OSDIA Capitolo Di Roma Receives the Charter
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It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Mafia Motifs in Andrea Camilleri's Detective
MAFIA MOTIFS IN ANDREA CAMILLERI’S DETECTIVE MONTALBANO NOVELS: FROM THE CULTURE AND BREAKDOWN OF OMERTÀ TO MAFIA AS A SCAPEGOAT FOR THE FAILURE OF STATE Adriana Nicole Cerami A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (Italian). Chapel Hill 2015 Approved by: Dino S. Cervigni Amy Chambless Roberto Dainotto Federico Luisetti Ennio I. Rao © 2015 Adriana Nicole Cerami ALL RIGHTS RESERVED ii ABSTRACT Adriana Nicole Cerami: Mafia Motifs in Andrea Camilleri’s Detective Montalbano Novels: From the Culture and Breakdown of Omertà to Mafia as a Scapegoat for the Failure of State (Under the direction of Ennio I. Rao) Twenty out of twenty-six of Andrea Camilleri’s detective Montalbano novels feature three motifs related to the mafia. First, although the mafia is not necessarily the main subject of the narratives, mafioso behavior and communication are present in all novels through both mafia and non-mafia-affiliated characters and dialogue. Second, within the narratives there is a distinction between the old and the new generations of the mafia, and a preference for the old mafia ways. Last, the mafia is illustrated as the usual suspect in everyday crime, consequentially diverting attention and accountability away from government authorities. Few critics have focused on Camilleri’s representations of the mafia and their literary significance in mafia and detective fiction. The purpose of the present study is to cast light on these three motifs through a close reading and analysis of the detective Montalbano novels, lending a new twist to the genre of detective fiction. -
National Gallery of Art Fall 2014 Film Program
Film Fall 2014 Film Fall 2014 National Gallery of Art with American University School of Communication American Film Institute Goethe-Institut, Washington National Archives National Portrait Gallery Introduction 5 Schedule 7 Special Events 11 Suso Cecchi d’Amico: Homage at 100 15 Viewing China 19 American Originals Now: Jodie Mack 22 Morality and Beauty: Marco Bellocchio 23 The Play’s the Thing: Václav Havel, Art and Politics 28 Also Like Life: Hou Hsiao-hsien 30 Athens Today 32 Index 36 Standing Aside, Watching p34 Cover: Moon Over Home Village p19 During the fall of 2014, with the ongoing renovations in the East Building, a number of National Gallery of Art screen- ings are moving to various sites in Washington, DC; please note the temporary locations on the following pages. We are grateful this season for the cooperation of many other institutions, including the National Portrait Gallery, National Archives, American University, Goethe-Institut Washington, and American Film Institute. The season opens with a tribute to the influential Italian screenwriter Suso Cecchi d’Amico on her one-hundredth birthday. During subsequent weeks there are other opportunities to view the rich legacy of Italian cin- ema, including a retrospective devoted to Marco Bellocchio. Viewing China, a program of non-fiction work from mainland China, relates aspects of rural and urban life and contrasts recent indie cinema with films made by the state-owned Cen- tral Newsreel and Documentary Studio. In December there is an opportunity to view the important oeuvre of Taiwanese filmmaker Hou Hsiao-hsien during a major retrospective tak- ing place at the Freer Gallery, the American Film Institute, and the Goethe-Institut, in partnership with the National Gallery of Art. -
Appel À Contribution Édito Appel À Archive
ÉDITO Lettre envoyée par le président de l’association Home Cinéma à toutes les salles de cinéma parisiennes et aux institutions culturelles françaises , ou par mail à Bonjour, Depuis septembre 2019, l’association Home Cinéma que je préside occupe le cinéma [email protected] La Clef pour en empêcher la fermeture. Vous savez toutes et tous, comme moi, l’importance de cette salle et combien elle ne menace aucunement l’écosystème du paysage cinématographique français. Bien au contraire, elle complémente la production dominante sans lui porter préjudice, sans APPEL À ARCHIVE d'un numéro spécial, vue de la préparation En nous sommes à la recherche de tout document ou ou témoignages (photographies d'archives depuis sa du cinéma La Clef sur l'histoire autres) création. par courrier au nous les adresser pouvez Vous 34, rue Daubenton, 75005 Paris suivante : l'adresse de nous préciser leur n'oubliez pas P.S. : auteur•rice•s. et/ou provenance compétition déloyale. Ce cinéma a toujours accueilli des films précarisés et/ou laissé leur chance et du temps à des œuvres que les autres salles ne pouvaient plus garder sur leurs écrans. Nous savons votre soutien et vous en remercions. Mais aujourd’hui, il est urgent The Musketeers of Pig Alley, David Wark Griffith, 1912 que vous fassiez un pas supplémentaire pour prendre part à cette lutte. Son issue ne dépend plus de nous, l’association Home Cinéma, mais bien de vous, et de notre capacité à nous fédérer. La menace que constitue le groupe SOS concerne l’ensemble du secteur culturel parisien et français, et nous devons, collectivement, prendre la mesure de ce que cela signifie. -
Orizzonti © Edizioni Kaplan 2012 Via Saluzzo, 42 Bis - 10125 Torino Tel
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio istituzionale della ricerca - Università di Macerata orizzonti © edizioni kaplan 2012 Via Saluzzo, 42 bis - 10125 Torino Tel. e fax 011-7495609 [email protected] www.edizionikaplan.com ISBN 978-88-89908-73-0 Anton Giulio Mancino Schermi d’inchiesta Gli autori del film politico-indiziario italiano k a p l a n Indice Introduzione 7 Capitolo 1 25 Carlo Lizzani: realtà e verità Capitolo 2 46 Francesco Rosi: caso e causalità Capitolo 3 89 Damiano Damiani: diritto e rovescio Capitolo 4 125 Giuseppe Ferrara: strategia dell’attenzione Appendici: Documenti inediti 155 Documento su La terra trema: Indagine su agitazioni operaie e 157 contadine (1947) Primo documento su Salvatore Giuliano: Appunto per il direttore 163 generale (1961) Secondo documento su Salvatore Giuliano: Trama e giudizio della 165 Direzione Generale dello Spettacolo (1961) Terzo documento su Salvatore Giuliano: Appunto per l’onorevole 173 ministro (1961) Cos’è il cinema e perché farlo di Giuseppe Ferrara (2009) 181 Bibliografia 189 Indice dei nomi e dei film citati 199 Introduzione Questo libro nasce dall’esigenza di sviluppare un percorso di ricerca iniziato nel 2008 con Il processo della verità. Le radici del film politico-indiziario ita- liano, dove per l’appunto non si è guardato tanto al contributo specifico dei singoli autori coinvolti, di cui pure sono state esaminate alcune opere o parti importanti di esse, quanto piuttosto – lo ricordiamo – a quella corrente di energia euristica, una preoccupazione per gli eccessivi impe- dimenti alla conoscenza politica della verità, o della verità politica […] che attraversa il film in un particolare punto o momento, chetransita con maggiore o minore intensità da un film all’altro, esattamente come fa il potere con gli individui riducendoli a semplici elementi di raccordo. -
231 0931 Presenteert / Présente
CINEMIEN Designcenter De Winkelhaak Lange Winkelhaakstraat 26 2060 Antwerpen t. 03 – 231 0931 www.cinemien.be presenteert / présente release : 14/12/2016 Persmappen en beeldmateriaal van al onze actuele titels kan u downloaden van onze site: Vous pouvez télécharger les dossiers de presse et les images de nos films sur: www.cinemien.be pag. 2 I Pugni in Tasca (Fists in the pocket / Les Poings dans les poches) – synopsis (Her) ontdek de eerste film van Marco Bellocchio, I Pugni in Tasca (Fists in the pocket), in première gegaan in Locarno (1965) en nu, 50 jaar later, prachtig gerestaureerd door de Cinematheek van Bologna! Vandaag nog steed wordt de film, die destijds als een bom insloeg bij de release in de bioscoop, als hét chef-d’œuvre van de Maestro beschouwd. Alessandro (Lou Castel) woont met zijn drie broers, zus en hun blinde moeder in een Italiaanse villa. Allen lijden aan epilepsie, behalve de oudste zoon Augusto (Marino Mase). Augusto is de enige die een normaal leven kan leiden en hij is dan ook de kostwinner van de familie. Dit alles legt een grote druk op zijn liefdesleven. Het liefst wil hij trouwen, maar wil tegelijkertijd zijn vriendin niet opzadelen met de last van zijn zieke familie. Alessandro is van mening dat Augusto enkel vrij is zijn leven te leiden wanneer zijn broers, zus en moeder er niet meer zouden zijn. Duur: 105min - Dialogen: Italiaans - Ondertiteling: Nederlands (Re) découvrez le premier film de Marco Bellocchio, Les Poings dans les poches, primé à Locarno (1965) et magnifiquement restauré par la Cinémathèque de Bologne 50 ans après ! Encore aujourd’hui, ce film, qui fit l’effet d’une bombe à sa sortie en Italie, est considéré comme le chef-d’œuvre du Maestro. -
«The Witch Trials»
An unique dramatic evening with one of the most beloved Italian star of all time OORRNNEELLLLAA MMUUTTII on stage play by Silvano Spada. Based on unbelievable true story “This is the real hymn of the women” (Ornella Muti) ««TTHHEE WWIITTCCHH TTRRIIAALLSS»» «Processo alla strega» Directed by Enrico Maria Lamanna WWHHOO DDOOEESS NNOOTT LLOOVVEE HHAATTEESS LLOOVVEERRSS On March 20, 1428, in the square of the Umbrian town of Todi, where the Duomo stands and surrounds the ancient palaces of the Signoria, a tribunal witр accuser of excellence, created by the connivance between religious power and civil authority, condemned Francesco Matteuccia (Ornella Muti) as the first woman to be sent to the stake with the accusation of witchcraft. A faithful reproduction of the climate of a time when it was difficult to be a woman and wondered what God might be so powerful would be forbidding man to fall in love. The story about the time when the world was dominated by power and harassment, where the man has absolute dominion, and where, in the name of evangelical dictates only true on paper, the woman trying to raise her head and go against it must be punished to overthrow the initiatives that Have the feeling of autonomy and independence. Matteuccia becomes a symbol of female independence, and as such should be stopped with the weapon of aridity and antidiabolic crusade. Ornella Muti adds beauty and beauty to a precise and painful act together with the dignity that makes him the representative of all women subjected to injustice. She performing in the extraordinary figure of Matteuccia, a fragile and helpless woman, accused of loving and screaming with pain: "Who does not He hates who he loves." "A desperately beautiful show," says good director Lamanna, "painfully timely and strong. -
Presence of the Colonial Past Afrika Auf Europas Büh N E N a Reader on the Focus of the Theaterformen Festival Braunschweig 2010
presenCE of the colonial past afrika auf europas bÜh n e n a reader on the focus of the Theaterformen Festival Braunschweig 2010 supported by Content Editorial 04 I. ARCHIVE OF A POSSIBLE FUTURTE | Film series Archive of a possible future – notes on a film series | Nanna Heidenreich 06 Programme 08 II. Theatre productions Missie 10 Introduction 11 Ivo Kuyl interviews David van Reybrouck 12 Excerpt from Missie by David van Reybrouck 15 Exhibit A: Deutsch-Südwestafrika 16 Introduction 17 Performers’ quotes 18 The past that never ends Interview with Brett Bailey and Paul Grootboom | Frankfurter Rundschau 20 Influx Controls I: I wanna be wanna be Influx Controls II: On the 12th night of never I will not be held black 23 Introduction 24 Africa’s spirit was trampled down | Braunschweiger Zeitung 26 Performance Wonder | Kultiversum.de 26 Miss Soweto and the god of David Beckham | Nachtkritik.de 27 With all things Equal | excerpt from Influx Controls I: I wanna be wanna be 28 Pinkie’s Prayer | excerpt from Influx Controls II: On the 12th night of never I will not be held black 29 Pour en finir avec Bérénice 30 Introduction 31 The tragedy stays | Braunschweiger Zeitung 32 My Only True Country is my Body | David van Reybrouck about Faustin Linyekula 33 The Studios Kabako | Deutschlandfunksendung 36 III. THE PRESENCE OF THE ELSEWHERE IN THE NOW | thematic weekend Introduction 43 The complete programme of the thematic weekend 43 Decolonizing Germany | opening lecture by Kien Nghi Ha 47 Selected projects Baggage | Otobong Nkanga 57 Reconstructing Damon Albarn -
BOOK REVIEWS Federica Colleoni E Francesca Parmeggiani, a Cura Di
BOOK REVIEWS Federica Colleoni e Francesca Parmeggiani, a cura di. Forme, volti e linguaggi della violenza nella cultura italiana. Lonato del Garda, Brescia: Edibom Edizioni Letterarie, 2012. Pp. 260. Questo volume curato da Federica Colleoni e Francesca Parmeggiani raccoglie sedici saggi, tutti sulla rappresentazione della violenza nel cinema e nella letteratura italiana, eccetto il saggio di Sebastiano Ferrari, incentrato sulla canzone autoriale e sui modi in cui Lucio Dalla, Giorgio Gaber e Fabrizio De André hanno denunciato la violenza politica degli anni Settanta. Le curatrici hanno messo insieme efficacemente saggi che presentano, da una vasta gamma di prospettive, diversi aspetti del macro-argomento della violenza: tensione politica, violenza di genere, trauma, distruzione ambientale e criminalità solo per nominarne alcuni. Il volume propone un itinerario che, sebbene in maniera discontinua e con un’attenzione soprattutto al XX secolo, porta il lettore dal XVI secolo ai giorni nostri. Il primo saggio di Stefano Ciammaroni spiega che nei film neorealisti la violenza fascista viene mostrata in maniera plateale ed esteticamente curata così da ispirare negli spettatori un sentimento antifascista unitario e giustificare la violenza partigiana come necessaria per la salvezza del paese. Il saggio si concentra sul documentario Giorni di gloria (1945) realizzato da Visconti, De Santis, Pagliero e Serandei che, partendo da materiale di repertorio e scene ricostruite realisticamente, “presenta una lettura agiografica delle capacità del movimento partigiano di sopportare il martirio e reagire simultaneamente al nemico con equivalente ferocia” (18). I saggi di Chiara Borroni, Francesco Rosetti e Fabio Benincasa si occupano di cinema degli anni Sessanta e Settanta. Borroni si concentra sul cinema d’autore e sulla rappresentazione dello spazio domestico durante il boom economico. -
Reviews of Books and Audiobooks in Italian
Reviews of books and audiobooks in Italian Susanna Agnelli (1922-2009), Vestivamo alla marinara, 231pp. (1975). Susanna Agnelli's paternal grandfather founded the Fiat company in 1899. She was thus a member of one of the richest families in Italy. Vestivamo alla marina is an autobiography beginning in childhood and ending with Agnelli's marriage in 1945. The title \We dressed like sailors" refers to the sailor-suits her parents made all the children wear, and gives little hint of what the book is really about. It begins with the sailor-suits and her upbringing under the stern eye of British nanny \Miss Parker", but before long Italy has joined the Axis and the young \Suni", as Susanna was known, is volunteering as a nurse on ships bringing injured soldiers from Africa back to Italy. As a war memoir it is fascinating, including for example an account of the utter confusion and chaos created by the Armistice of September 8, 1943 (Suni was in Rome at the time). Judging by her own account, Suni was a very courageous young woman, but it is only fair to point out that her war experience was highly atypical because of her access to wealth and power. In the middle of the war, she takes a ski vacation in Switzerland. When she and her brother Gianni need a car in Firenze, hoping to get to Perugia where they can hide out in one of their grandfather's numerous houses and await the allied advance, as Agnellis they have only to go to the local Fiat headquarters and they're set. -
Un Nuovo Museo Per Depero & Co. a Rovereto, Fra Storia Ed Esperimento
25CUL01Z2511 ZALLCALL 12 00:32:48 11/25/97 Martedì 25 novembre 1997 2 l’Unità2 LA CULTURA Il nuovo libro di Jean Giono Verrà realizzato entro il Duemila il complesso architettonico destinato a ospitare i capolavori del «Mart» L’uomo che uccideva Un nuovo museo per Depero & Co. per ammazzare la noia Rivive il clima magico A Rovereto, fra storia ed esperimento Il progetto, firmato da Mario Botta e Giulio Andreolli, prevede una serie di spazi che si snoderanno a partire dal centro sto- delle leggende antiche rico della città. Si tratterà non di un intervento di rottura col passato, ma di dialogo continuo con la cultura preesistente. Alla fine della seconda guerra mon- lo circondano. Egli finirà per cono- diale,JeanGionoattraversòunperio- scere la stessa angosciosa situazio- do molto difficile, dato che, per via ne di vuoto esistenziale che era Oggi il via delsuoradicaleeambiguopacifismo, stata all’origine della furia dell’as- si era trovato sulla lista degli scrittori sassino da lui scoperto. Con sgo- ai lavori collaborazionisti. Un’accusa che egli mento e paura, sentirà crescere rifiutò, ma che per diverso tempo lo dentro di sé la stessa fascinazione con Veltroni tenne ai margini del mondo intellet- per il male, ma alla fine sfuggirà al- tuale francese. Proprio da questa si- la tentazione della violenza con Sarà il vicepresidente del tuazione d’isolamento nacque però un gesto sorprendente e pirotecni- Consiglio Walter Veltroni a un romanzo molto bel- co. dare ufficialmente il via, lo, che ora l’editore Un re senza distrazio- stamani alle 10.30, ai lavori Guanda - che ultima- ni è un romanzo in- per la costruzione del nuovo mente sta facendo tenso che si avvale di polo museale di Rovereto. -
RENE CHAR Lou CASTEL KARI HUKKILA MAURA DEL SERRA ERIKA BURKART RAINALD GOETZ TH
! ! ! ! ! ! ! ! ! ! ! ! RENE CHAR Lou CASTEL KARI HUKKILA MAURA DEL SERRA ERIKA BURKART RAINALD GOETZ TH. BERNHARD SCHILLER BARTOK-KODALY ELIO PETRI & MORE !!"#$%&'!"(()!(**%'!+)!,-+.! ! ! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ! ! ! vvv MAST HEAD Publisher: Contra Mundum Press Editor-in-Chief: Rainer J. Hanshe Senior Editors: Andrea Scrima & Carole Viers-Andronico PDF Design: Martin Rehtul Sucimsagro Logo Design: Liliana Orbach Advertising & Donations: Giovanni Piacenza (Donations can be made at: [email protected]) CMP Website: Bela Fenyvesi & Atrio LTD. Design: Alessandro Segalini Letters to the editors are welcome and should be e-mailed to: [email protected] Hyperion is published three times a year by Contra Mundum Press, Ltd. P.O. Box 1326, New York, NY 10276, U.S.A. W: http://contramundum.net For advertising inquiries, e-mail Giovanni Piacenza: [email protected] Contents © 2013 by Contra Mundum Press, Ltd. and each respective author. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission in writing from Contra Mundum Press, Ltd. After two years, all rights revert to the respective authors. If any work originally published by Contra Mundum Press is republished in any format, acknowledgement must be noted as following and a direct link to our site must be included in legible font at the bottom of the new publication: “Author/Editor, title, year