“La Maison En Petits Cubes” Has Won the 81St Academy Awards ® 2009 in the Short Film (Animated) Category!

Total Page:16

File Type:pdf, Size:1020Kb

“La Maison En Petits Cubes” Has Won the 81St Academy Awards ® 2009 in the Short Film (Animated) Category! Feb 22, 2009 “La maison en petits cubes” has won the 81st Academy Awards ® 2009 in the short film (animated) category! Director’s comment I am thrilled to receive such an honored prize at the prestigious Oscar Awards. I would like to thank all the the staff that have worked so hard and to everyone that were involved in this project. I'm looking forward to sharing this joy with everyone in Japan. Thank you so much. Kunio Kato < STORY SYNOPSIS > It was a house, just like a one built of toy blocks. Since the sea level was rising higher and higher, the house too was built higher and higher. This is a story of a grand pa living in the house and his memories of life with his family. <CREDITS & TECHNICAL INFORMATIONS> <PRESS KIT> Nationality of film: JAPAN http://ftp.robot.co.jp/La_maison Year of film: 2008 ID: La_maison Production Company: ROBOT Communications Inc. PASS: robot2009 Director/Animation: Kunio Kato Screenplay: Kenya Hirata <CONTACT> Producers: Masanori Kusakabe, Yuko Shin [email protected] Sound: Stereo (No dialogues) Running Time: 12 min 3sec Creation Techniques: Drawing on paper / 2D computer Screening Format: HDcam (NTSC) , Batacam (PAL,NTSC) Frame size: 16:9 Letterbox La maison en petits cubes (The House of Small Cubes) 1 News Release(2009.01.23) “La maison en petits cubes” nominated for 81st Academy Awards® – ROBOT Communications Inc.’ animation director again wins worldwide applause, following France’s Annecy International Animated Film Festival – “La maison en petits cubes,” an animation film directed by Kunio Kato and produced by ROBOT Communications Inc. (Head office: Shibuya Ward, Tokyo; President: Shuji Abe), has been nominated for Best Animated Short Film at the 81 st Academy Awards®. This accomplishment marks the second time a work directed by a Japanese director has been nominated for the same award, following the nomination of Koji Yamamoto’s “Atamayama” in 2003. The director, Kunio Kato, was born in 1977 and is currently serving Animation Studio “Cage” of ROBOT’s Character Animation Division, Kato directed the nominated work to a screenplay created by Kenya Hirata, a playwright also serving ROBOT. The animated film has garnered acclaim at film festivals worldwide. Last June, at the Annecy International Animated Film Festival 2008, it won the Annecy Cristal––the top prize––as well as the Junior Jury Award. Elsewhere, the film was awarded the Hiroshima and Audience Prizes at the 12 th International Animation Festival Hiroshima 2008, and the Animation Division Grand Prize at the 12 th Japan Media Arts Festival sponsored by Japan’s Agency of Cultural Affairs, among others. In all, the masterpiece has so far won 19 awards at 12 film festivals both domestic and abroad. Many are curious whether Kato will be the second Japanese director ever to win an Oscar®, following Hayao Miyazaki, who won the Best Animated Feature Film Award in 2003 for his “Sen to Chihiro no Kamikakushi” (Spirited Away). 2 La maison en petits cubes え < STORY SYNOPSIS > It was a house, just like a one built of toy blocks. Since the sea level was rising higher and higher, the house too was built higher and higher. This is a story of a grand pa living in the house and his memories of life with his family. < DIRECTOR’S STATEMENT> This work depicts, in a rather straightforward manner, the central character, a lonesome old man, in his everyday life. My intention in this is to present a symbolic representation of life. True, life is ephemeral. Yet, it still matters what you consider as truly important and what you do with things gone and lost, in this brief period of time called life. I wanted this work to help viewers reflect on these things. <CREDITS & TECHNICAL INFORMATIONS> Nationality of film: JAPAN Year of film: 2008 Production Company: ROBOT Communications Inc. Director/Animation: Kunio Kato Screenplay: Kenya Hirata Producers: Masanori Kusakabe, Yuko Shin Sound: Stereo (No dialogues) Running Time: 12 min 3sec Creation Techniques: Drawing on paper / 2D computer Screening Format: HDcam (NTSC) , Batacam (PAL,NTSC) Frame size: 16:9 Letterbox < AWARDS> (Feb.10th 2009) The Annecy Cristal & Junior Jury Award 32nd Annecy International Animation Film Festival, 2008 9 Jun – 14 Jun | France Hiroshima Prize & Audience Prize 12th Hiroshima International Animation Festival, 2008 7 Aug – 11 Aug | Japan Best Animation 12th LA Shorts Fest, 2008 15 Aug – 21 Aug | USA Best Animated Film 18th Message to Man International Film Festival, 2008 15 Jun – 22 Jun | Russia Best Script 16th Anima Mundi, 2008 11 Jul – 27 Jul | Brazil Grand Prize & Special Jury Distinction for Best Directing 2nd International Animation Festival ANIMANIMA, 2008 10 Sep – 13 Sep | Serbia & Montenegro Grand Prize 12th Japan Media Arts Festival,2008(Animation Division) (Including those mentioned above, the film has won 19 awards in all at film festivals both domestic and abroad.) <DVD> “pieces of love vol.1 Tsumiki no Ie ” (DVD) (Japan Version) Release Date: October 24, 2008 Region: Region 2 Format: NTSC Distributions:TOHO, Inc. Price:1,995 Yen (Tax Incl.) <BOOK> “Tsumiki no Ie ” (BOOK) (Japan Version) (A picture book, rewritten and repainted from original film.) Illustrations: Kunio Kato Text: Kenya Hirata Release Date: October 16, 2008 Publisher: Hakusensha, Inc Price: 1,470 Yen (Tax Incl.) 3 Director – Kunio Kato < BRIEF PERSONAL HISTORY > Born in Kagoshima, Japan, in 1977, Kato began creating his own animation works while studying at Tama Art University. After graduating from the university, he joined ROBOT Communications Inc. Currently, he is working on a great variety of animations for websites, TV commercials and programs, and many more, at Animation Studio “Cage” of ROBOT’s Character Animation Division. His major works include “Aru Tabibito no Nikki” (The Diary of Tortov Roddle), “La maison en petits cubes,” (The House of Small Cubes) and others. <MAJOR WORKS> 2008 ANIMATION / “La maison en Petits cubes” / 12’ 3” ・Direction・Animation WEB / Hargendats “Little Pâtissier” http://www.haagen-dazs.co.jp/dolce/ ・Character Design TVCF / SONY Music “Shiawase ni Nararu uta” / 0’15” ・Animation PICTURE BOOK / “La maison en Petits cubes” ・Illustration 2006 ANIMATION (PR Animation for “au” mobile telephone) “R” / 4’ 50” ・Direction・Animation 2005 TV PROGRAM (NHK “MINNA NO UTA”)/ “Cell no Koi” / 4’40” ・Animation 2005 WEB ANIMATION (PR Animation for KIRIN “Green Label”) “GREEN LABEL” / 3 episodes, each 0’40” ・Direction・Animation 2004 ANIMATION (MTV “Art Break Project”) “MUSIC FLOWER” / 1’00” ・Direction・Animation 2003 WEB ANIMATION (shockwave.com) “The Diary of Tortov Roddle” / 6 episodes, each 3’00” ・Direction・Animation WEB ANIMATION (for J-POP Artist, My Little Lover) “FANTASY” / 5 episodes, each 0’40” ・Direction・Animation 2001 ANIMATION (independent work) “The Apple Incident” / 2’40” ・Direction・Animation <MAJOR AWARDS RECEIVED > “La maison en petits cubes” - <Please refer Section 2, of this document.> “R” - Selected / Ottawa International Animation Festival 2006. - Special Jury Distinction / Short Animation Division, the 10th Japan Media Arts Festival. “Fantasy” - Selected / Ottawa International Animation Festival 2004. - Selected / SICAF (Seoul International Cartoon and Animation Festival) 2004. “Aru Tabibito no Nikki” (The Diary of Tortov Roddle) - Best Work Prize (Yuri Norshtein Award) / Laputa Animation Festival 2003 - Grand Prix / Hida International Melhen Anime Film Festival 2004 - Screening / Annecy International Animation Film Festival 2004 “The Apple Incident” - Best Work Prize (Yuri Norshtein Award) / Laputa Animation Festival 2001 4 Screenwriter – Kenya Hirata < BRIEF PERSONAL HISTORY > Born in Nara, Japan, on July 4th, 1972, Hirata is a screenwriter. After graduating from the College of Literature, Aoyama Gakuin University, he join ed ROBOT Communications Inc. in 1995. Currently, he writes many scenarios for theater movies, TV dramas, short motion pictures, and others with ROBOT’s Communication Planning Division. <MAJOR WORKS> ・Animation “La maison en petits cubes” 2008 Screenplay ・Motion Picture “SHINOBI” 2005 Screenplay * Currently, this motion picture is under remaking in the USA (Universal Pictures). ・Motion Picture “Returner” 2002 Screenplay * This motion picture was shown at theaters in Los Angeles and New York City, the USA, in 2003. 5 ROBOT Communications Inc. Founded in 1986, ROBOT Communications Inc. is a production company engaged in a wide range of services, from designing and producing visual contents for various media such as TV commercials, theatrical movies, animations, computer graphics and mobile contents, to character creation/development, graphic design, website creation and management, and more. One of its best-known works is the motion picture series, “Always San-chome no Yuhi” (Always: Sunset on Third Street). Official website : http://www.robot.co.jp. 6 ROBOT Animation Studio CAGE Founded by Tatsutoshi Nomura, an animation director known for “Stray Sheep” and other works, “Cage” has four animation artists (Nomura, Kunio Kato, Takuya Inaba, Osamu Sakai) and two computer graphic artists as staff. The studio is involved in the creation of various animation and CG works. In addition to designing and producing original works, the studio is engaged in a wide range of services, such as character creation/development, creating animations for TV and Internet advertisements, and more. 7 DOWNLOAD Please download “La maison en petits cubes” PRESS KIT here. http://ftp.robot.co.jp/La_maison/ ID : La_maison PASS : robot2009 <PRESS KIT> - 3 images from the animation “La maison en petits cubes” (jpeg) - A photo of the director, Kunio Kato (jpeg) - A digest version of “La maison en petits cubes” (QT) - Press kit document (PDF) - Corporate profile of ROBOT Communications Inc. (PDF) 8 CONTACT For more information and press inquiries, please contact below: Robot Communications Inc. F・A・A・B Tsuyoshi Takizawa / Yui Tanaka +81-3-3760-1068 faab@robot.co.jp .
Recommended publications
  • Pdf • Cynthia Breazeal
    © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org Human{Robot Interaction An Introduction Christoph Bartneck, Tony Belpaeme, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, Selma Sabanovi´cˇ This material has been published by Cambridge University Press as Human Robot Interaction by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic. ISBN: 9781108735407 (http://www.cambridge.org/9781108735407). This pre-publication version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org This material has been published by Cambridge University Press as Human Robot Interaction by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic. ISBN: 9781108735407 (http://www.cambridge.org/9781108735407). This pre-publication version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © copyright by Christoph Bartneck, Tony Belpaeime, Friederike Eyssel, Takayuki Kanda, Merel Keijsers, and Selma Sabanovic 2019. https://www.human-robot-interaction.org Contents List of illustrations viii List of tables xi 1 Introduction 1 1.1 About this book 1 1.2 Christoph
    [Show full text]
  • SRS Deliverable 1.2 Due Date: 30 April 2010
    SRS Deliverable 1.2 Due date: 30 April 2010 SRS Multi-Role Shadow Robotic System for Independent Living Small or medium scale focused research project (STREP) DELIVERABLE D1.2 Technology Assessment Contract number : 247772 Project acronym : SRS Project title : Multi-Role Shadow Robotic System for Independent Living Deliverable number : D1.2 Nature : R – Report Dissemination level : PU – Public Delivery date : 27 May 2010 Author(s) : Georg Arbeiter Partners contributed : CU, CLMI-BAS, Fraunhofer, HdM, HPIS, INGEMA, PROFACTOR, ROBOTNIK and BED Contact : Georg Arbeiter, Fraunhofer IPA, Nobelstrasse 12, 70569 Stuttgart Phone: +49(0)711/970-1299, Fax +49(0)711/970-1008 Email: [email protected] The SRS project was funded by the European Commission under the 7th Framework Programme (FP7) – Challenges 7: Independent living, inclusion and Governance Coordinator: Cardiff University FP7 ICT Contract No. 247772 1 February 2010 – 31 January 2013 Page 1 of 89 SRS Deliverable 1.2 Due date: 30 April 2010 Table of Contents 1. Introduction ........................................................................................................................ 4 1.1. Assistive technologies and daily life difficulties......................................................... 4 1.2. Summary of the technology assessment...................................................................... 8 2. Telerobotics Control Model ............................................................................................... 9 2.1. Introduction.................................................................................................................
    [Show full text]
  • Commercials Issueissue
    May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era.
    [Show full text]
  • 22 VII. the New Golden Age Then Something Wonderful Happened. Just When Everything Was Looking As Grim As It Could for the Art O
    VII. The New Golden Age Then something wonderful happened. Just when everything was looking as grim as it could for the art of animation, technology came to the rescue. Here was an art form born only because technology made it possible, almost died when the human costs in time and effort became too high, and now was rescued by technology again. The computer age saved animation. Since computers first came on the scene in the 50s, there have been people who have tried to create machinery and programs to make animation faster, easier and cheaper to both make and distribute. From machines like copiers and scanners, to computers that can draw and render, to the distribution of animation by cable, Internet, phones, tablets and video games - as one character says, “To infinity and beyond” - animation has been totally reborn. As the old animators of the Golden Age were dying off, the new technologies created a huge demand for the old craft. Fortunately, many of the old men were able to pass on their skills to a younger generation, which has helped the quality of today's animation meet and exceed the animation of the Golden Age. In 1985, Girard and Maciejewski at OSU publish a paper describing the use of inverse kinematics and dynamics for animation.! The first live-action film to feature a complete computer-animated character is released, "YOUNG SHERLOCK HOLMES."! Ken Perlin at NYU publishes a paper on noise functions for textures. He later applied this technique to add realism to character animations. In 1986, "A GREEK TRAGEDY" wins the Academy Award.
    [Show full text]
  • Robotics 2020 Multi-Annual Roadmap
    Robotics 2020 Multi-Annual Roadmap For Robotics in Europe Call 2 ICT24 (2015) – Horizon 2020 Release B 06/02/2015 Rev A: Initial release for Comment. Rev B: Final Release for Call Contents 1. Introduction ........................................................................................................... 1106H 1.1 MAR Content .............................................................................................................................. 2107H 1.2 Reading the Roadmap ............................................................................................................ 3108H 1.2.2. Why read this document? .................................................................................................................. 3109H 1.3 Understanding the MAR ........................................................................................................ 5110H 1.3.1. MAR Background ................................................................................................................................... 5111H 1.3.2. Structure of the MAR ........................................................................................................................... 5112H 1.3.3. Technical Progression in the MAR ................................................................................................. 7113H 1.3.4. Use of the MAR in Proposals ............................................................................................................. 8114H 1.3.5. Step Changes and TRLs ......................................................................................................................
    [Show full text]
  • Der Japanische Monsterfilm (Daikaijū -, Kaijū -, Daimajin - Und Kaijin Eiga) – Filmographie Und Bibliographie Von Ludger Kaczmarek & Hans J
    Repositorium für die Medienwissenschaft Ludger Kaczmarek; Hans Jürgen Wulff Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie 2018 https://doi.org/10.25969/mediarep/12780 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kaczmarek, Ludger; Wulff, Hans Jürgen: Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2018 (Medienwissenschaft: Berichte und Papiere 147). DOI: https://doi.org/10.25969/mediarep/12780. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0147_18.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 147, 2018: Japanischer Monsterfilm Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek u. Hans J. Wulf. ISSN 1613-7477. URL: htp://berichte.derwulf.de/0147_18.pdf. Letzte Änderung: 25.09.2018. Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga) – Filmographie und Bibliographie von Ludger Kaczmarek & Hans J. Wulf Inhalt: 1. Vom Horror zum Trash – der japanische Monsterflm / Oliver Miller [1] 1.1 Die Wurzeln des Monsterflms [1] 1.2 Der Ursprung des japanischen Monsterflms: oodzilla [2] 1.3 Die Monster sind los – auf dem Weg in die Kommerzialisierung [3] 1.4 Der japanische Monsterflm als eigenstänndiges oenre [4] 1.5 Die Rückkehr oodzillas und ein Blick in die ZukunF [4] 1.6 Fazit [5] Anmerkungen [5] 2.
    [Show full text]
  • Shiva in Steel (1998)
    1 An all-new Berserker . novel! D-315-flt35t-fl I 5 CAN) A master of science fiction, fantasy, and horror, Saberhagen is one of the most prolific and inventive novelists of our time. Now, in Shiva in Steel, he returns to the riveting saga of the Berserkers, a race of intelligent machines devoted to exterminating all organic life. In a sector of the galaxy occupied by Earth-descended people, one Berserker computer has suddenly and mysteriously developed a tactical strategy unlike anything the human opposition has seen before. Shiva, like the Hindu god of destruction after which it was named, annihilates entire colonies with the help of its fiendish subordi­ nates. Commander Claire Normandy strug­ gles to prepare for Shiva's attacks, while Pilot Harry Silver realizes that he must deal with his own demons in order to help her. When the Berserkers approach, a decision is made to destroy the destroyer, whatever the cost. Neither side, howev ared for the incredible risks that c the artack becomes imminent. C ndy, Silver, and their forces face the that (com r fla p ) SHIVA IN STEEL Tor Books by Fred Saberhagen THE BERSERKER SERIES The Berserker Wars Berserker Base (with Poul Anderson, Ed Bryant, Stephen Donaldson, Larry Niven, Connie Willis, and Roger Zelazny) Berserker: Blue Death The Berserker Throne Berserker’s Planet Berserker Kill Berserker Fury Shiva in Steel THE DRACULA SERIES The Dracula Tapes The Holmes-Dracula Files An Old Friend o f the Family Thorn Dominion A Matter o f Taste A Question o f Time Seance for a Vampire A Sharpness on
    [Show full text]
  • Corke Thesis
    High-Performance Visual Closed-Loop Robot Control By Peter Ian Corke A thesis submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy July 1994 Department of Mechanical and Manufacturing Engineering University of Melbourne Abstract This thesis addresses the use of monocular eye-in-hand machine vision to control the position of a robot manipulator for dynamically challenging tasks. Such tasks are defined as those where the robot motion required approaches or exceeds the performance limits stated by the manufacturer. Computer vision systems have been used for robot control for over two decades now, but have rarely been used for high-performance visual closed-loop control. This has largely been due to technological limitations in image processing, but since the mid 1980s advances have made it feasible to apply computer vision techniques at a sufficiently high rate to guide a robot or close a feedback control loop. Visual servoing is the use of com- puter vision for closed-loop control of a robot manipulator, and has the potential to solve a number of problems that currently limit the potential of robots in industry and advanced applications. This thesis introduces a distinction between visual kinematic and visual dynamic con- trol. The former is well addressed in the literature and is concerned with how the ma- nipulator should move in response to perceived visual features. The latter is concerned with dynamic effects due to the manipulator and machine vision sensor which limit per- formance and must be explicitly addressed in order to achieve high-performance control. This is the principle focus of the thesis.
    [Show full text]
  • What Do Collaborations with the Arts Have to Say About Human-Robot Interaction?" Report Number: WUCSE-2010-15 (2010)
    Washington University in St. Louis Washington University Open Scholarship All Computer Science and Engineering Research Computer Science and Engineering Report Number: WUCSE-2010-15 2010 What do Collaborations with the Arts Have to Say About Human- Robot Interaction? William D. Smart, Annamaria Pileggi, and Leila Takayama This is a collection of papers presented at the workshop "What Do Collaborations with the Arts Have to Say About HRI", held at the 2010 Human-Robot Interaction Conference, in Osaka, Japan. Follow this and additional works at: https://openscholarship.wustl.edu/cse_research Part of the Computer Engineering Commons, and the Computer Sciences Commons Recommended Citation Smart, William D.; Pileggi, Annamaria; and Takayama, Leila, "What do Collaborations with the Arts Have to Say About Human-Robot Interaction?" Report Number: WUCSE-2010-15 (2010). All Computer Science and Engineering Research. https://openscholarship.wustl.edu/cse_research/38 Department of Computer Science & Engineering - Washington University in St. Louis Campus Box 1045 - St. Louis, MO - 63130 - ph: (314) 935-6160. Department of Computer Science & Engineering 2010-15 What do Collaborations with the Arts Have to Say About Human-Robot Interaction? Authors: William D. Smart, Annamaria Pileggi, and Leila Takayama Corresponding Author: [email protected] Abstract: This is a collection of papers presented at the workshop "What Do Collaborations with the Arts Have to Say About HRI", held at the 2010 Human-Robot Interaction Conference, in Osaka, Japan. Type of Report: Other Department of Computer Science & Engineering - Washington University in St. Louis Campus Box 1045 - St. Louis, MO - 63130 - ph: (314) 935-6160 What Do Collaborations with the Arts Have to Say About Human-Robot Interaction? Papers from the 2010 HRI Workshop William D.
    [Show full text]
  • Program Guide Conference at a Glance 2 INCLUDED with YOUR REGISTRATION
    GUIDE TABLE OF CONTENTS 2 Conference at a Glance PROGRAM 3 Included in Your Registration 7 General Information 11 Featured Speakers 14 Conference Overview 17 Simultaneous Translation Sessions 18 Japanese Sessions 23 Exhibition 24 Job Fair 25 Co-Located Event 26 Get Involved 27 Art Gallery 43 Computer Animation Festival 54 Courses 82 Educators Program 98 Emerging Technologies 113 Sketches & Posters 138 Technical Papers 158 Special Sessions 164 Exhibitor Tech Talks & Sessions 171 Committees 174 ACM Overview 176 ACM Cooperative Agreements 178 Special Thanks & Acknowledgements SIGGRAPH M ed by AC Sponsor CONFERENCE AT A GLANCE TABLE OF CONTENT S CONFERENCE REGISTRATION CATEGORIES ■ Full Conference Access ● One-Day Full Conference ▲ Basic Conference ◆ Exhibits Only Tuesday Wednesday Thursday Friday Saturday 15 December 16 December 17 December 18 December 19 December Registration 15:00 - 19:00 8:00 - 18:00 8:00 - 18:00 8:00 - 18:00 8:00 - 15:00 Merchandise Pickup & 8:00 - 18:00 8:00 - 18:00 8:00 - 18:00 8:00 - 16:30 SIGGRAPH Asia Store ■ ● ▲ Art Gallery 9:30 - 18:30 9:30 - 18:30 9:30 - 17:00 Emerging Technologies Computer Animation Festival ■ ● ▲ Animation Theater 9:00 - 18:00 9:00 - 18:00 9:00 - 18:00 ■ ● Electronic Theater 19:00 - 21:00 19:00 - 21:00 16:15 - 18:15 19:00 - 21:00 ■ ● Courses 9:00 - 18:00 9:00 - 18:00 9:00 - 18:00 9:00 - 18:00 ■ ● Educators Program 9:00 - 18:00 9:00 - 18:00 9:00 - 18:00 ■ ● ▲ Posters 9:00 - 18:00 9:00 - 18:00 9:00 - 18:00 ■ ● Sketches 9:00 - 18:00 9:00 - 18:00 9:00 - 18:00 ■ ● ▲ Special Sessions 9:00 - 18:00 9:00 - 18:00 9:00 - 18:00 ■ ● Technical Papers 9:00 - 18:30 8:30 - 18:00 9:00 - 18:30 ■ ● Featured Speakers 11:00 - 12:30 14:15 - 15:45 14:15 - 15:45 ■ ● ▲ Technical Papers 18:00 - 20:00 Fast Forward Session ■ ● ▲ ◆ Exhibition 9:30 - 18:30 9:30 - 18:30 9:30 - 17:00 ■ ● ▲ ◆ Exhibitor Tech Talks 10:00 - 18:00 10:00 - 18:00 10:00 - 16:00 ■ ● ▲ ◆ Digital Bazaar 9:30 - 18:30 9:30 - 18:30 9:30 - 17:00 ■ ● ▲ ◆ Job Fair 9:30 - 18:30 9:30 - 18:30 9:30 - 17:00 Conference schedule subject to change.
    [Show full text]
  • 2012 年 3月 Bunka-Cho
    文化庁では、魅力ある総合芸術であり、かつ海外への日本文化発信の有効な媒体である日本映画の振興に、様々な観点 から取り組んでいます。その一環として、映画をあらゆる角度から取り上げる「文化庁映画週間」を東京国際映画祭期間 中に開催し、あらゆる立場の人々が映画を通じて集う場を提供しています。 今回、8 回目となる「文化庁映画週間」は、優れた文化記録映画作品および永年にわたり日本映画を支えてこられた方々 を顕彰する「文化庁映画賞贈呈式」や受賞作品による「受賞記念上映会」をはじめ、様々な映画人による「シンポジウム ― MOVIE CAMPUS ―」、映画関係者以外の著名人をナビゲーターに迎えた「映画ナビゲーターズ」を実施しました。 2012 年 3 月 Bunka-Cho (Agency for Cultural Affairs) supports promotion of Japanese films from various viewpoints, including supporting film production, facilitating distribution and exhibition, as well as human resource development. As part of such efforts, Bunka-Cho holds the “Bunka-Cho Film Week” during the period of the Tokyo International Film Festival. It considers “films” from multiple angles and provides opportunities for many people involved with “films” to participate in the Film Festival. This year, at the eighth occasion of the Bunka-Cho Film Week, the following events were held: an awards presentation ceremony to commend excellent documentaries and individuals who have supported Japanese films for many years, a commemorative screenings for prizewinners, and a symposium (“MOVIE CAMPUS”) with various people from the film industry. There was also a talk show event (“Film Navigators”) in which non-filmmaker guests served as “movie navigators.” March, 2012 「第 8 回文化庁映画週間 ̶ Here & There 」チラシ “Bunka-Cho Film Wee k 2011 ̶ Here & There” Flyer 2 Bunka-Cho Film Week 2011 目次 Contents 平成 23 年度 The Bunka-Cho 文化庁映画賞 Film Awards 2011 文化記録映画部門 6 Documentary Film Category 『ショージとタカオ』 Shoji & Takao 『里湖 八郎潟物語』 Satoumi Story of Hachiro Lake
    [Show full text]
  • La Storia Di Doraemon
    presenta di TAKASHI YAMAZACHI e RYÛICHI YAGI una distribuzione durata 94’ min I materiali del film sono scaricabili dal sito www.luckyred.it/press uscita 6 NOVEMBRE 2014 Ufficio stampa Alessandra Tieri (+39 335.8480787 [email protected]) Georgette Ranucci (+39 335.5943393 [email protected]) Olga Brucciani (+39 388.4486258 [email protected]) 2 CAST TECNICO Regia di Ryuichi Yagi Takashi Yamazaki Sceneggiatura di Takashi Yamazaki Tratto dall’opera di Fujiko F Fujio Produzione Shin-ei Animation Shirogumi Robot Communications ADATTAMENTO ITALIANO DOPPIAGGIO MERAK FILM TRADUZIONE ENRICO CROCE DIALOGHI ITALIANI SERGIO ROMANO’ DIRETTORE DEL DOPPIAGGO DAVIDE GARBOLINO ASSISTENTE AL DOPPIAGGIO ANTONELLA MARCORA LE VOCI DORAEMON PIETRO UBALDI NOBITA DAVIDE GARBOLINO GIAN LUCA BOTTALE SUNEO PATRIZIA SCIANCA SHIZUKA FEDERICA VALENTI MAMMA NOBITA ELDA OLIVIERI PAPA’ NOBITA CESARE RASINI MAMMA GIAN ELISABETTA CESONE PAPA’ SHIZUKA MARCO BALBI JYAIKO IOLANDA GRANATO DEKISUGI RENATA BERTOLAS MAESTRO SERGIO ROMANO’ SEWASHI ANDREA OLDANI ALTRE VOCI JACOPO CALATRONI FEDERICO ZANANDREA FONICO DI DOPPIAGGIO STEFANO DI MODUGNO FONICO DI MIX ANDREA POCHINI 3 SINOSSI Nobita è un bambino di 10 anni destinato ad un futuro di insuccessi a causa della sua natura pigra e indolente. Per evitare che diventi un vero e proprio perdente, arriva in suo soccorso Doraemon, una sorta di “fratello maggiore” con il compito di aiutarlo a difendersi dai bulli Gian e Suneo e a diventare un ragazzino assennato e un adulto responsabile. Per riuscire nell’intento, Doraemon utilizza una serie di incredibili e magici gadget, i chiusky, che in questa occasione condurranno il gatto azzurro e il piccolo Nobita nel futuro per provare a modificare una sorte che gli si preannuncia non proprio felice, soprattutto sul lato sentimentale… Riuscirà Nobita a conquistare finalmente Shizuka, la dolce amica che ama da sempre e a non farsi più influenzare da Gian e Suneo? Il loro sarà un viaggio nel tempo avvincente e ricco di sorprese che non deluderà i fan vecchi e quelli nuovi.
    [Show full text]