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The Secret Crimes of the Cuckoo
springwatch the con is on The CON isON Cavan Scott investigates the crimes of the star of this year’s Springwatch David Kjaer /naturepl.com Photo: may 2009 COUNTRYFILE 49 springwatch the con is on such extraordinary lengths, and worldwide only around 1 percent “Within hours of hatching of all birds share its methods. the blind and naked cuckoo After 23 years studying the cuckoo’s sinister plans in Wicken chick pushes any remaining Fen, Britain’s foremost expert on cuckoo behaviour, Dr Nicholas eggs from the nest” Davies of the University of Cambridge, is able to shed some light on the matter. 1 “Foisting your parental duties on somebody else may seem to be a wonderful thing to do,” he explains. “But over evolutionary time, the hosts fight back so that the poor cuckoo has to work 2 3 incredibly hard to be lazy, simply because it has to overcome all of these defences. What we witness is a fantastic arms race between parasite and host.” 4 5 This titanic battle commences with that famous bird call. In May, A host of hosts the blue-grey male cuckoo arrives In Britain, five main hosts account for on our shores from Africa and 90 percent of the parasitised nests. booms out his distinctive ‘cuc-coo’, In heathland the cuckoo will choose thereby establishing himself as the dunnock (1), in marshland it picks God’s gift to the slightly browner the reed warbler (2), while in open female. Nature takes its course and country it’s the pied wagtail (3). The meadow pipit (4) falls foul of the the female’s work begins. -
Travels & Tourists in the Middle Kingdom: Two Insider Perspectives
The Newsletter | No.72 | Autumn 2015 12 | The Study Travels & tourists in the Middle Kingdom: two insider perspectives How then to keep a balance between the bursting Phenomena can be studied both as numeric data (trends) as well as tourism sector and the saturation of those places around the country that attract a multitude of visitors? What about that practices, that is, cultural tendencies. When it comes to tourism in never-ending debate between tourism and travel, between the massified and the ‘authentic’ experiences. “If you are relation to China the first approach manifests a clear symptom: China asking me about authenticity, I do not believe that visiting, let’s say, the Forbidden City is not an authentic experience: is more and more at the centre of the global tourism sector, either it is Beijing, it is China, you cannot avoid it. But Beijing is also Sanlitun and Chaoyang, two very wealthy and modern as a tourism destination, or as the source of an increasing number areas. Authenticity, then, can be found both in the different perspective from which you look at the Forbidden City, of outbound tourists. as well as in the overall travel experience that derives from all these apparent paradoxes. Many tourists, mainly foreigners, Stefano Calzati think of China in terms of its imperial past; my goal is to s how them that besides this legacy, China is something else nowadays.” ACCORDING TO THE MOST RECENT UN report,1 “tourist arrivals blue sky is boundless/You lit a cigarette at dusk/Looking at I was curious about differences, if any, between the reached 1,138 million in 2014, a 4.7% increase over the previous the yellow earth under your feet, the yellow walls/The yellow Western and the Chinese (self)perception of the Middle year. -
Mike Gunton Creative Director, BBC Studios' Natural History Unit
Mike Gunton Creative Director, BBC Studios’ Natural History Unit Media Masters – January 30, 2020 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one-to-one interviews with people at the top of the media game. Today, I’m joined by Mike Gunton, creative director of the BBC’s Natural History Unit. Mike is responsible for bringing new and pioneering stories about the natural world to global audiences, including the BAFTA and Emmy-winning Planet Earth II, which was viewed by millions worldwide. In 2018, his groundbreaking animal behaviour series, Dynasties, also picked up a raft of awards and was recognised by Sir David Attenborough as inventing a new genre in natural history filmmaking. A fellow of the Royal Television Society, he also speaks internationally as an ambassador for natural history filmmaking, the BBC, and the natural world. Mike, thank you for joining me. Pleasure. Nice to be here. How on earth did you get into all this lark then? Well, actually, I’d always wanted to be in television, but not necessarily in wildlife filmmaking. Although I must say, David Attenborough was a bit of an inspiration as a kid, seeing him on Life on Earth, I think it was. And now you’re his boss. Well, yes. If only! And actually, funnily enough, Clive James. It was quite poignant when I saw that he had passed away. Sadly missed, yes. I used to like reading his reviews in the paper, and him talking about television just got me interested in television as a teenager really. -
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m ,. CONTROL NUMBER 27.SU' W' cu-.1.SSJT:ON(€S) BIBLIOGRAPHIC DATA SHEET AL-3L(-UM0F00UIEC-T00J: 9 i IE AN) SUBTIT"LE (.40) - Airicult !ral development : present and potential role of edible wild plants. Part I Central .nd So,ith :Amnerica a: ( the Caribbean 4af.RSON \1. AUrI'hORS (100) 'rivetti, L. E. 5. CORPORATE At-TH1ORS (A01) Calif. Uiliv., 1)' is. 6. nOX:U1E.N7 DATE 0)0' 1. NUMBER 3F PAGES j12*1) RLACtNUMER ([Wr I icio 8 2 p. J631.54.,G872 9. REI F.RENCE OR(GA,-?A- ION (1SO) C,I i f. -- :v., 10. SIt J'PPNIENTA.RY NOTES (500) (Part II, Suh-Sanarai Africa PN-AAJ-639; Part III, India, East Asi.., Southeast Asi cearnia PAJ6)) 11. NBS'RACT (950) 12. DESCRIPTORS (920) I. PROJECT NUMBER (I) Agricultural development Diets Plants Wild plants 14. CONTRATr NO.(I. ) i.CONTRACT Food supply Caribbean TYE(140) Central America AID/OTR-147-80-87 South America 16. TYPE OF DOCI M.NT ic: AED 590-7 (10-79) IL AGRICULTURAL DEVELOP.MMT: PRESENT AND POTENI.AL ROLE OF EDIBLE WILD PLANTS PART I CENTRAL AND SOUTH AMERICA AND THE CARIBBEAN November 1980 REPORT TO THE DEPARTMENT OF STATE AGENCY FOR INTERNATIONAL DEVELOPMENT Alb/mr-lq - 6 _ 7- AGRICULTURAL DEVELOPMENT: PRESENT AND POTENTIAL ROLE OF EDIBLE WILD PLANTS PART 1 CENTRAL AND SOUTH AMERICA AND THE CARIBBEAN by Louis Evan Grivetti Departments of Nutrition and Geography University of California Davis, California 95616 With the Research Assistance of: Christina J. Frentzel Karen E. Ginsberg Kristine L. -
Future of Public Service Media: Open University Response Summary
Ofcom – Future of Public Service Media: Open University Response Summary 1. Education is a crucial part of the Public Service Broadcasting (PSB) requirements. Several of the statutory requirements set out in Section 264 of the Communications Act 2003 relate to educational objectives. There are opportunities to strengthen these requirements as part of the new Public Service Media (PSM) offer. 2. The Open University (OU) plays a key role in supporting the delivery of PSB requirements around education through its partnership with the BBC. The partnership co-produces high-quality factual content across several channels and platforms, which is developed in collaboration with academic experts and closely linked to related educational materials hosted by the OU. A key objective of the partnership is to encourage people to embark on learning journeys from the informal, factual content produced with the BBC, through online and printed educational resources which enhance and enrich their broadcast/digital experience, to taking up formal learning opportunites inspired by watching, listening to and engaging with the content produced as part of the partnership. 3. In 2019/20: • A total of 257 hours of content produced via the OU/BBC partnership was broadcast by the BBC. • This resulted in a combined total of 308 million viewing/listening “events” and digital engagement interactions. • The three most popular television programmes broadcast – A Perfect Planet, Springwatch and Hospital (Series 5) all saw viewing figures in excess of 22 million. • There were 765,000 unique visitors to the online educational content related to the OU/BBC partnership hosted on the OU’s free online learning platform, OpenLearn. -
Nat Geo Wild Program Schedule September(Weekly)
Nat Geo Wild Program Schedule September(weekly) *The FOX Program Schedule(weekly) will be discontinued from the October Program Schedule(starting Septem MON TUE WED THU FRI SAT SUN 3.10.17.24 4.11.18.25 5.12.19.26 6.13.20.27 7.14.21.28 1.8.15.22.29 2.9.16.23.30 400 Game Of Lions、 And Man Created Dog、 400 Man Among Cheetahs、 Cesar To The Rescue III、 Wild Mississippi、 America's National Parks、 Tiger Queen SEARCH FOR THE FIRST World's Deadliest Shark Men 2 Wild Scotland II Expedition Wild DOG: A QUEST TO FIND [20th]NO TRANSMISSION DUE OUR ORIGINAL BEST TO MAINTENANCE(~7:00) FRIEND 430 430 Dead Or Alive、 500 World's Deadliest Animals 3、 500 Superpride、 World's Deadliest Animals、 Wild Cambodia、 Safari Brothers、 Symphony For Our World、 Shark Men 2 Big Cat Odyssey、 World's Deadliest Animals 2、 Wild Colombia Mygrations Shark Eden、 Man V. Lion Life On The Barrier Reef、 World's Deadliest Animals 3 530 Wild Hawaii、 530 Secrets of the Giant Manta Ray、 Moment of Impact 600 Game Of Lions、 600 Man Among Cheetahs、 Secrets of Wild India、 Dr. K's Exotic Animal ER、 The Jungle King Compilation、 Wild Mississippi Dr. K's Exotic Animal ER 2 Tiger Queen 630 Snakes in the City II、 630 Snakes in the City II、 Light At The Edge of The World Earth Live 2、 Superpride、 Kingdom of The Blue Whale 700 Amazon Underworld、 700 Big Cat Odyssey、 Wild Cambodia、 Lion Gangland、 Wild Colombia Man V. Lion 730 730 Dr. -
Newsletternewsletter Issue 22 Spring 2015
Shropshire Mammal Group NewsletterNewsletter Issue 22 Spring 2015 Issue 22: Spring 2015 Affiliated to the Mammal Society Published Quarterly Since 2009 WELCOME! CONTENTS: Welcome from the Editor 1 …to the latest Shropshire Mammal Group newsletter. First of all a big thank you to everyone who paid such kind Contents 1 compliments about Issue 21, my first in the editor’s chair. Note from the Chair 2 The experience of laying out that issue was an enjoyably steep learning curve Mysterious Mammals 3 for me, and I trust that readers will find this issue a little more polished. Camera Traps- Which one should I buy? 5 Membership Matters! 7 One of the biggest stories in the last Newsletter was that of the otter family Corporate Membership List 8 which was seen so obligingly playing around the English Bridge in Starting a College Mammal Society 8 Shrewsbury. Since then, the focus of the county’s otter watchers has moved A Hare Raising Day of Learning! 9 some considerable way downstream- we have had recent reports of some George E Pearce ‘The Badger Man’ 11 awe-inspiring sightings in Bridgnorth, and some really excellent photographs and clips have been appearing on Facebook and Twitter, so please do have a Mammal Eyewitness 12 …including Cheshire Stoat Encounter! and Taking Refuge look at the SMG Facebook page and enjoy those. Wildlife Crime… the ‘Promotion of Persecution’? 14 Photos from ‘Hide’n’Squeak’ 14 The excellent Hide’n’Squeak project ended during February, but thanks to the Heritage Lottery Fund and of course the hard work of committee member A Talk with Gordon Buchanan 16 Sara Pearce & others– plus our Chairman Stuart Edmunds, we now have a Diary Dates for forthcoming events 18 large amount of high-specification equipment to enable us to live trap and And Finally… 19 camera trap Shropshire’s mammals to our heart’s content. -
Performance Against BBC Statements of Programme Policy 2008/09 Performance Against Statement of Programme Policy Conditions 2008/09
Performance against BBC Statements of Programme Policy 2008/09 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ STATEMENTS OF PROGRAMME POLICY (SOPPS) ARE ANNUAL PROMISES TO LICENCE FEE PAYERS FROM THE BBC WHICH SHOWCASE SOME OF THE WAYS THAT EACH OF OUR SERVICES MEETS ITS SERVICE LICENCE COMMITMENTS AND DELIVERS HIGH QUALITY, CREATIVE AND MEMORABLE CONTENT TO THEM AS VIEWERS, LISTENERS AND USERS. SOPPS ARE AN OFCOM COMMITMENT, AppROVED BY THE BBC TRUST. The following pages summarise performance against SoPPs 2008/09. Unless otherwise stated, all commitments are minimum hours or %s and include originations, repeats and acquisitions. New service BBC ALBA launched in September 2008 and has no priorities or conditions to report on for the period under review. Similarly, BBC Red Button has no priorities or conditions to report on for the period, and CBeebies and Radio nan Gàidheal have no conditions for the period (their priorities are given on the following pages). SoPPs for the year ahead, including those for new services, can be found at www.bbc.co.uk/info/statements2009 S1 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ TELEVISION BBC Television services also have a statutory regulatory requirement to meet Tier 2 quotas, agreed annually with Ofcom, for independent production, regional programme making, news and current affairs programmes, levels of original production, and regional programming. Performance against Tier 2 quotas is reported in Part Two of the BBC’s Annual Report. BBC ONE Priorities Distinctive mix of popular journalism from around the UK The ONE Show continued to grow its audiences; Watchdog was refreshed creatively and Missing returned. -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May. -
STEVE PHILLIPS Tv Editor ( Avid/ Fcp/ Premiere) 59, Maple Road, Horfield, Bristol BS7 8RE Tel: 0117 3735676 Mob: 07867 525234 [email protected]
STEVE PHILLIPS tv editor ( avid/ fcp/ premiere) 59, Maple Road, Horfield, Bristol BS7 8RE Tel: 0117 3735676 Mob: 07867 525234 [email protected] www.meboid.co.uk Freelance Experience natural history 09-12/ 2020 Our Planet: The Science. 70 min feature doc re. Johann Rockstrum’s Planetary Boundaries Framework. With David Attenborough. A Netflix Original Doc. Producer: Jon Clay NETFLIX/ Silverback 03-05/2020 Our Planet: Too Big to Fail. How finance can power a sustainable future. Dir: Dan Huertas N’FLIX/ WWF 03- 05/2019 Our Planet Our Business. How global business can drive action for nature. NETFLIX/ WWF/ Silverback 01/ 2019- 2020 Our Planet ‘Halo’. Series of online ‘Our Planet’ films, multi platform. S. Producer: Jonnie Hughes NETFLIX 10-12/2018 Savage Kingdom 3 Ep5. Predators in a kill-or-be-killed world. SP: Lucy Meadows. Icon Films. Nat Geo 10/2017 Blue Planet 2. 90min French reversion. Producer: Orla Doherty France2 05/2016 Nature’s Weirdest Events 2. Eps2 & 8. presenter: Chris Packham. Producer: Tom Payne.BBC2 06-10/2016 Wonders of the Monsoon. Ep5: People of the Monsoon. Producer: John Clay BBC2 04-07/2014 05-09/ 2013 Kangaroo Dundee. 6 part series re. Brolga Barnes, 6’7” ‘mother ‘ to mob of orphaned kangaroos. Part edited on location, Alice Springs NT. Producer: Andrew Graham Brown BBC2 09/2012- 01/2013 North America. Epic 5 part Blue chip series re. American Wildlife. Wild Horizons/ Discovery 06-07/2012 Planet Earth Live- A Monkey’s Tale. 60min re. Macaques. Producer: Andy Chastney, BBC1 08-09/2011 Natureshock: ‘Death Fog’ & ’Man Eating Lions,’ Prod: Andrew Graham Brown. -
Netflix Cheat Sheet
NETFLIX CHEAT SHEET Animals: BBC: Life The Crimson Wing 72 Dangerous Animals: Tiger: Spy in the Jungle Bindi’s Bootcamp Australia Elephant: Spy in the Herd Wings of Life The Hunt Polar Bear: Spy on Ice Born in China Africa’s Deadliest Dolphins: Spy in the Pod 72 Cutest Animals Trek: Spy of the Lions: Spy in the Den Growing Up Wild Wildebeest Bears: Spy in the Woods Baby Animals in the Wild Africa’s Deadliest Penguins: Spy in the Hidden Kingdoms Leopard Fight Club Huddle Terra Animal Fight Night Blackfish Ghost of the Mountain Peculiar Pets Shark Virunga Race of LIfe The Lion in Your Living 72 Dangerous Animals: Wild Ones Room Asia David Attenborough’s A Dog’s Life 72 Dangerous Animals: Natural Curiosities Tyke: Elephant Outlaw America Earth & Nature : Space: History: Planet Earth II Alien Contact: Outer NOVA: Secrets of Noah’s Planet Earth Space Ark Blue Planet NOVA: Earth’s Rocky Start The Vietnam War Frozen Planet Into the Inferno The Pyramid Code Planet Earth: As You’ve The Real Death Star Vikings Unearthed Never Seen It Edge of the Universe WWII in Colour A Plastic Ocean Horizon: Secrets of the Untold Histories of the Earth’s Natural Wonders Solar System United States Mission Blue The Inexplicable Universe Nazi Mega Weapons World’s Worst Disasters The Beginning and End of 9/11: Truths, Lies & Nature’s Weirdest Events the Universe Conspiracy Nature’s Great Events Horizon: Supermassive Nazi Megastructures Weird Wonders of the Black Holes Auschwitz: The Nazis and World Orbit the Final Solution Forces of Nature In Search for Life in Space D-Day Desperate Hours: The Royal House of Witnesses & Survivors Presidents: Windsor Full Force Nature How to Win the US Tornado Hunters Presidency Dinosaurs: The Wheelchair President Raising the Dinosaur Giant JFK: The Making of a Horizon Dinosaurs: The President Hunt for Life Meet the Trumps: From Dino Hunt Immigrant to President HomeschoolHideout.com Please do not share or reproduce. -
Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale.