Franz West Born 1947 in Vienna
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Interviste E Conversazioni
Interviews with Michelangelo Pistoletto Marcello Venturoli, Dialogo con Pistoletto, in “Tutti gli uomini dell’arte”, Milano, 1968 Guido Boursier, Far scattare nella gente meccanismi di liberazione, in “Sipario”, n. 276, Milano, April 1969 Germano Celant, Intervista con Michelangelo Pistoletto, Genova, February 1971, in Germano Celant, “Michelangelo Pistoletto”, catalogue of the exhibition, Palazzo Grassi, Venezia, 1976 (Ed. Electa) Achille Bonito Oliva, Michelangelo Pistoletto, Torino 1972, in “Enciclopedia della parola. Dialoghi d'artista. 1968-2008”, ed. Skira, Milano 2008 Mirella Bandini, Torino 1960-73, in “Nac”, n. 3, Bari, March 1973, re- published in Mirella Bandini, “1972 - Arte Povera a Torino”, Allemandi Editore, Torino, 2002 Mirella Bandini, Il significato di Gallizio per la nuova generazione, in “Pinot Gallizio e il laboratorio sperimentale d’Alba”, catalogue of the exhibition, Galleria Civica d’Arte Moderna, Torino 1974 Umberto Allemandi, Specchio delle mie brame, in “Bolaffi Arte”, anno VII, n. 57, Milano, February - March 1976 Francesco Prestipino, Viaggio nelle stanze di Michelangelo Pistoletto, in “Le Arti”, anno XXVI, n. 4, Milano, April 1976 l.k.. Un palcoscenico tutto bianco, in “La Repubblica”, Roma, 10 June 1977 Giuseppe Risso, Pistoletto. Datemi uno specchio, in “Gazzetta del Popolo”, Torino, 4 May 1978 no author (the name of the author of the interview is not mentioned in the publication, henceforth abbreviated n.a.), Pistoletto an 14 Orten in Berlin, transcript of the conference/debate with Pistoletto at Hochschule der Künste, 3 November 1978, in “Kunstmagazin”, n. 4, Mainz, 1978 Anne Livet, An Interview with Maynard Jackson and Michelangelo Pistoletto, in “Contemporary Art/Southeast, Volume II, n. 2, Michelangelo Pistoletto in the South”, Atlanta 1979 Michael Auping, Venus of the rags, 18 December 1979, Berkeley, in 30 years interviews and outtakes, ed. -
General Interest
GENERAL INTEREST GeneralInterest 4 FALL HIGHLIGHTS Art 60 ArtHistory 66 Art 72 Photography 88 Writings&GroupExhibitions 104 Architecture&Design 116 Journals&Annuals 124 MORE NEW BOOKS ON ART & CULTURE Art 130 Writings&GroupExhibitions 153 Photography 160 Architecture&Design 168 Catalogue Editor Thomas Evans Art Direction Stacy Wakefield Forte Image Production BacklistHighlights 170 Nicole Lee Index 175 Data Production Alexa Forosty Copy Writing Cameron Shaw Printing R.R. Donnelley Front cover image: Marcel Broodthaers,“Picture Alphabet,” used as material for the projection “ABC-ABC Image” (1974). Photo: Philippe De Gobert. From Marcel Broodthaers: Works and Collected Writings, published by Poligrafa. See page 62. Back cover image: Allan McCollum,“Visible Markers,” 1997–2002. Photo © Andrea Hopf. From Allan McCollum, published by JRP|Ringier. See page 84. Maurizio Cattelan and Pierpaolo Ferrari, “TP 35.” See Toilet Paper issue 2, page 127. GENERAL INTEREST THE MUSEUM OF MODERN ART,NEW YORK De Kooning: A Retrospective Edited and with text by John Elderfield. Text by Jim Coddington, Jennifer Field, Delphine Huisinga, Susan Lake. Published in conjunction with the first large-scale, multi-medium, posthumous retrospective of Willem de Kooning’s career, this publication offers an unparalleled opportunity to appreciate the development of the artist’s work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. The volume presents approximately 200 paintings, sculptures, drawings and prints, covering the full diversity of de Kooning’s art and placing his many masterpieces in the context of a complex and fascinating pictorial practice. -
Marian Goodman Gallery John Baldessari
MARIAN GOODMAN GALLERY JOHN BALDESSARI Born: National City, California, 17 June 1931 Died: Venice, Los Angeles, California, 2020 Education: 1949-53 B.A., San Diego State College, California 1954-55 University of California at Berkeley 1955 University of California at Los Angeles 1955-57 M.A., San Diego State College, California 1957-59 Otis Art Institute, Los Angeles Chouinard Art Institute, Los Angeles Awards: School of the Museum of Fine Arts Boston Medal Award, 2015 Kaiserringträger der Stadt Goslar, Goslar, Germany, 2012 Golden Lion Award for Lifetime Achievement, La Biennale di Venezia, Venice, Italy, 2009 B.A.C.A. International 2008 (Biennial Award for Contemporary Art), Bonnefantenmuseum Maastricht. Maastricht, The Netherlands, 2008 American Academy of Arts and Letters, New York, NY, 2008 Archives of American Art Medal, the Archives of American Art. Washington DC, 2007 Certificate of Recognition, the Los Angeles Convention and Visitors Bureau. Los Angeles, CA, 2006 Rolex Mentor and Protégé' Arts Initiative, 2006-2007 Lifetime Achievement Award, Americans for the Arts. New York, NY, 2005 Rolex Mentor and Protégé' Arts Initiative, Honoring, New York, 2005 American Academy of Arts & Sciences 2004 Fellow. Cambridge, MA, 2004 Best Show In a Commercial Gallery Nationally: Second Place, AICA USA Best Show Awards, 2002-2003 Season, for exhibit at Margo Leavin Gallery, 2003 Best Web-Based Original Art, AICA USA Best Show Awards, 2001-2002 Season. New York, NY, 2002 Los Angeles Institute for the Humanities Fellow, sponsored by the University of Southern California. Los Angeles, CA, 2002 SPECTRUM International Award for Photography, Stiftung Niedersachsen. Hannover, Germany, 1999 Distinguished Artist Award for Lifetime Achievement, The College Art Association. -
The Art of Anselm Reyle
001 009 019 027 Untitled, 2000 Untitled, 2000 Untitled, 2002 Untitled, 2001 Acrylic on canvas, 120 x 103 cm Acrylic on canvas, 120 x 103 cm Acrylic on canvas, 67 x 56 cm Acrylic on canvas, 135 x 114 cm Private collection Collection Marcel Brient, Paris Collection of the artist Mimi Dusselier, Belgium Courtesy Galerie Giti Nourbakhsch, Courtesy Galerie Giti Nourbakhsch, Courtesy Galerie Giti Nourbakhsch, Berlin Berlin Berlin Untitled, 2002 Found object, metal, 700 x 250 cm Untitled, 1999 Untitled, 1999 Courtesy Gagosian Gallery, New York Believe, 2002 Acrylic on canvas, 135 x 114 cm Acrylic on canvas, 135 x 114 cm Found object, neon tubes Collection of the artist DekaBank-Kunstsammlung des 320x410x11 cm 21. Jahrhunderts, Frankfurt on the Main Courtesy of the artist Courtesy Galerie Giti Nourbakhsch, 021 Berlin Exhibition view Trust, Galerie IIC Jennifer Ray, Paris, 2002 (solo show) Untitled, 1999 029/031 Acrylic on canvas, 88.5 x 79 cm From left to right: Exhibition view beyond, Pat and Juan vergez Collection, on Galerie Giti Nourbakhsch, Berlin, Buenos Aires Exhibition view Luftgitarren, Lamp, 2002 2001 (solo show) Courtesy Galerie Giti Nourbakhsch, Marienstraße 1a, Berlin, 2000 Found object, stroboscope light Berlin (solo show) 80x50 cm From left to right: Courtesy of the artist Daimler Art Collection, Stuttgart /Berlin Courtesy Galerie Giti Nourbakhsch, Hay Wagon, 2001 Berlin Found object (fragment), neon lacquer 004 200x140x160 cm Untitled, 2000 022 Trust, 2001 Boros Collection, Berlin Acrylic on canvas, 120 x 103 cm Exhibition view, -
CV Photo/Ciel Variable, Montreal, No
A N G E L A G R A U E R H O L Z Recognition and Awards (Visual Arts) 2018 Honorary Doctorate Emily Carr University of Art + Design, Vancouver 2017 150 Years of Photography / Canada 150 Commemorative Collection, 2017 Canada Post, Ottawa 2015 Recipient of the Scotiabank Photography Award, Toronto 2014 Recipient of the Governor General Award in Visual and Media Arts, Canada Council for the Arts, Ottawa 2013 Shortlisted for the Scotiabank Photography Award, Toronto 2006 Awarded the Prix Paul-Émile Borduas, Government of Quebec, Quebec Solo exhibitions 2019 The Empty S(h)elf – First iteration, Artexte, Montreal The Book is the Book, installation at the Madras Literary Society (library), 2019 Chennai Photo Biennale, Chennai Angela Grauerholz: Écrins, écrans, McIntosh Gallery, Western University, London, ON 2018 Scotiabank Contact Festival / Olga Korper Gallery, Toronto Art 45, Montréal 2016 Angela Grauerholz (Scotiabank Photography Award), Ryerson Image Centre, Toronto Angela Grauerholz/Écrins, écrans, Canadian Cultural Centre/Centre culturel canadien, Paris 2014 Olga Korper Gallery, Toronto 2012 Art 45, Montreal 2011 Olga Korper Gallery, Toronto Angela Grauerholz: The inexhaustible image…épuiser l’image, University of Toronto Art Centre (UTAC), Toronto 2010 Angela Grauerholz: The inexhaustible image…épuiser l’image, National Gallery of Canada/Musée des beaux-arts du Canada, Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine (CMCP), Ottawa (book/catalogue) McMaster Museum of Art, McMaster University, -
Press Release
True Stories A Show Related to an Era - The Eighties curated by Peter Pakesch Goethestraße 2/3, 10623 Berlin Kurfürstendamm 213, 10719 Berlin 14 September – 27 October 2018 Opening: 14 September, 6-9 pm Goethestraße 2/3, 10623 Berlin 9 November – 22 December 2018 Opening: 9 November, 6-8 pm Galerie Max Hetzler is pleased to announce the group show True Stories. A Show Related to an Era – The Eighties, curated by Peter Pakesch. The show includes works by Mirosław Bałka, Herbert Brandl, Werner Büttner, Clegg & Guttmann, Mathis Esterhazy, Günther Förg, Isa Genzken, Robert Gober, Félix González-Torres, Georg Herold, Axel Hütte, Cristina Iglesias, Mike Kelley, Martin Kippenberger, Jef Koons, Liz Larner, Zoe Leonard, Inge Mahn, Meuser, Reinhard Mucha, Cady Noland, Albert Oehlen, Markus Oehlen, Richard Prince, Didi Sattmann, Julian Schnabel, Wilhelm Schürmann, Cindy Sherman, Mariella Simoni, Thomas Struth, Rosemarie Trockel, Franz West, Terry Winters, Christopher Wool, Otto Zitko, Heimo Zobernig and will take place both at Goethestraße 2/3 and our temporary space at Kurfürstendamm 213. Seen from today’s perspective, during this decade, the way art would function in society has changed largely. Within the history of the late 20th Century, the very two years 1968 and 1989 are truly signifcant for politics as well as for culture. One signifes the height of the Cold War and the departure to new freedoms, the other one the end of this Cold War and the dawn of a new world order (that still is not in place yet). Christopher Wool & Richard Prince, My Act, 1988 © Christopher Wool In a certain reading of Western culture, visual art, as well as other Courtesy of the artists, Luhring Augustine, New York felds of the cultural domain, have come to a certain end by the 1960s and Galerie Max Hetzler, Berlin | Paris | London - the end of the Modern. -
PAUL Mccarthy
PAUL McCARTHY Born in 1945 in Salt Lake City (Utah, USA) Lives and works in Los Angeles (California, USA) SELECTED SOLO EXHIBITIONS 2012 Propo, Hauser & Wirth, Zurich, Switzerland White Snow, Peder Lund, Oslo, Norway Paul McCarthy. The Box, Neue Nationalgalerie, Berlin, Germany Rebel Dabble Babble, Los Angeles CA, USA Paul McCarth, Nine Dwarves, Kukje Gallery, Seoul, South Korea 2010! Fondazione Trussardi, Milan, Italy 2009! White Snow, Hauser & Wirth New York, New York, NY, USA Paul McCarthy – Air Pressure, De Uithof, City of Utrecht, The Netherlands! Paul McCarthy, Hauser & Wirth, Zurich, Switzerland! Paul McCarthy & Benjamin Weissman – Quilting Sessions, KUMU Eesti Kunstimuuseum, Tallinn, Estonia (Travelling Exhibition)! Contemporary trends in video art – Paul McCarthy, Salt Lake Art Center, Salt Lake City UT, USA Paul McCarthy & Benjamin Weissman – Quilting Sessions, Zacheta National Gallery of Art, Warsaw, Poland (Travelling Exhibition) 2008! Three Installations, Two Films, Whitney Museum of American Art, Central Symmetrical Rotation Movement, New York, NY, USA! Paul McCarthy & Benjamin Weissman – Quilting Sessions, Galleria Civica di Arte Contemporanea, Trento, Italy (Travelling Exhibition) ! 2007 Paul McCarthy’s Chocolate Factory, Maccarone Gallery, New York, NY, USA Head Shop/Shop Head, S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium; Paul McCarthy – Head Shop / Shop Head, Moderna Museet, Stockholm, Sweden; ARoS – Aarhus Museum of Art, Denmark (Travelling Exhibition) Paul McCarthy: Tokyo Santa, The Essl Collection, -
The Work of Giorgos Kontis (B.1981 Athens) Focuses on Abstract Painting and on Its Function As an Image
The work of Giorgos Kontis (b.1981 Athens) focuses on abstract painting and on its function as an image. It becomes a contemplation on the autonom! the painted image gains, triggering #uestions on authenticity and the artistic agency. Giorgos studied at the Athens $chool of %ine Arts, at the Academ! of &isual Arts (Ad'K) in Munich and at the Uni*ersity of Arts (UdK) in 'erlin. +e did a (%A at $t.Joost Academ! in 'reda" -etherlands, and he holds a practice based .h/ in Painting" from the 0oya 1ollege of Art in 2ondon" on the notion of Authenticity. +e li*es and works in 'erlin and Athens. $o o $hows 3419 Mother Tongue" 1ru5 Galerie" Athens, Greece. 1urated b! Katerina -ikou The Threatening Image" Ph/ &i*a 65hibition" +ockne! Galler!" 01A, 2ondon" UK 3417 Ian Kiaer Presents Giorgos Kontis" Ian Kiaer8s studio, 'ow Arts 2ondon" UK 3419 0" Galerie Kunstbuero, &ienna Art %oundation (with Just :uist)" &ienna" Austria 341; Winter Kept Us Warm" 6urocontrol +ead#uarters, 'russels, 'elgium Let Gooo project" 0uimte 1aesuur" Middelburg" -etherlands. 1urated b! Just :uist 3414 Kaplanon < Galler!" Athens, Greece Group $hows 3434 The Space of Emplacement (works from the 1hristos 1hristofis 1ollection)" $tudio53 Galler!" Athens, Greece Art-Athina !"nline E#ition$" 1ru5 Galerie" Athens" Greece -ationa Theatre of -orthern Greece" 65hibition accompan!ing the pla! =The 'irds” %uarantine E&hi'ition !"nline$" $tudio53 Galler!" Athens, Greece. 1urated b! /ionisis 1hristophilogiannis, $otirios 'ahtsetzis, 2!dia Pribisova" -icolas &am*ouklis In Praise of Sha#ows" Ione and Mann Galler!" 'elgra*ia 2ondon" UK Someone Else)s *ostalgia" 1ru5 Galerie" Athens" Greece. -
Franz West Artist Biography
FRANZ WEST | ARTIST BIOGRAPHY FRANZ WEST ARTIST BIOGRAPHY Franz West was born in Austria in 1947 and died in his native country in 2012. He studied at the Akademie der Bildenden Künste in Vienna and became a sculptor and installation artist, part of the Actionist and Performance Art Mouvement in the sixties and seventies. BEAKING THE RULES The sculptures known as ‘Adaptives’, began in the seventies and are considered his first significant works as humorously indeterminate objects. They are both artful sculptures and tactile gadgets, with their artistic function considered completed only once viewers have interacted with it. It is to say they needed to be touched, hold, worn or played with. With this unique approach he is one of the first artists to break the established codes between the artworks and the spectator. West, whose Art was influenced by his interest in psychoanalytic texts, describes his ‘Adaptives’ as prostheses, a term that alludes to their incomplete status as well as their connection to the body. Since then, he deeply explored sculpture in all its aspects, but mostly the communication created, all the actions and the reactions they can provoke to its audience members. FROM INTERACTION TO FURNITURE West garnered attention from the larger public in the mid-eighties, when he began producing furniture. He often crafted chairs and couches by welding together pieces of scrap metal, a technique that reflects his interest in collage. Additionally, West creates colorful, upholstered furniture. West’s works have been exhibited throughout the world for more than 30 years and at a variety of venues, including the Museum of Modern Art in New York, the Whitechapel Gallery in London, the Kunsthalle Wien in Vienna, the Gagosian Gallery in New York, the Los Angeles County Museum of Art, and the Museo Tamayo in Mexico. -
Franz West Born in 1947, in Vienna Biography Died in 2012, Vienna
Franz West Born in 1947, in Vienna Biography Died in 2012, Vienna Education 1970 Commenced artistic activities 1977-82 Studied with Bruno Gironcoli at the Academy of Fine Arts, Vienna 1992/93 Teaching assignment at the Städelschule, Frankfurt, DE Solo Exhibitions 2019 Tate Modern, London, UK Centre Pompidou, Paris, France Travelling to Tate Modern, London, UK 2018 ‘Franz West’, Centre Pompidou, Paris, France. The show will travel to the Tate Modern, London in 2019. 2017 'Artistclub', curated by Harald Krejci, 21er Haus, Vienna Maison des Arts Georges Pompidou, Cajarc, France ‘Les Pommes d’Adam’, Hall Art Foundation, New York Galerie Mezzanin, Geneva, Switzerland ‘Works 1970–2010’, Gagosian Gallery, Geneva, Switzerland 2015 'Franz West: Les Pommes d'Adam', Hall Art Foundation at MASS MoCA, North Adams, US 2014 'Franz West: Where is my eight?', The Hepworth Wakefield, Wakefield, UK 2013 Retrospective, Mumok, Vienna 'Franz West: Where is my eight?', Museum fur Moderne Kunst, Frankfurt, DE 2012 64 rue de Turenne, 75003 Paris 20/21er Haus, Vienna 18 avenue de Matignon, 75008 Paris Museo Picasso, Malaga, ES [email protected] 'Man with a Ball', Gagosian Gallery, London - 'Zwei Epiphanien', mit Gelatin, Schloss Damtschach, AT Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles [email protected] 2011 - 'Room in London', ICA, Londres Grosvenor Hill, Broadbent House W1K 3JH London ‘Furniture’, Gagosian Gallery, Athens [email protected] Juana de Aizpuru, Madrid - ‘Der definierte Raum’, Galerie Eva Presenhuber, -
Biography • Liz Larner Liz Larner • Biography
BIOGRAPHY • LIZ LARNER LIZ LARNER • BIOGRAPHY 1960 Born in Sacramento, CA 1985 BFA, California Institute of the Arts, Valencia, CA Lives and works in Los Angeles, CA Solo exhibitions: 2021 Liz Larner: Fe, Sculpture Center, Long Island City, NY; travels to The Contempo- rary Austin, Austin, TX; Walker Art Center, Minneapolis, MN Liz Larner: Below Above, Kunsthalle Zurich, Zurich, Switzerland 2019 Liz Larner: As Below, So Above, Regen Projects, Los Angeles, CA 2017 Liz Larner, Galerie Max Hetzler, Paris, France 2016 Liz Larner, Galerie Max Hetzler, Berlin, Germany Liz Larner, Aspen Art Museum, Aspen, CO 2015 Liz Larner: X, Aspen Art Museum, Aspen, CO Liz Larner, The Art Institute of Chicago, Chicago, IL Space is better than time, but time is okay, The Modern Institute, Glasgow, UK 2014 Liz Larner, Regen Projects, Los Angeles, CA 2011 Liz Larner, presented by Regen Projects, The M Building, Miami, FL Liz Larner, Tanya Bonakdar Gallery, New York, NY 2010 Liz Larner, Regen Projects, Los Angeles, CA 2008 Liz Larner: Selected Sculpture from the Early 1990s, Regen Projects, Los Angeles, CA 2006 Liz Larner: 2001, presented by Public Art Fund, Doris C. Freedman Plaza in Cen- tral Park, New York, NY 2005 Liz Larner, Regen Projects, Los Angeles, CA 2003 Liz Larner: East of What?, 303 Gallery, New York, NY 2002 Liz Larner: Untitled, curated by Dave Hickey, Museum of Contemporary Art, on 2 MCA plaza in conjunction with Art Chicago/Pier Walk, Chicago, Chicago IL 2001 Liz Larner, Museum of Contemporary Art, Los Angeles, Los Angeles, CA 1999 Liz Larner, -
Download Artist's CV
MARUANI MERCIER PETER HALLEY Born in 1953, he lives and works in New York City. Education 1978 BA from Yale University 1980 MFA from the University of New Orleans One Person Exhibitions and Collaborative Exhibitions 2021 Three Paintings, Almine Rech Gallery, Shanghai New Paintings, Galleria Massimo Minini, Brescia, Italy 2020 Peter Halley: New Works, MARUANI MERCIER, Knokke, Belgium Peter Halley: Networks, James Barron Art, Kent, CT Peter Halley: Paintings 2000 – 2018, Galerie Retelet, Monaco Peter Halley / Anselm Reyle, König Galerie and Galerie Thomas, Berlin Peter Halley: New Paintings, Galeria Senda, Barcelona Peter Halley, Baldwin Gallery, Aspen 2019 Heterotopia II, Greene Naftali Gallery, New York Peter Halley: New Paintings, Galerie Thomas Modern, Munich Qube, Split, Croatia (collaborative installation with Lauren Clay, catalogue) Heterotopia I, Magazzini del Sale, with Flash Art Magazine and the Accademia di Venezia (installation) Still, Peter Halley and Ugo Rondinone, Stuart Shave/Modern Art Biel train station, Biel, Switzerland (installation) Galerie Forsblom, Stockholm 2018 Peter Halley: New Paintings, MARUANI MERCIER, Brussels Lever House, New York (installation) Modern I Postmodern: Peter Halley and Robert Mangold, MARUANI MERCIER, Brussels, Belgium AU-DESSOUS / AU DESSUS, Galerie Xippas, Paris (installation) Peter Halley. Patterns and Figures, Gouaches 1977/78, Galerie Thomas Modern, Munich 2017 Greene Naftali Gallery, New York Gary Tatintsian Gallery, Moscow Boats Crosses Trees Figures Gouaches 1977-78, Karma, New York