Graduate School of Arts and Sciences 2015–2016
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新加坡e 乐大赏singapore Entertainment Awards 2014 人气奖项投选
新加坡 e 乐大赏 Singapore Entertainment Awards 2014 人气奖项投选名单 Most Popular Categories (Open for public voting) A. e 乐人气男歌手 Most Popular Male Singer 1 毕书尽 Bii 2 胡夏 Hu Xia 3 林俊杰 JJ Lin 4 杨宗纬 Aska Yang 5 萧敬腾 Jam Hsiao 6 罗志祥 Show Luo 7 黄鸿升 Alien Huang 8 周杰伦 Jay Chou 9 王力宏 Wang Lee Hom 10 严爵 Yen-J B. e 乐人气女歌手 Most Popular Female Singer 1 张惠妹 A-Mei 2 蔡健雅 Tanya Chua 3 白安 Ann 4 戴佩妮 Penny Tai 5 丁当 Della Ding Dang 6 蔡依林 Jolin Tsai 7 孙燕姿 Stefanie Sun 8 杨丞琳 Rainie Yang 9 何韵诗 Denise Ho 10 田馥甄 Hebe Tien 1 C. e 乐人气本地歌手 Most Popular Local Singer 1 孙燕姿 Stefanie Sun 2 蔡淳佳 Joi Chua 3 乔毓明 Ming Bridges 4 何维健 Derrick Hoh 5 黄义达 Huang Yida 6 蔡健雅 Tanya Chua 7 麦克疯 MICappella 8 插班生 The Freshman 9 Olivia Ong Olivia Ong 10 林俊杰 JJ Lin D. e 乐人气乐团 Most Popular Band 1 飞儿乐团 F.I.R 2 旺福 Won Fu 3 苏打绿 sodagreen 4 五月天 Mayday 5 MP 魔幻力量 Magic Power E. e 乐人气组合 Most Popular Group 1 Popu Lady Popu Lady 2 EXO-M EXO-M 3 Super Junior-M Super Junior-M 4 动力火车 Power Station 5 S.H.E S.H.E 2 F. e 乐人气华语 MV Most Popular Music Video (C-pop) 歌名 歌手 1 渺小 田馥甄 2 Come Back To Me Bii 毕书尽 3 其实都没有 杨宗纬 4 纯属意外 戴佩妮 5 再遇见 苏打绿 6 天使之翼 杨丞琳 7 黑暗骑士 林俊杰 8 爱投罗网 罗志祥 9 恋爱元气弹 Popu Lady 10 超有感 黄鸿升 G. -
Black American Cinema
MAP Expressive Culture; Prof. Ed Guerrero Wed. 12:30 to 4:30, Rm 102 Cantor Black American Cinema This course will view a range of films made by, for, and about black Americans in popular commercial cinema. Our viewing, reading and writing will cover a developmental, historical range of black focused films and film making practices over the past one hundred years. We will cover a range of critical concerns from the crude racial provocations of The Birth of a Nation (1915), to an ‘entertaining blackness’ expressed in such films as Cabin in the Sky (1943); to Blaxploitation’s brilliant industry intervention and moment; or the challenge of independent black narratives like Killer of Sheep (1977) and Bless Their Little Hearts (1984); to ‘crossover,’ commercially ambitious films like Soul Food (1997) or Paid in Full (1997); and on to viewing break through masterworks like Do the Right Thing (1989). We will cover the debates and issues focused on the development of black American cinema, including the representation of race, class, gender and sexuality, as well as how social and economic conditions work to overdetermine African American cinema production and its varied directions. We will also view and discuss the two main currents of black cinematic expression: the brilliant contributions that blacks have made to mainstream cinema and the independent, breakthrough productions that mark African American efforts to build an emergent, fully representational black cinema practice Required Reading: White Screens, Black Images, by James Snead. Do the Right Thing (BFI Modern Classics) by Ed Guerrero. Black Cool: One Thousand Streams of Blackness, Rebecca Walker ed. -
Winter 2021 Performance Studies Course Listings
WINTER 2021 PERFORMANCE STUDIES COURSE LISTINGS College of Literature, Science, and the Arts (LSA) Undergraduate Level (100-400) Issues in African Studies - Symbolic Language and Communications in West African Visual and Performing Arts (AAS 206, 3 credits) Kwasi Ampene Survey of African American Cinema (AAS 232, 3 credits) Scott Poulson-Bryant This course examines the history and aesthetics of African American filmmaking from the silent era to the present. Films are analyzed within their socio-cultural contexts, with particular attention to how race and identity interact with class, gender, and sexuality. We consider the link between film and other forms of Black popular culture. Threads: What Does Clothing Have to Do with Race, Culture, Politics, and the Environment? (AAS 317, 3 credits) Megan Sweeney As our readings and discussions will highlight, clothing signals individuality and social legibility. It's a necessity and a privilege, protective and decorative, utilitarian and the stuff of consuming artistic passion. Clothes manage anxieties and create them, serve as armor and sometimes as sword. They reconcile and multiply our various selves. Clothing is a domain of the deadly serious and a domain of the lighthearted. So, put on your favorite outfit and get ready to think, read, write, and collaborate! Topics in Black World Studies - Hip Hop Africa (AAS 358.007, 3 credits) Kwasi Ampene The seminar will offer students an ethnomusicological perspective on performing arts and power in Sub-Saharan Africa. We shall investigate musical performances as modes of resistance, a means for negotiating power, establishing social identity, providing agency and empowerment, and as a means for constructing gender spaces. -
Confronting Historical Stereotypes of African Americans on the Big Screen Melissa Ann Garrett Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2017 Contemporary portrayals of blacks and mixed- blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen Melissa Ann Garrett Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the African American Studies Commons, Film and Media Studies Commons, and the Journalism Studies Commons Recommended Citation Garrett, Melissa Ann, "Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen" (2017). Graduate Theses and Dissertations. 15307. https://lib.dr.iastate.edu/etd/15307 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen by Melissa Ann Garrett A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Journalism and Mass Communication Program of Study Committee: Tracy Lucht, Major Professor Daniela Dimitrova Linda Shenk The student author and the program of study committee are solely responsible for the content of this thesis. The Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2017 Copyright © Melissa Ann Garrett, 2017. -
Newsletter 11/08 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 11/08 DIGITAL EDITION Nr. 231 - Juni 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 11/08 (Nr. 231) Juni 2008 editorial Hallo Laserdisc- und DVD-Fans, Ob es nun um aktuelle Kinofilme, um nen Jahr eröffnet und gelangte vor ein liebe Filmfreunde! besuchte Filmfestivals oder gar um paar Wochen sogar ganz regulär in die Die schlechte Nachricht gleich vorweg: einen nostalgischen Blick zurück auf deutschen Kinos. Wer den Film dort unsere Versandkostenpauschale für die liebgewonnene LaserDisc geht – verpasst hat oder ihn (verständlicher- Standard-Pakete erhöht sich zum 01. die angehende Journalistin weiß, wo- weise) einfach noch einmal sehen Juli 2008. Ein gewöhnliches Paket ko- von sie schreibt. Kennengelernt haben möchte, der kann die US-DVD des Ti- stet dann EUR 6,- (bisher: EUR 4,-), wir Anna während ihres Besuchs beim tels ab September in seine Film- eine Nachnahmesenduung erhöht sich 1. Widescreen-Weekend in der Karlsru- sammlung integrieren. Der Termin für auf EUR 13,- (bisher: EUR 9,50). Diese her Schauburg. Ein Wort ergab das eine deutsche Veröffentlichung wurde Preiserhöhung ist leider notwendig andere – und schon war die junge Frau zwar noch nicht bekanntgegeben, doch geworden, da unser Vertriebspartner Feuer und Flamme, für den Laser wird OUTSOURCED mit Sicherheit DHL die Transportkosten zum 01. Juli Hotline Newsletter zu schreiben. Wir auch noch in diesem Jahr in Deutsch- 2008 anheben wird. -
Spike Lee and Commentaries on His Work. Occasional Papers Series 2, No.1
DOCUMENT RESUME ED 353 622. CS 508 049 AUTHOR Hudson, Herman C., Ed. TITLE Spike Lee and Commentaries on His Work. Occasional Papers Series 2, No.1. INSTITUTION Indiana Univ., Bloomington. Afro-American Studies. PUB DATE 92 NOTE 92p.; A Martha C. Kraft Professorship Publication. PUB TYPE Collected Works General (020) Reports Evaluative /Feasibility (142) Reference Materials Bibliographies (131) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Auteurism; *Black Community; *Black Culture; Black History; Cultural Images; Film Criticism; *Film Production Specialists; *Film Study; Popular Culture; Racial Relations; Urban Culture IDENTIFIERS *African Americans; *Lee (Spike) ABSTRACT This monograph presents a critical essay and a comprehensive 454-item bibliography on the contemporary African-American filmmaker, Spike Lee. The essay, entitled "African-American Folklore and Cultural History in the Films of Spike Lee" (Gloria J. Gibson-Hudson), analyzes Lee's filmmaking approach from a cultural and historical perspective. The essay identifies Lee as a contemporary storyteller weaving his tales with the aid of a camera and demonstrates how his film narratives draw on both the historic and contemporary experiences of African Americans. The essay discusses five of Lee's films (made between 1984 and 1991) thematically, categorizing them under intra-racal issues and inter-racial issues. The bibliography (by Grace Jackson-Brown) provides citations from both scholarly and popular literature, encompassing newspaper articles, journal and magazine articles, chapters or sections from books, and reviews of films (most of the citations date from the last 5 years). The extensive 49-page bibliography is intended to be a comprehensive guide to literature that will assist students and researchers with an interest in Spike Lee. -
Menace II Society and the 1990'S Hood Film Cycle
Kino: The Western Undergraduate Journal of Film Studies Volume 2 | Issue 1 Article 3 2011 Realer than Reel: Menace II Society and the 1990’s Hood Film Cycle Timothy J. Edwards University of Western Ontario Abstract No abstract provided. Keywords African-American cinema, Hughes Brothers, Allen Hughes, Albert Hughes, hood film Recommended Citation Edwards, Timothy J. (2011) "Realer than Reel: Menace II Society and the 1990’s Hood Film Cycle," Kino: The Western Undergraduate Journal of Film Studies: Vol. 2 : Iss. 1 , Article 3. Edwards: Realer than Real Realer than Reel: Menace II Society and the 1990s Hood Film Cycle by Timothy J. Edwards The convergence of numerous industrial and social factors in the late 1960s saw Hollywood studios for the first time invest in films produced with African-Americans as the target audience. This wave of Black-focused product eventually became known as ‘Blaxploitation’ Cinema. Blaxploitation films use cinematic devices like: location shooting, hand held camera, and sync-sound along with a showcasing of distinctly Black cultural imagery, featuring urban fashion, slang, Black nationalist politics, and of course Black popular music to create a Black ghetto chronotope which is common to all Blaxploitation films (Massood 117). While the Black ghetto chronotope has its roots in Blaxploitation, it has since become an important tool which New Black Cinema directors like the Hughes brothers further develop to depict the streets of Watts with a sharp and uncompromising sense of realism. Allen and Albert Hughes spoke of being “outraged by the Hollywood sentimentality” of the hugely successful Boyz n the Hood (1991), which was released two years before Menace II Society (1993) (Massood 162). -
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of -
Hollywood Abroad: Audiences and Cultural Exchange
Hollywood Abroad: Audiences and Cultural Exchange By Melvyn Stokes and Richard Maltby (eds.) London, British Film Institute 2004. ISBN: 1-84457-018-5 (hbk), 1-84457-051-7 (pbk). 164 pp. £16.99 (pbk), £50 (hbk) A review by Martin Barker, University of Wales, Aberystwyth This is the fourth in a line of excellent books to have come out of two conferences held in London, on Hollywood and its audiences. This fourth collection deals specifically with the reception of Hollywood films in some very different counties and cultural contexts. The quality and the verve of the essays in here (they are all, without exception, beautifully written) is testimony to the rise and the potentials of the new historical approaches to audiences (which has, I am pleased to see, sedimented into some on-going cross-cultural research projects on local film exhibition histories). I recommend this book, unreservedly. Its contributors demonstrate so well the potential for many kinds of archival research to extend our understanding of film reception. In here you will find essays on the reception of the phenomenon of Hollywood, and sometimes of specific films, in contexts as different as a mining town in Australia in the 1920s (Nancy Huggett and Kate Bowles), in and through an upmarket Japanese cinema in the aftermath of Japan's defeat in 1946 (Hiroshi Kitamura), in colonial Northern Rhodesia in the period leading up to independence (Charles Ambler), and in and around the rising nationalist movements in India in the 1920-30s (Priya Jaikumar). It is important, in understanding this book, that we pay attention to the specificities of these contexts. -
The Loft Cinema Film Guide
loftcinema.org THE LOFT CINEMA Showtimes: FILM GUIDE 520-795-7777 JUNE 2019 WWW.LOFTCINEMA.ORG See what films are playing next, buy tickets, look up showtimes & much more! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Company Tamales, Burritos from Tumerico, Ethiopian Wraps from JUNE 2019 Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan LOFT MEMBERSHIPS 5 cookies and more! *Pizza served after 5pm daily. SPECIAL ENGAGEMENTS 6-27 SOLAR CINEMA 6, 9, 14, 17, 21 NATIONAL THEATRE LIVE 10 BEER OF THE MONTH: LOFT JR. 11 SUMMERFEST ESSENTIAL CINEMA 13 SIERRA NEVADA BREWING CO. LOFT STAFF SELECTS 19 ONLY $3.50 ALL THROUGH JUNE! COMMUNITY RENTALS 23 REEL READS SELECTION 25 CLOSED CAPTIONS & AUDIO DESCRIPTIONS! THE FILMS OF CHER 26-27 The Loft Cinema offers Closed Captions and Audio NEW FILMS 32-43 Descriptions for films whenever they are available. Check our MONDO MONDAYS 46 website to see which films offer this technology. CULT CLASSICS 47 FILM GUIDES ARE AVAILABLE AT: FREE MEMBERS SCREENING • 1702 Craft Beer & • Epic Cafe • R-Galaxy Pizza BE NATURAL... • Ermanos • Raging Sage (SEE PAGE 37) • aLoft Hotel • Fantasy Comics • Rocco’s Little FRIDAY, JUNE 14 AT 7:00PM • Antigone Books • First American Title Chicago • Aqua Vita • Frominos • SW University of • Black Crown Visual Arts REGULAR ADMISSION PRICES • Heroes & Villains Coffee • Shot in the Dark $9.75 - Adult | $7.25 - Matinee* • Hotel Congress $8.00 - Student, Teacher, Military • Black Rose Tattoo Cafe • Humanities $6.75 - Senior (65+) or Child (12 & under) • Southern AZ AIDS $6.00 - Loft Members • Bookman’s Seminars Foundation *MATINEE: ANY SCREENING BEFORE 4:00PM • Bookstop • Jewish Community • The Historic Y Tickets are available to purchase online at: • Borderlands Center • Time Market loftcinema.org/showtimes Brewery • KXCI or by calling: 520-795-0844 • Tucson Hop Shop • Brooklyn Pizza • La Indita • UA Media Arts Phone & Web orders are subject to a • Cafe Luce • Maynard’s Market $1 surcharge. -
Download Program Book
Windycon 45 Proudly Presents Unlikely Heroes Table of Contents From Our Co-Chairs 1 Signings 24 Convention Rules 2 Fannish Food Guide 24 Map and Hours 3 Photo Studio 24 What’s an ISFiC? 5 Readings 24 ISFiC Harassment Policy 6 Dealers 25 Faith Hunter 7 Teen Lounge 25 Galen Dara 9 Masquerade 25 Kevin Roche 11 Panels 26 Jen Midkiff 13 Kids Programming 31 Bobbi Armbruster 15 Concerts 32 Andrew Trembley 17 Special Items 34 Mike Resnick 18 Costuming Workshops 35 Tom Smith 18 Staff List 36 Alex Eisenstein 18 Phyllis Eisenstein 18 Bill Fawcett 18 From Our Co-Chairs Eric Flint 18 It’s been a wonderful learning year working as co-chairs, and Betty Anne Hull 19 we’ve enjoyed seeing a wonderful theme come together with so many great guests. We’ve seen the wonderful support of Jody Lynn Nye 19 a great concom, whom we can’t thank enough, and everyone Gene Wolfe 19 has put one hundred and ten percent in, and it clearly shows Parties 19 this year. As a con, as a community, as a country, we’ve got a lot of Con Suite 21 challenges ahead, and all of us need to look out and see where we can be the Unlikely Heroes that others need. Gaming 21 Most of the people that do the work for our charity, Habitat Build-a-Blinkie Workshop 22 for Humanity, do their work behind the scenes, but all of them are heroes to someone who needs a home. We can all Art Show 22 be heroes in more ways than we realize, and we challenge all of you to find the places that need an Unlikely Hero in your Print Shop 22 everyday life. -
Menelik Shabazz • Havana, Rotterdain Filin Festivals L.A
Menelik Shabazz • Havana, RotterdaIn FilIn Festivals L.A. FilInInakers • Latin-African Cooperation $2.25 o 0 0 0 0 0 0 0 a 00000000000000 DOD 0 000 000 000 0 0 000 BL_- K LM BII IIlW o 0000000000000 000 0000000000000000000 000 0 0 Vol. 2 No.2 Published Quarterly Spring 1986 POSITIVE PRODU TIONSJ I -s BY OFFERING THREE SEPERATE OPPORTUNITIES TO SEE NEW FILMS BY AFRICAN AND AFRICAN AMERICAN FI~KERSJ TAKE WORKSHOPS IN DIRECTING AND SCRIPTWRITING AND HEARING PANEL DISCUSSIONS ON AFRICAN AND AFRICAN AMERICAN FIUMMAKING EVENTS AFRlCAN·FtLM.M1NI SERIES FoURTH ANNUAL BENEFIT FILM BIOGRAPH HEATRE FESTIVAL MARCH 3-6 SLM1ER OF 1986 "BRIDGES -A RETROSPECTIVE OF AFRICAN AND AFRICAN PMERICAN CINEMA" - FALL 1986 PMER lCAN FI I..M INST IlUTE FOR MORE INFORMATION CALL 529-0220 African and African American MYPHED UHF ILM 8 1 INC. filmmakers are struggling to make their points of view known o African-American families are struggling to find media relevent to their own experiences s We are working to bring thes~ two groups togethero We distribute films nationally and internationally (members of the Committee of African Cineaste: For the Defense of African Filmmakers)o Our newest arrivals include thirteen new titles made by African film makers o For brochures contact: MYPHEDUH FILMS, INC o 48 Q Street NGE o Washington DoC. 20002 (202)529-0220 p_ln.TIlE DlSlRJCJ Of COL1JIB1I 3 BLACK FILM. REVIEW 110 SSt. NW washington, DC 20001 Editor and Publisher Contents David Nicholson Goings On Consulting Editor Independent films at the Rotterdam Festival; actors' unions meet on Tony Gittens (Black Film Insti employment issues.