Inventory of State House Art and Artifact Collections

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Inventory of State House Art and Artifact Collections

Massachusetts State House Art and Artifact Collections Sculpture Statues and Large Monuments SUBJECT ARTIST LOCATION John Andrew Thomas Ball, 1872 Doric Hall William F. Bartlett Daniel Chester French, 1905 Bartlett Hall Beacon Hill Monument After Charles Bulfinch, 1898 Ashburton Park Civil War Army Nurse Bela Pratt, 1911 Nurses Hall Mary Dyer Sylvia Shaw Judson, 1959 Front Grounds Joseph Hooker Daniel Chester French, 1903 Front Grounds Anne Hutchinson Cyrus E. Dallin, 1915 Front Grounds John F. Kennedy Isabel McIlvain, 1990 Front Grounds Henry Cabot Lodge Raymond Porter, 1932 Front Grounds Horace Mann Emma Stebbins, 1965 Front Grounds Mass. Fallen Firefighters Robert Shure, 2007 Ashburton Park Mass. Law Enforcement Michael Kenny, 2004 Ashburton Park “Sacred” Cod Unknown artist, 1784 House Chamber George Washington Francis Chantrey, 1826 Doric Hall Daniel Webster Hiram Powers, 1859 Front Grounds Roger Wolcott Daniel Chester French, 1906 Main Stair Hall Busts and Small Sculptures John Adams John F. Paramino, 1924 Nurses Hall Oliver Ames Robert A. Kraus, 1890 Memorial Hall Louis D. Brandeis Eleanor Platt, c. 1942 Third Floor George Boutwell Martin Milmore, 1869 Storage Cicero Caproni Brothers cast, late 19th century State Library Massachusetts State House Art Collection: Inventory of Art and Artifacts Sculpture Chaplains’ Memorial Bashka Paeff, 1929 Third Floor “Creation” Kay Worden, 1963 Doric Hall “David and Goliath” Jean M. A. Mercie, 19th century Doric Hall Benjamin Franklin Horatio Greenough, c. 1840 Senate Chamber Arthur B. Fuller Attributed to George Bartlett State Library Frederick Greenhalge Samuel Kitson, 1895 Memorial Hall Charles F. Hoar Daniel Chester French, 1908 State Library Marquis de Lafayette Horatio Greenough, 1833 Senate Chamber Abraham Lincoln Sarah F. Ames, 1867 Senate Chamber Henry Cabot Lodge, Jr. Philip S. Sears, 1929 Bartlett Hall Henry Cabot Lodge, Sr. Philip S. Sears, 1929 (1988 cast) Bartlett Hall John D. Long Pierre Millet, late 19th century State Library Samuel Walker McCall Cartaino Paolo, 1917 Nurses Hall Theodore Roosevelt Gutzon Borglum, 1919 State Library William E. Russell Richard E. Brooks, 1893 Main Stair Hall Samuel F. Smith Cyrus Cobb, 1896 Storage Charles Sumner Martin Milmore, c. 1865 Senate Chamber Caleb Tillinghast Paul A. Garey, c. 1900 State Library Henry Todd Unknown artist, c. 1840 Room 27 Gardner Tufts Richard E. Brooks, 1892 Storage George Washington Christian Gullagher, c. 1799 Senate Chamber George Washington J. A. Houdon (1932 cast) Doric Hall Henry Wilson Martin Milmore, c. 1872 Senate Chamber ~ Bust/Plaque combination installations, all located in or adjacent to Doric Hall John Hancock—Declaration of Independence. Bust cast from original by Horatio Stone, 1915 Abraham Lincoln—Gettysburgh Address. Bust cast from life mask by Leonard Volk, 1912 HEAR US: Massachusetts Women’s Leadership Memorial. Honoring: Dorothea Dix, Lucy Stone, Mary Kenney O’Sullivan, Josephine St. Pierre Ruffin, Sarah Parker Remond, and Florence Luscomb. By Sheila Levrant DeBretteville, Susan Sellers, and Robert Shure, 1999 .

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200128 Centre for the Study of Race and Racism
LONDON’S GLOBAL UNIVERSITY Buildings Naming and Renaming Committee Request for naming Proposal Please set out details of the room / building / equipment or other entity that you wish to propose a name / for, and indicate additionally whether a) this is a naming proposal associated with a philanthropic donation b) you are proposing to name a building or other entity in honour of a deceased staff member or student This is not a philanthropic donation. I am proposing to name the centre after a deceased former student. I propose that we name UCL’s new multi-disciplinary centre for the study of race and racism after Sarah Parker Remond (1826-1894). She meets the circulated criteria under which UCL honours individuals for their exceptional achievements, and I have no doubt that her image and example will inspire those who use the Centre’s facilities and contribute to its mission. Remond was a free-born African American radical, suffragist, anti-slavery activist and later, a physician. She moved to England in 1859 and, as a notable and effective abolitionist campaigner, was the first woman to lecture publicly against slavery in this country. Eventually, she settled in London’s Holland Park where she became active in a range of radical social movements. Remond studied languages and liberal arts at Bedford College before changing direction sharply and enrolling at London University College from where she graduated as a nurse in 1865. She relocated to Italy in 1866 and completed her training as a doctor of medicine in Florence at the Santa Maria Nuova hospital school in 1871.
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INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ■UMIAccessing the Worlds Information since 1938 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA Order Number 8726748 Black 'women abolitionists: A study of gender and race in the American antislavery movement, 1828-1800 Yee, Shirley Jo>ann, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Yee, Shirley Jo-ann. All rights reserved. UMI 300N. ZeebRd. Ann Aibor, MI 48106 BLACK WOMEN ABOLITIONISTS: A STUDY OF GENDER AND RACE IN THE AMERICAN ANTISLAVERY MOVEMENT, 1828-1860 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Shirley Jo-ann Yee, A.B., M.A * * * * * The Ohio State University 1987 Dissertation Committee: Approved by Dr.
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Message from the Co-Chairs
Newsletter of the Science, Technology, and Healthcare Roundtable of the Society of American Archivists Summer 2003 Contents • Message from the Co-Chairs • Around and About Archives • Conferences, Meetings, and Workshops • SAA 2003 Annual Meeting--Los Angeles • STHC Roundtable Steering Committee Members • In Memoriam • Article: JPL Historical Sources, 1936-1958: The Army Years -- John F. Bluth (Independent Contractor, former Archivist at Jet Propulsion Laboratory) • Article: JPL Stories: Profile of a Successful Program -- Rose V. Roberto (Jet Propulsion Laboratory) • Article: Archivists and Artifacts: The Custodianship of Objects in an Archival Setting -- Jeffrey Mifflin (Massachusetts General Hospital) • Article: Transatlantic Searching: Sarah Parker Redmond, an early African American Female Physician -- Karen Jean Hunt (Duke University) Message from the Co-Chairs Lisa A. Mix University of California, San Francisco Jean Deken Stanford Linear Accelerator Center We invite those attending the SAA meeting in Los Angeles to come to the Science, Technology, and Health Care (STHC) Roundtable meeting on Saturday, 23 August 2003, 8:00-9:30 a.m. The STHC Roundtable provides a forum for archivists with similar interests or holdings in the natural, physical and social sciences, technology, and health care, presenting an opportunity to exchange information, solve problems, and share successes. We especially welcome STHC archivists from the Los Angeles area, as well as archivists who do not have a primary focus in these fields but may have questions to ask or collection news to share. We also encourage members to attend some of the STHC-sponsored sessions <http://www.archivists.org/saagroups/sthc/announcements.html> Roundtable Agenda 1. Welcome and introductions 2.
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1 “`And There Shall Be No More Sea.' William Lloyd Garrison and The
“`And There Shall Be No More Sea.’ William Lloyd Garrison and the Transatlantic Abolitionist Movement.” Richard J. Blackett When in early 1865 the Stars and Stripes were once again raised over Fort Sumter William Lloyd Garrison and George Thompson were there to witness the symbolic reuniting of the country at the end of a brutal civil war. It seemed a fitting culmination to the work of the two men who together had struggled for over thirty years to keep the transatlantic abolitionist movement together and who were considered by their peers to be the two pivotal figures in the struggle to win freedom for slaves in the United States. Between them they had crisscrossed the Atlantic half a dozen times in a quest to rally public opinion in favor of abolition inspired in part by Garrison’s bold internationalist declaration: “Our Country is the World—Our Countrymen Are Mankind.” Their efforts did not always pay immediate dividends, but standing at the site where the first shots in the war were fired, both men could take some comfort in the fact that their persistence and commitment to the cause of emancipation had finally borne fruit. The movement had wobbled at times and on occasion had even cracked, but the frequent exchange of visits that they and others made had managed to maintain a semblance of unity in an otherwise fractious alliance. The exchange of letters, books and pamphlets were crucial means of contact, but the glue that held the movement together was the exchange of visits during which friendships were forged and renewed, money raised and attempts made to influence public opinion in favor of emancipation.
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Women Subjects, Women Artists
WOMEN SUBJECTS, WOMEN ARTISTS IN THE MASSACHUSETTS STATE HOUSE ART COLLECTION Commonwealth of Massachusetts State House Art Commission 2020 Paula Morse, Chair Susan Greendyke Lachevre, Curator ` WOMEN SUBJECTS, WOMEN ARTISTS IN THE MASSACHUSETTS STATE HOUSE ART COLLECTION INTRODUCTION While the Commonwealth’s art collection has been on display at the Massachusetts State House since its opening in 1798, it was not until the early 20th century that women were represented. The first tributes were either symbolic – the Civil War Army Nurses Memorial, added in 1914, - or allegorical, as seen in the personifications of nations in murals dating from 1927 - 1938. In fact, the first statue of a historical female figure, that of Anne Hutchinson, was not accepted by the leadership until 1922. Furthermore, the first portrait of a woman, that of Esther Andrews, added in 1939, was not solicited by the Commonwealth but was offered as a gift by her family. In 1863, Emma Stebbins was awarded the contract for a statue of Horace Mann, one of the earliest public monuments in Boston. Although there were certainly many professional women artists working in Boston during the decades that followed, they did not receive commissions until the turn of the century when $9,000 was appropriated for the programmatic expansion of the portrait collection to fill in the gaps in the display of governors under the Constitution. At that time, Boston was blessed with a talented pool of artists, both male and female, trained at the Boston Museum School and in Europe, from whom copies could be commissioned, since original likenesses of former governors were usually privately owned.
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African American Heritage Sites in Salem a Guide to Salem’S History the African American Experience in Salem
National Park Service U.S. Department of the Interior Salem Maritime National Historic Site Salem, Massachusetts African American Heritage Sites in Salem A Guide to Salem’s History The African American Experience in Salem As slaves, as free men, as soldiers, and as activists, African Americans have been an integral part of Salem’s culture and economy since the founding of the city in 1626. Slavery and Salem Salem was founded as a port, and for its first two centuries, the economic prosperity of the town was tied to the slave culture of the British Atlantic, through transportation of slaves or support of the slave economy through the supply of dried cod as a protein source for the slaves on Caribbean plantations. As early as 1638, the first enslaved Africans were brought into the Massachusetts Bay Colony in the Salem-owned vessel Desire. Slaves worked as servants and skilled labor in the homes businesses of Salem throughout the 17th and 18th centuries. Slaveholding in Massachusetts was abolished in 1783, but some Salem merchants and captains continued to profit by shipping slaves throughout the Atlantic. Few records have survived about Salem’s slave trading, but glimpses can be seen in newspapers, personal papers, and diaries, usually when a voyage went badly. In 1789, Captain William Fairfield was killed by a slave uprising on the Felicity as the ship was sailing from the Ivory Coast to Cayenne in South America. The surviving crew members were able to regain control of the ship and eventually sold the Africans. Cultural Expressions Election Day was a holiday for slaves in 18th century New England, and usually included an “election” of a governor.
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Introduction: Purposeful Womanhood
Introduction: Purposeful Womanhood In the spring of 1833, twenty young African American women trekked to the Canterbury Female Seminary located in the town of Canterbury, Connecticut. They were overjoyed to partake in this opportunity for advanced schooling. But white Canterbury residents were far from joy- ful; in fact, they sought to drive these young women out of the town. After seventeen months of continuous harassment, abuse, and even vio- lence, white residents got their wish as the Canterbury Female Seminary closed in September 1834. This incident marked yet another unfortunate case of northern racist violence, but it was more than that too: it reveals a larger, more complex story of African American girls and women in pursuit of knowledge in nineteenth-century America. The controversy surrounding the Canterbury Female Seminary gal- vanized African American women activists, who penned essays on the value of education, set their sights on building schools, and entered the teaching profession. Sarah Mapps Douglass, an African American teacher and school proprietor in Philadelphia, was certain that educa- tion opened a path to civil rights and economic betterment. In a public letter, she offered a powerful motto to guide African American girls and women: “Be courageous; put your trust in the God of the oppressed; and go forward!”1 In her estimation, educated and pious African American girls and women ought to live their lives with a sense of purpose. In Pursuit of Knowledge examines the educational activism of Doug- lass and other African American women and girls living in the antebel- lum Northeast. “Activism” is broadly defined here to capture the forms 2 / introduction of mobilization and resistance sometimes overlooked in histories that rely on more formal definitions.
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UNIVERSITY of CALIFORNIA Los Angeles Charlotte Forten: Coming of Age As a Radical Teenage Abolitionist, 1854-1856 a Dissertation
UNIVERSITY OF CALIFORNIA Los Angeles Charlotte Forten: Coming of Age as a Radical Teenage Abolitionist, 1854-1856 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Kristen Hillaire Glasgow 2019 © Copyright by Kristen Hillaire Glasgow 2019 ABSTRACT OF THE DISSERTATION Charlotte Forten: Coming of Age as a Radical Teenage Abolitionist, 1854-1856 by Kristen Hillaire Glasgow Doctor of Philosophy in History University of California, Los Angeles, 2019 Professor Brenda Stevenson, Chair In 1854, Charlotte Forten, a free teenager of color from Philadelphia, was sent by her family to Salem, Massachusetts. She was fifteen years old. Charlotte was relocated to obtain an education worthy of the teenager’s socio-elite background. The 1850 Fugitive Slave Law had a tremendous impact on her family in the City of Brotherly Love. Even though they were well-known and affluent citizens and abolitionists, the law’s passage took a heavy toll on all people of color in the North including rising racial tensions, mob attacks, and the acute possibility of kidnap. Charlotte Forten: Coming of Age as a Radical Teenage Abolitionist is an intellectual biography that spans her teenage years from 1854-1856. Scholarship has maintained that Charlotte was sent to Salem solely as a result of few educational opportunities in Philadelphia. Reexamining the diary she kept as a teenager in Salem reveals that there was more to the story. Her family’s extensive ties to the Underground Railroad, anti-slavery endeavors, and lack of male guardianship for her in Philadelphia also factored in to the ii family’s decision to send her to Salem.
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Sarah Parker Remond
Case Study: Sarah Parker Remond Born: 1824 Died: 1894 Occupation: lecturer and doctor Claims to fame: she was an abolitionist and a suffragist Her background As a suffragist Glossary Sarah was born in Salem, While in the UK, Sarah studied at Segregation – the prejudiced and Massachusetts in the USA into a Bedford College for Women and racist practice of separating people family of successful business people, became involved with women’s rights based on skin colour or ethnicity entrepreneurs and anti-slavery in Britain and the USA. Sarah is campaigners. Despite being born free, believed to have been the only black The US Civil War (1861–65) – her parents had experienced racism woman to have signed the 1866 between the Northern and Southern and were aware of the conditions for petition for women’s voting rights. States, partially fought on the issue other black people in the USA. As a In 1867, she moved to Italy, and of slavery young, black woman, Sarah attended a qualified in 1868 as a medical doctor. segregated school. She brought a legal She married an Italian man and lived case against a theatre after being in Rome, working as a doctor. Questions forced out when she refused to sit in She remained passionate about 1. Why was it important for segregated seats. She won the case equal rights. abolitionist speakers to visit and the theatre was ordered to stop the UK? segregated seating. She became a Useful links/resources: 2. Was Sarah a typical suffragist? speaker for the American Anti-Slavery • http://www.wcwonline.org/ 3.
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An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe'
H-War Mayle on Salenius, 'An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe' Review published on Thursday, January 16, 2020 Sirpa Salenius. An Abolitionist Abroad: Sarah Parker Remond in Cosmopolitan Europe. Amherst: University of Massachusetts Press, 2016. 232 pp. $28.95 (paper), ISBN 978-1-62534-246-1. Reviewed by Autumn Mayle (West Virginia University)Published on H-War (January, 2020) Commissioned by Margaret Sankey (Air University) Printable Version: http://www.h-net.org/reviews/showpdf.php?id=53931 Sirpa Salenius’s An Abolitionist Abroad examines the interconnection between gender, race, and citizenship through the cosmopolitan experiences of Sarah Parker Remond. Remond’s position as a free, mixed-race African American woman who engaged in charitable and political activism reveals the divergent impact of racial constructs on conceptions of femininity and citizenship in the United States and Europe. This vantage point offers a thought-provoking perspective because it simultaneously supports and challenges the historical narrative on nineteenth-century women, highlighting the importance of intersectionality and individual experience in future scholarship. Though Remond pursued the tenets of middle-class respectability—philanthropic activism, engagement in the public sphere, and education—the prevalence of racist stereotypes throughout the United States denied her equal access to leadership and participation in these institutions. These attitudes barred African American women from the same claim to domestic authority and respectability as white middle-class women. Interestingly enough, this prejudiced view had a silver lining: African American women’s exclusion from ideological authority enabled them to challenge the traditional public/private divide by addressing mixed-race and mixed-sex audiences as anti-slavery lecturers.
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A Deeper View of Suffrage History
A Deeper View of Suffrage History When we think of the women who fought for the vote for women in America, many of us remember Susan B. Anthony, Elizabeth Cady Stanton, Alice Paul, and other well-known white women. That’s because white women wrote the history of the women’s suffrage movement! Rosalyn Terborg-Penn, who died in December of 2018, wrote African American Women in the Struggle for the Vote, 1850-1920 to make us aware of the many courageous and fascinating Black women whose contributions have gone unheralded. I have recently read the book, and here I share, using her facts, my understanding of her compelling story. One of the earliest figures in the story was Sojourner Truth, an escaped slave who became an abolitionist and women’s rights advocate. She was the first known African- American suffragist and she spoke up for human rights throughout the country. “I feel safe in the midst of my enemies, for the truth is all powerful and will prevail.” Sojourner Truth 1797 (?) - 1883 The abolitionist movement that grew in the second half of the 19th century was fertile ground for many women who gained valuable experience in public advocacy and eventually broadened their scope to include the cause of women’s rights in general and suffrage in particular. Harriet Forten Purvis, the daughter of abolitionist James Forten, organized the Fifth National Women’s Rights Convention in 1854. She was a friend of Susan B. Anthony and Lucretia Mott. Mary Ann Shadd Cary was the first Black newspaperwoman, publishing The Freeman from Canada , where her family had moved after the 1850 passage of the Fugitive Slave Act.
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Downtown Walk — 8
Downtown Walk — 8 1Ê -ÌÀiiÌ £È ÀÌ Ê -ÌÀiiÌ >LÀ`}iÊ "6 , / -ÌÀiiÌ / , / +1 9Ê £Ç * ,/" , / +1, £x 6-/",Ê £{ -V Ê-ÌÀiiÌ£Î / , -Ì>ÌiÊ -// Ê -ÌÀiiÌ £n "1- £Ó £ Ó Î { x È £ / ££ Óä Ó£ *,Ê-/, / / Ç Ê-ÌÀiiÌ -//" £ä *>ÀÊ-ÌÀiiÌ ÓÓ i>VÊ n ÓÎ -ÌÀiiÌ >Ì *>Vi Óx "-/" Ê "" Ó{ À>Ê -ÌÀiiÌ 6-/",Ê /ÀiÌÊ 7 ÌiÀÊ-ÌÀiiÌ }ÀiÃÃÊ / , -ÌÀiiÌ ÀV Ê -ÌÀiiÌ / -ÌÀiiÌ i`iÀ>Ê 7>Ã }ÌÊ -ÌÀiiÌ -ÌÀiiÌ Downtown Walk Use this map for all “D” sites T = MBTA stop M = historic marker Downtown Walk — 9 DowntownWalk “The Search for Equal Rights” The Downtown Walk begins at the State House, and goes past many of Boston’s earliest historic sites, ending at Franklin and Washington streets, a block below Tremont Street and the Boston Common. The walk features women across the centuries, with a focus on the eighteenth century through the mid-nineteenth century. It includes women who wrote poetry, essays, and plays and spoke out publicly before members of the Massachusetts State Legislature and in Boston’s halls and churches for the abolition of slavery, woman suffrage, and African American and Native American rights. Boston’s downtown area is home to its business and financial institutions, as well as to a major shopping area and the Quincy Market at Faneuil Hall. Time: 2 hours Begins: Massachusetts State House T Directions: Facing the State House, go left to the outside of the West Wing. D1: Anne Hutchinson Statue State House, Front of West Wing “Now if you do condemn me for Anne Hutchinson (1591-1643) was speaking what in my conscience banished from Boston in the first decade I know to be the truth I must of settlement because her religious views commit myself unto the Lord....” were different from those of the ruling —Anne Hutchinson ministers.
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