ru Ironic parable. »ÓÌ˘ÂÒ͇ˇ ÔËÚ˜‡. In a village live a Russian, a German, a Tatar, a gipsy and a ¬ ÔÓÒÂÎÍÂ, „‰Â ÊË‚ÛÚ ÛÒÒÍËÈ, ÌÂψ, Ú‡Ú‡ËÌ, ˆ˚„‡Ì Ë Jew. One day an unknown person appears, who calls himself ‚ÂÈ, Ӊ̇ʉ˚ ÔÓˇ‚ΡÂÚÒˇ ÌÂËÁ‚ÂÒÚÌ˚È, ̇Á˚‚‡˛˘ËÈ Ò·ˇ the ëSurveyorí. After his appearance improbable things begin «ÂÏÎÂÏÂÓÏ. œÓÒÎÂ Â„Ó ÔÓˇ‚ÎÂÌˡ Ò Í‡Ê‰˚Ï ËÁ ÌËı to happen to each of the villagers. The heroesí paths part, but ̇˜Ë̇˛Ú ÔÓËÒıÓ‰ËÚ¸ Ì‚ÂÓˇÚÌ˚ ‚¢ËÖ œÛÚË „ÂÓ‚ after a while, on the eve of the new era of Aquarius, they ‡ÁÓȉÛÚÒˇ, ÌÓ ÒÔÛÒÚˇ ÌÂÍÓÚÓÓ ‚ÂÏˇ, ‚ ͇ÌÛÌ gather once again in this sacred place... Sergei Selyanovís film ̇ÒÚÛÔÎÂÌˡ ˝ÔÓıË ¬Ó‰ÓΡ, ÓÌË ‚ÌÓ‚¸ ÒÓ·ÂÛÚÒˇ ‚ Á‡‚ÂÚÌÓÏ is the final part of a trilogy by this widely esteemed ÏÂÒÚÂ... –‡·ÓÚÛ —Â„¡ —ÂθˇÌÓ‚‡ ÒÓ˜ÎË Á‡‚Â¯ÂÌËÂÏ cinematographer. But after ìName Dayî and ìAll Soulsí Dayî, ÚËÎÓ„ËË Ì˚Ì ¯ËÓÍÓ ÔÓ˜ËÚ‡ÂÏÓ„Ó ÍËÌÂχÚÓ„‡ÙËÒÚ‡. ÕÓ ìThe Time for Sorrow Öî seems like a smile of awakening ÔÓÒΠ´ƒÌˇ ‡Ì„·ª Ë ´ƒÛıÓ‚‡ ‰Ìˇª, ´¬ÂÏˇ Ô˜‡ÎËÖª after a bad dream, like a transition to summertime after ÔÓıÓÊ ̇ ÛÎ˚·ÍÛ ÔÓ·ÛʉÂÌˡ ÔÓÒΠڡÊÍËı ÒÌÓ‚, Í‡Í winter twilight Ö ÔÂÂıÓ‰ ̇ ÎÂÚÌ ‚ÂÏˇ ÔÓÒΠÁËÏÌËı ÒÛÏÂÂÍ. - Special Jury Prize for Direction, ORFF Kinotavr, Sochi, 1995; - —ÔˆˇθÌ˚È ÔËÁ Ê˛Ë Á‡ ÂÊËÒÒÛÛ ó Œ–ü‘ - Third Prize of the IFF Cottbus, 1995; ´üËÌÓÚ‡‚ª, —Ó˜Ë, 1995; - Prize of Audience Sympathies, IFF Chicago, 1995; - “ÂÚËÈ ÔËÁ ó Ãü‘ ‚ üÓÚÚ·ÛÒÂ, 1995; - Adrian Piotrovsky Award for the Best Script, Professional - œËÁ ÁËÚÂθÒÍËı ÒËÏÔ‡ÚËÈ ó Ãü‘ ‚ ◊Ë͇„Ó, 1995; Award of Lenfilm Studio for 1995. - œÂÏˡ ËÏÂÌË ¿‰ˇ̇ œËÓÚÓ‚ÒÍÓ„Ó Á‡ ÎÛ˜¯ËÈ ÒˆÂ̇ËÈ ó œÓÙÂÒÒËÓ̇θ̇ˇ ÔÂÏˡ ÍËÌÓÒÚÛ‰ËË ´ÀÂÌÙËθϪ Á‡ 1995 „Ó‰. 140 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 1990s. the cinema that we lost THE DAYOFFULLMOON ƒ≈Õ‹ œŒÀÕŒÀ”Õ»fl Õ‡‰Âʉ‡ ¬‡ÒË肇,¿ÎÂÍÒÂÈ ‘ËÎËÔÔ flÌÍÓ‚ÒÍËÈ,≈‚„ÂÌËÈ—Ú˚˜ÍËÌ,ÕËÍÓ·È◊Ë̉ˇÈÍËÌ, ¬‡ÎÂËÈ ¿Ù‡Ì‡Ò¸Â‚,√‡ÎË̇¿ÌËÒËÏÓ‚‡,¿Ì̇—ËÌˇÍË̇, ¬Î‡‰ËÏË »Î¸ËÌ,¬‡ÎÂËÈœËÂÏ˚ıÓ‚,—ÚÓÓÊËÍ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ü‡ÂÌ ÿ‡ı̇Á‡Ó‚ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 1998, –ÓÒÒˡ,93ÏËÌ.,ˆ‚.,DolbySRD - œËÁ üËÌӇ͇‰ÂÏËË´ÕË͇ª(1998) óÁ‡ÎÛ˜¯ËÈÒˆÂ̇ËÈ, - œÂ‚˚È ÔËÁÁ‡ÎÛ˜¯ËÈÙËÎ¸Ï óÃü‘‚¿ÙË̇ı,1998; - √·‚Ì˚È ÔËÁ, ÔËÁ‘»œ–≈——»,ÔÛ·ÎËÍËóÃü‘‚ - —ÔˆˇθÌ˚È ÔËÁ Ê˛Ë,ÒÔˆˇθÌÓÂÛÔÓÏË̇ÌËÂÊ˛Ë - œËÁ œÂÁˉÂÌÚÒÍÓ„Ó ÒÓ‚ÂÚ‡Á‡ÂÊËÒÒÛÛóŒ–ü‘´üË- Á‡Ô˜‡ÚÎÂÚ¸, ´Í‡ÍÓ̇ÂÒÚ¸ª. ÊËÁÌË, ÍÓÚÓÛ˛ÍËÌÓ‚Ó˜Â‰ÌÓÈ ‡Á‰ÂÁÍÓ‚ÓÁ̇ÏÂËÎÓÒ¸ ‚‡Ìˡ ñ‚¢¸ÒÚÓθÊÂÓ·˚‰ÂÌ̇ˇ,͇ÍËÙ‡„ÏÂÌÚ‡ÌÓÒÚ¸ Ú‚Ë ‚Ó‚ÂÏÂÌËËÔÓÒÚ‡ÌÒÚ‚Â.‘‡„ÏÂÌÚ‡ÌÓÒÚ¸ÔÓ‚ÂÒÚ‚Ó- ó Ò‚ÓˇÍÓÓÚ͇ˇËÒÚÓˡ,‡‚ˆÂÎÓÏÔÓ˝Ú˘ÂÒÍÓÂÔÛÚ¯ÂÒ- ˘ËÈ ÔÓ‰Óӄ‚¿ÁÛÏÍ‡Ò‡‚ˈÛ-͇ÎÏ˚˜ÍÛ...”Í‡Ê‰Ó„Ó ÒËÈ; ËÌÓÒÚ‡ÌÌ˚ȉËÔÎÓχÚË¿ÎÂÍ҇̉œÛ¯ÍËÌ,‚ÒÚ˜‡˛- ÔÂÍ‡Ò̇ˇ ÍÌˇÊ̇ŒÎ¸¯‡ÌÒ͇ˇËÁ‡„‡‰Ó˜Ì˚ÈÏÓ̇ı“‡Ë- ˘ËÈ ‚ÌÛÍÛ,„‰ÂÔÓıÓÓÌÂÌ◊ËÌ„ËÒı‡Ì,ËÛ‰‡˜ÎË‚˚ÈÍËÎÎÂ; ÌÓ˜ÌÓÈ ˝ÙËÔÓÔÛΡÌ˚ȉˉÊÂÈ;ÒÚ‡˚ÈÛÁ·ÂÍ,Ó·˙ˇÒÌˇ˛- √Ë·ÌÛ˘Ë ‚Ó˜Â‰ÌÓÈ‡Á·ÓÍ´ÌÓ‚˚ÂÛÒÒÍËÂªË‚Â‰Û˘ËÈ Ù‡ÌÚ‡Áˡ/œËÚ˜‡. ÀËËÍÓ-‰‡Ï‡Ú˘ÂÒ͇ˇ ƒËÒÚË·˛ÚÓ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ¬Ó͇Π¿Ì‰ÂÈ ÷˚„‡ÌÍÓ‚,Շڇθˇ‘‡Ú‚‡,‘‰Ó—ÛıÓ‚ Ë ‰Û„ËÂÔËÁ˚. œ‡Î˘ (fi„ÓÒ·‚ˡ), 1998; ‘»œ–≈——» óÃü‘‚ü‡ÎÓ‚˚ı ¬‡‡ı,1998; ÌÓÚ‡‚ª, —Ó˜Ë,1998; »„Ó¸ ÇÈÓÓ‚,¬‡ÒËÎËÈü‡˜ÍÓ‚ÒÍËÈ ¬‡ÎÂËÈ —˛ÚÍËÌ,“‡Ú¸ˇÌ‡¡Û·ÌÓ‚‡ ¿Ì̇ √ÂÏ,¿Ì‰ÂÈœ‡ÌËÌ,≈ÎÂ̇üÓÂÌ‚‡, √ÂÌ̇‰ËÈ ü‡˛Í ü‡ÂÌ ÿ‡ı̇Á‡Ó‚ ¬Â‡ –ÓχÌÓ‚‡ ¬Î‡‰ËÏË ƒÓÒڇθ À˛‰ÏË· üÛÒ‡ÍÓ‚‡ ¿Ì‡ÚÓÎËÈ üÓÎÎ ´ÃÓÒÙËθϪ, ´üÛ¸Âª,ÔËÛ˜‡ÒÚËË√ÓÒÍËÌÓ–‘ ´ÃÓÒÙËÎ¸Ï “¬Ã‰ˇª ¿ÎÂÍ҇̉ ¡ÓÓ‰ˇÌÒÍËÈ, ÿ‚˜ÂÌÍÓ‚, ¬‡ÒËÎËÈ «ÓÚÓ‚, - Prize ofthe NIKA FilmAcademy(1998):Best Script,and - First Prizefor BestFilm,IFFAthens,1998; - Main Prize,FIPRESCI AudiencePrize,IFFPalic - Special JuryPrize,Mention oftheFIPRESCIJury, - capture. life itself,whichcinemaonceagainhastriedimpudentlyto the narrativeisjustasordinaryfragmentednatureof journey throughtimeandspace.Thefragmentarynatureof Arzrum... Everyonehashisownshortstoryinthispoetic Pushkin meetingabeautifulKalmykgirlontheroadto mysterious monkTaisius;aforeigndiplomatandAlexander a successfulkiller;thefinecountessOlshanskayaand explaining tohisgrandsonwhereChingisKhanisburied,and leading, popularDJofnighttimeradio;anoldUzbek Some ëNewRussiansíperishinginyetanotherfightanda Lyrical, dramaticfantasy.Parable. Distribution Production Producer Vocal Tsygankov, NataliaFateeva,FyodorSukhov Vasilieva, AlexeiShevchenkov,VasilyZotov,Andrey Yankovsky, EvgenyStychkin,NikolaiChindiaykin,Nadezhda Afanasiev, GalinaAnisimova,AnnaSiniakina,Filipp Ilyin, ValeryPriyomykhov,Storozhik, Cast: Sound Composer Costumes Art Director Camera Scriptwriters Director 1998, Russia,93min,colour,DolbySRD other prizes. (Yugoslavia), 1998; IFF KarlovyVary,1998; Kinotavr, Sochi,1998; Prize ofthePresidentialCouncilfor BestDirection,ORFF Anna Germ,AndreiPanin,ElenaKoreneva,Vladimir Valery Syutkin,TatianaBulanova Igor Mayorov,VasilyKrachkovsky Gennady Karyuk Karen Shakhnazarov Vladimir Dostal Vera Romanova Anatoly Kroll Mosfilm, CourierwithparticipationGoskinoofRF Mosfilm TVMedia Lyudmila Kusakova Alexander Borodiansky,KarenShakhnazarov «¿ ƒ≈Õ‹ ƒŒÖ THE DAY BEFORE... 1990s. the cinema that we lost 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 141

1991, ———–/ ÕˉÂ·̉˚, 119 ÏËÌ., ˆ‚. 1991, USSR/ the Netherlands, 119 min, colour

–ÂÊËÒÒÂ˚ ŒÎ„ ¡ÓˆÍËÈ, ¿ÎÂÍ҇̉ Õ„·‡ Directors Oleg Boretsky, Alexander Negreba ¿‚ÚÓ˚ ÒˆÂ̇ˡ fiËÈ Ã‡Ú˚Ò, »Ë̇ –Ó„‡˜Â‚‡ Scriptwriters Yuri Matys, Irina Rogachyova ŒÔÂ‡ÚÓ˚ ÃËı‡ËÎ ÃÛ͇ÒÂÈ, ¬ËÍÚÓ üÛÎËÍÓ‚ Camera Mikhail Mukasei Victor Kulikov ’Û‰ÓÊÌËÍ ƒÏËÚËÈ üÓÏËÒÒ‡Ó‚ Art Director Dmitry Komissarov üÓÏÔÓÁËÚÓ ¬Î‡‰ËÏË ÀÓ„ÛÌÓ‚ Composer Vladimir Logunov «‚ÛÍ –‡ÛÙ ¿Ú‡Ï‡ÎË·ÂÍÓ‚, —Â„ÂÈ ü‡ÔÓ‚ Sound Rauf Atamalibekov, Sergei Karpov

¬ ÓΡı: ≈ÎÂ̇ üÓԈ‚‡, √‡ÎË̇ —‡ÁÓÌÓ‚‡, “‡Ú¸ˇÌ‡ Cast: Elena Koptseva, Galina Sazonova, Tatiana üÓÂÌ‚Ò͇ˇ, ŒÎ„ ¡ÓˆÍËÈ, ¿ÎÂÍ҇̉ Õ„·‡, Korenevskaya, Oleg Boretsky, Alexander Negreba, Alexander ¿ÎÂÍ҇̉ ÃËÓÌÓ‚, √Ë„ÓËÈ Ã‡ÌÛÍÓ‚, »„Ó¸ Mironov, Grigory Manukov, Igor Zolotovitsky, Vladimir «ÓÎÓÚӂˈÍËÈ, ¬Î‡‰ËÏË œÛ˜ÍÓ‚, ¿ÎÂÍ҇̉ Ç͇Ó‚, Puchkov, Alexander Makarov, Alexei Voskresensky, Pavel ¿ÎÂÍÒÂÈ ¬ÓÒÍÂÒÂÌÒÍËÈ, œ‡‚ÂÎ —ËÓÚËÌ, ÃËı‡ËÎ Sirotin, Mikhail Bagdasarov, Alexander Mokhov ¡‡„‰‡Ò‡Ó‚, ¿ÎÂÍ҇̉ ÃÓıÓ‚ Production Vedi-Film, with participation Studio-17, EGFA œÓËÁ‚Ó‰ÒÚ‚Ó ´¬Â‰Ë-ÙËθϪ, ÔË Û˜‡ÒÚËË: ´—ÚÛ‰Ëˇ-17ª, (the Netherlands) EGFA (ÕˉÂ·̉˚) Existential drama. Parable. ›ÍÁËÒÚÂ̈ˇθ̇ˇ ‰‡Ï‡/ œËÚ˜‡. The story of lyrical laymen among professional killers of the »ÒÚÓˡ ÎË˘ÂÒÍËı ‰ËÎÂÚ‡ÌÚÓ‚ ‚ Ò‰ ÔÓÙÂÒÒËÓ̇θÌ˚ı 1990s. Trying to preserve an island of safety, rest, and a Û·ËȈ ‰Â‚ˇÌÓÒÚ˚ı. œ˚Ú‡ˇÒ¸ ‚ Á‡Ôӂ‰ÌÓÈ Í‚‡ÚË special lifestyle with relationships in a secluded apartment, ÒÓı‡ÌËÚ¸ ÓÒÚÓ‚ÓÍ ·ÂÁÓÔ‡ÒÌÓÒÚË, ÔÓÍÓˇ, ÓÒÓ·˚È ÒÚËθ the children of the 60s generation cannot guess yet how dearly ÊËÁÌË Ë ÓÚÌÓ¯ÂÌËÈ, ‰ÂÚË ´¯ÂÒÚˉÂÒˇÚÌËÍÓ‚ª ¢ Ì they will have to pay for this freedom... This is a film of ‰Ó„‡‰˚‚‡˛ÚÒˇ, Í‡Í ‰ÓÓ„Ó ËÏ Ó·ÓȉÂÚÒˇ ˝Ú‡ Ò‚Ó·Ó‰‡... ¬ bulletins, sounding like household phrases that speak about ˝ÚÓÏ ÙËθÏ ‚Â˘Ë ñ ‚ÂÒÚÌËÍË, ‚Ӊ ·˚ ·˚ÚÓ‚˚ Ù‡Á˚, another life that is just about to spill over and flood the souls. „Ó‚ÓˇÚ Ó ‰Û„ÓÈ ÊËÁÌË, ‚ÓÚ-‚ÓÚ „ÓÚÓ‚ÓÈ ıÎ˚ÌÛÚ¸ ˜ÂÂÁ The film ìThe Day Beforeî was shown for the first time the Í‡È Ë Á‡ÚÓÔËÚ¸ ‰Û¯Ë. day before the ìAugust Coupî of 1991 (on 18 August 1991 in ‘ËÎ¸Ï ´«‡ ‰Â̸ ‰Ó...ª ‚ÔÂ‚˚ ÔÓ͇Á‡Ì Á‡ ‰Â̸ ‰Ó the cinema ëMoscowí). ´‡‚„ÛÒÚÓ‚ÒÍÓ„Ó ÔÛÚ˜‡ª (18.08.1991, Í/Ú ´ÃÓÒÍ‚‡ª). 142 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 1990s. the cinema that we lost IDIOTíS DREAMS Ã≈◊“¤ »ƒ»Œ“¿ - œËÁ ÍËÌӇ͇‰ÂÏËË´ÕË͇ª ÎÛ˜¯ÂÏÛ ıÛ‰ÓÊÌËÍÛÔÓ - œËÁ ´«ÂÎÂÌÓ¡·ÎÓÍÓ-ÁÓÎÓÚÓÈ ÎËÒÚÓͪÎÛ˜¯ÂÏÛ ÒÓ‚ÂÚÒÍÓÒÚË. ÒÏÂı ÒÍ‚ÓÁ¸ÌÓÒڇθ„˘ÂÒÍËÂÒÎÂÁ˚, ‚ÓÒ‚Ó·ÓʉÂÌËÂÓÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÛÒÎÓÊÌˇÎÓÒ¸:Á‰ÂÒ¸ ‚ÒÏÂıÒÍ‚ÓÁ¸ÒÏÂı,‡Ì ÓÚ˜ÛʉÂÌ̇ˇ ˆËÚ‡Ú‡.ŒÚÒÛÚÒÚ‚ËÂÔÓ‰ÚÂÍÒÚ‡ ÛÔÓ˘‡ÎÓÒ¸Ë Ò‡ÏÓÈ ´Ô‡‚‰˚ª.«Ì‡ÍÓÏ˚ÈÚÂÍÒÚÁ‚Û˜‡Î͇ÍÒÚÓ‡Á ̇Û¯ËÎ ÒÚËÎËÒÚ˘ÂÒÍËÂÒÚÂÂÓÚËÔ˚‚ËÁÓ·‡ÊÂÌËË˝ÚÓÈ ´Ã‡ÎÂ̸ÍÓÈ ¬Âª.–ÂÊËÒÒÂÓÚÓ¯ÂÎÓÚ´Ô‡‚‰˚ÊËÁÌËªË ˝ÎÂÏÂÌÚ‡ÌÓÈ ÒӈˇθÌÓÒÚË,˜ÚÓÚ‡ÍÔ˯·ҸÔӉۯ‚ ÔÓÒÚ‡‚Ë‚ ÒÛÔÂÒӈˇθÌÛ˛Á‡‰‡˜Û‚ÓÚ΢ËÂÓÚ ‡‚‡Ì„‡‰Ì˚È ÊÂÒÚ‰ÂÈÒÚ‚ËÚÂθÌÓÔÓÒÚÒÓ‚ÂÚÒÍÓ„ÓÂÊËÒÒÂ‡, ÚÂÎÂÌÓͪ ».»Î¸Ù‡Ë≈.œÂÚÓ‚‡),œË˜ÛÎÒÓ‚Â¯ËÎ ÛÒÎÓ‚Ì˚È ÙËθÏÔÓβ·ËÏÓÏÛÒÓ‚ÂÚÒÍÓÏÛÓχÌÛ(´«ÓÎÓÚÓÈ Œ‰ËÌ ËÁÒ‡Ï˚ıÒ͇̉‡Î¸Ì˚ıÙËθÏÓ‚‰ÂÒˇÚËÎÂÚˡ.—‰Â·‚ œÓÍ‡Ú ÔË Û˜‡ÒÚËËCNC(‘‡ÌˆËˇ) ´œ‡‡Î·ÍÒ ÀÚ‰.ª,üËÌÓÒÚÛ‰ËˇËÏÂÌËÃ.√Ó¸ÍÓ„Ó, œÓËÁ‚Ó‰ÒÚ‚Ó —ÓÔÓ‰˛ÒÂ˚ œÓ‰˛ÒÂ fiËÈ Õ‡Á‡Ó‚,¿ÎÂÍ҇̉Õ„·‡,¿Ì‰ÂÈ—ÓÍÓÎÓ‚ À˛‰ÏË· «‡ÈˆÂ‚‡,¬‡ÒËÎËÈÃˢÂÌÍÓ,¿ÎÂÍ҇̉ÀÂ̸ÍÓ‚, ƒ‚ÓʈÍËÈ, ¬Î‡‰ËÏË“ÓÎÓÍÓÌÌËÍÓ‚,›ÚÛ¯, —Ú‡ÌËÒ·‚ À˛·¯ËÌ,≈‚„ÂÌËȃ‚ÓʈÍËÈ,¬‡ˆÎ‡‚ ¬ ÓΡı: «‚ÛÍ “ÂÍÒÚ ÔÂÒÂÌ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 1993, –ÓÒÒˡ/‘‡ÌˆËˇ,91ÏËÌ.,ˆ‚.,1:1.66,DolbySRD ÍÓÒÚ˛Ï‡Ï, 1993. ÔÓ‰˛ÒÂÛ, 1993; ÀÂÓÌˉ ¬ÂÈÚÍÓ‚ ´ü‡ÏÂ̪, ´œÓ‘»“ª —Â„ÂÈ ü˚ÎÓ‚,¿ÎË͇—ÏÂıÓ‚‡,¿Ì‰ÂÈ—ÏËÌÓ‚, fiËÈ À˛·¯ËÌ ¬‡ÒËÎËÈ œË˜ÛÎ ¿ÎÂÍ҇̉ ŒÒËÔÓ‚ »„Ó¸ “ÓÎÒÚÛÌÓ‚ ¿ÎÂÍ҇̉ ƒÁ˛·ÂÌÍÓ ÃËı‡ËÎ ‘‡È·Û¯Â‚˘ ¬Î‡‰ËÏË ÇÚˆÍËÈ ÃÓËÒ ¡Â̇,œ‡ÚËÍ—Ó·ÂÎ¸Ï‡Ì ““À, Salome(‘‡ÌˆËˇ),Exnihilo Çˡ ’ÏÂÎËÍ - Prize oftheFilmAcademyNIKA fortheBestCostume - PrizeìGreenApple,GoldenLeafî forBestProducer,1993; through nostalgictears,thusbreakingfreefromSovietstyle. complicated bylaughterthroughinsteadof quote. Theabsenceofsubtextissimplifiedandsimultaneously ìtruthî. Thefamiliartextsoundslikeaprofoundlyalienated breaks thestylisticstereotypesinrepresentationofthis Veraî. Thedirectordepartsfromtheìtruthoflifeîand rather thantheelementarysocialitythatsoflatteredinìLittle genuinely post-Sovietdirector,settingasuper-socialtask Calfî byIlfandPetrov,Pichulmakesavanguardgestureof abstract filmbasedonthepopularSovietnovelìTheGolden One ofthemostscandalousfilmsdecade.Makingan Ltd., MaximGorkyStudio,CNC(France) Production Co-producers Producer Yuri Nazarov,AlexanderNegreba,AndreySokolov Lyudmila Zaitseva,VasilyMishchenko,AlexanderLenkov, Dvorzhetsky, VladimirTolokonnikov,Etush, Stanislav Lyubshin,EvgenyDvorzhetsky,Vatslac Cast: Sound Text ofSongs Composer Costumes Art Director Camera Scriptwriter Director 1993, Russia/France,91min,colour,1:1.66,DolbySRD Design, 1993. Sergei Krylov,AlikaSmekhova,AndreiSmirnov, Leonid Veitkov Yuri Lyubshin Vasily Pichul Igor Tolstunov Alexander Osipov Vladimir Matetsky TTL, Salome(France),Exnihilo(Farance),Parallax Maria Khmelik Alexander Dzyubenko Maurice Bernart,PatrickSobelman Mikhail Faibushevich Õ≈Àfi¡Œ¬‹ THE DISLIKE 1990s. the cinema that we lost 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 143

1991, ———–, 94 ÏËÌ., ˆ‚.+˜/· 1991, USSR, 94 min, colour, b/w

–ÂÊËÒÒÂ ¬‡ÎÂËÈ –Û·Ë̘ËÍ Director Valery Rubinchik ¿‚ÚÓ ÒˆÂ̇ˡ –Â̇ڇ ÀËÚ‚ËÌÓ‚‡ Scriptwriter Renata Litvinova ŒÔÂ‡ÚÓ ŒÎ„ ÇÚ˚ÌÓ‚ Camera Oleg Martynov ’Û‰ÓÊÌËÍ »Ë̇ ü‡Î‡¯ÌËÍÓ‚‡ Art Director Irina Kalashnikova üÓÒÚ˛Ï˚ —‚ÂÚ·̇ Éӂ‡ˇ Costumes Svetlana Medovaia «‚ÛÍ Ã‡„‡ËÚ‡ œ‡ÒÛıË̇ Sound Margarita Pasukhina

¬ ÓΡı: üÒÂÌˡ ü‡˜‡ÎË̇, —Ú‡ÌËÒ·‚ À˛·¯ËÌ, ƒÏËÚËÈ Cast: Ksenia Kachalina, Stanislav Lyubshin, Dmitry Roshchin, –Ó˘ËÌ, √ÂÌËÂÚÚ‡ ≈„ÓÓ‚‡, »Ë̇ ÿ·ÏÓ‚‡, ≈͇ÚÂË̇ Genrietta Egorova, Irina Shelamova, Ekaterina Shcherbakova, ŸÂ·‡ÍÓ‚‡, ¬ËÍÚÓ –ÂÏËÁÓ‚, ¿ÎÂÍ҇̉ œÓʇÓ‚, ŒÎ¸„‡ Victor Remizov, Alexander Pozharov, Olga Abaeva, Irina ¿·‡Â‚‡, »Ë̇ ≈ÙÂÏÓ‚‡, ¬ËÓÎÂÚÚ‡ ≈ÎÙËÏÓ‚‡ Efremova, Violetta Elfimova

œÓËÁ‚Ó‰ÒÚ‚Ó üËÌÓÒÚÛ‰Ëˇ ´üÛ„ª Production Krug Film Studio

ÍÁËÒÚÂ̈ˇθ̇ˇ ÏÂÎÓ‰‡Ï‡. Existential melodrama. —Ú‡ÌÌ˚È ıÓÓ‚Ó‰ ÚÂı „ÂÓ‚, Ó·˜ÂÌÌÓ Ò‚ˇÁ‡ÌÌ˚ı ·ÂÁ A strange rondo of three heroes, fatally linked to each other ‚ÓÁÏÓÊÌÓÒÚË ÔË·ÎËÁËÚ¸Òˇ ‰Û„ Í ‰Û„Û, Í‡Í ÍÓÒÏ˘ÂÒÍË without any possibility of rapprochement, like cosmic bodies Ú·, ÔÓ‚ËÌÛ˛˘ËÂÒˇ ÌÂÛÏÓÎËÏ˚Ï Á‡ÍÓÌ‡Ï ÔËÓ‰˚. —Ó‚ÒÂÏ that obey the relentless laws of nature. A very young girl, her ˛Ì‡ˇ ‰Â‚Ә͇-‰Â‚ۯ͇,  ÌÂÓÔ˚ÚÌ˚È, ÌÓ Ô˚ÎÍËÈ Ó‚ÂÒÌËÍ, inexperienced but ardent coeval, and an experienced middle- ÏÌÓ„ÓÓÔ˚ÚÌ˚È ¯‡ÏÂ ‚ ‚ÓÁ‡ÒÚ Ô‰ÔÓÒΉÌËı aged charmer in his penultimate hormonal storms. The girl „ÓÏÓ̇θÌ˚ı ·Û¸; ‰Â‚ۯ͇ Ì Óڂ˜‡ÂÚ Ì‡ ˜Û‚ÒÚ‚‡ does not answer the feelings of the men, and all three suffer ÏÛʘËÌ, ‚Ò ÚÓ ÒÚ‡‰‡˛Ú Ë Ì ÏÓ„ÛÚ ‡ÁÎÛ˜ËÚ¸Òˇ, ÔÓ͇ but cannot separate, until the object of desire, so terribly Ô‰ÏÂÚ Ê·Ìˡ ‰Ó ÊÛÚË Í‡ÒË‚Ó Ì ÒÓ‚Â¯ËÚ ËÒıÓ‰ ËÁ beautiful, departs into nonexistence. ìNo Loveî was never ·ÂÒ˜Û‚Òڂˡ ‚ Ì·˚ÚËÂ. ´ÕÂβ·Ó‚¸ª ÁËÚÂΡÏË ‰‡Ê interested in audiences, even not ìeliteî audiencesî. Thus it ´ËÁ·‡ÌÌ˚Ï˪ Í‡Í ·˚ Ì ËÌÚÂÂÒÓ‚‡Î‡Ò¸. » ÔË ˝ÚÓÏ bewitched: a stunningly beautiful film, black-and-white, Á‡‚Ó‡ÊË‚‡Î‡: ÌÂÏ˚ÒÎËÏÓ Í‡ÒË‚‡ˇ ÎÂÌÚ‡, ˜ÂÌÓ-·Â·ˇ, impregnated with lunar light that suddenly blows up in sharp ÔÓÔËÚ‡Ì̇ˇ ͇ÍËÏ-ÚÓ ÎÛ̇Ú˘ÂÒÍËÏ ÒˡÌËÂÏ, ‚ÌÂÁ‡ÔÌÓ and strange flashes. Void, unpopulated, deserted... ‚Á˚‚‡˛˘‡ˇÒˇ ÂÁÍËÏ Ë ÒÚ‡ÌÌ˚Ï ˆ‚ÂÚÓÏ. ¡ÂÁ·˚Ú̇ˇ, - Prize for Best Actress (Ksenia Kachalina), Film Festival ·ÂÁβ‰Ì‡ˇ, ÔÛÒÚ˚Ì̇ˇ... ìKinotavrî, Sochi, 1992; - œËÁ Á‡ ÎÛ˜¯Û˛ ÊÂÌÒÍÛ˛ Óθ (üÒÂÌˡ ü‡˜‡ÎË̇) ó ü‘ - Prize ìGolden Ariesî for the Best Photography, 1992. ´üËÌÓÚ‡‚ª, —Ó˜Ë, 1992; - œËÁ ´«ÓÎÓÚÓÈ Œ‚Â̪ Á‡ ÎÛ˜¯Û˛ ÓÔÂ‡ÚÓÒÍÛ˛ ‡·ÓÚÛ, 1992. 144 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 1990s. the cinema that we lost THE LEG ÕŒ√¿ œÂÏˡ´«ÓÎÓÚÓÈŒ‚Â̪Á‡ ÎÛ˜¯Û˛ÍËÌÓ‰‡Ï‡ÚÛ„˲ - - √·‚Ì˚È ÔËÁÃü‘‚œÓÚÒ‰‡ÏÂ, √ÂχÌˡ; - œËÁ Á‡ÎÛ˜¯Û˛‡ÍÚÂÒÍÛ˛ ‡·ÓÚÛ (».ŒıÎÓ·˚ÒÚËÌ)ó - ƒËÔÎÓÏ ËÒÔÓÎÌËÚÂβ„·‚ÌÓÈÓÎË(»‚‡ÌŒıÎÓ·˚ÒÚËÌ), ÒÛ˘ÂÒÚ‚Ó‚‡ÌËÂ. ‡Á‰‚ÓÂÌÌÓ„Ó ÏË‡Ë‚·˜‡˘ËÏ‚˝ÚÓÏ´‡ÁÎÓϪهÌÚÓÏÌÓ Í̇ÏÒ‡ÏËÏ,ÔÓÔ‡‚¯ËÏ‚ÔÓÒÚ‡ÌÒÚ‚Ó ‚ÒÂ„Ó ó ‘ÓÎÍÌÂÛ, ÚÓÎËÍ√Ó„Óβ,—ÚË‚ÂÌÒÓÌÛ,‡ÚӘ̠œÓËÒÚËÌ ÒÚ‡Ì̇ˇËÒÚÓˡ,Ëϲ˘‡ˇÓÚÌÓ¯ÂÌËÂÚÓÎËÍ ÔÂÒΉӂ‡Ú¸ „ÓË‚ÍÓ̈ÂÍÓ̈ӂÁ‡ÏÂÌËÚÔÓÎÌÓÒÚ¸˛... ÓÚÌÓ¯ÂÌ˲ ÍÒ‚ÓÂÏÛÓ‰ÌÓÌÓ„ÓÏÛ´‚·‰ÂθˆÛª.ŒÌ‡·Û‰ÂÚ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ËÒÚ‡ÌÂÚÁ‡‚Â¯ÂÌÌ˚ψÂÎ˚ÏÔÓ Ù‡ÌÚÓÏÓÏ-‰‚ÓÈÌËÍÓÏ, ‚ÓÔÎÓÚËÚ‚Ò·‚ÒÂÁÎÓˈËÌËÁÏ ÔÓ‰Ó‚ÂÚÒˇ ̇ÏËÌÂ,ÔÓÚÂˇÂÚÌÓ„Û.»ÌÓ„‡ÒÚ‡ÌÂÚÂ„Ó „ÂÓÈ-ÔËÁ˚‚ÌËÍ Ó͇ÊÂÚÒˇ‚‡‰Û¿Ù„‡ÌÒÍÓÈ‚ÓÈÌ˚, —˜‡ÒÚÎË‚˚È ÚÂÏ,˜ÚÓÏÓÎÓ‰,„ÓÚÓ‚˚È‚˚ÔÓÎÌˇÚ¸ÔË͇Á˚, ÕËÍËÚ˚ “ˇ„ÛÌÓ‚‡. ‰ËÌÒÚ‚ÂÌ̇ˇ ͇ÚË̇‡ÌÓۯ‰¯Â„ÓËÁÊËÁÌËÂÊËÒÒÂ‡ (Ë Í‡ÍÒÚ‡ÎÓÚÂÔÂ¸Ó˜Â‚ˉÌ˚Ï,‰Â‚ˇÌÓÒÚ˚ı)ó «Ì‡ÍÓ‚˚È ÙËθϴÔÓÚÂˇÌÌÓ„ÓªÔÓÍÓÎÂÌˡ‚ÓÒ¸ÏˉÂÒˇÚ˚ı ”ËθˇÏ‡ ‘ÓÎÍÌÂ‡. —ӈˇθ̇ˇ ‰‡Ï‡ÔÓÏÓÚË‚‡ÏÓ‰ÌÓËÏÂÌÌÓ„Ó‡ÒÒ͇Á‡ œ‡‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ üÓÊÛ¯‡Ì‡ˇ, ÕÂÎÎËÕ‚‰Ë̇,‘‰Ó—ÏËÌÓ‚ Ã˚ÒË̇, ‘‡ı‡‰Ã‡ıÏÛ‰Ó‚,À˛‰ÏË·À‡ËÓÌÓ‚‡,Õ‡‰Âʉ‡ œÂÚÓ‚‡, ÿÂ‡ÎË¿·‰ÛÎ͇ÈÒÓ‚,»‚‡Ì«‡ı‡‚‡,ŒÍ҇̇ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍË ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 1991, ———–,93ÏËÌ.,ˆ‚. (Õ.üÓÊÛ¯‡Ì‡ˇ Á‡ÙËθÏ˚´ÕÓ„‡ª Ë´œÓ‚‡ª),1992,‰. –ü‘ ´üËÌÓÚ‡‚ª:´‘ËθÏ˚‰Îˇ ËÁ·‡ÌÌ˚ı?ª, —Ó˜Ë,1992; Ù‡ÌÚÓÏÌÓÒÚ˪ óü‘´ÃÓÎÓ‰ÓÒÚ¸ª, üË‚,1991; ‰ËÔÎÓÏ √Ëθ‰ËËÍËÌÓÍËÚËÍÓ‚Ë ÍËÌӂ‰ӂ´«‡ÚÂÏÛ fiËÈ √ÓΡ‰ÍËÌ ‘Ó̉ –Ó·̇¡˚ÍÓ‚‡ »‚‡Ì ŒıÎÓ·˚ÒÚËÌ,œÂÚÇÏÓÌÓ‚,Õ‡Ú‡Îˡ —Â„ÂÈ À˛·˜ÂÌÍÓ ÕËÍËÚ‡ “ˇ„ÛÌÓ‚ ¿ÎÂÍ҇̉ ÃËı‡ÈÎÓ‚ ÕËÍÓÎ‡È —‡ı‡Ó‚,¬Î‡‰ËÏË≈ÓÙ‚ ŒÎ„ ü‡‡‚‡È˜ÛÍ 12a Õ‡‰Âʉ‡ üÓÊÛ¯‡Ì‡ˇ - Award ëGoldenAriesíforthe Best FilmDrama,1992,etc. - Main Prize,IFFPotsdam,Germany; - Prize fortheBestActor(IvanOkhlobystin),ORFFKinotavr: - gap inthesplitworld,andwholeadaphantomexistence. or toStevenson,butmostlikelyus,whohavefallenintoa A reallystrangestory,whichmayrelatetoFaulknerorGogol, pursues himandeventuallyreplacescompletely... gains completeindependencefromitsone-leggedëownerí.It double, personifiesalltheevilandcynicismofworld, on amine,andlosesleg.Thelegbecomeshisphantom- the hero-recruitendsupinhellofAfghanwar,steps Happy arethosewhoyoungandreadytocarryoutorders: director NikitaTiagunov,whoperishedsoyoung. as isnowclear,ofthe1990s),thisalsoauniquepictureby An importantfilmoftheëlostígeneration1980s(and, the sametitle. Social dramabasedonmotivesofWilliamFaulknerísstory Sales Production Producer Fyodor Smirnov Lyudmila Larionova,NadezhdaKozhushanaya,NelliNevedina, Sherali Abdulkaisov,OksanaMysina,FarkhadMakhmudov, Cast: Sound Composer Art Directors Camera Scriptwriter Director 1991, USSR,93min,colour ëFilms fortheElite?í,Sochi,1992; the themeofphantomsí,FilmFestivalMolodist,Kiev,1991; Diploma oftheGuildFilmCriticsandScholarsëFor Diploma fortheactorofleadingrole(IvanOkhlobystin), Ivan Okhlobystin,PyotrMamonov,NataliaPetrova, Rolan BykovísFund Yury Golyadkin Sergei Liubchenko Nikita Tiagunov Alexander Mikhaylov Oleg Karavaichuk 12a Nadezhda Kozhushanaya Nikolai Sakharov,VladimirErofeev Œü–¿»Õ¿ OUTSKIRTS 1990s. the cinema that we lost 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 145

1998, –ÓÒÒˡ, 100 ÏËÌ., ˜/·, 1:1.66 1998, Russia, 100 min, black and white, 1:1.66

–ÂÊËÒÒÂ œÂÚ ÀÛˆËÍ Director Pyotr Lutsik ¿‚ÚÓ˚ ÒˆÂ̇ˡ œÂÚ ÀÛˆËÍ, ¿ÎÂÍÒÂÈ —‡ÏÓˇ‰Ó‚ Scriptwriters Pyotr Lutsik, Alexei Samoriadov ŒÔÂ‡ÚÓ ÕËÍÓÎ‡È »‚‡ÒË‚ Camera Nikolai Ivasiv ’Û‰ÓÊÌËÍ ¿Ì‰ÂÈ ¡ÂÒÒÓÎˈ˚Ì Art Director Andrei Bessolitsyn üÓÒÚ˛Ï˚ ÇÍÒËÏ œ‡ÁËÎÓ‚ Costumes Maxim Pazilov ÃÛÁ˚͇ √‡‚ËËÎ œÓÔÓ‚, √ÂÓ„ËÈ —‚Ëˉӂ Music Gavriil Popov, Georgy Sviridov üÓÏÔÓÁËÚÓ »„Ó¸ ü‡ÌÚ˛ÍÓ‚ Composer Igor Kantiukov «‚ÛÍ ¬ˇ˜ÂÒ·‚ üβ˜ÌËÍÓ‚, ¬Î‡‰ËÒ·‚ “ÓÓıÓ‚ Cast: Yuri Dubrovin, Nikolai Olialin, Alexei Pushkin, Alexei ¬ ÓΡı: fiËÈ ƒÛ·Ó‚ËÌ, ÕËÍÓÎ‡È ŒÎˇÎËÌ, ¿ÎÂÍÒÂÈ Vanin, Rimma Markova, Victor Stepanov, Anatoly Koshcheev, œÛ¯ÍËÌ, ¿ÎÂÍÒÂÈ ¬‡ÌËÌ, –ËÏχ ÇÍÓ‚‡, ¬ËÍÚÓ —ÚÂÔ‡ÌÓ‚, Victor Venes, Alexander Vdovin, Galina Zolotaryova, Oleg ¿Ì‡ÚÓÎËÈ üӢ‚, ¬ËÍÚÓ ¬ÂÌÂÒ, ¿ÎÂÍ҇̉ ¬‰Ó‚ËÌ, √‡ÎË̇ Mokshantsev, Vyacheslav Kulakov «ÓÎÓÚ‡‚‡, ŒÎ„ ÃÓͯ‡ÌˆÂ‚, ¬ˇ˜ÂÒ·‚ üÛ·ÍÓ‚ Producer Pyotr Lutsik œÓ‰˛ÒÂ œÂÚ ÀÛˆËÍ Production 21st Centuryís Morning with participation œÓËÁ‚Ó‰ÒÚ‚Ó ´”ÚÓ XXI ‚Â͇ª, ÔË Û˜‡ÒÚËË √ÓÒÍËÌÓ –‘ Goskino of Russian Federation œÓÍ‡Ú ´»ÌÚÂÒËÌÂχ ¿Úª Distribution ìIntercinema Artî

›Ô˘ÂÒ͇ˇ ‰‡Ï‡/ œËÚ˜‡. Epic drama. Parable. ›Ô˘ÂÒ͇ˇ Ô‡ÌÓ‡Ï‡ ÔÓıÓ‰‡ ÏÛÊËÍÓ‚, ÁÂÏβ ÍÓÚÓ˚ı ´ÔÓ- The epic panorama concerns the journey of some men (muzhiks), ‰‡Î ÌÂËÁ‚ÂÒÚÌÓ ÍÚÓª ‰Îˇ ÌÂÙÚˇÌ˚ı ‡Á‡·ÓÚÓÍ, Ò ÓÍ‡ËÌ˚ ‚ whose land ëhas been sold by somebodyí for oil development; a ÒÚÓÎËˆÛ Á‡ Ô‡‚‰ÓÈ, ÓÚ ”‡Î‡ ‰Ó Ò‡ÏÓÈ ‰Ó ÃÓÒÍ‚˚ ó ËÒ- journey from the provinces to the capital to find the truth, from ͇ڸ ÓÚ‚ÂÚ˜Ë͇ Á‡ ‚Ò Ô˘ËÌÂÌÌ˚ ÌÂÒ˜‡ÒÚ¸ˇ ó ÔÛÒÚ¸ ‡Ò- the Urals up to Moscow to search for the man responsible for Ò͇ÊÂÚ ËÏ, ÛÒÒÍËÏ ÏÛÊË͇Ï, ˜ÚÓ ˝ÚÓ Ò ÁÂÏÎÂÈ Û˜ËÌËÎ Ë the misfortunes. Let him tell them, the Russian muzhiks, what ÔÓ˜ÂÏÛ ÓÚÌˇÎ Û ÌËı ÔÓÒΉÌÂÂ... »ı ÔÛÚ¸ ÓÒ‚ˇ˘ÂÌ Ò˛ÊÂÚ‡- he has done with the land and why he has taken away from them ÏË Ë ÏËÙ‡ÏË ÓÚ˜ÂÒÚ‚ÂÌÌÓÈ ÍËÌÓÍ·ÒÒËÍË. the last thing they had... Their journey is accompanied by ≈‰ËÌÒÚ‚ÂÌ̇ˇ ÂÊËÒÒÂÒ͇ˇ ‡·ÓÚ‡ œÂÚ‡ ÀÛˆË͇ Òڇ· ÔÂ- themes and myths of Russiaís film classics. ‚˚Ï ÍÛθÚÓ‚˚Ï ÙËθÏÓÏ ÔÓÒÚÔÂÂÒÚÓ˜ÌÓÈ ˝ÔÓıË. Pyotr Lutsikís only work as director became the first cult film - œËÁ ËÏÂÌË ›ÈÁÂ̯ÚÂÈ̇ Á‡ ÒˆÂ̇ËÈ ´ƒËÍÓ ÔÓΪ of the post-perestroika period. (ÙËÎ¸Ï ´ŒÍ‡Ë̇ª); - Eisenstein Prize for the Script ìThe Wild Fieldî (film title - —ÔˆˇθÌ˚È ÔËÁ Ê˛Ë ÍÓÌÍÛÒ‡ ´ƒÂ·˛Úª Á‡ ‰ÂÁÍËÈ ÔÓ- ìOutskirtsî); ËÒÍ ÌÓ‚˚ı ÔÛÚÂÈ ‚ ÍËÌÓËÒÍÛÒÒÚ‚Â, œÓ˜ÂÚÌ˚È ‰ËÔÎÓÏ - Special Jury Prize in the Debut Competition, ëfor the bold √Ëθ‰ËË ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ –ÓÒÒËË ñ Œ–ü‘ ´üË- search of new paths in cinematic artí, Honorary Diploma of ÌÓÚ‡‚ª, —Ó˜Ë, 1998; the Guild of Film Critics and Film Scholars of Russia, ORFF - œÂÏˡ ‘»œ–≈——» ñ Ãü‘ ‚ ◊Ë͇„Ó, 1998; Kinotavr, Sochi, 1998; - Õ‡ˆËÓ̇θ̇ˇ ÔÂÏˡ √Ëθ‰ËË ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ - Prize of the FIPRESCI, IFF Chicago, 1998; ´«ÓÎÓÚÓÈ Œ‚Â̪ (1998) - Á‡ ÎÛ˜¯ËÈ ÙËθÏ-‰Â·˛Ú; - National Award of the Guild of Film Critics and Film - œËÁ ´ƒÓÌ üËıÓÚª ÃÂʉÛ̇Ó‰ÌÓ„Ó Ê˛Ë ÍËÌÓÍÎÛ·Ó‚ ñ Scholars, ëGolden Ariesí (1998), for Best Debut Film; Ãü‘ ‚ ¡ÂÎËÌÂ: ‘ÓÛÏ, 1999; - Prize ëDon Quixoteí, International Jury of Film Clubs, IFF - ÃÂʉÛ̇Ӊ̇ˇ ÔÂÏˡ —‚Ó·Ó‰˚ ñ ´Philipp Morris Berlin, Forum, 1999; Freedomª - Ãü‘ ‚ ü‡ÎÓ‚˚ı ¬‡‡ı, 1999, Ë ‰Û„Ë ÔËÁ˚. - International Prize of Freedom ëPhilipp Morris Freedomí, IFF Karlovy Vary, 1999, and other prizes. 146 90-Â. ÍËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎË 1990s. the cinema that we lost ORANGE JAZZ Œ–¿Õ∆≈¬¤… ƒ∆¿« ı‚‡Ú‡ÂÚ Ó‡ÌÊ‚ӄӈ‚ÂÚ‡ñÔ‡Á‰ÌË͇?.. ÛÚËÌ˚ ‰ÛÁ¸ˇ.ÃÓÊÂÚ,ÏÂÒÚÌÓÈÒÂÓÈÊËÁÌËÔÓÒÚÓÌ ‰ÂÚÒÚ‚‡, „‰ÂÔÓÚËıÓ̸ÍÛÒ‚ËıË‚‡˛ÚÒˇÓÚÔӂ҉̂ÌÓÈ Ò‚ÓÂÈ ÚÛ·ÓÈ,Á‡„Ρ‰˚‚‡ÂÚ̇ÌÂÒÍÓθÍÓ˜‡ÒÓ‚‚„ÓÓ‰ «‡ÂÁÊËÈ ÏÛÁ˚͇ÌÚ¿ÌÚÓÌËÓ(ÓÌÊ¿ÌÚÓÌ),ÌÂ‡ÁÎÛ˜Ì˚ÈÒÓ ÀË˘ÂÒ͇ˇ ‰‡Ï‡. œÓËÁ‚Ó‰ÒÚ‚Ó —Â„ËÌ, ¬ˇ˜ÂÒ·‚fl·Îӯ‚ÒÍËÈ,¿ÎÂÍ҇̉»ÒÛÔÓ‚ ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ –ÂÊËÒÒÂ ˇ‚ÚÓÒˆÂ̇ˡ 1993, –ÓÒÒˡ,96ÏËÌ.,ˆ‚. ¿Ì‰ÂÈ «Î˚„ÓÒÚ‚ ÃËı‡ËÎ ÕËÍËÚËÌ,—Â„ÂÈ—‡ÁÓÌÓ‚,¬‡ÎÂËÈ »„Ó¸ ¬ÓÚË̈‚ ¿ÎÂÍ҇̉ »ÒÛÔÓ‚ Ç‡Ú üÛÁ̈ӂ ´ÕÓ‚˚È ÍÛÒª ¿ÎÂÍ҇̉ »ÒÛÔÓ‚ orange color,thecolorofaholiday?.. the dailyroutine.Maybegraylocallifesimplylackssome city ofhischildhood,wherefriendsslowlygomadwith inseparable fromhistrumpet.Forsomehourshevisitsthe The travelingmusicianAntonio(heisalsoAnton) Lyrical drama. Production Vyacheslav Yabloshevsky,AlexanderIsupov Cast: Sound Composer Art Director Camera Director andScriptwriter 1993, Russia,96min,colour Mikhail Nikitin,SergeiSazonov,ValerySeryogin, Andrey Zlygostev Igor Votintsev Marat Kuznetsov New Course Alexander Isupov Alexander Isupov www.kinotavr.ru œÂϸÂ‡, The Premiere ÍÓÚÓÓÈ that did not Ì ·˚ÎÓ Happen

ÃÓÊÂÚ, ÍÚÓ ÔÓÏÌËÚ, ÔӂӉ˷Ҹ ̇ Maybe some people remember the ´üËÌÓÚ‡‚ª ‚ ÍÓ̈ 90-ı ÍÛθÚÛ̇ˇ programme ìThe Premiere that did not ‡ÍˆËˇ ÔÓ‰ ̇Á‚‡ÌËÂÏ ´œÂϸÂ‡, ÍÓÚÓ- Happenî at ìKinotavrî in the late ÓÈ Ì ·˚ÎÓª? ≈Â, ‚ ˜‡ÒÚÌÓÒÚË, ˇ Ë ÔÓ- 1990s, which I curated in order to ‚Ó‰ËÎ ó Á̇ÍÓÏËÎ ÁËÚÂÎÂÈ Ò ÌÂËÁ‚ÂÒÚ- acquaint audiences with unknown Ì˚ÏË ¯Â‰Â‚‡ÏË ÒÓ‚ÂÚÒÍÓ„Ó ÍËÌÓ. ¿ masterpieces of Soviet cinema, or Ô‡‚ËθÌ Ò͇Á‡Ú¸, Ò ÌÂËÁ‚ÂÒÚÌ˚ÏË ıÓ- rather, with unknown but good films. Ó¯ËÏË ÙËθχÏË. Many film scholars of the older ÃÌÓ„ËÏ ÍËÌӂ‰‡Ï ÒÚ‡¯Â„Ó ÔÓÍÓÎÂÌˡ generation strongly disliked the title Ó˜Â̸ Ì Ì‡‚ËÎÓÒ¸ ˝ÚÓ Ì‡Á‚‡ÌË ñ ìThe Premiere that did not Happenî, ´œÂϸÂ‡, ÍÓÚÓÓÈ Ì ·˚ÎÓª. ◊ÚÓ ˝ÚÓ, challenging its non-professional ‰ÂÒ͇ڸ, Á‡ ÌÂÔÓÙÂÒÒËÓ̇θÌ˚È ‚ÓβÌ- voluntarism that allegedly presented as Ú‡ËÁÏ ñ ‚˚‰‡‚‡Ú¸ Á‡ ÒÛÔÂÓÚÍ˚Úˡ super-discoveries those films that had ÎÂÌÚ˚, ÔÂÒÔÓÍÓÈÌÓ ¯Â‰¯Ë ‚ ÔÓ͇ÚÂ? been quietly distributed? I explained fl Ó·˙ˇÒÌˇÎ, ˜ÚÓ Ì‡Á‚‡ÌË ÌÂÒÍÓθÍÓ ÛÒ- that the title was designed to draw 148 ÎÓ‚ÌÓÂ: ‚Ó-ÔÂ‚˚ı, ÔË‚ÎÂ͇˛˘Â ‚ÌË- attention to the programme (and χÌË (‡ ÒÂ„Ó‰Ìˇ ·ÂÁ ˝ÚÓ„Ó ÌÂθÁˇ), ‡ without that you canít do today), and to ‚Ó-‚ÚÓ˚ı, ˇ‚Ρ˛˘ÂÂÒˇ Ò‚ÓÂÓ·‡ÁÌÓÈ create an original metaphor; in fact, ÏÂÚ‡ÙÓÓÈ ó ‚‰¸ Ë ‚ Ò‡ÏÓÏ ‰ÂΠnobody really remembered these films, ÙËθÏ˚ ˝ÚË ÌËÍÚÓ Ì ÔÓÏÌËÚ, ‡ Á̇˜ËÚ, so for todayís spectator or ‰Îˇ ÒÂ„Ó‰Ìˇ¯ÌÂ„Ó ÁËÚÂΡ (ÍËÌÂχÚÓ- cinematographer they are genuine „‡ÙËÒÚ‡) ÓÌË ˇ‚Ρ˛ÚÒˇ Ò‡Ï˚ÏË Ì‡ÒÚÓ- premieres. Then the programme was ˇ˘ËÏË ÔÂϸÂ‡ÏË. discontinued for reasons that remain Ö¿ ÔÓÚÓÏ ‡ÍˆË˛ ˝ÚÛ ÔËÍ˚ÎË ÔÓ Í‡- unknown to me. ÍËÏ-ÚÓ Ì‚‰ÓÏ˚Ï ÏÌ Ô˘Ë̇Ï. Now, apparently we mark a return of ÕÓ ‚ÓÚ ÚÂÔÂ¸, ͇ÊÂÚÒˇ, Ó̇ ‚ÓÁ‚‡˘‡- the programme as some kind of echo: ÂÚÒˇ. ¬ÓÁ‚‡˘‡ÂÚÒˇ ‚ ‚ˉ ÌÂÍÓÂ„Ó ˝ı‡: once again we have before us the films ÒÌÓ‚‡ ÔÂ‰ ̇ÏË ÙËθÏ˚ 60-ı, Ë Ï˚ of the 1960s. We present at ìKinotavrî ‰ÓÔÓ͇Á˚‚‡ÂÏ Ì‡ ´üËÌÓÚ‡‚ª ÚÓ, ˜ÚÓ those films that we did not manage to Ì ÛÒÔÂÎË ÚÓ„‰‡, ‚ ÍÓ̈ 90-ı. ¿ ‚ÔÂÂ- show in the late 1990s. And there are ‰Ë Ó„ÓÏÌÓ ÍÓ΢ÂÒÚ‚Ó ‡Á΢Ì˚ı Á‡- lots of new ideas for the future, because ‰ÛÏÓÍ, Ë·Ó Á‡ ˝ÚË ÔˇÚ¸-¯ÂÒÚ¸ ÎÂÚ ÏÌ over the last 5-6 years I saw another Û‰‡ÎÓÒ¸ ÔÓÒÏÓÚÂÚ¸ ¢ ÓÍÓÎÓ 1000 ÒÓ- 1000 Soviet films made after 1953 (I ‚ÂÚÒÍËı ÙËθÏÓ‚ Ò 1953 „Ó‰‡ (ÚÓÚ‡ÎË- am leaving here the totalitarian era to Ú‡Ì˚Ï ÔÂËÓ‰ÓÏ ÔÛÒÚ¸ ‰Û„Ë Á‡ÌËχ- others); this material suffices for a ˛ÚÒˇ), Ë ÚÂÔÂ¸ ˝ÚÓ„Ó Ï‡ÚÂˇ· ı‚‡ÚËÚ number of thematic retrospectives: of ̇ β·˚ ÚÂχÚ˘ÂÒÍË ÂÚÓÒÔÂÍÚË‚˚: genre, time, psychopathology ʇÌÓ‚˚Â, ‚ÂÏÂÌÌ˚Â, ÔÒËıÓÔ‡ÚÓÎÓ„Ë- (intriguing!), style, territory. ˜ÂÒÍË (˝ÚÓ ˇ ÔÓÒÚ‡‡ÎÒˇ Á‡ËÌÚË„Ó- For this year I have chosen, in the first ‚‡Ú¸), ÒÚË΂˚Â, ÚÂËÚÓˇθÌ˚ ñ ͇- instance, a thematic approach. We shall ÍË ۄӉÌÓ. look at the beginnings of the Leningrad œÓ˝ÚÓÏÛ ÔÓ͇ ÔÛÒÚ¸ ·Û‰ÂÚ ËÏÂÌÌÓ ÚÂχ- school, a school with a special style that Ú˘ÂÒ͇ˇ ÂÚÓÒÔÂÍÚË‚‡, ҇χˇ ÔÂ‚‡ˇ. has no analogue in the world: the style Ã˚ ÔÓÒÏÓÚËÏ, Í‡Í Ì‡˜Ë̇ÎË ÂÊËÒÒÂ- of hyperrealism, to which not only ˚ ÎÂÌËÌ„‡‰ÒÍÓÈ ¯ÍÓÎ˚, ¯ÍÓÎ˚ ÓÒÓ- German (Senior) belongs, but also ·Ó„Ó ÒÚËΡ ó ÒÚËΡ „ËÔÂ‡ÎËÁχ, Aranovich, Kanevsky, Aristov Ö and ‡Ì‡ÎÓ„Û ÍÓÚÓÓÏÛ ÌÂÚ ‚ ÏËÂ. ü ˝ÚÓÈ many more. Who has seen ìThe ¯ÍÓΠÓÚÌÓÒËÎÒˇ Ì ÚÓθÍÓ √ÂÏ‡Ì ëGavrochesí of Petrogradî by Sergei (ÒÚ‡¯ËÈ), ÌÓ Ë ¿‡Ìӂ˘, Ë ü‡Ì‚- Snezhkin? Sergei Potepalovís ìCry for ÒÍËÈ, Ë ¿ËÒÚÓ‚, Ë Â˘Â ÏÓÊÌÓ ‚ÒÔÓÏ- Helpî? ìOn Home Groundî by Igor ÌËÚ¸ ÏÌÓ„Ëı ‰Û„Ëı. ¬Ë‰ÂÎ ÎË ÍÚÓ ´œÂ- Apasian?.. Yet these are, in fact, all ÚÓ„‡‰ÒÍË „‡‚ӯ˪ —Â„¡ —ÌÂÊÍË- successors of Leningradís hyperrealism, ̇? ´üËÍ Ó ÔÓÏÓ˘Ëª —Â„¡ œÓÚÂÔ‡- which emerged at the end of the 1960s ÎÓ‚‡? ´Õ‡ Ò‚ÓÂÈ ÁÂÏΪ »„Óˇ ¿Ô‡Òˇ- and continues throughout the centuryÖ Ì‡?.. ¿ ‚‰¸ ˝ÚÓ ‚Ò ËÏÂÌÌÓ Ì‡ÒΉÌËÍË Letís hope that I shall have a chance ÎÂÌËÌ„‡‰ÒÍÓ„Ó „ËÔÂ‡ÎËÁχ, ‚ÓÁÌËÍ- later to say more about its continuation ¯Â„Ó ËÏÂÌÌÓ ‚ ÍÓ̈ 60-ı, ‡ ÔÓ‰ÓÎ- and development at another ìKinotavrî ÊË‚¯Â„ÓÒˇ ÛÊ ‚Ó ‚ÒÂı ‚ÂÏÂ̇ıÖ festival; and, of course, to show other ¡Û‰ÂÏ Ì‡‰ÂˇÚ¸Òˇ, ˜ÚÓ Ó Â„Ó ÔÓ‰ÓÎÊÂ- remarkable films. ÌËË Ë ‡Á‚ËÚËË, ‡ Ú‡ÍÊÂ Â˘Â Ó ÏÌÓ„ÓÏ ÏÌ ۉ‡ÒÚÒˇ ‡ÒÒ͇Á‡Ú¸ ÔÓÁÊ ñ Ô˘ÂÏ Alexander Shpagin ËÏÂÌÌÓ Á‰ÂÒ¸, ̇ ´üËÌÓÚ‡‚ª. » ÍÓ- Programme Curator ̘ÌÓ, ÔÓ͇Á‡Ú¸ ‡ÁÌ˚ Á‡Ï˜‡ÚÂθÌ˚ ÙËθÏ˚.

¿ÎÂÍ҇̉ ÿÔ‡„ËÌ üÛ‡ÚÓ ÔÓ„‡ÏÏ˚ ̇˜‡Î‡. ÎÂÌËÌ„‡‰Ò͇ˇ ¯ÍÓ· the beginnings. the leningrad school 149

΢̇ˇ ÊËÁ̸ ÍÛÁˇÂ‚‡ ‚‡ÎÂÌÚË̇ THE PRIVATE LIFE OF KUZIAYEV VALENTIN ‰Â̸ ÒÓÎ̈‡ Ë ‰Óʉˇ A DAY OF SUN AND RAIN ˜ÂÚ˚ ÒÚ‡Ìˈ˚ Ó‰ÌÓÈ ÏÓÎÓ‰ÓÈ ÊËÁÌË FOUR PAGES OF A YOUNG LIFE Ò‰¸ÏÓÈ ÒÔÛÚÌËÍ THE SEVENTH COMPANION 150 ̇˜‡Î‡. ÎÂÌËÌ„‡‰Ò͇ˇ ¯ÍÓ· the beginnings. the leningrad school Henceforth, lifegainsanewmeaningforKuziaevÖ questionnaire withnumberofmoralandethicalquestions. openlyî (theselectionismadeinthestreet)andgivena Kuziaev isinvitedtothetelevisionprogrammeìLetístalk Lyrical-ironic filmnovella.ThefinalgradepupilValia Production Alexei Kozhevnikov,AugustBaltrushaitis Cast: Composer Camera Scriptwriter Director 1967, USSR,68min,b/w üÛÁˇÂ‚‡ ÔËÓ·ÂÚ‡ÂÚÌÓ‚˚ÈÒÏ˚ÒÎÖ ˇ‰ ÏÓ‡Î¸ÌÓ-˝Ú˘ÂÒÍËı‚ÓÔÓÒÓ‚.—ÚÂıÔÓÊËÁ̸‰Îˇ ÛÍÛ) Ë‚Û˜‡˛ÚÂÏÛ‡ÌÍÂÚÛ,„‰ÂÔ‰·„‡˛ÚÓÚ‚ÂÚËڸ̇ ÓÚÍÓ‚ÂÌÌÓª (ÒÎÛ˜‡ÈÌÓ‚˚·‡ÎË̇ÛÎˈÂóÔÓÔ‡ÎÒˇÔÓ‰ üÛÁˇÂ‚‡ Ô˄·¯‡˛Ú‚ÚÂÎÂÔÂ‰‡˜Û´œÓ„Ó‚ÓËÏ ÀËËÍÓ-ËÓÌ˘ÂÒ͇ˇ ÍËÌÓÔÓ‚ÂÒÚ¸.ƒÂÒˇÚËÍ·ÒÒÌË͇¬‡Î˛ œÓËÁ‚Ó‰ÒÚ‚Ó üÓÌÓ‚‡ÎÓ‚‡, ¿ÎÂÍÒÂÈüÓÊ‚ÌËÍÓ‚,¿‚„ÛÒÚ¡‡ÎÚÛ¯‡ÈÚËÒ ¬ ÓΡı: üÓÏÔÓÁËÚÓ ŒÔÂ‡ÚÓ ¿‚ÚÓ –ÂÊËÒÒÂ 1967, ———–,68ÏËÌ.,˜/· KUZIAYEV VALENTIN THE PRIVATELIFEOF ü”«fl≈¬¿ ¬¿À≈Õ“»Õ¿ À»◊Õ¿fl ∆»«Õ‹ Victor Ilyichiov,GeorgyShtil,TamaraKonovalova, ÒˆÂ̇ˡ Õ‡Ú‡Îˡ–ˇÁ‡ÌˆÂ‚‡ Boris Timkovsky Igor MaslennikovwithparticipationofIlyaAverbakh ¬ËÍÚÓ »Î¸Ë˜Â‚,√ÂÓ„ËÈÿÚËθ,“‡Ï‡‡ ¡ÓËÒ “ËÏÍÓ‚ÒÍËÈ Alexander Kolker »„Ó¸ ÇÒÎÂÌÌËÍÓ‚,ÔËÛ˜‡ÒÚË˻θ˿‚Â·‡ı‡ Lenfilm Natalia Riazantseva ¿ÎÂÍ҇̉ üÓÎÍÂ ´ÀÂÌÙËθϪ A DAYOFSUNANDRAIN ƒ≈Õ‹ —ŒÀÕ÷¿»ƒŒ∆ƒfl anti-remake ofthefilmìTheManwhofollowsSunî. life, whichissodifferentfromwhattheyaretaughtatschool.An city withallitscomplexitiesandharshness,encounterreal spend awholedaywanderingaroundLeningrad.Theydiscoverthe A lyricalfilmnovella.Twoschoolboys,havingskippedlessons, Production Kozakov, AlexeiPetrenko Cast: Composer Camera Scriptwriter Director 1967, USSR,71min,b/w ´◊ÂÎÓ‚ÂÍ Ë‰ÂÚÁ‡ÒÓÎ̈ÂϪ. ÍÓÚÓÓÈ ËÏ‡ÒÒ͇Á˚‚‡˛Ú‚¯ÍÓÎÂ.¿ÌÚËËÏÂÈÍÙËθχ ÔÓıÓ‰ËÚ ‡θ̇ˇÊËÁ̸,ÌÂÓ˜Â̸ÔÓıÓʇˇÌ‡ÚÛ,Ó „ÓÓ‰ ‚Ó‚ÒÂÈÒ‚ÓÂÈÒÎÓÊÌÓÒÚËËÊÂÒÚÍÓÒÚËñ‚ÌÂÏ ÛÓÍÓ‚, ˆÂÎ˚ȉÂ̸·Ó‰ˇÚÔÓÀÂÌËÌ„‡‰Û.»ÏÓÚÍ˚‚‡ÂÚÒˇ ÀË˘ÂÒ͇ˇ ÍËÌÓÔÓ‚ÂÒÚ¸.ƒ‚Ó¯ÍÓθÌËÍÓ‚,Ò·Âʇ‚Ò œÓËÁ‚Ó‰ÒÚ‚Ó ÃËı‡ËÎ üÓÁ‡ÍÓ‚,¿ÎÂÍÒÂÈœÂÚÂÌÍÓ ¬ ÓΡı: üÓÏÔÓÁËÚÓ ŒÔÂ‡ÚÓ ¿‚ÚÓ –ÂÊËÒÒÂ 1967, ———–,71ÏËÌ.,˜/· Sasha Barinov,ToliaPopov,AlexanderSokolov,Mikhail ÒˆÂ̇ˡ ›‰‚‡‰–‡‰ÁËÌÒÍËÈ Vladimir Chumak Victor Sokolov —‡¯‡ ¡‡ËÌÓ‚,“ÓΡœÓÔÓ‚,¿ÎÂÍ҇̉—ÓÍÓÎÓ‚, ¬Î‡‰ËÏË ◊ÛÏ‡Í Gennady Portnov ¬ËÍÚÓ —ÓÍÓÎÓ‚ Lenfilm Edward Radzinsky √ÂÌ̇‰ËÈ œÓÚÌÓ‚ ´ÀÂÌÙËθϪ ◊≈“¤–≈ —“–¿Õ»÷¤ —≈ƒ‹ÃŒ… —œ”“Õ»ü ŒƒÕŒ… ÃŒÀŒƒŒ… ∆»«Õ» THE SEVENTH COMPANION FOUR PAGES OF A YOUNG LIFE ̇˜‡Î‡. ÎÂÌËÌ„‡‰Ò͇ˇ ¯ÍÓ· the beginnings. leningrad school 151

1967, ———–, 85 ÏËÌ., ˜/· 1967, ———–, 89 ÏËÌ., ˜/·

–ÂÊËÒÒÂ –ÂÁÓ ›Ò‡‰Á –ÂÊËÒÒÂ˚ ¿ÎÂÍÒÂÈ √ÂχÌ, √Ë„ÓËÈ ¿ÓÌÓ‚ ¿‚ÚÓ ÒˆÂ̇ˡ ¬Â‡ œ‡ÌÓ‚‡ ¿‚ÚÓ ÒˆÂ̇ˡ fiËÈ üÎÂÔËÍÓ‚ ŒÔÂ‡ÚÓ ›ÌÒÚ flÍӂ΂ ŒÔÂ‡ÚÓ ›‰Û‡‰ –ÓÁÓ‚ÒÍËÈ üÓÏÔÓÁËÚÓ »Ò‡‡Í ÿ‚‡ˆ üÓÏÔÓÁËÚÓ »Ò‡‡Í ÿ‚‡ˆ

¬ ÓΡı: ¡ÓËÒ –ۉ̂, Շڇθˇ ¬Â΢ÍÓ, ¡ÓËÒ —‡‚ˈÍËÈ, ¬ ÓΡı: ¿Ì‰ÂÈ œÓÔÓ‚, √ÂÓ„ËÈ ÿÚËθ, œÂÚ ◊ÂÌÓ‚, ¿ÎÂÍ҇̉‡ «‡‚¸ˇÎÓ‚‡, À˛‰ÏË· ¿ËÌË̇ ¬Î‡‰ËÏË ŒÒÂÌ‚, —ÓÙ¸ˇ √ˇˆËÌÚÓ‚‡, ¿ÎÂÍÒÂÈ ¡‡Ú‡ÎÓ‚, √ÂÓ„ËÈ fiχÚÓ‚, ¿Ì‡ÚÓÎËÈ –Óχ¯ËÌ œÓËÁ‚Ó‰ÒÚ‚Ó ´ÀÂÌÙËθϪ œÓËÁ‚Ó‰ÒÚ‚Ó ´ÀÂÌÙËθϪ ›ÍÁËÒÚÂ̈ˇθ̇ˇ ÍËÌÓÔÓ‚ÂÒÚ¸. ◊ÂÚ˚ ËÒÚÓËË ËÁ ÊËÁÌË ·˚‚¯Â„Ó ‰ÂÚ‰ÓÏÓ‚ˆ‡ —‡¯Ë ¿„‡ÙÓÌÓ‚‡, ̇˜‡‚¯Â„Ó ƒ‡Ï‡ ÔÓ Ó‰ÌÓËÏÂÌÌÓÈ ÔÓ‚ÂÒÚË ¡ÓËÒ‡ À‡‚ÂÌ‚‡. Ò‡ÏÓÒÚÓˇÚÂθÌÛ˛ ÊËÁ̸. ”ÒÚÓË‚¯ËÒ¸ ¯ÓÙÂÓÏ Ì‡ ·Óθ¯ÓÈ ¬ÂÏˇ Í‡ÒÌÓ„Ó ÚÂÓ‡. ¡Óθ¯Â‚ËÍË ‚˚Á˚‚‡˛Ú ˆ‡ÒÍËı ÒÚÓÈÍÂ, —‡¯‡ ‚ÒÚÂÚËÎ ÀËÁÛ Ë ÔÓÏÓ„ ÂÈ Ò ÊËθÂÏ, Ô˄·ÒË‚ Ò‡ÌÓ‚ÌËÍÓ‚, „ÂÌÂ‡ÎÓ‚, ˜ÎÂÌÓ‚ √ÓÒ‰ÛÏ˚ ñ ‡ÂÒÚÓ‚˚‚‡˛Ú Ë Â ÊËÚ¸ ‚ Ò‚Ó˛ Í‚‡ÚËÛ. ŒÌ‡ ‚˚ÒÂÎË· „Ó. ŒÌ ÛÂı‡Î ‚ ÔÛÒ͇˛Ú ‚ ‡ÒıÓ‰. Œ‰ËÌ ËÁ ÌËı ó ·˚‚¯ËÈ ÔÓÙÂÒÒÓ —Â‰Ì˛˛ ¿Á˲, „‰Â Ó·ÂÎ ‰Û„‡ ¬ËÍÚÓ‡ ó ̇ԇÌË͇ ÔÓ ‚ÓÂÌÌÓÈ ‡Í‡‰ÂÏËË ≈‚„ÂÌËÈ ¿‰‡ÏÓ‚ ó ÔÓ˜ÚË ÒÎÛ˜‡ÈÌÓ ‰‡Î¸ÌËÏ ÂÈÒ‡Ï. üÓ„‰‡ ¬ËÍÚÓ ÔÓ„Ë· ‚ ‡‚ÚÓÏÓ·ËθÌÓÈ ÓÒÚ‡ÂÚÒˇ ‚ ÊË‚˚ı. ŒÌ Òӄ·¯‡ÂÚÒˇ ÒÓÚÛ‰Ì˘‡Ú¸ Ò ÌÓ‚ÓÈ Í‡Ú‡ÒÚÓÙÂ, —‡¯‡ ÔÓÂı‡Î ‚ ÃÛχÌÒÍ. “‡Ï ÓÌ ÔÂÂÊËÎ ‚·ÒÚ¸˛Ö Ì‰Ó΄ËÈ ÓÏ‡Ì Ò Á‡ÏÛÊÌÂÈ œÓÎËÌÓÈ. » ˝Ú‡ ÒÚ‡Ìˈ‡ ÊËÁÌË ÓÔˇÚ¸ ÓÍÓ̘Ë·Ҹ ÌÂÛ‰‡˜ÌÓ. ◊ÚÓ Ê ‰‡Î¸¯Â?.. 1967, USSR, 89 min, b/w

1967, USSR, 85 min, b/w Directors Alexei German, Grigory Aronov Scriptwriter Yuri Klepikov Director Rezo Esadze Camera Eduard Rozovsky Scriptwriter Vera Panova Composer Isaak Shvarts Camera Ernst Yakovlev Composer Isaak Shvarts Cast: Andrey Popov, Georgy Shtil, Pyotr Chernov, Vladimir Osenev, Sofia Giatsintova, Alexei Batalov, Georgy Yumatov, Cast: Boris Rudnev, Natalia Velichko, Boris Savitsky, Anatoly Romashin Alexandra Zavialova, Lyudmila Arinina Production Lenfilm Production Lenfilm Drama based on Boris Lavreniovís story of the same title. An existential film novella. Four stories from the life of the The time of red terror. The Bolsheviks call up imperial orphan Sasha Agafonov, who is starting an independent life. dignitaries, generals, and members of the State Duma; they Having found a job as driver on a big construction site, Sasha arrest and shoot them. One of them is the former professor of meets Liza and provides her with lodgings, inviting her to live the military academy Evgeny Adamov, who survives by sheer in his apartment. Then she kicks him out; he leaves for luck. He agrees to cooperate with the new authorities Ö Central Asia, where he finds a friend, Victor, a colleague from his long-distance journeys. When Victor dies in a road accident, Sasha goes to Murmansk. There he has a short romance with the married woman Polina. And this page of life again ends on an unsuccessful note. What next?... Festival Geography

Each year some 900 film festivals take place across the globe. The most "loaded" month is October, the most "quiet" month is May. In terms of the quantity of film screenings in one country the United States are the clear leader with 255 diverse festivals and cinematic events (excluding the annual ShowWest and ShowEast). The US is followed by Germany (73), France (68), Italy (63), Canada (52), Great Britain (46), Spain (23), Belgium (19), Australia (12), Netherlands and Switzerland (11), Serbia and Montenegro (10), Greece, Norway and Sweden (8), Austria, Brazil, Russia, Finland, Czech Republic and Japan (7), Bulgaria and Portugal (6), Hungary, Denmark, Poland, Croatia and South Korea (5), Egypt, India, Ireland, Romania and the Republic of South Africa (4), Argentina, Hong Kong, Israel, Iran, Columbia, Slovakia, Turkey, Uruguay and Estonia (3), Bosnia and Herzegovina, Iceland, China, Latvia, Lithuania, Macedonia, Mexico, Monaco, Nepal, New Zealand, Slovenia, Thailand, Ukraine 152 and Philippines (2), Armenia, Bangladesh, the Bermudas, Venezuela, Georgia, Kazakhstan, Cuba, Lebanon, Liechtenstein, Luxembourg and Tadjikistan ‘ÂÒÚË‚‡Î¸Ì‡ˇ „ÂÓ„‡Ùˡ (1). I should stress that these data have been taken from the annual festival guides published by the magazines Moving Pictures, Screen International and ≈Ê„ӉÌÓ ‚ ÏË ÔÓ‚Ó‰ËÚÒˇ ÓÍÓÎÓ 900 ÍËÌÓÙÂÒÚË‚‡ÎÂÈ. —‡Ï˚È ´Á‡„ÛÊÂÌ- Variety; this means that there are probably even Ì˚Ȫ ÏÂÒˇˆ ‚ „Ó‰Û ñ ÓÍÚˇ·¸, Ò‡Ï˚È ´ÚËıËȪ ó χÈ. ÀˉÂÓÏ ÔÓ ÍÓ΢ÂÒ- more festivals in the world, because not every Ú‚Û ÍËÌÓÒÏÓÚÓ‚ ̇ ÚÂËÚÓËË Ó‰ÌÓ„Ó „ÓÒÛ‰‡ÒÚ‚‡ ˇ‚Ρ˛ÚÒˇ —ÿ¿: 255 Ò‡- festival provides information for these international Ï˚ı ‡ÁÌÓÓ·‡ÁÌ˚ı ÙÂÒÚË‚‡ÎÂÈ Ë ÙÂÒÚÓ‚ (ËÒÍβ˜‡ˇ ÂÊ„ӉÌ˚ ShowWest Ë annual compilations. Yet the information on national ShowEast). ƒ‡Î ˉÛÚ √ÂχÌˡ (73), ‘‡ÌˆËˇ (68), »Ú‡Îˡ (63), ü‡Ì‡‰‡ festivals has increased noticeably, and we now know (52), ¬ÂÎËÍÓ·ËÚ‡Ìˡ (46), »ÒÔ‡Ìˡ (23), ¡Âθ„ˡ (19), ¿‚ÒÚ‡Îˡ (12), ÕË- about the existence of Spanish, Chinese and Dutch ‰Â·̉˚ Ë ÿ‚ÂȈ‡ˡ (11), —Â·Ëˇ Ë ◊ÂÌÓ„Óˡ (10), √ÂˆËˇ, ÕÓ‚„ˡ "Kinotavrs". Ë ÿ‚ÂˆËˇ (8), ¿‚ÒÚˡ, ¡‡ÁËÎˡ, –ÓÒÒˡ, ‘ËÌÎˇÌ‰Ëˇ, ◊Âıˡ Ë flÔÓÌˡ It is encouraging to note that East and Central (7), ¡Ó΄‡ˡ Ë œÓÚÛ„‡Îˡ (6), ¬ÂÌ„ˡ, ƒ‡Ìˡ, œÓθ¯‡, ’Ó‚‡Úˡ Ë fiÊ- European countries, whose films occupy a modest ̇ˇ üÓ¡ (5), ≈„ËÔÂÚ, »Ì‰Ëˇ, »Î‡Ì‰Ëˇ, –ÛÏ˚Ìˡ Ë fi¿– (4), ¿„ÂÌÚË̇, place on the world festival map, apply a maximum of √ÓÌÍÓÌ„, »Á‡Ëθ, »‡Ì, üÓÎÛÏ·Ëˇ, —ÎÓ‚‡Íˡ, “ÛˆËˇ, ”Û„‚‡È Ë ›ÒÚÓÌˡ organizational and financial efforts to promote their (3), ¡ÓÒÌˡ Ë √ÂˆÂ„Ó‚Ë̇, »ÒÎ‡Ì‰Ëˇ, üËÚ‡È, À‡Ú‚ˡ, ÀËÚ‚‡, Ç͉ÓÌˡ, cinemas also through national film festivals. Film ÃÂÍÒË͇, ÃÓ̇ÍÓ, ÕÂÔ‡Î, ÕÓ‚‡ˇ «ÂÎ‡Ì‰Ëˇ, —ÎÓ‚ÂÌˡ, “‡Ë·̉, ”Í‡Ë̇ Ë festivals which just screen films are no longer "in"; ‘ËÎËÔÔËÌ˚ (2), ¿ÏÂÌˡ, ¡‡Ì„·‰Â¯, ¡ÂÏÛ‰˚, ¬ÂÌÂÒÛ˝Î‡, √ÛÁˡ, ü‡Á‡ı- for this reason, film events which previously limited ÒÚ‡Ì, üÛ·‡, ÀË‚‡Ì, ÀËıÚÂ̯ÚÂÈÌ, À˛ÍÒÂÏ·Û„ Ë “‡‰ÊËÍËÒÚ‡Ì (1). ’Ó˜Û themselves to a competition of domestic films now ÔÓ‰˜ÂÍÌÛÚ¸, ˜ÚÓ ˝ÚË ‰‡ÌÌ˚ ÔÓÎÛ˜ÂÌ˚ ËÁ ÂÊ„ӉÌ˚ı ÙÂÒÚË‚‡Î¸Ì˚ı „‡È- also organize international film-markets, pitching, ‰Ó‚, ÔÛ·ÎËÍÛÂÏ˚ı ÊÛ̇·ÏË Moving Pictures, Screen International Ë programmes of foreign and regional cinema, various Variety. —Ήӂ‡ÚÂθÌÓ, ÏÓÊÌÓ Ô‰ÔÓÎÓÊËÚ¸, ˜ÚÓ ÙÂÒÚË‚‡ÎÂÈ ‚ ÏË „Ó‡Á- kinds of forums, symposiums, round tables, etc. In ‰Ó ·Óθ¯Â, Ú‡Í Í‡Í ‰‡ÎÂÍÓ Ì ‚Ò ‰‡˛Ú Ó Ò· ËÌÙÓχˆË˛ ‚ ˝ÚË ÏÂʉÛ̇- other words: they do everything possible to make the Ó‰Ì˚ ËÁ‰‡Ìˡ. «‡ÚÓ ËÌÙÓχˆËË Ó Ì‡ˆËÓ̇θÌ˚ı ÙÂÒÚË‚‡Îˇı Á‡ÏÂÚÌÓ festival a place of direct contacts and business ÔË·‡‚ËÎÓÒ¸, Ë ÚÂÔÂ¸ Ï˚ Á̇ÂÏ Ó ÒÛ˘ÂÒÚ‚Ó‚‡ÌËË ËÒÔ‡ÌÒÍÓ„Ó, ÍËÚ‡ÈÒÍÓ„Ó Ë meetings, and a productive and mutually „Óη̉ÒÍÓ„Ó ´ÍËÌÓÚ‡‚Ó‚ª. advantageous tool for the dynamic development of –‡‰ÛÂÚ ÚÓ, ˜ÚÓ ÒÂ„Ó‰Ìˇ ̇ˆËÓ̇θÌ˚ ÍËÌÓÒÏÓÚ˚ ¬ÓÒÚÓ˜ÌÓÈ Ë ÷ÂÌÚ‡Î¸- today's international film industry. ÌÓÈ ≈‚ÓÔ˚, Á‡ÌËχ˛˘Ë ̇ ÏËÓ‚ÓÈ ÙÂÒÚË‚‡Î¸ÌÓÈ Í‡Ú ‰ÓÒÚ‡ÚÓ˜ÌÓ Two years ago a declaration was signed in Gdynia, ÒÍÓÏÌ˚ ÔÓÁˈËË, ÔË·„‡˛Ú χÍÒËÏÛÏ Ë Ó„‡ÌËÁ‡ˆËÓÌÌ˚ı, Ë ÙË̇ÌÒÓ- which referred to the exchange of films that had ‚˚ı ÛÒËÎËÈ ‰Îˇ ÔÓ‰‚ËÊÂÌˡ Ò‚ÓÂ„Ó ÍËÌÓ. üËÌÓÙÂÒÚË‚‡ÎË, ÒÓÒÚÓˇ˘Ë ËÒ- won national film festivals. In line with this Íβ˜ËÚÂθÌÓ ËÁ ÔÓ͇ÁÓ‚ ÙËθÏÓ‚, ÛÊ Ì ӘÂ̸ ‡ÍÚۇθÌ˚. œÓ˝ÚÓÏÛ Í ÍÓÌ- agreement, we show already for the second year ÍÛÒÛ Ì‡ˆËÓ̇θÌÓ„Ó ÍËÌÓ ÔË·‡‚Ρ˛ÚÒˇ ÏÂʉÛ̇Ó‰Ì˚ ÍËÌÓ˚ÌÍË, ÔËÚ- foreign films at our national Russian festival. This ˜ËÌ„Ë, ÔÓ„‡ÏÏ˚ ËÌÓÒÚ‡ÌÌÓ„Ó Ë „ËÓ̇θÌÓ„Ó ÍËÌÓ, ‡Á΢ÌÓ„Ó Ó‰‡ time we have moved the goal posts and show the ÙÓÛÏ˚, ÒËÏÔÓÁËÛÏ˚, ÍÛ„Î˚ ÒÚÓÎ˚ ñ ÚÓ ÂÒÚ¸, ‰Â·ÂÚÒˇ ‚ÒÂ, ˜ÚÓ·˚ ÙÂÒÚË- Russian audience in the programme "Festival ‚‡ÎË ÒÚ‡ÎË ÏÂÒÚÓÏ ÔˇÏ˚ı ÏÂʘÂÎӂ˜ÂÒÍËı ÍÓÌÚ‡ÍÚÓ‚ Ë ‰ÂÎÓ‚˚ı ‚ÒÚ˜, Winners" those films that were noted both at ÔÓ‰ÛÍÚË‚Ì˚Ï Ë ‚Á‡ËÏÓ‚˚„Ó‰Ì˚Ï ËÌÒÚÛÏÂÌÚÓÏ ÒÓ‚ÂÏÂÌÌÓÈ ÍËÌÓË̉ÛÒÚ- regional and national festivals and at international ËË, ËÌÚÂ̇ˆËÓ̇θÌÓÈ Ë ‰Ë̇Ï˘ÌÓÈ. film forums. The winner of Festival of Polish Film ƒ‚‡ „Ó‰‡ ̇Á‡‰ ‚ √‰˚Ì ·˚· ÔÓ‰ÔË҇̇ ‰ÂÍ·‡ˆËˇ, Ó‰ÌËÏ ËÁ ÔÛÌÍÚÓ‚ ÍÓ- in Gdynia, "The Collector" subsequently received a ÚÓÓÈ ˇ‚ΡÂÚÒˇ Ó·ÏÂÌ ÙËθχÏË-Ôӷ‰ËÚÂΡÏË ÏÂÊ‰Û Ì‡ˆËÓ̇θÌ˚ÏË ÍË- prize in Berlin; the winner of the Week of ÌÓÒÏÓÚ‡ÏË. ¬˚ÔÓÎÌˇˇ ˝ÚÓ Òӄ·¯ÂÌËÂ, ÛÊ ‚ÚÓÓÈ „Ó‰ Ï˚ ÔÓ͇Á˚‚‡ÂÏ Ì‡ Hungarian Cinema in Budapest, "Black Brush", has ÓÒÒËÈÒÍÓÏ ÙÂÒÚË‚‡Î Á‡Û·ÂÊÌÓ ÍËÌÓ. ¬ ˝ÚÓÚ ‡Á Ï˚ ‡Á‰‚ËÌÛÎË ‡ÏÍË, received attention in Thessaloniki; and the best Ë ‚ ÔÓ„‡ÏÏ ´‘ÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ª Ô‰ÒÚ‡‚ΡÂÏ ÓÒÒËÈÒÍÓÏÛ ÁËÚÂ- British comedy "Festival" was screened in Mar del β ͇ÚËÌ˚, ÓÚϘÂÌÌ˚Â Í‡Í Ì‡ ÎÓ͇θÌ˚ı Ë „ËÓ̇θÌ˚ı, Ú‡Í Ë Ì‡ Plate; the winner of the main prize at Pusan (South- ÏÂʉÛ̇Ó‰Ì˚ı ÍËÌÓÙÓÛχı. œÓ·Â‰ËÚÂθ ‘ÂÒÚË‚‡Îˇ ÔÓθÒÍËı ÙËθÏÓ‚ ‚ Korea), "Grain in Ear" has received several main √‰˚Ì ´—ۉ·Ì˚È ËÒÔÓÎÌËÚÂθª ÔÓÎÛ˜ËÎ ÔËÁ ‚ ¡ÂÎËÌÂ, ·ÛÂ‡Ú Õ‰ÂÎË awards in Europe; and the prize-winner of the ‚ÂÌ„ÂÒÍÓ„Ó ÍËÌÓ ‚ ¡Û‰‡Ô¯Ú ´◊Â̇ˇ ˘ÂÚ͇ª ·˚Î ÓÚϘÂÌ ‚ —‡ÎÓÌË͇ı, Critics' Week in Cannes, the Afghan "Earth and ‡ ÎÛ˜¯‡ˇ ·ËÚ‡ÌÒ͇ˇ ÍÓωˡ ´‘ÂÒÚË‚‡Î¸ª ó ‚ Ã‡-‰Âθ-œÎ‡ÚÂ, Á‡‚Ó‚‡‚- Ashes" went on to win a Grand Prix in Africa; the ¯‡ˇ „·‚Ì˚È ÔËÁ ‚ œÛ̠҇˛ÊÌÓÍÓÂÈÒ͇ˇ ÎÂÌÚ‡ ´«ÂÌÓ ‚ Ûıª ÒÓ·‡Î‡ Iranian "Offside" has so far "only" garnered one Jury ÌÂÒÍÓθÍÓ „‡Ì-ÔË ‚ ≈‚ÓÔÂ, ‡ ÔËÁÂ ´Õ‰ÂÎË ÍËÚËÍ˪ ‚ ü‡Ì̇ı ‡Ù„‡Ì- Grand Prize from Berlin; and the Finno-Swedish Ò͇ˇ ͇ÚË̇ ´«ÂÏΡ Ë ÔÂÔÂΪ ó „‡Ì-ÔË ‚ ¿ÙËÍÂ, Ë‡ÌÒÍËÈ ´ŒÙ҇ȉª "Mother of Mine" (Grand Prix in Khanty-Mansiisk) ÔÓ͇ ËÏÂÂÚ ´‚ÒÂ„Ó Î˯¸ª „‡Ì-ÔË Ê˛Ë ‚ ¡ÂÎËÌÂ, ‡ ÙËÌÒÍÓ-¯‚‰Ò͇ˇ and the Icelandic-Danish "Dark Horse" (Best ·· ´ÃÓˇ ÎÛ˜¯‡ˇ χχª („‡Ì-ÔË ‚ ’‡ÌÚ˚-ÇÌÒËÈÒÍÂ) Ë ËÒ·̉ÒÍÓ-‰‡ÚÒ͇ˇ Scandinavian Film at the IFF in Goteborg) are ´“ÂÏ̇ˇ ÎÓ¯‡‰Í‡ª (ÎÛ˜¯ËÈ Ò͇̉Ë̇‚ÒÍËÈ ÙËÎ¸Ï Ãü‘ ‚ √ÂÚ·Ó„Â) ñ Â- champions by the number of awards they received ÍÓ‰ÒÏÂÌ˚ ÔÓ ÍÓ΢ÂÒÚ‚Û Ì‡„‡‰ ̇ˆËÓ̇θÌ˚ı ÍËÌӇ͇‰ÂÏËÈ. from national film academies.

—ËÚÓ‡ ¿ÎË‚‡ Sitora Alieva ‰ËÂÍÚÓ ÍËÌÓÔÓ„‡ÏÏ Programme Director ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners

153 ÁÂÏΡ Ë ÔÂÔÂÎ EARTH AND ASHES ÁÂÌÓ ‚ Ûı GRAIN IN EAR ÏÓˇ ÎÛ˜¯‡ˇ χχ MOTHER OF MINE ÓÙ҇ȉ OFFSIDE Òۉ·Ì˚È ËÒÔÓÎÌËÚÂθ THE COLLECTOR ÚÂÏ̇ˇ ÎÓ¯‡‰Í‡ DARK HORSE ÙÂÒÚË‚‡Î¸ FESTIVAL ˜Â̇ˇ ˘ÂÚ͇ BLACK BRUSH 154 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners EARTH ANDASHES/KHAKESTAR-O-KHAK/TERREETCENDRES «≈ÃÀfl »œ≈œ≈À œ‡‚‡ France 3Cine œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ √Ë艇 ÿ‡ı‚Â‰Ë,ÃËÁ‡ü‡‰Ë,ü‡‰Â¿ÂÙË ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ÔÓ Ó‰ÌÓËÏÂÌÌÓÏÛÓχÌÛ¿ÚÚË͇–‡ıËÏË ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ Dolby SRD/DTS 2004, ¿Ù„‡ÌËÒÚ‡Ì/‘‡ÌˆËˇ,105ÏËÌ.,ˆ‚.,1:2.35, ¿Ì‰ –Â„Ë Mercure International ’‡Î‰ ¿χÌ,‘‡Ì˜ÂÒÍÓ–ÛÒÒÓ ”ÒÛ· ÀËÒˇÍ ¿·‰ÛÎ √‡ÌË,fl‚‡ÌÇÚ’Óχ˛Ì,¬‡ÎË“‡ÎÓ¯, ›ËÍ √˯‡ ¿ÚËÍ –‡ıËÏË ¿ÚËÍ –‡ıËÏË ƒËÏËÚË ‰ÂüÎÂÍ ∆‡Ì-À˛Í ΑÎ∏¯ ma, Canal+ Les FilmsduLendemain,Afghanfilm, ü‡Ï·ÛÁˇ œ‡ÚÓ‚Ë Sound Music Costumes Art Director Camera Based onthenovel´EarthandashesªbyAtiqRahimi Scriptwriters Director Dolby SRD/DTS 2004, Afghanistan/France,105min,colour,1:2.35, World Sales Cine Production Producers Guilda Chahverdi,MirzaQadir,KaderArefi Cast: Editor ma, Canal+ Abdul Ghani,JawanMardHomayoun,WalliTallosh, Khaled Arman,FrancescoRusso Ursula Lesiak Andre Eric Guichard Atiq Rahimi Atiq Rahimi Dimitri deClercq Les FilmsduLendemain,Afghanfilm,France3 Mercure International Jean-Luc LeFloch Rigaut Kambuzia Partovi festival winners

¿“»ü –¿’»Ã» ñ ‡Ù„‡ÌÒÍËÈ ÔËÒ‡ÚÂθ, ÔÓÊË‚‡˛˘ËÈ ‚Ó ‘‡ÌˆËË. –Ó‰ËÎÒˇ ‚ ü‡·ÛΠ‚ 1962 „Ó‰Û.

»Á‚ÂÒÚÂÌ ˜ËÚ‡ÚÂβ ÔÓ ËÁ‰‡ÌÌ˚Ï ‚Ó ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ ‘‡ÌˆËË ÓÏ‡Ì‡Ï ´«ÂÏΡ Ë ÔÂÔÂΪ (2000) Ë ´“˚Òˇ˜‡ ‰ÓÏÓ‚ ϘÚ˚ Ë Ûʇ҇ª (2002). —ÌˇÎ ÚË ‰ÓÍÛÏÂÌڇθÌ˚ı ÙËθχ. ´«ÂÏΡ Ë ÔÂÔÂΪ ó ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú ‚ Ë„Ó‚ÓÏ ÍËÌÓ. 155 ATIQ RAHIMI Afghan writer; lives in France. Born in Kabul in 1962. Renown for his novels Earth and Ashes/ Terre et Cendres (2000), A Thousand Houses of Dreams and Horrors/ Les mille maisons du rÍve et de la terreur (2002), published in France. ìEarth and Ashesî is his debut in film.

–‡ÎËÒÚ˘ÂÒ͇ˇ ‰‡Ï‡ ÔÓ Ó‰ÌÓËÏÂÌÌÓÏÛ ÓχÌÛ ¿ÚË͇ –‡ıËÏË Ó ÚÂı ÔÓÍÓÎÂÌˡı ‡Ù„‡ÌˆÂ‚, ˜ÂÂÁ ÍÓÚÓ˚ Ôӯ· ‚ÓÈ̇. 1981 „Ó‰. œÓ Ô˚θÌÓÈ ‰ÓÓ„Â ·‰ÛÚ ‰‚Ó ñ ÒÚ‡ËÍ Ë Ï‡Î¸˜ËÍ. Çθ˜ËÍ Ó„ÎÓı ÓÚ ‚Á˚‚‡ Ë Ì ÔÓÌËχÂÚ, ˜ÚÓ Ò ÌËÏ ÔÓËÁÓ¯ÎÓ. ŒÌ ‰ÛχÂÚ, ˜ÚÓ ÏË Î˯ËÎÒˇ Á‚ÛÍÓ‚ Ë ‚Ò ÓÌÂÏÂÎË. »ı ‰ÂÂ‚Ì˛ ‡Á·ÓÏ·ËÎË, ‚Òˇ ÒÂϸˇ Ôӄ˷·. ŒÌË ‰ÓÎÊÌ˚ ‰Ó·‡Ú¸Òˇ ‰Ó Û„ÓθÌÓÈ ¯‡ıÚ˚, „‰Â ‡·ÓÚ‡ÂÚ Â‰ËÌÒÚ‚ÂÌÌ˚È ÛˆÂ΂¯ËÈ Ó‰ÒÚ‚ÂÌÌËÍ ñ Ò˚Ì ÒÚ‡Ë͇ Ë ÓÚˆ χθ˜ËÍ‡Ö - œËÁ ´ŒÒÓ·˚È ‚Á„Ρ‰ ̇ ·Û‰Û˘Âª (¿ÚËÍ –‡ıËÏË) ñ Ãü‘ ‚ ü‡Ì̇ı, 2004; - —Â·ˇÌ˚È ÔËÁ Ãü‘ ‚ √ÂÌÚÂ, ¡Âθ„ˡ, 2004; - œËÁ ‘»œ–≈——» ñ Ãü‘ ´‘ËθÏ˚ Ò fi„‡ª, ŒÒÎÓ, ÕÓ‚„ˡ, 2004; - √·‚Ì˚È ÔËÁ ñ Ãü‘ ‚ «‡ÌÁË·‡Â, “‡ÌÁ‡Ìˡ, 2005; - œËÁ Ê˛Ë Ãü‘ ´“ÂÏÌ˚ ÌӘ˪, “‡ÎÎËÌÌ, ›ÒÚÓÌˡ, 2005.

Based on Atiq Rahimiís novel of the same title, Earth and Ashes is a fable of devastating loss and great humanity in face of the atrocities of war set in Afghanistan of 1981. In the desolate Afghan landscape, with a half-demolished bridge across a dry riverbed below, an old man and his grandson sit by the dusty road. The road leads to a coalmine, where the old man is looking for his son, to tell him that their village has been bombed and his entire family killed.

- Prix du Regard de líAvenir (Atiq Rahimi) ó Cannes Film Festival (Un Certain Regard), 2004; - Silver Spur (Atiq Rahimi) ó Flanders International Film Festival, Ghent, Belgium, 2004; - FIPRESCI Prize (Atiq Rahimi) ó Oslo Films from the South Festival, 2004; - The Golden Dhow for the Best Film ó Zanzibar International Film Festival, 2005; - Netpac Jury Award ñ Tallinn Black Nights FF, Estonia, 2005. 156 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners GRAIN INEAR/MANGZHONG «≈–ÕŒ ¬”’≈ www.manjong.co.kr œ‡‚‡ ÔË Û˜‡ÒÚËËShuFilmWorkshop œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ¬‡Ì “ÓÌ-’ÛË ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2004, fiÊ̇ˇüÓ¡/üËÚ‡È,109ÏËÌ.,ˆ‚.,1:1.85,DolbySRD ¬‡Ì –‡Ì Doo EntertainmentCompany üËÏ —ÛÌ-ÃËÌ À˛ À¸ˇÌƒÊË,ƒÊËÌ¡Ó,◊ÊÛ√Û‡ÌÍÒ˛‡Ì, À˛ ®Ì’ÓÌ ÀË üÒË̸ˇÌ ◊ÓÈ ƒÛ-ˇÌ„ ◊Ê‡Ì ’ÛË Doo Entertainment, ◊Ê‡Ì ÀÛ www.manjong.co.kr World Sales Coproduction Production Producer Cast: Editing Sound Costume Designer Production Camera Scriptwriter andDirector 2004, SouthKorea/Chine,109min,colour,1:1.85,DolbySRD Liu LianJi,JinBo,ZhuGuangxuan,WangTong-Hui Wang Ran Kim Sun-Min Liu YongHong Designer LiXinyan Doo-young Choi Doo Entertainment Doo EntertainmentCompany Shu FilmWorkshop Zhang Hui Zhang Lu festival winners

◊∆¿Õ À” ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ »ÁÛ˜‡Î ‚ ÛÌË‚ÂÒËÚÂÚ ÍËÚ‡ÈÒÍÛ˛ ÎËÚÂ‡ÚÛÛ, ÓÔÛ·ÎËÍÓ‚‡Î ÌÂÒÍÓθÍÓ ÓχÌÓ‚. ¬ ÍËÌÓ ‰Â·˛ÚËÓ‚‡Î ‚ 2001 „Ó‰Û ÍÓÓÚÍÓÏÂÚ‡ÊÌÓÈ ÎÂÌÚÓÈ ´Œ‰ËÌ̇‰ˆ‡Ú¸ª, ‚ 2003-Ï ÒÌˇÎ ÔÂ‚˚È ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ñ ´œÓ˝Áˡ “‡Ì„‡ª. ´«ÂÌÓ ‚ Ûıª ñ 157 ‚ÚÓÓÈ ÙËÎ¸Ï ÂÊËÒÒÂ‡. ZHANG LU Majored in Chinese literature and wrote several novels before starting a career in cinema. He directed a short film in 2001 (ìElevenî) and a feature film in 2003 (ìTang Poetryî). ìGrain in Earî is his second feature film.

ƒ‡Ï‡. ÷ÛÈ »È, ÍËÚ‡ˇÌ͇ ÍÓÂÈÒÍÓ„Ó ÔÓËÒıÓʉÂÌˡ, Ӊ̇ ‚ÓÒÔËÚ˚‚‡ÂÚ Ò˚̇. ŒÌ‡ ÊË‚ÂÚ ‰‡ÎÂÍÓ ÓÚ Ó‰ÌÓ„Ó „ÓÓ‰‡ Ë Á‡‡·‡Ú˚‚‡ÂÚ Ì‡ ÊËÁ̸ ÔÓ‰‡ÊÂÈ ÍËÏ˜Ë (ÍÓÂÈÒÍËÈ ‡ÒÒÓÎ). “‡Í Í‡Í Ó̇ ‡·ÓÚ‡ÂÚ ·ÂÁ ÎˈÂÌÁËË, ÂÈ ÔËıÓ‰ËÚÒˇ ‚Ò ‚ÂÏˇ ÒÍ˚‚‡Ú¸Òˇ ÓÚ Ì‡ÎÓ„Ó‚Ó„Ó ËÌÒÔÂÍÚÓ‡, ÍÓÚÓ˚È ‰‡‚ÌÓ ÒΉËÚ Á‡ ÌÂÈ. ≈„Ó ÁÓ‚ÛÚ üËÏ, Ë ÓÌ ó ˝ÚÌ˘ÂÒÍËÈ ÍÓˆ. ÃÂÊ‰Û ÌËÏË ‚ÒÔ˚ıË‚‡ÂÚ Î˛·Ó‚¸. ÕÓ üËÏ ÊÂÌ‡Ú Ë ‚˚ÌÛʉÂÌ ÒÍ˚‚‡Ú¸ Ò‚Ó˛ β·Ó‚¸Ö - œËÁ ACID ñ Ãü‘ ‚ ü‡Ì̇ı (ÔÓ„‡Ïχ ´Õ‰ÂΡ ÍËÚËÍ˪), 2005; - √·‚Ì˚È ÔËÁ Ãü‘ ‚ œÛÒ‡ÌÂ, fiÊ̇ˇ üÓ¡, 2005; - √‡Ì-ÔË ÍÓÌÍÛÒ‡ ´ÕÓ‚Ó ÍËÌÓª - Ãü‘ ‚ œÂÒ‡Ó, »Ú‡Îˡ, 2005; - √‡Ì-ÔË Ãü‘ ‚ ¬ÂÒÛÎÂ, ‘‡ÌˆËˇ, 2006; - œËÁ Á‡ Û‚ÂÂÌÌÓ ̇˜‡ÎÓ (Young Adult Prize) ñ Ãü‘ ´◊ÂÌÓ ÍËÌÓª, ÿ‚ÂȈ‡ˡ, 2006; - √‡Ì-ÔË ÓÒÌÓ‚ÌÓ„Ó ÍÓÌÍÛÒ‡, ÔËÁ ÁËÚÂÎÂÈ ñ ‘ÓÛÏ ‡ÁˇÚÒÍËı ÙËθÏÓ‚, ‘‡ÌˆËˇ, 2006; - √‡Ì-ÔË ‘ÂÒÚË‚‡Îˇ ÌÓ‚Ó„Ó ÍËÌÓ, ¡Âθ„ˡ, 2006.

Drama. Cui Ji is a Chinese woman of Korean ancestry. A single mother bringing up her young son. She lives away from her hometown, and makes a living by selling Kimchi, a Korean Style pickle. An unlicensed vendor, she is constantly on the run, pursued by the local commercial prosecutor. Kim is also an ethnic Korean. He and Cui fall in love, but Kim is a married man; their love can only be an underground affair... - ACID Award ó Cannes Film Festival (Criticís Week), 2005; - New Currents Award, Pusan IFF, South Korea, 2005; - Grand Prix of New Cinema Section, Pesaro IFF, 2005; - Grand Prix, France, Vesoul FF, 2006; - Young Adult Prize, Swiss Black Movie FF, 2006; - Grand Prix of the Competition, Audience Award, Tours Asian FF, France, 2006; - Grand Prix, Cinema NOVO FF, Belgium, 2006. 158 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners MOTHER OFMINE/A ÃŒfl À”◊ÿ¿flÿÿ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ “ËÍ͇ÌÂÌ, ü‡Ë-œÂÍ͇“ÓÈ‚ÓÌÂÌ ÀÛ̉͂ËÒÚ, ÃË͇˝ÎÕ˛Í‚ËÒÚ,›ÒÍÓ—‡ÎÏËÌÂÌ,¿ÈÌÓ-Ã‡Èˇ ¬ ÓΡı: Á‚Û͇ ƒËÁ‡ÈÌ ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ œÓ ÓχÌÛ’ÂÈÍÍË’ÂÈÚ‡ÏËÂÒ‡ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ Dolby SRD 2005, ‘ËÌÎˇÌ‰Ëˇ/ÿ‚ÂˆËˇ,111ÏËÌ.,ˆ‚+˜/·,1:2.35, www.aideistaparhain.com œ‡‚‡ & TelevisionAB,FilmiSkÂne Nordisk FilmInternationalSales “ÛÓÏ‡Ò ü‡ÌÚÂÎËÌÂÌ “ÓÔË Ã‡ÈˇÌÂÏË,Ç¸ˇ‡Ì‡Ã‡ËˇÎ‡,Çˡ flÍÓ “.À‡ËÌ ü·ÛÒ ’‡Ó ¿Ì̇ —‚‡‰Ẩ‡Î¸ »ÎÍ͇ ÇÚË· —Ë‡Ì ¡ÓÌ·ۯ üË͇ —‡ÈÌËÓ MRP MatilaRo ƒÊËÏÏË ü‡ÎÒÓÌ,üËÒˬËÍÏ‡Ì ·· hr ProductionsOy,OmegaFilm ·· IDEISTA ·· PARHAIN Production Producer Pekka Toivonen Michael Nyqvist,EskoSalminen,Aino-MaijaTikkanen,Kari- Cast: Sound Designer Music Designer Costume Production Camera Novel byHeikkiHietamies Scriptwriters Director 1:2.35, DolbySRD 2005, Finland/Sweden,111min,colour/blackandwhite, www.aideistaparhain.com Sales Television AB,FilmiSkÂne Topi Majaniemi,MariaLundqvist,MarjaanaMaijala, Nordisk FilmInternationalSales Tuomas Kantelinen Jarkko T.Laine Klaus Ha Ilkka Matila MRP MatilaRo Designer CianBornebusch Jimmy Karlsson,KirsiVikman Kirka Sainio ·· ro Anna Sva ·· ·· hr ProductionsOy,OmegaFilm& ·· rdendahl festival winners

üÀ¿”— ’¿–Œ –Ó‰ËÎÒˇ 31 χÚ‡ 1971 „Ó‰‡ ‚ œÓ‚ÓÓ, ‘ËÌÎˇÌ‰Ëˇ. ŒÍÓ̘ËÎ ÒÂÏË̇

ÍËÌÓ‰‡Ï‡ÚÛ„Ó‚ üÓÎΉʇ ËÒÍÛÒÒÚ‚ ‚ ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ ’ÂθÒËÌÍË. œÓÒΠ‰‚Ûı ÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ı ÎÂÌÚ Á‡ˇ‚ËÎ Ó Ò· ÙËθÏÓÏ ´›ÎË̇ª (2002) ñ ͇ÚË̇ Û‰ÓÒÚÓË·Ҹ ·ÓΠ30 ̇ˆËÓ̇θÌ˚ı Ë ÏÂʉÛ̇Ó‰Ì˚ı ̇„‡‰, ·˚· ÌÓÏËÌËÓ‚‡Ì‡ ̇ ´ŒÒ͇ª ÓÚ ‘ËÌÎˇÌ‰ËË. ´ÃÓˇ ÎÛ˜¯‡ˇ χχª ó ‚ÚÓÓÈ 159 ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ÂÊËÒÒÂ‡. ·· ·· ƒ‡Ï‡. 1943 „Ó‰ ó ¬ÚÓ‡ˇ ÏËÓ‚‡ˇ ‚ÓÈ̇. ‘ËÌÒ͇ˇ ÊÂÌ˘Ë̇ üËÒÚË, KLAUS HARO ÔÓÚÂˇ‚¯‡ˇ ̇ ‚ÓÈÌ ÏÛʇ, ‚˚ÌÛʉÂ̇ ÓÚÔ‡‚ËÚ¸ 9-ÎÂÚÌÂ„Ó Ò˚̇ ›˝Ó ‚ ÿ‚ÂˆË˛, „‰Â ÂÏÛ ·Û‰ÂÚ ·ÂÁÓÔ‡ÒÌÓ. Õ Á̇ˇ ˇÁ˚͇, χθ˜ËÍ Ô˚Ú‡ÂÚÒˇ Born 31 March 1971 in Porvoo, Finland. ̇·‰ËÚ¸ ÓÚÌÓ¯ÂÌˡ Ò ÌÓ‚ÓÈ Ï‡ÏÓÈ. —Ë„Ì …ÓÌÒÒÓÌ Ò̇˜‡Î‡ ÔËÌËχÂÚ Â„Ó Graduated from the Scriptwriting Department Ò ·Óθ¯ÓÈ ÌÂÓıÓÚÓÈ, ÌÓ ÒÓ ‚ÂÏÂÌÂÏ ÔË‚ˇÁ˚‚‡ÂÚÒˇ Í ÌÂÏÛ Ë ÛÊ ÔÓ- of Helsinki Art College. After two shorts he ̇ÒÚÓˇ˘ÂÏÛ Î˛·ËÚ Â„Ó. ¬ÓÈ̇ Á‡Í‡Ì˜Ë‚‡ÂÚÒˇ, Ë üËÒÚË ıÓ˜ÂÚ ‚ÂÌÛÚ¸ Ò˚̇ came to fame with the feature ìElina ñ Som ‰ÓÏÓÈ. Õ Á̇ˇ, ͇ÍÛ˛ ËÁ ‰‚Ûı Ï‡Ï ‚˚·‡Ú¸, ›˝Ó ‰ÓÎÊÂÌ ÔËÌˇÚ¸ ¯ÂÌËÂ, om jag inte fannsî/ ìAs If I Didnít Existî ÍÓÚÓÓ ·Û‰ÂÚ ÔÂÒΉӂ‡Ú¸ Â„Ó ‚Ò˛ ÊËÁ̸. (2002), which received over 30 national and - œËÁ Á‡ ÎÛ˜¯ËÈ ·‡ÎÚËÈÒÍËÈ ÙËÎ¸Ï ñ ƒÌË Ò͇̉Ë̇‚ÒÍÓ„Ó ÍËÌÓ ‚ À˛·ÂÍÂ, international awards and was entered by √ÂχÌˡ, 2005; Finland for the OSCAR Best Foreign - √·‚Ì˚È ÔËÁ ´«ÓÎÓÚ‡ˇ ÔË‡Ïˉ‡ª, ÔËÁ˚ Á‡ ÂÊËÒÒÛÛ Ë ÎÛ˜¯Û˛ ÊÂÌÒÍÛ˛ Language Film. ìMother of Mineî is the Óθ (Çˡ ÀÛ̉͂ËÒÚ) ñ Ãü‘ ‚ ü‡ËÂ, 2005; directorís second full-length feature. - œËÁ Á‡ ÎÛ˜¯Û˛ ÊÂÌÒÍÛ˛ Óθ (Çˡ ÀÛ̉͂ËÒÚ) ñ Ãü‘ ´“ÂÏÌ˚ ÌӘ˪, “‡ÎÎËÌÌ, ›ÒÚÓÌˡ, 2005; - ÀÛ˜¯‡ˇ ËÌÓÒÚ‡Ì̇ˇ ͇ÚË̇ ó œÂÏˡ ¿Í‡‰ÂÏËË ÏÂʉÛ̇Ó‰ÌÓÈ ÔÂÒÒ˚ Satellite Awards, 2005; - «ËÚÂθÒÍËÈ ÔËÁ ñ Ãü‘, œ‡ÎÏ —ÔËÌ„Ò, ‘ÎÓˉ‡, 2006; - Õ‡ˆËÓ̇θ̇ˇ ÍËÌÓÔÂÏˡ ÿ‚ˆËË ´«ÓÎÓÚÓÈ ÊÛͪ Á‡ ÎÛ˜¯Û˛ ÊÂÌÒÍÛ˛ Óθ (Çˡ ÀÛ̉͂ËÒÚ), 2006; - Õ‡ˆËÓ̇θÌ˚ ÍËÌÓÔÂÏËË ‘ËÌÎˇÌ‰ËË ´fiÒÒ˪: Á‡ ÎÛ˜¯Û˛ ÊÂÌÒÍÛ˛ Óθ (Çˡ ÀÛ̉͂ËÒÚ), ÎÛ˜¯Û˛ ‡·ÓÚÛ ÓÔÂ‡ÚÓ‡ Ë ÎÛ˜¯Û˛ ‡·ÓÚÛ ıÛ‰ÓÊÌË͇, 2006; - √·‚Ì˚È ÔËÁ ÙÂÒÚË‚‡Îˇ ‰Â·˛ÚÓ‚ ´ƒÛı Ó„Ìˇª, ’‡ÌÚ˚-ÇÌÒËÈÒÍ, –ÓÒÒˡ, 2006; - œËÁ Á‡ ÎÛ˜¯ËÈ ÒˆÂ̇ËÈ Ãü‘ ‚ ¡Ûı‡ÂÒÚÂ, –ÛÏ˚Ìˡ, 2006.

Drama set in 1943 during World War II. The Finnish woman Kirsti has lost her husband in the war and is forced to send her nine-year-old son Eero to the safer Sweden. Not knowing the language, the boy tries to make friends with ·· his new mum. Signe Jonsson initially takes him in reluctantly but, as time passes, she becomes attached to him and eventually loves him as if he were her own. When the war ends Kirsti wants to have her son back. Eero has to choose between his two mothers, and his decision will determine the rest of his life. ·· - Baltic Film Prize for a Nordic Feature Film ó Lubeck Nordic Film Days, Germany, 2005; - Golden Pyramid prize for Best Film, Best Director and Best Actress (Maria Lundqvist) prizes ó Cairo IFF, 2005; - Best Actress prize (Maria Lundqvist) ó Tallinn Black Nights FF, Estonia, 2005; - Outstanding Foreign Motion Picture ó Satellite Awards, 2005; - Audience Award ó Palm Springs IFF, 2006; - Best Leading Actress (Maria Lundqvist) ñ Guldbagge Awards, Sweden; - Best Leading Actress (Maria Lundqvist), Best Cinematography, Best Set Design ñ Jussi Awards, Finland; - Main Prize of the Debut Festival ìSpirit of Fireî, Khanty Mansiisk, Russia, 2006; - Best Screenplay prize ñ Bucharest IFF, Romania. 160 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners OFFSIDE Œ‘—¿…ƒ www.celluloid-drems.com œ‡‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ Çı̇Á —‡·ËıË »‡ÌË, Ã.’ÂÈ‡·‡‰Ë,»‰‡—‡‰Â„Ë,√ÓÎ̇Á‘‡χÌË, ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2006, »‡Ì,88ÏËÌ.,ˆ‚.,1:1.85,DTSStereo –ÂÁ‡ ƒÂÎÔ‡Í Celluloid Dreams ƒÊ‡Ù‡ œ‡Ì‡ıË —Ëχ ÃÓ·‡‡Íÿ‡ıË,—‡Ù‡—‡Ï‡Ì‰‡,ÿ‡ÂÒÚÂı ÇıÏÛ‰ ü‡Î‡Ë ƒÊ‡Ù‡ œ‡Ì‡ıË ƒÊ‡Ù‡ œ‡Ì‡ıË »‡‰Ê –‡ÏËÌÙ‡ üÓÓ¯ ¡ÓÁÓ„ÔÛ Jafar PanahiFilmProductions ƒÊ‡Ù‡ œ‡Ì‡ıË,ÿ‡‰ÏÂı–‡ÒÚËÌ www.celluloid-drems.com World Sales Production Producer JafarPanahi M. Kheyrabadi,IdaSadeghi,GolnazFarmani,MahnazZabihi Cast: Editor Sound Music Designer Camera Scriptwriters Director 2006, Iran,88min,colour,1:1.85,DTSStereo Sima MobarakShahi,SafarSamandar,ShayestehIrani, Korosh Bozorgpour Jafar Panahi Reza Delpak Mahmood Kalari Jafar Panahi Iraj Raminfar Jafar PanahiFilmProductions Celluloid Dreams Jafar Panahi,ShadmehrRastin festival winners

ƒ∆¿‘¿– œ¿Õ¿’» »Á‚ÂÒÚÌ˚È Ë‡ÌÒÍËÈ ÍËÌÓÂÊËÒÒÂ Ë ÔÓ‰˛ÒÂ, ÔËÁÂ ÙÂÒÚË‚‡ÎÂÈ ‚ ¬Â̈ËË,

¡ÂÎËÌÂ, ü‡Ì̇ıÖ –Ó‰ËÎÒˇ 11 ˲Ρ 1960 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ „Ó‰‡ ‚ ÃˇÌÂı (»‡Ì). ŒÍÓ̘ËÎ ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓ ÓÚ‰ÂÎÂÌË ÍÓÎΉʇ »Ë· ‚ “„Â‡ÌÂ. —ÌËχΠÍÓÓÚÍÓÏÂÚ‡ÊÌ˚ ÙËθÏ˚, ‡·ÓڇΠ‡ÒÒËÒÚÂÌÚÓÏ Û Ú‡ÍËı ÔÓÒ·‚ÎÂÌÌ˚ı ÂÊËÒÒÂÓ‚, Í‡Í ¿··‡Ò üËÓ‡ÒÚ‡ÏË. ¬ 1995 161 „Ó‰Û ÔÓÒÚ‡‚ËÎ ÔÂ‚˚È ÔÓÎÌÓÏÂÚ‡ÊÌ˚È ÙËÎ¸Ï ´¡ÂÎ˚È ¯‡ª, ÒÚ‡‚¯ËÈ ÒÓ·˚ÚËÂÏ Ãü‘ ‚ ü‡ÌÌÂí95 (͇ÚË̇ ÔÓÎۘ˷ ÚË Ì‡„‡‰˚, ‚Íβ˜‡ˇ ´«ÓÎÓÚÛ˛ ͇ÏÂÛª) Ë ÓÚÍ˚‚¯ËÈ ÏËÛ ÍËÌÓÂÊËÒÒÂ‡, Ò ËÏÂÌÂÏ ÍÓÚÓÓ„Ó ÚÂÔÂ¸ Ò‚ˇÁ˚‚‡˛Ú ÔÓ˚‚ Ë‡ÌÒÍËı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ ̇ ÍÛÔÌÂȯË ÍËÌÓÙÂÒÚË‚‡ÎË ÏË‡ Ë ‚ ÏÂʉÛ̇Ó‰Ì˚È ÔÓ͇Ú. ¬ 1997 „Ó‰Û ÃËÌËÒÚÂÒÚ‚Ó ÍÛθÚÛ˚ ‘‡ÌˆËË Û‰ÓÒÚÓËÎÓ ƒÊ‡Ù‡‡ œ‡Ì‡ıË Á‚‡Ìˡ ü‡‚‡ÎÂ‡ ËÒÍÛÒÒÚ‚.

‘ËθÏÓ„‡Ùˡ: 1995 ....¡ÂÎ˚È ¯‡ 1997 ....«Â͇ÎÓ 2000 ....üÛ„ 2003 ....¡‡„Ó‚Ó ÁÓÎÓÚÓ 2006 ŒÙ҇ȉ JAFAR PANAHI Renown Iranian director and producer, —ϯ̇ˇ Ë Ô˜‡Î¸Ì‡ˇ ËÒÚÓˡ Ó ‰Â‚Ә͇ı, Ϙڇ˛˘Ëı ÔÓÔ‡ÒÚ¸ ̇ χژ awards winner of Venice, Berlin, CannesÖ ÏÂÊ‰Û ÙÛÚ·ÓθÌ˚ÏË ÍÓχ̉‡ÏË »‡Ì‡ Ë ¡‡ıÂÈ̇, Ó˜Â̸ ‚‡ÊÌÓ„Ó ‰Îˇ ‚ÒÂı Born on 11 July 1960 in Mianeh (Iran). Ë‡ÌˆÂ‚. ÕÓ, Í‡Í ËÁ‚ÂÒÚÌÓ, ÏÛÒÛθχÌÒÍËÏ ÊÂÌ˘ËÌ‡Ï Á‡Ô¢ÂÌÓ ·˚‚‡Ú¸ ‚ Graduated from the Film Department of the Ó·˘ÂÒÚ‚ÂÌÌ˚ı ÏÂÒÚ‡ı. ƒÂ‚˜ÓÌÍË ÔÂÂӉ‚‡˛ÚÒˇ ‚ ÔÓ‰ÓÒÚÍÓ‚Û˛ Ó‰ÂʉÛ, Irib College in Tehran. First made shorts, ‚Òˇ˜ÂÒÍË Ï‡ÒÍËÛ˛Ú Ò‚Ó˛ ‚̯ÌÓÒÚ¸. ÕÓ ˝ÚÓ Ô‡ÍÚ˘ÂÒÍË ·ÂÒÔÓÎÂÁÌÓ ó Ëı then worked as assistant with famous ‚˚·‚ÎË‚‡˛Ú Ë Óı‡Ìˇ˛Ú ÒÓΉ‡Ú˚, ÍÓÚÓ˚ ÚÓÊ ̇·Î˛‰‡˛Ú Á‡ Ë„ÓÈ Ë directors such as Abbas Kiarostami. In 1995 Ì‚ÓθÌÓ ÍÓÏÏÂÌÚËÛ˛Ú ÔÓËÒıÓ‰ˇ˘Â ̇ ÙÛÚ·ÓθÌÓÏ ÔÓÎÂ, ‡ ‰Â‚Ó˜ÍË he completed his first full-length feature, ÔËÒÎۯ˂‡˛ÚÒˇ Í ÌËÏ. »ÒÚÓˡ ͇ʉÓÈ ËÁ ÌËı ‡Á‚Ó‡˜Ë‚‡ÂÚÒˇ ‚ÓÍÛ„ ìThe White Balloonî, which became a major ˝ÚÓ„Ó Á̇ÏÂÌËÚÓ„Ó Ï‡Ú˜‡. event at the Cannes IFF (it received three - ´—Â·ˇÌ˚È Ï‰‚‰¸ª ó „‡Ì-ÔË Ê˛Ë Ãü‘ ‚ ¡ÂÎËÌÂ, 2006. awards, including the Golden Camera, in 1995) and allowed the film world to discover A funny and sad story about several girls, who dream of getting to the football a director who subsequently marked the match Iran vs Bahrein, a match of tremendous importance for all Iranians. breakthrough of Iranian cinema into the But, of course, Muslim women are not allowed in public places. The girls put festival circuit and into international on teenage outfits and mask their faces, but all this is in vain and they are distribution. In 1997 the French Ministry of caught and guarded by soldiers. These soldiers also watch the match and willy- Culture awarded Jafar Panahi the order of nilly comment on the events on the pitch ñ and the girls listen. Each of their ìCavalier des Artsî. stories revolves around this important football match. - Jury Grand Prix ñ Silver Bear ñ Berlin IFF, 2006. Filmography: 1995 ....The White Balloon/ Badkonake sefid 1997 ....The Mirror/ Ayneh 2000 ....The Circle/ Dayereh 2003 ....Crimson Gold/ Talaye sorkh 2006 ....Offside 162 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners THE COLLECTOR/KOMORNIK —”ƒ≈¡Õ¤… »—œŒÀÕ»“≈À‹ œ‡‚‡ ÔË Û˜‡ÒÚËËCanal+Polska,WFDiF, APF œÓËÁ‚Ó‰ÒÚ‚Ó œ‡‚ÂÎ ÃÓÒÒ‡ÍÓ‚ÒÍË ŒÒÚÓ‚Ò͇-ŒÎË̸Ò͇, ¿Ì‰ÊÂÈ—Â‰˛ÍÓ‚, œÓ‰˛ÒÂ˚ ŒÊÂıÓ‚ÒÍË, Ç¸ˇÌƒ‰ÁÂθ üÓÊÛıÓ‚Ò͇, Ç¸ˇÌŒÔ‡Ìˇ,flÌ‘˚˜,—·‚ÓÏË ¬ ÓΡı: ÃÓÌÚ‡Ê «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, œÓθ¯‡,93ÏËÌ.,ˆ‚. Çˡ ’Ë·ÂÒ͇-¡‡ÊËÌÒ͇ TVP SA ü¯Ë¯ÚÓÙ ÿÔÂÚχ̸ÒÍË ¿Ì‰ÊÂÈ ’˚‡,üËÌ„‡œ˝ÈÒ,Ç΄Óʇڇ ¡‡ÚÂÍ œÓÍÓÔӂ˘ ‘ÂÎËÍÒ ‘‡Î¸Í ¿Ì̇ ¬Û̉ÂÎËı flÌÛ¯ ÃÓ„Â̯ÚÂÌ,≈ÊË¡Ûı‚‡Î¸‰,ƒÓÓÚ‡ ¡‡ÚÎÓÏÂÈ √ÎËÌˇÍ Perspektywa FilmStudio,TVPSA, √Ê„ÓÊ Àӯ‚ÒÍËÈ Sound Music Art director Camera Scriptwriter Director 2005, Poland,93min,colour Editing World Sales Co-production Canal+Polska,WFDiF,APF Production Ostrowska-Orlin Producers Dziedziel Marian Opania,JanFrycz,SlawomirOrzechowski, Cast: Andrzej Chyra,KingaPreis,MalgorzataKoz atomiejGliniak Bart Maria Chilarecka-Barczyn Krzysztof Szpetman Bartek Prokopowicz Feliks Falk Janusz Morgenstern,JerzyBuchwald,Dorota Perspektywa FilmStudio,TVPSA Anna Wunderlich Grzegorz Loszewski TVP SA ska, AndrzejSerdiukow,PawelMossakowski ski ska · uchowska, festival winners

‘≈À»ü— ‘¿À‹ü ÂÊËÒÒÂ Ú‡Ú‡ Ë ÍËÌÓ, ‰‡Ï‡ÚÛ„, ıÛ‰ÓÊ- ÌËÍ. œËÁÂ ÏÂʉÛ̇Ó‰Ì˚ı Ë Ì‡ˆËÓ̇θ-

Ì˚ı ÙÂÒÚË‚‡ÎÂÈ. –Ó‰ËÎÒˇ ‚ 1941 „Ó‰Û ‚ —Ú‡- ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ ÌËÒ·‚Ó‚Ó, œÓθ¯‡. ŒÍÓ̘ËÎ Ù‡ÍÛθÚÂÚ ÊË- ‚ÓÔËÒË Ë „‡ÙËÍË ¿Í‡‰ÂÏËË ’Û‰ÓÊÂÒÚ‚ ‚ ¬‡¯‡‚ (1966), ÂÊËÒÒÂÒÍËÈ Ù‡ÍÛθÚÂÚ ¬˚Ò¯ÂÈ √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ üËÌÓ¯ÍÓÎ˚ ‚ ÀÓ‰- ÁË (1974). ¡˚Î ıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚Ï ‰‡ÍÚÓÓÏ ÂÊÂÏÂÒˇ˜ÌË͇ ´œÓθÒÍËÈ ÊÛ̇Ϊ. ¿‚ÚÓ 163 ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ı Ú‡Ú‡Î¸Ì˚ı Ë ÚÂ΂ËÁËÓÌ- Ì˚ı Ô¸ÂÒ, ‡‰ËÓÔÂ‰‡˜. Õ‡Û˜Ì˚È ÒÓÚÛ‰ÌËÍ 48 ˜‡ÒÓ‚ ËÁ ÊËÁÌË Òۉ·ÌÓ„Ó ËÒÔÓÎÌËÚÂΡ À˛ˆÂ͇ ¡ÓÏÂ. ¬˚Ò¯ÂÈ √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ üËÌÓ¯ÍÓÎ˚ ‚ ÀÓ‰- ŒÌ ÒÚ‡‡ÂÚÒˇ ‰Â·ڸ Ò‚Ó˛ ‡·ÓÚÛ Í‡Í ÏÓÊÌÓ ÎÛ˜¯Â, ÁË, ÛÍÓ‚Ó‰ËÚÂθ ÒˆÂ̇ÌÓÈ ÒÚÛ‰ËË. —ӂ·- ‰ÂΈ ÍËÌÓÒÚÛ‰ËË ´Fokus Filmª. ◊ÎÂÌ ≈‚Ó- ·ÂÒÔÓ˘‡‰ÂÌ ‚ Ò‚ÓÂÏ ÒÚÂÏÎÂÌËË Í ˆÂÎË, ‚Ò„‰‡ ‰ÂÈÒÚ‚ÛÂÚ ÔÂÈÒÍÓÈ ÍËÌӇ͇‰ÂÏËË. ÓÚÍ˚ÚÓ, Ì ÒÍ˚‚‡ˇ Ò‚ÓËı ̇ÏÂÂÌËÈ Ë ÏÂÚÓ‰Ó‚, ÛÊÂ

»Á·‡Ì̇ˇ ÙËθÏÓ„‡Ùˡ: ‰‡‚ÌÓ Á‡·˚‚, ˜ÚÓ Á‡ÍÓÌ ‰ÓÎÊÂÌ ÒÎÛÊËÚ¸ β‰ˇÏ, ‡ Ì 1977 ....–‡ÒÔÓˇ‰ËÚÂθ ·‡Î‡ ̇ӷÓÓÚ. “‡ÍËÏ À˛ˆËÍ ¡ÓÏ ÓÒÚ‡ÂÚÒˇ ‰Ó ÚÓ„Ó ‰Ìˇ, ÍÓ„‰‡ 1979 ....ÿ‡ÌÒ 1981 ....¡˚Î ‰Ê‡Á Ó‰ËÌ ËÁ ‰ÓÎÊÌËÍÓ‚, Í ÍÓÚÓÓÏÛ ÓÌ ÓÚÌÂÒÒˇ ·ÂÁ ‚ÒˇÍÓÈ 1984 ....»‰ÓÎ 1986 ....√ÂÓÈ „Ó‰‡ ʇÎÓÒÚË, ÔÓ‚ÂÒËÎÒˇ ̇ ÎÂÒÚÌ˘ÌÓÈ ÍÎÂÚÍÂ Â„Ó ‰Óχ. 1989 ....ü‡ÔËÚ‡Î, ËÎË Í‡Í Ò‰Â·ڸ œÂÂÊË‚ ¯ÓÍ Ë Ôˉˇ ‚ Ò·ˇ, ¡ÓÏ ‚‰Û„ ÔÓ˜Û‚ÒÚ‚Ó‚‡Î ‰Â̸„Ë ‚ œÓθ¯Â 1991 ....üÓ̈ Ë„˚ ÌÂÔÂÓ‰ÓÎËÏÓ Ê·ÌË ·˚Ú¸ ‰Ó·˚Ï Ë ÒÎÛÊËÚ¸ β‰ˇÏÖ 1993 ....—‡ÏÓ‚ÓÎ͇ 1994 ....ÀÂÚÓ Î˛·‚Ë - œËÁ ÃÂʉÛ̇Ó‰ÌÓ„Ó ÍÓÌÍÛÒ‡ ÒˆÂ̇Ë‚ ó Hartley- 1995 ....ƒ‡ÎÂÍÓ ÓÚ Ò·ˇ Merrill Screenwriting Prize, 2003; 2000 ....Àˈ‡ Ë Ï‡ÒÍË 2005 ....»ÒÚÓˡ Ó‰ÌÓÈ ‰ÓÒÍË - √·‚Ì˚È ÔËÁ ñ ´«ÓÎÓÚÓÈ Î‚ª, ÔËÁ˚ Á‡ ÎÛ˜¯ËÈ ÒˆÂ̇ËÈ, FELIKS FALK ÎÛ˜¯Û˛ ÓÔÂ‡ÚÓÒÍÛ˛ ‡·ÓÚÛ, ÎÛ˜¯Û˛ ÏÛÊÒÍÛ˛ Óθ ñ Film and theatre director, screenwriter, ‘ÂÒÚË‚‡Î¸ ÔÓθÒÍËı ÙËθÏÓ‚ ‚ √‰˚ÌÂ, 2005; playwright. Award winner at national and - œËÁ ›ÍÛÏÂÌ˘ÂÒÍÓ„Ó Ê˛Ë ñ Ãü‘ ‚ ¡ÂÎËÌÂ, 2006. international festivals. Born in 1941 in Stanis awowo, Poland. Graduate of the Warsaw Academy of Fine Arts (faculty of The film covers 48 hours in the life of the officer of the court, graphics and painting, 1966) and Lodz Lucek Bohme. He tries to do his job well, and confiscates National Film School (directing). Graphic designer, author of theatre, television and ruthlessly the property of individuals and institutions to pay radio plays, lecturer of the Lodz Film School. off their debts. He acts openly and hides neither his methods Co-owner of a production studio ìFocus Filmî. Member of European Film Academy. nor his intentions, but he has long forgotten that the law should serve the people and not vice versa. One day Lucek Selected filmography: 1977 ....Top Dog / Wodzirej Bohme discovers that a debtor, whom he had not pitied, has 1979 ....Chance/ Szansa hanged himself in the stairwell of his house. Suddenly Bohme 1981 ....There Was Jazz / Byl jazz 1984 ....The Idol / Idol feels an urgent desire to be kind and serve the peopleÖ. 1986 ....Hero of the Year / Bohater roku 1989 ....Capital, or How to Make Money in - Prize of the International Script Competition, Hartley- Poland / Kapital, czyli jak zrobic pieniadze w Polsce Merrill Screenwriting Prize, 2003; 1991 ....End of the Game / Koniec gry - Main Prize (Golden Lionî), prizes for Best Script, Best 1993 ....Illicit Act / Samowolka 1994 ....Summer of Love / Lato milosci Photography, Best Actor: Festival of Polish Films in 1995 ....Far from Home / Daleko od siebie 2000 ....Faces and Masques / Gdynia, 2005; Twarze i maski (TV series) - Prize of the Ecumenical Jury, Berlin IFF, 2006. 2005 ....A Story of One Board/ Historia jednej tablicy 164 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners Dark Horse/VoksneMennesker “≈ÃÕ¿fl ÀŒÿ¿ƒü¿ www.voksnemennesker.dk œÓÍ‡Ú ‚–ÓÒÒËË œ‡‚‡ TV, ZikZakFilm,IcelandicFilmFund,Nordic&TV ‘Ë̇ÌÒËÓ‚‡ÌË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ÕËÍÓÎ‡È üÓÔÂÌËÍÛÒ œÂ‰ÂÒÂÌ, ÃÓÚÂÌ—ÛÛ·‡ÎÎÂ,¡Ó‰ËÎ…Ó„ÂÌÒÂÌ, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, »ÒÎ‡Ì‰Ëˇ/ƒ‡Ìˡ,106ÏËÌ.,˜/·,1:1.85,DolbySRD ÃËÍÍÂÎ √ÓÓÒ,œÂÚÛ›È̇ÒÒÓÌ Trust FilmSalesApS flÍÓ· —‰Â„ÂÌ,ÕËÍÓ·ҡÓ,“ËÎË—ÍÓÚÚ ¿Î¸·ÂÚÓ ü·Ó ƒ‡„Û ü‡Ë ÕËÍÓÎ‡È ƒ‡ÌËÂÎÒÂÌ ¡Ë„ËÚÚ —ÍÓ‚,ÃÓÚÂÌü‡ÛÙÏ‡Ì Slowblow »ÌÚÂÒËÌÂχ ¿Ú Nimbus Film,DanishFilmInstitute,DR ƒ‡„Û ü‡Ë,–ÛÌÂÿ∏ÚÚ Screenplay Director Dolby SRD 2005, Iceland-Denmark,106min,blackandwhite,1:1.85, www.voksnemennesker.dk Russian distributorIntercinemaArt World sales Film, IcelandicFilmFund,Nordic&TV Finance Production Producers Morten Suurballe,BodilJorgensen,NicolajKopernikus Cast: Sound Composer Designer Production Camera Jakob Cedergren,NicolasBro,TillyScottPedersen, Mikkel Groos,Pe Alberto Claro Nimbus Film,DanishFilmInstitute,DRTV,ZikZak Dagur Ka Slowblow Birgitte Skov,MortenKaufmann Dagur Ka Trust FilmSalesApS ri ri, RuneSchjott Nikolaj Danielsen tur Einarsson festival winners

ƒ‡„Û ü‡Ë œÂÚÛÒÒÓÌ –Ó‰ËÎÒˇ 12 ‰Â͇·ˇ 1973 „Ó‰‡ ‚ œ‡ËÊÂ, ‚˚ÓÒ ‚ »Ò·̉ËË. ŒÍÓ̘ËÎ Õ‡ˆËÓ̇θÌÛ˛

üËÌÓ¯ÍÓÎÛ ‚ ƒ‡ÌËË (1999). —ÌˇÎ ÚË ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ ÍÓÓÚÍÓÏÂÚ‡ÊÍË, Á‡ ‰‚ ËÁ ÌËı ÔÓÎÛ˜ËÎ 16 ÔËÁÓ‚ Ãü‘. œÂ‚‡ˇ ÔÓÎÌÓÏÂÚ‡Ê̇ˇ ͇ÚË̇ ñ ´ÕÓÈ ñ ·Â·ˇ ‚ÓÓ̇ª (‰ÓÒÚ‡ÚÓ˜ÌÓ ËÁ‚ÂÒÚ̇ˇ Ë ‚ –ÓÒÒËË) ó Òڇ· ·ÎÓÍ·‡ÒÚÂÓÏ Ë ÔÓÎۘ˷ ÔËÁ˚ ‚ 11 ÒÚ‡Ì‡ı. ‘ËÎ¸Ï ´“ÂÏ̇ˇ ÎÓ¯‡‰Í‡ª 165 Û˜‡ÒÚ‚Ó‚‡Î ‚ ÔÓ„‡ÏÏ ´ŒÒÓ·˚È ‚Á„Ρ‰ª ü‡ÌÌÒÍÓ„Ó ÙÂÒÚË‚‡Îˇ. üÓÏ˘ÂÒ͇ˇ ‰‡Ï‡. —ËÏÔ‡Ú˘Ì˚È Ë ·ÂÒÔ˜Ì˚È „‡ÙÙËÚË ƒ‡Ì˽θ ÊË‚ÂÚ ‚ üÓÔÂÌ„‡„ÂÌÂ Ë Á‡‡·‡Ú˚‚‡ÂÚ ÚÂÏ, ˜ÚÓ ÔÓ

Dagur Kari Petursson Á‡Í‡Á‡Ï ‚β·ÎÂÌÌ˚ı ‡ÒÔËÒ˚‚‡ÂÚ ÒÚÂÌ˚ ‰ÓÏÓ‚ Born 1973, Paris, France. Brought up in Ó·˙ˇÒÌÂÌˡÏË ‚ β·‚Ë. ŒÌ ‚˜ÌÓ ÍÓÏÛ-ÚÓ ‰ÓÎÊÂÌ Ë Iceland. Graduate of the National Film School of Denmark, 1999. Made three short films, ÔÓÒÚÓˇÌÌÓ ÓÚ ÍÓ„Ó-ÚÓ ÒÍ˚‚‡ÂÚÒˇ, Â„Ó ‡Á˚ÒÍË‚‡ÂÚ ÔÓÎËˆËˇ two of them award-winners: ´Old Spiceª Ë Â„Ó ÒÓ‚ÒÂÏ Ì ‚ÓÎÌÛÂÚ, ˜ÚÓ ·Û‰ÂÚ Ò ÌËÏ Á‡‚Ú‡. » Ú‡Í ‰Ó (1998), winner of Nordic Panoramaís Canal+ ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ‚ÒÚ˜‡ÂÚ ‘‡ÌÒ ó Ó˜‡Ó‚‡ÚÂθÌÛ˛ Award, and ´Lost Weekendª (1999), recipient ‰Â‚Û¯ÍÛ Ë Ú‡ÍÛ˛ Ê ·ÂÒÔ˜ÌÛ˛, Í‡Í ÓÌÖ of 14 international awards. Kariís feature film debut, the Icelandic - ´«ÓÎÓÚÓÈ »ËÒª ó ¡˛ÒÒÂθÒÍËÈ ÙÂÒÚË‚‡Î¸ ≈‚ÓÔÂÈÒÍÓ„Ó coproduction ´Noi Albinoiª/ ´Noi the ÍËÌÓ, 2005; Albinoª (2003), a box office success, was - Õ‡ˆËÓ̇θ̇ˇ ÍËÌÓÔÂÏˡ »Ò·̉ËË ´›‰‰‡ª Á‡ ÎÛ˜¯ËÈ awarded in 11 countries. ´Voksne ÙËθÏ, ÎÛ˜¯ËÈ ÒˆÂ̇ËÈ, ÎÛ˜¯Ë Á‚ÛÍ Ë ÏÛÁ˚ÍÛ, ÎÛ˜¯Û˛ Menneskerª/ªDark Horseª (2005) was ÂÊËÒÒÛÛ 2005 „Ó‰‡; selected for Un Certain Regard, Cannes. - œËÁ˚ Á‡ ÎÛ˜¯ËÈ ÙËθÏ, ÎÛ˜¯Û˛ ÏÛÁ˚ÍÛ, ÎÛ˜¯ËÈ ÒˆÂ̇ËÈ, ÎÛ˜¯ÂÏÛ ‡ÍÚÂÛ ‚ÚÓÓ„Ó Ô·̇ (ÕËÍÓÎ‡Ò ¡Ó), ÎÛ˜¯ÂÈ ‡ÍÚËÒ ‚ÚÓÓ„Ó Ô·̇ (¡Ó‰Ëθ »Ó„ÂÌÒÂÌ) ó –Ó·ÂÚ ‘ÂÒÚË‚‡Î¸, üÓÔÂÌ„‡„ÂÌ, ƒ‡Ìˡ, 2005; - œËÁ Á‡ ÎÛ˜¯ËÈ ÙËÎ¸Ï ñ Ãü‘ ‚ À˛·ÎˇÌÂ, 2005; - œËÁ ÎÛ˜¯ÂÏÛ Ò͇̉Ë̇‚ÒÍÓÏÛ ÙËθÏÛ ó Ãü‘ ‚ √ÂÚ·Ó„Â, 2006.

A comedy-drama about the charmingly irresponsible graffiti artist, Daniel, who lives in Copenhagen and earns his living painting declarations of love, on demand, on the walls of the city. He is constantly on the run from parking tickets, overdue bills and the police. Yet he still manages to lead a carefree life. Until he meets and falls in love with the equally irresponsible and charming, Franc. - Golden Iris ó Brussels European Film Festival, 2005; - Best Picture, Best Screenplay, Best Sound and Music, Best Director of the Year ó Edda Awards, Iceland, 2005; - Best Film, Best Music, Best Screenplay, Best Supporting Actor (Nicolas Bro), Best Supporting Actress (Bodil Jorgensen) ñ Robert Festival, Copenhagen, Denmark, 2005; - Kingfisher Award ó Ljubljana International Film Festival, 2005; - The Go··teborg Film Festival Nordic Film Award, 2006. 166 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners œ‡‚‡ Council, FilmFourandScottishScreen œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ Œíƒ‡Û‰ Ç̓Ó̇Ή, —Ú˛‡ÚÃËÎÎË„‡Ì,ƒ‡ÌË·Շ‰ËÌË,üËÒ Ã‡ÍÕËÎÎ, —ÚË‚ÂÌÇ̄ÂÌ,ÀË̉ÒÂÈÇ¯‡Î,œËÚÂ Ä‡Ì ƒÓ‰‰Ò,ƒ‡ÌÍẪ‡ÙÙ,ƒÊÓ̇ÀÓÚ‡Ì,ÃÂ‰ËÚ ¬ ÓΡı: ÃÓÌÚ‡Ê üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 2005, ¬ÂÎËÍÓ·ËÚ‡Ìˡ,107ÏËÌ.,ˆ‚.,DolbySRD FESTIVAL ‘≈—“»¬¿À‹ Pathe ”ËθˇÏ ”˝·· ›ÏËÎˡ ¡‡ÎÎÏÓ,¡ËÎÎËü‡ÚÂ,–˝ÍÂÎü˝ÒÒˉË, ƒ˝ÌËÂÎ üÓ˝Ì ƒÊËÎÎ ’ÓÌ üËÒÚÓÙÂ flÌ„ “ÓÏ —˝ÈÂ ƒÊËÏ —‡ÁÂÎ˝Ì‰ Pictures International Young PirateFilmsProduction,UKFilm ›ÌÌË √ËÙÙËÌ International Sales Young PirateFilmsproduction Production Producer Milligan, DanielaNardini,ChrisOíDowd Stephen Mangan,LyndseyMarshal,PeterMcDonald,Stuart Dodds, DuncanDuff,JonahLotan,MeredithMacNeill, Cast: Composer Designer Costume Production Camera Scriptwriter andDirector 2005, UK,107min,colour,DolbySRD Amelia Bullmore,BillyCarter,RaquelCassidy,Megan Daniel Cohen Christopher Young Jim Sutherland UK FilmCouncil,FilmFourandScottishScreen, Designer TomSayer Gill Horn Pathe Pictures International Annie Griffin festival winners

›ÕÕ» √–»‘‘»Õ ÒˆÂ̇ËÒÚ Ë ÂÊËÒÒÂ 4 ü‡Ì‡Î‡ (¬ÂÎËÍÓ·ËÚ‡Ìˡ), ‰Îˇ ÍÓÚÓÓ„Ó ÒÌËχ·

ÏÛÁ˚͇θÌ˚ ÙËθÏ˚ Ë ÒÂˇÎ˚. ‘ËÎ¸Ï ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ ´‘ÂÒÚË‚‡Î¸ª ó ‰Â·˛Ú ‚ ÍËÌÓ.

‘ËθÏÓ„‡Ùˡ: 1996 ....√ˉ ÔÓ Í‡ÁËÌÓ ‰Îˇ ‰Â‚Ó˜ÂÍ (Ú‚) 1996 ....ŒÌ‡ Ú‡Ï ·˚· (Ú‚) 1997 ....Çθ˜ËÍË ÁÓÓχ„‡ÁË̇: 167 „‰Â-ÌË·Û‰¸ (Í/Ï) 1997 ....—Âϸ „ÂıÓ‚: „Ì‚ (Ú‚) 1999 ....—ÍÓÓ ÒÎÛ˜ËÚÒˇ (Ú‚) 2001 ....´üÌËÊÌ˚È ˇ‰ª (ÒÂˇÎ) 2005 ....‘ÂÒÚË‚‡Î¸ ANNIE GRIFFIN is the writer-director of Channel 4 (UK). FESTIVAL marks Griffinís feature debut.

Filmography: 1996 ....A Girlís Guide to Casinos (TV) 1996 ....Was She There (TV) 1997 ....Pet Shop Boys: Somewhere (short) 1997 ....Seven Sins: Wrath (TV) 1999 ....Coming Soon (TV) 2001 ....ìThe Book Groupî (TV Series) 2005 ....Festival

◊Â̇ˇ ÍÓωˡ. Œ ̇‰Âʉ‡ı, Ϙڇı Ë ÓÔ‡ÒÂÌˡı β‰ÂÈ, ÍÓÚÓ˚ı ̇ ÍÓÓÚÍÓ ‚ÂÏˇ Ó·˙‰ËÌˇÂÚ ÏÂʉÛ̇Ó‰Ì˚È ÍËÌÓÙÂÒÚË‚‡Î¸, ÂÊ„ӉÌÓ ÔÓıÓ‰ˇ˘ËÈ ‚ ‡‚„ÛÒÚ ‚ ¯ÓÚ·̉ÒÍÓÈ ÒÚÓÎˈ ñ „ÓӉ ›‰ËÌ·Û„ÂÖ - œËÁ Á‡ ÎÛ˜¯ËÈ ÒˆÂ̇ËÈ ñ ‘ÂÒÚË‚‡Î¸ ·ËÚ‡ÌÒÍÓ„Ó ÍËÌÓ ‚ ƒË̇Â, 2005; - œËÁ Á‡ ÎÛ˜¯ËÈ ÒˆÂ̇ËÈ ñ Ãü‘ ‚ —ÚÓÍ„ÓθÏÂ, 2005; - œËÁ ËÏÂÌË ƒÛ„·҇ ’ËÍÓÍÒ‡ Á‡ ÂÊËÒÒÂÒÍËÈ ‰Â·˛Ú ñ œËÁ ¡ËÚ‡ÌÒÍÓ„Ó ÌÂÁ‡‚ËÒËÏÓ„Ó ÍËÌÓ, 2005; - ÀÛ˜¯ËÈ ÍÓωËÈÌ˚È ÙËÎ¸Ï ñ œÂÏˡ ´¡ËÚ‡ÌÒ͇ˇ ÍÓωˡª, 2005; - œËÁ Á‡ ÎÛ˜¯Û˛ ÂÊËÒÒÛÛ Ë ÎÛ˜¯Û˛ ÏÛÊÒÍÛ˛ Óθ ‚ ¯ÓÚ·̉ÒÍÓÏ ÙËθÏ ñ œÂÏˡ ¡ËÚ‡ÌÒÍÓÈ ¿Í‡‰ÂÏËË ÍËÌÓ Ë ÚÂ΂ˉÂÌˡ (¯ÓÚ·̉ÒÍÓ ÍËÌÓ), 2005; - —ÔˆˇθÌÓ ÛÔÓÏË̇ÌËÂ Ê˛Ë ñ Ãü‘ ‚ Ç ‰Âθ œÎ‡ÚÂ, ÒÂÍˆËˇ ´∆ÂÌ˘Ë̇ Ë ÍËÌÓª, 2006.

August in Edinburgh sees the population of the grand, historic Scottish capital swell with actors, directors, street performers, comedians, media high flyers and audiences. And so the lives of a dozen people intersect in a blackly comic account of the hopes, dreams and fears attendant at festival time. From the cut throat comedy world of the Fringe to the impassioned artistry of avant garde theatre, with all points covered in between this ensemble tale captures a peculiarly personal image of Edinburgh at a unique time of the year. - Best Screenplay ó Dinard British Film Festival, 2005; - Best Screenplay ñ Stockholm IFF, 2005; - Douglas Hickox Award (for directorís debut) - British Independent Film Awards, 2005; - Best Comedy Film ó British Comedy Awards, 2005; - Best Director and Best Actor in a Scottish film ñ BAFTA Scotland 2005; - Special Jury Mention ñ Mar del Plata IFF, section ìWoman and Filmî, 2006. 168 ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ festival winners BLACK BRUSH/FEKETEKEFE ◊≈–Õ¿fl Ÿ≈“ü¿ www.feketekefe.hu œ‡‚‡ œÓËÁ‚Ó‰ÒÚ‚Ó ¿Ì‰‡¯ ÃÛıË,¿„Ëœ‡Ú‡ÍË œÓ‰˛ÒÂ˚ fi‰ËÚ ƒÓ·Ó¯,¡Ó˜‡›‰Â¯,»Ï‘‡͇¯ ü˯, ü‡Ú‡¡‡Ú¯˜,¿Ì̇¡Â‰Â‘‡ÁÂ͇¯,¡Âη÷ËÙ‡, ¬ ÓΡı: ÃÓÌÚ‡Ê ÃÛÁ˚͇ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 2005, ¬ÂÌ„ˡ,83ÏËÌ.,˜/·,1:2.35,DolbySRD Filmpartners Realistic Crew ¬‡Ì‰‡ ü˯ œÂÚÂ ¿Î·ÂÚ,“‡Ï‡¯¡‡ÎËÍË,«ÓÎڇ̡‡‡·‡¯ √Â„ÂÈ œÓı‡ÌÓÍ –Ó·̉ ¬‡ÌËÍ œÂÚÂ Çڸˇ¯Ë √‡·Ó üÓ‚‡˜,»¯Ú‚‡ÌÇÈÓ, Filmpartners, Filmteam,InforgSt˙diÛ √Â„ÂÈ œÓı‡ÌÓÍ,–Ó·̉¬‡ÌËÍ Camera Scriptwriters Director 2005, Hungary,83min,blackandwhite,1:2.35,DolbySRD Art Director Cast: Editing Music Producers Judit Dobos,BorcsaErdes,ImreFarkas Baraba www.feketekefe.hu World Sales Production A gi Pataki Pe s Kis,KataBartsch,AnnaBedeFazekas,BellaCzifra, Realistic Crew ter Albert,Tama Wanda Kiss Gergely Poha Roland Vranik Ga Filmpartners, Filmteam,InforgStu Filmpartners bor Kova Pe Gergely Poha ter Ma rnok tya cs, Istva s BalikÛ,GergelyBa si rnok, RolandVranik n Major,Andra nki, Zolta s Muhi, dio n festival winners

–ŒÀ¿Õƒ ¬–¿Õ»ü –Ó‰ËÎÒˇ ‚ 1967 „Ó‰Û ‚ ¡Û‰‡Ô¯ÚÂ. üËÌÓÂÊËÒÒÛÛ ÓÒ‚‡Ë‚‡Î ˜ÂÂÁ Ô‡ÍÚËÍÛ: Ò

1993 „Ó‰‡ ‚ ͇˜ÂÒÚ‚Â ‡ÒÒËÒÚÂÌÚ‡ ÂÊËÒÒÂ‡ ÙÂÒÚË‚‡Î¸Ì˚ ·Û‡Ú˚ ‡·ÓڇΠ̇ ÏÛÁ˚͇θÌ˚ı, ˝ÍÒÔÂËÏÂÌڇθÌ˚ı Ë ıÛ‰ÓÊÂÒÚ‚ÂÌÌÓ- ‰ÓÍÛÏÂÌڇθÌ˚ı ÔÓÂÍÚ‡ı. ´◊Â̇ˇ ˘ÂÚ͇ª ó ÔÂ‚‡ˇ Ò‡ÏÓÒÚÓˇÚÂθ̇ˇ ‡·ÓÚ‡ ÂÊËÒÒÂ‡. 169 ROLAND VRANIK Born in Budapest in 1967. Came to cinema üÓωˡ ÔÓÎÓÊÂÌËÈ. through practical work: since 1993 worked as 21 ‚ÂÍ, ¡Û‰‡Ô¯Ú. ◊ÂÚ‚ÂÓ ÏÓÎÓ‰˚ı β‰ÂÈ ‚ ÔÓËÒ͇ı assistant director on musical, experimental, artistic and documentary projects. ìBlack ÒÏ˚Ò· ÊËÁÌË, ÒÏÂÌË‚ Ó‰ÌÛ ‡·ÓÚÛ Á‡ ‰Û„ÓÈ, ‚ ÍÓ̈ Brushî is the directorís first independent work. ÍÓ̈ӂ ÔËÌËχ˛ÚÒˇ Á‡ ‡·ÓÚÛ ÚÛ·Ó˜ËÒÚÓ‚Ö - √‡Ì-ÔË, ÔËÁ Á‡ ÎÛ˜¯Û˛ ÓÔÂ‡ÚÓÒÍÛ˛ ‡·ÓÚÛ, ÔËÁ ÎÛ˜¯ËÏ ÔÓ‰˛ÒÂ‡Ï ñ Õ‰ÂΡ ‚ÂÌ„ÂÒÍÓ„Ó ÍËÌÓ, ¡Û‰‡Ô¯Ú, 2005; - œËÁ Á‡ ÎÛ˜¯Û˛ ÂÊËÒÒÛÛ (ex aequo) ñ Ãü‘ ‚ —‡ÎÓÌË͇ı, 2005; - œËÁ Á‡ ÎÛ˜¯Û˛ ÓË„Ë̇θÌÛ˛ ÏÛÁ˚ÍÛ ó Ãü‘ ‚ ¿ÌÓÌ˝, 2006.

Comedy of the situations. Budapest, 21st century. Four young men in search of the meaning of life constantly change jobs. At last, they take on jobs as chimney-sweepers. - Grand Prix, Best Cinematographer, Best Producers ó Hungarian Film Week, 2005; - Best director (ex aequo) ñ Thessaloniki International Film Festival, 2005; - Best original music prize ñ Annonay International Film Festival, 2006. 9 œ¿À‹Ã 9 PALMS

ü‡ÌÌÒÍËÈ ÍËÌÓÙÂÒÚË‚‡Î¸, The Cannes Film Festival, whose 60th ¯ÂÒÚˉÂÒˇÚËÎÂÚË ÍÓÚÓÓ„Ó Ì˚Ì anniversary we are marking this year, ÓÚϘ‡ÂÚÒˇ, ÓÒÚ‡ÂÚÒˇ „·‚Ì˚Ï remains the planetís main film event. It ÍËÌÓÒÓ·˚ÚËÂÏ Ô·ÌÂÚ˚. ≈„Ó ÍΡÌÛÚ, is cursed by many and nasty things get ÔÓ ÌÂ„Ó „Ó‚ÓˇÚ „‡‰ÓÒÚË, ÌÓ Í‡Ê‰˚È said about it, but every year in May the „Ó‰ ‚ χ ‚Ò ÏËÓ‚Ó ÍËÌÓÒÓÓ·˘ÂÒÚ‚Ó film community from the entire world ÛÒÚÂÏΡÂÚÒˇ ̇ üÛ‡ÁÂÚÚ, ˜ÚÓ·˚ ÔÓ strives towards the Croisette ñ only to ‚ÓÁ‚‡˘ÂÌËË ÒÌÓ‚‡ ÍΡÒÚ¸, curse, once again, upon their return: to ‡ÒÒ͇Á˚‚‡Ú¸, Í‡Í „Û·Ó Ò ÌËÏË say how roughly they were treated in Ó·Ó¯ÎËÒ¸ ‚ Ó‰ÌÓÈ ËÁ Ó˜Â‰ÂÈ... Í‡Í one of the queues... how inconvenient it ÌÂÛ‰Ó·ÌÓ ·˚ÎÓ ÊËÚ¸ ‚ ÒÓÒ‰ÌÂÏ „ÓӉ was to live in the neighbouring city and Ë ÂÁ‰ËÚ¸ ̇ ˝ÎÂÍÚ˘ÍÂ... ͇ÍË travel by train... how awful the French ÌÂıÓӯˠÙ‡ÌˆÛÁÒÍË railwaymen are, going on strike ÊÂÎÂÁÌÓ‰ÓÓÊÌËÍË, ·‡ÒÚÛ˛˘Ë precisely during this great cinematic ‡ÍÍÛ‡Ú ‚Ó ‚ÂÏˇ ÍËÌÓÔ‡Á‰ÌË͇... holiday... » χÎÓ ÍÚÓ ËÒÍÌÂÚ Ôӂ‰‡Ú¸ Ó ÚÓÏ Very few people dare talk about that Ò‚ˇ˘ÂÌÌÓÏ ÚÂÔÂÚÂ, ˜ÚÓ Óı‚‡Ú˚‚‡ÂÚ sacred excitement that any cinephile β·Ó„Ó ÒËÌÂÙË· ̇ Á̇ÏÂÌËÚÓÈ experiences on the famous seafront that ̇·ÂÂÊÌÓÈ, Á̇‚¯ÂÈ ‚ÒÂı ·ÂÁ knows, without exception, every film- ËÒÍβ˜ÂÌˡ ÍËÌÓ„ÂÌË‚ Ôӯ‰¯Â„Ó genius of the past century. 170 ‚Â͇. It is almost embarrassing to speak about √Ó‚ÓËÚ¸ ÔÓ ˝ÚÓ ‚Ӊ ·˚ ÌÂÛ‰Ó·ÌÓ. it. Unfashionable. Itís better to pull a ÕÂÏÓ‰ÌÓ. ÀÛ˜¯Â ÍÓ˜ËÚ¸ ÛÒÚ‡ÎÛ˛ tired face and say with gnashing teeth: ÏËÌÛ Ë ˆÂ‰ËÚ¸ ÒÍ‚ÓÁ¸ ÁÛ·˚: ´ŒÔˇÚ¸ ëCannes again! I am so fed up!í Even ü‡ÌÌ! ü‡Í ̇‰ÓÂÎÓ!ª. “ÂÏ ·ÓΠ˜ÚÓ more so as Russiaís cinephiles have not ÓÚ˜ÂÒÚ‚ÂÌÌ˚ı ÒËÌÂÙËÎÓ‚ ̇ been invited to the Co^te díAzur for À‡ÁÛÌ˚È ¡Â„ ‰‡‚ÌÓ ÛÊ Ì ÁÓ‚ÛÚ. quite a while. Russia is represented –ÓÒÒˡ Ô‰ÒÚ‡‚ÎÂ̇ Á‰ÂÒ¸ „·‚Ì˚Ï there mainly through people from the Ó·‡ÁÓÏ ÍËÌÓ·ËÁÌÂÒÏÂ̇ÏË Ë film business and distributors, ÔÓ͇ژË͇ÏË, ÔËÓ·ÂÚ‡˛˘ËÏË acquiring new films for multiplexes, ÌÓ‚ËÌÍË ‰Îˇ ̇¯Ëı ÏÛθÚËÔÎÂÍÒÓ‚ Ë and trying ñ in vain ñ to sell Russian Ú˘ÂÚÌÓ Ô˚Ú‡˛˘ËıÒˇ ÔÓ‰‡Ú¸ cinema. ÓÒÒËÈÒÍËÈ ÍËÌÓÚÓ‚‡. In very general terms, Russian cinema ŒÚ˜ÂÒÚ‚ÂÌÌÓ ÍËÌÓ Á‰ÂÒ¸, ‚ Ó·˘ÂÏ, Ì is not Cannesís favourite. The only ʇÎÛ˛Ú. ≈‰ËÌÒÚ‚ÂÌ̇ˇ «ÓÎÓÚ‡ˇ Golden Palm for the brilliant ëThe œ‡Î¸Ï‡ ·ÎËÒÚ‡ÚÂθÌ˚Ï ´∆Û‡‚ÎˇÏª ‚ Cranes are Flyingí in 1958, and some 1958 „Ó‰Û, ÌÂÒÍÓθÍÓ ‰Û„Ëı ÔËÁÓ‚ other prizes for ours classics; all this, ̇¯ËÏ Í·ÒÒËÍ‡Ï ó ‚Ò ˝ÚÓ, Û‚˚, ‚ alas, lies in the past. Nowadays Russian ÔÓ¯ÎÓÏ. —ÂȘ‡Ò ÓÒÒËÈÒÍÓ„Ó ÍËÌÓ Ì‡ cinema is either completely absent from üÛ‡ÁÂÚÚ ÎË·Ó ‚ÓÓ·˘Â ÌÂÚ, ÎË·Ó Â„Ó the Croisette, or its presence is highly ÔËÒÛÚÒÚ‚Ë ‚ ‚˚Ò¯ÂÈ ÒÚÂÔÂÌË decorative. ‰ÂÍÓ‡ÚË‚ÌÓ. Are the producers to blame? Certainly. ¬ËÌÓ‚‡Ú˚ ÎË ‚ ˝ÚÓÏ ÔÓËÁ‚Ó‰ËÚÂÎË? But a share of the guilt also lies on the ¡ÂÁÛÒÎÓ‚ÌÓ. ÕÓ ‰ÓΡ ‚ËÌ˚ ÂÒÚ¸ Ë Ì‡ trendsetters who determine the festival ÚÂı, ÍÚÓ ÓÔ‰ÂΡÂÚ Ì˚Ì fashion. In fact, even at the worldís ÙÂÒÚË‚‡Î¸ÌÛ˛ ÏÓ‰Û. ¬Â‰¸ ‰‡Ê ̇ main festival questions of fashion play √·‚ÌÓÏ ‘ÂÒÚË‚‡Î «ÂÏÎË ‚ÓÔÓÒ˚ no small part. ÏÓ‰˚ ËÏÂ˛Ú Ì ÔÓÒΉÌ Á̇˜ÂÌËÂ. Letís look at the nine films gathered in œ˄Ρ‰ËÏÒˇ Í ÚÂÏ ‰Â‚ˇÚË ÙËθχÏ, this retrospective. Each of them ˜ÚÓ ÒÓ·‡Ì˚ ‚ ˝ÚÓÈ ÂÚÓÒÔÂÍÚË‚Â. received the supreme award in Cannes ü‡Ê‰˚È ËÁ ÌËı ‚ Ò‚Ó ‚ÂÏˇ in its own time. But have they all Û‰ÓÒÚÓËÎÒˇ ‚˚Ò¯ÂÈ Ì‡„‡‰˚ ü‡Ì̇. passed the check of time? Are only ¬Ò ÎË ÓÌË ‚˚‰ÂʇÎË ÔÓ‚ÂÍÛ imperishable masterpieces collected ‚ÂÏÂÌÂÏ? “ÓθÍÓ ÎË ÌÂÚÎÂÌÌ˚ here? ¯Â‰Â‚˚ Á‰ÂÒ¸ ÒÓ·‡Ì˚? What is, ultimately, this main prize of » ˜ÚÓ Ú‡ÍÓ ‚ÓÓ·˘Â „·‚Ì˚È ÔËÁ a film festival? Even Cannes. ÍËÌÓÙÂÒÚË‚‡Îˇ? ƒ‡Ê ü‡ÌÌÒÍÓ„Ó? A document certifying that we have a ƒÓÍÛÏÂÌÚ, Û‰ÓÒÚÓ‚Âˇ˛˘ËÈ, ˜ÚÓ ÔÂ‰ product of high art before us? ̇ÏË ó ÔÓËÁ‚‰ÂÌË ‚˚ÒÓÍÓ„Ó Or the result of a set of circumstances, ËÒÍÛÒÒÚ‚‡? including non-artistic considerations? »ÎË ó ÂÁÛÎ¸Ú‡Ú ÒÚ˜ÂÌˡ ‡Á΢Ì˚ı, Look at the films ñ over half from ‚ ÚÓÏ ˜ËÒΠ‚ÌÂıÛ‰ÓÊÂÒÚ‚ÂÌÌ˚ı them, I am sure, you have never seen Ó·ÒÚÓˇÚÂθÒÚ‚? before ñ and decide for yourselves. —ÏÓÚËÚ ÙËθÏ˚ (ÚÂÏ ·ÓΠ˜ÚÓ ‰Ó·Û˛ ÔÓÎÓ‚ËÌÛ ËÁ ÌËı, Û˜‡˛Ò¸, ‚˚ Sergei Lavrentiev ÌËÍÓ„‰‡ ‡Ì ̠‚ˉÂÎË) Ë ¯‡ÈÚ Programme Curator Ò‡ÏË. —Â„ÂÈ À‡‚ÂÌڸ‚ ÍÛ‡ÚÓ ÔÓ„‡ÏÏ˚ 9 Ô‡Î¸Ï 9 palms

1955: χÚË 171 MARTY 1956: ‚ ÏË ·ÂÁÏÓ΂ˡ THE SILENT WORLD 1961: ÒÚÓθ ‰Ó΄Ó ÓÚÒÛÚÒÚ‚Ë THE LONG ABSENCE 1962: ËÒÔÓÎÌˇ˛˘ËÈ Ó·ÂÚ KEEPER OF PROMISES 1966: ‰‡Ï˚ Ë „ÓÒÔÓ‰‡ SIGNORE & SIGNORI ÏÛʘË̇ Ë ÊÂÌ˘Ë̇ A MAN AND A WOMAN 1974: ‡Á„Ó‚Ó THE CONVERSATION 1983: ·‡Î·‰‡ Ó Ì‡‡ÈˇÏ BALLAD OF NARAYAMA 1984: Ô‡ËÊ, ÚÂı‡Ò PARIS, TEXAS 172 9 Ô‡Î¸Ï 9 palms MARTY ÿ–“» ÂÊËÒÒÂÓ‚ —ÿ¿,ÔÂÏˡÍËÚËÍÓ‚ Õ¸˛-…Ó͇ˉ. Oscar, ÔÂÏˡ´«ÓÎÓÚÓÈ„ÎÓ·ÛÒª, ÔÂÏˡ √Ëθ‰ËË ü‡Ì̇ı, 1955;˜ÂÚ˚ÂÔÂÏËË¿ÏÂË͇ÌÒÍÓÈ ÍËÌӇ͇‰ÂÏËË - ´«ÓÎÓÚ‡ˇÔ‡Î¸ÏÓ‚‡ˇ‚ÂÚ‚¸ª(‚Û˜‡ÂÚÒˇ ‚ÔÂ‚˚Â)óÃü‘‚ ˜ÚÓ ¯‡ÌÒӂ̇Ҙ‡ÒÚ¸ÂÛÌËıÔ‡ÍÚ˘ÂÒÍË ÌÂÚÖ ‚ÏÂÒÚÂ. ÕÓü·‡‡·ÓÚ‡ÂÚÛ˜ËÚÂθÌˈÂÈ, ËÓÌËÚ‡ÍËÂ‡ÁÌ˚Â, ÓÌ Ë‰ÂÚ̇ڇ̈˚ËڇςÒÚ˜‡ÂÚü·Û.»ÏÔˡÚÌÓ·˚Ú¸ ‰‡‚ÌÓ ÛÊÂÓ·Á‡‚ÂÎËÒ¸ÒÂϸˇÏË,‡ÓÌ‚Ò¢ÂıÓÎÓÒÚ.Œ‰Ì‡Ê‰˚ ¯‡ÂÚÒˇ Á̇ÍÓÏËÚ¸ÒˇÒ‰Â‚Û¯Í‡ÏË.¬Ò„ӷ‡Ú¸ˇËÒÂÒÚ˚ ÊË‚ÂÚ ‚‰‚ÓÂÏÒχÚÂ¸˛.ÇÚËÚ‡ÍÁ‡ÒÚÂ̘˂,˜ÚÓÌ ÇÚË œËÎÂÚÚËÛÊÂÁ‡Úˉˆ‡Ú¸,ÓÌ‡·ÓÚ‡ÂÚÏˇÒÌËÍÓÏË œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ Œ„‡ÒÚ‡ ◊ËÓÎÎË,ƒÊÓÇÌÚÂÎÎ,ü‡ÂÌ—ÚËθ,ƒÊÂËœ‡ËÒ ¬ ÓΡı: «‚ÛÍ ÃÛÁ˚͇ üÓÒÚ˛Ï˚ ”ÓÎÚÂ Ã.—‡ÈÏÓÌ‰Ò ’Û‰ÓÊÌËÍË ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 1955, —ÿ¿,91ÏËÌ.,˜/·,ÏÓÌÓ –Ó·ÂÚ ü‡·ÈÎ –ÓÈ ”˝·· ›ÌÂÒÚ ¡Ó̇ÈÌ,¡ÂÚÒË¡Î˝,›ÒÚÂÃË̘ËÓÚÚË, ∆ÓÁÂÙ À‡¯ÂÎÎ ƒÂηÂÚ Ã‡ÌÌ ÕÓχ üÓı ’‡Óθ‰ ’ÂıÚ “˝‰ ’‡ÛÓÚ, Hill-Hecht-Lancaster Productions œ˝‰‰Ë ◊‡Â‚ÒÍËÈ America; NewYorkFilmCriticsCircle Award,etc. Awards; GoldenGlobe;Prizeofthe DirectorsGuildof International FilmFestival,1955; four OSCARAcademy - GoldenPalm(awardedforthefirst time)Cannes for happinessÖ and theyaresodifferentthatthere arepracticallynochances Clara. Theylikebeingtogether.But Claraworksasateacher, single. Onedayhegoestothedances,wherecasuallymeets and sistershavelonggottheirownfamilies,butheisstill not daretomaketheacquaintanceofgirls.Allhisbrothers lives togetherwithhismother.Martyissotimidthathedoes Marty Pilettiisalreadyoverthirty,heworksasabutcherand Production Producer Ciolli, JoeMantell,KarenSteele,JerryParis Cast: Sound Music Costumes Walter M.Simonds Art Directors Camera Scriptwriter Director 1955, USA,91min,b/w,mono Ernest Borgnine,BetsyBlair,EstherMinciotti,Augusta Roy Webb Robert Carlisle Joseph LaShelle Delbert Mann Harold Hecht Norma Koch Hill-Hecht-Lancaster Productions Paddy Chayefsky Ted Haworth, ¬ û–≈ ¡≈«ÃŒÀ¬»fl THE SILENT WORLD/LE MONDE DU SILENCE/ IL MONDO DEL SILENZIO 9 palms 9 ԇθÏ

173

1956, ‘‡ÌˆËˇ/ »Ú‡Îˡ, 86 ÏËÌ., ˆ‚., ÏÓÌÓ 1956, France/ Italy, 86 min, color, mono

–ÂÊËÒÒÂ˚ ∆‡Í-»‚ üÛÒÚÓ, ÀÛË Ã‡Î¸ Directors Jacques-Yves Cousteau, Louis Malle ¿‚ÚÓ ÒˆÂ̇ˡ ∆‡Í-»‚ üÛÒÚÓ Scriptwriter Jacques-Yves Cousteau √·‚Ì˚È ÓÔÂ‡ÚÓ ›‰ÏÓÌ —¯‡Ì Principal Cinematographer Edmond Sechan œÓ‰‚Ó‰Ì˚ Ò˙ÂÏÍË: ÀÛË Ã‡Î¸, ∆‡Í-»‚ üÛÒÚÓ, Camera: Jacques-Yves Cousteau, Louis Malle, ¿Î¸·Â ‘‡Î¸ÍÓ, ‘‰ÂËÍ ƒ˛Ï‡ Albert Falco, Frederique Dumas üÓÏÔÓÁËÚÓ »‚ ¡Ó‰Ë Music Yves Baudrier ÃÓÌÚ‡Ê ∆ÓÊ ¿ÎÂÔÂÈ Film Editing Georges AlÈpÈe —Ôˆ˝ÙÙÂÍÚ˚ ÕӽΠ–Ó·Â Special Effects No∏l Robert œÓËÁ‚Ó‰ÒÚ‚Ó FSJYC Production, Requins Associes, Societe Production FSJYC Production, Requins Associes, Societe Filmad, Titanus Filmad, Titanus

ƒÓÍÛÏÂÌڇθ̇ˇ ËÒÚÓˡ Ó „ÛÔÔ Ù‡ÌˆÛÁÒÍËı ÔÎÓ‚ˆÓ‚- A documentary film about a group of French swimmers and ‡Í‚‡Î‡Ì„ËÒÚÓ‚, ÍÓÚÓ‡ˇ ̇ ̇ۘÌÓ-˝ÍÒÔÂËÏÂÌڇθÌÓÏ skin-divers on the scientific research vessel ´Calypsoª that Òۉ̠´ü‡ÎËÔÒÓª Ôӯ· ˜ÂÂÁ —‰ËÁÂÏÌÓÂ Ë ü‡ÒÌÓ navigated through the Mediterranean and the Red Sea, as well ÏÓˇ, œÂÒˉÒÍËÈ Á‡ÎË‚ Ë »Ì‰ËÈÒÍËÈ Ó͇Ì. — as the Gulf of Persia and the Indian Ocean. With a film ÍËÌÓ‡ÔÔ‡‡ÚÓÏ ‚ Û͇ı ËÒÒΉӂ‡ÚÂÎË ÒÔÛÒ͇ÎËÒ¸ ̇ camera in their hands, the researchers descended to 70 meters „ÎÛ·ËÌÛ ‰Ó 70 ÏÂÚÓ‚ Ë ÒÌËχÎË Ó·ËÚ‡ÚÂÎÂÈ ÏÓÒÍËı and filmed the inhabitants at the depth of the sea. The „ÎÛ·ËÌ. üËÌÂχÚÓ„‡ÙËÒÚ˚ ÔÓ·˚‚‡ÎË Ú‡ÍÊ ̇ Ì·Óθ¯ÓÏ cinematographers also visited a small island, forgotten in the ÓÒÚÓ‚Â, Á‡ÚÂˇÌÌÓÏ ‚ Ó͇ÌÂ. midst of the ocean. - ´«ÓÎÓÚ‡ˇ ԇθÏÓ‚‡ˇ ‚ÂÚ‚¸ª ó Ãü‘ ‚ ü‡Ì̇ı, 1956; - Golden Palm, Cannes IFF, 1956; - œÂÏˡ ¿ÏÂË͇ÌÒÍÓÈ ÍËÌӇ͇‰ÂÏËË Oscar, 1957 Ë ‰. - OSCAR Academy Award, 1957, etc. 174 9 Ô‡Î¸Ï 9 palms LíINVERNO TIFARATORNARE THE LONGABSENCE/UNEAUSSILONGUE/ABSENCE/ —“ŒÀ‹ ƒŒÀ√Œ≈Œ“—”“—“¬»≈/ œÓËÁ‚Ó‰ÒÚ‚Ó ü‡ÚÂËÌ ‘ÓÌÚÂÌÂÈ,ƒË‡Ì‡ÀÂÔÙËÂ,Õ‡Ì∆ÂÏÓÌ ÿ‡θ ¡Î‡‚ÂÚ,¿Ï‰ÂÈ,œÓΑ˝‚¸,œ¸Âœ‡Âθ, ¬ ÓΡı: üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 1961, ‘‡ÌˆËˇ/»Ú‡Îˡ,85ÏËÌ.,˜/·,1:2.35,ÏÓÌÓ - œÂÏˡ ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚ flÔÓÌËËñKinemaJunpo - œËÁÀÛ˃ÂÎβ͇ñPrixLouis Delluc,‘‡ÌˆËˇ,1960; - ´«ÓÎÓÚ‡ˇÔ‡Î¸ÏÓ‚‡ˇ‚ÂÚ‚¸ªÃü‘ ‚ü‡Ì̇ı,1961; ÏËÏÓ ÂÂ͇ÙÂ,ÊÂÌ˘Ë̇ÛÁ̇ÂÚÒ‚ÓÂ„Ó ÏÛʇ... » Ӊ̇ʉ˚‚·Ó‰ˇ„Â,ÍÓÚÓ˚È͇ʉ˚È ‰Â̸ÔÓıÓ‰ËÎ ÓÚÔ‡‚ËÎË ‚ÍÓ̈·„Â¸.—Ή˚ÏÛʇ “ÂÂÁ˚Á‡ÚÂˇÎËÒ¸. ‰‚ËÊÂÌˡ —ÓÔÓÚË‚ÎÂÌˡ,‡ÂÒÚÓ‚‡ÎËÓÍÍÛÔ‡ÌÚ˚Ë œ‡Ëʇ. ŒÌ‡Ó‰ËÌÓ͇.16ÎÂÚ̇Á‡‰ÂÂÏÛʇ,Û˜‡ÒÚÌË͇ “ÂÂÁ‡ À‡Ì„ÎÛ‡ÒÓ‰ÂÊËÚÌ·Óθ¯ÓÂ͇ÙÂ̇ÓÍ‡ËÌ (‘‡ÌˆËˇ), GalateaFilm(»Ú‡Îˡ) Awards, 1965 ¿Îˉ‡ ¬‡ÎÎË,∆ÓʬËθÒÓÌ,∆‡Í¿‰ÂÌ, ÇÒÂθ ¬ÂÈÒ ¿ÌË üÓθÔË ÃÓËÒ üÓ·ÒÓÌ ∆ÓÊ ƒÂÎÂ˛ Procinex, Societe Ç„‡ËÚ ƒ˛‡Ò,∆Â‡∆‡ÎÓ Cine matographique Lyre Blavette, Ame Cast: Music Art Director Camera Production Fonteney, DianeLepvrier,NaneGermon Scriptwriters Director 1961, France/Italy,85min,b/w,1:2.35,mono The (France), GalateaFilm(Italy) The forces andsenttoaconcentration camp. Thetraceof the ìResistanceîmovement,wasarrestedbyoccupying She islonely.Sixteenyearsagoherhusband,aparticipantof - KinemaJunpoAward (JapaneseFilmPrize),1965 - PrixLouisDelluc,France,1960; - GoldenPalm,CannesIFF,1961; every day... recognizes herhusbandinatramp whopassedbyhercafÈ re re ` ` se LangloisownsasmallcafÈinthesuburbsofParis. seís husbandwaslost.Andthen,on day,thewoman Alida Valli,GeorgesWilson,JacquesHarden,Charles Georges Delerue Marcel Weiss Henri Colpi Procinex, Societe Maurice Colasson de Marguerite Duras,Ge e, PaulFaivre,PierreParel,Catherine Cine matographique Lyre rard Jarlot »—œŒÀÕflfiŸ»… Œ¡≈“ (´Œ·ÂÚª) KEEPER OF PROMISES/ O PAGADOR DE PROMESSAS 9 palms 9 ԇθÏ

175

1962, ¡‡ÁËÎˡ/ œÓÚÛ„‡Îˡ, 98 ÏËÌ., ˜/·, ÏÓÌÓ 1962, Brazil/ Portugal, 98 min, b/w, mono

–ÂÊËÒÒÂ ¿ÌÒÂθÏÓ ƒÛ‡Ú Director Anselmo Duarte ¿‚ÚÓ˚ ÒˆÂ̇ˡ ¿ÌÒÂθÏÓ ƒÛ‡ÚÂ, ¿Î¸ÙÂ‰Ó ƒË‡Ò √ÓÏÂÒ Scriptwriters Anselmo Duarte, Alfredo Dias Gomes ŒÔÂ‡ÚÓ ◊ËÍ ‘‡ÛÎ Camera Chick Fowle ’Û‰ÓÊÌËÍ ∆ÓÁ “ÂÁÂÈ‡ ƒÂ ¿‡ÛÊÓ Art Director Jose Teixeira De Araujo üÓÏÔÓÁËÚÓ √‡·˽θ ÃËθÓË Music Gabriel Migliori Sound Carlos Foscolo ¬ ÓΡı: ÀÂÓ̇‰Ó ¬Ëθˇ, √ÎÓˡ ÃÂÌÂÒÒÂÒ, ƒËÓÌËÒËÓ ¿Ò‚‰Ó, ∆Ë‡Î¸‰Û ƒÂθ –ÂÈ, ÕÓχ ¡ÂÌÊÂÎÎ, ü‡ÎÓÒ Cast: Leonardo Villar, GlÛria Menezes, Dionisio Azevedo, “ÓÂÒ, –Ó·ÂÚÓ ‘ÂÂÈ‡, ŒÚÓÌ ¡‡¯ÚÓÒ, ∆ËηÂÚÛ Ã‡ÍÂÒ Geraldo Del Rey, Norma Bengell, Carlos Torres, Roberto Ferreira, Othon Bastos, Gilberto Marques œÓËÁ‚Ó‰ÒÚ‚Ó Cinedistri, Produco˜s Francisco de Castro Producers Francisco de Castro, Anselmo Duarte, Õ‡ Ô‡Á‰ÌÂÒÚ‚Â ‚ ˜ÂÒÚ¸ ·Ó„ËÌË flÌÒ‡Ì ÍÂÒÚ¸ˇÌËÌ «Â ‰‡ÂÚ Oswaldo Massaini Ó·ÂÚ ÓÚÌÂÒÚË ÍÂÒÚ ËÁ ‰‡ÎÂÍÓÈ ‰Â‚ÌË ‚ „ÓÓ‰, ‚ ˆÂÍÓ‚¸ Production Cinedistri, Produco˜s Francisco de Castro Ò‚ˇÚÓÈ ¡‡·‡˚. «Â ËÒÔÓÎÌˇÂÚ Ó·ÂÚ, ÌÓ Í‡ÚÓ΢ÂÒÍËÈ Ò‚ˇ˘ÂÌÌËÍ, ÛÁ̇‚, ˜ÚÓ ÍÂÒÚ¸ˇÌËÌ ÍΡÎÒˇ ÔÂ‰ On the holiday of the goddess Yansan, the peasant Ze vows to ËÁÓ·‡ÊÂÌËÂÏ ˇÁ˚˜ÂÒÍÓÈ ·Ó„ËÌË, Ì ÔÛÒ͇ÂÚ Â„Ó ‚ carry the cross from the distant village to the city, to the ˆÂÍÓ‚¸... church Saint Barbara. Ze keeps his vow, but the Catholic - ´«ÓÎÓÚ‡ˇ ԇθÏÓ‚‡ˇ ‚ÂÚ‚¸ª - Ãü‘ ‚ ü‡Ì̇ı, 1962; priest, having found out that the peasant swore before the - √·‚Ì˚È ÔËÁ Ãü‘ ‚ —‡Ì-‘‡ÌˆËÒÍÓ, 1962. image of a pagan goddess, does not let him into the church... - Golden Palm, Cannes IFF, 1962; - Golden Gate Award, San Francisco IFF, 1962. 176 9 Ô‡Î¸Ï 9 palms BELLES DAMES,VILAINSMESSIEURS SIGNORE &SIGNORI/SIGNOREESIGNORI/ ƒ¿Ã¤ »√Œ—œŒƒ¿ œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ˚ ‘‡·ˈË, ƒÊˉÊË¡‡ÎÎËÒÚ‡ ¿Î¸·ÂÚÓ À¸ÓÌÂÎÎÓ,ŒÎ¸„‡¬ËÎÎË,¡Â·‡ÀÓ̘‡,‘‡ÌÍÓ ¬ ÓΡı: üÓÏÔÓÁËÚÓ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ÀÛ˜‡ÌÓ ¬Ë̘Â̈ÓÌË,œ¸ÂÚÓƒÊÂÏË ¿‚ÚÓ˚ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 1966, »Ú‡Îˡ/‘‡ÌˆËˇ,115ÏËÌ.,˜/·,ÏÓÌÓ - œÂÏËË√Ëθ‰ËË ÍËÌÓÊÛ̇ÎËÒÚÓ‚»Ú‡ÎËË,1967. - ´«ÓÎÓÚÓÈ„ÎÓ·ÛÒª, —ÿ¿,1967; - œÂÏˡƒ‡‚ˉ‡ ‰ËƒÓ̇ÚÂÎÎÓ,1966; - ´«ÓÎÓÚ‡ˇÔ‡Î¸ÏÓ‚‡ˇ‚ÂÚ‚¸ªÃü‘ ‚ü‡Ì̇ı,1966; ÌÂÒÓ‚Â¯ÂÌÌÓÎÂÚÌˇˇ, ËÓ·‡˘‡ÂÚÒˇ ‚ÒÛ‰... ‰Â‚ˈÛ, ÓÚˆÍÓÚÓÓÈÌÂÓÊˉ‡ÌÌÓ Á‡ˇ‚ΡÂÚ,˜ÚÓÓ̇ ÒÚÓÎÔ˚ ÏÂÒÚÌÓ„ÓÓ·˘ÂÒÚ‚‡Ô˚Ú‡˛ÚÒˇ Òӷ·ÁÌËÚ¸˛ÌÛ˛ ˜ÚÓ ÓÌˇÙ˯ËÛ˛ÚÒ‚ÓËÓÚÌÓ¯ÂÌˡ. “ÂÏ‚ÂÏÂÌÂÏ‚Ò „ÓӉ͇ Ó·˙‰ËÌˇ˛ÚÒˇ,˜ÚÓ·˚͇̇Á‡Ú¸ β·Ó‚ÌËÍÓ‚Á‡ÚÓ, ˜ÚÓ·˚ ÓÚÍ˚ÚÓÊËÚ¸Òβ·Ó‚ÌˈÂÈ, ÌÓ‚ÌË‚˚ÂÏÛʸˇ ÒÎÛʇ˘ËÈ ŒÒ‚‡Î¸‰Ó¡ËÁË„‡ÚÓ·ÓÒ‡ÂÚ Ò‚‡ÎË‚Û˛ÊÂÌÛ, β·Ó‚ÌÛ˛ Ò‚ˇÁ¸ÒÊÂÌÓÈÒ‚Ó„ӂ‡˜‡.¡‡ÌÍÓ‚ÒÍËÈ ÔËÚ‚ÓˇÂÚÒˇ ËÏÔÓÚÂÌÚÓÏ,˜ÚÓ·˚·ÂÁ·ÓˇÁÌÂÌÌÓÔÓ‰ÓÎʇڸ „ÓӉ͇ ÍËÔˇÚ·ÛÌ˚ÂÒÚ‡ÒÚË.“ÓÌË√‡ÒÔ‡ËÌË «‡ ·Î‡„ÓÔËÒÚÓÈÌ˚ÏÙ‡Ò‡‰ÓÏËڇθˇÌÒÍÓ„ÓÔÓ‚Ë̈ˇθÌÓ„Ó üÓωˡ Ì‡‚Ó‚. R.P.A. Cinematografica ¬Ë̇ ÀËÁË,√‡ÒÚÓÌÂÃÓÒÍËÌ,ÕÓ‡–˘˜Ë, ¿ˇ˜Â œ‡ÓÎËÌ œ¸ÂÚÓ ƒÊÂÏË ü‡ÎÓ ›‰ÊË‰Ë œ¸ÂÚÓ ƒÊÂÏË,–Ó·Â¿‰Ê‡„ ü‡ÎÓ –ÛÒÚËÍÂÎÎË Dear FilmProduzione,LesFilmsduSie ‘ÛËÓ —͇ÔÂÎÎË, ` cle, Production Producers Lionello, OlgaVilli,FrancoFabrizi,BebaLoncar,GigiBallista Cast: Music Art Director Camera Pietro Germi Scriptwriters Director 1966, Italy/France,115min,b/w,mono - Silver Ribbon AwardofItalianNationalSyndicate ofFilm - GoldenGlobe,USA,1967; - DaviddiDonatelloAward,1966; - GoldenPalmñCannesInternational FilmFestival,1966; before takingthemattertocourt... whose fatherunexpectedlydeclares thatsheisnotyetofage, the pillarsoflocalsocietytryto seduceayounggirl, the loversforadvertisingtheirrelationships. Inthemeantime the jealoushusbandsinsmalltown joinforcestopunish quarrelsome wifeinordertoopenlylivewithhismistress.But doctorís wife.ThebankclerkOsvaldoBisigatodesertshis impotent tocontinue,withoutworry,hisaffairwith provincial Italiantown.ToniGasparinipretendstobe Passions arehighbehindthedecentfaÁadeofasmall, Comedy ofmanners. R.P.A. Cinematografica Journalists, 1967. Virna Lisi,GastoneMoschin,NoraRicci,Alberto Carlo Rustichelli Aiace Parolin Pietro Germi Pietro Germi,RobertHaggiag Dear FilmProduzione,LesFilmsduSie Carlo Egidi Furio Scarpelli,LucianoVincenzoni, ` cle, Ô∆◊»Õ¿ » ∆≈ÕŸ»Õ¿ A MAN AND A WOMAN/UN HOMME ET UNE FEMME 9 palms 9 ԇθÏ

177

1966, ‘‡ÌˆËˇ, 102 ÏËÌ., ˜/·, 1:1.85, ÏÓÌÓ 1966, France, 102 min, b/w, 1:1.85, mono

–ÂÊËÒÒÂ üÎÓ‰ ÀÂβ¯ Director Claude Lelouch ¿‚ÚÓ˚ ÒˆÂ̇ˡ üÎÓ‰ ÀÂÎÛ¯, œ¸Â fiÚÂıÓ‚ÂÌ Scriptwriters Pierre Uytterhoeven, Claude Lelouch √·‚Ì˚È ÓÔÂ‡ÚÓ üÎÓ‰ ÀÂÎÛ¯ Principal Camera Claude Lelouch ’Û‰ÓÊÌËÍ –Ó··Â ÀÛ¯‡ Production Designer Robert Luchaire üÓÒÚ˛Ï˚ –˘‡‰ Ç‚ËÎ Costumes Richard Marvil ÃÛÁ˚͇ ‘˝ÌÒËÒ À Music Francis Lai «‚ÛÍ ∆‡Ì ¡‡ÓÌÂ, Ã˯Âθ ‘‡ÌÓ Sound Jean Baronnet, Michel Fano

¬ ÓΡı: ¿ÌÛÍ ›ÏÂ, ∆‡Ì-ÀÛË “ÂÌÚË̸ˇÌ, œ¸Â ¡‡Û, Cast: Anouk Aimee, Jean-Louis Trintignant, Pierre Barouh, ¬‡ÎÂË À‡„‡ÌÊ, ¿ÌÚÛ‡Ì —ËÂ, —Û‡‰ ¿ÏˉÛ, ¿ÌË ÿÂÏËÌ, Valerie Lagrange, Antoine Sire, Souad Amidou, Henri Chemin, fl̇ ¡‡Ë, œÓΠΠœÂÒÓÌ, —ËÏÓÌ œ‡ËÒ, ∆Â‡ —Ë Yane Barry, Paul Le Person, Simone Paris, Gerard Sire

œÓ‰˛ÒÂ üÎÓ‰ ÀÂÎÛ¯ Producer Claude Lelouch œÓËÁ‚Ó‰ÒÚ‚Ó Les Films 13 Production Company Les Films 13

Love Story. Love Story. œÓÒΠÍÓÓÚÍÓ„Ó Á̇ÍÓÏÒÚ‚‡ ÏÂÊ‰Û ¿ÌÌ Ë ∆‡ÌÓÏ-ÀÛË After ‡ short acquaintance the mutual sympathy between ‚ÓÁÌË͇ÂÚ ‚Á‡ËÏ̇ˇ ÒËÏÔ‡Úˡ. –‡ÒÚÛ˘‡ˇ ÔË‚ˇÁ‡ÌÌÓÒÚ¸ Anna and Jean-Louis grows. The attachment imperceptibly ÌÂÁ‡ÏÂÚÌÓ ÔÂÂ‡ÒÚ‡ÂÚ ‚ β·Ó‚¸. ÃÛʘË̇ Ë ÊÂÌ˘Ë̇ develops into love. The man and the woman are happy. But Ò˜‡ÒÚÎË‚˚. ÕÓ ¿ÌÌ Ì ÏÓÊÂÚ Á‡·˚Ú¸ Ú‡„˘ÂÒÍË ÔÓ„Ë·¯Â„Ó Anna cannot forget her husband, who died tragically; ÏÛʇ Ë ‚ ÒÏˇÚÂÌËË ÔÓÍˉ‡ÂÚ ∆‡Ì‡-ÀÛË. ”·ËÚ˚È „ÓÂÏ ÓÌ confused, she leaves Jean-Louis. Heartbroken, he goes to Paris ‰ÂÚ ‚ œ‡ËÊ ‚ ̇‰Âʉ ‚ÌÓ‚¸ ۂˉÂÚ¸ ‚ÓÁβ·ÎÂÌÌÛ˛... in the hope of seeing his beloved again... - ´«ÓÎÓÚ‡ˇ ԇθÏÓ‚‡ˇ ‚ÂÚ‚¸ª Ãü‘ ‚ ü‡Ì̇ı, 1966, ‰‚ - Golden Palm, Cannes IFF, 1966; two OSCAR Academy ÔÂÏËË ¿ÏÂË͇ÌÒÍÓÈ ÍËÌӇ͇‰ÂÏËË Oscar, ‰‚ ÔÂÏËË Awards; two Golden Globes and other prizes. ´«ÓÎÓÚÓÈ „ÎÓ·ÛÒª (Golden Globe) Ë ‰Û„Ë ÔËÁ˚. 178 9 Ô‡Î¸Ï 9 palms THE CONVERSATION –¿«√Œ¬Œ– - œËÁ˚¡ËÚ‡ÌÒÍÓÈ ÍËÌӇ͇‰ÂÏËËóBAFTAAwards, 1975ˉ. - ´«ÓÎÓÚ‡ˇÔ‡Î¸ÏÓ‚‡ˇ‚ÂÚ‚¸ªËÔËÁ ˝ÍÛÏÂÌ˘ÂÒÍÓ„ÓÊ˛Ë ÌÂÔˡÚÌÓÒÚÂÈ... ÌÂ„Ó ÒÌÓ‚‡ÂÒÚ¸ÓÒÌÓ‚‡ÌˡÓÔ‡Ò‡Ú¸Òˇ ÍÛÔÌ˚ı ‚ Ò‚ˇÁËÒ‰ÂÈÒڂˡÏË√‡ËÛÊ„˷ÎË Î˛‰Ë.»ÚÂÔÂ¸Û ˜ÚÓ·˚ Á‡ÔËÒ‡Ú¸‡Á„Ó‚Ó‰‚ÛıÒ‚ÓËı ÒÓÚÛ‰ÌËÍÓ‚.Œ‰Ì‡Ê‰˚ ÛÒÚÓÈÒÚ‚‡Ï. ƒËÂÍÚÓÍÛÔÌÓÈÍÓÏÔ‡ÌËË Ì‡ÌËχÂÚ„Ó, √‡Ë üÓÛÎóËÁ‚ÂÒÚÌ˚ÈÒÔˆˇÎËÒÚÔÓÔÓ‰ÒÎۯ˂‡˛˘ËÏ ƒ‡Ï‡/ œÒËıÓÎӄ˘ÂÒÍËÈÚËÎÎÂ. The CoppolaCompany œÓËÁ‚Ó‰ÒÚ‚Ó œÓ‰˛ÒÂ ’‡ËÒÓÌ ‘Ó‰ ‘‰ÂËÍ ‘ÓÂÒÚ,—Ë̉˔ËθˇÏÒ,“ÂË√‡, ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡËÂÊËÒÒÂ 1974, —ÿ¿,113ÏËÌ,ˆ‚.,mono/DolbySRD ó Ãü‘‚ü‡Ì̇ı,1974; Õ‡Ú‡Ì ¡ÓÍÒÂ,ÇÈÍλ‚¸Â,¿Ú–Ó˜ÂÒÚÂ ƒÊËÌ ’˝ÍχÌ,ƒÊÓÌü‡Á‡Î¸,¿ÎÂÌ√‡ÙËΉ, ¡ËÎÎ ¡‡ÚÚÎÂ ›„Ë √Â‡–Ó‰ÊÂÒ ‘˝ÌÒËÒ ‘Ó‰üÓÔÔÓ· ƒËÌ “‡‚Û·ËÒ ƒ˝È‚ˉ ÿË American Zoetrope,ParamountPictures, ‘˝ÌÒËÒ ‘Ó‰üÓÔÔÓ· - AwardoftheBritishFilmAcademy (BAFTA),1975,etc. - again... And nowagainhehasreasontofear thatitwillhappen Harryís workhadirectlyledtothe deathpfseveralpeople. conversations oftwohisemployees.Someyearsprevious, director ofalargecompanyhashiredhimtorecordthe Harry Caulisawell-knownexpertonsurveillancedevices.The The CoppolaCompany Production Producer Forrest, CindyWilliams,TeriGarr,HarrisonFord Cast: Sound Music Costumes Production Designer Camera Scriptwriter andDirector 1974, USA,113min,colour,mono/DolbySRD Cannes IFF,1974; Golden PalmandPrizeoftheEcumenical Jury, Gene Hackman,JohnCazale,AllenGarfield,Frederic David Shire Nathan Boxer,MichaelEvje,ArtRochester Bill Butler Francis FordCoppola Aggie GuerardRodgers American Zoetrope,ParamountPictures, Dean Tavoularis Francis FordCoppola ¡¿ÀÀ¿ƒ¿ Œ Õ¿–¿…flÃ≈ BALLAD OF NARAYAMA/NARAYAMA BUSHIKO 9 palms 9 ԇθÏ

179

1983, flÔÓÌˡ, 130 ÏËÌ., ˆ‚., ÏÓÌÓ 1983, Japan, 130 min, colour, mono

¿‚ÚÓ ÒˆÂ̇ˡ Ë ÂÊËÒÒÂ —∏ıÂÈ »Ï‡ÏÛ‡ Director and Scriptwriter Shohei Imamura ŒÔÂ‡ÚÓ Ã‡Ò‡Ó “Ó¯ËÁ‡‚‡ Camera Masao Tochizawa ’Û‰ÓÊÌËÍË ÕÓ·Ûڇ͇ Ë “‡‰‡Ú‡Í‡ ®ÒËÌÓ Production Designer Nobutaka Yoshino üÓÒÚ˛Ï˚ üËÓÚÓ »Ò∏ Art Director Tadataka Yoshino üÓÏÔÓÁËÚÓ ÿËÌ˘ËÓ »ÍÂ·Ë Costumes Kyoto Isho «‚ÛÍ üÂÌË˜Ë ¡ÂÌËÚ‡ÌË Music Shinichiro Ikebe Sound Kenichi Benitani ¬ ÓΡı: üÂÌ Œ„‡Ú‡, —ÛÏËÍÓ —‡Í‡ÏÓÚÓ, “‡ÍÂÓ ¿ÍË, “ÓÌÂÈ ’ˉ‡Ë, —ÂÈË üÛ‡Ò‡ÍË, ü‡ÓÛ —ËχÏÓË, –˛Ú‡Ó “‡ˆÛÏË, Cast: Ken Ogata, Sumiko Sakamoto, Takejo Aki, Tonpei Hidari, »ÌÍÓ “‡Í‡‰‡, ÕËÈÍÓ üË∏͇‚‡, ÃˈÛÍÓ ¡‡Ò∏, —∏Ë˜Ë ŒÁ‡‚‡ Seiji Kurasaki, Kaoru Shimamori, Ryutaro Tatsumi, Junko Takada, Nijiko Kiyokawa, Mitsuko Baisho, Shoichi Ozawa œÓËÁ‚Ó‰ÒÚ‚Ó Toei Co. Ltd. Producers Goro Kusakabe, Jiro Tomoda “‡„ËÍÓÏ˘ÂÒ͇ˇ ‰‡Ï‡/ œËÚ˜‡. Production Toei Co. Ltd. «‡ÚÂˇÌ̇ˇ ‰Â‚ۯ͇ „‰Â-ÚÓ ‚ „Ó‡ı. ¬‰Ó‚‡ „ÓÚÓ‚ËÚÒˇ ÓÚÏÂÚËÚ¸ Ò‚Ó 70-ÎÂÚËÂ. œÓ Á‡ÍÓÌ‡Ï ‰Â‚ÌË ‚ ˝ÚÓÚ ‰Â̸ Ó̇ Tragicomedy. Parable. ‰ÓÎÊ̇ ÓÚÔ‡‚ËÚ¸Òˇ ̇ „ÓÛ Õ‡‡ÈˇÏ‡, ˜ÚÓ·˚ Ú‡Ï ÛÏÂÂÚ¸. A remote little village somewhere in the mountains. A widow ¬ ‰Â‚Ì Ì ı‚‡Ú‡ÂÚ ÔÓ‰ÛÍÚÓ‚, Ë ÒÚ‡ËÍË, ‰ÓÊË‚¯Ë ‰Ó is preparing to mark her 70th birthday. Under the laws of the ÒÂÏˉÂÒˇÚË, Ì ‰ÓÎÊÌ˚ Ó·ÂÏÂÌˇÚ¸ ÓÒڇθÌ˚ı ÊËÚÂÎÂÈ. village she has to leave on this day for the mountain œÂ‰ ÛıÓ‰ÓÏ Ì‡ Õ‡‡ÈˇÏÛ ÒÚ‡‡ˇ ÊÂÌ˘Ë̇ ıÓ˜ÂÚ Û·‰ËÚ¸ Narayama to die there. In the village there is no food, and old ‰Â· Ò‚ÓÂÈ ·Óθ¯ÓÈ ÒÂÏ¸Ë ó ÔÓÏÓ˜¸ ÒÚ‡¯ÂÏÛ Ò˚ÌÛ Ì‡ÈÚË people who have lived up to 70 should not burden the other ÌÓ‚Û˛ ÊÂÌÛ; ‰Ó·ËÚ¸Òˇ ÓÚ Ò‰Ì„Ó, ˜ÚÓ·˚ ÓÌ ÒڇΠ̇ÍÓ̈ inhabitants. Before leaving for Narayama, the old woman ÏÛʘËÌÓÈ; ‚‡ÁÛÏËÚ¸ ÒÚ‡¯Â„Ó ‚ÌÛ͇... wants to settle the affairs of her big family: help the elder son - ´«ÓÎÓÚ‡ˇ ԇθÏÓ‚‡ˇ ‚ÂÚ‚¸ª ó Ãü‘ ‚ ü‡Ì̇ı, 1983; to find a new wife; get the middle son to become a man, at - œËÁ˚ flÔÓÌÒÍÓÈ ÍËÌӇ͇‰ÂÏËË, 1984 Ë ‰. last; bring her eldest grandson to see reason... - Golden Palm, Cannes IFF, 1983; - Prize of the Japanese Film Academy, 1984, etc. 180 9 Ô‡Î¸Ï 9 palms PARIS, TEXAS œ¿–»∆, “≈’¿— - ´ÀÛ˜¯ËÈ ÌÂψÍËÈ ÙËθϪ,´ÀÛ˜¯‡ˇÌÂψ͇ˇ - ´ÀÛ˜¯ËÈ ÙËθτӉ‡ª(ALFS Award)óÔÓÔËÁ̇Ì˲ - œËÁ √Ëθ‰ËËÙ‡ÌˆÛÁÒÍËıÍËÌÓÍËÚËÍÓ‚, 1985; - œËÁËÏÂÌ˃‡‚ˉ‡‰ËƒÓ̇ÚÂÎÎÓ, »Ú‡Îˡ1985; - ÒÓ‚ÂÏÂÌÌÓÏ Ë̉ÛÒÚˇθÌÓÏÓ·˘ÂÒÚ‚Â. ‚ ͇ÍÓÏ-ÌË·Û‰¸Ô‡Úˇı‡Î¸ÌÓÏÁ‡ıÓÎÛÒÚ¸Â, ‡Ì‚ √ÂÓÈ ÙËθχ“‚ËÒ‰Ó·,ÔÓˇ‰Ó˜ÂÌ, ÌÓÂÏÛ̇‰Ó·˚ÊËÚ¸ ÒÓ‚ÏÂÒÚËÚ¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛Î˘ÌÓÒÚ¸ÒÓÍÛʇ˛˘ËÏÏËÓÏ. “‡„˘ÂÒ͇ˇ ËÒÚÓˡ˜ÂÎÓ‚Â͇,ÍÓÚÓ˚ÈÌÂÏÓÊÂÚ ƒ‡Ï‡/ Roadmovie. Filmproduktion (‘–√) œÓËÁ‚Ó‰ÒÚ‚Ó ¡Â̇ ¬ËÍË,ƒËÌ—ÚÓÍÛ˝ÎÎ,¿‚Ó‡üÎÂÏ‡Ì ¬ ÓΡı: «‚ÛÍ üÓÏÔÓÁËÚÓ üÓÒÚ˛Ï˚ ’Û‰ÓÊÌËÍ ŒÔÂ‡ÚÓ ¿‚ÚÓ ÒˆÂ̇ˡ –ÂÊËÒÒÂ 1984, ‘‡ÌˆËˇ/‘–√,147ÏËÌ.,ˆ‚.,1:1.66,ÏÓÌÓ Í‡ÏÂ‡ª óÕ‡ˆËÓ̇θÌ˚ ÔÂÏËË‘–√,1985,ˉ. ÎÓ̉ÓÌÒÍÓÈ ÍËÚËÍË, 1985; ´«ÓÎÓÚ‡ˇ ԇθÏÓ‚‡ˇ‚ÂÚ‚¸ªóÃü‘ ‚ü‡Ì̇ı,1984; ƒÓÏËÌËÍ Œ‚˝ √‡Ë ƒËÌ—ÚÂÌÚÓÌ,Õ‡ÒÚ‡Ò¸ˇüËÌÒÍË,—˝Ï¡˝Ë, –Ó··Ë Ã˛ÎÎÂ ¬ËÏ ¬ẨÂÒ ¡Ë„ËÚÚ‡ ¡¸∏Í ü˝ÈÚ ŒÎÚÏ‡Ì –‡È üÛ‰Â Argos Films(‘‡ÌˆËˇ),RoadMovies —˝Ï ÿÂÔ‡‰ Camera Scriptwriter Director 1984, France/WestGermany,147min,color,1:1.66,mono - Best German FilmandBestGermanCamera,National - Best Film(ALFS Award),LondonCriticsCircle Film - PrizeoftheFrenchSyndicate Cinema Critics,1985; - DaviddiDonatelloAward,Italy 1985; - GoldenPalm,CannesIFF,1984; industrial society. in somepatriarchalout-of-the-way place, andnotinamodern filmís hero,Travis,iskindanddecent, butheshouldbeliving personality inalignmentwiththesurrounding world.The About thecomplexdestinyofaman,whocannotbringhis Drama. Roadmovie. Filmproduktion (WestGermany) Production Producers Bernhard Wicki,DeanStockwell,AuroreCle Cast: Sound Music Costumes Art Director Awards ofWestGermany, 1985,etc. Award, 1985; Harry DeanStanton,NastassjaKinski,SamBerry, Ry Cooder Dominique Auvray Robby Mu Wim Wenders Birgitta Bjerke Anatole Dauman,DonGuest Argos Films(France),RoadMovies Sam Shepard Kate Altman ·· ller ment ü–”√À¤≈ —“ŒÀ¤ ¡ÛÌÓ ‡Á‚ËÚË ÓÒÒËÈÒÍÓ„Ó ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓ„Ó ˚Ì͇ ‚ ÔÓÒΉÌËÈ „Ó‰ ÔË‚ÎÂ͇ÂÚ ‚ÌËχÌË ‚Ò ·ÓΠÒÂ¸ÂÁÌ˚ı Á‡Û·ÂÊÌ˚ı ´Ë„ÓÍÓ‚ª. –ÓÒÒËÈÒÍÓ ÍËÌÓ ÔÓÒÚÂÔÂÌÌÓ ÒÚ‡ÌÓ- ‚ËÚÒˇ Á‡ÏÂÚÌ˚Ï ˇ‚ÎÂÌËÂÏ ‚ ‚ÓÔÂÈÒÍÓÏ ÔÓ͇ÚÂ. √ÓÎÎË‚Û‰- ÒÍËÂ Ï˝È‰ÊÓ˚ Á‡‰ÛÏ˚‚‡˛ÚÒˇ Ó· ÓÚÍ˚ÚËË Ì‡ ÔÓÒÚÒÓ‚ÂÚ- ÒÍÓÈ ÚÂËÚÓËË Ò‚ÓËı Ô‰ÒÚ‡‚ËÚÂθÒÚ‚, ‡ ‚ÓÔÂÈÒÍË ÔÓ‰˛ÒÂ˚, ̇ÍÓ̈, ̇˜Ë̇˛Ú ‡ÒÒχÚË‚‡Ú¸ –ÓÒÒ˲ Ì ‚ ͇˜ÂÒÚ‚Â ÚÂËÚÓËË ˝ÍÁÓÚ˘ÂÒÍÓ„Ó ÚÛËÁχ, ÌÓ Í‡Í Ó‰ÌÛ ËÁ ÒÚ‡Ì Ò ·Ó„‡Ú˚Ï ÍÓÏÏÂ˜ÂÒÍËÏ ÔÓÚÂ̈ˇÎÓÏ. »ÏÂÌÌÓ ‚ Ò‚ˇ- ÁË Ò ˝ÚËÏË ËÁÏÂÌË‚¯ËÏËÒˇ Ó·ÒÚÓˇÚÂθÒÚ‚‡ÏË Ó‰ÌËÏ ËÁ ̇- Ë·ÓΠËÌÚÂÂÒÌ˚ı Ë ÒÚ‡Ú„˘ÂÒÍË ‚‡ÊÌ˚ı ÏÂÓÔˡÚËÈ Ì‡ 17-Ï ´üËÌÓÚ‡‚ª ӷ¢‡ÂÚ ·˚Ú¸ ´—ÂÏË̇ üÎÛ·‡ ‚ÓÔÂÈ- ÒÍËı ÔÓ‰˛ÒÂÓ‚ª (6-7 Ë˛Ìˇ). ƒ‚Ûı‰Ì‚̇ˇ ÔÓ„‡Ïχ ‚ÂÒ¸- χ ̇Ò˚˘ÂÌ̇: Á‡Ô·ÌËÓ‚‡Ì˚ ‰ÓÍ·‰˚ ÓÒÒËÈÒÍËı Û˜‡ÒÚ- ÌËÍÓ‚, Ó·ÒÛʉÂÌË ÔÓ·ÎÂÏ Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ ÍÓÔÓ‰Û͈ËË, ÔÂÒÓ̇θÌ˚ ‚ÒÚÂ˜Ë Ò ÓÒÒËÈÒÍËÏË ÂÊËÒÒÂ‡ÏË. ≈ÒÚ¸ ̇‰Âʉ‡, ˜ÚÓ ÌÓ‚˚ ˇÍË ͇ÚËÌ˚, ‚ÓÁÌËͯË ‚ ÂÁÛθڇÚ ROUND TABLES ÔÎÓ‰ÓÚ‚ÓÌÓ„Ó ÒÓÚÛ‰Ì˘ÂÒÚ‚‡ ̇ ÒÂÏË̇Â, Ï˚ ۂˉËÏ ‚ The rapid development of the Russian film market over the ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏ ÒÎÂ‰Û˛˘Â„Ó ´üËÌÓÚ‡‚‡ª. last year has drawn the attention of more and more serious “‡ÍÊ ̇ 17 ´üËÌÓÚ‡‚ª ·Û‰ÂÚ ÔÓ‰ÓÎÊÂ̇ Ú‡‰ËˆËˇ ÔÓ- foreign ìplayersî. Russian cinema has gradually become a ÙÂÒÒËÓ̇θÌ˚ı ÍÛ„Î˚ı ÒÚÓÎÓ‚ Ë Ó·ÒÛʉÂÌËÈ, ÔÓÒ‚ˇ˘ÂÌÌ˚ı noticeable phenomenon in European distribution. The ̇˷ÓΠ‡ÍÚۇθÌ˚Ï ÔÓ·ÎÂÏ‡Ï Ì˚̯ÌÂ„Ó ÓÒÒËÈÒÍÓ„Ó ÍË- Hollywood majors reflect on opening their branches in the 181 ÌÂχÚÓ„‡Ù‡. ƒÎˇ ‰ËÒÍÛÒÒËÈ Ô‰ÎÓÊÂÌ˚ ÒÎÂ‰Û˛˘Ë ÚÂÏ˚: post-Soviet territories, and European producers, at last, begin ó ´ƒÂ‚ˇÌÓÒÚ˚Â Ë ´ÌÛ΂˚ª ó ˇÁ˚Í ÍËÌÓ Ë ÍËÌÓÔÓˆÂÒÒª to consider Russia not as country for exotic tourism but as a (8 Ë˛Ìˇ). ›Ú‡ ‚ÒÚ˜‡ ÔÓ‰‚‰ÂÚ ËÚÓ„Ë ÌÓ‚ÓÈ ÔÓ„‡ÏÏ˚ ÍË- country with rich commercial potential. In connection with ÌÓÙÂÒÚË‚‡Îˇ ñ ´ƒÂ‚ˇÌÓÒÚ˚Â. üËÌÓ, ÍÓÚÓÓ Ï˚ ÔÓÚÂˇÎ˪ these changed circumstances one of the most interesting and (ÍÛ‡ÚÓ ÔÓ„‡ÏÏ˚ ñ ÍËÌӂ‰ À‡ËÒ‡ Ã‡Î˛ÍÓ‚‡). ¡ÂÒÂ‰Û strategically important events at the 17th ìKinotavrî is the Ôӂ‰ÂÚ Ô‰Ò‰‡ÚÂθ √Ëθ‰ËË ÍËÌӂ‰ӂ Ë ÍËÌÓÍËÚËÍÓ‚ seminar of the ìClub of European Producersî (6-7 June). The ¬ËÍÚÓ ÇÚËÁÂÌ. two-day program is quite dense: reports by Russian ó ´»ÚÓ„Ë ÍËÌÓÒÂÁÓ̇: ‡ÔÎÓ‰ËÒÏÂÌÚ˚ ÔÂʉ‚ÂÏÂÌÌ˚?ª (10 participants, discussions of problems and opportunities for co- Ë˛Ìˇ): ‚ ÍÛ„ÎÓÏ ÒÚÓΠÔËÏÛÚ Û˜‡ÒÚËÂ: ÔÓ‰˛ÒÂ˚ ¿ÎÂÍ- production, and personal meetings with Russian directors are ҇̉ –Ó‰ÌˇÌÒÍËÈ, »„Ó¸ “ÓÎÒÚÛÌÓ‚, üÓÌÒÚ‡ÌÚËÌ ›ÌÒÚ, ¬‡- planned. There it is hoped that new striking film that will ÎÂËÈ “Ó‰ÓÓ‚ÒÍËÈ, —Â„ÂÈ —ÂθˇÌÓ‚, ≈ÎÂ̇ flˆÛ‡, ¬Î‡‰Ë- emerge as a result of the fruitful cooperation at this seminar ÏË ƒÓÒڇθ, ÂÊËÒÒÂ˚ ¿ÎÂÍÒÂÈ ”˜ËÚÂθ Ë ‘‰Ó ¡Ó̉‡- will be seen in the competition programme at the next ˜ÛÍ, ‡ Ú‡ÍÊ ‰Û„Ë ÍÛÔÌÂȯË ÓÒÒËÈÒÍË ÍËÌӉ¡ÚÂÎË. ìKinotavrî. ¬Â‰Û˘ËÈ ÍÛ„ÎÓ„Ó ÒÚÓ· ó ÒÓˆËÓÎÓ„ Ë ËÒÒΉӂ‡ÚÂθ ÍËÌÓ The 17th ìKinotavrî will also continue the traditional ƒ‡ÌËËÎ ƒÓ̉ÛÂÈ. professional round tables and discussions devoted to the most ó üÛ„Î˚È ÒÚÓΠ̇ ÚÂÏÛ ´üËÌÓÙÂÒÚË‚‡ÎË Ë ÍËÌÓ·ËÁÌÂÒª (10 topical problems of contemporary Russian cinema. The Ë˛Ìˇ) ӷ¢‡ÂÚ ÒÚ‡Ú¸ Ó‰ÌËÏ ËÁ ̇˷ÓΠÁ̇˜ËÏ˚ı ÏÂÓÔË- following themes are suggested for discussions: ˇÚËÈ ÙÂÒÚË‚‡Îˇ. ¡ÂÁ ÍÓÏÏÂ˜ÂÒÍÓÈ ÒÓÒÚ‡‚Ρ˛˘ÂÈ ÛÊ Ì ӷ- ó ìThe 90s and 00s: the language of cinema and the ıÓ‰ËÚÒˇ ÌË Ó‰ËÌ ÒÂ¸ÂÁÌ˚È ÍËÌÓÒÏÓÚ, Ë ´üËÌÓÚ‡‚ª Ì ÒÚ‡- cinematic processî (8 June). This meeting will sum up the new ÌÂÚ ËÒÍβ˜ÂÌËÂÏ. —‚Ó ÔËÒÛÚÒÚ‚Ë ̇ Á‡Ò‰‡ÌËË ÔÓ‰Ú‚Â‰Ë- programme of the film festival, ìThe 1990s: The Cinema that ÎË: ∆ÂÓÏ œ‡È· ó ‰ËÂÍÚÓ ü‡ÌÌÒÍÓ„Ó ÍËÌÓ˚Ì͇ we have Lostî (programme curated by the film scholar Larisa (Marche du Film), ÇÚË̇ ¡Î‡ÈÒ ó Ô‰ÒÚ‡‚ËÚÂθ ¡ÂÎËÌ- Maliukova). Moderation: the chairman of the Guild of Film ÒÍÓ„Ó ˚Ì͇ ÍÓÔÓ‰Û͈ËË (Berlinale Co-Production Market), Critics and Film Scholars, Victor Matizen. ›ÎËÒ ƒËÒÒÂÌ ó „·‚‡ Holland Film Meeting,Ó‰ÌÓ„Ó ËÁ ÍÛÔ- ó ìResults of the cinematic season: applause premature?î (10 ÌÂȯËı ‚ ≈‚ÓÔ ÏÂʉÛ̇Ó‰Ì˚ı ˚ÌÍÓ‚ ÔÓÂÍÚÓ‚, ÃË‡ June). Participants of the round table: producers Alexander —ڇ΂‡ ñ ‰ËÂÍÚÓ ÏÂʉÛ̇Ó‰ÌÓ„Ó ÔËÚ˜ËÌ„‡ ̇ Ãü‘ ‚ —Ó- Rodnyansky, Igor Tolstunov, Konstantin Ernst, Valeri ÙËË, —ÚÂÙ‡Ì À‡Û‰˚Ì ñ ‰ËÂÍÚÓ ¬‡¯‡‚ÒÍÓ„Ó Ãü‘ Ë ‰ËÂÍ- Todorovsky, Sergei Selianov, Elena Yatsura, Vladimir Dostal; ÚÓ ÍËÌÓ˚Ì͇ CentEast, œ‡Ò͇θ –‡ÏÓ̉‡ ñ ÛÍÓ‚Ó‰ËÚÂθ directors Alexei Uchitel and Fiodor Bondarchuk, as well as ÙÂÒÚË‚‡Î¸ÌÓ„Ó Óډ· ÍËÌÓÍÓÏÔ‡ÌËË Celluloid Dreams. other major Russian cinematographers. Moderation: sociologist ó œ‰ÒÚ‡‚ËÚÂθÌÓÏÛ Á‡Ò‰‡Ì˲ ·Û‰ÂÚ Ô‰¯ÂÒÚ‚Ó‚‡Ú¸ ÌÓ‚Ó and researcher Daniil Dondurei. ‰Îˇ ̇¯Â„Ó ÙÂÒÚË‚‡Îˇ ÏÂÓÔˡÚË ñ ´œËÚ˜ËÌ„ª (9 Ë˛Ìˇ). Õ‡ ó Round table on the topic ìFilm festivals and film businessî ˝ÚÓÈ ‚ÒÚ˜ ‚ÌËχÌ˲ ‚Â‰Û˘Ëı ÔÓ‰˛ÒÂÓ‚ ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó (10 June), which promises to become one of the most ÍËÌÓ ÏÓÎÓ‰˚ ÍËÌÂχÚÓ„‡ÙËÒÚ˚ Ô‰ÒÚ‡‚ˇÚ Ò‚ÓË Ë‰ÂË Ë ÒË- significant events of the festival. Without the commercial ÌÓÔÒËÒ˚ ·Û‰Û˘Ëı ͇ÚËÌ. Շ˷ÓΠ۷‰ËÚÂθÌ˚È Ë ÔÓÚÂ̈Ë- component no serious festival can manage, and ìKinotavrî is ‡Î¸ÌÓ ËÌÚÂÂÒÌ˚È ÔÓÂÍÚ ÔÓÎÛ˜ËÚ ‰ÂÌÂÊÌ˚È ÔËÁ, ‡ ÂÒÎË ÔÓ- no exception. Confirmed participants include: Jero ^me Paillard, ‰˛ÒÂ˚ Á‡ËÌÚÂÂÒÛ˛ÚÒˇ ‡ÎËÁ‡ˆËÂÈ Ô‰ÒÚ‡‚ÎÂÌÌ˚ı ÔÓÂÍÚÓ‚, director of the Cannes film market (Marche du Film); Martina ÚÓ Ë ‚ÓÁÏÓÊÌÓÒÚ¸ ۂˉÂÚ¸ Ò‚Ó˛ ˉ² ‚ÓÔÎÓ˘ÂÌÌÓÈ Ì‡ ˝Í‡ÌÂ. Bleis, representative of the Berlinale Co-Production Market; “‡ÍÊ ̇ ÙÂÒÚË‚‡Î ÔÓȉÂÚ Ú‡‰ËˆËÓÌ̇ˇ ‚ÒÚ˜‡ ˜ÎÂÌÓ‚ Ellis Driessen, head of the Holland Film Meeting, one of the ‘»œ–≈——» (11 Ë˛Ìˇ). ¬ ˝ÚÓÏ „Ó‰Û ÚÂχ ·ÂÒ‰˚ ó ´–ÛÒÒÍÓ largest international project markets in Europe; Mira Staleva, ÍËÌÓ: Ú‡‰ËˆËË, ‡‚‡Ì„‡‰, ÍÓÏÏÂˆË‡ÎËÁ‡ˆËˇ. œÓ¯ÎÓÂ, director of the international pitching at the Sofia IFF; Stefan ̇ÒÚÓˇ˘ÂÂ, ·Û‰Û˘Âª. ¬ÒÚÂ˜Û Ôӂ‰ÂÚ ÔÂÁˉÂÌÚ Laudyn, director of the Warsaw IFF and director of the film- ‘»œ–≈——» ¿Ì‰ÂÈ œÎ‡ıÓ‚. market CentEast; Pascale Ramonda, head of the festival department of the film company Celluloid Dreams. ó The main session will be preceded by a new event for our festival: ìpitchingî (9 June). At this meeting young cinematographers will present their ideas and synopses of their future films to the attention of leading producers of Russian cinema. The most convincing and potentially interesting project will receive a monetary prize, and if producers will be interested in the realization of the submitted projects, they also receive the opportunity to see their idea embodied on screen. The traditional meeting of members of FIPRESCI will also take place at the festival (11 June). This year the theme of the conversation will be ìRussian cinema: traditions, avant-garde, commercialization. Past, present, futureî. The meeting will be moderated by FIPRESCI president Andrei Plakhov. 1919 ...... 44 1919 ...... 44 9 –Œ“¿...... 92, 93 977...... 78, 79 977...... 78, 79 9th COMPANY ...... 92, 93 GARPASTUM ...... 80, 81 AFRICAN LULLABY, AN...... 46 HARD ...... 45 ALIVE ...... 16, 17 ¿Õ√≈À –”——üŒ… ÷≈–ü¬» œ–Œ“»¬ Œ“÷¿ ¬—≈’ Õ¿–ŒƒŒ¬ ...... 126 ALL CHILDREN ARE BORN WITH SIGHT...... 128 ¿Õ“ŒÀŒ√»fl –Œ——»…—üŒ√Œ ü»ÕŒ...... 116, 117 AND AS GRASS I GROW UP TO YOUÖ...... 134 ¿–ÿ¬»– ...... 138 ANGEL OF THE RUSSIAN CHURCH AGAINST THE FATHER OF ALL PEOPLES, THE....126 ¿‘–»ü¿Õ—ü¿fl üŒÀ¤¡≈À‹Õ¿fl ...... 46 ANTHOLOGY OF RUSSIAN CINEMA ...... 116, 117 ¡¿ÀÀ¿ƒ¿ Œ Õ¿–¿flÃ≈ ...... 179 ARMAVIR ...... 138 ¡≈—À¿Õ. —¬»ƒ≈“≈À» ...... 47 AWAKENING ...... 66 ¡ÀŒü¿ƒ¿ ...... 127 AXE HELVE, THE...... 74 ¡ŒÀ‹ÿ¿fl Àfi¡Œ¬‹...... 94, 95 BALLAD OF NARAYAMA ...... 179 ¬ «¿“ŒÕ≈ ...... 127 BASTARDS ...... 110, 111 ¬ û–≈ ¡≈«ÃŒÀ¬»fl...... 173 BESLAN. WITNESSES ...... 47 Index of films ¬ —ÀŒÃ¿ÕÕ¤… ûü–Œ—üŒœ ä ”¬»ƒ»Ã ü¿«¿Õ‹ ...... 49 BIG LOVE ...... 94, 95 ¬ƒŒ’ ¬¤ƒŒ’ ...... 82, 83 BIG-EARED SLEEPWALKERS ...... 59 ¬≈ÿü» Õ¿ƒ –≈üŒ… ...... 128 BLACK BRUSH ...... 168, 169 »Ì‰ÂÍÒ ÙËθÏÓ‚ ¬Œ«¬–¿Ÿ≈ÕÕ¤≈ ÿ≈ƒ≈¬–¤ ...... 114, 115 BLOCKADE...... 127 ¬ŒÀ√¿-¬ŒÀ√¿ ...... 120, 121 BLOOD TYPE ...... 130 ¬ŒÀ‹Õ¤… œ≈–≈¬Œƒ ...... 12, 13 CAMOMILES...... 67 ¬Œ–ŒÕ-Œ¡Ã¿ÕŸ»ü ...... 48 CASTING, THE ...... 119 ¬–≈Ãfl œ≈◊¿À» ≈Ÿ≈ Õ≈ œ–»ÿÀŒ ...... 139 CIVIL CONDITION, A...... 129 ¬—≈ ƒ≈“» –Œ∆ƒ¿fi“—fl «–fl◊»Ã» ...... 128 COLLECTOR, THE ...... 162, 163 ¬¤ƒŒ’ ...... 50 CONVERSATION, THE ...... 178 ¬›ÀÀ¿...... 129 COURTSHIP ...... 68 √¿ƒü»≈ À≈¡≈ƒ»...... 14, 15 Dark Horse ...... 164, 165 √¿ƒfiÿŒÕŒü ...... 51 DAY BEFORE, THE ...... 141 √ƒ≈ «¿’¿–? ...... 52 DAY OF SUN AND RAIN, A...... 150 √–¿∆ƒ¿Õ—üŒ≈ —Œ—“ŒflÕ»≈ ...... 129 DAY OF THE FULL MOON, THE...... 140 √–”œœ¿ ü–Œ¬»...... 130 DAY WATCH ...... 96, 97 ƒ¿ ¡”ƒ”“ ƒÕ» Õ¿ÿ» ƒÀ»Õդû...... 130 DISLIKE, THE...... 143 ƒ¿Ã¤ » √Œ—œŒƒ¿ ...... 176 DOBRYNIA AND DRAGON...... 98, 99 ƒ≈¬Œ◊ü» ...... 53 EARTH AND ASHES ...... 154, 155 ƒ≈Õ‹ œŒÀÕŒÀ”Õ»fl ...... 140 ESTUARY...... 58 ƒ≈Õ‹ —ŒÀÕ÷¿ » ƒŒ∆ƒfl ...... 150 EUPHORIA ...... 40, 41 ƒ»ü»…, ƒ»ü»… œÀfl∆. ∆¿– Õ≈∆Õ¤’ ...... 84, 85 EXHALE ...... 50 ƒÕ≈¬ÕŒ… ƒŒ«Œ– ...... 96, 97 FATE OF A MILLIONAIRE IN RUSSIA, THE ...... 132 182 ƒŒ¡–¤Õfl Õ»ü»“»◊ » «Ã≈… √Œ–¤Õ¤◊ ...... 98, 99 FESTIVAL ...... 166, 167 ∆≈—“¤Ö œ–»Ã»–≈Õ»≈ ...... 54 FILM-CENTURY OF SERGEY üŒÃ¿–Œ¬¿, THE ...... 131 ∆≈—“‹ ...... 100, 101 FOUR PAGES OF A YOUNG LIFE ...... 151 ∆»¬Œ… ...... 16, 17 FREE FLOATING...... 30, 31 «¿ ƒ≈Õ‹ ƒŒÖ ...... 141 FREE TRANSLATION ...... 12, 13 «¿fl÷ Õ¿ƒ ¡≈«ÕŒ… ...... 18, 19 FRIED POTATOES ...... 57 «≈ÃÀfl » œ≈œ≈À ...... 154, 155 GADYUSHONOK ...... 51 «≈–ÕŒ ¬ ”’≈ ...... 156, 157 GARPASTUM ...... 80, 81 «»ÃÕ»≈ ü¿Õ»ü”À¤ ...... 55 GESTURESÖ RECONCILIATION ...... 54 «À¤ƒÕ» ...... 56 GIRLS ...... 53 »√–Œü», »À» —≈…◊¿— ¬¤…ƒ≈“ ŒÀ≈√ ...... 86, 87 GRAIN IN EAR ...... 156, 157 »«Œ¡–¿∆¿fl ∆≈–“¬” ...... 20, 21 HARD ...... 45 »—œŒÀÕflfiŸ»… Œ¡≈“ ...... 175 IDIOTíS DREAMS ...... 142 ü¿–“Œÿü¿ Õ¿ —¿À≈ ...... 57 In the Backwaters ...... 127 ü¿—“»Õ√...... 119 INHALE EXHALE ...... 82, 83 ü»ÕŒ¬≈ü —≈–√≈fl üŒÃ¿–Œ¬¿ ...... 131 ISLAND, THE ...... 8, 9 À≈—Õ¿fl ¡–¿“¬¿ ...... 102, 103 IT DOESNíT HURT...... 22, 23 À»Ã¿Õ ...... 58 JUNK ...... 100, 101 À»◊Õ¿fl ∆»«Õ‹ ü”«fl≈¬¿ ¬¿À≈Õ“»Õ¿ ...... 150 KEEPER OF PROMISES ...... 175 À”Õ¿“Õ¤≈ ”ÿ¿—“»ü» ...... 59 LEG, THE ...... 144 ÿ–—≈À‹≈«¿ ...... 60 LET OUR DAYS BE LONG ...... 130 ÿ–“» ...... 172 LONG ABSENCE, THE ...... 174 Ã≈◊“¤ »ƒ»Œ“¿ ...... 142 MAD PRINCE ESTHER ...... 122, 123 ÃÕ≈ Õ≈ ¡ŒÀ‹ÕŒ ...... 22, 23 MAN AND A WOMAN, A...... 177 ÃŒ» ¬Œ–ŒÕ¤ ...... 131 MAN OF NO RETURN, THE ...... 38, 39 ÃŒ… ü≈—À≈¬—ü»… ...... 61 MARSEILLAISE ...... 60 ÃŒ–≈Ö ü¿ÃÕ»Ö » Àfi¡Œ¬‹ ...... 62 MARTY ...... 172 ÃŒfl À”◊ÿ¿fl ÿÿ...... 158, 159 MAXIMS OF PANTELEI KARMANOV, THE...... 70 Ô∆◊»Õ¿ » ∆≈ÕŸ»Õ¿ ...... 177 MOTHER OF MINE...... 158, 159 Õ¿¬¿∆ƒ≈Õ»≈ «¿œ¿’¿ ...... 63 MY CROWS ...... 131 Õ¿Õü»Õ—ü»… œ≈…«¿∆ ...... 24, 25 MY KIESLOWSKI ...... 61 Õ≈Àfi¡Œ¬‹ ...... 143 NANKIN LANDSCAPE ...... 24, 25 Õ≈œ–»fl“Õ¿fl »—“Œ–»fl ...... 64 NOBODY KNOWS SEX ...... 104, 105 Õ»ü“Œ Õ≈ «Õ¿≈“ œ–Œ —≈ü— ...... 104, 105 HUNTING FOR PIRANHA...... 106, 107 ÕŒ√¿ ...... 144 OFFSIDE ...... 160, 161 Œü–¿»Õ¿ ...... 145 OLD DACHA, THE...... 73 Œ–¿Õ∆≈¬¤… ƒ∆¿« ...... 146 OLEG WILL APPEAR NOW...... 86, 87 Œ—“–Œ¬ ...... 8, 9 ORANGE JAZZ ...... 146 Œ‘—¿…ƒ ...... 160, 161 OURS, THEIRS ...... 69 Œ’Œ“¿ Õ¿ œ»–¿Õ‹fi ...... 106, 107 OUTSKIRTS ...... 145 œ¿–»∆, “≈’¿—...... 180 OVER THE HEDGE...... 102, 103 œ¿–ü —Œ¬≈“—üŒ√Œ œ≈–»Œƒ¿ ...... 26, 27 PARIS, TEXAS ...... 180 œ≈–≈√ŒÕ ...... 28, 29 PITER FM ...... 108, 109 œ»“≈– FM ...... 108, 109 PLAYING THE VICTIM ...... 20, 21 œŒü¿ ŒÕ À≈“¿À...... 65 PRIVATE LIFE OF KUZIAYEV VALENTIN, THE ...... 150 œ–Œ¡”∆ƒ≈Õ»≈ ...... 66 RABBIT OVER THE VOID...... 18, 19 –¿«√Œ¬Œ– ...... 178 RAVEN CHEAT, THE ...... 48 –ŒÃ¿ÿü» ...... 67 RELATIONS ...... 32, 33 —¬¿“Œ¬—“¬Œ ...... 68 RETURNED MASTERPIECES...... 114, 115 —¬Œ¡ŒƒÕŒ≈ œÀ¿¬¿Õ»≈ ...... 30, 31 RODS ON THE RIVER ...... 128 —¬Œ…, ◊”∆Œ… ...... 69 SCENT OBSESSION ...... 63 —¬ŒÀŒ◊» ...... 110, 111 SEAÖ STONESÖ AND LOVE ...... 62 —¬fl«‹ ...... 32, 33 SEVENTH COMPANION, THE...... 151 —≈ƒ‹ÃŒ… —œ”“Õ»ü ...... 151 SHOSHO ...... 88, 89 —≈Õ“≈Õ÷»» œ¿Õ“≈À≈fl ü¿–ÿՌ¬¿ ...... 70 SIGNORE & SIGNORI ...... 176 —Œ—≈ƒü¿ ¬¿…—ÿտ ...... 71 SILENT WORLD, THE ...... 173 —œ¿—»¡Œ «¿ –¤¡”...... 72 SOVIET PARK...... 26, 27 ———–-–Œ——»fl-“–¿Õ«»“ ...... 132 SPOT, THE ...... 36, 37 —“¿–¿fl ƒ¿◊¿...... 73 STAGE, THE ...... 133 —“ŒÀ‹ ƒŒÀ√Œ≈ Œ“—”“—“¬»≈ ...... 174 THANKS FOR THE FISH ...... 72 —“–¿ÕÕ»ü ...... 34, 35 TIME FOR SORROW HAS NOT YET COME, THE ...... 139 —”ƒ≈¡Õ¤… »—œŒÀÕ»“≈À‹ ...... 162, 163 TIMUR. THE HISTORY OF THE LAST FLIGHT ...... 133 —”ƒ‹¡¿ ûÀÀ»ŒÕ≈–¿ ¬ –Œ——»» ...... 132 TRAGITURGIA ...... 75 —”ÿ—ÿ≈ƒÿ»… œ–»Õ÷ ›—‘»–‹ ...... 122, 123 TRANSIT ...... 28, 29 —÷≈Õ¿ ...... 133 UGLY SWANS, THE ...... 14, 15 “≈ÃÕ¿fl ÀŒÿ¿ƒü¿ ...... 164, 165 UNPLEASANT STORY ...... 64 “»Ã”–. »—“Œ–»fl œŒ—À≈ƒÕ≈√Œ œŒÀ≈“¿ ...... 133 USSR ñ RUSSIA TRANSIT ...... 132 “ŒœŒ–»Ÿ≈ ...... 74 VELLA ...... 129 “Œ◊ü¿ ...... 36, 37 VOLGA-VOLGA ...... 120, 121 “–¿√»“”–√»fl...... 75 WANDERER, THE...... 34, 35 ‘≈—“»¬¿À‹ ...... 166, 167 WE WILL SEE KAZAN IN THE BROKEN MICROSCOPE...... 49 ◊≈ÀŒ¬≈ü ¡≈«¬Œ«¬–¿“Õ¤… ...... 38, 39 WEISSMANíS NEIGHBOUR ...... 71 ◊≈–Õ¿fl Ÿ≈“ü¿ ...... 168, 169 WHERE IS ZAKHAR? ...... 52 ◊≈“¤–≈ —“–¿Õ»÷¤ ŒƒÕŒ… ÃŒÀŒƒŒ… ∆»«Õ»...... 151 WHILE HE WAS FLYING ...... 65 ÿŒÿŒ ...... 88, 89 WICKED CREATURES...... 56 ›…‘Œ–»fl ...... 40, 41 WILD, WILD BEACH. THE HEAT OF THE GENTLE ...... 84, 85 fi«, ƒ∆¿«, »–ü¿ » œ≈— ...... 134 WINTER VACATION, THE ...... 55 fl ü ¬¿Ã “–¿¬Œfi œ–Œ–¿—“”Ö ...... 134 YUZ, JAZZ, IRKA AND DOG ...... 134 ¿·‰‡¯ËÚÓ‚ ¬‡‰ËÏ ...... 138 Abdrashitov, Vadim ...... 138 ¿‚Â·‡ı »Î¸ˇ ...... 150 Aronov, Grigory ...... 151 ¿ÓÌÓ‚ √Ë„ÓËÈ ...... 151 Atanisian, Alexander ...... 110, 111 ¿Ú‡ÌÂÒˇÌ ¿ÎÂÍ҇̉ ...... 110, 111 Averbakh, Ilya ...... 150 ¡‡Î‡·‡ÌÓ‚ ¿ÎÂÍÒÂÈ...... 22, 23 Balabanov, Alexei ...... 22, 23 ¡ÂÍχϷÂÚÓ‚ “ËÏÛ ...... 96, 97 Bekmambetov, Timur ...... 96, 97 ¡Ó̉‡˜ÛÍ ‘‰Ó ...... 92, 93 Bondarchuk, Fyodor ...... 92, 93 ¡ÓˆÍËÈ ŒÎ„ ...... 141 Boretsky, Oleg ...... 141 ¡ÓËÒÓ‚‡ ≈ÎÂ̇ ...... 59 Borisova, Elena ...... 59 ¡Óˆ ÕËÍÓ·È...... 74 Borts, Nikolai ...... 74 ¡ÓÒÂÌÍÓ —Â„ÂÈ ...... 51 Bosenko, Sergei ...... 51 ¡‡¯ËÌÒÍËÈ ÃËı‡ËÎ ...... 130 Brashinsky Mikhail ...... 130 ¡˚˜ÂÌÍÓ —‚ÂÚ·̇ ...... 131 Bychenko, Svetlana ...... 131 ¡˚˜ÍÓ‚‡ ŒÍ҇̇ ...... 108, 109 Bychkova, Oksana ...... 108, 109 ¬‡ÒË肇 »Ë̇ ...... 132 Colpi, Henri ...... 174 ¬ÂΉËÌÒÍËÈ ¿ÎÂÍ҇̉ ...... 16, 17 Coppola, Francis Ford ...... 178 ¬ẨÂÒ, ¬ËÏ...... 180 Cousteau, Jacques-Yves ...... 173 ¬ÓÎÍÓ‚‡ »Ë̇ ...... 61 Duarte, Anselmo...... 175 ¬‡ÌËÍ, –Ó·̉ ...... 168, 169 Dykhovichny, Ivan ...... 82, 83 ¬˚˚ԇ‚ »‚‡Ì ...... 40, 41 Erofeeva, Alexandra ...... 69 √‡È √ÂχÌË͇ ¬‡ÎÂˡ ...... 53 Esadze, Rezo ...... 151 Index of directors √ÂÏ‡Ì ¿ÎÂÍÒÂÈ...... 151 Falk, Feliks ...... 162, 163 √ÂχÌ-ÏÎ. ¿ÎÂÍÒÂÈ ...... 80, 81 Fedorchenko, Alexei ...... 88, 89 »Ì‰ÂÍÒ ÂÊËÒÒÂÓ‚ √Â˜ËÍÓ‚ ¬Î‡‰ËÏË ...... 129 Fenchenko Anna...... 68 √ËχډËÌÓ‚‡ –ÓÁ‡ ...... 71 Fiks, Dmitry ...... 94, 95 √Ó‰Â‚ ¿ÎÂÍÒÂÈ ...... 104, 105 Gai Germanika, Valeria ...... 53 ü‡‚ÛÌ ¿Ì‰ÂÈ ...... 106, 107 Gerchikov, Vladimir ...... 129 √ËÙÙËÌ, ›ÌÌË ...... 166, 167 German Jr., Alexei ...... 80, 81 √ÓıÓ‚Ò͇ˇ ≈͇ÚÂË̇ ...... 38, 39 German, Alexei ...... 151 √Û„Û‚‡ Õ‡Ú‡Îˡ ...... 133 Germi, Pietro ...... 176 √ÛÒχÌ, fiÎËÈ ...... 26, 27 Gimatdinova, Roza ...... 71 √ۘχÁÓ‚ ¡ÓËÒ ...... 66 Gordeev, Alexei...... 104, 105 ƒÊÂÏË, œ¸ÂÚÓ ...... 176 Griffin, Annie...... 166, 167 ƒÊÓÌÒÓÌ, “ËÏ ...... 102, 103 Grokhovskaia, Ekaterina ...... 38, 39 ƒÛ‡ÚÂ, ¿ÌÒÂθÏÓ ...... 175 Guchmazov, Boris...... 66 ƒ˚ıӂ˘Ì˚È »‚‡Ì ...... 82, 83 Gugueva, Natalia ...... 133 ≈ÓÙ‚‡ ¿ÎÂÍ҇̉‡...... 69 Gusman, Yuli ...... 26, 27 «‡ÎÓÚÛı‡ ¬‡ÎÂËÈ ...... 126 Haro, Klaus ...... 158, 159 »Á‚ÓÎÓ‚ ÕËÍÓÎ‡È ...... 114, 115 Imamura, Shohei ...... 179 »Ï‡ÏÛ‡, —∏ıÂÈ...... 179 Isaakian, Artiom ...... 45 »Ò‡‡ÍˇÌ ¿ÚÂÏ ...... 45 Isupov, Alexander...... 146 »ÒÛÔÓ‚ ¿ÎÂÍ҇̉ ...... 146 Izvolov, Nikolai...... 114, 115 183 ü‡‡Ì‰‡¯Ó‚ —Â„ÂÈ ...... 34, 35 Johnson, Tim ...... 102, 103 ü‡Ë, ƒ‡„Û ...... 164, 165 Karandashov, Sergei ...... 34, 35 üÂÓÒ‡ˇÌ “Ë„‡Ì ...... 18, 19 Kari, Dagur ...... 164, 165 üÂÒÒÂθ ¿ÎÂÍ҇̉ ...... 65 Kavun, Andrei ...... 106, 107 üË‚‡ ÇˇÌ̇ ...... 116, 117 Keosaian, Tigran...... 18, 19 üË‚‡ ÇˇÌ̇ ...... 131 Kessel, Alexander...... 65 üËÍÔ‡ÚËÍ, ü˝Ë ...... 102, 103 Khazanova, Elena ...... 12,13 üÓ‚‡Î¸ —ÚÂÔ‡Ì...... 56 Khlebnikov, Boris ...... 30, 31 üÓ„‡Ì ¿͇‰ËÈ ...... 128 Khomeriki, Nikolai ...... 78, 79 üÓÎÂÒÌËÍÓ‚ ¿ÎÂÍÒÂÈ ...... 134 Kireeva, Marianna ...... 116, 117 üÓθÔË, ¿ÌË ...... 174 Kireeva, Marianna ...... 131 üÓ̉‡¯Ë̇ üÒÂÌˡ ...... 57 Kirkpatrick, Karey ...... 102, 103 üÓÔÔÓ·, ‘˝ÌÒËÒ ‘Ó‰ ...... 178 Kogan, Arkady...... 128 üÓ¯ÛÌÓ‚ ‘ËÎËÔÔ ...... 67 Kolesnikov, Alexei ...... 134 üÛÁ̈ӂ ¿Ì‰ÂÈ...... 48 Kondrashina, Ksenia...... 57 üÛÁ̈ӂ‡ ¬‡‚‡‡ ...... 47 Korshunov, Filipp ...... 67 ÀËÚӂˆ —Â„ÂÈ ...... 49 Koval, Stepan ...... 56 üÛÒÚÓ, ∆‡Í-»‚ ...... 173 Kuznetsov, Andrei ...... 48 À‡·‡ÁÓ‚ œ‡‚ÂÎ ...... 120, 121 Kuznetsova, Varvara ...... 47 ÀÂβ¯, üÎÓ‰ ...... 177 Labazov, Pavel ...... 120, 121 ÀËÁÌ‚ ¡ÓËÒ ...... 128 Lelouch, Claude ...... 177 ÀËÔӂ͇ À˛‰ÏË·...... 72 Lipovka, Lyudmila ...... 72 ÀÓÁÌˈ‡ —Â„ÂÈ ...... 127 Litovets, Sergei ...... 49 ÀÓÔÛ¯‡ÌÒÍËÈ üÓÌÒÚ‡ÌÚËÌ ...... 14, 15 Liznev, Boris ...... 128 ÀÛ, ◊ʇÌ...... 156, 157 Lopushansky, Konstantin...... 14, 15 ÀÛÌ„ËÌ œ‡‚ÂÎ ...... 8, 9 Lounguine, Pavel ...... 8, 9 ÀÛˆËÍ œÂÚ...... 145 Loznitsa, Sergei ...... 127 Ç„‰Ë˜ ¿Ì‰ÂÈ ...... 75 Lu, Zhang ...... 156, 157 ÇÍÒËÏÓ‚ »Î¸ˇ ...... 98, 99 Lutsik, Pyotr ...... 145 ÇÎËÌËÌ —‡¯‡ ...... 50 Magdich, Andrei ...... 75 Çθ, ÀÛË...... 173 Malinin, Sasha ...... 50 ÇÌÌ, ƒÂηÂÚ...... 172 Malle, Louis...... 173 ÇÒÎÂÌÌËÍÓ‚ »„Ó¸ ...... 150 Mann, Delbert ...... 172 ÃËÓ¯Ì˘ÂÌÍÓ —Â„ÂÈ ...... 134 Maslennikov, Igor...... 150 ÃÓÓÁ fiËÈ ...... 36, 37 Maximov, Ilya ...... 98, 99 ÃÓÒÚÓ‚ÓÈ œÂÚ ...... 133 Miakisheva, Vera ...... 63 ÃˇÍ˯‚‡ ¬Â‡...... 63 Miroshnichenko, Sergei ...... 134 Õ‡ÛÏÓ‚ ¿ÎÂÍ҇̉...... 60 Moroz, Yuri ...... 36, 37 Õ„·‡ ¿ÎÂÍ҇̉ ...... 141 Mostovoy, Pyotr ...... 133 Õ‰ÓÓÒ΂‡ ÀÂÈ· ...... 44 Naumov, Alexander ...... 60 ÕÂÈχ̉ ƒÂÌËÒ...... 100, 101 Nedorosleva, Leila ...... 44 ÕÂÂÁÂÌÍÓ ŒÍ҇̇ ...... 62 Negreba, Alexander ...... 141 œ‡Ì‡ıË, ƒÊ‡Ù‡ ...... 160, 161 Neimand, Denis...... 100, 101 œ‡‡‰Ê‡ÌÓ‚ √ÂÓ„ËÈ ...... 130 Nerezenko, Oksana ...... 62 œ‡˘ËÍÓ‚ “ËÏÓÙÂÈ ...... 58 Paiusova, Julia ...... 64 œ‡˛ÒÓ‚‡, fiÎˡ ...... 64 Panahi, Jafar ...... 160, 161 œË˜ÛÎ ¬‡ÒËÎËÈ ...... 142 Paradjanov, Georgy...... 130 –‡ÒÚÓ„Û‚ ¿ÎÂÍ҇̉...... 84, 85 Parshchikov, Timofei ...... 58 –‡ÒÛÎÁ‡‰Â ◊ËÌ„ËÁ ...... 54 Pichul, Vasily...... 142 –‡ıËÏË, ¿ÚÚËÍ ...... 154, 155 Rahimi, Atiq...... 154, 155 –Ó„ÓÊÍËÌ ¿ÎÂÍ҇̉ ...... 28, 29 Rastorguev, Alexander ...... 84, 85 –Û·Ë̘ËÍ ¬‡ÎÂËÈ ...... 24, 25, 143 Rasulzade, Chingiz ...... 54 –Û‰Ìˈ͇ˇ ¿ÎË̇ ...... 129 Rogozhkin, Alexander ...... 28, 29 —ÂθˇÌÓ‚ —Â„ÂÈ ...... 139 Rubinchik, Valery ...... 24, 25, 143 —Â·ÂÌÌËÍÓ‚ üËËÎÎ...... 20, 21 Rudnitskaya, Alina ...... 129 —ÂÓ‚ üÓÌÒÚ‡ÌÚËÌ ...... 70 Selianov, Sergei ...... 139 —Ëθ‚ÂÒÚÓ‚ ¿Ì‰ÂÈ ...... 120, 121 Serebrennikov, Kirill...... 20, 21 —Í‚ÓˆÓ‚‡ ≈ÎËÁ‡‚ÂÚ‡ ...... 46 Serov, Konstantin ...... 70 —ÏËÌÓ‚‡ ¿‚‰ÓÚ¸ˇ ...... 32, 33 Shakhnazarov, Karen ...... 140 —ÓÍÓÎÓ‚ ¬ËÍÚÓ ...... 150 Shepotinnik, Peter ...... 86, 87 —Ú‚ÓÎËÌÒÍËÈ ¿Ì‰ÂÈ ...... 52 Shiller, Yuri ...... 127 —ÚÓÎÔÓ‚Ò͇ˇ ŒÎ¸„‡...... 119 Silvestrov, Andrei ...... 120, 121 “‡‡ÒÓ‚‡ ¿Ì‡ÒÚ‡Òˡ ...... 73 Skvortsova, Elizaveta ...... 46 “ËÚÓ‚ ¿Ì‰ÂÈ ...... 132 Smirnova, Avdotia ...... 32, 33 “ËıÓÏËÓ‚ ƒÏËÚËÈ ...... 55 Sokolov, Victor...... 150 “Û¯ ÇË̇ ...... 131 Stolpovskaya, Olga ...... 119 “Ûı‚‡ÚÛÎÎËÌ ¬‡‰ËÏ ...... 60 Stvolinsky, Andrei ...... 52 “ˇ„ÛÌÓ‚ ÕËÍËÚ‡...... 144 Tarasova, Anastasia ...... 73 ‘‡Î¸Í, ‘ÂÎËÍÒ...... 162, 163 Tiagunov, Nikita ...... 144 ‘‰Ó˜ÂÌÍÓ ¿ÎÂÍÒÂÈ ...... 88, 89 Tikhomirov, Dmitry ...... 55 ‘Â̘ÂÌÍÓ ¿Ì̇ ...... 68 Titov, Andrei ...... 132 ‘ËÍÒ ƒÏËÚËÈ...... 94, 95 Trush, Marina ...... 131 ’‡Á‡ÌÓ‚‡ ≈ÎÂ̇ ...... 12, 13 Tukhvatullin, Vadim...... 60 ’‡Ó, ü·ÛÒ ...... 158, 159 Vasilieva, Irina...... 132 ’ηÌËÍÓ‚ ¡ÓËÒ ...... 30, 31 Veledinsky, Alexander ...... 16, 17 ’ÓÏÂËÍË ÕËÍÓÎ‡È ...... 78, 79 Volkova, Irina ...... 61 ÿ‡ı̇Á‡Ó‚ ü‡ÂÌ...... 140 Vranik, Roland ...... 168, 169 ÿÂÔÓÚËÌÌËÍ œÂÚ ...... 86, 87 Vyrypaev, Ivan ...... 40, 41 ÿËÎÎÂ fiËÈ...... 127 Wenders, Wim ...... 180 ›Ò‡‰Á –ÂÁÓ ...... 151 Yukhananov, Boris ...... 122, 123 fiı‡Ì‡ÌÓ‚ ¡ÓËÒ...... 122, 123 Zalotukha, Valery ...... 126 12¿ (Moscow, Russia) CTB (Moscow ñ St. Petersburg, Russia)/ Internews (Moscow, Russia)/ Tel.: (495) 924-29-95, 925-76-45 —“¬ (ÃÓÒÍ‚‡ ñ —‡ÌÍÚ-œÂÚÂ·Û„) »ÌÚÂ̸˛Ò (ÃÓÒÍ‚‡) Fax: (495) 925-59-97, 200-32-03 Tel./ fax (Moscow): (495) 688-88-48, Tel.: (495) 956-22-48; E-mail: [email protected]; 684-58-17, 631-02-45; fax: (495) 291-21-74 www.rolan.ru Tel. (St. Petersburg): (812) 326-83-30, E-mail: [email protected] 8289; fax: (812) 326-83-31 1+1 Studio (Kiev, Ukraine) E-mail: [email protected], [email protected]; Kazan Film Studio Tel.: (044) 490-01-01; www.ctb.ru (Kazan, Tatarstan Republic, RF) fax: (044) 490-70-97 ü‡Á‡ÌÒ͇ˇ ÍËÌÓÒÚÛ‰Ëˇ (ü‡Á‡Ì¸) E-mail: [email protected]; Courier (Moscow, Russia)/ Tel./ fax: +8432 422-820, www.1plus1.tv üÛ¸Â (ÃÓÒÍ‚‡) +8432 422-528 Tel.: (495) 143-4938; 143-93-36 E-mail: [email protected] A.G. Pictures Group (Moscow, Russia)/ ¿.√..œË͘ÂÁ (ÃÓÒÍ‚‡) Culture of Siberian People Kinotavr ñ ORFF in Sochi Tel.: (495) 506-76-93; fax: 143-49-17 (Novosibirsk, Russia) (Moscow, Russia) üÛθÚÛ‡ ̇Ó‰Ó‚ —Ë·ËË üËÌÓÚ‡‚ ñ Œ–ü‘ ‚ —Ó˜Ë (ÃÓÒÍ‚‡) A.K.V./ ¿.ü..¬. (St. Petersburg) (ÕÓ‚ÓÒË·ËÒÍ) Tel.: (495) 543-18-12, 916-90-60

—ompanies/ contacts Tel.: (812) 237-04-72; 238-60-00; 230-94-89 E-mail: [email protected] E-mail: [email protected]; www.kinotavr.ru Absheron Artists (Moscow/ Russia) D-Film (Moscow, Russia)/

Œ„‡ÌËÁ‡ˆËË/ ÍÓÌÚ‡ÍÚ˚ Mob.: 916 1055625, e-mail: ƒ-ÙËÎ¸Ï (ÃÓÒÍ‚‡) Kinoteatr.doc (Moscow, Russia)/ [email protected] Tel. fax: (495) 745-28-88 üËÌÓÚ‡Ú.doc (ÃÓÒÍ‚‡) Tel. (495) 143 92 43; AMA Film Company Doo Entertainment (South Korea) mob. +7 910 409 40 81 (Mikhail Siniov) (Moscow, Russia)/ ¿Ã¿ (ÃÓÒÍ‚‡) Tel.: +82 2 3675 7536; E-mail: [email protected]; Tel: (495) 143-94-90, 143-94-21 fax: +82 2 3675 7535 www.kinoteatrdoc.ru E-mail: [email protected] E-mail: [email protected] Koktebel Film Company (Moscow, Russia)/ Ark-Film (Moscow, Russia)/ Federal Agency for Culture üÓÍÚ·Âθ (ÃÓÒÍ‚‡) ¿Í-ÙËÎ¸Ï (ÃÓÒÍ‚‡) and Cinematography Tel.: (495) 708-81-19; Tel..: (495) 143-49-35; 143-92-43 ‘‰Â‡Î¸ÌÓ ‡„ÂÌÚÒÚ‚Ó ÔÓ ÍÛθÚÛ fax: (495) 708-80-51 184 E-mail: [email protected] Ë ÍËÌÂχÚÓ„‡ÙËË E-mail: [email protected] Tel.: (495) 629-37-04; www.mkmk.ru Art Pictures Group (Moscow, Russia) Korshunov, Filipp (Moscow, Russia) Tel.: (495) 143-49-44; Filmpartners ñ Ò/o Magyar Filmunio üÓ¯ÛÌÓ‚ ‘ËÎËÔÔ (ÃÓÒÍ‚‡) e-mail: [email protected] Tel.: (36 1) 351 7760; Mob. 916-641-8916; E-mail: fax: (36 1) 352 6734 [email protected] Artima Studio (Moscow, Russia)/ E-mail: [email protected]; ¿ÚËχ (ÃÓÒÍ‚‡) www.filmunio.hu Krug (Moscow, Russia)/ Mob. (495) 792-76-73; üÛ„ (ÃÓÒÍ‚‡) e-mail: [email protected] Filmteam ñ Ò/o Magyar Filmunio Tel: (495) 143-94-84; Tel.: (36 1) 351 7760; fax: (495) 143-92-58 Atalanta (Moscow, Russia)/ fax: (36 1) 352 6734 E-mail: [email protected]; ¿Ú‡Î‡ÌÚ‡ (ÃÓÒÍ‚‡) E-mail: [email protected]; [email protected] Tel.: (495) 739-43-48 www.filmunio.hu Lenfilm (St. Petersburg, Russia)/ Atlantic Studio (Moscow, Russia)/ Films Distribution/ ÀÂÌÙËÎ¸Ï (—œ·) ¿Ú·ÌÚËÍ (ÃÓÒÍ‚‡) Mercure Int. (Paris, France) Tel.: (812) 326-83-83/81; Tel./fax: (495) 181-03-86; e-mail: Tel..: (33) 01 53 10 33 99/ Fax: (812) 232-88-81 [email protected] fax: (33) 01 53 10 33 98 E-mail: [email protected] E-mail: [email protected] August (Moscow, Russia)/ www.filmsdistribution.com Maxim Gorky Film Studio ¿‚„ÛÒÚ (ÃÓÒÍ‚‡) (Moscow, Russia) Tel.: +095 707-27-99; Fishka-film (Moscow, Russia)/ üËÌÓÒÚÛ‰Ëˇ ËÏÂÌË 8-905 719-07-25 (mob.) ‘˯͇-ÙËÎ¸Ï (ÃÓÒÍ‚‡) ÇÍÒËχ √Ó¸ÍÓ„Ó (ÃÓÒÍ‚‡) E-mail: [email protected] Tel: (495) 241-70-58; Tel.: (495) 181-04-34; e-mail: a_radov@yandex.ru 181-01- 83, 181-04-30 Bazelevs Production (Moscow, Russia) E-mail: [email protected]; Tel.: (495) 223-04-00, 143-71-64; Gemini Film (Moscow, Russia)/ [email protected] fax: (495) 143-17-23 √ÂÏËÌË ‘ËÎ¸Ï (ÃÓÒÍ‚‡) E-mail: [email protected]; Tel.: (495) 780-01-04; MB Production (Moscow, Russia) www.bazelevs.ru fax: (495) 780-01-05 Tel.: (495) 540-66-36. 540-91-60; E-mail: [email protected]; fax: (495) 540-66-39 Calendar (Moscow, Russia)/ www.geminifilm.ru ≈-mail: [email protected]; www.mbpro.ru ü‡ÎẨ‡¸ (ÃÓÒÍ‚‡) Tel.: (495) 962-47-00 Georgy Paradzhanov Film Melnitsa Studio (St. Petersburg, (Moscow, Russia) Russia)/ ÃÂθÌˈ‡ (—œ·) CDP (France) √ÂÓ„ËÈ œ‡‡‰Ê‡ÌÓ‚ (ÃÓÒÍ‚‡) Tel.: (812) 567-15-40; Tel.: 0146050022; fax: 0146050259 Tel.: 495 211-62-94; e-mail: fax: (812) 567-85-06 E-mail: [email protected] [email protected] E-mail: [email protected]; www.melnitsa.com Celluloid Dreams (Paris, France) HCSF ñ High Courses of Tel.: (33 1) 4970 0371; Scriptwriters and Film Directors Mercure International (Paris, France) fax: (33 1) 4970 0371 (Moscow) Tel.: (33 1) 5310 3399 / E-mail: [email protected]; ¬ü—– ñ ¬˚үˠÍÛÒ˚ ÒˆÂ̇ËÒÚÓ‚ Fax: (33 1) 5310 3398 www.celluloid-dreams.com Ë ÂÊËÒÒÂÓ‚ E-mail: [email protected] Tel.: +095 253-64-88, 253-39-57; www.filmsdistribution.com Central Partnership (Moscow, Russia) / fax: 095 253-87-09 ÷ÂÌÚ‡Î œ‡ÚÌÂ¯ËÔ (ÃÓÒÍ‚‡) E-mail: [email protected]; www.kinobraz.ru Metronome Films (Moscow, Russia)/ Tel: (495) 777-49-53, 777-49-61; ÃÂÚÓÌÓÏ-‘ËÎ¸Ï (ÃÓÒÍ‚‡) 981-82-15; fax: (495) 799-56-70 Inforg Studio ñ c/o Magyar Filmunio Tel.: (495) 181-05-84, E-mail: [email protected]; Tel.: (36 1) 351 7760; mob.: 8-916-486-39-83 www.centpart.ru fax: (36 1) 352 6734 E-mail: [email protected], E-mail: [email protected]; [email protected] Cine Fantom (Moscow, Russia)/ www.filmunio.hu —ËÌ ‘‡ÌÚÓÏ (ÃÓÒÍ‚‡) Mikhail Kalatozovís Fund Tel: (495) 104-68-64; Intercinema Art (Moscow, Russia)/ (Moscow, Russia) www.cinefantom.ru »ÌÚÂÒËÌÂχ ¿Ú (ÃÓÒÍ‚‡) ‘Ó̉ ÃËı‡Ë· ü‡Î‡ÚÓÁÓ‚‡ (ÃÓÒÍ‚‡) Tel: (495) 255-90-82; 255-94-21; Tel.: (495) 259-10-72 Channel One Russia (Moscow)/ fax: (495) 255-90-52 œÂ‚˚È Í‡Ì‡Î (ÃÓÒÍ‚‡) E-mail: [email protected]; Tel.: (495) 617-73-87 www.intercinema.ru E-mail: [email protected]; www.1tv.ru Ministry of Culture of Ukraine ProFIT (Moscow, Russia)/ CTC Television (Moscow, Russia)/ (Kiev, Ukraine) œÓ‘»“ (ÃÓÒÍ‚‡) —“— (ÃÓÒÍ‚‡) ÃËÌËÒÚÂÒÚ‚Ó ÍÛθÚÛ˚ ”Í‡ËÌ˚ Tel.: (495) 915-33-01 Tel/: (495) 797-41-00; (üË‚) E-mail: [email protected]; fax: (495) 797-41-01 Tel.: (044) 226-26-45; 234-40-94; [email protected] E-mail: [email protected]; www.ctc-tv.ru fax: (044) 225-32-57 E-mail: [email protected] Proline-film (St. Petersburg, Russia) Telemost (Moscow, Russia)/ Tel.: (812) 233-95-61, 438-11-34; “ÂÎÂÏÓÒÚ Mosfilm (Moscow, Russia)/ E-mail: [email protected] Tel.: (495) 928-70-13; e-mail: ÃÓÒÙËÎ¸Ï (ÃÓÒÍ‚‡) [email protected] Tel.: +495 143-91-18, -19; Protel (Moscow, Russia)/ fax: (495) 938-20-83; 232-93-38 œÓÚÂÎ (ÃÓÒÍ‚‡) Telekino (Moscow, Russia)/ E-mail: [email protected] Tel.: (495) 916-93-49 “ÂÎÂÍËÌÓ (ÃÓÒÍ‚‡) E-mail: [email protected]; Tel.: (495) 143-92-01, Motor Film Studio (Moscow, Russia) [email protected] 143-92-00, 143-97-85 ÃÓÚÓ ÙËÎ¸Ï ÒÚÛ‰Ëˇ (ÃÓÒÍ‚‡) E-mail: [email protected] Tel.: (495) 209-73-63, Pygmalion Production Film Co mob. 109-05-48 (Mikhail Kurbatov) (Moscow, Russia) TNT Television (Moscow, Russia)/ —ompanies/ contacts œË„χÎËÓÌ œÓ‰‡Í¯Ì (ÃÓÒÍ‚‡) “Õ“ (ÃÓÒÍ‚‡) MRP Matila Rohr Productions Oy Tel.: (495) 290-02-58; 234-30-41 Tel.: (495) 783-30-00;

(Finland) E-mail: [email protected]; fax: (495) 783-30-01 Œ„‡ÌËÁ‡ˆËË/ ÍÓÌÚ‡ÍÚ˚ Tel.: +358-9-540 7820; [email protected] E-mail: [email protected] fax: +358-9-540 78210 E-mail: [email protected] Racoon-TV (Moscow, Russia)/ TochkaZrenia (Moscow, Russia)/ –ÂÍÛÌ-“¬ (ÃÓÒÍ‚‡) “Ә͇ ÁÂÌˡ (ÃÓÒÍ‚‡) Nashe Kino (Moscow, Russia)/ Tel.: (495) 774-21-13 Tel./fax: (495)973-33-58 Õ‡¯Â ÍËÌÓ (ÃÓÒÍ‚‡) E-mail: [email protected] E-mail: [email protected] Tel./fax: (495) 681-51-41 E-mail: [email protected]; Risk (Moscow, Russia)/ –ËÒÍ (ÃÓÒÍ‚‡) Trust Film Sales ApS (Denmark) www.nashekino.ctb.ru Tel.: (495) 209-40-55; 209-40-66 Tel.: +45 3686 8788; E-mail: [email protected] fax: +45 3677 4448 Nerezenko&Co (Moscow, Russia) E-mail: [email protected]; 185 E-mail: [email protected] Ritm Studio (Moscow, Russia)/ www.trust-film.dk –ËÚÏ (ÃÓÒÍ‚‡) NETSKI Studio named Tel.: (495) 147-63-86, TVP SA (Warsaw, Poland) after Savva Kulish (Moscow, Russia) 147-24-89, 143-90-48 Tel: +48 22 547 6139; üËÌÓÒÚÛ‰Ëˇ Õ›÷ü» ËÏÂÌË —‡‚‚˚ E-mail: [email protected] fax: +48 22 547 7583 üÛÎ˯‡ (ÃÓÒÍ‚‡) E-mail: [email protected] Tel./fax: (495) 617-87-49, Rock (Moscow ñ St. Petersburg, Russia) mob.: 974-52-30 –ÓÍ (ÃÓÒÍ‚‡ ñ —‡ÌÍÚ-œÂÚÂ·Û„) Ukraine Media Group (Kiev, Ukraine) E-mail: [email protected] Tel. (in Moscow): (495) 629-04-77 ”Í‡ËÌÒ͇ˇ ωËÈ̇ˇ „ÛÔÔ‡ (üË‚) Tel. (in St. Petersburg): (812) 714-20-56 Tel.: (044) 454-19-38 Nordisk Film International Sales E-mail: [email protected] Tel.: (45 36) 18 82 00; UIP ñ United International Pictures fax: (45 36) 18 95 50 Rolan Bykovís Fund (Moscow, Russia)/ (USA) E-mail: [email protected], ‘Ó̉ –Ó·̇ ¡˚ÍÓ‚‡ (ÃÓÒÍ‚‡) Tel. (in Moscow, Russia): www.sales.nordiskfilm.com Tel.: (495) 916-93-00; 924-40-51; (495) 981-07-63, 981-07-59, 981- 07-61 fax: (495) 200-32-20 Fax (in Moscow, Russia): (495) 981-07-60 Novye Lyudi/ New Men E-mail: [email protected] E-mail: [email protected]; www.uip.com (Moscow, Russia)/ ÕÓ‚˚ β‰Ë (ÃÓÒÍ‚‡) RTR ñ Russia Television Vertov &Co (Moscow, Russia)/ Mob.: (495) 789-50-12, (Moscow, Russia) ¬ÂÚÓ‚ Ë üÓ (ÃÓÒÍ‚‡) e-mail: [email protected] –“– ñ “ÂÎÂ͇̇Π´–ÓÒÒˡª (ÃÓÒÍ‚‡) Tel.: (495) 235-51-98, 235-42-41 Tel.: (495) 955-86-42; E-mail: [email protected]; Ostrov (Moscow, Russia)/ 730-43-79; 955-81-53 www.vertov.ru ŒÒÚÓ‚ (ÃÓÒÍ‚‡) E-mail: [email protected]; Tel.: (495) 245-44-67 www.rtr-tv.ru VGIK ñ Educational Studio of the All-Russia Institute of Pack Line (Israel) SDF (St. Petersburg, Russia)/ Cinematography (Moscow, Russia) Tel.: +972-3-558 1534; —ƒ‘ (—œ·) ¬√»ü ËÏÂÌË —.¿.√Â‡ÒËÏÓ‚‡ (ÃÓÒÍ‚‡) fax: +972-3-558 3635 Tel: (812) 714-08-06; 714-53-12, Tel: (495) 181-13-14; E-mail: [email protected] 714-11-05, 714-53-12 fax: (495) 187-71-74 Fax: (812) 714-33-04 E-mail: [email protected]; Paradise (Moscow, Russia)/ E-mail: [email protected]; [email protected]; œ‡‡‰ËÁ (ÃÓÒÍ‚‡) [email protected] www.vgik-edu.ru Tel.: (495) 916-90-18 E-mail: [email protected] Slon Studio (Moscow, Russia)/ V.K. ñ Campaign (Moscow, Russia)/ —ÎÓÌ (ÃÓÒÍ‚‡) V.ü ñ ü‡ÏÔ‡Ìˡ (ÃÓÒÍ‚‡) Pathe Pictures International Tel.: (495) 181-03-86, 181-33-24; Tel.: (495) 200-03-68 (London, UK) fax: (495) 181-03-86 Tel: (44 207) 462 4427, E-mail: [email protected]; VOZ (Moscow, Russia)/ ¬Œ« (ÃÓÒÍ‚‡) fax: (44 207) 436 7891 [email protected] Mob. 8-926-525-6036; e-mail: E-mail: [email protected] [email protected] Slovo Film Studio (Moscow, Russia)/ Pavel Lounguine Studio —ÎÓ‚Ó, ÍËÌÓÒÚÛ‰Ëˇ (ÃÓÒÍ‚‡) VT Cinema (Moscow, Russia) (Moscow, Russia) Tel.: (495) 143-95-03; 143-97-98 Tel.: (495) 603-09-43; 585-49-00 —ÚÛ‰Ëˇ œ‡‚· ÀÛÌ„Ë̇ (ÃÓÒÍ‚‡) E-mail: [email protected]; E-mail: [email protected], Tel.: (495) 143-93-88, [email protected] [email protected] [email protected] Slovo, Production Company West Company (Moscow, Russia)/ Pervoe Kinopartnerstvo (Moscow, Russia) ¬ÂÒÚ (ÃÓÒÍ‚‡) (Moscow, Russia) —ÎÓ‚Ó, œÓ‰˛ÒÂÒ͇ˇ ÍËÌÓÍÓÏÔ‡Ìˡ Tel.: (495) 916-28-28, e-mail: œÂ‚Ó üËÌÓÔ‡ÚÌÂÒÚ‚Ó (ÃÓÒÍ‚‡) (ÃÓÒÍ‚‡) [email protected] Tel.: (495) 143-27-10; e-mail: Tel../fax: (495) 143-49-17; 97-25; [email protected] tÂÎ.: (495) 143-91-60 YuG-TV (Moscow, Russia)/ www.euphoria-film.com Email: [email protected] fi√-“¬ (ÃÓÒÍ‚‡) Tel.: (495) 506-76-93; PiEF (St. Petersburg, Russia) Snega/ Sky (Ekaterinburg, Russia)/ fax: (495) 143-49-17 œË›‘ ñ —ÚÛ‰Ëˇ ÔÂ‚Ó„Ó Ë —Ì„‡ (≈͇ÚÂËÌ·Û„) ˝ÍÒÔÂËÏÂÌڇθÌÓ„Ó ÙËθχ (—œ·) Tel.: (343) 261-39-12; e-mail: ZGfilm (Moscow, Russia) Tel.:/ fax: (812) 237-07-01, 237-07-09 [email protected] Tel./ fax: (495) 680-15-39, 680-15-21 E-mail: [email protected]; E-mail: [email protected]; www.zgfilm [email protected] Soyuz (Moscow, Russia)/ —Ó˛Á (ÃÓÒÍ‚‡) Tel: (495) 143-49-26; 147-23-10 Œ—Œ¡¿fl ¡À¿√Œƒ¿–ÕŒ—“‹

√”¡≈–Õ¿“Œ–” ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl ¿¬»¿üŒÃœ¿Õ»» ´¿›–Œ‘ÀŒ“ª: “ü¿◊≈¬” ¿À≈ü—¿Õƒ–” Õ»üŒÀ¿≈¬»◊” Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ ”œ–¿¬À≈Õ»fl ƒŒ’Œƒ¿Ã» –‘ » —Õ√ √À¿¬≈ √Œ–Œƒ¿ —Œ◊» —üŒ–Œ¡Œ√¿“Œ¬” ≈¬√≈Õ»fi ¿Õ¿“ŒÀ‹≈¬»◊” üŒÀŒƒfl∆ՌÔ ¬»ü“Œ–” ¬»ü“Œ–Œ¬»◊” Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ √–”œœŒ¬¤’ œ≈–≈¬Œ«Œü ü”«»ÕŒ… —¬≈“À¿Õ≈ ¬¿À≈Õ“»ÕŒ¬Õ≈ ‘≈ƒ≈–¿À‹ÕŒÃ” ¿√≈Õ“—“¬” œŒ ü”À‹“”–≈ » ü»Õ≈ÿ“Œ√–¿‘»»: ¿¬“Œ“–¿Õ—œŒ–“ՌÔ ¿√≈Õ“—“¬” ´¿√¿“¿ª ÿ¬¤ƒüŒÃ” û’¿»À” ≈‘»ÃŒ¬»◊” ¿À¿ƒƒ»ÕŒ… »–»Õ≈ ¬¿ƒ»ÃŒ¬Õ≈ √ŒÀ”“¬≈ ¿À≈ü—¿Õƒ–” ¿À≈ü—≈≈¬»◊” À¿«¿–”ü” —≈–√≈fi ¬À¿ƒ»Ã»–Œ¬»◊” üŒÃœ¿Õ»» ´ü»ÕŒœ–Œ≈ü“ª: —“–Œ◊üŒ¬Œ… √¿À»Õ≈ ÿ–üŒ¬Õ≈ ü»—≈À≈¬” »√Œ–fi fi–‹≈¬»◊” —Œ–Œü»ÕŒ… »–»Õ≈ ¿Õ¿“ŒÀ‹≈¬Õ≈ –”¡»Õ” ¿À≈ü—¿Õƒ–” fi–‹≈¬»◊”

√Œ—‘»À‹ÃŒ‘ŒÕƒ” –‘: üŒÃœ¿Õ»» ´—Œ”ƒ —Œ◊»Õ—ü»≈ ¬¤—“¿¬ü»ª: ¡Œ–Œƒ¿◊≈¬” Õ»üŒÀ¿fi û’¿…ÀŒ¬»◊” «¿’¿–◊≈ÕüŒ fi–»fi ¿À≈ü—¿Õƒ–Œ¬»◊” ƒÃ»“–»≈¬” ¬À¿ƒ»Ã»–” fi–‹≈¬»◊” «¿’¿–◊≈ÕüŒ »ÕÕ≈ »¬¿ÕŒ¬Õ≈

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ƒ≈œ¿–“¿Ã≈Õ“” ü”À‹“”–¤ ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl PRODUCTION ¡fi–Œ ´EXITª: ü¿À»Õü»Õ” ¿Õ“ŒÕ” –”üŒ¬Œƒ»“≈Àfi ƒ≈œ¿–“¿Ã≈Õ“¿ ü”À‹“”–¤ œŒÕŒÃ¿–≈ÕüŒ ¬À¿ƒ»Ã»–” ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl œ”√¿◊≈¬Œ… Õ¿“¿À‹≈ √≈Œ–√»≈¬Õ≈ –≈üÀ¿ÃÕŒ… —À”∆¡≈ √Œ–Œƒ¿ —Œ◊»

Õ¿◊¿À‹Õ»ü” Œ“ƒ≈À¿ ü»Õ≈ÿ“Œ√–¿‘»» ´Ã¿ü— Ã≈ƒ»¿ √–”œœª ƒ≈œ¿–“¿Ã≈Õ“¿ ü”À‹“”–¤ ü–¿—ÕŒƒ¿–—üŒ√Œ ü–¿fl ûüÿ»—” û’¿»À” û’¿…ÀŒ¬»◊” ¿–“¿ÿ≈¬»◊ “¿“‹flÕ≈ —≈–√≈≈¬Õ≈ œŒ—ŒÀ‹—“¬” ‘»ÕÀflÕƒ»» ¬ ÃŒ—ü¬≈ œ–≈ƒ—≈ƒ¿“≈Àfi √Œ–Œƒ—üŒ√Œ —Œ¡–¿Õ»fl —Œ◊» œŒƒœŒ¬≈“ՌÔ ¬¿À≈–»fi flüŒ¬À≈¬»◊” ¿√≈Õ“—“¬” ´»Õ“≈–—»Õ≈ÿ ¿–“ª ‘ŒÃ»ÕŒ… –¿»—≈ üÀ»Ã≈Õ“‹≈¬Õ≈ ”œ–¿¬À≈Õ»fi ü”À‹“”–¤ ¿ƒÃ»Õ»—“–¿÷»» √Œ–Œƒ¿ —Œ◊» CONCORD TRAVEL AGENCY ¡–¿√»Õ” ¿Õƒ–≈fi ¿À≈ü—≈≈¬»◊” Õ¿◊¿À‹Õ»ü” ”œ–¿¬À≈Õ»fl ü”À‹“”–¤ ¿ƒÃ»Õ»—“–¿÷»» √Œ–Œƒ¿ —Œ◊» ü¿¡»Õ≈“” Œ“≈◊≈—“¬≈ÕÕŒ√Œ ü»ÕŒ ¬√»ü¿: ¡¿–—≈√flÕ –”«¿ÕÕ≈ √≈Œ–√»≈¬Õ≈ ◊≈–“Œ¬Œ… Õ¿“¿À‹≈ √–»√Œ–‹≈¬Õ≈

√À¿¬ÕŒÃ” —œ≈÷»¿À»—“” ”œ–¿¬À≈Õ»fl ü”À‹“”–¤ ¿ƒÃ»Õ»—“–¿÷»» √Œ–Œƒ¿ —Œ◊» » À»◊ÕŒ: —ÃŒÀ≈Õ÷≈¬” »√Œ–fi œ≈“–Œ¬»◊” üŒ¬–»√»ÕŒ… ≈À≈Õ≈, Œ¿Œ √ü ´∆≈Ã◊”∆»Õ¿ª: –”üŒ¬Œƒ»“≈Àfi —À”∆¡¤ œ»“¿Õ»fl ¿–»Õ÷≈¬” fi–»fi Õ»üŒÀ¿≈¬»◊” √–”ÿüŒ —≈–√≈fi ¬»ü“Œ–Œ¬»◊” œ≈–¬”ÿ»ÕŒ… ŒÀ‹√≈, üŒ¬¿À≈¬” √≈ÕÕ¿ƒ»fi ≈√Œ–Œ¬»◊” Œ“¬≈“—“¬≈ÕÕŒ… «¿ ‘»À‹ÃŒ√–”œœ¤ Ãü–“¤◊¿Õ ›À‹¬»–≈ ƒ∆ŒÕŒ¬Õ≈ ÿü¿–Œ¬Œ… ≈À≈Õ≈ ¬¿À≈–‹≈¬Õ≈ ∆≈–ÕŒ¬Œ… ≈À≈Õ≈, "ü»ÕŒ“¿¬–-“¬" ŒŒŒ ´ƒŒÃ-2000ª »“≈Õ¡≈–√” û’¿»À” «¿’¿–Œ¬»◊” ü”«Õ≈÷Œ¬Œ… ¿ÀÀ≈, "ü»ÕŒ“¿¬–-“¬" ¿¬»¿üŒÃœ¿Õ»» ´¬»Ã-¿¬»¿ª: √–»¡üŒ¬” û’¿»À” ¿Õ¿“ŒÀ‹≈¬»◊” Œ¡”’Œ¬Œ… ≈À≈Õ≈, ÿûՔ ¿À≈ü—≈fi ¬À¿ƒ»Ã»–Œ¬»◊” —≈ü–≈“¿–fi ∆fi–» Œ—ÕŒ¬ÕŒ√Œ üŒÕü”–—¿ ÿ«≈»Õ” ¿À≈ü—≈fi √≈ÕÕ¿ƒ‹≈¬»◊” ü¿—‹flÕ ≈À≈Õ≈, Óü” ´“¬Œ–◊≈—üŒ≈ Œ¡⁄≈ƒ»Õ≈Õ»≈ –”üŒ¬Œƒ»“≈Àfi —À”∆¡¤ »Õ‘Œ–ÿ÷»» ´—Œ◊»Õ—ü¿fl ‘»À¿–Ìջflª: ÷≈ƒ–»ü” —≈–√≈… —≈–√≈≈¬»◊ ÿ“¬≈≈¬” ¿À≈ü—≈fi »¬ŒÀ√≈ √≈ÕÕ¿ƒ»fi »¬¿ÕŒ¬»◊” ¡≈«ÕŒ—fiü Õ¿“¿À‹≈ ≈¬√≈Õ‹≈¬Õ≈ ÿ¿Ã¤√»Õ” À‹¬” ƒÃ»“–»≈¬” fi–»fi —≈–√≈≈¬»◊” SPECIAL THANKS

TO THE GOVERNOR OF THE KRASNODAR REGION TO AEROFLOT AIRLINES: ALEXANDER NIKOLAEVICH TKACHIOV TO THE HEAD OF THE DEPARTMENT OF INCOME MANAGEMENT OF THE RF AND CIS TO THE HEAD OF SOCHI CITY ADMINISTRATION EVGENI ANATOLIEVICH SKOROBOGATOV VICTOR VICTOROVICH KOLODIAZHNY TO THE HEAD OF THE DEPARTMENT OF GROUP TRANSPORT TO THE FEDERAL AGENCY FOR CULTURE AND SVETLANA VALENTINOVNA KUZINA CINEMATOGRAPHY: MIKHAIL EFIMOVICH SHVYDKOI TO THE MOTOR TRANSPORT AGENCY ìAGATHAî ALEXANDER ALEXEEVICH GOLUTVA IRINA VADIMOVNA ALADDINA SERGEI VLADIMIROVICH LAZARUK GALINA MARKOVNA STROCHKOVA TO THE COMPANY ìKINOPROJECTî: IRINA ANATOLIEVNA SOROKINA IGOR YURIEVICH KISELEV ALEXANDER YURIEVICH RUBIN TO GOSFILMOFOND: NIKOLAI MIKHAILOVICH BORODACHEV TO THE COMPANY ìSOUD ñ SOCHI EXHIBITIONSî: VLADIMIR YURIEVICH DMITRIEV YURI ALEXANDROVICH ZAKHARCHENKO INNA IVANOVNA ZAKHARCHENKO TO THE DEPUTY HEAD OF THE KRASNODAR REGIONAL ADMINISTRATION TO SOCHI AIRPORT: 187 GALINA DMITRIEVNA ZOLINA ALEXEI GEORGIEVICH BLIZNIUKOV SVETLANA VASILIEVNA KUNAKHOVA TO THE DEPARTMENT OF CULTURE OF THE KRASNODAR REGION TO THE PRODUCTION BUREAU ìEXITî: ANTON KALINKIN TO THE HEAD OF THE DEPARTMENT OF CULTURE OF VLADIMIR PONOMARENKO THE KRASNODAR REGION NATALIA GEORGIEVNA PUGACHEVA TO THE ADVERTISING SERVICE OF SOCHI CITY

TO THE HEAD OF THE SECTION OF CINEMA OF THE TO ÿX MEDIA GROUP DEPARTMENT OF CULTURE OF THE KRASNODAR MIKHAIL MIKHAILOVICH MIKSHIS REGION TATIANA SERGEEVNA ARTASHEVICH TO THE EMBASSY OF FINLAND IN MOSCOW

TO THE CHAIRMAN OF THE CITY ASSEMBLY OF SOCHI TO THE AGENCY ìINTERCINEMA ARTî VALERI YAKOVLEVICH PODPOVETNY RAISA KLIMENTIEVNA FOMINA

TO THE CULTURAL DIRECTORATE OF SOCHI CITY CONCORD TRAVEL AGENCY ADMINISTRATION ANDREI ALEXEEVICH BRAGIN

TO THE HEAD OF THE CULTURAL DIRECTORATE OF TO THE SECTION OF NATIONAL CINEMA AT THE FILM SOCHI CITY ADMINISTRATION INSTITUTE VGIK: RUZANNA GEORGIEVNA BARSEGIAN NATALIA GRIGORIEVNA CHERTOVA

TO THE CHIEF EXPERT OF THE CULTURAL DIRECTORATE OF SOCHI CITY ADMINISTRATION AND PERSONALLY TO IGOR PETROVICH SMOLENTSEV KOVRIGINA ELENA, TO THE HOTEL COMPLEX ìZHEMCHUZHINAî: CHIEF OF THE FOOD'S SERVICE YURI NIKOLAEVICH ARINTSEV SERGEI VIKTOROVICH GRUSHKO PERVUSHINA OLGA GENNADI EGOROVICH KOVALIOV CHIEF OF THE FILM BASE ELVIRA DZHONOVNA MKRTYCHAN ELENA VALERIEVNA MAKAROVA ZHERNOVA ELENA, KINOTAVR-TV TO THE COMPANY ìHOUSE 2000î MIKHAIL ZAKHAROVICH ITENBERG KUZNETSOVA ALLA, KINOTAVR-TV TO THE AIRLINE ìVIM-AVIAî: MIKHAIL ANATOLIEVICH GRIBKOV OBUKHOVA ELENA, ALEXEI VLADIMIROVICH MAMIN SECRETARY OF THE MANE COMPETITION'S JURY ALEXEI GENNADIEVICH MAZEIN KASIAN ELENA TO THE CREATIVE ASSOCIATION CHIEF OF THE INFORMATION SERVICE ìSOCHI PHILHARMONIC SOCIETYî SERGEI SERGEEVICH TSEDRIK MATVEEV ALEXEI GENNADI IVANOVICH IVOLGA NATALIA EVGENIEVNA BEZNOSIUK SHAMYGIN LEV YURI SERGEEVICH DMITRIEV –”üŒ¬Œƒ—“¬Œ » MANAGEMENT —À”∆¡¤ ‘≈—“»¬¿Àfl AND SERVICES √ÂÌÂ‡Î¸Ì˚È ÔÓ‰˛ÒÂ General producer »„Ó¸ “ÓÎÒÚÛÌÓ‚ Igor Tolstunov ƒËÂÍÚÓ ÍËÌÓÔÓ„‡ÏÏ Programme director CËÚÓ‡ ¿ÎË‚‡ Sitora Alieva ŒÚ·ÓӘ̇ˇ ÍÓÏËÒÒˡ Selection committee ≈‚„ÂÌËÈ Ã‡„ÓÎËÚ, Evgeni Margolit, ≈‚„ÂÌËÈ √ÛÒˇÚËÌÒÍËÈ Evgeni Gusiatinsky ƒËÂÍÚÓ Executive director ≈ÎÂ̇ À‡ÔË̇ Elena Lapina üÓÏÏÂ˜ÂÒÍËÈ ‰ËÂÍÚÓ Commercial director œÓÎË̇ «Û‚‡ Polina Zueva ¿‰ÏËÌËÒÚ‡ÚË‚Ì˚È ‰ËÂÍÚÓ Administrative director ŒÍ҇̇ √‡ÎËÂÌÍÓ Oksana Galienko ‘Ë̇ÌÒÓ‚˚È ‰ËÂÍÚÓ Financial director À˛·Ó‚¸ œ‡ÒÚÛıÓ‚‡ Liubov Pastukhova –ÛÍÓ‚Ó‰ËÚÂθ Óډ· Promotion Head of Promotion ¿Ì‡ÒÚ‡Òˡ ¡Û΄‡ÍÓ‚‡ Anastasia Bulgakova –ÛÍÓ‚Ó‰ËÚÂθ PR-Óډ· Head of PR ≈ÎÂ̇ üÛÔˡÌÓ‚‡ Elena Kupriyanova 188 –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ‡ÁÏ¢ÂÌˡ Head of Accreditation Õ‡‰Âʉ‡ üÓÎÂÒÌËÍÓ‚‡ Nadezhda Kolesnikova –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔÓÚÓÍÓ· Head of Protocol Շڇθˇ flÍÛ¯ÍË̇ Natalia Yakushkina ƒËÂÍÚÓ ÍÛθÚÛÌÓÈ ÔÓ„‡ÏÏ˚ Culture Programme Director ¿ÎÂÍÒÂÈ ¿„‡Ìӂ˘ Alexei Agranovich VIP-ÒÎÛÊ·‡ VIP Service Շڇθˇ ¡‡‡·‡ÌÓ‚‡ Natalia Barabanova –ÛÍÓ‚Ó‰ËÚÂθ ÏÓÒÍÓ‚ÒÍÓ„Ó ¯Ú‡·‡ Head of Moscow office fiÎˡ ¿ÈÁÂÌ·Â„ Julia Aisenberg —ÔˆˇÎËÒÚ Óډ· Promotion Promotion ƒ‡¸ˇ üÓ‚ˇÍÓ‚‡ Daria Kroviakova üÛ‡ÚÓ ÔÓ„‡ÏÏ-ÒÂÏË̇Ó‚ Curator of Seminar Programmes ¿Ì̇ √Û‰ÍÓ‚‡ Anna Gudkova –ÛÍÓ‚Ó‰ËÚÂθ ÏÂʉÛ̇Ó‰ÌÓ„Ó Óډ· Head of International Department ÕË̇ √Ó‚ÓÓ‚‡ Nina Govorova üÓÓ‰Ë̇ÚÓ ÍËÌÓÔÓ͇Á‡ Screening Coordinator ≈͇ÚÂË̇ ü‡ÒÌÓ‚Ò͇ˇ Ekaterina Krasnovskaya —ÎÛÊ·‡ ÍËÌÓÔÓ͇Á‡ Screening Service √ÂÌ̇‰ËÈ ¿ÌËÒ¸ÍÓ Gennadi Anisko –ÛÍÓ‚Ó‰ËÚÂθ ÒÎÛÊ·˚ ÔÂ‚Ӊ‡ Head of Translation Service »Ë̇ Çڂ‚‡ Irina Matveeva –ÛÍÓ‚Ó‰ËÚÂθ Ú‡ÌÒÔÓÚÌÓÈ ÒÎÛÊ·˚ Head of Transport Service —Â„ÂÈ ÀÓÒ¸ Sergei Los œÓÏÓ˘ÌËÍ ‰ËÂÍÚÓ‡ Assistant to the director »Ë̇ ◊ÂÒÚÌÓ‚‡ Irina Chestnova œÓÏÓ˘ÌËÍ ÍÓÏÏÂ˜ÂÒÍÓ„Ó ‰ËÂÍÚÓ‡ Assistant to the commercial director “‡Ú¸ˇÌ‡ ƒÂ¯ÍÓ Tatiana Deshko üÓÓ‰Ë̇ÚÓ ÒÎÛÊ· ÍËÌÓÙÂÒÚË‚‡Îˇ Coordinator of festival services ¬‡ÎÂËÈ ◊Ë„‡‚ Valeri Chigarev –ÛÍÓ‚Ó‰ËÚÂθ IT Óډ· Head of IT department »Î¸ˇ ≈„ÓÓ‚ Ilya Egorov √·‚Ì˚È ·Ûı„‡ÎÚÂ Chief accountant À‡ËÒ‡ ü‡Á‡ÌË̇ Larisa Kazanina

ü¿“¿ÀŒ√ CATALOGUE ¬˚ÔÛÒ͇˛˘ËÈ ‰‡ÍÚÓ Chief editor ÃËÓÒ·‚‡ —„ˉ‡ Miroslava Segida œÂ‚Ӊ Translation ¡Ë„ËÚ ¡ÓÈÏÂÒ Birgit Beumers Œ·ÎÓÊ͇ Ë ÎÓ„ÓÚËÔ ÙÂÒÚË‚‡Îˇ Cover Design and Festival Logo »„Ó¸ √Ûӂ˘ Igor Gurovich ÇÍÂÚ Ë ‚ÂÒÚ͇ Layout and Typesetting ƒÏËÚËÈ »‚ΡÌÓ‚ Dmitry Ivlianov üÓÂÍÚÓ Proofreader ≈ÎÂ̇ üÓÔ˚΂‡ Elena Kopyleva