William Pember Reeves, Writing the Fortunate Isles
WILLIAM PEMBER REEVES, WRITING THE FORTUNATE ISLES MEG TASKER Federation University, Ballarat In all its phases, the career of William Pember Reeves was shaped by overlapping social and cultural identities. From his childhood as an English migrant in New Zealand being groomed to join the colonial ruling class, to his advocacy of Greek independence and chairmanship of the Anglo-Hellenic League in his last decades, Reeves illustrates the kind of mobility across social as well as national and geographical borders that calls for the use of the term ‘transnational colonial’ rather than ‘expatriate.’1 He has this in common with many Australasian writers at the turn of the nineteenth and twentieth centuries. This paper will focus on how he ‘wrote New Zealand,’ particularly after his move to London in 1896 as Agent-General. The expression ‘transnational colonial,’ coined by Ken Gelder in relation to popular fiction (Gelder 1), conveys the cultural hybridity of the late nineteenth century Australasian abroad without imposing a rigidly ‘centre/margins’ structure of imperial power relations. The term ‘transnational’ stresses the existence of two-way or multiple exchanges of influences and ideas between colonial and metropolitan writers, publishers, readers, and markets. Such an approach to colonial/imperial cultural relationships has been developed by postcolonial critics and historians such as John Ball in Imagining London: Postcolonial Fiction and the Transnational Metropolis (2004), Angela Woollacott in To Try Her Fortune in London (2001), and Andrew Hassam, in Through Australian Eyes: Colonial Perceptions of Imperial Britain (2000). Similarly, in their excellent study of late colonial writing, Maoriland: New Zealand Literature 1872-1914, Jane Stafford and Mark Williams argue that ‘empire was an internationalising force in ways not often recognised.
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