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An Analysis of Deixis in Students‟ Writing of Recount Text of the Eighth B Grade of Smp N 1 Jeparain the Academic Year 2012/2013
REFERENCES Anggraini, F. (2013). An Analysis Of Deixis In Students‟ Writing Of Recount Text Of The Eighth B Grade Of Smp N 1 Jeparain The Academic Year 2012/2013. Thesis. Kudus: Universitas Muira Kudus Arikunto, S. (2002). Prosedur Penelitian. Jakarta: Rineke, Cipta, Croker, R. A. (2009). An Introduction to Qualitative Research. In Juanita. H. and Robert A. C. (Ed), Qualitative Research in Applied Linguistics: A Practical Introduction. (pp. 3-24). New York: Palgrave Macmillan. Cruse, A. (2000). Meaning in Language: An Introduction to Semantics and Pragmatics. Oxford: Oxford University Press ________. (2006). A Glossary of Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Griffiths, L. (2006). An Introduction to English Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Grundy, P. (2000). Doing Pragmatic. New York: Oxford University press, Horn, L. R. & Gregory W. (2006). The Handbook of Pragmatic. United Kingdom: Blackwell Publishing. Jamjuri. (2015). Social Deixis in Elizabeth the Golden Age Movie Script. Thesis. Yogyakarta: Universitas Islam Negri Sunan Kalijaga Kreidler, C. W. (1998). Introducing English semantics. New York: Routeledge. Kurniyati, L. (2011). Deixis Used in the Readers‟ Forum of the Jakarta Post Newspaper. Thesis. Tulungagung: The State College For Islamic Studies (STAIN) Levinson, S. C. (1983). Pragmatics. London: Cambridge University Press, Mayer, C. F. (2009). Introducing English Linguistics. New York: Oxford University Press, Movie Script of “Doctor Strange”. (n.d). Retrieved from https://transcripts.fandom.com/wiki/Doctor_Strange Noviyanti, E. D. (2013). Deixis Types in President Barac Obama‟s Speech in Universitas Indonesia. Thesis. Tulungagung: IAIN Tulungagung. Saeed, J.I. (2003). Semantics 2nd edition. United Kingdom: Blackwell Publishing. 57 Yule, G. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
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Brown, A.R. (2015) ‘Explaining the naming of heavy metal from rock’s “Back Pages”: a dialogue with Deena Weinstein’. Metal Music Studies, 1 (2): 233-261. Online at: http://dx.doi.org/10.1386/mms.1.2.233_1 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Author’s note: This is the final draft version of the article accepted for publication by Metal Music Studies on the 2nd December 2014. The final copy-edited article is due to be published as: Brown, A.R. (2015) ‘Explaining the Naming of Heavy Metal from Rock’s “Back Pages”: A dialogue with Deena Weinstein’, Metal Music Studies, I (2): 233-261 (April). Explaining the Naming of Heavy Metal From Rock’s “Back Pages”: A Dialogue with Deena Weinstein The origins of the term heavy metal or when the genre was first named is a perennial topic of debate and conjecture among fans, popular music historians, academic-fans and fan-academics. Such debates and refutations can also be found across the web, on metal-blogs, net-cyclopedias, discographies and fan forums. -
The BG News April 22, 1986
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-22-1986 The BG News April 22, 1986 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 22, 1986" (1986). BG News (Student Newspaper). 4520. https://scholarworks.bgsu.edu/bg-news/4520 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Ruggers gain national final four, page 9 THE BG NEWS Vol. 68 Issue 113 Bowling Green, Ohio Monday, April 22,1986 SLS attorney states Soviets ready for intent to resign post summit by Patricia Ritter versity's Board of Trustees. (Scott's) part," Shaffer said. Gorbachev willing staff reporter Shaffer said Scott was hired However, Scott said she sent the by the trustees. Therefore, she informal letter to the board "out if 'atmosphere' The Student Legal Services, must address her resignation to of courtesy for the students." Inc.. board will likely be search- them rather than to the SLS Scott said her reason for re- is appropriate ing for its third attorney in three board, although the SLS board signing "has to do with career years as Sandra Scott, SLS at- must recommend a course of advancement." She said the in- torney, stated her intent to re- action to the trustees. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
28°C—36°C Today D
Community Community Popular Chitra Poudel, Turkish a cyclist with restaurant disability from P6Hasan Kolcuoglu P16 Nepal, made Qatar is all set to open a the 55th stop of new outlet at Oasis his ongoing – Mall Of Qatar. world tour. Tuesday, May 2, 2017 Sha’baan 6, 1438 AH DOHA 28°C—36°C TODAY LIFESTYLE/HOROSCOPE 11 PUZZLES 12 & 13 COVER STORY FIND: A view of two mastodon femur balls, one face up and once face down. The neural spine of a vertebra is exposed (lower right) as is a broken rib (lower left). Unchartered territory Finding of mastodon bones may rewrite story of humans in Americas. P4-5 2 GULF TIMES Tuesday, May 2, 2017 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.36am Shorooq (sunrise) 4.58am Zuhr (noon) 11.31am Asr (afternoon) 3.00pm Maghreb (sunset) 6.07pm Isha (night) 7.37pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Headshot resurfaces to haunt them both in violent fashion. Headshot Local Directory 180 DIRECTION: Timo Tjahjanto, Kimo Stamboel takes a lot of action tropes to the their logical extreme, like International Calls Enquires 150 WRITTEN BY: Timo Tjahjanto the idea that each bad guy that a hero kills brings him closer Hamad International Airport 40106666 CAST: Iko Uwais, Julie Estelle, Chelsea Islan, David to realising his —it’s usually a “his,” alas — potential. The Labor Department 44508111, 44406537 Hendrawan, Zack Lee, Sunny Pang fi lm’s brutal fi ght scenes are, in that sense, only sometimes Mowasalat Taxi 44588888 SYNOPSIS: A man suff ering from amnesia washes ashore gratuitous sources of macho spectacle. -
THE ENOCH FACTOR Sacred Art of Knowing God Acknowledgements I
THE ENOCH FACTOR Sacred Art of Knowing God Acknowledgements I wish to acknowledge Enoch whose spirit has guided this work. Enoch was the son of Jared and father of Methuselah, the two oldest persons on record within the human race. Although the length of Enoch’s life was shorter than that of either his father or son, the breadth of his life reached a dimension unknown to them and only ever known by enlightened sentient beings. “The measure of a life, after all, is not its duration, but its donation.” --Corrie ten Boom, Holocaust survivor (1892 – 1983) Enoch’s donation to the world is that he “WALKED WITH GOD.” If he did, so may we. -- Dr. Steve McSwain Contents Introduction Part One The Sacred Art 1. Conspiracy of Coincidence: The Day I Met the Pope Himself 2. Silence, Solitude, and the Tibetan Monks of Kathmandu 3. Through the Glass—Narrowly 4. Knowing God or Knowing “About” God 5. The Supreme Purpose in All Religions (and, Their Shared Failure) 6. The Half-Lived Life 7. Afternoon of My Discontent…(correction) Discovery 8. Ego: The Culprit in Human Unhappiness 9. Death: Portal into the Awakened Life Part Two Archetype of the Sacred Art 10. A Visit to Remnant Trust: The Book of Enoch 11. Professor Francisco and Mr. Enoch 12. A New Perspective toward Aging and Death 13. Premonitions, Intuitions, and Hyperlinks to the Eternal Part Three Mastery of the Sacred Art 14. Going Within: Taming Self…Touching Source 15. The Temptations of Jesus 16. Michelle, Manhattan, and the Mad, Mad Movies of the Mind Conclusion Bibliography Introduction: “There is no greater agony than bearing an untold story inside of you.” --Maya Angelou (1928 - ) “The most important matter in life is your relationship to the Infinite.” -- Author Unknown You were born to walk with God; so why would you walk alone? This book is about knowing God. -
The Politics of Authenticity in Rock and Electronic Dance Music By
The Politics of Authenticity in Rock and Electronic Dance Music By Luke Pearson A thesis submitted to the Faculty Of Graduate And Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Music and Culture Carleton University Ottawa, Ontario ©2012 Luke Pearson Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91588-2 Our file Notre reference ISBN: 978-0-494-91588-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Steve's Karaoke Songbook
Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA -
“Where the Mix Is Perfect”: Voices
“WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing. -
SONG LIST (Revised 8.28.18) Bad Moon Rising
SONG LIST (Revised 8.28.18) Bad Moon Rising - CCR Lookin' Out My Back Door – CCR Before You Accuse Me - Eric Clapton Wonderful Tonight - Eric Clapton Hey Soul Sister – Train Drops Of Jupiter – Train Hang On Sloopy (OSU song) - The McCoys (no relation) Me & Julio - Paul Simon My Girl - The Temptations Drift Away - Dobi Gray/Uncle Kracker I've Just Seen A Face - The Beatles You’ve Got to Hide Your Love Away – The Beatles I Saw Her Standing There – The Beatles I Want to Hold Your Hand – The Beatles Twist & Shout – The Beatles Don’t Pass Me By – The Beatles Sweet Caroline - Neil Diamond Cherry Cherry – Neil Diamond Country Roads – John Denver Blister in the Sun - Violent Femmes Some Kind Of Wonderful - Grand Funk Railroad Should I Stay Or Should I Go - The Clash In Your Eyes - Peter Gabriel/Jefferey Gaines Simple Man – Lynryd Skynyrd Brown Eyed Girl - Van Morrison Friends in Low Places – Garth Brooks Even if it Breaks Your Heart – Will Hoge/Ely Young Band You Make My Dreams – Hall & Oates Redemption Song - Bob Marley Take it Easy – The Eagles Peaceful, Easy Feeling – The Eagles Hotel California - The Eagles Glory Days – Bruce Springsteen I’m Gonna Be (500 Miles) – The Proclaimers Dancing with Myself – Billy Idol Just What I Needed – The Cars Good – Better Than Ezra Livin’ on a Prayer – Bon Jovi In the Air Tonight – Phil Collins Jesse’s Girl – Rick Springfield Just Like Heaven – The Cure Mr. Jones – Counting Crows Wonderwall – Oasis Runaways – The Killers Maggie May – Rod Stewart That's Alright Mama/Blue Moon Of Kentucky - Elvis Presley Suspicious -
The Bob Seger System Ramblin' Gamblin' Man Mp3, Flac, Wma
The Bob Seger System Ramblin' Gamblin' Man mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ramblin' Gamblin' Man Country: US Style: Blues Rock, Hard Rock, Classic Rock MP3 version RAR size: 1675 mb FLAC version RAR size: 1486 mb WMA version RAR size: 1217 mb Rating: 4.6 Votes: 496 Other Formats: AUD DTS DXD ADX AHX MPC VOX Tracklist A1 Ramblin' Gamblin' Man 2:20 A2 Tales Of Lucy Blue 2:23 A3 Ivory 2:25 A4 Gone 3:25 A5 Down Home 3:10 A6 Train Man 4:05 B1 White Wall 5:15 B2 Black Eyed Girl 6:30 B3 2 + 2 = ? 2:47 B4 Doctor Fine 1:05 B5 The Last Song (Love Needs To Be Loved) 3:02 Companies, etc. Manufactured By – Capitol Records-EMI Of Canada Limited – ST-172 Pressed By – Capitol Records-EMI Of Canada Limited – ST-172 Credits Artwork By – Lockart Bass, Vocals – Dan Honaker Blues Harp – Mike Erelwine (tracks: A5) Drums, Vocals – Pep Perrine Engineer – Jim Bruzzese Lead Guitar, Lead Vocals, Piano, Organ – Bob Seger Organ – Bob Schultz (tracks: A1) Producer, Arranged By – The Bob Seger System*, Punch* Written-By – Bob Seger (tracks: A1-A3, A5-B5), Dan Honaker (tracks: A4) Notes From rear cover: The title of this album up until three days ago was "Tales of Lucy Blue". At that time I realized that Lucy Blue is Ramblin' Gamblin' Man. Thank You Doctor Fine! Bob Seger Barcode and Other Identifiers Matrix / Runout (Label, Side A): ST-SM-1-172 G13 Matrix / Runout (Label, Side B): ST-SM-2-172 G13 Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year Capitol The Bob Seger Ramblin' Gamblin' Records,